Oscar Predictions: Broker

Had it not been for Roma in 2018, Hirokazu Kore’eda’s Shoplifters might have been the winner for the international competition at the Oscars. His latest is Broker and it has debuted at Cannes. Said to be a crowdpleaser, the drama focused on abandoned babies stars Song Kang-Ho of Parasite fame.

Early critical write-ups put this at 89% on Rotten Tomatoes. Some of the reviews say it isn’t quite  in Shoplifters territory. That said, if South Korea selects this as the hopeful in International Feature Film, it would stand an excellent shot at making the cut. However, that is a big if because the nation also has Park Chan-wook’s acclaimed Decision to Leave (also a Cannes player) in the mix.

At the moment, I’m giving Broker the slight edge to be the pick. If so, it’s one to remember come picking time (and perhaps in Original Screenplay too). My Oscar Prediction posts will continue…

Oscars 2021: The Case of The Power of the Dog

Jane Campion’s The Power of the Dog is my ninth Case Of post covering the Best Picture nominees for the 2021 Academy Awards. If you missed the previous entries, you can access them here:

Oscars 2021: The Case of Belfast

Oscars 2021: The Case of CODA

Oscars 2021: The Case of Don’t Look Up

Oscars 2021: The Case of Drive My Car

Oscars 2021: The Case of Dune

Oscars 2021: The Case of King Richard

Oscars 2021: The Case of Licorice Pizza

Oscars 2021: The Case of Nightmare Alley

The Case for The Power of the Dog:

And it’s quite a case to be made. Last week, the Netflix period drama ruled Oscar nominations morning with an even better than expected 12 nods. It even garnered unexpected mentions in Sound and for Jesse Plemons in Supporting Actor (alongside his costars Benedict Cumberbatch, Kirsten Dunst, and Kodi Smit-McPhee). In doing so, Dog landed placements in all of the down the line races where a BP win is key: directing, performances, adapted screenplay, editing, and so forth. At the Golden Globes (where many were predicting a Belfast victory), it took Best Drama. It’s also been the beneficiary of numerous critics groups awards for Best Pic.

The Case Against The Power of the Dog:

Being the frontrunner doesn’t always pan out and we’ve seen it in three of the past five Oscars. Just ask La La Land (which lost to Moonlight in 2016), Roma (which fell to Green Book in 2018), and 1917 (which came up short to Parasite in 2019). Getting the most nominations also doesn’t mean you’re taking the big prize. Just ask Mank from last year. Or Joker two years ago. Or The Favourite or Roma from 2018.

The Verdict:

While the case against is somewhat persuasive, there’s no denying that Dog is unquestionably the favorite to win. Yet there’s compelling evidence that an upset is certainly feasible.

My Case Of posts will continue with West Side Story

A Happening in Venice

What’s happening in Venice? Well, Happening is. As in the 1960s set French drama from director Audrey Diwan (not to be confused with M. Night Shyamalan’s dreaded The Happening… and it won’t be). The pic surprisingly took the Venice Film Festival’s top award this afternoon – the Golden Lion.

In the past four years, the recipient of that honor has moved onto Oscar glory. Both 2017’s The Shape of Water and last year’s Nomadland took that Italian momentum to a Best Picture win. 2018’s Roma and 2020’s Joker both achieved nominations in BP and won other major categories.

My feeling is that Happening will break that streak. While France may select it for International Feature Film consideration and it could make that five, I don’t see this nabbing one of the ten slots for BP.

Diwan did not emerge victorious in Director. Instead, that went to Jane Campion for The Power of the Dog where she’s widely anticipated to follow suit with the Academy.

The Silver Lion (essentially runner-up) went to Paolo Sorrentino’s The Hand of God. While it got same raves, some critics were a little cooler. In my estimation, it has a stronger shot at BP and especially International Feature Film inclusion than Happening.

Best Actress was a category to keep an eye on as it included Oscar hopefuls like Kristin Stewart in Spencer, Olivia Colman for The Lost Daughter, and Penelope Cruz in Parallel Mothers. It was Cruz grabbing the prize (to the shock of many a Stewart fan) and it puts the three-time nominee and one-time victor in a sturdier position to make the cut come Oscar time. As for Stewart (and Colman to a lesser degree), they’ve still done what they need to do to be in the conversation.

There wasn’t many Academy players in the male actor competition and it was John Arcilla winning for On the Job: The Missing 8, an export from the Philippines. Don’t expect his name in the mix for Oscar.

The Screenplay race honored Maggie Gyllenhaal for The Lost Daughter, which was received very well overseas. This increases her chances to at least get an Adapted Screenplay recognition for her work. She also directed and a nod there could be a taller order.

Overall, I wouldn’t expect 2021’s Golden Lion selection to gain much traction at the big show. Other winners solidified their statuses in various categories.

Venice Film Festival: A Preview

The Venice Film Festival kicks off on Wednesday this week. For this blogger, it means my Oscar speculation will kick into overdrive. You can anticipate a flurry of Oscar Watch posts starting September 1st and continuing throughout the month as the Telluride fest transpires over Labor Day weekend. Toronto is right behind beginning September 9th.

To put it all in perspective, the eventual Best Picture winner has premiered at this trio of festivals more often than not lately. Nomadland (last year’s victor) started off in Venice and won the Golden Lion, which is the equivalent to BP. The same narrative holds true for 2017’s The Shape of Water. 2018’s Green Book debuted at Toronto. 2016’s Moonlight premiered at Telluride. 2015’s Spotlight rolled out at Venice and 2014’s Birdman opened that festival. You get the idea.

So what are the highest profile titles jockeying for position? What are the movies that could become instant hopefuls for the Academy’s attention? I’m glad you asked. Let’s take a look, shall we?

The Power of the Dog

In 1993, director Jane Campion had her last major Oscar contender with The Piano. It won Best Actress for Holly Hunter, Supporting Actress for Anna Paquin, and Original Screenplay for Campion. She became the first female ever to be nominated for Best Director (losing that race and Picture to Steven Spielberg’s Schindler’s List).

Her latest is The Power of the Dog and it will be a mainstay on the festival circuit before its theatrical release in November that’s followed by an early December Netflix bow. Dog is, on paper, the film that prognosticators like me are looking at as an early favorite.

In my previous weekly rankings, I have Dog listed at #1 in Picture, Director, Actor (Cumberbatch), and Adapted Screenplay. Dunst and Plemons are, respectively, ranked second in Supporting Actress and Actor.

We will know quite soon whether it lives up to the hype.

Parallel Mothers

Pedro Almodovar’s latest will open the proceedings on Tuesday. The Spanish language drama stars Penelope Cruz and she could be a factor in what appears to be a potentially crowded Best Actress derby. Original Screenplay and Best International Feature Film could also be races where it contends. Just two years back, the auteur’s previous work Pain and Glory was nominated in the international competition and it nabbed Antonio Banderas a Best Actor nod.

Additionally, Cruz and Banderas star in the comedy Official Competition, which is also premiering here. It may also be one to keep an eye on.

Spencer

Speaking of that Best Actress race which features numerous players, that holds true with Spencer. Pablo Larrain’s biopic about Princess Diana may propel Kristen Stewart to her first nomination. Larrain directed Natalie Portman and she made the final five as Jackie from 2016. Will Stewart break through on the awards front after a series of post Twilight acclaimed roles? The answer is coming.

The Hand of God

Another Netflix property is this Italian drama from Paolo Sorrentino, whose 2013 effort The Great Beauty dominated the foreign language races at the Oscars and Globes. His latest could be another contender and I will be keeping an eye on whether it could branch out to Best Picture (like Roma and Parasite recently did).

The Card Counter

Paul Schrader’s last pic First Reformed received an Original Screenplay nod for its filmmaker. His latest crime drama features Oscar Isaac, Tiffany Haddish, and Willem Dafoe. I haven’t had this featured at all in my weekly predictions, but a splashy Venice rollout could alter that.

Dune

The Card Counter cannot claim the title of being Oscar Isaac’s most breathlessly awaited arrival. That would be Dune from Denis Villeneuve as the sci-fi epic is debuting out of competition. Originally slated for 2020, Dune could be a major awards threat in lots of categories (especially the technical ones). Whether it is Best Picture material will soon be established.

The Lost Daughter

Maggie Gyllenhaal directs Olivia Colman in the Netflix drama slated for late December. Colman has been nominated in two out of the three years at the big show. She won in 2018 for The Favourite in Best Actress and got a mention in supporting last year for The Father. 

Last Night in Soho

Edgar Wright psychological horror experience features Thomasin McKenzie and Anya Taylor-Joy (coming off her heralded role on The Queen’s Gambit). The genre is not one usually geared to Oscar love, but you never know.

The Last Duel

Ridley Scott has not one, but two competitors seeking awards attention in 2021. The most obvious is House of Gucci. The other is this historical drama with Jodie Comer (another possibility in Actress), Matt Damon, Adam Driver, and Ben Affleck. We will soon know whether Scott has two pics in the mix.

And that’s just some of what I’m watching out for, folks! Get ready as the Oscar picture should become clearer in the coming days and I’ll be here to cover it…

Oscar Watch: The Worst Person in the World

The Norwegian comedic drama The Worst Person in the World from filmmaker Joachim Trier made quite a splash with its debut at the Cannes Film Festival. World is the culmination of Trier’s Oslo trilogy (which includes 2006’s Reprise and 2011’s Oslo).

At this weekend’s awards honors in France, Renate Reinsve was named Best Actress. Neon has already picked up domestic distribution rights and I would imagine they’ll mount a campaign for her inclusion at the Oscars. As always, competition will be key. Yet it’s certainly feasible that Reinsve could follow in the footsteps of Emmanuelle Riva (Amour), Isabelle Huppert (Elle), and Yalitza Aparicio (Roma) as recent nominees from international selections.

It would be surprising if Norway didn’t pick this as the nation’s hopeful for International Feature Film. Based on the Cannes buzz and a 100% Rotten Tomatoes score, Worst could best other titles to make the final cut. My Oscar Watch posts will continue…

Oscars 2020: The Case of Nomadland

Chloe Zhao’s Nomadland is next up in my Case Of posts for the 8 Best Picture nominees from the 2020 Oscar season. If you missed my posts on The Father, Judas and the Black Messiah, Mank, and Minari, you can peruse them here:

https://toddmthatcher.com/2021/03/16/oscars-2020-the-case-of-the-father/

https://toddmthatcher.com/2021/03/17/oscars-2020-the-case-of-judas-and-the-black-messiah/

https://toddmthatcher.com/2021/03/18/oscars-2020-the-case-of-mank/

https://toddmthatcher.com/2021/03/21/oscars-2020-the-case-of-minari/

Now to the business at hand:

The Case for Nomadland

Since its debut at the Venice Film Festival in September where it won the Golden Lion (the event’s top prize), Nomadland has been a serious contender that has managed to become the favorite. While many prognosticators predicted The Trial of the Chicago 7 would take the Best Drama category at the Golden Globes, Nomadland emerged victorious and it also won the Critics Choice Award recently. Other accolades include the People’s Choice Award at the Toronto Film Festival and numerous regional critics group selections as the film of 2020. Nomadland tied with five other pics last week with 6 Oscar nominations and it landed in the expected races beyond Picture with Director, Actress (Frances McDormand), Adapted Screenplay, Cinematography, and Editing. It is a contender to win them all.

The Case Against Nomadland

Being the frontrunner can be dangerous. It could be argued that the on paper favorites for three of the last ceremonies did not take the gold (2016’s La La Land lost to Moonlight, 2018’s Roma to Green Book, and 2019’s 1917 to Parasite). A narrative could certainly develop where a “surprise” winner (think Minari or Promising Young Woman, as well as the aforementioned Trial) could pose a serious threat.

The Verdict

Betting odds favor Nomadland as it’s done what it needs to be the picture to beat this year. That said, Oscar voters have had a way of recently upending the conventional wisdom.

My Case Of posts will continue with Promising Young Woman…

2020 AFI Top 10 Films Predictions

The American Film Institute will announce their top 10 pictures of the year tomorrow and it’s usually a safe predictor of half or more of the films that will land Best Picture nods at the Oscars. Over the past five years, the magic number has been 7 of the AFI selections getting Oscar love in the big race. That holds true for 2016, 2017, and 2019. In 2015 – it was 6. In 2018- it was 5.

So where do we stand this year? My overall estimates keep the estimated AFI number at 7 for my current Best Picture hopefuls (which could and probably will change). It is worth noting that for the previous two years, there’s a bit of an asterisk. Being that it’s the American Film Institute, foreign selections are ineligible. Due to this, surefire Oscar contenders Roma and Parasite didn’t qualify. This would apply in 2020 to The Father which is a British production.

As for the matches, they are as follows: Ma Rainey’s Black Bottom, Mank, Minari, News of the World, Nomadland, One Night in Miami, and The Trial of the Chicago 7.

Now for the differences. AFI has shown a Disney love recently that the Academy did not share. AFI nominated Inside Out, Zootopia, and Mary Poppins Returns over the last five years with Oscar not following suit. Therefore I’m saying Pixar’s Soul makes the AFI cut.

The other two are critical favorites that (at press time) I have just missing Oscar’s cut: Promising Young Woman and Sound of Metal. This means the three pics I have getting Oscar’s attention and not from AFI are Da 5 Bloods, The Father, and Judas and the Black Messiah.

What else could surprise? I would not be shocked to see Borat Subsequent Moviefilm make AFI’s list. If they don’t choose that comedy, there’s a lesser chance that Palm Springs could show up. AFI has also selected some blockbusters that Oscar ignored as of late. Examples include Knives Out, A Quiet Place, Wonder Woman, and Star Wars: The Force Awakens. However, due to COVID in 2020, there’s just not a huge list of those types of contenders. Could Tenet sneak in? Doubtful.

Others that could be sleepers are First Cow, Pieces of a Woman, Malcolm & Marie, and Hillbilly Elegy, but here’s my take on what AFI does tomorrow:

AFI TOP TEN LIST PREDICTIONS

Ma Rainey’s Black Bottom

Mank

Minari

News of the World

Nomadland

One Night in Miami

Promising Young Woman

Soul

Sound of Metal

The Trial of the Chicago 7

Nomadland Scores with the National Critics

Momentum continued today for Chloe Zhao’s Nomadland to be a major Oscar player with the announcement of the National Society of Film Critics awards. It took 4 categories today – Best Picture, Director, Actress (Frances McDormand) and Cinematography.

The conventional wisdom right now is that if the Academy goes with the critics darling, Nomadland could be on its way to a Best Picture victory in April. Of course, they don’t always do that. They did last year with Parasite. They didn’t the year before with Roma. 

The Society actually names their first and second runners-up in the races and it was First Cow and Never Rarely Sometimes Always taking those spots. Both certainly have chances for Academy attention in the big competition, but I’ve yet to put either in my picks. Cow‘s maker Kelly Reichardt was second runner-up for her direction while Steve McQueen was first runner-up for Small Axe (which is not eligible for Oscar consideration since it’s a TV project).

McDormand is almost sure to get one of the five actress slots at the Oscars, though a win is much more questionable in a crowded field. Runners-up from the critics were Viola Davis (Ma Rainey’s Black Bottom) and Sidney Flanagan for Never Rarely.

In Best Actor, Delroy Lindo picked up another prize for Da 5 Bloods with Chadwick Boseman in Rainey and Riz Ahmed for Sound of Metal following. All three appear likely to make the final cut at the Oscars. Boseman was second runner-up in Supporting Actor for Bloods behind Paul Raci (Sound of Metal) and Glynn Turman (Ma Rainey’s Black Bottom). For Raci and Turman, they need as much critical love as possible to contend for Oscar.

Maria Bakalova picked up yet another reviewers award for her breakout role in Borat Subsequent Moviefilm. I still question whether the Academy follows suit as comedic performers always have a tough time making the cut. Yet she’s certainly making her case. Runners-up were Amanda Seyfried (Mank) and Youn Yuh-jung (Minari).

The screenplay award went to Never Rarely Sometimes Always with First Cow and I’m Thinking of Ending Things in 2nd and 3rd. Best Foreign Language Film went to Romania’s Collective. 

Bottom line: Nomadland is having a fine run through the critics honors as it treks toward Oscar recognition.

Nomadland Takes Venice

In what looks to be the first of many accolades it could receive over awards season, Chloe Zhao’s Nomadland took the top prize (the Golden Lion) today at the Venice Film Festival. It screened for the first time yesterday for fest goers to the tune of rapturous reviews and a 100% Rotten Tomatoes score. I wrote about it here:

https://toddmthatcher.com/2020/09/11/oscar-watch-nomadland/

This should come as no surprise as Nomadland has been pegged as a contender and the hype now is real. It is difficult to imagine the Oscars not nominating it in Picture, Director, Actress (Frances McDormand), and Adapted Screenplay.

The Venice love did not extend to Zhao and McDormand, however. For the directing prize, it was Kiyoshi Kurosawa for the Japanese drama Wife of a Spy. In Actress, it was Vanessa Kirby’s work in Pieces of a Woman that was honored. This particular performance is one I wrote of here:

https://toddmthatcher.com/2020/09/07/oscar-watch-pieces-of-a-woman/

Kirby is one to watch. Her work is drawing raves and there’s the added bonus of her having another critically lauded work at the Italian festival The World to Come. If the film’s eventual stateside distributor plays its cards right, Kirby could find herself in the Oscar mix for a nod. (**Update – Netflix has picked up distribution rights to Pieces).

Speaking of cards, you may recall that last year’s Venice proceedings produced a surprise when Joker took the Golden Lion. This gave the first real glimpse that it could become an Academy contender and it went on to nab a Best Picture nod. With Nomadland, it seems like a done deal already. Also worth noting is that in addition to Joker, the two previous Lion winners (The Shape of Water and Roma) were included in the big race with Water emerging victorious. My Oscar Watch posts will continue…

2020 Oscar Predictions: August 27th Edition

As is tradition on the blog, my weekly Oscar prediction posts (coming to you each Thursday) kick off in the final weekend of August!

So while I’m following up with my normal Academy Awards speculating schedule, I am doing so in a year that is anything but traditional. The COVID-19 pandemic has tremendously altered release schedules for many pictures. This has left many release dates still uncertain.

Additionally, I have chosen this late August date because it’s usually right before some high-profile film festivals like Toronto, Venice, and Telluride are set to kick off. Some of these fests are continuing to operate in a much different fashion. We will see some of the titles identified below (including Nomadland, Ammonite and One Night in Miami) screen at these virtual competitions in the coming days.

This week, one significant contender had its unveiling for critics and that’s Christopher Nolan’s Tenet. That reaction leads me to believe that it will certainly contend in a half dozen or so technical races, but that a Picture or Directing nod is a bit of a long shot.

Even in a year without the pandemic related challenges, Oscar speculation this early always comes with numerous caveats. They include the following:

  • Release dates will change and some movies listed here will get pushed back. This sure applies to 2020 and that’s even with the Academy extending eligibility to any features released in January and February of 2021.
  • There will be pics and performances that come out of nowhere and make their way to the release calendar that aren’t identified here.
  • Some performances listed in lead will shift to supporting and vice versa. For titles like David Fincher’s Mank, Aaron Sorkin’s The Trial of the Chicago 7, and Wes Anderson’s The French Dispatch – category placement for their large casts is still a question mark. As an example, there’s lot of potential contenders in The French Dispatch, but it’s impossible to determine who gets the critical shine. For the time being, I’m not listing any of the actors in that particular film.
  • There will be Original Screenplay hopefuls that turn out to be Adapted and vice versa.

Even with all those caveats, I was able to identify the winners in each of the top 8 categories in both 2018 and 2019. Their numeric placement varied widely. In 2018, I had Best Picture victor Green Book all the way down at 21 of my first initial 25 possibilities. Roma director Alfonso Cuaron, on the other hand, was placed at #2. Bohemian Rhapsody‘s Rami Malek was at #12 in Best Actor with Olivia Colman in The Favourite at 9th in Actress. Mahershala Ali (Green Book) was 9th and Regina King (If Beale Street Could Talk) was 2nd in the supporting fields. Adapted Screenplay winner BlacKkKlansman was in fifth with Original Screenplay recipient Green Book at #11.

As for 2019, Best Picture winner Parasite was originally placed in slot #7 while its director Bong Joon-Ho was fifth. In the lead acting companions, Joaquin Phoenix (Joker) was 6th and Renee Zellweger (Judy) was fifth. In Supporting Actor, Brad Pitt (Once Upon a Time in Hollywood) was perched at #1 and that never changed. Supporting Actress Laura Dern (Marriage Story) was #2. Adapted Screenplay Jojo Rabbit was fourth and Original Screenplay Parasite was 5th.

So based on history, you’re likely seeing the eventual 2020 Oscar winners somewhere here on these listings. In 2020, though, who really knows?

Let’s get to it!

Best Picture

Predicted Nominees:

1. Mank

2. Nomadland

3. Da 5 Bloods

4. The Trial of the Chicago 7

5. Ammonite 

6. Dune

7. News of the World

8. West Side Story

Other Possibilities

9. The French Dispatch

10. Hillbilly Elegy

11. On the Rocks

12. Judas and the Black Messiah

13. Annette

14. Soul

15. Tenet

16. Ma Rainey’s Black Bottom

17. The Father

18. Minari

19. C’Mon C’Mon

20. I’m Thinking of Ending Things

21. Stillwater

22. The United States vs. Billie Holiday

23. The Eyes of Tammy Faye

24. Next Goal Wins

25. French Exit

Best Director

Predicted Nominees:

1. David Fincher, Mank

2. Chloe Zhao, Nomadland

3. Spike Lee, Da 5 Bloods

4. Denis Villeneuve, Dune

5. Francis Lee, Ammonite

Other Possibilities:

6. Aaron Sorkin, The Trial of the Chicago 7

7. Paul Greengrass, News of the World

8. Steven Spielberg, West Side Story

9. Wes Anderson, The French Dispatch

10. Sofia Coppola, On the Rocks

11. Ron Howard, Hillbilly Elegy

12. Shaka King, Judas and the Black Messiah

13. Christopher Nolan, Tenet

14. Leos Carax. Annette

15. Charlie Kaufman, I’m Thinking of Ending Things 

Best Actress

Predicted Nominees:

1. Frances McDormand, Nomadland

2. Viola Davis, Ma Rainey’s Black Bottom

3. Kate Winslet, Ammonite

4. Michelle Pfeiffer, French Exit

5. Jennifer Hudson, Respect

Other Possibilities:

6. Amy Adams, Hillbilly Elegy

7. Rachel Zegler, West Side Story

8. Jessica Chastain, The Eyes of Tammy Faye

9. Julianne Moore, The Glorias

10. Marion Cotillard, Annette

11. Andra Day, The United States vs. Billie Holiday

12. Rashida Jones, On the Rocks

13. Jessie Buckley, I’m Thinking of Ending Things

14. Carey Mulligan, Promising Young Woman

15. Elisabeth Moss, Shirley 

Best Actor

Predicted Nominees:

1. Delroy Lindo, Da 5 Bloods

2. Gary Oldman, Mank

3. Anthony Hopkins, The Father

4. Daniel Kaluuya, Judas and the Black Messiah

5. Bill Murray, On the Rocks

Other Possibilities:

6. Tom Hanks, News of the World

7. Joaquin Phoenix, C’Mon C’Mon

8. Adam Driver, Annette

9. Ansel Elgort, West Side Story

10. Andrew Garfield, The Eyes of Tammy Faye

11. Timothee Chalamet, Dune

12. Michael Fassbender, Next Goal Wins

13. Matt Damon, Stillwater

14. Trevante Rhodes, The United States vs. Billie Holiday 

15. Ben Affleck, The Way Back

Best Supporting Actress

Predicted Nominees:

1. Saoirse Ronan, Ammonite

2. Glenn Close, Hillbilly Elegy

3. Olivia Colman, The Father

4. Ariana DeBose, West Side Story

5. Helena Zengel, News of the World

Other Possibilities:

6. Toni Collette, I’m Thinking of Ending Things

7. Amanda Seyfried, Mank

8. Debra Winger, Kajillionaire

9. Abigail Breslin, Stillwater

10. Gaby Hoffman, C’Mon C’Mon

11. Mary J. Blige, Respect

12. Rebecca Ferguson, Dune 

13. Meryl Streep, The Prom

14. Nicole Kidman, The Prom

15. Elisabeth Moss, Next Goal Wins

Best Supporting Actor

Predicted Nominees:

1. David Strathairn, Nomadland

2. Chadwick Boseman, Ma Rainey’s Black Bottom

3. Yahya Abdul-Mateen II, The Trial of the Chicago 7

4. LaKeith Stanfield, Judas and the Black Messiah

5. Sacha Baron Cohen, The Trial of the Chicago 7

Other Possibilities:

6. Tom Burke, Mank

7. Tom Pelphrey, Mank

8. David Alvarez, West Side Story

9. Lucas Hedges, French Exit

10. Jonathan Majors, Da 5 Bloods

11. Jesse Plemons, Judas and the Black Messiah 

12. Mark Rylance, The Trial of the Chicago 7

13. Clarke Peters, Da 5 Bloods

14. Oscar Isaac, Dune

15. Forest Whitaker, Respect

Best Original Screenplay

Predicted Nominees:

1. Mank

2. The Trial of the Chicago 7

3. Da 5 Bloods

4. Ammonite

5. The French Dispatch

Other Possibilities:

6. Soul

7. On the Rocks

8. Judas and the Black Messiah

9. C’Mon C’Mon

10. Minari

11. Stillwater

12. French Exit

13. Annette

14. Tenet

15. Promising Young Woman

Best Adapted Screenplay

Predicted Nominees:

1. Nomadland

2. Dune

3. News of the World

4. West Side Story

5. Ma Rainey’s Black Bottom

Other Possibilities:

6. The Father

7. Hillbilly Elegy

8. I’m Thinking of Ending Things

9. Next Goal Wins

10. The United States vs. Billie Holiday

11. The Eyes of Tammy Faye

12. The White Tiger

13. One Night in Miami 

14. Respect

15. The Midnight Sky 

I’ll be back at it next Thursday, folks! Until then…