In Defense of Timothy Dalton

When Spectre opens this weekend, it will mark the 24th official James Bond adventure and Daniel Craig’s fourth go round as the famed super agent. There is no doubt that Mr. Craig’s time as 007 has been a wildly successful venture and it’s brought the franchise to previously unseen billion dollar heights.

Regarding the general consensus of the six actors who’ve played Bond, the least regarded are typically George Lazenby and Timothy Dalton. Not so coincidentally, they’re the two thespians who played him the least. Lazenby played him just once in 1969’s On Her Majesty’s Secret Service and his mediocre work was crushed under the weight of Sean Connery comparisons, who was the only man at the time to have played him. The generally negative rap on Lazenby is one in which I agree.

With Dalton, it’s a different story in my view. When 1987 came around, it was clear that it was time for Roger Moore to call it a day. 1985’s A View to a Kill found Moore playing 007 at the advanced age of 57. It was a mostly rewarding 12 year run in the role, though the pics themselves varied considerably in quality. Enter Dalton, stepping into Bond’s designer shoes in his mid 40s. Ironically, it has since been revealed that Dalton was originally considered to replace Connery for Secret Service and that even the actor himself felt he was far too young at the time to do it.

The Living Daylights would be his first outing. Two years later, Licence to Kill would be his second and his final. Six years later, after MGM’s financial woes delayed production of new entries, Pierce Brosnan would take over with Goldeneye. And while Brosnan’s four picture time in the part is justifiably regarded as pretty strong, Dalton’s double effort is often not.

Yet when I made the daunting task of watching all 007 flicks in a row in late 2012 to early 2013, I ended that adventure by ranking my preferred Bonds from 1-23. And it turned out that both Daylights and Licence landed in the top ten. Not one Brosnan pic did. Daylights, which stands as a more traditional Bond experience, was 10th. Licence to Kill was 6th, just above the beloved Skyfall. That film  stands alone as less of a normal 007 movie and more of a hard edged late 80s action thriller popularized at the time by the likes of Lethal Weapon and Die Hard. So while 007 purists weren’t enthralled, I found Licence to work exceedingly well in the genre it was borrowing. I believe that it’s the most underrated motion picture of the entire franchise.

As for Dalton himself, he was perfectly serviceable as Bond and I would’ve been curious to see his evolution in a third or fourth entry. It was never to be, but if you re-watch his two performances, there are hints of the darker take on the character that audiences would celebrate with Daniel Craig.

So while many talk of the Timothy Dalton era as a forgettable one, my verdict is that it produced two of the top ten flicks among the 23. That’s not forgettable to me.

Spectre Box Office Prediction

Three years after the triumphant box office performance of the 23rd 007 entry Skyfall, Daniel Craig is back for the fourth time as James Bond in Spectre, out next Friday. The big question is whether or not it will manage to top the franchise high debut of its predecessor. It could come close or surpass it, as I see it.

Let’s take a little trip down memory lane with Craig’s 007 filmography. His first, 2006’s Casino Royale, started with $40.8 million on its way to a $167M eventual domestic gross. The second, 2008’s Quantum of Solace, earned $67.5 million out of the gate and just edged its predecessor’s haul with $168M. Then – 2012’s Skyfall was a game changer. It made $88.3 million for its astonishing opening weekend and ended with $304M. Worldwide, it took in a cool $1.1 billion, easily setting the high bar for the now 53 year old series.

The studio clearly has employed the “if it ain’t broke, don’t fix it” rule as Skyfall director Sam Mendes has returned. Christoph Waltz joins the fray as the main villain with Ralph Fiennes and Naomie Harris returning as M and Moneypenny, respectively. Spectre has already set records in the United Kingdom, where it was already released this week. Reviews have been mostly strong and it stands at 79% on Rotten Tomatoes, though it’s worth noting that critics generally have stated it’s not quite at the level of what preceded it.

This 24th official Bond pic should debut with Skyfall like numbers. On the high end, it could possibly gather over $100M in its first weekend. It could also earn $75-$80M and that would certainly be on the lower end of expectations. My feeling is that it’ll be within about $5M of what the last one made on the same November weekend in 2012 and that Spectre will just manage to outdo it for the largest 007 premiere in U.S. history.

Spectre opening weekend prediction: $91.3 million

For my prediction on The Peanuts Movie, click here:

https://toddmthatcher.com/2015/10/29/the-peanuts-movie-box-office-prediction/

A Spectre and a Joker

While moviegoers this weekend will be left with only Thanksgiving leftovers to munch on, it’s been quite a week for film news.

Just today, the title of the 24th James Bond picture was revealed: Spectre. Longtime 007 fans know what this means. SPECTRE (it stands for Special Executive for Counter-Intelligence, Terrorism, Revenge and Extortion) is the dastardly organization that has been run by Ernst Stavro Blofeld during the franchise including Dr. No, Thunderball, You Only Live Twice, On Her Majesty’s Secret Service, and Diamonds Are Forever. The group appears to be heading back into Bond lore with two time Oscar winner Christoph Waltz playing the bad guy (whether or not he plays Blofeld is still a mystery). The official announcement this morning lists him playing a different character, but many suspect it’s a head fake and he’ll be stepping into role of Bond’s most iconic villain. Spectre will be out in November 2015 with Daniel Craig returning for his fourth outing as 007 and Skyfall director Sam Mendes behind the camera.

Speaking of iconic villains, news was confirmed this week that The Joker will return in Suicide Squad, Warner Bros. 2016 pic focusing on villains in the DC Comics Universe. Jared Leto, fresh off his Dallas Buyer’s Club Oscar, steps into the part made famous by Jack Nicholson first and then the late Heath Ledger (who picked up a posthumous Academy Award for his work). David Ayer (director of Fury) is heading up the project that also stars Will Smith, Tom Hardy, and Margot Robbie.

So there we have it! Potentially two beloved baddies with two Oscar certified actors filling the roles. Also – ICYMI, there was a trailer for something called Star Wars: The Force Awakens. I’ve posted it already, but it never hurts to watch again… and again.

The 007 Files: The Future of James Bond

As you likely know, I’ve spent a great deal of time on this blog discussing and evaluating all 23 official James Bond pictures. This was capped off by ranking all 23 007 entries from #1 to #23. Additionally, I’ve named my top (00) 7 Bond Villains, Bond Girls, and Bond Theme Songs.

With all the films blogged about, this leads to what could my last 007 Files post for awhile. It begins with a natural question: What is the future of the James Bond franchise?

For the immediate future, the answer appears clear. Daniel Craig has achieved worldwide acclaim for his portrayal of the super agent. Last year’s Skyfall reached new heights at the box office, as it grossed over a billion dollars around the globe.

As much as moviegoers love Craig, we must look at Father Time. I didn’t realize this until I began writing the blog post, but today marks the actor’s 45th birthday. For some context, Sean Connery was 41 when he made his last official entry, Diamonds Are Forever. He would return 12 years later in the unofficial Bond pic Never Say Never Again (a film I will get around to writing a post about eventually). Timothy Dalton was 45 when his second and last entry Licence to Kill came out. Pierce Brosnan was 49 when his finale, Die Another Day, was released in 2002. The exception to the 40s rule was Roger Moore, who finally gave up the role at age 57 in A View to a Kill. Moore was criticized for staying in the role too long.

If we assume that we’ll get a new Bond feature every 2-3 years (which seems likely), I would guess we are at precisely the mid-point of Mr. Craig’s tenure as 007. Three more Craig entries would have him playing the role into his early-mid fifties. I simply don’t think he’ll go beyond that.

Imagining there are three more Craig/Bond films, this begs another question: How good will they be? The immediate follow-up, possibly coming out in late 2014, has giant shoes to fill. It will suffer endless comparisons to Skyfall, just as Quantum of Solace was compared to Casino Royale. 

At the end of Skyfall, we could see the direction the franchise was heading towards with Naomie Harris as Moneypenny, Ralph Fiennes as the new M, and even a young Q. While Quantum was a direct sequel to Casino, Skyfall was a self-contained picture. I suspect that’s what the producers will do from now on. There had been talk of shooting the next two entries back-to-back. This idea has since been scrapped for now. It’s not hard to figure out why the producers wanted to do this. They wish to maximize their use of Mr. Craig for as many pictures as possible. Rumor has it that it was Skyfall director Sam Mendes who squashed the back-to-back notion in order for him to say yes to returning to the director’s chair. If this turns out true, Mendes will be the first director to helm back-to-back Bond adventures since John Glen, who directed every 007 pic in the 1980s.

Bottom line: the next seven to nine years seems secure in Bond world, with a beloved 007 playing the lead. It’s what comes after that which will be truly intriguing. Yes, there will be a new Bond at some point. And I feel sorry for whomever it is. George Lazenby was relentlessly criticized for his portrayal. While much of this was deserved, there’s no question part of it was due to audiences not wanting to let Sean Connery go. Even Craig’s initial casting was met with disappointment from Bond fans, as many were pleased with Mr. Brosnan and leery of a new 007. Those fears quickly dissipated with the release of Casino Royale.

Whatever actor is cast as the next Bond will unquestionably face enormous scrutiny from a public who will not want to let Craig go. It’s up to producers Barbara Broccoli and Michael Wilson to hit their casting out of the park, just as they did with Craig.

And while there are certainly many more questions to be discussed, one thing seems certain. The Bond franchise is going nowhere. Not in the short term. And not in the long term.

On a final note, I would encourage all Bond lovers to watch the documentary Everything Or Nothing, released late last year. The feature length documentary was made to celebrate the 50th anniversary of the franchise. It has interviews with all six Bonds, the producers, writers, directors, and many more. Everything Or Nothing is required viewing for those of us who’ve grown to love the series. I highly recommend it and you can catch it on Netflix right now.

The 007 Files: My Rankings Of All 24 James Bond Movies

**blogger’s note: updated as of 11/05/15 with Spectre

After watching all 24 official James Bond pictures and writing blog posts on each averaging around 1,000 words, we’ve arrived at what may be my final 007 Files entry for a while.

I may find something Bond related to blog about, but the next major post will likely be when the fourth Daniel Craig film is released, probably in late 2014. There will be one likely exception. When I see the well-known “unofficial” Bond picture, 1983’s Never Say Never Again with Sean Connery, I’ll post about that. Until then, I’ve now compiled my list ranking all movies from the worst to the very best.

For those reading along, #23 may be a good number for basketball players, but it isn’t here. That number signifies my least favorite Bond film and we work up from there. You’ll forgive me if I don’t comment on the rankings (been there, done that), but I am providing a link to the original post on the films, along with the trailer.

And with that, my final rankings after a month and a half blogging Bond:

24. Die Another Day (2002)

https://toddmthatcher.wordpress.com/2013/01/22/the-007-files-die-another-day/

23. Moonraker (1979)

https://toddmthatcher.wordpress.com/2013/01/07/the-007-files-moonraker/

22. Diamonds Are Forever (1971)

https://toddmthatcher.wordpress.com/2013/01/02/the-007-files-diamonds-are-forever/

21. The Man with the Golden Gun (1974)

https://toddmthatcher.wordpress.com/2013/01/04/the-007-files-the-man-with-the-golden-gun/

20. A View to a Kill (1985)

https://toddmthatcher.wordpress.com/2013/01/14/the-007-files-a-view-to-a-kill/

19. On Her Majesty’s Secret Service (1969)

https://toddmthatcher.wordpress.com/2013/01/01/the-007-files-on-her-majestys-secret-service/

18. Tomorrow Never Dies (1997)

https://toddmthatcher.wordpress.com/2013/01/19/the-007-files-tomorrow-never-dies/

17. Quantum of Solace (2008)

https://toddmthatcher.wordpress.com/2013/01/27/the-007-files-quantum-of-solace/

16. The World Is Not Enough (1999)

https://toddmthatcher.wordpress.com/2013/01/21/the-007-files-the-world-is-not-enough/

15. Live and Let Die (1973)

https://toddmthatcher.wordpress.com/2013/01/03/the-007-files-live-and-let-die/

14. Goldeneye (1995)

https://toddmthatcher.wordpress.com/2013/01/17/the-007-files-goldeneye/

13. For Your Eyes Only (1981)

https://toddmthatcher.wordpress.com/2013/01/09/the-007-files-for-your-eyes-only/

12. You Only Live Twice (1967)

https://toddmthatcher.wordpress.com/2012/12/31/the-007-files-you-only-live-twice/

11. The Living Daylights (1987)

https://toddmthatcher.wordpress.com/2013/01/14/the-007-files-the-living-daylights/

10. Spectre (2015)

9. Octopussy (1983)

https://toddmthatcher.wordpress.com/2013/01/10/the-007-files-octopussy/

8. Dr. No (1962)

https://toddmthatcher.wordpress.com/2012/12/29/the-007-files-dr-no/

7. Skyfall (2012)

https://toddmthatcher.wordpress.com/2013/02/15/the-007-files-skyfall/

6. Licence to Kill (1989)

https://toddmthatcher.wordpress.com/2013/01/15/the-007-files-licence-to-kill/

5. Thunderball (1965)

https://toddmthatcher.wordpress.com/2012/12/31/the-007-files-thunderball/

4. The Spy Who Loved Me (1977)

https://toddmthatcher.wordpress.com/2013/01/05/the-007-files-the-spy-who-loved-me/

3. Goldfinger (1964)

https://toddmthatcher.wordpress.com/2012/12/30/the-007-files-goldfinger/

2. Casino Royale (2006)

https://toddmthatcher.wordpress.com/2013/01/25/the-007-files-casino-royale/

1. From Russia with Love (1963)

https://toddmthatcher.wordpress.com/2012/12/29/the-007-files-from-russia-with-love/

And there you have it, my friends! Feel free to let your feelings be known as to your thoughts on the list. It’s been a great experience re-watching all these 007 pictures. Late 2014 can’t get here soon enough!

The (00) 7 Best James Bond Villains

We are almost at the Ultimate Rankings of all 23 James Bond films now that I’ve viewed them all over the past month and a half. Before that, though, I’ve ranked my Top 7 Theme Songs and Bond girls, so it’s time for the (00) 7 Best James Bond Villains. This was tough and I’ll throw out there already that Sophie Marceau as Elektra King in The World Is Not Enough and Harold Sakata as the series most famous henchman Odd Job nearly made the cut. There could only be seven though and here they are.

7. Max Zorin (Christopher Walken) in A View to a Kill

OK, the movie is pretty mediocre, but Christopher Walken’s performance as psychotic industrialist Max Zorin is easily the film’s high point. The great actor genuinely seems to be soaking up and enjoying playing a 007 baddie.

6. Franz Sanchez (Robert Davi) in Licence to Kill

Timothy Dalton’s second Bond entry is by far one of the most underrated of the franchise and Robert Davi’s terrific performance as drug lord Sanchez is a big part of the film’s success. He gets more screen time than your typical villain and he makes the most of it.

5. Ernst Stavro Blofeld (various actors)

Some Bond fanatics would consider it sacrilege not to list Bond’s most well-known nemesis Blofeld as #1. Honesty has to prevail though. Blofeld’s history for me is checkered. He appeared prominently in three Bonds with Donald Pleasance playing him in You Only Live Twice, Telly Savalas in On Her Majesty’s Secret Service, and Charles Gray in Diamonds Are Forever. He was seen barking orders without his face shown in From Russia with Love, Thunderball, and was finally killed in For Your Eyes Only in the opening scene. However, appearing in six movies doesn’t make you the greatest Bond villain. I preferred Pleasance’s take on Blofeld more than any other. By Diamonds Are Forever, even though Gray’s performance was decent, the character was written poorly. Still, Blofeld earns a spot on here.

4. Red Grant (Robert Shaw) in From Russia with Love

Odd Job may be considered the best henchman, but my personal favorite is definitely Robert Shaw’s fantastic performance as Red Grant in the second 007 adventure. He proves to be one of the more worthy Bond adversaries and their scenes on the long train sequence in the film are classic.

3. Rosa Klebb (Lotte Lenya) in From Russia with Love

And while we’re talking From Russia with Love, the film’s main villain is wonderful. Lenya’s performance as ex Soviet agent turned SPECTRE baddie Rosa Klebb is one of a kind. She looks nothing like what you think a Bond villain and that’s part of her appeal.

2. Auric Goldfinger (Gert Frobe) in Goldfinger

He’s long been considered the classic and best Bond villain and there’s a reason for it. Goldfinger is one of the most colorful and fun antagonists to Mr. Bond and he’s given some classic bits, including trying to cut 007 in half with a giant frickin laser. And he gets that wonderful line: “No, Mr. Bond! I expect you to die!” that is probably the most famous scene ever in the series.

1. Raoul Silva (Javier Bardem) in Skyfall

And Goldfinger would’ve been first, if not for a little picture called Skyfall last year. Bardem’s performance as the ex-agent turned bad guy who has plans to kill M is amazing. The character is well-written and given a number of memorable moments. Mostly though, we have a true example of the best Bond villain being the best actor to ever play one.

The 007 Files: Skyfall

The billion dollar Bond. Skyfall marks 007’s 50th anniversary in existence on the big screen and I think you can say things turned out pretty well. The picture is the first in the series to earn over one billion dollars worldwide. It’s the first entry that garnered serious talk as to whether it would receive a Best Picture nomination at the Oscars. It did not.

Nevertheless, from a financial standpoint, Skyfall has put the series in uncharted territory and helped solidify Daniel Craig as a 007 for the ages. So, how is the movie??

Well, it begins with one of the greatest opening sequences in the series: a rousing, go-for-broke action set piece with 007 engaging in a chase in a car, on a motorcycle, and on a train. He is assisted by Eve (Naomie Harris), a fellow agent. The 13 minute opener concludes with M (Judi Dench) ordering Eve to take a difficult shot as Bond battles a baddie atop the train. It doesn’t end well. Bond is shot and plummets to the water, presumed dead.

We move on to the title credits and one of the best Bond theme songs (I ranked it #4). The marriage of a Bond theme and British singer Adele sounded like a natural fit when it was announced. It is. My apologies, with the recent “newness” of the film, there is no high quality version of the actual title credits I could find. Here is the official music video:

After Bond’s plunge off the train, M is forced to write his obituary and the agent is left on his own on an island with a female companion and a lot of alcohol. Meanwhile, all hell is breaking loose in London. An unseen villain has stolen a list of every NATO agent embedded in terrorist organizations and threatening to post the information publicly. M is getting blamed for the latest mishaps by the British government and is told her “voluntary retirement” will come soon by Mallory (Ralph Fiennes), an operative in the intelligence services. Matters take an even more awful turn for the worse when MI6 headquarters in bombed.

This all leads to 007 coming back to help, but he’s told he must first be cleared for active duty. The wounded Bond actually fails all his tests, both the physical and psychological portions. M clears him anyway. She trusts him. The psych evaluation is of particular interest, since one word (Skyfall) seems to set Bond on edge.

Once he is cleared, 007 is sent to meet with the new Quartermaster… yes, a new “Q”, played by the young Ben Whishaw. His first scene with Bond provides some humor, just as Desmond Llewelyn’s interplay with Connery, Lazenby, Moore, Dalton, and Brosnan usually did. The Bond/Q meeting sheds some light on the new reality of 007’s world. There’s really no fancy gadgets anymore. Just the essentials. He gets a gun that only he can fire and a radio.

Bond follows the train suspect who stole that important covert list to Shanghai. This leads to a very cool fight scene at a high rise. The lighting in the scene is of particular coolness.

We move on to Macau as 007 keeps following leads to get to the shadowy main villain. Here, we have a memorable casino sequence. Again, I reiterate that it should be required for every picture in the series to have a casino scene. Mission accomplished here! Bond meets Severine (Berenice Marlohe), who’s working for the main villain. 007 figures out that she was sold into a child slavery ring at an early age and wants to break out of her horrible existence. She agrees to help him if he promises to kill the unknown head bad guy. Severine’s character is a good one and I actually thought she was given too little screen time. The casino sequence ends with more terrific action, as Bond fights some henchman in a pit that happens to have a komodo dragon in it.

Severine does lead 007 to who he (and we as an audience) have been looking for. Turns out our villain is Silva (Javier Bardem), an ex-agent who’s behind all the mayhem. Silva was left for dead in a mission years ago by M and he has plans to repay her. Bond meets Silva at a deserted island that the villain has commandeered. Their initial meeting is a wonderful scene. It takes just this sequence together for us, as an audience, to know that Silva is one unique villain. And also one of the finest villains in the Bond franchise.

Like in the first picture, 1962’s Dr. No, the introduction of Silva comes nearly halfway through the proceedings, at the 70 minute mark. Unlike Dr. No, where the villain didn’t have much time to make an impression, it is far different with Silva. First off, Oscar winner Javier Bardem is just an amazing actor. Silva embodies the finest qualities of a great Bond villain: you believe he can go toe-to-toe with Bond and his schemes are slightly exaggerated and crazy. Bardem’s Silva is in the grand tradition of Goldfinger, Blofeld, and others. Whereas neither villain in Craig’s first two entries was of particular note, Silva is a classic character and Bardem’s performance is astonishing. Silva is captured (it turns out he wanted it to happen) and he reveals to M what the cyanide capsule he bit into when she left him hanging out to dry did to him. Creepy stuff, my friends.

Of course, Silva escapes and this leads to Bond’s most personal mission yet: protecting M. The two are on the run together and we end up at 007’s childhood home… a mansion in Scotland called Skyfall. We’ve always known Bond was an orphan, but we certainly hear more details on his life than ever before. We meet the gatekeeper at the home, played by Albert Finney (who is always good). And we experience a final battle between Bond and Silva at the estate that has major consequences on the future of the series.

Judi Dench is making her seventh appearance as M. This includes the four Brosnans and the three Craigs. It is with the Daniel Craig movies that her character became even more integral to the stories. Her relationship with Bond has been a focal point. The rapport of Craig and Dench is magnificent. For their characters, it isn’t just a boss/employee dynamic. She recruited him. She trusts his judgment. And he trusts her. Bond could have ended up like Silva, but his love of country, duty, and (yes) M prevented that. The unique dynamic between these two characters reaches its crescendo in Skyfall. There are tragic results and yet it feels right.

Being that it’s Bond 50th anniversary, we do get some nice nods to past features. Most notably, we see the beloved Aston Martin yet again. Bond at one point utters the line “I must be dreaming”, a nod to the famous introduction of Pussy Galore in Goldfinger. 

However, in many ways, Skyfall is a unique and different Bond film. It has the distinction of being the first entry directed by an Oscar winner, Sam Mendes (winner for American Beauty, he also directed Road to Perdition and Jarhead). Veterans screewriters Neal Purvis and Robert Wade are joined by John Logan, screenwriter of Gladiator. The action scenes are at a high level… we see that $200 million dollars on screen.

Yet Skyfall sometimes feels like a smaller film, interestingly enough. There is more concentration on the Bond-M relationship than ever before. The extended climax at Bond’s boyhood home is free of any fancy gadgets… it’s just 007 fighting the villains with an old rifle and things he found around the house.

There are other sequences where I felt the influence of a current popular director, Christopher Nolan. Thomas Newman’s score sounds occasionally derivative of Nolan’s Dark Knight series. A scene where M is testifying in a hearing with her voice over reading a poem as Silva and his henchman wreak havoc seems like something straight out of Nolan. I know some Bond fanatics may not like reading this, but Nolan’s influence here is undeniable in my view. That’s not necessarily a bad thing either, but some of it feels like it doesn’t belong in a Bond movie.

By the end of Skyfall, we see that the series is moving in a new direction. SPOILER ALERT: M dies, Mallory becomes the new M, and it turns out fellow agent Eve’s last name is Moneypenny.

We have all grown to appreciate just how wonderful Daniel Craig is as Bond. It’s hard to believe now that his casting was originally met with skepticism and derision. Bardem is one of the greatest Bond villains ever. Dench is fabulous in her final appearance.

I do have some minor quibbles, as usual. The finale at Skyfall does feel strangely anticlimactic at times and goes on too long. Even though Eve is apparently the main Bond girl here, her character doesn’t make much of an impression and the other girl, Severine, is a good character not given enough time to shine.

None of this hides the fact that Skyfall delivers on the promise that Casino Royale set up for future Daniel Craig pictures in a way that Quantum of Solace did not. However, it is not quite the masterpiece that Casino Royale was. It’s a near masterpiece. And that puts it in a small company of other Bond entries, near the top of the list of 23 007 pictures in the first half century of the franchise.

Here are the facts:

Film: Skyfall

U.S. Release Date: November 9, 2012

Director: Sam Mendes

Screenplay: John Logan, Neal Purvis, and Robert Wade

Bond: Daniel Craig

Main Bond Villain: Raoul Silva (Javier Bardem)

Main Bond Girl: Eve (Naomie Harris)

Theme Song: “Skyfall” – performed by Adele

Budget: $200 million

Worldwide Box Office: $1.1 billion

My James Bond blog series will return with The 007 Files: Spectre

The (00) 7 Best Bond Girls

Keeping with my theme of wrapping up “The 007 Files” with the release of Skyfall on Blu Ray tomorrow and the fact that I’ve watched all 23 official Bond films in a very short amount of time, today we add my (00) 7 Best Bond Girls.

Of course, this is just my personal opinion and I’m sure 007 lovers might strenuously disagree with my picks, but here they are. Please note that this list does not include female Bond villains… there’s going to be another blog post for greatest villains later this week. These are the officials “Bond girls” who wanna love James, not fight him.

Without further adieu, my picks for the seven greatest women in 007’s life.

7. Octopussy (Maud Adams) in Octopussy

Ms. Adams actually has the distinction of playing two totally different Bond gals, once in 1974’s The Man with the Golden Gun and here, as the title character in 1983’s Roger Moore entry. Her character is pretty badass and she even has a totally hot army of women she trains.

6. Teresa di Vicenzo (Diana Rigg) in On Her Majesty’s Secret Service

I am standing firm in my belief that OHMSS is pretty damn overrated (some consider it the best Bond film… not this guy). However, the movie does have the distinction of having Rigg’s character, referred to as Tracy, being the first gal to steal 007’s heart. He even marries her! The marriage, alas, is extraordinarily short-lived. Rigg, well-known from the TV series “The Avengers”, is a bright spot in an otherwise very uneven Bond flick.

5. Pussy Galore (Honor Blackman) in Goldfinger

She certainly has a memorable name and is considered by many to be Bond’s greatest girl. I wouldn’t go quite that far, but Blackman gives a winning performance in one of the very best 007 pictures. Bond’s introduction to her is a classic.

4. Anya Amasova (Barbara Bach) in The Spy Who Loved Me

Roger Moore’s best 007 movie has the best girl he got to romance, KGB agent Anya. Barbara Bach’s performance is average, but it’s the dynamic of her character with Bond that makes her interesting. It seems James killed her boyfriend on a previous mission (something Anya doesn’t discover until later in the picture). The backstory between 007 and Anya is well-written and gives Bach a role to play that’s not your typical Bond gal.

3. Tatiana Romanova (Daniela Bianchi) in From Russia with Love

Tatiana is the second main Bond gal and she’s a great one. Stunningly beautiful, Daniela Bianchi has a wonderful chemistry with Sean Connery. Her character is also notable for a memorable scene in which leered at by Rosa Klebb, the main villain. The homosexual undertones were pretty darn risque for 1963.

2. Vesper Lynd (Eva Green) in Casino Royale

Vesper, played in a fine performance from Eva Green, makes Bond fall the hardest he has for any girl since that brief marriage 27 years before (in movie release time). Daniel Craig’s chemistry with Green is wonderful. We actually believe he’d want to quit MI6 to be with her.

1. Honey Ryder (Ursula Andress) in Dr. No

Just because Dr. No is the first 007 picture doesn’t mean it’s the best (it’s not) or has the best villain (it doesn’t). But I’ll be damned if it doesn’t have the best girl with Ursula Andress playing Honey Ryder, whose entrance coming out of the ocean is legendary. Is her character particularly fascinating? Truthfully, no. Andress is absolutely gorgeous, though, and her interplay with Connery works quite well. This is the Bond gal that all others are measured against. Some others have come very close, but not quite Ursula territory.

The (00) 7 Best James Bond Theme Songs

Followers of my blog are aware that I’ve been blogging on each and every James Bond film with my thoughts on them all for the past month and a half. It will culminate this week when Skyfall is released on Blu Ray. Following my blog post on that picture, I will write a post ranking every 007 movie from #1 to #23.

In the meantime, all that Bond watching has given me an opportunity to hear every James Bond theme song that plays over the opening credits. So today seems like an appropriate time to share with you my favorites of the 007 theme songs… and even it’s even more appropriate to pick seven of them. So without further adieu, the (00) 7 Best James Bond Theme Songs picked by yours truly.

7. “Diamonds Are Forever” – performed by Shirley Bassey

This is not Shirley Bassey’s first James Bond theme song or her last (she would return for 1979’s Moonraker). While her first 007 theme will rank higher, this song is a memorable Bond theme… and be used later in a Kanye West sample. Great work from Bassey, though not quite her best.

6. “You Only Live Twice” – performed by Nancy Sinatra

From the Chairman of the Board’s daughter comes this lush theme. It definitely sticks in your head and was sampled later by Robbie Williams for his terrific song “Millenium”. 

5. “A View to a Kill” – performed by Duran Duran

Not one of the best 007 movies, but definitely a fantastic theme song. Performed by Duran Duran (a “boy” band who happened to make brilliant pop music in the 80s), this happens to be the only Bond theme I’ve seen performed live.

4. “Skyfall” – performed by Adele

There was a long break between great theme songs… about twenty seven years to be exact between A View to a Kill and this. There were some decent ones (The World Is Not Enough by Garbage, You Don’t Know My Name from Casino Royale by Chris Cornell) and some bad to mediocre ones (Sheryl Crow’s Tomorrow Never Dies, Madonna’s Die Another Day). With the 2012 Bond and Skyfall, the marriage of Adele and Bond theme seemed like a perfect idea the moment it was announced. And it was.

3. “Nobody Does It Better” – performed by Carly Simon

From one of the very best Bond pictures, 1977’s The Spy Who Loved Me, comes this classic Bond theme. With its wonderful piano arrangement and Carly Simon’s vocals, this epitomizes what’s special about 007 music.

2. “Live and Let Die” – performed by Paul McCartney and Wings

Seems like a natural fit to have someone from Britain’s most famous band do a theme song for Britain’s most famous film character. The result is this classic song.

1. “Goldfinger” – performed by Shirley Bassey

The theme song that every other Bond song is measured against… and there’s a reason for it. From the moment those classic strings come in and Shirley Bassey starts singing, “Goldfinger” takes its place as the quintessential 007 tune.

So there you have it – my favorite 007 theme songs! My thoughts on Skyfall are coming soon, my friends, along with my ultimate rankings of all 007 movies!

The 007 Files: Quantum of Solace

Quantum of Solace, the 22nd entry in the 007 franchise and Daniel Craig’s second as Bond, is likely destined to forever be known as “the one between Casino Royale and Skyfall.” Frankly, it’s easy to see why. While the picture has its moments, it simply doesn’t hold a candle to its predecessor or follow-up.

The film breaks the tradition of all entries that came before it: Quantum is a direct sequel to Casino Royale. It continues the story of 007 going after further bad guys who were ultimately responsible for events that unfolded in Casino Royale. We pick up right where the predecessor left off with the opening sequence and a car chase with Mr. White (who Bond captured at Casino‘s close) locked up in the trunk.

For the theme song, we get two immensely talented artists, Jack White and Alicia Keys, performing “Another Way to Die”. It’s not bad, but it’s a forgettable tune that should have been better, considering the players involved.

Considering the movie is a direct sequel, the mission for Bond is personal this time around. He’s searching for the people responsible for the death of Vesper, who Bond fell in love with in Casino Royale. 

This leads 007 to Dominic Greene (Mathieu Amalric), the head of a shady organization known as Quantum. He has dastardly plans to control the water supply in Bolivia. If that sounds like kind of a weak plot line, it kind of is. As an audience, we simply aren’t invested much in it and the character of Greene is not one of the stronger villains, even though Amalric’s performance is solid.

Our main Bond girl also isn’t terribly interesting. Played by the lovely Olga Kurylenko, Bolivian agent Camille Montes is also on a personal mission. Her family was killed by General Medrano, a secondary villain. Her story isn’t very fleshed out and she doesn’t make much of an impression. I found myself much preferring the secondary Bond gal, MI6 agent Strawberry Fields (in a good performance from Gemma Arterton) and wished she would have been the main Bond female character. Unfortunately, she doesn’t make it the whole way and her demise is a nice nod to 1964’s Goldfinger.

We also have Judi Dench back in her sixth go-round as M and Jeffrey Wright reprising his Casino role as Felix Leiter. Also back: Giancarlo Giannini as Mathis, who helps out Bond for a final time.

Of course, there are a whole lot of action sequences. Quantum is directed by Marc Forster, most known for his work in 2001’s Monster’s Ball and 2004’s Finding Neverland. I actually found Forster’s direction for many of the action-oriented scenes a little lacking, with some of the scenes being too jumpy and others just typical fare. There are exceptions: the scene at the opera house is extremely well-done. It is definitely one of the picture’s high points.

Quantum of Solace has the interesting distinction of being the shortest Bond ever. While most entries clock in at over two hours, this one runs a quick 106 minutes. This makes sense because it illustrates my main criticism: there’s just not a lot of there there. The plot isn’t that good, the characters aren’t fleshed out, and the action sequences that get us from point A to point B are a mixed bag.

Journalists had a lot of fun with this film’s rather strange title. Starting with Goldeneye, Bond makers had to start coming up with their own names (after the majority of Ian Fleming titles were used up). This meant some generic ones in the Brosnan era – think Tomorrow Never Dies, The World Is Not Enough, and Die Another Day. This one isn’t too great either but I suppose it sounds better than Amount of Consolation or Portion of Comfort. 

While critics and audiences experienced an understandable letdown here, it’s box office numbers didn’t suffer. Quantum of Solace earned $586 million worldwide, just slightly under Casino‘s haul. It took in $168 million in the United States, barely edging its predecessor’s $167 million domestic take.

Quantum has some decent moments but is missing a key element that made Casino Royale such a rousing success. While this film maintains the serious and gritter tone of Casino, it fails to put in the sense of fun that was also present in the first Craig feature. And while it’s certainly watchable and moves along pretty briskly, its reputation as a disappointing follow-up to a great film is deserved.

Here are the facts:

Film: Quantum of Solace

U.S. Release Date: November 14, 2008

Director: Marc Forster

Screenplay: Paul Haggis, Neal Purvis, and Robert Wade

Bond: Daniel Craig

Main Bond Villain: Dominic Greene (Mathieu Amalric)

Main Bond Girl: Camille Montes (Olga Kurylenko)

Theme Song: “Another Way to Die” – performed by Jack White and Alicia Keys

Budget: $200 million

Worldwide Box Office: $586 million

My James Bond blog series will return in “The 007 Files: Skyfall”