Oscar Watch: Army of the Dead

Zack Snyder’s zombie tale Army of the Dead hits hundreds of screens this weekend before its Netflix streaming premiere on May 21. Reviews are out and several indicate it’s a winner (especially the opening scene which is drawing raves). The Rotten Tomatoes score currently sits at 76%.

If an Oscar Watch post for this particular genre seems strange, I get it. I’m not talking about a Best Picture nod or lead actor recognition for Dave Bautista. However, some critics are pointing out Army‘s visuals. Just last year, the Netflix monster pic Love and Monsters scored a surprise nomination in Visual Effects.

Here’s the caveat: several contenders in the race from 2020 were pushed back to 2021. In other words, VE should be more of a crowded field this time around. That includes potential heavy hitters like Dune, Eternals, the fourth Matrix, Top Gun: Maverick, The Suicide Squad, and Spider-Man: No Way Home.

Having said that, if Netflix launches a serious campaign, Army could march to the shortlist in this specific category and a nod is not out of the question.

My Oscar Watch posts will continue…

2020 Oscars Reaction

For a while, it didn’t look like this would be the case… but there were surprises to be had at the 93rd Annual Academy Awards and it wasn’t just about the winners. I didn’t expect Glenn Close to shake her groove thang to the late 1980s classic “Da Butt” by E.U., but it happened and it was pretty darn funny. I certainly didn’t expect Best Picture not to be the last category announced, but it happened in what turned out to be a poor decision. Memo to the Academy: make the biggest race of all the final one. It’s not that complicated.

There were also some unexpected twists in the categories themselves. Let’s get this out of the way: I went 13/20 in my picks. You won’t hear me bragging about that statistic. Until the final few minutes of the program (which did manage to run just a tad long), it started to seem like Nomadland might not be the big winner of the evening. It got there with expected wins in Picture and Chloe Zhao in Director (becoming the second woman to ever nab that prize). The surprise victory was Frances McDormand in Actress. By doing so, she became only the second performer to take that race three times (Katherine Hepburn did it on four occasions). McDormand won over my prediction of Carey Mulligan in Promising Young Woman. Most prognosticators who didn’t pick Mulligan went with Viola Davis in Ma Rainey’s Black Bottom. 

Nomadland led all films with 3 wins. We had six others with two: Ma Rainey’s Black Bottom in Costume Design and Makeup and Hairstyling (correctly picked), Soul for Animated Feature and Score (got that right), Sound of Metal in Sound (yes) and Editing (where I incorrectly had The Trial of the Chicago 7), Mank in Production Design (bingo) and Cinematography (where I had Nomadland), Judas and the Black Messiah with Daniel Kaluuya in Supporting Actor (a no-brainer) and Song (where “Fight for You” was an upset victor and where I had “Speak Now” from One Night in Miami).

And then there’s The Father. Of the 8 Best Picture nominees, it was the only one that I had leaving empty-handed. Instead it took Adapted Screenplay over Nomadland. And then the late speculation of an Anthony Hopkins win over Rainey‘s Chadwick Boseman came to fruition. This really wasn’t a big shocker as Hopkins had just nabbed the BAFTA and this seemed like a genuine possibility. The decision of the producers to save Best Actor for last as opposed to Best Picture seems like they wanted to end on a dramatic note with Boseman getting the posthumous award. That backfired as Hopkins was named and he wasn’t even on video to accept. P.S. – it was Trial of the Chicago 7 that turned out as the lone BP nominee that left with zero hardware.

In other races, Promising Young Woman took Original Screenplay and Another Round won International Feature Film as expected. Same with Tenet in Visual Effects. In one of the better acceptance speeches of the night, Yuh-jung Youn emerged as Supporting Actress in Minari. I picked Time as somewhat of a spoiler choice in Documentary over My Octopus Teacher, but Octopus stood tall.

The team behind this year’s ceremony obviously had their work cut out for them. I appreciate that they mostly met the time limit. Beyond Yuh-jung, Another Round filmmaker Thomas Vinterberg and Chloe Zhao gave standout acceptance remarks. This ceremony itself won’t be too well remembered despite some best efforts… perhaps other than (and I didn’t think the post would end like this) Glenn Close and her surprise dance moves.

Breakdown of wins are as follows:

3 Wins

Nomadland

2 Wins

The Father, Judas and the Black Messiah, Mank, Ma Rainey’s Black Bottom, Soul, Sound of Metal

1 Win

Another Round, Minari, My Octopus Teacher, Promising Young Woman, Tenet

That’s all for now and thank you for following me all along the way in these many months of 2020 Oscar speculation!

Oscar Watch: The Mitchells vs. the Machines

As we wait to hear the Best Animated Feature at the Academy Awards this Sunday evening (hint: it’s Soul), we have a fresh possibility for the competition next year. Formerly titled Connected, Netflix premieres The Mitchells vs. the Machines on April 30. The computer animated sci-fi comedy comes from director Michael Rianda and is produced by Phil Lord and Christopher Miller (the team behind 2019’s Oscar recipient Spider-Man: Into the Spider-Verse and The Lego Movie franchise). Actors doing voice work include Abbi Jacobson, Danny McBride, Maya Rudolph, Eric Andre, Fred Armisen, Beck Bennett, Conan O’Brien, and Olivia Colman.

The Sony Pictures release was originally slated for theatrical release before the COVID-19 pandemic switched it to streaming. Reviews out today are nearly across the board positive with a current 96% Rotten Tomatoes score. It is early in the year and there’s eight more months of animated hopefuls to come. Disney’s Raya and the Last Dragon is already out and could easily make the final cut. Pixar’s Luca (out this summer) is certainly one to keep an eye on. However, Mitchells has already established itself as a contender in the 2021 mix.

My Oscar Watch posts will continue…

2020 Final Oscar Predictions

Blogger’s Note (04/23): After ever more careful consideration, I have decided to change my Best Actress prediction again. I am not reverting back to Carey Mulligan instead of Viola Davis. Did I mention this is a tough category??

Blogger’s Note (04/21): After careful consideration, I have decided to change my Best Actress prediction from my original Monday (04/19) post. Carey Mulligan is out in favor of Viola Davis… no other predictions have changed.

And here we go! After 8 months of lots and lots of speculation, it’s time to make my final picks in the races covering feature length films. I have finished up my 33 posts covering the nominees in Best Picture, Director and the four acting races.

The 93rd Academy Awards airs this Sunday evening. A couple of quick note before delving into the forecasts on the 20 categories. There are surefire frontrunners in a lot of competitions this year and that includes Picture, Director, Supporting Actor, and Supporting Actress (as well as most technical races). The real drama lies in the two leading acting competitions, especially Best Actress.

For each race, I will name my predicted winner and what I believe to be the runner-up. Without further adieu, let’s get to it!

Best Picture

Nominees: The Father, Judas and the Black Messiah, Mank, Minari, Nomadland, Promising Young Woman, Sound of Metal, The Trial of the Chicago 7

Analysis: Nomadland has taken all the precursors it needs to: Globes, SAG, Critics Choice, BAFTA. I would say that in most recent years, there’s been some drama in Best Picture. Not this year. If there’s any chance of an upset, it could be Minari or Promising Young Woman. For a Green Book type of upset, that could be The Trial of the Chicago 7 and that’s what I’m picking as my #2. Yet let me be clear: anything not named Nomadland taking the biggest prize would be a huge upset at this point.

Predicted Winner: Nomadland

Runner-Up: The Trial of the Chicago 7

Best Director

Nominees: Lee Isaac Chung (Minari), Emerald Fennell (Promising Young Woman), David Fincher (Mank), Thomas Vinterberg (Another Round), Chloe Zhao (Nomadland)

Analysis: For reasons expressed above, it’s hard to imagine anyone other than Chloe Zhao getting the gold. She’s won all the precursors and it’s difficult to even name a runner-up (I’ll go Fincher I suppose).

Predicted Winner: Chloe Zhao, Nomadland

Runner-Up: David Fincher, Mank

Best Actress

Nominees: Viola Davis (Ma Rainey’s Black Bottom), Andra Day (The United States vs. Billie Holiday), Vanessa Kirby (Pieces of a Woman), Frances McDormand (Nomadland), Carey Mulligan (Promising Young Woman)

Analysis: Ugh. This is literally the most head scratching race of all. There is no favorite as the major precursors have split. Andra Day, in an upset, took the Globe. Carey Mulligan won Critics Choice. Viola Davis is the SAG recipient. Frances Mcdormand is the BAFTA victor. All of those precursors have a good or very good record of predicting the eventual Academy winner. Confused yet? Me too.

Vanessa Kirby is the least likely to take this and it’s not out of the question that she could. Day’s omission from SAG makes it tough for me to predict her. So we are left with Davis, McDormand, and Mulligan and they all could certainly be making a podium trip. With Nomadland almost surely taking Pic and Director and McDormand’s BAFTA win, it’s tempting to pick her. However, she’s won twice already and the last time was just three years ago. Promising Young Woman did very well in grabbing 5 nominations. Mulligan is a highly respected actress who’s only been nominated once before and this is a showy role that got a lot of attention. Davis’s SAG victory makes me lean toward her, but the Academy not giving Rainey a Best Picture nod gives me some pause.

So… my final decision is Mulligan… with zero degree of confidence. There’s great narratives for McDormand, Mulligan, and Davis so roll the dice with your pick and see what happens!

Predicted Winner: Carey Mulligan, Promising Young Woman

Runner-Up: Viola Davis, Ma Rainey’s Black Bottom

Best Actor

Nominees: Riz Ahmed (Sound of Metal), Chadwick Boseman (Ma Rainey’s Black Bottom), Anthony Hopkins (The Father), Gary Oldman (Mank), Steven Yeun (Minari)

Analysis: For the duration of the precursor season, the late Chadwick Boseman appeared on a glide path to Oscar coronation. That’s until Anthony Hopkins took the BAFTA and made this race considerably more interesting. I will also say that Riz Ahmed has his supporters, but this is a two person race. I do truly believe Hopkins has a very good shot, but I ultimately just can’t pick against Boseman.

Predicted Winner: Chadwick Boseman, Ma Rainey’s Black Bottom

Runner-Up: Anthony Hopkins, The Father

Best Supporting Actress

Nominees: Maria Bakalova (Borat Subsequent Moviefilm), Glenn Close (Hillbilly Elegy), Olivia Colman (The Father), Amanda Seyfried (Mank), Yuh-jung Youn (Minari)

Analysis: This was a wide open category for a while, but Yuh-jung Youn’s recent victories at SAG and BAFTA came at the right time. There is upset potential from both Maria Bakalova and the eight times nominated and never won Glenn Close, but Youn is the safest pick.

Predicted Winner: Yuh-jung Youn, Minari

Runner-Up: Maria Bakalova, Borat Subsequent Moviefilm

Best Supporting Actor

Nominees: Sacha Baron Cohen (The Trial of the Chicago 7), Daniel Kaluuya (Judas and the Black Messiah), Leslie Odom Jr. (One Night in Miami), Paul Raci (Sound of Metal), Lakeith Stanfield (Judas and the Black Messiah)

Analysis: Daniel Kaluuya has steamrolled through precursors and this is definitely the easiest pick of the acting derbies. I’m not even the least bit worried about his costar Lakeith Stanfield splitting votes.

Predicted Winner: Daniel Kaluuya, Judas and the Black Messiah

Runner-Up: Sacha Baron Cohen, The Trial of the Chicago 7 (I guess)

Best Original Screenplay

Nominees: Judas and the Black Messiah, Minari, Promising Young Woman, Sound of Metal, The Trial of the Chicago 7

Analysis: If Mulligan doesn’t win Best Actress (which is quite possible), Promising should still walk away with a win here. Minari and Trial are threats, but feeling pretty confident with this one.

Predicted Winner: Promising Young Woman

Runner-Up: The Trial of the Chicago 7

Best Adapted Screenplay

Nominees: Borat Subsequent Moviefilm, The Father, Nomadland, One Night in Miami, The White Tiger

Analysis: While Nomadland looks like a shoo-in in Picture, I could see The Father threatening it in this race. I’m really tempted to go with it, but I’m sticking with Nomadland. Don’t be surprised if The Father takes this though.

Predicted Winner: Nomadland

Runner-Up: The Father

Best Animated Feature

Nominees: Onward, Over the Moon, A Shaun the Sheep Movie: Farmageddon, Soul, Wolfwalkers

Analysis: Not wasting much word count here. Pixar is dominant in this category. Soul has dominated the other shows.

Predicted Winner: Soul

Runner-Up: Wolfwalkers

Best Documentary Feature

Nominees: Collective, Crip Camp, The Mole Agent, My Octopus Teacher, Time

Analysis: My Octopus Teacher has surprisingly emerged as the favorite due to precursor wins. There’s certainly a narrative for its win as the other more serious selections could split votes. That said, while Octopus is the safe pick, I’m going for a bit of an upset with the acclaimed Time. For those filling out ballots for work and friend pools, Octopus might be the way to go.

Predicted Winner: Time

Runner-Up: My Octopus Teacher

Best International Feature Film

Nominees: Another Round, Better Days, Collective, The Man Who Sold His Skin, Quo Vadis, Aida?

Analysis: It’s going to be Another Round. It’s wrapped up the precursors it needs and it would be foolish to pick against it.

Predicted Winner: Another Round

Runner-Up: Quo Vadis, Aida?

Best Cinematography

Nominees: Judas and the Black Messiah, Mank, News of the World, Nomadland, The Trial of the Chicago 7

Analysis: Mank could be and should be a trendy upset choice, but Nomadland is most likely to grab this.

Predicted Winner: Nomadland

Runner-Up: Mank

Best Costume Design

Nominees: Emma, Ma Rainey’s Black Bottom, Mank, Mulan, Pinocchio

Analysis: Another sturdy frontrunner here with Ma Rainey.

Predicted Winner: Ma Rainey’s Black Bottom

Runner-Up: Emma

Best Film Editing

Nominees: The Father, Nomadland, Promising Young Woman, Sound of Metal, The Trial of the Chicago 7

Analysis: For some time, it looked like this might be the one award Trial would receive. And then Sound of Metal started winning the big precursors. Sound is probably a little ahead by most standards, but I’m still leaning Trial for its flashier editing. This is essentially a coin flip in my view.

Predicted Winner: The Trial of the Chicago 7

Runner-Up: Sound of Metal

Best Makeup and Hairstyling

Nominees: Emma, Hillbilly Elegy, Ma Rainey’s Black Bottom, Mank, Pinocchio

Analysis: Another tech race where Rainey seems way out in front.

Predicted Winner: Ma Rainey’s Black Bottom

Runner-Up: Pinocchio

Best Original Score

Nominees: Da 5 Bloods, Mank, Minari, News of the World, Soul

Analysis: Like in Animated Feature, Soul has killed it in the precursors. This is not a tough choice.

Predicted Winner: Soul

Runner-Up: Minari

Best Original Song

Nominees: “Fight for You” from Judas and the Black Messiah, “Hear My Voice” from The Trial of the Chicago 7, “Husavik” from Eurovision Song Contest: The Story of Fire Saga, “lo si (Seen)” from The Life Ahead, “Speak Now” from One Night in Miami

Analysis: This is a tough choice. I’ve had this nagging feeling that if “Husavik” got in, it could definitely win and I still feel that way. Then there’s Diane Warren who’s behind “lo si”. She’s been nominated 12 times without a win and the overdue factor is real. “Speak Now” is probably the safe choice. I really believe that we could see a surprise here, but I’ll reluctantly stick with Leslie Odom Jr. getting an Oscar for the One Night in Miami track.

Predicted Winner: “Speak Now” from One Night in Miami

Runner-Up: “lo si (Seen)” from The Life Ahead

Best Production Design

Nominees: The Father, Ma Rainey’s Black Bottom, Mank, News of the World, Tenet

Analysis: This is absolutely where Mank should win and that means I think it goes 1/10.

Predicted Winner: Mank

Runner-Up: Ma Rainey’s Black Bottom

Best Sound

Nominees: Greyhound, Mank, News of the World, Soul, Sound of Metal

Analysis: Sound of Metal has had this wrapped up for some time. Plain and simple.

Predicted Winner: Sound of Metal

Runner-Up: Soul

Best Visual Effects

Nominees: Love and Monsters, The Midnight Sky, Mulan, The One and Only Ivan, Tenet

Analysis: This appears to be a two picture battle between The Midnight Sky and Tenet, but the latter seems to have moved fairly comfortably in front.

Predicted Winner: Tenet

Runner-Up: The Midnight Sky

That means I believe the following pictures will walk away with these numbers in terms of victories:

4 Wins

Nomadland

3 Wins

Ma Rainey’s Black Bottom

2 Wins

Promising Young Woman, Soul

1 Win

Another Round, Judas and the Black Messiah, Mank, Minari, One Night in Miami, Sound of Metal, Tenet, Time, The Trial of the Chicago 7

For the 8 Best Picture hopefuls, I’m projecting that only The Father will go home completely empty-handed (though it could certainly happen to Trial as well).

I will, of course, have a recap up with my thoughts on the show and how I did shortly after Sunday’s ceremony. Stay tuned!

2020 BAFTAs: The Nomadland Train Keeps Rolling

The road for Nomadland to Best Picture coronation at the Oscars keeps rolling today thanks to the BAFTAs (the United Kingdom’s version of the Academy Awards). Meanwhile, the Actor and Actress derbies got a bit more interesting while the supporting players continued its recent narrative.

Chloe Zhao’s Nomadland won Best Film and Director in what has become a common theme. However, Frances McDormand’s victory in Actress is her first major precursor in an Oscar race that has truly become a tossup. To break it down, the four significant precursors have all produced different results: McDormand for BAFTA, Viola Davis (Ma Rainey’s Black Bottom) at SAG, Carey Mulligan (Promising Young Woman) at Critics Choice, and Andra Day (The United States vs. Billie Holiday) at the Globes. Bottom line: it’s going to be quite a chore to make a final predictions for the Academy’s ceremony two weeks from today.

Chadwick Boseman’s work in Ma Rainey had swept all the precursors, but that was interrupted this afternoon by Anthony Hopkins in The Father. This is not a huge upset since Hopkins is British royalty. Yet it does establish him as the surefire runner-up to Boseman and a potential threat.

The supporting races followed the SAG path with Yuh-jung Youn (Minari) in Supporting Actress and Daniel Kaluuya (Judas and the Black Messiah) continuing his sweep in Supporting Actor. Both can be considered favorites at the Oscars (especially the latter).

In the screenplay competition, The Father took Adapted over Nomadland in what could be a two picture race in two weeks. Promising Young Woman took Original honors (besting The Trial of the Chicago 7, which came up empty across the pond). Promising also took home Best British Film.

Unlike the other precursors, the BAFTAs cover most of the down ticket categories and I’ll simply say that all the victors below stand decent to very strong chances at repeating at the Oscars:

Animated Film: Soul

Documentary: My Octopus Teacher

Film Not in the English Language: Another Round

Cinematography: Nomadland

Costume Design: Ma Rainey’s Black Bottom

Editing: Sound of Metal

Makeup & Hair: Ma Rainey’s Black Bottom

Original Score: Soul

Production Design: Mank

Sound: Sound of Metal

Special Visual Effects: Tenet

My final Oscar predictions will be before you know it! Stay tuned…

DGA: The Zhaomentum Continues

The Directors Guild of America (DGA) is a pretty darn accurate predictor of who will win at the Academy Awards. In the past 20 years, the DGA and Oscar winners for Best Director have matched 17 times. It is worth noting that one of the 3 non matches was last year as Sam Mendes (1917) took DGA while Bong Joon Ho (Parasite) took the Academy’s gold.

Tonight the DGA held their ceremony and it went as expected with Chloe Zhao (Nomadland) emerging victorious. This goes along with her numerous critics groups prizes and the Golden Globe and Critics Choice Award. Anyone else being named this evening would have been a surprise and it’s further evidence that Zhao is the strong favorite for Oscar. If so, she will become the second female to do so after Kathryn Bigelow for 2009’s The Hurt Locker.

This is also more evidence that Nomadland itself is in the driver’s seat for Best Picture as the Academy’s ceremony is just 15 days away. Bottom line: the Zhaomentum continues and none of the other nominees appear capable of interrupting it.

Oscar Watch: Godzilla vs. Kong

While domestic audiences (via the theater or HBO Max) are about to find out who wins the epic showdown titled Godzilla vs. Kong, there is no doubt which creature holds the advantage with Oscar voters. It opens Wednesday and the review embargo is up as of today. The Adam Wingard directed monster mash currently holds an 81% Rotten Tomatoes rating. That’s currently above the three other titles in the MonsterVerse franchise: 2014’s Godzilla (76%), 2017’s Kong: Skull Island (75%), and 2019’s Godzilla: King of the Monsters (42%).

Now you may be thinking that no movie with Godzilla or Kong in the title has been nominated for Best Picture and it won’t start now. You would be 100% correct. The real question is whether this shows up in the 2021 derby for Best Visual Effects. In that space, our massive gorilla holds a distinct advantage. The 1976 remake of King Kong won a special Academy Award for its visuals and the 2005 remake won Visual Effects outright when it became its own category. In the current MonsterVerse, Kong: Skull Island landed a nomination in the race (losing to Blade Runner 2049). As for Godzilla, the last three American produced iterations (1998 and 2014’s Godzilla and its 2019 sequel) garnered a grand total of zero nods for its effects.

There are likely to be a number of spectacles this year that could contend in VE (several of them pushed back from 2020) so competition will be fierce. Yet Kong has shown his prowess in getting Academy members to notice him and perhaps he can bring his nemesis along for the ride. My Oscar Watch posts will continue…

The Producers Roll With Nomadland

In the previous decade, the winner of the Producers Guild of America (PGA) best motion picture ended up matching with the eventual Oscar recipient 70% of the time. So it’s no wonder that all eyes of prognosticators were on tonight’s ceremony. Would the PGA do anything to interrupt the narrative that Chloe Zhao’s Nomadland is a sturdy favorite to take the Academy’s gold?

The answer? No. Nomadland received yet another honor from the PGA to go with its Golden Globe for Best Drama, Critics Choice Award, and numerous regional group best pic designations. Had Minari or Promising Young Woman or The Trial of the Chicago 7 won, it might have created more suspense for the Oscar ceremony happening on April 25th. Yet the PGA victory is another arrow in the quiver for Zhao’s achievement.

If you’re another movie hoping to best Nomadland, the PGA and the Academy have differed three times in the last five years. In 2015, the Guild picked The Big Short over Spotlight. In 2016, it was La La Land instead of Moonlight. Last year – 1917 over Parasite. 

As for other races, Disney/Pixar’s Soul, as expected, took animated feature and it remains a major frontrunner at the big show. The documentary category went to My Octopus Teacher and that certainly puts it in serious contention in one month.

Bottom line: Nomadland is rolling and nothing may be able to stop it.

2020 Oscar Nominations Reaction

To Oscar prognosticators like yours truly, today was like Christmas morning as nominations were unwrapped early for the 93rd Annual Academy Awards, airing April 25th. Some things never change with the prediction game. There were categories where I was perfect (3 of them) and, as has become tradition, a dreaded race where I whiffed at 2/5.

As was the most likely scenario, Mank led all films with 10 nominations. Yet it did so by missing some key races that are usually needed to nab a Best Picture victory. This was followed by six pictures garnering six mentions: The Father, Judas and the Black Messiah, Minari, Nomadland, Sound of Metal, and The Trial of the Chicago 7. Some of those over performed. Others – not so much.

Overall this blogger went 80/104 on estimates and in this topsy turvy year, I’ll take it. Let’s break it down race by race, shall we?

Best Picture

Nominees: The Father, Judas and the Black Messiah, Mank, Minari, Nomadland, Promising Young Woman, Sound of Metal, The Trial of the Chicago 7

How I Did: 7/9

The magic number of nominees ended up being 8 and I projected 9. I’ll say again… I’m very happy that the Academy is going with a set 10 again beginning in 2022. This means it was Ma Rainey’s Black Bottom and One Night in Miami that missed and The Father (which had a solid showing) in. Judas, Minari and Sound of Metal proved their anticipated status as late bloomers making the cut.

Best Director

Nominees: Lee Isaac Chung (Minari), Emerald Fennell (Promising Young Woman), David Fincher (Mank), Thomas Vinterberg (Another Round), Chloe Zhao (Nomadland)

How I Did: 4/5

The Academy made history today when they nominated two women in Director for the first time. This was expected, but it is worth noting that Regina King (One Night in Miami) was a contender who missed the cut. That’s not where I went wrong as Vinterberg came out of nowhere to get a spot. While Another Round is expected to emerge victorious in International Feature Film, its director became the rare nominee to get in without a Best Picture slot. And despite being nominated for his writing, Aaron Sorkin (Trial) couldn’t get into this one.

Best Actress

Nominees: Viola Davis (Ma Rainey’s Black Bottom), Andra Day (The United States vs. Billie Holiday), Vanessa Kirby (Pieces of a Woman), Frances McDormand (Nomadland), Carey Mulligan (Promising Young Woman)

How I Did: 5/5 (!)

I can’t put myself on the back too much here. This was widely seen as the most probable quintet and it remained true to form. Potential surprise picks like Sophia Loren (The Life Ahead) and Golden Globe Musical/Comedy winner Rosamund Pike (I Care a Lot) didn’t materialize.

Best Actor

Nominees: Riz Ahmed (Sound of Metal), Chadwick Boseman (Ma Rainey’s Black Bottom), Anthony Hopkins (The Father), Gary Oldman (Mank), Steven Yeun (Minari)

How I Did: 5/5 (!)

Again, no shockers here. Any late momentum by Mads Mikkelsen (Another Round) or Tahar Rahim (The Mauritanian) was squashed and Boseman stands tall as the major frontrunner.

Best Supporting Actress

Nominees: Maria Bakalova (Borat Subsequent Moviefilm), Glenn Close (Hillbilly Elegy), Olivia Colman (The Father), Amanda Seyfried (Mank), Yuh-jung Youn (Minari)

How I Did: 4/5

For the past couple of weeks, there have been six likely nominees and only five spots. I went with Golden Globe winner Jodie Foster (The Mauritanian) over Seyfried. Fun fact: Foster is the first Globe winner from this category in 44 years to not land an Oscar mention. This is a wide open acting race (more so than the others by far).

Best Supporting Actor

Nominees: Sacha Baron Cohen (The Trial of the Chicago 7), Daniel Kaluuya (Judas and the Black Messiah), Leslie Odom Jr. (One Night in Miami), Paul Raci (Sound of Metal), Lakeith Stanfield (Judas and the Black Messiah)

How I Did: 4/5

The morning’s biggest surprise is the inclusion of Stanfield with his Judas costar Kaluuya. That has nothing to do with performance itself as Warner Bros. actually campaigned for Stanfield in Best Actor. The Academy simply ignored that and chose to put him here. In other words, this is the nomination that nobody saw coming. His inclusion prevented Boseman from being a double nominee for Da 5 Bloods (which had an almost nonexistent showing).

Best Original Screenplay

Nominees: Judas and the Black Messiah, Minari, Promising Young Woman, Sound of Metal, The Trial of the Chicago 7

How I Did: 4/5

No Mank is the headline here as Sound of Metal grabbed the spot. This omission is what makes a Mank BP victory highly doubtful.

Best Adapted Screenplay

Nominees: Borat Subsequent Moviefilm, The Father, Nomadland, One Night in Miami, The White Tiger

How I Did: 3/5

Ma Rainey‘s bleaker than expected morning continued with no love here. Same goes for The Mauritanian (which goose egged today). In their place? Borat and The White Tiger.

Best Animated Feature

Nominees: Onward, Over the Moon, A Shaun the Sheep Movie: Farmageddon, Soul, Wolfwalkers

How I Did: 4/5

It was Sheep over The Croods: A New Age in a competition where Disney/Pixar’s Soul should dominate.

Best Documentary Feature

Nominees: Collective, Crip Camp, The Mole Agent, My Octopus Teacher, Time

How I Did: 3/5

This category (unpredictable usually) was a real head scratcher in 2020. I had Dick Johnson Is Dead and Welcome to Chechnya in over Crip Camp and The Mole Agent. This is a toughie to project, but I’ll say Time might have an edge.

Best International Feature Film

Nominees: Another Round, Better Days, Collective, The Man Who Sold His Skin, Quo Vadis, Aida?

How I Did: 2/5 (ugh)

The dreaded 2/5 came here with Better Days, double nominee Collective, and the charmingly titled The Man Who Sold His Skin in over my picks of Dear Comrades!, La Llorona, and Two of Us. This looks like Round‘s race to lose at press time.

Best Cinematography

Nominees: Judas and the Black Messiah, Mank, News of the World, Nomadland, The Trial of the Chicago 7

How I Did: 4/5

Judas over Minari was where I went wrong, but not shocking considering the former’s very good day. You may have noticed this is the first mention of News of the World, which picked up four tech nods but got zilch in the big derbies.

Best Costume Design

Nominees: Emma, Ma Rainey’s Black Bottom, Mank, Mulan, Pinocchio 

How I Did: 4/5

Not many were saying Pinocchio would play here, but it nosed out my Ammonite selection.

Best Film Editing

Nominees: The Father, Nomadland, Promising Young Woman, Sound of Metal, The Trial of the Chicago 7

How I Did: 4/5

This is another high profile miss for Mank as The Father was selected instead. Of its six nods, this and Original Screenplay is where Trial has the best shot at gold.

Best Makeup and Hairstyling

Nominees: Emma, Hillbilly Elegy, Ma Rainey’s Black Bottom, Mank, Pinocchio

How I Did: 4/5

And here’s a scenario where I was saying Mank would miss. It didn’t as it edged out Birds of Prey, which was called out zero times this morning.

Best Original Score

Nominees: Da 5 Bloods, Mank, Minari, News of the World, Soul

How I Did: 4/5

Here marks the sole mention for Bloods in a race where it wasn’t anticipated. It got in over my pick of The Midnight Sky. Like Animated Feature, expect Soul to reign supreme here.

Best Original Song

Nominees: “Fight for You” from Judas and the Black Messiah, “Hear My Voice” from The Trial of the Chicago 7, “Husavik” from Eurovision Song Contest: The Story of Fire Saga, “lo Si” from The Life Ahead, “Speak Now” from One Night in Miami

How I Did: 4/5

The chances of Will Ferrell and Rachel McAdams belting out their ballad from the Netflix comedy Eurovision became a reality! It makes the cut over “Turntables” from All In: The Fight for Democracy (which also missed Documentary Feature).

Best Production Design

Nominees: The Father, Ma Rainey’s Black Bottom, Mank, News of the World, Tenet

How I Did: 3/5

This is where Mank stands its greatest chance at a victory among the ten nods. The Father and Tenet (both kind of unexpected here) get in over The Midnight Sky and The Trial of the Chicago 7.

Best Sound

Nominees: Greyhound, Mank, News of the World, Soul, Sound of Metal

How I Did: 5/5 (!)

I’ll take it and the winner will probably be the one with the category name in its title.

Best Visual Effects

Nominees: Love and Monsters, The Midnight Sky, Mulan, The One and Only Ivan, Tenet

How I Did: 3/5

The One and Only Ivan was my runner-up. Love and Monsters, on the other hand, was not expected. They get in over Mank and Welcome to Chechnya. 

To recap, the following pictures nabbed these numbers in terms of nominations:

10 Nominations

Mank

6 Nominations

The Father, Judas and the Black Messiah, Minari, Nomadland, Sound of Metal, The Trial of the Chicago 7

5 Nominations

Ma Rainey’s Black Bottom, Promising Young Woman

4 Nominations

News of the World

3 Nominations

One Night in Miami, Soul

2 Nominations

Another Round, Borat Subsequent Moviefilm, Collective, Emma, Hillbilly Elegy, Mulan, Pinocchio, Tenet

1 Nomination

Better Days, Crip Camp, Da 5 Bloods, Eurovision Song Contest: The Story of Fire Saga, Greyhound, The Life Ahead, Love and Monsters, The Man Who Sold His Skin, The Midnight Sky, The Mole Agent, My Octopus Teacher, The One and Only Ivan, Onward, Over the Moon, Pieces of a Woman, Quo Vadis, Aida?, A Shaun the Sheep Movie: Farmageddon, Time, The United States vs. Billie Holiday, The White Tiger, Wolfwalkers

Quick tidbits:

  • 12 of the 20 acting nominees are first-timers (Day, Kirby, Ahmed, Boseman, Yeun, Bakalova, Seyfried, Youn, Cohen, Odom, Raci, Stanfield)
  • 3 are previous nominees (Mulligan, Close, Kaluuya)
  • 5 are previous winners (Davis, McDormand, Hopkins, Oldman, Colman)
  • Of the five directors, only Fincher has been nominated before and none have won

So this begins the next phase of my Oscar predicting as I will do a “Case Of” post individually for all the Picture, Director, and acting nominees. Yes, that means 33 posts in the next several weeks where I outline the pros and cons of each nominee taking the gold or coming up cold. Stay tuned!

Chadwick Boseman’s Oscar Road

Despite a trio of performances playing well-known figures in 42, Get On Up, and Marshall and creating an iconic superhero in Black Panther, Chadwick Boseman had never been nominated for an Oscar when he passed last summer. That will change come Monday when nominations are announced. The only question is: will it change twice?

In the Best Actor field, Boseman is the frontrunner for Ma Rainey’s Black Bottom. It is a given that his name will be called and it is very likely that the envelope in that race will contain his name. If and when that happens, he will be the first posthumous winner in the lead actor competition since Peter Finch in Network 44 years ago.

Up until very recently, I had consistently listed Boseman at #4 in the Supporting Actor derby for Spike Lee’s Da 5 Bloods. Yet when I released my Oscar predictions on Thursday (which you can find linked below), I decided to drop him to the runner-up slot. There are a couple of reasons.

First, Da 5 Bloods has simply not performed well in the precursors. My final predictions have the Netflix drama garnering precisely zero nods. Delroy Lindo was once seen as a competitor to Boseman in Best Actor, but he drew a blank at the Globes and SAG. If Bloods were still in the mix for Best Picture or for his costars, it might be easier to see Boseman getting in. The lack of buzz for the picture itself complicates things.

Second, an argument could be made that because Chadwick is such a favorite for Actor, voters will focus on that and not feel obligated to write his name for the supporting field. There are only 3 shoo-ins for nods in the category in my view: Boseman’s Black Panther costar Daniel Kaluuya (Judas and the Black Messiah), Sacha Baron Cohen (The Trial of the Chicago 7), and Leslie Odom Jr. (One Night in Miami). The four and five slots could be filled by Boseman, Paul Raci (Sound of Metal), Bill Murray (On the Rocks), David Strathairn (Nomadland, who could ride its projected Best Picture winner momentum), or even a latecomer like young Alan Kim in Minari. I ultimately went with Raci and Strathairn.

Bottom line: Chadwick Boseman is well on his way to his first Oscar nod and probable win. A double nomination is trickier.

FINAL OSCAR PREDICTIONS:

https://toddmthatcher.com/2021/03/11/2020-final-oscar-predictions/