Tag: Belfast

29th SAG Awards Nominations Reaction

The morning after The Banshees of Inisherin beat Everything Everywhere All at Once for Best Motion Picture (Musical or Comedy) at the Golden Globes, the two BP Oscar hopefuls tied for most nominations from the Screen Actors Guild voters. The Globes Drama winner The Fabelmans, meanwhile, had a more disappointing showing including one particular unexpected omission.

We are in the thick of awards season and I’m pretty pleased to report I went 25/30 on my SAG picks! Let’s walk through the six competitions with how I did and some general analysis. Final predictions for this ceremony will come closer to the February 26th airdate.

Outstanding Performance by a Cast in a Motion Picture

The Nominees: Babylon, The Banshees of Inisherin, Everything Everywhere All at Once, The Fabelmans, Women Talking

How I Did: 4/5

I went with The Woman King over the sprawling cast of Babylon. I’ll admit I was feeling a bit bold picking Women Talking after a subpar season, but it managed to make the cut while none of its performers garnered individual noms.

It doesn’t turn out this way in most years at SAG, but this prize may well come down to the three movies mostly likely to take the Oscar BP: Banshees, EEAAO, and Fabelmans.

Outstanding Performance by a Female Actor in a Leading Role in a Motion Picture

The Nominees: Cate Blanchett (Tár), Viola Davis (The Woman King), Danielle Deadwyler (Till), Ana de Armas (Blonde), Michelle Yeoh (Everything Everywhere All at Once)

How I Did: 4/5

There are two headlines here in my opinion. The first is that Michelle Williams did not get in for The Fabelmans. Most prognosticators, including this one, have her sitting in 3rd for the Academy rankings.

Another is that Ana de Armas has made it for the Globes and SAG. A few weeks ago, her work as Marilyn Monroe in Blonde had fallen out of my top 10 possibilities. Now she is a serious threat for the Oscar quintet. I had Williams over de Armas projected.

As for the winner – this should come down to Blanchett v. Yeoh (both freshly minted Globe recipients).

Outstanding Performance by a Male Actor in a Leading Role in a Motion Picture

The Nominees: Austin Butler (Elvis), Colin Farrell (The Banshees of Inisherin), Brendan Fraser (The Whale), Bill Nighy (Living), Adam Sandler (Hustle)

How I Did: 4/5

SAG news other the nominees themselves was made today when it was announced that Netflix will livestream the show starting next year. It was also an unexpectedly solid morning for the streamer. In this race, the surprise inclusion was Adam Sandler for Hustle (which premiered on the subscription service). I had Tom Cruise (Top Gun: Maverick) forecasted instead.

It’s worth noting that Cruise has now missed Globe and SAG. For the former, it was easy to explain considering he had a highly publicized break with the Hollywood Foreign Press Association. No such explanation is found with SAG. His chances for Oscar are shaky.

The dynamics of this derby are intact. Butler, Farrell, Fraser, and Nighy appear to be safe bets for Academy attention. The fifth spot is wide open and Sandler got some exposure this morning. As for a winner at SAG, it’s a three-person fight between Butler, Farrell, and Fraser.

Outstanding Performance by a Female Actor in a Supporting Role in a Motion Picture

The Nominees: Angela Bassett (Black Panther: Wakanda Forever), Hong Chau (The Whale), Kerry Condon (The Banshees of Inisherin), Jamie Lee Curtis (Everything Everywhere All at Once), Stephanie Hsu (Everything Everywhere All at Once)

How I Did: 4/5

Bassett, Condon, and Curtis are the trio who’ve landed in all major precursors thus far. Jamie Lee’s costar Hsu makes it in over my pick of Jessie Buckley (Women Talking).

The Golden Globes honored Bassett last night and she could absolutely snag this trophy. However, I’m less convinced she sweeps than the chances of a sweep in Supporting Actor (more on that below). Let’s see if Condon or Curtis, especially, make it interesting.

A quick Women Talking comment. Even though Buckley or Claire Foy (who’s received nothing so far) are mostly or totally MIA, I still could see the Academy putting one of them up. We saw that they can throw a curveball in this race (Judi Dench in Belfast last year).

Outstanding Performance by a Male Actor in a Supporting Role in a Motion Picture

The Nominees: Paul Dano (The Fabelmans), Brendan Gleeson (The Banshees of Inisherin), Barry Keoghan (The Banshees of Inisherin), Ke Huy Quan (Everything Everywhere All at Once), Eddie Redmayne (The Good Nurse)

How I Did: 5/5 (!)

After viewing Quan’s heartfelt remarks at Globes, it seems like a sweep is in the cards. My one perfect category means Redmayne has landed Globe and SAG love. The Academy could still leave him out and same goes for Dano. We’ll see if alternates like Judd Hirsch (The Fabelmans), Brian Tyree Henry (Causeway), or Globe nominee Brad Pitt (Babylon) can sneak in.

Outstanding Performance by a Stunt Ensemble in a Motion Picture

The Nominees: Avatar: The Way of Water, The Batman, Black Panther: Wakanda Forever, Top Gun: Maverick, The Woman King

How I Did: 4/5

Avatar got in over my call of Everything Everywhere All at Once (YOU try being a stuntman waving those hot dog fingers!). The original Black Panther won in 2018 so perhaps the sequel will follow suit. Another sequel (Maverick) may prevent that.

That works out to the following number of SAG mentions for these pics:

5 Nominations

The Banshees of Inisherin, Everything Everywhere All at Once

2 Nominations

Black Panther: Wakanda Forever, The Fabelmans, The Whale, The Woman King

1 Nomination

Avatar: The Way of Water, Babylon, The Batman, Blonde, Elvis, The Good Nurse, Hustle, Living, Tár, Till, Top Gun: Maverick

Hong Chau and Claire Foy: An Oscar Reversal of Fortune

This year’s crop of Supporting Actress hopefuls is a vast one and easily the toughest to predict of the four acting races. Earlier in the week, the Golden Globes and the Critics Choice Awards named their nominees. For Supporting Actress, only three performers managed nods in both: Angela Bassett for Black Panther: Wakanda Forever, Kerry Condon in The Banshees of Inisherin, and Jamie Lee Curtis for Everything Everywhere All at Once. Additional contenders for the Globe are Dolly de Leon (Triangle of Sadness) and Carey Mulligan (She Said). For Critics Choice – it is Jessie Buckley (Women Talking), Stephanie Hsu (Everything Everywhere All at Once), and Janelle Monae (Glass Onion: A Knives Out Mystery).

Of the 8 actresses vying for victory, there are two surprising women not being talked about. Hong Chau (The Whale) and Claire Foy (Women Talking) were snubbed by the Globes and Critics Choice. I have had Foy listed at #1 in my Oscar picks for many weeks and I’ve had Chau in and out of my high five. Their double omissions put them at a disadvantage. There are only six Supporting Actress Oscar nominees in the past decade who missed both the Globes and Critics Choice: Jacki Weaver (Silver Linings Playbook), Laura Dern (Wild), Lesley Manville (Phantom Thread), and Marina de Tavira (Roma). It is worthy of note the other two were from just last year – Jessie Buckley (The Lost Daughter) and Judi Dench (Belfast). None of them won the Oscar so you can bet Foy will at least drop from #1 when I update my predictions this weekend.

On the flip side, there are also 6 women who did land Globe and Critics mentions and were ignored by the Academy. They are Jessica Chastain in A Most Violent Year, Helen Mirren from Trumbo, Jennifer Lopez in Hustlers, and Caitriona Balfe for Belfast.

The two I’m holding back on are quite interesting…

Hong Chau in 2017’s Downsizing and Claire Foy in 2018’s First Man. They were both expected to pick up nods from the Oscar voters and didn’t. In 2022, they find themselves in the opposite situation. After being left off the ballots for two major precursors, they could miss a nomination and no one would be taken aback. Yet as the Academy showed with Foy’s Women Talking costar Jessie Buckley last year and Dame Judi, this branch could go their own way and include either (especially after noticeably ignoring them a few years back).

I’d rather be Bassett, Condon, and Curtis right now when it comes to viability. For Chau and Foy – the odds aren’t in their favor like they were five and four years back. Those odds didn’t help them then. Perhaps their longer ones will prove to their benefit this time around.

AFI Top Ten Predictions 2022

The American Film Institute announces their top ten pictures of the year tomorrow and it’s usually a good indication of half or more of the eventual BP contenders at the Oscars.

Keep in mind that American product only is eligible for this particular group. Since this list began in 2000, the Academy’s BP recipient has only missed here five times. Four of those occasions were due to the whole country of origin thing – 2008’s Slumdog Millionaire, 2010’s The King Speech, The Artist in 2011, and Parasite from 2019. The Departed in 2006 also didn’t make the cut. This means you shouldn’t expect Aftersun, All Quiet on the Western Front, The Banshees of Inisherin, Decision to Leave, or RRR to surface here.

So what will? The AFI ten and the Oscar ten had a solid match last year at 8. Tick, Tick… Boom! and The Tragedy of Macbeth were the AFI inclusions that didn’t make it with the Academy. They went with two features from outside the U.S. in Belfast and Drive My Car. In recent years, the match number is usually 6 or 7.

It’s not uncommon for AFI to pick blockbusters or animated fare that the Academy does not. Recent examples include Soul, Knives Out, Mary Poppins Returns, A Quiet Place, Wonder Woman, Zootopia, Inside Out, Star Wars: The Force Awakens, and Straight Outta Compton.

Let’s talk of the pics I have just missing the cut. It was hard to leave off Tár. If it fails to be named tomorrow, that would be two disappointing days in a row after it surprisingly missed the National Board of Review (NBR) list today. Same goes for She Said and The Whale while Till did make NBR. More popcorn flavored flicks like The Batman, Nope, and Black Panther: Wakanda Forever are all viable contenders.

We shall see if any of them get in. Avatar, Babylon, Elvis, Glass Onion, Pinocchio, and The Woman King all feel like pics that should make it here if they have any hope of making the Academy’s cut. It is rare for the Oscars to nominate a more mainstream title that AFI doesn’t.

I’ll have a recap up tomorrow with commentary and how I did!

AFI Top Predictions

Avatar: The Way of Water

Babylon

Elvis

Everything Everywhere All at Once

The Fabelmans

Glass Onion: A Knives Out Mystery

Guillermo del Toro’s Pinocchio

Top Gun: Maverick

The Woman King

Women Talking

2022 Oscar Predictions: The State of the Best Picture Race

My deep dives into 6 high profile Oscar races reaches the top one with Best Picture. If you missed my posts on Director and the four acting competitions, you can find them here:

2022 Oscar Predictions: The State of the Best Director Race
2022 Oscar Predictions: The State of the Best Actress Race
2022 Oscar Predictions: The State of the Best Actor Race
2022 Oscar Predictions: The State of the Supporting Actress Race
2022 Oscar Predictions: The State of the Supporting Actor Race

At this early November period from 2019-21, here’s how accurate I was with my BP forecast. Three years ago, I correctly called 8 of the 9 eventual nominees. That includes the winner Parasite, 1917, Ford v Ferrari, The Irishman, Jojo Rabbit, Little Women, Marriage Story, and Once Upon a Time in Hollywood. The ninth hopeful was Joker and it was listed in Other Possibilities. In the wildly unpredictable 2020, I was right about 5 of 8 with two months left in the calendar – Nomadland (which won), The Father, Mank, Minari, and The Trial of the Chicago 7. Judas and the Black Messiah was named in Other Possibilities while Promising Young Woman and Sound of Metal were not yet in my top 15. In 2021, the Academy went back to a set number of 10 BP nominees. I rightly identified 7 of the 10 with Belfast, Dune, King Richard, Licorice Pizza, Nightmare Alley, The Power of the Dog, and West Side Story. The film that emerged victorious – CODA was not yet predicted but in Other Possibilities. So was Don’t Look Up while Drive My Car wasn’t among the 15.

Moving to 2022 – I can’t recall a year where four sequels were viable for inclusion. That’s where we stand at the moment. The top grosser of the year is Top Gun: Maverick and I do believe the Academy will reward it for bringing older audiences back to multiplexes (and of course for its quality). In a few weeks, we’ll have a better idea about Avatar: The Way of Water. I’m not ready to vault into my ten, but that could change soon. Knives Out missed out on BP in 2019 so I’m skeptical for Glass Onion: A Knives Out Mystery. And while Black Panther made the lineup in 2018, Wakanda Forever seems like a stretch despite the solid buzz. Nevertheless it’s not crazy to think that 40% of the BP players could be sequels.

On the non-sequel front, we begin with The Fabelmans. Steven Spielberg’s autobiographical coming-of-age tale has been listed at #1 for weeks on the blog. Only one of the filmmaker’s works – 1993’s Schindler’s List – has won BP. Shakespeare in Love was a surprise recipient in 1998 over the favored Saving Private Ryan. Nearly 30 years later, Fabelmans could have the credentials to be the second.

However, the frontrunner at this stage often doesn’t cross the finish line and Spielberg’s latest feels like a soft frontrunner. I could easily envision a scenario where the voters go outside the box with Everything Everywhere All at Once. A24’s multi-genre pic achieved wide acclaim and did great business at the box office. While spring releases rarely make the journey all the way through the awards calendar, Everything could buck that trend.

Other spoilers include The Banshees of Inisherin and Women Talking, which both garnered kudos at film festivals and will have their ardent admirers. I believe that logic also applies to Tár and The Whale though I don’t see either having a shot to win. And we are still waiting to see if Damien Chazelle’s Babylon is as viable as its pedigree suggests (we’ll know in a few days when it screens).

It’s become more common for an international feature film to get in and the two most likely to do so are All Quiet on the Western Front (which might just be Netflix’s most serious hopeful) and Decision to Leave. The reviews for Alejandro Gonzalez Inarritu’s Bardo should leave it out (it might not even make the separate international race).

While Guillermo del Toro’s Pinocchio is the favorite to be Best Animated Feature, I don’t see it breaking into the big dance. It’s probably the only animated title with any sort of chance.

The festival circuit always lessens the viability of some pics. In 2022, I would put the following on that list: Empire of Light, The Son, and Armageddon Time.

The Academy could choose to honor some moneymakers like Elvis and The Woman King (though putting Maverick in could check that box). Till may only show up in Best Actress for Danielle Deadwyler. And it’s tough to know what to make of the upcoming Emancipation considering it’s led by Will Smith (who has some, um, recent history with the ceremony).

Bottom line: there is a lot of uncertainty about BP. I feel fairly confident about The Fabelmans, Everything Everywhere, Women Talking, The Banshees of Inisherin, Top Gun: Maverick, Tár, and The Whale (more than others with that one). We’ll know about Babylon shortly so that leaves two spots. I could definitely see a sequel or a foreign flick jumping up. For now, the 9th and 10th entries go to Triangle of Sadness and She Said. Expect movement as the weeks roll along.

Best Picture

Predicted Nominees:

1 . The Fabelmans (Previous Ranking: 1) (Even)

2. Everything Everywhere All at Once (PR: 2) (E)

3. Babylon (PR: 3) (E)

4. Women Talking (PR: 4) (E)

5. The Banshees of Inisherin (PR: 5) (E)

6. Top Gun: Maverick (PR: 6) (E)

7. Tár (PR: 7) (E)

8. The Whale (PR: 8) (E)

9. Triangle of Sadness (PR: 9) (E)

10. She Said (PR: 12) (+2)

Other Possibilities:

11. All Quiet on the Western Front (PR: 11) (E)

12. Decision to Leave (PR: 10) (-2)

13. Avatar: The Way of Water (PR: 14) (+1)

14. Elvis (PR: 13) (-1)

15. Glass Onion: A Knives Out Mystery (PR: 15) (E)

Stay tuned for estimates on all the races coming up soon!

2022 Oscar Predictions: The State of the Best Director Race

Best Director is on deck for my closeup looks at six major categories at the Oscars. If you missed my posts covering the four acting derbies, you can find them here:

2022 Oscar Predictions: The State of the Best Actress Race
2022 Oscar Predictions: The State of the Best Actor Race
2022 Oscar Predictions: The State of the Supporting Actress Race
2022 Oscar Predictions: The State of the Supporting Actor Race

As I have with the other competitions, let’s see how accurate my estimates were from 2019-21 at the same early November time period. In 2019, I correctly had 4 of the 5 eventual directors: winner Bong Joon-ho (Parasite), Sam Mendes (1917), Martin Scorsese (The Irishman), and Quentin Tarantino (Once Upon a Time in Hollywood). Todd Phillips (Joker) was identified in Other Possibilities. 2020 was a trickier year due to COVID complications and I had 2 of the contenders rightly pegged: Chloe Zhao for Nomadland (who won) and David Fincher for Mank. Lee Isaac Chung (Minari) was in Other Possibilities while Emerald Fennell (Promising Young Woman) and Thomas Vinterberg (Another Round) were not yet in my top ten. Last year, I had 3 of 5 with the victorious Jane Campion (The Power of the Dog), Kenneth Branagh (Belfast), and Paul Thomas Anderson (Licorice Pizza). Steven Spielberg (West Side Story) was in Other Possibilities and I didn’t have Ryusuke Hamaguchi (Drive My Car) yet in the mix.

I don’t have Spielberg down as an Other Possibility in 2022. This time around, he could be in line for his third Best Director statue behind 1993’s Schindler’s List and 1998’s Saving Private Ryan. It would mark his ninth overall nom. If he wins, he would become only the fourth filmmaker with three or more victories. John Ford has 4 while Frank Capra and William Wyler have 3.

The last four years have given us a nominee with an International Feature Film contender. In addition to Joon-ho in 2019 and Vinterberg and Hamaguchi the following years, Alfonso Cuaron took the prize in 2018 for Roma. There are two in 2022 that stand the best shot: Edward Berger (All Quiet on the Western Front) and Park Chan-wook (Decision to Leave). If you want to be brave and predict an out of nowhere selection (like Vinterberg kinda was in 2020), look to Lukas Dhont (Close) or Jerzy Skolimowski (EO). Maybe even Alejandro Gonzalez Inarritu for Bardo though he faces a tough road due to mixed critical reception.

However, I’m not quite ready to elevate any of them to the forecasted quintet. Damien Chazelle’s Babylon will soon screen prior to its December bow. It has the looks of a contender and he’s in unless the buzz tells me differently in a few days.

I’m also feeling good about the Daniels (Dan Kwan and Daniel Scheinert) for Everything Everywhere All at Once. Same goes for Sarah Polley (Women Talking). Both appear to be surefire BP selections and would mark the Academy’s first mentions for them in this race.

As for the fifth spot, there’s plenty of names beyond the aforementioned international auteurs. Todd Field for Tár tops that list with Martin McDonagh (The Banshees of Inisherin) not far behind. If Avatar: The Way of Water approaches the reception that the original received, James Cameron could enter the conversation.

If She Said or The Whale pick up even more steam in BP, I wouldn’t discount Maria Schrader or Darren Aronofsky respectively. That same logic applies to Ruben Ostlund for Triangle of Sadness. I’ve had him in my five previously.

Perhaps the voters will honor the maker of the year’s biggest blockbuster with Joseph Kosinski for Top Gun: Maverick. The more likely path is a BP nom and a few tech inclusions.

This race can and will evolve over the next couple of months. Here’s the state of the race right now:

Best Director

Predicted Nominees:

1 . Steven Spielberg, The Fabelmans (Previous Ranking: 1) (Even)

2. Damien Chazelle, Babylon (PR: 2) (E)

3. Daniels, Everything Everywhere All at Once (PR: 3) (E)

4. Sarah Polley, Women Talking (PR: 4) (E)

5. Todd Field, Tár (PR: 5) (E)

Other Possibilities:

6. Edward Berger, All Quiet on the Western Front (PR: 7) (+1)

7. Park Chan-wook, Decision to Leave (PR: 6) (-1)

8. Martin McDonagh, The Banshees of Inisherin (PR: 8) (E)

9. James Cameron, Avatar: The Way of Water (PR: 10) (+1)

10. Ruben Ostlund, Triangle of Sadness (PR: 9) (-1)

Best Picture is up next, folks! Stay tuned…

2022 Oscar Predictions: The State of the Supporting Actress Race

The Supporting Actress derby is up next for my deep dives in the six major categories (Picture, Director, the 4 acting competitions). If you missed my current take on Supporting Actor, it’s here:

2022 Oscar Predictions: The State of the Supporting Actor Race

With two months left to go in the calendar year, it’s a good time to take stock in where we stand in 2022 with the various hopefuls. In 2019 and 2020 in late October, I correctly identified 3 of the 5 eventual nominees in Supporting Actress. Three years ago, that included eventual winner Laura Dern (Marriage Story) as well as Florence Pugh (Little Women) and Margot Robbie (Bombshell). I had Scarlett Johansson listed in Other Possibilities for Jojo Rabbit while not having Kathy Bates (Richard Jewell) yet on the radar. A year later, the trio of Glenn Close (Hillbilly Elegy), Olivia Colman (The Father), and Amanda Seyfried (Mank) were already in my top five. Youn Yuh-jung (Minari) took the gold. Both she and Maria Bakalova (Borat Subsequent Moviefilm) were tagged in Other Possibilities.

The ratio dropped in 2021. I named 2 of the 5 women with Ariana DeBose in West Side Story (who won) and Kirsten Dunst for The Power of the Dog. 2 nominees – Judi Dench (Belfast) and Aunjanue Ellis (King Richard) – were in Other Possibilities while Jessie Buckley (The Lost Daughter) wasn’t in my listed ten.

We arrive at 2022 where Ms. Buckley is in the mix again. She appears in Women Talking alongside a large ensemble of additional actresses. This film gives us the highest probability of seeing double nominees from the same picture. It’s happened three times since 2010. Melissa Leo and Amy Adams were up for The Fighter that year with Leo emerging victorious. In 2011, Octavia Spencer took the statue for The Help with Jessica Chastain also making the cut. Emma Stone and Rachel Weisz were both in the mix for 2018’s The Favourite.

With Women Talking, the Academy could dive a tad deeper with Judith Ivery and Sheila McCarthy (who are standouts). I suspect they’ll go with Buckley and Claire Foy (who was notably snubbed three years ago for First Man). I’ve had the latter listed in first place as she’s got a slightly meatier role.

That brings us to a key caveat in this race. A few weeks back, there was the unexpected announcement that Michelle Williams in Steven Spielberg’s The Fabelmans would be campaigned for in lead actress. She could’ve easily been placed here. If the studio had done that, I would continue to have Williams at #1 and feel confident that she’d win her first Oscar. However, in the Best Actress competition, I only have her in fourth position as of my last forecast.

Back to performers who are eligible in this. As long as The Banshees of Inisherin performs well with voters (and it should), Kerry Condon should make the quintet and could be a threat to win. Truth be told, this seems like a wide open competition without Williams. I could see either Women Talking actress at the podium or Condon. Same goes for Hong Chau as Brendan Fraser’s caretaker in The Whale or Stephanie Hsu as the world altering daughter in Everything Everywhere All at Once. That film offers the possibility of an additional double nomination with Jamie Lee Curtis’s nearly unrecognizable role. As for The Whale, I think Chau is far more likely than costar Sadie Sink.

I’m not as sold on Anne Hathaway in Armageddon Time, which may not make a dent at the ceremony. The many negative reviews for The Son have me questioning the viability of Vanessa Kirby or Laura Dern. Cha Cha Real Smooth might be too small for Dakota Johnson to nab her first Academy mention. Thuso Mbedu in The Woman King seems like a stretch. There’s unseen performances that could rise up like Kate Winslet (Avatar: The Way of Water) or Jean Smart (Babylon). Of all those choices, only Smart is in the top ten.

Critics groups may be integral in weeding out the nominees. This is where we could see Nina Hoss (Tár) or Dolly de Leon (Triangle of Sadness) rise up. Or we could get a nominee from a forthcoming hit such as Angela Bassett (Black Panther: Wakanda Forever) or Janelle Monae (Glass Onion: A Knives Out Mystery).

Over the past couple of months, all of my five nominees have come from films that I have in my 1o Best Picture hopefuls. That also holds true for Supporting Actor. And, frankly, that usually doesn’t happen. This is partly why I’m putting Carey Mulligan (She Said) in my projections after the studio announced she’ll vie for supporting instead of lead. I’ve got She Said barely missing a BP nod.

Bottom line: nothing is close to being settled in Supporting Actress and the talking about these women could change as we get closer to nomination time.

Best Supporting Actress

Predicted Nominees:

1. Claire Foy, Women Talking (Previous Ranking: 1) (E)

2. Kerry Condon, The Banshees of Inisherin (PR: 3) (+1)

3. Jessie Buckley, Women Talking (PR: 2) (-1)

4. Hong Chau, The Whale (PR: 4) (E)

5. Carey Mulligan, She Said (PR: 7) (+2)

Other Possibilities:

6. Stephanie Hsu, Everything Everywhere All at Once (PR: 5) (-1)

7. Dolly De Leon, Triangle of Sadness (PR: 6) (-1)

8. Nina Hoss, Tár (PR: 8) (E)

9. Jamie Lee Curtis, Everything Everywhere All at Once (PR: 10) (+1)

10. Jean Smart, Babylon (PR: Not Ranked)

Dropped Out:

Janelle Monae, Glass Onion: A Knives Out Mystery

Best Actor is up next!

2022 Oscar Predictions: The State of the Supporting Actor Race

With two months to go for 2022 releases to make their mark with awards voters, it’s a opportune time to assess the six major Oscar races. That would be Picture, Director, and the four acting derbies.

It begins with Supporting Actor. Over the past couple of years, this has been the category that’s confounded me the most during this juncture in the calendar.

That was a different story three years ago. In late October of 2019, I correctly identified 4 out of the eventual 5 nominees. This included winner Brad Pitt for Once Upon a Time in Hollywood as well as Tom Hanks (A Beautiful Day in the Neighborhood), Anthony Hopkins (The Two Popes), and Al Pacino (The Irishman). The other nominee – Joe Pesci for The Irishman – was in my #6 spot.

For the unpredictable year that was 2020 (due to constantly shifting release dates because of COVID), I only named 2 of the 5 hopefuls two months out – Sacha Baron Cohen for The Trial of the Chicago 7 and Leslie Odom Jr. for One Night in Miami. I still had eventual victor Daniel Kaluuya (Judas and the Black Messiah) projected for lead actor until the studio announced him for supporting.

In 2021, I made a point to say that the Supporting Actor derby was wide open in late October. And that was evidenced in my only identifying 1 of the eventual Supporting Actor quintet in the Halloween time frame – Ciaran Hinds in Belfast. I had Troy Kotsur (CODA), who would take the gold statue, in 10th place. Bradley Cooper (Licorice Pizza) was in first place and he missed out. Kodi Smit-McPhee (The Power of the Dog), who made the cut, was in 8th place. His costar Jesse Plemons and J.K. Simmons (Being the Ricardos) weren’t listed at all.

Which brings us to 2022 and at this spooky time of year, I would say this competition is up in the air with no obvious frontrunner. 12 months ago, however, I couldn’t have imagined I’d kick off the speculation with this sentence…

The Supporting Actor discussion starts with Ke Huy Quan.

The 51-year-old actor belongs in the mid 80s cinematic Hall of Fame with his turns as Short Round in Indiana Jones and the Temple of Doom and Data in The Goonies. His return to acting in Everything Everywhere All at Once has been met with raves. It’s also undeniable that his win would be a heckuva Academy narrative nearly 40 years after his iconic child performances. I’ve had him listed in first place for weeks and that remains.

In four of the last five years, we’ve witnessed double nominees in Supporting Actor. Last year it was the aforementioned Smit-McPhee and Plemons for The Power of the Dog. In 2020, we had the winner Daniel Kaluuya in Judas and the Black Messiah and his costar Lakeith Stanfield. 2019’s Irishman double duo was Pacino and Pesci. Five years ago, it was Sam Rockwell (who won) and Woody Harrelson for Three Billboards Outside Ebbing, Missouri.

Martin McDonagh directed Billboards and his follow-up is The Banshees of Inisherin. Brendan Gleeson has sat in the #2 position for several prediction posts in a row. He’s a threat to take the prize. I believe his costar Barry Keoghan may also get in.

Banshees is not the only viable option for double nominees. Ke Huy Quan’s Doom maker Steven Spielberg has The Fabelmans. Before it screened at the Toronto Film Festival, we wondered whether Paul Dano or Seth Rogen (or both) would be the likely nominee(s). Post screening, scene (just one scene) stealer Judd Hirsch bubbled up while Rogen’s viability dwindled. Dano’s work is understated and certainly not as flashy as Hirsch’s brief turn. That leads me to put Hirsch in with Dano on the outside looking in. I’ll admit it’s a coin flip.

Damien Chazelle’s Babylon screens for critics in two weeks. There’s a trio of possibilities with Brad Pitt, Jovan Adepo, and Tobey Maguire. I’ve had Pitt in my 5 previously. It’s fair to speculate whether his recent tabloid headlines could hinder him. We’ll know more once reviews roll in.

Ben Whishaw in Women Talking is a trendy selection and for good reason. I’m not completely sold as voters could opt to focus only on his female cast members Claire Foy and Jessie Buckley (and maybe others) in Supporting Actress. Yet it feels wrong to keep him out right now.

You have to go back to 2013 to find the last time the five contenders all came from Best Picture nominees. I’m not wild about the fact that my projections currently do. There’s a few names that could get in from movies I’m not putting in BP list. We have Eddie Redmayne in The Good Nurse, Brian Tyree Henry for Causeway, Jeremy Strong or Anthony Hopkins in Armageddon Time, Mark Rylance in Bones and All, Micheal Ward in Empire of Light, Don Cheadle in White Noise, and Tom Hanks in Elvis. Of that group, I’m starting to flirt with the idea of Rylance being the guy. He scored an upset win here with Bridge of Spies in 2015 over Sylvester Stallone in Creed and Bones has its ardent admirers. I wouldn’t discount the Redmayne pick as he’s a Best Actor winner in 2014 for The Theory of Everything who was nominated again the following year with The Danish Girl. If Elvis manages a BP nod (not out of the question), this would increase the inclusion of Hanks. I do have Triangle of Sadness in my BP ten and that could mean a third nomination for Woody Harrelson.

Bottom line: I feel pretty confident about Ke Huy Quan and Brendan Gleeson. Everything everywhere else is up in the air.

With that said, here’s my state of the race:

Best Supporting Actor

Predicted Nominees:

1. Ke Huy Quan, Everything Everywhere All at Once (Previous Ranking: 1) (E)

2. Brendan Gleeson, The Banshees of Inisherin (PR: 2) (E)

3. Ben Whishaw, Women Talking (PR: 4) (+1)

4. Judd Hirsch, The Fabelmans (PR: 6) (+2)

5. Barry Keoghan, The Banshees of Inisherin (PR: 5) (E)

Other Possibilities:

6. Paul Dano, The Fabelmans (PR: 3) (-3)

7. Brad Pitt, Babylon (PR: 7) (E)

8. Mark Rylance, Bones and All (PR: Not Ranked)

9. Woody Harrelson, Triangle of Sadness (PR: 8) (-1)

10. Eddie Redmayne, The Good Nurse (PR: Not Ranked)

Dropped Out:

Brian Tyree Henry, Causeway

Tom Hanks, Elvis

My deep dive with the Supporting Actress field is next!

Oscars Reaction: 94th Academy Awards

The pranksters of the Internet had a little fun with the justly criticized decision to have a “Fan Favorite” award. The top 3 consisted of Netflix’s Army of the Dead, the reviled Cinderella remake, and Johnny Depp’s barely seen Minamata. I’m guessing this viewer’s choice designation experiment will be unique to the 94th Academy Awards and this ceremony only. Gotta love footnotes, eh?

Let’s talk about what else happened at the Oscars. No… not that. Not yet.

I went 17 for 20, but I missed the biggie. CODA took Best Picture over The Power of the Dog. In fact, the Apple TV pic went 3 for 3 as it also won Adapted Screenplay (I picked Dog) and Troy Kotsur for Supporting Actor.

I admittedly had an upset selection with “Dos Oruguitas” from Encanto over “No Time to Die” from that Bond pic. Billie Eilish did indeed take the musical prize and it’s now the third 007 theme in a row to win after “Skyfall” (2012) and “Writing’s on the Wall” from Spectre (2015).

The other 16 categories went according to my prognostications… Will Smith as Best Actor for King Richard… NOT YET…

Jessica Chastain (Best Actress for The Eyes of Tammy Faye) and Ariana DeBose (Supporting Actor for West Side Story). Belfast for Original Screenplay. Encanto in Animated Feature and Drive My Car for International Feature Film and Summer of Soul as Documentary Feature. You can read the rest. Dune won the most trophies with six.

The Power of the Dog took just one award with Jane Campion taking Director and becoming the third woman to do so and second in a row.  It marks the first time since 1967 that director’s win for the movie marks its sole victory. For you trivia buffs… it was Mike Nichols for The Graduate. 

OK… let’s get real. All of what I’m writing about is a footnote. That’s because  Will Smith’s open hand slap of Chris Rock for a joke directed at wife Jada Pinkett Smith is all the 94th edition of the Oscars will be remembered for. It was shocking (and riveting) TV made even more so with the knowledge that Smith would be giving a speech moments later. I still don’t know what to think and I’m still a little aghast at what I saw. That whole reading the wrong winner from five years ago seems a little small potatoes now.

I do know this… my Oscar predictions and speculations for the 95th Academy Awards will be here before you know it.

2021 Oscars: FINAL Winner Predictions

And it’s come to this! After seven months of endless speculation, predictions, and posts – the 94th Academy Awards (with your hosts Wanda Sykes, Amy Schumer, and Regina Hall) airs this Sunday evening.

These are my final picks for the races covering feature films. Will the Best Picture be CODA?

Or The Power of the Dog?

We have ourselves some real intrigue as both are strong possibilities. Either way, a steamer (either Netflix or Apple TV) should pick up its inaugural Best Pic victory.

Will there be upsets in any of the acting derbies where there seems to be a consensus four based on precursors? And just what will occur in the screenplay races which look unpredictable?

For each race, I’ll give you a bit of commentary along with my projected victor and the runner-up.

Let’s get to it! On Sunday evening, you will see a recap with how I performed…

Best Picture

Nominees:

Belfast

CODA

Don’t Look Up

Drive My Car

Dune

King Richard

Licorice Pizza

Nightmare Alley

The Power of the Dog

West Side Story

Commentary:

Well, the big daddy of them all has certainly become fascinating. CODA, the little Sundance pic that could, has surged in the past few days. In addition to winning the SAG Ensemble prize, it captured the Producers Guild top honor and was a BAFTA selection for Adapted Screenplay. These designations (PGA especially) are significant precursors. A strong argument could be made that it has the momentum as voting closed yesterday. In fact, I’ve seen more prognosticators picking it this week than not…

However, The Power of the Dog is still quite viable. It took the Golden Globe Best Drama trophy as well as Critics Choice and BAFTA. Until CODA‘s rise, it was the heavy favorite.

We’ve got a real coin flip, folks! That definitely makes the end of Oscar night more suspenseful than last year when Nomadland seemed unbeatable and indeed was.

I don’t believe any of the other eight pictures have a chance. As for the two that do, I’ve gone back and forth constantly all week. There’s a time to stop speculating and make a final pick and I still believe there’s enough power for the Dog to edge out CODA. That said, I wouldn’t be the least bit surprised if it turns out the other way.

PREDICTED WINNER:

The Power of the Dog

Runner-Up:

CODA

Best Director

Nominees:

Paul Thomas Anderson, Licorice Pizza

Kenneth Branagh, Belfast

Jane Campion, The Power of the Dog

Ryusuke Hamaguchi, Drive My Car

Steven Spielberg, West Side Story

Commentary:

This is far easier than Picture. With CODA maker Sian Heder absent, Jane Campion is in line to become the third female (and second in a row) to make a podium trip. She’s won all the key precursors – DGA, Globes, Critics Choice. It’s even a challenge to name a runner-up (I guess I’ll say Spielberg because he’s Spielberg). Make no mistake – this is one of the simplest checkmarks on the ballot.

PREDICTED WINNER:

Jane Campion, The Power of the Dog

Runner-Up:

Steven Spielberg, West Side Story

Best Actress

Nominees:

Jessicas Chastain, The Eyes of Tammy Faye

Olivia Colman, The Lost Daughter

Penelope Cruz, Parallel Mothers

Nicole Kidman, Being the Ricardos

Kristen Stewart, Spencer

Commentary:

Kidman garnered the initial heat after a surprise Globe win, but that’s stalled as no other awards programs followed suit. Instead it’s been Chastain on the minor streak with SAG and Critics Choice. If there’s an upset in any acting derby, this is probably where it happens. Stewart’s road to Oscar looked shaky after some snubs. Academy voters could reward her and there’s some chatter about Cruz being viable. Yet I’m sticking with the safest best and that’s Chastain taking her first gold.

PREDICTED WINNER:

Jessica Chastain, The Eyes of Tammy Faye

Riunner-Up:

Kristen Stewart, Spencer

Best Actor

Nominees:

Javier Bardem, Being the Ricardos

Benedict Cumberbatch, The Power of the Dog

Andrew Garfield, tick, tick… Boom!

Will Smith, King Richard

Denzel Washington, The Tragedy of Macbeth

Commentary:

During the fall, I was thinking there could be a barnburner between Smith and Cumberbatch (with Garfield as potential spoiler). That’s not how it’s played out as the Fresh Prince has been crowned the king in all preceding shows. I expect the sweep to continue.

PREDICTED WINNER:

Will Smith, King Richard

Runner-Up:

Benedict Cumberbatch, The Power of the Dog

Best Supporting Actress

Nominees:

Jessie Buckley, The Lost Daughter

Ariana DeBose, West Side Story

Judi Dench, Belfast

Kirsten Dunst, The Power of the Dog

Aunjanue Ellis, King Richard

Commentary:

Buckley and Dench were surprising inclusions, but there won’t be any shocks with the winner. DeBose has run the table and she should represent Story‘s lone victory.

PREDICTED WINNER:

Ariana DeBose, West Side Story

Runner-Up:

Kirsten Dunst, The Power of the Dog

Best Supporting Actor

Nominees:

Ciaran Hinds, Belfast

Troy Kotsur, CODA

Jesse Plemons, The Power of the Dog

J.K. Simmons, Being the Ricardos

Kodi Smit-McPhee, The Power of the Dog

Commentary: 

Despite its quartet of performers getting nominations, Dog is likely to produce Oscars for none of them. Smit-McPhee received the Golden Globe but it’s been all Kotsur since. This is the race where I’m most confident of a CODA moment.

PREDICTED WINNER:

Troy Kotsur, CODA

Runner-Up:

Kodi Smit-McPhee, The Power of the Dog 

Best Original Screenplay

Nominees:

Belfast

Don’t Look Up

King Richard

Licorice Pizza

The Worst Person in the World

Commentary:

Good luck with this one! The Writer’s Guild threw everyone for a loop last weekend when Don’t Look Up won over Licorice Pizza (Belfast was not eligible). I just don’t envision the Academy honoring Up. With a Belfast or Pizza victory, they would bestowing first ever Oscars to Kenneth Branagh and Paul Thomas Anderson respectively. With the Globe and Critics Choice going to Belfast, it has my vote (though it’s close).

PREDICTED WINNER:

Belfast

Runner-Up:

Licorice Pizza

Best Adapted Screenplay

Nominees

CODA

Drive My Car

Dune

The Lost Daughter

The Power of the Dog 

Commentary:

CODA‘s BAFTA win kickstarted its momentum. Even if Dog is Best Picture, CODA could still take this. On the other hand, I think there’s a better chance Best Pic and Adapted Screenplay match so I’m rolling with the Dog with no degree of confidence whatsoever.

PREDICTED WINNER:

The Power of the Dog

Runner-Up:

CODA

Best Animated Feature

Nominees:

Encanto

Flee

Luca

The Mitchells vs. the Machines

Raya and the Last Dragon

Commentary:

I’m tempted to pick a Mitchells upset, but it’s dangerous to pick against Disney and Encanto is the frontrunner.

PREDICTED WINNER:

Encanto

Runner-Up:

The Mitchells vs. the Machines

Best International Feature Film

Nominees:

Drive My Car

Flee

The Hand of God

Lunana: A Yak in the Classroom

The Worst Person in the World

Commentary:

This is unquestionably one of the no brainer picks as Drive My Car has dominated the precursors and is the only nominee to also nab a Best Picture nod.

PREDICTED WINNER:

Drive My Car

Runner-Up:

The Worst Person in the World

Best Documentary Feature

Nominees:

Ascension

Attica

Flee

Summer of Soul

Writing with Fire

Commentary:

With nominations in Animated Feature, International Feature, and Doc – it sure seems like Flee should win one of them. It might stand the best chance in this competition, but Summer of Soul has been impressive in precursors and should continue the streak.

PREDICTED WINNER:

Summer of Soul

Runner-Up:

Flee

Best Cinematography

Nominees:

Dune

Nightmare Alley

The Power of the Dog

The Tragedy of Macbeth

West Side Story

Commentary: 

This might be the tech race where Dog is successful. I’m not predicting it though and (get used to hearing this) think Dune emerges.

PREDICTED WINNER:

Dune

Runner-Up:

The Power of the Dog

Best Costume Design

Nominees:

Cruella

Cyrano

Dune

Nightmare Alley

West Side Story

Commentary:

Cruella has killed it the preceding competitions. Dune, if it crushes all techs, could take it but I’m going with the former.

PREDICTED WINNER:

Cruella

Runner-Up:

Dune

Best Film Editing

Nominees:

Don’t Look Up

Dune

King Richard

The Power of the Dog

tick, tick… Boom!

Commentary:

Don’t sleep on King Richard which was bestowed the EDDIE award. I still think this is Dune‘s to lose.

PREDICTED WINNER:

Dune

Runner-Up:

King Richard

Best Makeup and Hairstyling

Nominees:

Coming 2 America

Cruella

Dune

The Eyes of Tammy Faye

House of Gucci

Commentary:

Gucci could fashion a 1 for 1 victory but Tammy Faye has taken some precursors.

PREDICTED WINNER:

The Eyes of Tammy Faye

Runner-Up:

House of Gucci

Best Original Score

Nominees:

Don’t Look Up

Dune

Encanto

Parallel Mothers

The Power of the Dog

Commentary:

Like Cinematography, this is between Dog and Dune. Like Cinematography, I’m choosing the latter.

PREDICTED WINNER:

Dune

Runner-Up:

The Power of the Dog

Best Original Song

Nominees:

“Be Alive” from King Richard

“Dos Oruguitas” from Encanto

“Down to Joy” from Belfast

“No Time to Die” from No Time to Die

“Somehow You Do” from Four Good Days

Commentary:

Diane Warren gets her 13th nomination with “Somehow” and somehow she’s never won. That will continue. The smart money is on the 007 theme song from Billie Eilish. Yet I’m going with a minor upset with the Disney tune.

PREDICTED WINNER:

“Dos Oruguitas” from Encanto

Runner-Up:

“No Time to Die” from No Time to Die

Best Production Design

Nominees:

Dune

Nightmare Alley

The Power of the Dog

The Tragedy of Macbeth

West Side Story

Commentary:

For the last three categories, I could just say Dune and be done with it. In fact, I think I will…

PREDICTED WINNER:

Dune

Runner-Up:

West Side Story

Best Sound

Nominees:

Belfast

Dune

No Time to Die

The Power of the Dog

West Side Story

Commentary:

See Production Design

PREDICTED WINNER:

Dune

Runner-Up:

West Side Story

Best Visual Effects

Nominees:

Dune

Free Guy

No Time to Die

Shang-Chi and the Legend of the Ten Rings

Spider-Man: No Way Home

Commentary:

See Production Design

PREDICTED WINNER:

Dune

Runner-Up:

There isn’t one… that’s how I’m confident I am that Dune takes it.

And so, ladies and gents, that means I’m predicting that these movies win these numbers of Oscars:

6 Wins

Dune

3 Wins

The Power of the Dog

2 Wins

Encanto, The Eyes of Tammy Faye

1 Win

Belfast, CODA, Cruella, Drive My Car, King Richard, Summer of Soul, West Side Story

Make sure to check out the blog post ceremony!

PGA: The Rise of CODA

When it comes to the Producers Guild of America awards, there’s a 14/21 match between their best picture and the Academy’s in the 21st century. The two-thirds ratio is 3/5 in the past five years. In 2016, La La Land took PGA over the Oscar selection of Moonlight. For 2019, PGA went with 1917 while the big show went with Parasite. Other 21st century examples: The Big Short won PGA in 2015 (Oscar: Spotlight). For 2006, Little Miss Sunshine got the PGA prize while The Departed took Oscar.

The PGA’s for 2021 occurred last night and it’s another feather in the cap for CODA. Sian Heder’s coming-of-age drama built upon its recent SAG ensemble victory  to triumph here. If there was any doubt before, CODA has unquestionably positioned itself as the alternate to The Power of the Dog winning Best Picture at the Oscars. Not Belfast. Not King Richard or Dune. This is a two-horse race between Dog and CODA and they both have important precursor hardware. No matter which one grabs the gold, it will be the first BP win for a streamer (Netflix for Dog and Apple TV for CODA).

Jane Campion’s direction of Dog won the Director Guild of America (DGA) prize this week and that’s a reliable Academy precursor. She’s almost certain to be the Oscar winner (CODA‘s Sian Heder isn’t nominated). In fact, CODA only has three nominations overall: Picture, Supporting Actor (Troy Kotsur), and Adapted Screenplay. It didn’t seem feasible until recently, but it could legitimately go 3 for 3.

Having said that, I wouldn’t dream of counting Dog out. It’s the Globe and BAFTA recipient. The precursor bonafides for it are just as impressive as CODA‘s. Even a week ago, however, I would’ve said Dog had about a 90% chance to be the Oscar BP. Now… well, it’s considerably less and we’ll see what I predict when I make my final picks on Wednesday.

In the Animated Feature and Documentary races at PGA, the respective winners were Encanto and Summer of Soul and they maintain their status as Academy favorites.