Tag: amy adams

2023 Oscar Predictions: May 29th Edition

As the month of May closes out, we arrive at my post Cannes forecast for the 96th Academy Awards! There were heavy hitters premiering in the south of France and buzz to discuss for several of them.

One year ago, Triangle of Sadness took the Palme d’Or (the fest’s top prize) and it eventually became a Best Picture contender at the Oscars. Ruben Östlund, Triangle‘s director who served as this year’s jury president, was also nominated for his behind the camera work.. In 2023, Justine Triet’s Anatomy of a Fall won the biggest honor. The French courtroom drama established itself as a major factor in International Feature Film and it is feasible that it could nab a slot in the eventual BP ten.

Other films that solidified their statuses as Academy bait? We start with Martin Scorsese’s Killers of the Flower Moon. The three and a half hour epic maintains its #1 position in Picture, Director, Supporting Actress (Lily Gladstone), and Supporting Actor after many raves at Cannes. However, the Supporting Actor in first is Robert De Niro and not Jesse Plemons, who was perched there two weeks ago. Reviews indicate it’s De Niro who should have the better shot.

Let’s be clear. My rankings right now reflect who I believe will be nominated and not necessarily who I think will win (it’s simply too early for that). Killers looks to be in a fantastic position for multiples nods after its unveiling.

Jonathan Glazer’s The Zone of Interest is right behind Moon as far as significant chatter out of the festival. The Holocaust drama could contend in Pic and Director. So could lead actress Sandra Hüller. Yet she might have an even stronger chance for her performance in Anatomy of a Fall.

For May December from Todd Haynes, reviews were quite solid. Its best chances at inclusion could be for its trio of actors Natalie Portman, Julianne Moore, and Charles Melton. We’re still not sure if Portman and Moore will be co-campaigned for lead. For now I’m slotting the former in Actress and the latter in supporting.

Wes Anderson’s Asteroid City drew plaudits though mixed reaction elsewhere. I’m skeptical of its chances (though it could play in down-the-line races like Production Design and Score).

Then there’s the features that dropped out of contention. Pixar’s Elemental won’t be the first studio title to vie for BP since Toy Story 3. It might be lucky to get an Animated Feature mention after some lackluster reaction. Indiana Jones and the Dial of Destiny will not be a Top Gun: Maverick style hopeful for Oscars. And the fest’s opener Jeanne du Barry with Johnny Depp might get a Costume Design nod and that’s all.

In 2022, I made predictions for the 95th Academy Awards on this same day. It yielded 3 of the eventual 10 BP nominees with eventual winner Everything Everywhere All at Once, The Fabelmans, and Women Talking. Four others (Avatar: The Way of Water, Elvis, Tár, Top Gun: Maverick) were named in Other Possibilities. I wasn’t ready to anoint Triangle of Sadness despite its Cannes hardware. In Director – I correctly named the victorious Daniels for Everything Everywhere and Steven Spielberg for The Fabelmans. With Best Actress, I had Michelle Yeoh (Everything Everywhere) who would take the gold. Cate Blanchett (Tár) and Ana de Armas (Blonde) were Other Possibilities. I will note that I had Michelle Williams (The Fabelmans) listed in supporting and she was nominated in lead. For Actor, winner Brendan Fraser (The Whale) were correctly called with Austin Butler (Elvis) listed. Both Colin Farrell (The Banshees of Inisherin) and Paul Mescal (Aftersun) were Other Possibilities. None of the five contenders in Supporting Actress were rightly placed. I did have winner Jamie Lee Curtis (Everything Everywhere), her costar Stephanie Hsu, and Hong Chau (The Whale) in Other Possibilities. Finally, Ke Huy Quan (who took the statue) for Everything Everywhere was the only correctly tagged performer in Supporting Actor.

OK… deep breath. With all that context, let’s see where everything and everyone ranks…

Best Picture

Predicted Nominees:

1. Killers of the Flower Moon (Previous Ranking: 1) (Even)

2. The Color Purple (PR: 3) (+1)

3. Past Lives (PR: 2) (-1)

4. Dune: Part Two (PR: 4) (E)

5. Oppenheimer (PR: 5) (E)

6. Saltburn (PR: 7) (+1)

7. The Zone of Interest (PR: 15) (+8)

8. The Holdovers (PR: 8) (E)

9. Air (PR: 9) (E)

10. Poor Things (PR: 6) (-4)

Other Possibilities:

11. May December (PR: 10) (-1)

12. Maestro (PR: 11) (-1)

13. Anatomy of a Fall (PR: Not Ranked)

14. Challengers (PR: 14) (E)

15. Blitz (PR: 13) (-2)

16. Barbie (PR: 12) (-4)

17. Napoleon (PR: 18) (+1)

18. Rustin (PR: 20) (+2)

19. Flint Strong (PR: 17) (-2)

20. Bob Marley: One Love (PR: 16) (-4)

21. The Nickel Boys (PR: 21) (E)

22. The Book of Clarence (PR: 22) (E)

23. The Killer (PR: 19) (-4)

24. Asteroid City (PR: 25) (+1)

25. Ferrari (PR: 23) (-2)

Dropped Out:

Strangers

Best Director

Predicted Nominees:

1. Martin Scorsese, Killers of the Flower Moon (PR: 1) (E)

2. Denis Villeneuve, Dune: Part Two (PR: 3) (+1)

3. Blitz Bazawule, The Color Purple (PR: 4) (+1)

4. Celine Song, Past Lives (PR: 2) (-2)

5. Jonathan Glazer, The Zone of Interest (PR: 14) (+9)

Other Possibilities:

6. Christopher Nolan, Oppenheimer (PR: 6) (E)

7. Emerald Fennell, Saltburn (PR: 7) (E)

8. Yorgos Lanthimos, Poor Things (PR: 5) (-3)

9. Justine Triet, Anatomy of a Fall (PR: Not Ranked)

10. Alexander Payne, The Holdovers (PR: 9) (-1)

11. Bradley Cooper, Maestro (PR: 13) (+2)

12. Ben Affleck, Air (PR: 11) (-1)

13. Ridley Scott, Napoleon (PR: 15) (+2)

14. Greta Gerwig, Barbie (PR: 10) (-4)

15. Steve McQueen, Blitz (PR: 12) (-3)

Dropped Out:

Todd Haynes, May December

Best Actress

Predicted Nominees:

1. Fantasia Barrino, The Color Purple (PR: 1) (E)

2. Greta Lee, Past Lives (PR: 2) (E)

3. Emma Stone, Poor Things (PR: 3) (E)

4. Sandra Hüller, Anatomy of a Fall (PR: Not Ranked)

5. Natalie Portman, May December (PR: 5) (E)

Other Possibilities:

6. Jessica Lange, Long Day’s Journey Into Night (PR: 4) (-2)

7. Carey Mulligan, Maestro (PR: 7) (E)

8. Zendaya, Challengers (PR: 8) (E)

9. Margot Robbie, Barbie (PR: 6) (-3)

10. Saoirse Ronan, Blitz (PR: 9) (-1)

11. Kate Winslet, Lee (PR: 11) (E)

12. Annette Bening, Nyad (PR: 12) (E)

13. Sandra Hüller, The Zone of Interest (PR: 13) (E)

14. Ryan Destiny, Flint Strong (PR: 14) (E)

15. Jane Levy, A Little Prayer (PR: Not Ranked)

Dropped Out:

Regina King, Shirley

Amy Adams, Nightbitch

Best Actor

Predicted Nominees:

1. Colman Domingo, Rustin (PR: 1) (E)

2. Leonardo DiCaprio, Killers of the Flower Moon (PR: 2) (E)

3. Paul Giamatti, The Holdovers (PR: 4) (+1)

4. Barry Keoghan, Saltburn (PR: 3) (-1)

5. Kingsley Ben-Adir, Bob Marley: One Love (PR: 8) (+3)

Other Possibilities:

6. Bradley Cooper, Maestro (PR: 5) (-1)

7. Teo Yoo, Past Lives (PR: 7) (E)

8. Cillian Murphy, Oppenheimer (PR: 6) (-2)

9. Anthony Hopkins, Freud’s Last Session (PR: 11) (+2)

10. Joaquin Phoenix, Napoleon (PR: 10) (E)

11. David Strathairn, A Little Prayer (PR: Not Ranked)

12. Matt Damon, Air (PR: 9) (-3)

13. Ed Harris, Long Day’s Journey Into Night (PR: 13) (E)

14. Mike Faist, Challengers (PR: 12) (-2)

15. John David Washington, The Piano Lesson (PR: 14) (-1)

Dropped Out:

Andrew Scott, Strangers

Best Supporting Actress

Predicted Nominees:

1. Lily Gladstone, Killers of the Flower Moon (PR: 1) (E)

2. Danielle Brooks, The Color Purple (PR: 2) (E)

3. Taraji P. Henson, The Color Purple (PR: 3) (E)

4. Da’Vine Joy Randolph, The Holdovers (PR: 4) (E)

5. Julianne Moore, May December (PR: 6) (+1)

Other Possibilities:

6. Viola Davis, Air (PR: 5) (-1)

7. Rosamund Pike, Saltburn (PR: 7) (E)

8. Lashana Lynch, Bob Marley: One Love (PR: 9) (+1)

9. Audra McDonald, Rustin (PR: 8) (-1)

10. Halle Bailey, The Color Purple (PR: Not Ranked)

11. Aunjanue Ellis, The Nickel Boys (PR: 11) (E)

12. Tilda Swinton, The Killer (PR: 10) (-2)

13. Danielle Deadwyler, The Piano Lesson (PR: 13) (E)

14. Jodie Foster, Nyad (PR: 14) (E)

15. Vanessa Kirby, Napoleon (PR: Not Ranked)

Dropped Out:

Claire Foy, Strangers

Rebecca Ferguson, Dune: Part Two

Best Supporting Actor

Predicted Nominees:

1. Robert De Niro, Killers of the Flower Moon (PR: 4) (+3)

2. Willem Dafoe, Poor Things (PR: 2) (E)

3. Colman Domingo, The Color Purple (PR: 10) (+7)

4. Charles Melton, May December (PR: 8) (+4)

5. John Magaro, Past Lives (PR: 3) (-2)

Other Possibilties:

6. Samuel L. Jackson, The Piano Lesson (PR: 5) (-1)

7. Ryan Gosling, Barbie (PR: 6) (-1)

8. Richard E. Grant, Saltburn (PR: 11) (+3)

9. Ben Affleck, Air (PR: 7) (-2)

10. Jesse Plemons, Killers of the Flower Moon (PR: 1) (-9)

11. Brian Tyree Henry, Flint Strong (PR: 13) (+2)

12. Mark Ruffalo, Poor Things (PR: 9) (-3)

13. Corey Hawkins, The Color Purple (PR: Not Ranked)

14. Glynn Turman, Rustin (PR: 15) (+1)

15. Ben Foster, Long Day’s Journey Into Night (PR: 14) (-1)

Dropped Out:

Jeremy Strong, Maestro

2023 Oscar Predictions: May 14th Edition

My second round of ranked predictions in the six major categories for the 96th Academy Awards comes two days before the 76th Annual Cannes Film Festival gets underway in the south of France. It will conclude on May 27th and you can expect my third round of forecasts shortly thereafter.

At Cannes, we will receive our first reviews and buzz for numerous heavy hitters. Those pictures include Martin Scorsese’s Killers of the Flower Moon, May December from Todd Haynes, Wes Anderson’s Asteroid City, Jonathan Glazer’s The Zone of Interest, Monster from Hirokazu Kore-eda, Firebrand with Alicia Vikander, Pixar’s Elemental, and Indiana Jones and the Dial of Destiny.

Here is my pre-Cannes outlook on Picture, Director, and the four acting derbies and let’s see how this gets shook up in a couple of weeks!

BEST PICTURE

Predicted Nominees:

1. Killers of the Flower Moon (Previous Ranking: 1) (Even)

2. Past Lives (PR: 2) (E)

3. The Color Purple (PR: 3) (E)

4. Dune: Part Two (PR: 4) (E)

5. Oppenheimer (PR: 5) (E)

6. Poor Things (PR: 6) (E)

7. Saltburn (PR: 7) (E)

8. The Holdovers (PR: 12) (+4)

9. Air (PR: 9) (E)

10. May December (PR: 10) (E)

Other Possibilities:

11. Maestro (PR: 11) (E)

12. Barbie (PR: 14) (+2)

13. Blitz (PR: 13) (E)

14. Challengers (PR: 8) (-6)

15. The Zone of Interest (PR: Not Ranked)

16. Bob Marley: One Love (PR: 15) (-1)

17. Flint Strong (PR: 19) (+2)

18. Napoleon (PR: 16) (-2)

19. The Killer (PR: 21) (+2)

20. Rustin (PR: 20) (E)

21. The Nickel Boys (PR: 24) (+3)

22. The Book of Clarence (PR: 17) (-5)

23. Ferrari (PR: 23) (E)

24. Strangers (PR: 18) (-6)

25. Asteroid City (PR: 22) (-3)

Dropped Out:

The Bikeriders

BEST DIRECTOR

Predicted Nominees:

1. Martin Scorsese, Killers of the Flower Moon (PR: 1) (E)

2. Celine Song, Past Lives (PR: 3) (+1)

3. Denis Villeneuve, Dune: Part Two (PR: 2) (-1)

4. Blitz Bazawule, The Color Purple (PR: 5) (+1)

5. Yorgos Lanthimos, Poor Things (PR: 6) (+1)

Other Possibilities:

6. Christopher Nolan, Oppenheimer (PR: 4) (-2)

7. Emerald Fennell, Saltburn (PR: 7) (E)

8. Todd Haynes, May December (PR: 9) (+1)

9. Alexander Payne, The Holdovers (PR: 13) (+4)

10. Greta Gerwig, Barbie (PR: 10) (E)

11. Ben Affleck, Air (PR: 12) (+1)

12. Steve McQueen, Blitz (PR: 11) (-1)

13. Bradley Cooper, Maestro (PR: 14) (+1)

14. Jonathan Glazer, The Zone of Interest (PR: Not Ranked)

15. Ridley Scott, Napoleon (PR: Not Ranked)

Dropped Out:

Luca Guadagnino, Challengers

David Fincher, The Killer

BEST ACTRESS

Predicted Nominees:

1. Fantasia Barrino, The Color Purple (PR: 1) (E)

2. Greta Lee, Past Lives (PR: 2) (E)

3. Emma Stone, Poor Things (PR: 4) (+1)

4. Jessica Lange, Long Day’s Journey Into Night (PR: 7) (+3)

5. Natalie Portman, May December (PR: 5) (E)

Other Possibilities:

6. Margot Robbie, Barbie (PR: 6) (E)

7. Carey Mulligan, Maestro (PR: 9) (+2)

8. Zendaya, Challengers (PR: 3) (-5)

9. Saoirse Ronan, Blitz (PR: 8) (-1)

10. Regina King, Shirley (PR: 11) (+1)

11. Kate Winslet, Lee (PR: 15) (+4)

12. Annette Bening, Nyad (PR: 12) (E)

13. Sandra Hüller, The Zone of Interest (PR: Not Ranked)

14. Ryan Destiny, Flint Strong (PR: 14) (E)

15. Amy Adams, Nightbitch (PR: 10) (-5)

Dropped Out:

Aunjanue Ellis, The Nickel Boys (moved to Supporting)

BEST ACTOR

Predicted Nominees:

1 . Colman Domingo, Rustin (PR: 1) (E)

2. Leonardo DiCaprio, Killers of the Flower Moon (PR: 2) (E)

3. Barry Keoghan, Saltburn (PR: 3) (E)

4. Paul Giamatti, The Holdovers (PR: 9) (+5)

5. Bradley Cooper, Maestro (PR: 6) (+1)

Other Possibilities:

6. Cillian Murphy, Oppenheimer (PR: 7) (+1)

7. Teo Yoo, Past Lives (PR: 4) (-3)

8. Kingsley Ben-Adir, Bob Marley: One Love (PR: 8) (E)

9. Matt Damon, Air (PR: 14) (+5)

10. Joaquin Phoenix, Napoleon (PR: 10) (E)

11. Anthony Hopkins, Freud’s Last Session (PR: 11) (E)

12. Mike Faist, Challengers (PR: 5) (-7)

13. Ed Harris, Long Day’s Journey Into Night (PR: Not Ranked)

14. John David Washington, The Piano Lesson (PR: Not Ranked)

15. Andrew Scott, Strangers (PR: Not Ranked)

Dropped Out:

Andre Holland, The Actor

Paul Mescal, Strangers (moved to Supporting)

Adam Driver, Ferrari

BEST SUPPORTING ACTRESS

Predicted Nominees:

1. Lily Gladstone, Killers of the Flower Moon (PR: 1) (E)

2. Danielle Brooks, The Color Purple (PR: 2) (E)

3. Taraji P. Henson, The Color Purple (PR: 4) (+1)

4. Da’Vine Joy Randolph, The Holdovers (PR: 7) (+3)

5. Viola Davis, Air (PR: 6) (+1)

Other Possibilities:

6. Julianne Moore, May December (PR: 3) (-3)

7. Rosamund Pike, Saltburn (PR: 5) (-2)

8. Audra McDonald, Rustin (PR: 8) (E)

9. Lashana Lynch, Bob Marley: One Love (PR: 9) (E)

10. Tilda Swinton, The Killer (PR: 13) (+3)

11. Aunjanue Ellis, The Nickel Boys (PR: Not Ranked, moved from lead)

12. Claire Foy, Strangers (PR: 11) (-1)

13. Danielle Deadwyler, The Piano Lesson (PR: 10) (-3)

14. Jodie Foster, Nyad (PR: 15) (+1)

15. Rebecca Ferguson, Dune: Part Two (PR: Not Ranked)

Dropped Out:

Jodie Comer, The Bikeriders

Moon Seung-ah, Past Lives

BEST SUPPORTING ACTOR

Predicted Nominees:

1. Jesse Plemons, Killers of the Flower Moon (PR: 1) (E)

2. Willem Dafoe, Poor Things (PR: 2) (E)

3. John Magaro, Past Lives (PR: 5) (+2)

4. Robert De Niro, Killers of the Flower Moon (PR: 3) (-1)

5. Samuel L. Jackson, The Piano Lesson (PR: 4) (-1)

Other Possibilities:

6. Ryan Gosling, Barbie (PR: 7) (+1)

7. Ben Affleck, Air (PR: 12) (+5)

8. Charles Melton, May December (PR: 6) (-2)

9. Mark Ruffalo, Poor Things (PR: 11) (+2)

10. Colman Domingo, The Color Purple (PR: Not Ranked)

11. Richard E. Grant, Saltburn (PR: 8) (-3)

12. Jeremy Strong, Maestro (PR: Not Ranked)

13. Brian Tyree Henry, Flint Strong (PR: 10) (-3)

14. Ben Foster, Long Day’s Journey Into Night (PR: Not Ranked)

15. Glynn Turman, Rustin (PR: 14) (-1)

Dropped Out:

Corey Hawkins, The Color Purple

Robert Downey Jr., Oppenheimer

Paul Dano, Dumb Money

2023 Oscar Predictions: April Edition (Best Actress)

Best Actress is up next in my first ranked projections for the 96th Academy Awards. If you missed my posts on the other three acting derbies, they are linked at the bottom.

Per usual, let’s dispense with the usual caveats. Some of these actresses might end up being supporting players (category placement is a mystery for some pictures this early in the calendar). Some of these movies could get pushed to 2024. Both Emma Stone (Poor Things) and Regina King (Shirley) were initially supposed to contend in 2022.

And, of course, some of these performances will fall by the wayside due to poor reaction while surprises will inevitably pop up. When I made my inaugural rankings for the previous ceremony, I had eventual winner Michelle Yeoh (Everything Everywhere All at Once) listed in third position with Cate Blanchett (Tár) in Other Possibilities.

Here we go!

TODD’S BEST ACTOR PREDICTIONS

1. Fantasia Barrino, The Color Purple

2. Greta Lee, Past Lives

3. Zendaya, Challengers

4. Emma Stone, Poor Things

5. Natalie Portman, May December

Other Possibilities:

6. Margot Robbie, Barbie

7. Jessica Lange, Long Day’s Journey Into Night

8. Saoirse Ronan, Blitz

9. Carey Mulligan, Maestro

10. Amy Adams, Nightbitch

11. Regina King, Shirley

12. Annette Bening, Nyad

13. Aunjanue Ellis, The Nickel Boys

14. Ryan Destiny, Flint Strong

15. Kate Winslet, Lee

2023 Oscar Predictions: April Edition (Best Actor)
2023 Oscar Predictions: April Edition (Best Supporting Actress)
2023 Oscar Predictions: April Edition (Best Supporting Actor)

2023 Oscar Predictions: March Edition (Best Actress)

My initial projections for the 96th Academy Awards arrives at Best Actress. If you missed my takes on the other three acting derbies, they can be accessed at the bottom of the post.

As I’ve mentioned in the other write-ups, this is simply a super early snapshot of the possibilities. A year ago in my first forecast for the 95th Oscars, none of the five actresses I had pegged in this race ended up being nominated. However, the pictures for two of them (Emma Stone for Poor Things and Regina King in Shirley) were pushed back to this year and you can find their names below yet again. Three of the eventual nominees for 2022 were listed in Other Possibilities: eventual winner Michelle Yeoh (Everything Everywhere All at Once), Cate Blanchett (Tár), and Ana de Armas (Blonde).

I’ll have Director and the big prize Picture posted tomorrow!

TODD’S MARCH 2023 OSCAR PREDICTIONS: BEST ACTRESS

Fantasia Barrino, The Color Purple

Greta Lee, Past Lives

Natalie Portman, May December

Margot Robbie, Barbie

Emma Stone, Poor Things

Other Possibilities:

Marisa Abela, Back to Black

Amy Adams, Nightbitch

Annette Bening, Nyad

Regina King, Shirley

Jessica Lange, Long Day’s Journey Into Night

Carey Mulligan, Maestro

Saoirse Ronan, Blitz

Cailee Spaeny, Priscilla

Kate Winslet, Lee

Zendaya, Challengers

2023 Oscar Predictions: March Edition (Best Actor)
2023 Oscar Predictions: March Edition (Best Supporting Actress)
2023 Oscar Predictions: March Edition (Best Supporting Actor)

Best Picture 2018: The Final Five


We have reached 2018 in my posts speculating on a specific piece of Oscar history. As awards followers are aware, 2009 saw the Academy expand the Best Picture category from five movies to ten. That lasted for two years and in 2011, it switched to anywhere from 5-10 with 8 or 9 as the magic numbers for several years. In 2021, the number reverted back to a set ten.

What if that hadn’t happened? What if the BP derby had stayed at a quintet? What pictures would have made the cut? If you missed my write-ups centered on 2009-17, they are linked at the bottom of the post.

2018 is a tricky year to winnow down. In fact, all 8 nominees have strong cases to make the final five. Only one thing is for sure. Peter Farrelly’s Green Book is one of the five considering it won Best Picture. It stands as one of the more surprising (and derided) victors in recent years. The race relations drama went an impressive 3/5 on its nominations – taking Picture, Supporting Actor (Mahershala Ali), and Original Screenplay and missing Actor (Viggo Mortensen) and Film Editing.

So what of the other seven hopefuls? Here’s my speculation:

Black Panther

The only MCU flick (and for that matter comic book adaptation) to score a BP nom was Ryan Coogler’s phenomenon with Chadwick Boseman as the title character. Its seven nominations included three wins for Score, Production Design, and Costume Design.

Does It Make the Final Five?

No. Besides BP, the other six mentions were all technical. It missed directing, any acting inclusions, screenplay, and even editing. It’s hard to leave this out though that’s the case with everything here.

BlacKkKlansman

Spike Lee received his first and only Oscar for his adapted screenplay. That’s the only victory of the night among its six total nods as Lee did make the quintet for direction. The others were Supporting Actor (Adam Driver), Score, and Film Editing.

Does It Make the Final Five?

Had this not taken Adapted Screenplay, I’d leave this off. Yet that win has me (somewhat reluctantly) leaving it in.

Bohemian Rhapsody

Rami Malek was crowned Best Actor for his performance as Queen frontman Freddie Mercury in the biopic. Despite mixed reviews, Rhapsody was successful in four of its five noms. Picture is the only race it didn’t win as it took Actor, Sound Editing, Sound Mixing, and Film Editing.

Does It Make the Final Five?

Yes. That 80% ratio solidifies it even without attention for the direction or screenplay.

The Favourite

The period piece from Yorgos Lanthimos tied all nominees with 10. The lone victory was an unexpected one as Olivia Colman took Best Actress over the favored Glenn Close (The Wife).

Does It Make the Final Five?

Yes. Despite the 10% ratio, it still led all contenders with key placements in Director, two Supporting Actress bids (Emma Stone and Rachel Weisz), Original Screenplay, and Editing.

Roma

Alfonso Cuaron was your Best Director in the Mexican drama that was the other picture with 10 nods. It also won Foreign Language Film and Cinematography while contending in Actress (Yalitza Aparicio), Supporting Actress (Marina de Tavira), Original Screenplay, both Sound competitions, and Production Design.

Does It Make the Final Five?

Yes and easily. The Netflix property was supposed to be the streamer’s first BP (they’re still waiting) and was favored before that Book upset.

A Star Is Born

Bradley Cooper’s version of the frequently remade melodrama achieved 8 nominations and one win for the director’s duet with costar Lady Gaga “Shallow” in Original Song. Both Cooper and Gaga were up for their acting as was Sam Elliot in Supporting Actor, Adapted Screenplay, Sound Mixing, and Cinematography.

Does It Make the Final Five?

No, but another tough call. Star‘s shine with voters seemed to dim as the season wore on. This is evidenced by it missing directing and editing.

Vice

This is a good time to point out that all 8 BP hopefuls won at least one statue. Adam McKay’s biopic of former Vice President Cheney (played by Christian Bale) took home the Makeup and Hairstyling award. Other noms were for the direction, Bale, Supporting Actor (Sam Rockwell), Supporting Actress (Amy Adams), Original Screenplay, and Film Editing.

Does It Make the Final Five?

No and I really struggled here. Vice landed mentions everywhere it needed to. The so-so critical reaction made it a tad easier to leave it out. Simply put, this could’ve been in over BlacKkKlansman or Bohemian, but I had to make the judgment call.

So that means my 2018 final five is:

BlacKkKlansman

Bohemian Rhapsody

The Favourite

Green Book

Roma

I’ll have my post for 2019 up soon! The 2009-17 write-ups are here:

https://toddmthatcher.com/2022/06/27/best-picture-2009-the-final-five/
Best Picture 2010: The Final Five
Best Picture 2011: The Final Five
Best Picture 2012: The Final Five
Best Picture 2013: The Final Five
Best Picture 2014: The Final Five
Best Picture 2015: The Final Five
Best Picture 2016: The Final Five
Best Picture 2017: The Final Five

Best Picture 2016: The Final Five


We have reached 2016 in my posts speculating on a specific piece of Oscar history. As awards followers are aware, 2009 saw the Academy expand the Best Picture category from five movies to ten. That lasted for two years and in 2011, it switched to anywhere from 5-10 with 8 or 9 as the magic numbers for several years. In 2021, the number reverted back to a set ten.

What if that hadn’t happened? What if the BP derby had stayed at a quintet? What pictures would have made the cut? If you missed my write-ups centered on 2009-15, you can peruse them here:

Best Picture 2009: The Final Five
Best Picture 2010: The Final Five
Best Picture 2011: The Final Five
Best Picture 2012: The Final Five
Best Picture 2013: The Final Five
Best Picture 2014: The Final Five
Best Picture 2015: The Final Five

We know one thing for sure – Moonlight from Barry Jenkins is in. As you may recall, it had to wait a tad longer to win Best Picture when an envelope mishap caused Warren Beatty and Faye Dunaway to wrongly proclaim La La Land as the voters choice.

As for the 8 other hopefuls (including La La), here’s my take on which half of them would have made the dance.

Arrival

Denis Villeneuve’s sci-fi drama tied Moonlight for the second most nods at 8. In addition to BP, the director and adapted screenplay were nominated along with tech mentions in Sound Editing (where it won), Sound Mixing, Production Design, Cinematography, and Editing. On the flip side, star Amy Adams was omitted in Best Actress. It stands as one of the most surprising acting snubs of the past decade.

Does It Make the Final Five?

No, but I’ll admit I went back and forth here. There’s certainly an argument to be made that it gets in due to the high number of nominations. However, the Actress snub and it not making the Golden Globe five for Drama make me more comfortable leaving it out. **As a side note – I didn’t let my personal take on it interfere as it’s probably my favorite picture of 2016.

Fences

Denzel Washington starred and directed this adaptation of the August Wilson play. Washington landed an Actor nom while costar Viola Davis won Supporting Actress. The Adapted Screenplay was also up.

Does It Make the Final Five?

No. Had it materialized in Director, I might think twice but this was probably 7th at best of the nine contenders.

Hacksaw Ridge

Mel Gibson made a filmmaking comeback in the World War II drama. He was up for his direction and Andrew Garfield earned a Best Actor spot. It won Sound Mixing and Film Editing and was up for Sound Editing.

Does It Make the Final Five?

Yes. Despite its screenplay not being mentioned, the Editing victory puts it in for me. In the 21st century, the winner of the race has missed BP exactly once (2011’s The Girl with the Dragon Tattoo).

Hell or High Water

Taylor Sheridan is best known these days for co-creating TV’s hit Yellowstone. He earned an Original Screenplay nod for this neo-Western that was also up for Supporting Actor (Jeff Bridges) and Film Editing.

Does It Make the Final Five?

No. Director David Mackenzie wasn’t up and the 0 for 4 showing is a sign the final five wasn’t reachable.

Hidden Figures

Theodore Melfi’s true life look at African-American female mathematicians at NASA during the 1960s was a gigantic hit – blasting off to $170 million domestically. Besides BP, Octavia Spencer was up for Supporting Actress as was the Adapted Screenplay.

Does It Make the Final Five?

No in spite of its box office. Of the nine nominees, it got the smallest number of noms and took home zero. It was also missed the Golden Globe and Critics Choice lists.

La La Land

Damien Chazelle won Best Director for his musical and Emma Stone was crowned Best Actress. The total number of nominations was 14 – which tied All About Eve and Titanic for the most ever. Other victories were Score, Song, Cinematography, and Production Design. The other mentions were Actor (Ryan Gosling), Original Screenplay, Sound Editing, Sound Mixing, Costume Design, and Film Editing.

Does It Make the Final Five?

A big and obvious yes. When Dunaway accidentally proclaimed it BP, no one was surprised since it was the frontrunner. It was very likely the runner-up in votes.

Lion

Garth Davis’s drama finds Dev Patel searching for his birth parents and it found its way to five other nods for Patel in Supporting Actor, Nicole Kidman for Supporting Actress, Adapted Screenplay, Score, and Cinematography. It did not win any of them.

Does It Make the Final Five?

Yes. I will admit that this could be a stretch and Arrival might be the pick of others. I just think that there would have been enough sentiment for this one to make the final cut even without directing and editing mentions.

Manchster by the Sea

Kenneth Lonergan got a directing nod for this grief filled drama and Casey Affleck won Best Actor. Lucas Hedges and Michelle Williams were up for the supporting derbies while Lonergan won Original Screenplay.

Does It Make the Final Five?

Yes. The screenplay and Actor wins solidify this and it was probably third of the five behind Moonlight and La La Land.

Therefore my projected 2016 five is:

Hacksaw Ridge

La La Land

Lion

Manchester by the Sea

Moonlight

2017 is next!

2022 Oscar Predictions: The State of the Supporting Actress Race

The Supporting Actress derby is up next for my deep dives in the six major categories (Picture, Director, the 4 acting competitions). If you missed my current take on Supporting Actor, it’s here:

2022 Oscar Predictions: The State of the Supporting Actor Race

With two months left to go in the calendar year, it’s a good time to take stock in where we stand in 2022 with the various hopefuls. In 2019 and 2020 in late October, I correctly identified 3 of the 5 eventual nominees in Supporting Actress. Three years ago, that included eventual winner Laura Dern (Marriage Story) as well as Florence Pugh (Little Women) and Margot Robbie (Bombshell). I had Scarlett Johansson listed in Other Possibilities for Jojo Rabbit while not having Kathy Bates (Richard Jewell) yet on the radar. A year later, the trio of Glenn Close (Hillbilly Elegy), Olivia Colman (The Father), and Amanda Seyfried (Mank) were already in my top five. Youn Yuh-jung (Minari) took the gold. Both she and Maria Bakalova (Borat Subsequent Moviefilm) were tagged in Other Possibilities.

The ratio dropped in 2021. I named 2 of the 5 women with Ariana DeBose in West Side Story (who won) and Kirsten Dunst for The Power of the Dog. 2 nominees – Judi Dench (Belfast) and Aunjanue Ellis (King Richard) – were in Other Possibilities while Jessie Buckley (The Lost Daughter) wasn’t in my listed ten.

We arrive at 2022 where Ms. Buckley is in the mix again. She appears in Women Talking alongside a large ensemble of additional actresses. This film gives us the highest probability of seeing double nominees from the same picture. It’s happened three times since 2010. Melissa Leo and Amy Adams were up for The Fighter that year with Leo emerging victorious. In 2011, Octavia Spencer took the statue for The Help with Jessica Chastain also making the cut. Emma Stone and Rachel Weisz were both in the mix for 2018’s The Favourite.

With Women Talking, the Academy could dive a tad deeper with Judith Ivery and Sheila McCarthy (who are standouts). I suspect they’ll go with Buckley and Claire Foy (who was notably snubbed three years ago for First Man). I’ve had the latter listed in first place as she’s got a slightly meatier role.

That brings us to a key caveat in this race. A few weeks back, there was the unexpected announcement that Michelle Williams in Steven Spielberg’s The Fabelmans would be campaigned for in lead actress. She could’ve easily been placed here. If the studio had done that, I would continue to have Williams at #1 and feel confident that she’d win her first Oscar. However, in the Best Actress competition, I only have her in fourth position as of my last forecast.

Back to performers who are eligible in this. As long as The Banshees of Inisherin performs well with voters (and it should), Kerry Condon should make the quintet and could be a threat to win. Truth be told, this seems like a wide open competition without Williams. I could see either Women Talking actress at the podium or Condon. Same goes for Hong Chau as Brendan Fraser’s caretaker in The Whale or Stephanie Hsu as the world altering daughter in Everything Everywhere All at Once. That film offers the possibility of an additional double nomination with Jamie Lee Curtis’s nearly unrecognizable role. As for The Whale, I think Chau is far more likely than costar Sadie Sink.

I’m not as sold on Anne Hathaway in Armageddon Time, which may not make a dent at the ceremony. The many negative reviews for The Son have me questioning the viability of Vanessa Kirby or Laura Dern. Cha Cha Real Smooth might be too small for Dakota Johnson to nab her first Academy mention. Thuso Mbedu in The Woman King seems like a stretch. There’s unseen performances that could rise up like Kate Winslet (Avatar: The Way of Water) or Jean Smart (Babylon). Of all those choices, only Smart is in the top ten.

Critics groups may be integral in weeding out the nominees. This is where we could see Nina Hoss (Tár) or Dolly de Leon (Triangle of Sadness) rise up. Or we could get a nominee from a forthcoming hit such as Angela Bassett (Black Panther: Wakanda Forever) or Janelle Monae (Glass Onion: A Knives Out Mystery).

Over the past couple of months, all of my five nominees have come from films that I have in my 1o Best Picture hopefuls. That also holds true for Supporting Actor. And, frankly, that usually doesn’t happen. This is partly why I’m putting Carey Mulligan (She Said) in my projections after the studio announced she’ll vie for supporting instead of lead. I’ve got She Said barely missing a BP nod.

Bottom line: nothing is close to being settled in Supporting Actress and the talking about these women could change as we get closer to nomination time.

Best Supporting Actress

Predicted Nominees:

1. Claire Foy, Women Talking (Previous Ranking: 1) (E)

2. Kerry Condon, The Banshees of Inisherin (PR: 3) (+1)

3. Jessie Buckley, Women Talking (PR: 2) (-1)

4. Hong Chau, The Whale (PR: 4) (E)

5. Carey Mulligan, She Said (PR: 7) (+2)

Other Possibilities:

6. Stephanie Hsu, Everything Everywhere All at Once (PR: 5) (-1)

7. Dolly De Leon, Triangle of Sadness (PR: 6) (-1)

8. Nina Hoss, Tár (PR: 8) (E)

9. Jamie Lee Curtis, Everything Everywhere All at Once (PR: 10) (+1)

10. Jean Smart, Babylon (PR: Not Ranked)

Dropped Out:

Janelle Monae, Glass Onion: A Knives Out Mystery

Best Actor is up next!

Best Picture 2013: The Final Five

My blog series continues with speculation on what a Best Picture lineup of five would have looked like in the years since the format changed to up to 10 nominees. That began in 2009 and if you missed my previous posts covering 2009-2012, you can peruse them here:

Best Picture 2009: The Final Five

Best Picture 2010: The Final Five

Best Picture 2011: The Final Five

Best Picture 2012: The Final Five

In our year of 2013, the magic number was 9 contenders. We know that Steve McQueen’s 12 Years a Slave would have been included since a win in Best Picture was among its nine nominations. It also took Director, Supporting Actress (Lupita Nyong’o), and Adapted Screenplay. So what else would’ve made the cut? Let’s speculate, shall we?

American Hustle

David O. Russell’s disco era crime pic tied for the most nods with 10, including Director and four acting mentions for Christian Bale, Amy Adams, Bradley Cooper, and Jennifer Lawrence. Despite the double digit nomination haul, it ended the night with zero victories.

Does It Make the Final Five?

Yes. Even with the goose egg, the sheer number of nods indicates making the quintet.

Captain Phillips

With Tom Hanks as the title character in the true life Somali pirate drama, Paul Greengrass’s tense thriller scored 6 overall nods. In addition to Pic, Supporting Actor (Barkhad Abdi), Adapted Screenplay, both Sound races, and Film Editing were in the mix. Like Hustle, there were no wins.

Does It Make the Final Five?

No. With no nods for directing or Hanks’s performance (which was a huge snub), I think this would’ve been on the outside looking in.

Dallas Buyers Club

While our first two selections went 0 for 16, this mid 80s set AIDS drama won half of its six nominations – Actor (Matthew McConaughey), Supporting Actor (Jared Leto), and Makeup and Hairstyling. The other two mentions were Original Screenplay and Film Editing.

Does It Make the Final Five?

Yes, but it’s a close call. The three gold statues put it over the edge in my opinion despite not landing a directing slot for the late Jean-Marc Vallee.

Gravity

Alfonso Cuaron’s space thriller tied Hustle with 10 nominations. Unlike Hustle, it won 70% of its possibilities: Director, Score, Sound Editing, Sound Mixing, Cinematography, Film Editing, and Visual Effects. Sandra Bullock was nominated for Best Actress and it got a Production Design nod.

Does It Make the Final Five?

Yes. Even without a screenplay nom, this would’ve been in contention and it was probably the runner-up to Slave considering the Cuaron win.

Her

Spike Jonze’s quirky romantic drama won Original Screenplay and was up for Score, Song, and Production Design.

Does It Make the Final Five?

No because it missed out on key precursors including Director, Actor (Joaquin Phoenix), and Film Editing.

Nebraska

Alexander Payne’s B&W road dramedy nabbed five other nods for direction, Actor (Bruce Dern), Supporting Actress (June Squibb), Original Screenplay, and Cinematography. It didn’t emerge victorious for any.

Does It Make the Final Five?

No, but I struggled with this one (it’s sixth). Film Editing is often the biggest indicator of a BP nom and that’s part of the reason I gave Dallas Buyers Club a slight edge.

Philomena

Judi Dench received a Best Actress nod for this adoption drama. Adapted Screenplay and Score were the other mentions as its four overall are the least of the BP hopefuls.

Does It Make the Final Five?

No. The Academy loves Dench. However, that wouldn’t have been enough for this to survive a cut to five.

The Wolf of Wall Street

Martin Scorsese’s raunchy tale of 80s excess landed Leonardo DiCaprio and Jonah Hill acting spots. The direction and Adapted Screenplay were up as well. It won none.

Does It Make the Final Five?

Yes though I will say I don’t think it’s automatic. Wolf‘s complete lack of nominations in the tech categories is a bit of a surprise, but ultimately I don’t think the voters would’ve ignored this.

So my quintet for 2013 would be:

12 Years a Slave

American Hustle

Dallas Buyers Club

Gravity

The Wolf of Wall Street

2014 is up next and will be on the blog soon!

Best Picture 2010: The Final Five

After the 2008 Oscars, the Academy decided to expand the number of Best Picture nominees from five to ten. This rule would hold for 2009 and 2010 and then it shifted from anywhere between 5 and 10 (where it was typically 8 or 9). As of 2021, we’re back to a set 10.

Yet what if that had never happened? What if only five nominees from the last decade plus made the cut? My initial writeup where I predicted which five from 2009 would have done so can be found here:

Best Picture 2009: The Final Five

Now we move to 2010. It was a year in which Tom Hooper’s The King’s Speech led the evening with 11 nominations. It would win four – Director, Colin Firth for Best Actor, Original Screenplay, and the big prize Picture. So there’s 20% of our theoretical lineup.

As for the others, let’s take them one by one and I’ll give my thoughts on whether each would’ve made that other 80% of the quintet.

127 Hours

In 2010, Danny Boyle was coming off 2008’s Slumdog Millionaire. That little film that could cleaned up on Oscar night with 8 trophies including Picture. This survival drama with James Franco landed six nods. It won zero, but earned recognition in the Best Pic prerequisites that count like screenplay and editing.

Does It Make the Final Five?

Yes. This is a tough one. As you’ll see below, there are more than five pics that check important boxes. My hunch is that it would’ve nabbed the fifth slot (though you may feel differently when you read on and I tell you what doesn’t make my cut).

Black Swan

Darren Aronofsky’s intense balletic drama earned Natalie Portman an Actress statue and four other nods: Director, Cinematography, and Film Editing. Certainly the director and editing mentions are notable as is Portman’s victory.

Does It Make the Final Five?

No. When Picture and Director were both set at five, they rarely matched. 4 out of 5 directors matching the BP nominations was most common. Here’s an example where I don’t think a match would’ve occurred. The biggest reason? Of the 10 BP nominees, Swan is the only one that didn’t land a screenplay nod. That’s significant.

The Fighter

Mark Wahlberg’s passion project didn’t land him a nod, but it did for three of his costars. Christian Bale took home Supporting Actor while onscreen mother Melissa Leo won Supporting Actress (with Amy Adams also nominated). The direction, screenplay, and editing also were up for a total of 7 nominations.

Does It Make the Final Five?

Yes. The wins in the two acting races and the fact that it hit in all the key precursors give the relevant tale of the tape.

Inception

There’s speculation that the reason the Academy switched to 10 nominees is because Christopher Nolan’s The Dark Knight was omitted from the five in 2008. His follow-up two years later did not miss the expanded cut. It won Oscars for half of its 8 nominations – Sound Editing, Sound Mixing, Cinematography, and Visual Effects. The other three nods besides Picture were Original Screenplay, Score, and Art Direction.

Does It Make the Final Five?

No. And here’s where some readers may disagree. I’m giving 127 Hours an ever so slight edge over this. Why? The 8 nods don’t mean much to me because the bulk of them are in tech races. By the way, The Dark Knight also received 8 nominations. Its misses are what make me skeptical as Nolan didn’t get in for his direction and it also wasn’t up for editing.

The Kids Are All Right 

The family drama received acting mentions for Annette Bening and Mark Ruffalo and for its original screenplay.

Does It Make the Final Five?

No. Too many heavy hitters this year and it was probably toward the bottom of the ten that got in.

The Social Network

David Fincher’s saga about the founding of Facebook won three of its 8 nods in Adapted Screenplay, Film Editing, and Score.

Does It Make the Final Five?

Yes… easily. It was probably #2 behind King’s Speech in terms of winning Picture and Director.

Toy Story 3

The Pixar threequel holds the distinction of being the second animated title to make the BP list after Beauty and the Beast. On Oscar night, it won Animated Feature as well as Original Song and received an Adapted Screenplay nod.

Does It Make the Final Five?

No. The Academy probably would’ve been OK with it being a slam dunk Animated Feature winner if only five pics were in contention.

True Grit

The Coen Brothers Western remake was behind only King’s Speech in terms of nominations with 10. Beside Picture – you had Director(s), Actor (Jeff Bridges), Supporting Actress (Hailee Steinfeld), Adapted Screenplay, Sound Editing, Sound Mixing, Art Direction, Cinematography, and Costume Design. It went 0 for 10.

Does It Make the Final Five?

Yes. Despite the batting average, the sheer volume of nods indicates it would have still been included.

Winter’s Bone

This indie drama introduced the Academy and many moviegoers to Jennifer Lawrence. She received a nomination as did her costar John Hawkes in Supporting Actor. Adapted Screenplay was in the mix too.

Does It Make the Final Five? 

No but here is a prime example of a smaller film that received attention due to the broadening of the BP base.

So that means if there had been just five Best Picture nominees in 2010, I believe they would have been:

The King’s Speech

127 Hours

The Fighter

The Social Network

True Grit

I will be back soon with my final five take on 2011!

Shoulda Been Oscar Contenders: Amy Adams in Arrival

Five years ago, the Best Actress race at the Oscars came down to Emma Stone (La La Land) and Natalie Portman (Jackie) with the former taking the gold. That was no surprise but the category featured one of the more shocking omissions in recent Academy history.

Denis Villeneuve’s deservedly acclaimed sci-fi pic Arrival scored 8 nominations, including Picture, Director, and Adapted Screenplay. It won a sole award in Sound Editing. That was a nice haul, but the glue that held the whole film together somehow went unnoticed.

By 2016, Amy Adams had already received five nods – one in lead for 2013’s American Hustle and four supporting bids with 2005’s Junebug, 2008’s Doubt, 2010’s The Fighter, and 2012’s The Master. She had gone 0 for 5 but surely her extraordinary work in Arrival would mark a sixth attempt.

It didn’t happen. That’s despite being nominated at the Critics Choice Awards, Golden Globes, and SAG Awards. Besides Stone and Portman, the other three nominees were Isabelle Huppert (Elle), Ruth Negga (Loving), and Meryl Streep (Florence Foster Jenkins). This one is simple. Take out Streep. Put in Adams.

What’s even more remarkable is that after Arrival‘s ingenious twist ending, the performance of Adams becomes even more impressive and emotionally resonant on the rewatch. The actress would get her sixth nod three years later in supporting for Vice and I’d argue she didn’t deserve to make that final five. It should have arrived with Arrival and it stands as a massive snub.