FINAL 2019 Oscar Winner Predictions

And here we are! After one year plus of speculating about the Academy Awards ceremony that will air this Sunday evening, we arrive at my final prediction posts on the winners!

For all 21 races encompassing feature-length films, I am giving you my analysis with my pick and the runner-up in case I’m wrong (which is bound to occur). A broad overview includes these thoughts:

  • There are undeniable strong front-runners in all four acting categories – so much so that even picking a runner-up is a challenge. If anyone other than my quartet wins, it’ll constitute an upset.
  • This is not the case in the other major races and that includes Picture and Director and both screenplay categories.
  • Other matchups are practical coin tosses and that includes Animated Feature, Documentary Feature, Production Design, and Visual Effects.

I’m going to begin with the tech races and build up from there. So let’s get to it!

Best Cinematography

The Nominees: The Irishman, Joker, The Lighthouse, 1917, Once Upon a Time in Hollywood

Analysis: We start with a relatively easy one as the work of Roger Deakins in 1917 appears to have this in the bag. Anything else would be a surprise, but Hollywood could potentially challenge.

PREDICTED WINNER: 1917

Runner-Up: Once Upon a Time in Hollywood

Best Costume Design

The Nominees: The Irishman, Jojo Rabbit, Joker, Little Women, Once Upon a Time in Hollywood

Analysis: Here’s another one where Hollywood could get it, but I will predict voters go back a bit further to the stylings of Little Women (for what could definitely be its sole victory).

PREDICTED WINNER: LITTLE WOMEN

Runner-Up: Once Upon a Time in Hollywood

Best Film Editing

The Nominees: Ford v Ferrari, The Irishman, Jojo Rabbit, Joker, Parasite

Analysis: Both The Irishman and Parasite are possibilities here, but I believe Ferrari has the upper hand (for what could be its sole victory).

PREDICTED WINNER: FORD V FERRARI

Runner-Up: Parasite

Best Makeup and Hairstyling

The Nominees: Bombshell, Joker, Judy, Maleficent: Mistress of Evil, 1917

Analysis: Bombshell appears to be the sturdy favorite here. And like a broken record, this likely stands as its only win. Joker or Judy would be the upset contenders.

PREDICTED WINNER: BOMBSHELL

Runner-Up: Joker

Best Original Score

The Nominees: Joker, Little Women, Marriage Story, 1917, Star Wars: The Rise of Skywalker

Analysis: Thomas Newman (1917) has been nominated numerous times without a victory and the consensus for a while is that he would finally get his due. However, Joker has pretty much swept the precursors.

PREDICTED WINNER: JOKER

Runner-Up: 1917

Best Original Song

The Nominees: “I Can’t Let You Throw Yourself Away” from Toy Story 4, “I’m Gonna Love Me Again” from Rocketman, “I’m Standing with You” from Breakthrough, “Into the Unknown” from Frozen II, “Stand Up” from Harriet

Analysis: It was a bit of a shocker that this stands as the only nod for Rocketman, which was expected to garner attention in Makeup and Hairstyling and the sound races. Yet the Academy is probably poised to get Sir Elton John up to the stage.

PREDICTED WINNER: “I’M GONNA LOVE ME AGAIN” FROM ROCKETMAN

Runner-Up: “Into the Unknown” from Frozen II

Best Production Design

The Nominees: The Irishman, Jojo Rabbit, 1917, Once Upon a Time in Hollywood, Parasite

Analysis: Along with Supporting Actor and Original Screenplay, this race marks the best shot for Hollywood to nab an Oscar. Frankly, this is a fairly wide open category where there is a narrative for any of the nominees to take it. I’m going to pick Hollywood by a hair.

PREDICTED WINNER: ONCE UPON A TIME IN HOLLYWOOD

Runner-Up: Parasite

Best Sound Editing

The Nominees: Ford v Ferrari, Joker, 1917, Once Upon a Time in Hollywood, Star Wars: The Rise of Skywalker

Analysis: In both Sound races, I feel it comes down to Ford 1917. In each case, I’ll give it to 1917.

PREDICTED WINNER: 1917

Runner-Up: Ford v Ferrari

Best Sound Mixing

The Nominees: Ad Astra, Ford v Ferrari, Joker, 1917, Once Upon a Time in Hollywood

Analysis: See Sound Editing

PREDICTED WINNER: 1917

Runner-Up: Ford v Ferrari

Best Visual Effects

The Nominees: Avengers: Endgame, The Irishman, The Lion King, 1917, Star Wars: The Rise of Skywalker

Analysis: This is a tough one. Other than Skywalker, I feel any of the competitors could squeeze out a win. With 1917 picking up other tech races, I’ll give it the slight advantage. This wasn’t the case a month or two ago, but this might actually be the likeliest category for an Irishman Oscar.

PREDICTED WINNER: 1917

Runner-Up: The Irishman 

Best Animated Feature

The Nominees: How to Train Your Dragon: The Hidden World, I Lost My Body, Klaus, Missing Link, Toy Story 4

Analysis: This one has been all over the map. Klaus picked up some key precursors. Missing Link surprised everyone by taking the Golden Globe. The Academy could choose to honor the Dragon franchise as a whole. I Lost My Body has its ardent admirers. Ultimately I’m playing it safe and betting Pixar manages to top all of them, though I’m less confident than usual about that.

PREDICTED WINNER: TOY STORY 4

Runner-Up: Klaus

Best Documentary Feature

The Nominees: American Factory, The Cave, The Edge of Democracy, For Sama, Honeyland

Analysis: For Sama is a legit contender and Honeyland being nominated here and in International Feature Film (which it will not win) could mean something. American Factory, however, has held slight front runner status for some time. This is a coin flop, but we’ve seen surprises here before and I’ll lean towards that.

PREDICTED WINNER: FOR SAMA

Runner-Up: American Factory

Best International Feature Film

The Nominees: Corpus Christi, Honeyland, Les Miserables, Pain and Glory, Parasite

Analysis: Let’s not complicate this. It’s going to be Parasite. 

PREDICTED WINNER: PARASITE

Runner-Up: I guess… Pain and Glory?

Best Adapted Screenplay

The Nominees: The Irishman, Jojo Rabbit, Joker, Little Women, The Two Popes

Analysis: There is definitely a chance that Greta Gerwig for Little Women could take this, especially after her Oscar snub for directing. The precursor attention, on the other hand, has mainly gone to Jojo for what might be its solo award.

PREDICTED WINNER: JOJO RABBIT

Runner-Up: Little Women

Best Original Screenplay

The Nominees: Knives Out, Marriage Story, 1917, Once Upon a Time in Hollywood, Parasite

Analysis: Quentin could pick up his third statue here after Pulp Fiction and Django Unchained, but the Parasite love seems stronger.

PREDICTED WINNER: PARASITE

Runner-Up: Once Upon a Time in Hollywood

Best Supporting Actor

The Nominees: Tom Hanks (A Beautiful Day in the Neighborhood), Anthony Hopkins (The Two Popes), Al Pacino (The Irishman), Joe Pesci (The Irishman), Brad Pitt (Once Upon a Time in Hollywood)

Analysis: With the Irishmen splitting votes and Pitt taking every significant precursor, this is an easy one.

PREDICTED WINNER: BRAD PITT, ONCE UPON A TIME IN HOLLYWOOD

Runner-Up: Tom Hanks, A Beautiful Day in the Neighborhood

Best Supporting Actress

The Nominees: Kathy Bates (Richard Jewell). Laura Dern (Marriage Story), Scarlett Johansson (Jojo Rabbit), Florence Pugh (Little Women), Margot Robbie (Bombshell)

Analysis: Johansson being a double nominee is tough to ignore and I believe she’s got a slightly better shot here than in Actress. Her costar Dern, though, has swept the season.

PREDICTED WINNER: LAURA DERN, MARRIAGE STORY

Runner-Up: Scarlett Johansson, Jojo Rabbit

Best Actor

The Nominees: Antonio Banderas (Pain and Glory), Leonardo DiCaprio (Once Upon a Time in Hollywood), Adam Driver (Marriage Story), Joaquin Phoenix (Joker), Jonathan Pryce (The Two Popes)

Analysis: Here’s a race where there were about a dozen performances vying for five spots. At the end of the day, the competition was fun to witness but Phoenix has picked up all the hardware thus far and I don’t see that stopping on Sunday.

PREDICTED WINNER: JOAQUIN PHOENIX, JOKER

Runner-Up: Adam Driver, Marriage Story

Best Actress

The Nominees: Cynthia Erivo (Harriet), Scarlett Johansson (Marriage Story), Saoirse Ronan (Little Women), Charlize Theron (Bombshell), Renee Zellweger (Judy)

Analysis: Zellweger could the most vulnerable of the favored quartet with Theron or Johansson in the wings. It would be foolish to bet against her based on what’s already happened.

PREDICTED WINNER: RENEE ZELLWEGER, JUDY

Runner-Up: Charlize Theron, Bombshell

Best Director

The Nominees: Bong Joon-Ho (Parasite), Sam Mendes (1917), Todd Phillips (Joker), Martin Scorsese (The Irishman), Quentin Tarantino (Once Upon a Time in Hollywood)

Analysis: Even with heavyweights like Scorsese and Tarantino in the mix, this has come down to Joon-Ho vs. Mendes. And the latter has won the Golden Globe and the DGA (which has a steady track record of naming the winner here).

PREDICTED WINNER: SAM MENDES, 1917

Runner-Up: Bong Joon-Ho, Parasite

Best Picture

The Nominees: Ford v Ferrari, The Irishman, Jojo Rabbit, Joker, Little Women, Marriage Story, 1917, Once Upon a Time in Hollywood, Parasite

Analysis: Ugh… OK. Let’s begin with this: the smart money is on 1917. It won the Golden Globe for Best Drama and the Critics Choice Award. Mendes took the DGA and I have him picked to win Director.

On the contrary – in the 2010s, we have seen a Picture/Director split 5 out of 9 times. No foreign language film has ever won the biggest prize of all. Last year, I (along with many others) predicted Roma would be the first to do so and it lost to Green Book. 

That said, the affection for Parasite feels deeper than for Roma. I’ll make this pronouncement now… if Parasite loses Original Screenplay on Sunday night, you’ll pretty much know my prediction is wrong. Yet I’m rolling the dice here for a minor surprise and that’s why…

PREDICTED WINNER: PARASITE

Runner-Up: 1917

My predictions pan out to the following films winning these many Oscars:

5 Wins

1917

3 Wins

Parasite

2 Wins

Joker, Once Upon a Time in Hollywood

1 Win

American Factory, Bombshell, Ford v Ferrari, Jojo Rabbit, Judy, Little Women, Marriage Story, Rocketman, Toy Story 4

These calls also mean every nominated Best Picture player will win an Oscar with the exception of The Irishman, which I’m estimating will go 0 for 10.

And that does it, folks! The speculation has ended and the ceremony is two days away. I’ll have a recap post on how I did Sunday night…

Oscars 2019: The Case of Parasite

We have reached the final film in my Case of posts for 2019’s nine Best Picture nominees and it’s time to consider Bong Joon-Ho’s South Korean export Parasite. If you need to catch up on my previous eight entries, you can peruse them right here:

https://toddmthatcher.com/2020/01/14/oscars-2019-the-case-of-ford-v-ferrari/

https://toddmthatcher.com/2020/01/15/oscars-2019-the-case-of-the-irishman/

https://toddmthatcher.com/2020/01/17/oscars-2019-the-case-of-jojo-rabbit/

https://toddmthatcher.com/2020/01/18/oscars-2019-the-case-of-joker/

https://toddmthatcher.com/2020/01/18/oscars-2019-the-case-of-little-women/

https://toddmthatcher.com/2020/01/19/oscars-2019-the-case-of-marriage-story/

https://toddmthatcher.com/2020/01/20/oscars-2019-the-case-of-1917/

https://toddmthatcher.com/2020/01/20/oscars-2019-the-case-of-once-upon-a-time-in-hollywood/

And now to Parasite!

The Case for Parasite

The pic, which defies easy genre descriptions, certainly has critics on its side. With a 99% Rotten Tomatoes score, this is the best reviewed film of the year and its admirers are passionate and vocal. This is a slam dunk winner for the newly coined Best International Feature Film. Over the weekend, Parasite won Best Ensemble at the SAG Awards and it was the only to ever do so. For a subtitled film, it’s been a box office success stateside at $27 million and counting. The buzz has been strong for months after it won the Palme d’Or at the Cannes Film Festival. Joon-Ho is an acclaimed filmmaker (with heralded efforts like Memories of Murder, The Host and Snowpiercer) who’s at last garnering the awards season love.

The Case Against Parasite

If this were to win Best Picture, it would constitute a first. A foreign language title has never won the top prize. Last year’s Roma was the front runner, but it lost to Green Book. It is also rare for a Picture recipient to have none of its actors nominated and that’s the case here.

The Verdict

Even with the fact that it would need to make history, Parasite currently stands alongside 1917 and Once Upon a Time in Hollywood as the biggest threats to win it all. If the Directors Guild of America (DGA) honors Joon-Ho instead of Sam Mendes for 1917 this weekend, expect that chatter to get even louder.

My Case of posts will continue right up until Oscar day! While the movies themselves have all received their treatment, the nominated directors and actors will get their attention as well. Stay tuned…

Oscars 2019: The Case of The Irishman

Continuing with my Oscar series outlining the cases for and against nominees in the top six categories, we arrive at Martin Scorsese’s The Irishman. This is my second of (gulp) 34 posts for films and individuals picked in the Picture, Director, and the acting races. If you missed yesterday’s writeup about Ford v Ferrari, you can find it here:

https://toddmthatcher.com/2020/01/14/oscars-2019-the-case-of-ford-v-ferrari/

Let’s get to it!

The Case for The Irishman

Scorsese’s latest is an epic unification of screen legends Robert De Niro, Al Pacino, and Joe Pesci in the genre they’re known best for… the gangster tale. The three and a half hour opus certainly has awards gravitas. It was pegged as a likely nominee from the moment it was announced. Both Pacino and Pesci were named in Supporting Actor and the pic sports 10 nominations, which is tied for second along with 1917 and Once Upon a Time in Hollywood. Scorsese is obviously a legendary figure and this is his ninth effort to get a Picture nod (the only winner being 2006’s The Departed).

The critics have been on its side and it has a 96% Rotten Tomatoes score. Several critics group named it as the year’s best.

The Case Against The Irishman

That attention has not translated to the big awards shows yet. The Golden Globes surprised most when they picked 1917 over this in Best Drama. The Critics Choice Awards chose Hollywood. Some have griped about its length. De Niro, unlike Pacino and Pesci, couldn’t manage a nod with the Globes, SAG, or the Academy. And then there’s the still unsettled notion that the Academy could have a Netflix problem, despite the streamer leading this year’s studios in total number of nominations. In 2018, Roma appeared to be the front runner until that Netflix property lost to Green Book. 

The Verdict

There was little doubt that The Irishman would garner plenty of attention in various categories, including here. Yet viability as a winner is much in question. Scorsese’s latest could still take the top prize, but it appears to be a bit of a long shot at the moment.

Up next in my Case of posts… Jojo Rabbit!

2019: The Year of Netflix

Today kicks off my posts on the performers who will be remembered for having a strong 2019 and making an impact on the silver screen. However, as I have in previous years, my first writeup goes to a studio. And while Disney could be named every year nowadays (and they certainly had a terrific year), we turn to Netflix in 2019.

It’s hard to believe now, but it was a few short years ago that their big budget TV series House of Cards was considered a risk. Could this streaming service provide truly quality original content? Times have changed, ladies and gents.

Netflix has become an undeniable hub for high profile directors and actors. 2019 saw the studio give us successful comedies such as Murder Mystery with Adam Sandler and Jennifer Aniston and the acclaimed rom com Always Be My Maybe. 

Action directors like Michael Bay turned to the service with 6 Underground starring Ryan Reynolds. We have filmmakers like Steven Soderbergh making Netflix a home with both High Flying Bird and The Laundromat. Millions of eyeballs were tuned to the Breaking Bad continuation El Camino. 

Most notably, 2019 seems destined to be the year when Oscar voters won’t be able to ignore it. The conversation about Netflix being able to garner multiple Academy nods is about to become a moot one. 2017 and 2018 saw voters nibble around the edges. Two years ago, Mudbound managed a Supporting Actress nod for Mary J. Blige and Adapted Screenplay. 2018’s Roma received a number of nominations and Alfonso Cuaron won for Best Director. It was considered a frontrunner for Picture, but lost to Green Book. Some blamed it on bias against the biggest streamer.

This year, we have two films that could win the largest prize of all – Martin Scorsese’s The Irishman and Noah Baumbach’s Marriage Story. Other contenders for a nomination include The Two Popes and Dolemite Is My Name, which returned to Eddie Murphy to form. Between those four pictures, you could see as many as a dozen acting nominations.

There’s little doubt that 2019 gave us a shifting in the tide of Netflix’s credibility. And that’s likely to stay. My Year Of posts will continue soon with some of the actors who had a lot to celebrate…

The Irishman Takes The NBR

The National Board of Review announced its victors this afternoon for their best of 2019. For the pictures and performers who were named as winners, you could say that it’s a double edged sword.

Allow me to explain. In this 2010’s, only one of their Best Film recipients took home Best Picture at the Oscars. That was last year with Green Book. This year, the award goes to Martin Scorsese’s The Irishman. So from an odds perspective, that could mean it faces an uphill battle for the big gold statue. On the other hand, all of the NBR Film winners from this decade, with the exception of 2014’s A Most Violent Year, have scored an Academy nod. This isn’t really in doubt for The Irishman so expect that trend to continue.

The Board always goes on to name their additional favorite 10 motion pictures and this year they are: 1917, Dolemite Is My Name, Ford v Ferrari, Jojo Rabbit, Knives Out, Marriage Story, Once Upon a Time in Hollywood, Richard Jewell, Uncut Gems, and Waves. In 2018, only three of the ten additional NBR selections got Picture noms: Black Panther, Roma and A Star Is Born. Some notable titles that didn’t make the NBR cut for 2019: A Beautiful Day in the Neighborhood, Bombshell, The Farewell, Joker, Little Women, Parasite, and The Two Popes. 

When it comes to Best Director, the news is even worse for the NBR recipient. No movie this decade has seen that winner match with Oscar. In fact, the last direct match was in 2006 for… Irishman maker Scorsese for The Departed. The NBR named Quentin Tarantino today for Once Upon a Time in Hollywood. He’s got history against his side for a walk up the Academy steps.

In Best Actor, it’s the same story as only Casey Affleck for 2016’s Manchester by the Sea won NBR and Oscar in the 2010s. Adam Sandler is the winner for Uncut Gems. He’s part of a packed Best Actor race where there’s about a dozen viable candidates looking for five spots. This victory could at least help him get in as only Oscar Isaac (Violent Year in 2014) and Tom Hanks (2017’s The Post) didn’t land nods.

The numbers improve only slightly for Best Actress with two matches: Julianne Moore for 2014’s Still Alice and Brie Larson for 2015’s Room. The NBR bestowed the award this year to Renee Zellweger for Judy, who could be considered a soft front-runner for Oscar.

This brings us to Brad Pitt, winner today for Supporting Actor in Once Upon a Time in Hollywood. He also holds the status of apparent favorite to win the Academy’s love. Yet there’s just two matches this decade between them and NBR: Christian Bale in 2010’s The Fighter and Christopher Plummer from 2011’s Beginners. 

Last year was the only match of the decade for Supporting Actress: Regina King in If Beale Street Could Talk. Kathy Bates took the NBR for Richard Jewell. I don’t see her winning the Oscar, but it could help her nomination odds.

In Original Screenplay, it’s interesting to note that 7 of the past nine NBR winners didn’t even get an Oscar nomination. Could that be a sign of trouble for honoree Uncut Gems? Time will tell…

And for Adapted Screenplay, the NBR went with The Irishman. Par for the course, just two matches here: 2010’s The Social Network and 2011’s The Descendants. 

Bottom line: the NBR announcements might help with fleshing out who certain nominees will be. As far as winners, that’s a whole different story…

Venice Crowns Joker

The Venice Film Festival has drawn to a close and the awards bestowed today are sure to generate some controversy. The Golden Lion prize (equivalent to Best Picture) has gone to Joker, with its acclaimed performance from Joaquin Phoenix as the iconic villain. It won out over numerous foreign titles and Noah Baumbach’s Marriage Story, which drew raves and is anticipated to be a major Oscar contender.

A year ago, the Lion went to Alfonso Cuarón’s Roma, which nabbed multiple Academy nominations including Picture. In 2017, the recipient was the eventual Oscar Pic winner – Guillermo del Toro’s The Shape of Water.

I didn’t have Joker predicted as a nominee for the past couple weeks. Does the Venice action change the dynamic? Well it’s certainly a boost. I’m still skeptical it will make the final cut, but this publicity and its expected massive box office will be feathers in its cap.

Perhaps an even bigger shocker was the winner for the Grand Jury prize – essentially the runner up spot. It went to Roman Polanski’s An Officer and a Spy. Controversy surrounding the filmmaker is not the only reason for prognosticators being surprised. The pic currently sports a middling 56% on Rotten Tomatoes. Unlike last year’s Jury winner The Favourite, don’t expect this to be in the Oscar derby.

Acting races also showcased performers not on the Academy radar. Luca Marinelli took Best Actor for Martin Eden and Ariane Ascaride was named top Actress for Sweden’s About Endlessness. That film also saw its director Roy Andersson victorious in his race. A nod for Best International Feature is feasible for it.

All in all, Venice gave Joker a hoped for ace up its sleeve in precursor activity. Let’s see if momentum continues to grow…

Early 2019 Oscar Predictions: Best Picture

We’ve arrived at the biggest contest of all in my inaugural Oscar predictions for 2019 – Best Picture! If you missed my first takes on director and the acting categories, you can read them right here:

https://toddmthatcher.com/2019/08/26/early-2019-oscar-predictions-best-director/

https://toddmthatcher.com/2019/08/25/early-2019-oscar-predictions-best-actor/

https://toddmthatcher.com/2019/08/25/early-2019-oscar-predictions-best-actress/

https://toddmthatcher.com/2019/08/24/early-2019-oscar-predictions-best-supporting-actor/

https://toddmthatcher.com/2019/08/24/early-2019-oscar-predictions-best-supporting-actress/

As a reminder, Picture is the only race where the number of nominees can fluctuate anywhere from 5 to 10. In recent years, the magic number is normally 9. However, there were 8 movies up in 2018. My initial late August projections last year yielded three of the eventual 8: BlacKkKlansman, A Star Is Born, and Roma. Three other flicks nominated were mentioned in my other possibilities: Black Panther, The Favourite, and Vice. Interestingly, eventual winner Green Book wasn’t quite on my radar screen at that time.

I’ll go with nine for the time being. The multitude of film festivals starting Thursday and over the coming weeks will shape all races tremendously. My first ranked predictions in the top 6 categories will start this Thursday and be updated weekly.

Let’s get to it!

EARLY OSCAR PREDICTIONS: BEST PICTURE

1917

Bombshell

The Farewell

The Irishman

Little Women

Marriage Story

Once Upon a Time in Hollywood

Parasite

The Report

Other Possibilities:

A Beautiful Day in the Neighborhood

Ad Astra

A Hidden Life

Avengers: Endgame

Dark Waters

Ford v Ferrari

The Goldfinch

Harriet

Jojo Rabbit

Joker

Just Mercy

The Laundromat

The Lighthouse

Pain and Glory

Rocketman

The Two Popes

And there you have it! Expect a whole bunch of Oscar Watch posts stemming from Toronto, Telluride, Venice, and New York in the near future…