James Bond: An Oscar History

Of the six actors to have played the most famous spy in cinematic history, only one of them has ever been nominated for an Oscar. That would be, of course, Sean Connery and he was victorious in 1987 for his supporting work in The Untouchables. It is worth noting that the last two Bonds (Pierce Brosnan, Daniel Craig) have Golden Globes nods in the Musical/Comedy category for The Matador and Knives Out, respectively.

With the recent death of Sir Connery, this got me thinking… how many actors from the nearly 60 year old franchise have been recognized by the Academy? And how much Oscar attention has the series itself received? For the first question, it was rather limited until Craig took over the role. For the second question, 9 out of the 24 official 007 entries have managed to get on awards voters radar screens. So let’s break it down, shall we?

Goldfinger (1964) was the third feature in the franchise and it marked the first nomination and win for the Bond catalogue. The pic took the Best Sound Effects trophy. One year later, Thunderball won for its Visual Effects. Connery’s final official appearance in 1971’s Diamonds Are Forever resulted in a nod for its sound.

When Roger Moore took over the part, his debut saw the first theme song nominated courtesy of Paul McCartney’s title track to 1973’s Live and Let Die. There would also be song nods for both The Spy Who Loved Me (1977) and For Your Eyes Only in 1981. Spy would mark the first Bond flick to score multiple mentions with its score and art direction. And Moore’s 1979 space opus Moonraker was nominated for its visual effects.

George Lazenby’s one-off appearance in On Her Majesty’s Secret Service, Timothy Dalton’s two 1980s pictures, and the 1990s-early 2000s four film Pierce Brosnan run yielded zero Oscar mentions. Same goes for Craig’s first two outings Casino Royale and Quantum of Solace. 

So it had been over 30 years since a Bond adventure had been recognized on Oscar night when 2012’s Skyfall landed a franchise record 5 nominations. It won two with Adele’s theme song and its sound editing. The other nods were Score, Sound Mixing, and Cinematography. The song love would continue with 2015’s Spectre when Sam Smith won for his tune.

Add that up and we have 15 total nominations for the series and 5 wins.

We move to the thespians and their fortune at the big show. As mentioned, before the recent run of Craig titles, it was a bit limited. In fact, the number of actors who are Oscar nominees from the Craig run nearly equals everything that came before it. Giancarlo Giannini appeared in Casino and Quantum and he was a Best Actor nominee in 1975 for Seven Beauties. Ralph Fiennes (otherwise known as M) is a double nominee for Schindler’s List and The English Patient. Naomie Harris (or Moneypenny) achieved a Supporting Actress mention for 2016’s Moonlight. Albert Finney showed up in Skyfall and he was nominated five times in his long career. Craig’s original “M” was Judi Dench and she dates back to the Brosnan era. She’s a one-time winner with 6 other nominations.

That’s just the good guys. In the Craig era, the villains come with serious awards cred. Javier Bardem from Skyfall had taken Supporting Actor five years earlier in No Country for Old Men and is a two-time Best Actor nominee for Before Nights Falls and Biutiful. Christoph Waltz (Spectre) is a double Supporting Actor winner with Inglourious Basterds and Django Unchained. And the next pic – the oft delayed No Time to Die – has Rami Malek as its main baddie. In 2018, he gave his acceptance speech for Bohemian Rhapsody. 

Going back to the beginning, From Russia with Love featured Lotte Lenye (a 1961 nominee for The Roman Spring of Mrs. Stone) and Robert Shaw (nominated three years after Russia for A Man for All Seasons). And that’s actually the extent of performers from the Connery era nominated for Oscars… sort of. The legend did return to the role in 1983’s Never Say Never Again, though it is not considered part of the “official” catalogue. It does boast three Academy players with Klaus Maria Brandauer (Out of Africa), Max Von Sydow (Pelle the Conquerer and Extremely Loud and Incredibly Close), and Kim Basinger (Supporting Actress recipient for 1997’s L.A. Confidential).

Telly Savalas costarred with Lazenby in Secret Service and he was nominated seven years earlier for his work in Birdman of Alcatraz. In the Moore era, there’s just Topol. He’s best known his nominated work in Fiddler on the Roof and he costarred in For Your Eyes Only. In the Dalton double feature, we have Benicio del Toro as he was a henchman in Licence to Kill. Over a decade later, he would win Supporting Actor for Traffic and get another nod for 21 Grams. Things picked up a bit with Brosnan. In addition to Dench, a trio of actresses were on their way or had already achieved nominations. Halle Berry co-headlined Die Another Day one year after winning Actress for Monster’s Ball. Minnie Driver had a small role in Goldeneye and would have her breakout part (along with Supporting Actress inclusion) two years later with Good Will Hunting. And Rosamund Pike was also in Die Another Day a decade plus before her Actress nod for Gone Girl. 

A final word. Not one of the 24 released 007 features has achieved any acting, directing, writing, or picture nominations of its own. Skyfall probably came the closest as some prognosticators wondered whether it could be the first to nab a Picture nod. It didn’t materialize, but its five nominations indicate it might have come the closest. Indeed, Daniel Craig’s time as Bond has seen him costar with the most Academy friendly costars. Let’s see if the next performer to play the iconic spy gets to act alongside that same kind of pedigree.

James Bond and the U.S. Presidency: A History

A fascinating factoid is out now that the U.S. Presidential Election of 2020 is in the rearview. As fans of the James Bond franchise are aware, we are now approaching the 60th anniversary of the series in 2022. The release of No Time to Die will mark the 25th official feature in the 007 canon when it (hopefully) debuts in 2021. As you are likely aware, the fifth and final Daniel Craig appearance as the British super spy was originally slated for April 2020 before its COVID-19 related delay.

Why am I saying all of this as it relates to the election that just happened? Well, it turns out that the Trump presidency will be the first since the series began in which no James Bond picture was released. That means there have been 10 U.S. Presidencies in a row where 007 appeared on the silver screen… from Kennedy to Obama. Until now. This will clearly resume when No Time is released in plenty of time for when Joe Biden sits in the Oval Office.

Based on this interesting little nugget of trivia info, I thought it might be fun to run through the movies that were released under each former POTUS and take stock with how their administrations matched up with Bond’s adventures onscreen:

The Presidency of John F. Kennedy

The Bond Pictures: Dr. No (1962)

It seems more than appropriate that this franchise started under JFK’s tenure. President Kennedy was a self-professed fan of the Ian Fleming novels. The producers of Bond actually chose From Russia with Love to be the second in the series because JFK singled it out as a favorite book. Sadly, the last movie the President ever watched at the White House was From Russia (months before its actual US release, though it was out in the UK). That was on November 20. Two days later is when Kennedy took the fateful trip to Dallas.

The Presidency of Lyndon Johnson

The Bond Pictures: From Russia with Love (1963), Goldfinger (1964), Thunderball (1965), You Only Live Twice (1967)

I would say it’s hard to argue that Johnson’s time in the White House isn’t the most impressive when it comes to the 007 catalogue. This was, of course, the heyday of Sean Connery’s time in the role which turned him into an international superstar. The first two titles on the board are often cited as the greatest of the bunch (my personal favorite is Russia).

The Presidency of Richard Nixon

The Bond Pictures: On Her Majesty’s Secret Service (1969), Diamonds Are Forever (1971), Live and Let Die (1973)

Nixon wins having the most Bonds during his time in office. There were three as his Presidency marked George Lazenby’s one off in Service, Connery’s return in Diamonds, and Roger Moore’s first outing with Live. I would also say the trio is all somewhat underwhelming to a degree (though I know the Service diehards will not appreciate that statement).

The Presidency of Gerald Ford

The Bond Pictures: The Man with the Golden Gun (1974)

Pretty slim picking for Mr. Ford with Moore’s second go-round as 007. This is deservedly considered one of the weakest in the franchise.

The Presidency of Jimmy Carter

The Bond Pictures: The Spy Who Loved Me (1977), Moonraker (1979)

The best of times and worst of times for Roger Moore matched with the Carter Administration. I would easily call Spy the finest Moore pic in his run while Moonraker is the low point.

The Presidency of Ronald Reagan

The Bond Pictures: For Your Eyes Only (1981), Octopussy (1983), A View to a Kill (1985), The Living Daylights (1987)

It’s appropriate that some of the titles here incorporate the Cold War activities happening in Reagan’s 1980s era. The list here includes two solid Moore outings (yes, I think Octopussy is quite good) and the middling finale of View. It also marks Timothy Dalton’s fairly pleasing debut in Daylights. As a side note, while not considered an official Bond pic in the canon sense, Sean Connery returned to his signature part with 1983’s Never Say Never Again.

The Presidency of George H.W. Bush

The Bond Pictures: Licence to Kill (1989)

The last one term President until now had just one 007 flick. I maintain that Licence may be just the most underrated one of the whole series. It was Dalton’s swan song for his brief tenure.

The Presidency of Bill Clinton

The Bond Pictures: Goldeneye (1995), Tomorrow Never Dies (1997), The World Is Not Enough (1999)

The Clinton Era matches with the Pierce Brosnan era as the franchise was revitalized financially with these three blockbusters which were all decent in quality.

The Presidency of George W. Bush

The Bond Pictures: Die Another Day (2002), Casino Royale (2006), Quantum of Solace (2008)

A mixed bag. I consider Brosnan’s finale of Day to be the worst James Bond adventure of all time. On the other hand, Daniel Craig’s emergence in Royale is second only to From Russia with Love in my opinion. Quantum was just OK and the weakest of the Craig pics.

The Presidency of Barack Obama

The Bond Pictures: Skyfall (2012), Spectre (2015)

Bond reached a billion dollars in the Obama era with Skyfall, rightfully considered one of the strongest of the two dozen pictures. Spectre didn’t match its quality, but was still pretty good.

The Presidency of Donald Trump

As I said… nada. No Time to Die would have been the one Trump time release if not for the pandemic. It will instead be unveiled when President Biden is in office and there could be even be a new 007 under his Presidency depending on how quickly the studio casts a new spy.

 

The Long and Winding Bond

It’s amazing to think that The Beatles released their first single in 1962. This was also the first year that a Bond picture came out with Dr. No. Both entities are still extraordinarily relevant. Famously, Sean Connery’s Bond dissed the Fab Four in 1964’s Goldfinger. 

007 fans got some welcome news this week as Cary Fukunaga was announced as the director of the 25th (and as yet untitled) official James Bond film. By the time it comes out, Mr. Fukunaga will be the first American filmmaker to make a Bond pic in its 58 year history.

He brings an exciting resume to the fold. In addition to a filmography that includes varied directorial efforts like Sin Nombre, Jane Eyre, and Beasts of No Nation, his screenwriting credits include last year’s smash It and TV’s The Alienist. His work behind the camera for television also includes the critically lauded first season of HBO’s True Detective and Netflix’s Maniac with Emma Stone and Jonah Hill (which premieres today).

The pick was a surprise and it wasn’t just due to his U.S. heritage. The producers behind Bond had recently gone with a certain type… awards friendly directors branching out to the super spy series. After Martin Campbell successfully kicked off the Daniel Craig era (just as he did for Pierce Brosnan in Goldeneye), Marc Forster (maker of Monster’s Ball and Finding Neverland) did the disappointing Quantum of Solace. Then it was Academy Award winning Sam Mendes behind Skyfall and Spectre. 

When Danny Boyle was announced as director for Bond 25, it seemed to fit the mold. He’s an Oscar winner for Slumdog Millionaire. He’s also directed some other genre fare (including Trainspotting and 28 Days Later) that made him a fairly exciting pick. Yet it somehow seemed a little safe. After creative differences caused his exit, I figured someone like Joe Wright (who last directed Darkest Hour) could be the replacement.

Fukunaga is an intriguing selection and I’m curious to see how he handles what is very likely to be Craig’s final appearance as 007. And this brings us to Mr. Craig’s longevity. Sean Connery made six movies in the official canon (1983’s Never Say Never Again isn’t considered part of it). George Lazenby did the one-off On Her Majesty’s Secret Service. Roger Moore is the leader with seven. Timothy Dalton had two. Pierce Brosnan made four.

This will be Craig’s fifth 007 turn. Surprisingly, he will have actually portrayed the MI6 agent the longest by the time #25 is released in February 2020. His 14 year reign will eclipse the 12 years that Moore played him.

Attention will soon turn to the next Bond. If I had to guess, I figure the seventh actor to play him will debut onscreen in November 2022. There’s been rumors of Idris Elba taking over the role. Expect plenty of speculation over the next couple of years. By that time, the Bond franchise will be 60 years old. Like The Beatles music, it will never die and the long and winding road of the franchise continues to interest us.

In Defense of Timothy Dalton

When Spectre opens this weekend, it will mark the 24th official James Bond adventure and Daniel Craig’s fourth go round as the famed super agent. There is no doubt that Mr. Craig’s time as 007 has been a wildly successful venture and it’s brought the franchise to previously unseen billion dollar heights.

Regarding the general consensus of the six actors who’ve played Bond, the least regarded are typically George Lazenby and Timothy Dalton. Not so coincidentally, they’re the two thespians who played him the least. Lazenby played him just once in 1969’s On Her Majesty’s Secret Service and his mediocre work was crushed under the weight of Sean Connery comparisons, who was the only man at the time to have played him. The generally negative rap on Lazenby is one in which I agree.

With Dalton, it’s a different story in my view. When 1987 came around, it was clear that it was time for Roger Moore to call it a day. 1985’s A View to a Kill found Moore playing 007 at the advanced age of 57. It was a mostly rewarding 12 year run in the role, though the pics themselves varied considerably in quality. Enter Dalton, stepping into Bond’s designer shoes in his mid 40s. Ironically, it has since been revealed that Dalton was originally considered to replace Connery for Secret Service and that even the actor himself felt he was far too young at the time to do it.

The Living Daylights would be his first outing. Two years later, Licence to Kill would be his second and his final. Six years later, after MGM’s financial woes delayed production of new entries, Pierce Brosnan would take over with Goldeneye. And while Brosnan’s four picture time in the part is justifiably regarded as pretty strong, Dalton’s double effort is often not.

Yet when I made the daunting task of watching all 007 flicks in a row in late 2012 to early 2013, I ended that adventure by ranking my preferred Bonds from 1-23. And it turned out that both Daylights and Licence landed in the top ten. Not one Brosnan pic did. Daylights, which stands as a more traditional Bond experience, was 10th. Licence to Kill was 6th, just above the beloved Skyfall. That film  stands alone as less of a normal 007 movie and more of a hard edged late 80s action thriller popularized at the time by the likes of Lethal Weapon and Die Hard. So while 007 purists weren’t enthralled, I found Licence to work exceedingly well in the genre it was borrowing. I believe that it’s the most underrated motion picture of the entire franchise.

As for Dalton himself, he was perfectly serviceable as Bond and I would’ve been curious to see his evolution in a third or fourth entry. It was never to be, but if you re-watch his two performances, there are hints of the darker take on the character that audiences would celebrate with Daniel Craig.

So while many talk of the Timothy Dalton era as a forgettable one, my verdict is that it produced two of the top ten flicks among the 23. That’s not forgettable to me.

Spectre Box Office Prediction

Three years after the triumphant box office performance of the 23rd 007 entry Skyfall, Daniel Craig is back for the fourth time as James Bond in Spectre, out next Friday. The big question is whether or not it will manage to top the franchise high debut of its predecessor. It could come close or surpass it, as I see it.

Let’s take a little trip down memory lane with Craig’s 007 filmography. His first, 2006’s Casino Royale, started with $40.8 million on its way to a $167M eventual domestic gross. The second, 2008’s Quantum of Solace, earned $67.5 million out of the gate and just edged its predecessor’s haul with $168M. Then – 2012’s Skyfall was a game changer. It made $88.3 million for its astonishing opening weekend and ended with $304M. Worldwide, it took in a cool $1.1 billion, easily setting the high bar for the now 53 year old series.

The studio clearly has employed the “if it ain’t broke, don’t fix it” rule as Skyfall director Sam Mendes has returned. Christoph Waltz joins the fray as the main villain with Ralph Fiennes and Naomie Harris returning as M and Moneypenny, respectively. Spectre has already set records in the United Kingdom, where it was already released this week. Reviews have been mostly strong and it stands at 79% on Rotten Tomatoes, though it’s worth noting that critics generally have stated it’s not quite at the level of what preceded it.

This 24th official Bond pic should debut with Skyfall like numbers. On the high end, it could possibly gather over $100M in its first weekend. It could also earn $75-$80M and that would certainly be on the lower end of expectations. My feeling is that it’ll be within about $5M of what the last one made on the same November weekend in 2012 and that Spectre will just manage to outdo it for the largest 007 premiere in U.S. history.

Spectre opening weekend prediction: $91.3 million

For my prediction on The Peanuts Movie, click here:

https://toddmthatcher.com/2015/10/29/the-peanuts-movie-box-office-prediction/

A Spectre and a Joker

While moviegoers this weekend will be left with only Thanksgiving leftovers to munch on, it’s been quite a week for film news.

Just today, the title of the 24th James Bond picture was revealed: Spectre. Longtime 007 fans know what this means. SPECTRE (it stands for Special Executive for Counter-Intelligence, Terrorism, Revenge and Extortion) is the dastardly organization that has been run by Ernst Stavro Blofeld during the franchise including Dr. No, Thunderball, You Only Live Twice, On Her Majesty’s Secret Service, and Diamonds Are Forever. The group appears to be heading back into Bond lore with two time Oscar winner Christoph Waltz playing the bad guy (whether or not he plays Blofeld is still a mystery). The official announcement this morning lists him playing a different character, but many suspect it’s a head fake and he’ll be stepping into role of Bond’s most iconic villain. Spectre will be out in November 2015 with Daniel Craig returning for his fourth outing as 007 and Skyfall director Sam Mendes behind the camera.

Speaking of iconic villains, news was confirmed this week that The Joker will return in Suicide Squad, Warner Bros. 2016 pic focusing on villains in the DC Comics Universe. Jared Leto, fresh off his Dallas Buyer’s Club Oscar, steps into the part made famous by Jack Nicholson first and then the late Heath Ledger (who picked up a posthumous Academy Award for his work). David Ayer (director of Fury) is heading up the project that also stars Will Smith, Tom Hardy, and Margot Robbie.

So there we have it! Potentially two beloved baddies with two Oscar certified actors filling the roles. Also – ICYMI, there was a trailer for something called Star Wars: The Force Awakens. I’ve posted it already, but it never hurts to watch again… and again.

The 007 Files: The Future of James Bond

As you likely know, I’ve spent a great deal of time on this blog discussing and evaluating all 23 official James Bond pictures. This was capped off by ranking all 23 007 entries from #1 to #23. Additionally, I’ve named my top (00) 7 Bond Villains, Bond Girls, and Bond Theme Songs.

With all the films blogged about, this leads to what could my last 007 Files post for awhile. It begins with a natural question: What is the future of the James Bond franchise?

For the immediate future, the answer appears clear. Daniel Craig has achieved worldwide acclaim for his portrayal of the super agent. Last year’s Skyfall reached new heights at the box office, as it grossed over a billion dollars around the globe.

As much as moviegoers love Craig, we must look at Father Time. I didn’t realize this until I began writing the blog post, but today marks the actor’s 45th birthday. For some context, Sean Connery was 41 when he made his last official entry, Diamonds Are Forever. He would return 12 years later in the unofficial Bond pic Never Say Never Again (a film I will get around to writing a post about eventually). Timothy Dalton was 45 when his second and last entry Licence to Kill came out. Pierce Brosnan was 49 when his finale, Die Another Day, was released in 2002. The exception to the 40s rule was Roger Moore, who finally gave up the role at age 57 in A View to a Kill. Moore was criticized for staying in the role too long.

If we assume that we’ll get a new Bond feature every 2-3 years (which seems likely), I would guess we are at precisely the mid-point of Mr. Craig’s tenure as 007. Three more Craig entries would have him playing the role into his early-mid fifties. I simply don’t think he’ll go beyond that.

Imagining there are three more Craig/Bond films, this begs another question: How good will they be? The immediate follow-up, possibly coming out in late 2014, has giant shoes to fill. It will suffer endless comparisons to Skyfall, just as Quantum of Solace was compared to Casino Royale. 

At the end of Skyfall, we could see the direction the franchise was heading towards with Naomie Harris as Moneypenny, Ralph Fiennes as the new M, and even a young Q. While Quantum was a direct sequel to Casino, Skyfall was a self-contained picture. I suspect that’s what the producers will do from now on. There had been talk of shooting the next two entries back-to-back. This idea has since been scrapped for now. It’s not hard to figure out why the producers wanted to do this. They wish to maximize their use of Mr. Craig for as many pictures as possible. Rumor has it that it was Skyfall director Sam Mendes who squashed the back-to-back notion in order for him to say yes to returning to the director’s chair. If this turns out true, Mendes will be the first director to helm back-to-back Bond adventures since John Glen, who directed every 007 pic in the 1980s.

Bottom line: the next seven to nine years seems secure in Bond world, with a beloved 007 playing the lead. It’s what comes after that which will be truly intriguing. Yes, there will be a new Bond at some point. And I feel sorry for whomever it is. George Lazenby was relentlessly criticized for his portrayal. While much of this was deserved, there’s no question part of it was due to audiences not wanting to let Sean Connery go. Even Craig’s initial casting was met with disappointment from Bond fans, as many were pleased with Mr. Brosnan and leery of a new 007. Those fears quickly dissipated with the release of Casino Royale.

Whatever actor is cast as the next Bond will unquestionably face enormous scrutiny from a public who will not want to let Craig go. It’s up to producers Barbara Broccoli and Michael Wilson to hit their casting out of the park, just as they did with Craig.

And while there are certainly many more questions to be discussed, one thing seems certain. The Bond franchise is going nowhere. Not in the short term. And not in the long term.

On a final note, I would encourage all Bond lovers to watch the documentary Everything Or Nothing, released late last year. The feature length documentary was made to celebrate the 50th anniversary of the franchise. It has interviews with all six Bonds, the producers, writers, directors, and many more. Everything Or Nothing is required viewing for those of us who’ve grown to love the series. I highly recommend it and you can catch it on Netflix right now.

The 007 Files: My Rankings Of All 24 James Bond Movies

**Blogger’s note: updated as of 11/05/15 with Spectre

After watching all 24 official James Bond pictures and writing blog posts on each averaging around 1,000 words, we’ve arrived at what may be my final 007 Files entry for a while.

I may find something Bond related to blog about, but the next major post will likely be when the fourth Daniel Craig film is released, probably in late 2014. There will be one likely exception. When I see the well-known “unofficial” Bond picture, 1983’s Never Say Never Again with Sean Connery, I’ll post about that. Until then, I’ve now compiled my list ranking all movies from the worst to the very best.

For those reading along, #23 may be a good number for basketball players, but it isn’t here. That number signifies my least favorite Bond film and we work up from there. You’ll forgive me if I don’t comment on the rankings (been there, done that), but I am providing a link to the original post on the films, along with the trailer.

And with that, my final rankings after a month and a half blogging Bond:

24. Die Another Day (2002)

https://toddmthatcher.wordpress.com/2013/01/22/the-007-files-die-another-day/

23. Moonraker (1979)

https://toddmthatcher.wordpress.com/2013/01/07/the-007-files-moonraker/

22. Diamonds Are Forever (1971)

https://toddmthatcher.wordpress.com/2013/01/02/the-007-files-diamonds-are-forever/

21. The Man with the Golden Gun (1974)

https://toddmthatcher.wordpress.com/2013/01/04/the-007-files-the-man-with-the-golden-gun/

20. A View to a Kill (1985)

https://toddmthatcher.wordpress.com/2013/01/14/the-007-files-a-view-to-a-kill/

19. On Her Majesty’s Secret Service (1969)

https://toddmthatcher.wordpress.com/2013/01/01/the-007-files-on-her-majestys-secret-service/

18. Tomorrow Never Dies (1997)

https://toddmthatcher.wordpress.com/2013/01/19/the-007-files-tomorrow-never-dies/

17. Quantum of Solace (2008)

https://toddmthatcher.wordpress.com/2013/01/27/the-007-files-quantum-of-solace/

16. The World Is Not Enough (1999)

https://toddmthatcher.wordpress.com/2013/01/21/the-007-files-the-world-is-not-enough/

15. Live and Let Die (1973)

https://toddmthatcher.wordpress.com/2013/01/03/the-007-files-live-and-let-die/

14. Goldeneye (1995)

https://toddmthatcher.wordpress.com/2013/01/17/the-007-files-goldeneye/

13. For Your Eyes Only (1981)

https://toddmthatcher.wordpress.com/2013/01/09/the-007-files-for-your-eyes-only/

12. Spectre 

11. You Only Live Twice (1967)

https://toddmthatcher.wordpress.com/2012/12/31/the-007-files-you-only-live-twice/

10. The Living Daylights (1987)

https://toddmthatcher.wordpress.com/2013/01/14/the-007-files-the-living-daylights/

9. Octopussy (1983)

https://toddmthatcher.wordpress.com/2013/01/10/the-007-files-octopussy/

8. Dr. No (1962)

https://toddmthatcher.wordpress.com/2012/12/29/the-007-files-dr-no/

7. Skyfall (2012)

https://toddmthatcher.wordpress.com/2013/02/15/the-007-files-skyfall/

6. Licence to Kill (1989)

https://toddmthatcher.wordpress.com/2013/01/15/the-007-files-licence-to-kill/

5. Thunderball (1965)

https://toddmthatcher.wordpress.com/2012/12/31/the-007-files-thunderball/

4. The Spy Who Loved Me (1977)

https://toddmthatcher.wordpress.com/2013/01/05/the-007-files-the-spy-who-loved-me/

3. Goldfinger (1964)

https://toddmthatcher.wordpress.com/2012/12/30/the-007-files-goldfinger/

2. Casino Royale (2006)

https://toddmthatcher.wordpress.com/2013/01/25/the-007-files-casino-royale/

1. From Russia with Love (1963)

https://toddmthatcher.wordpress.com/2012/12/29/the-007-files-from-russia-with-love/

And there you have it, my friends! Feel free to let your feelings be known as to your thoughts on the list. It’s been a great experience re-watching all these 007 pictures. Late 2014 can’t get here soon enough!

The (00) 7 Best James Bond Villains

We are almost at the Ultimate Rankings of all 23 James Bond films now that I’ve viewed them all over the past month and a half. Before that, though, I’ve ranked my Top 7 Theme Songs and Bond girls, so it’s time for the (00) 7 Best James Bond Villains. This was tough and I’ll throw out there already that Sophie Marceau as Elektra King in The World Is Not Enough and Harold Sakata as the series most famous henchman Odd Job nearly made the cut. There could only be seven though and here they are.

7. Max Zorin (Christopher Walken) in A View to a Kill

OK, the movie is pretty mediocre, but Christopher Walken’s performance as psychotic industrialist Max Zorin is easily the film’s high point. The great actor genuinely seems to be soaking up and enjoying playing a 007 baddie.

6. Franz Sanchez (Robert Davi) in Licence to Kill

Timothy Dalton’s second Bond entry is by far one of the most underrated of the franchise and Robert Davi’s terrific performance as drug lord Sanchez is a big part of the film’s success. He gets more screen time than your typical villain and he makes the most of it.

5. Ernst Stavro Blofeld (various actors)

Some Bond fanatics would consider it sacrilege not to list Bond’s most well-known nemesis Blofeld as #1. Honesty has to prevail though. Blofeld’s history for me is checkered. He appeared prominently in three Bonds with Donald Pleasance playing him in You Only Live Twice, Telly Savalas in On Her Majesty’s Secret Service, and Charles Gray in Diamonds Are Forever. He was seen barking orders without his face shown in From Russia with Love, Thunderball, and was finally killed in For Your Eyes Only in the opening scene. However, appearing in six movies doesn’t make you the greatest Bond villain. I preferred Pleasance’s take on Blofeld more than any other. By Diamonds Are Forever, even though Gray’s performance was decent, the character was written poorly. Still, Blofeld earns a spot on here.

4. Red Grant (Robert Shaw) in From Russia with Love

Odd Job may be considered the best henchman, but my personal favorite is definitely Robert Shaw’s fantastic performance as Red Grant in the second 007 adventure. He proves to be one of the more worthy Bond adversaries and their scenes on the long train sequence in the film are classic.

3. Rosa Klebb (Lotte Lenya) in From Russia with Love

And while we’re talking From Russia with Love, the film’s main villain is wonderful. Lenya’s performance as ex Soviet agent turned SPECTRE baddie Rosa Klebb is one of a kind. She looks nothing like what you think a Bond villain and that’s part of her appeal.

2. Auric Goldfinger (Gert Frobe) in Goldfinger

He’s long been considered the classic and best Bond villain and there’s a reason for it. Goldfinger is one of the most colorful and fun antagonists to Mr. Bond and he’s given some classic bits, including trying to cut 007 in half with a giant frickin laser. And he gets that wonderful line: “No, Mr. Bond! I expect you to die!” that is probably the most famous scene ever in the series.

1. Raoul Silva (Javier Bardem) in Skyfall

And Goldfinger would’ve been first, if not for a little picture called Skyfall last year. Bardem’s performance as the ex-agent turned bad guy who has plans to kill M is amazing. The character is well-written and given a number of memorable moments. Mostly though, we have a true example of the best Bond villain being the best actor to ever play one.

The 007 Files: Skyfall

The billion dollar Bond. Skyfall marks 007’s 50th anniversary in existence on the big screen and I think you can say things turned out pretty well. The picture is the first in the series to earn over one billion dollars worldwide. It’s the first entry that garnered serious talk as to whether it would receive a Best Picture nomination at the Oscars. It did not.

Nevertheless, from a financial standpoint, Skyfall has put the series in uncharted territory and helped solidify Daniel Craig as a 007 for the ages. So, how is the movie??

Well, it begins with one of the greatest opening sequences in the series: a rousing, go-for-broke action set piece with 007 engaging in a chase in a car, on a motorcycle, and on a train. He is assisted by Eve (Naomie Harris), a fellow agent. The 13 minute opener concludes with M (Judi Dench) ordering Eve to take a difficult shot as Bond battles a baddie atop the train. It doesn’t end well. Bond is shot and plummets to the water, presumed dead.

We move on to the title credits and one of the best Bond theme songs (I ranked it #4). The marriage of a Bond theme and British singer Adele sounded like a natural fit when it was announced. It is. My apologies, with the recent “newness” of the film, there is no high quality version of the actual title credits I could find. Here is the official music video:

After Bond’s plunge off the train, M is forced to write his obituary and the agent is left on his own on an island with a female companion and a lot of alcohol. Meanwhile, all hell is breaking loose in London. An unseen villain has stolen a list of every NATO agent embedded in terrorist organizations and threatening to post the information publicly. M is getting blamed for the latest mishaps by the British government and is told her “voluntary retirement” will come soon by Mallory (Ralph Fiennes), an operative in the intelligence services. Matters take an even more awful turn for the worse when MI6 headquarters in bombed.

This all leads to 007 coming back to help, but he’s told he must first be cleared for active duty. The wounded Bond actually fails all his tests, both the physical and psychological portions. M clears him anyway. She trusts him. The psych evaluation is of particular interest, since one word (Skyfall) seems to set Bond on edge.

Once he is cleared, 007 is sent to meet with the new Quartermaster… yes, a new “Q”, played by the young Ben Whishaw. His first scene with Bond provides some humor, just as Desmond Llewelyn’s interplay with Connery, Lazenby, Moore, Dalton, and Brosnan usually did. The Bond/Q meeting sheds some light on the new reality of 007’s world. There’s really no fancy gadgets anymore. Just the essentials. He gets a gun that only he can fire and a radio.

Bond follows the train suspect who stole that important covert list to Shanghai. This leads to a very cool fight scene at a high rise. The lighting in the scene is of particular coolness.

We move on to Macau as 007 keeps following leads to get to the shadowy main villain. Here, we have a memorable casino sequence. Again, I reiterate that it should be required for every picture in the series to have a casino scene. Mission accomplished here! Bond meets Severine (Berenice Marlohe), who’s working for the main villain. 007 figures out that she was sold into a child slavery ring at an early age and wants to break out of her horrible existence. She agrees to help him if he promises to kill the unknown head bad guy. Severine’s character is a good one and I actually thought she was given too little screen time. The casino sequence ends with more terrific action, as Bond fights some henchman in a pit that happens to have a komodo dragon in it.

Severine does lead 007 to who he (and we as an audience) have been looking for. Turns out our villain is Silva (Javier Bardem), an ex-agent who’s behind all the mayhem. Silva was left for dead in a mission years ago by M and he has plans to repay her. Bond meets Silva at a deserted island that the villain has commandeered. Their initial meeting is a wonderful scene. It takes just this sequence together for us, as an audience, to know that Silva is one unique villain. And also one of the finest villains in the Bond franchise.

Like in the first picture, 1962’s Dr. No, the introduction of Silva comes nearly halfway through the proceedings, at the 70 minute mark. Unlike Dr. No, where the villain didn’t have much time to make an impression, it is far different with Silva. First off, Oscar winner Javier Bardem is just an amazing actor. Silva embodies the finest qualities of a great Bond villain: you believe he can go toe-to-toe with Bond and his schemes are slightly exaggerated and crazy. Bardem’s Silva is in the grand tradition of Goldfinger, Blofeld, and others. Whereas neither villain in Craig’s first two entries was of particular note, Silva is a classic character and Bardem’s performance is astonishing. Silva is captured (it turns out he wanted it to happen) and he reveals to M what the cyanide capsule he bit into when she left him hanging out to dry did to him. Creepy stuff, my friends.

Of course, Silva escapes and this leads to Bond’s most personal mission yet: protecting M. The two are on the run together and we end up at 007’s childhood home… a mansion in Scotland called Skyfall. We’ve always known Bond was an orphan, but we certainly hear more details on his life than ever before. We meet the gatekeeper at the home, played by Albert Finney (who is always good). And we experience a final battle between Bond and Silva at the estate that has major consequences on the future of the series.

Judi Dench is making her seventh appearance as M. This includes the four Brosnans and the three Craigs. It is with the Daniel Craig movies that her character became even more integral to the stories. Her relationship with Bond has been a focal point. The rapport of Craig and Dench is magnificent. For their characters, it isn’t just a boss/employee dynamic. She recruited him. She trusts his judgment. And he trusts her. Bond could have ended up like Silva, but his love of country, duty, and (yes) M prevented that. The unique dynamic between these two characters reaches its crescendo in Skyfall. There are tragic results and yet it feels right.

Being that it’s Bond 50th anniversary, we do get some nice nods to past features. Most notably, we see the beloved Aston Martin yet again. Bond at one point utters the line “I must be dreaming”, a nod to the famous introduction of Pussy Galore in Goldfinger. 

However, in many ways, Skyfall is a unique and different Bond film. It has the distinction of being the first entry directed by an Oscar winner, Sam Mendes (winner for American Beauty, he also directed Road to Perdition and Jarhead). Veterans screewriters Neal Purvis and Robert Wade are joined by John Logan, screenwriter of Gladiator. The action scenes are at a high level… we see that $200 million dollars on screen.

Yet Skyfall sometimes feels like a smaller film, interestingly enough. There is more concentration on the Bond-M relationship than ever before. The extended climax at Bond’s boyhood home is free of any fancy gadgets… it’s just 007 fighting the villains with an old rifle and things he found around the house.

There are other sequences where I felt the influence of a current popular director, Christopher Nolan. Thomas Newman’s score sounds occasionally derivative of Nolan’s Dark Knight series. A scene where M is testifying in a hearing with her voice over reading a poem as Silva and his henchman wreak havoc seems like something straight out of Nolan. I know some Bond fanatics may not like reading this, but Nolan’s influence here is undeniable in my view. That’s not necessarily a bad thing either, but some of it feels like it doesn’t belong in a Bond movie.

By the end of Skyfall, we see that the series is moving in a new direction. SPOILER ALERT: M dies, Mallory becomes the new M, and it turns out fellow agent Eve’s last name is Moneypenny.

We have all grown to appreciate just how wonderful Daniel Craig is as Bond. It’s hard to believe now that his casting was originally met with skepticism and derision. Bardem is one of the greatest Bond villains ever. Dench is fabulous in her final appearance.

I do have some minor quibbles, as usual. The finale at Skyfall does feel strangely anticlimactic at times and goes on too long. Even though Eve is apparently the main Bond girl here, her character doesn’t make much of an impression and the other girl, Severine, is a good character not given enough time to shine.

None of this hides the fact that Skyfall delivers on the promise that Casino Royale set up for future Daniel Craig pictures in a way that Quantum of Solace did not. However, it is not quite the masterpiece that Casino Royale was. It’s a near masterpiece. And that puts it in a small company of other Bond entries, near the top of the list of 23 007 pictures in the first half century of the franchise.

Here are the facts:

Film: Skyfall

U.S. Release Date: November 9, 2012

Director: Sam Mendes

Screenplay: John Logan, Neal Purvis, and Robert Wade

Bond: Daniel Craig

Main Bond Villain: Raoul Silva (Javier Bardem)

Main Bond Girl: Eve (Naomie Harris)

Theme Song: “Skyfall” – performed by Adele

Budget: $200 million

Worldwide Box Office: $1.1 billion

My James Bond blog series will return with The 007 Files: Spectre