2021 Oscar Predictions: September 19th Edition

Thanks to the Toronto Film Festival, we have a new #1 atop the charts in Best Picture and it’s Kenneth Branagh’s Belfast. 

The coming-of-age drama won the festival’s People’s Choice Award and that is no minor development. 12 of the past 13 victors have received a BP nod. Five of them have won. And that’s enough to allow Belfast the designation of soft frontrunner (with lots of time to go and lots yet to be seen). However, the fact of the matter is, you have to go back to 2006’s The Departed to find a BP winner that didn’t screen at one of the higher profile festivals.

The Power of the Dog was a runner-up for the People’s Choice prize and it slides just one spot. Director Jane Campion  maintains top billing in her category.

There are further developments to point out:

    • King Richard is back in my top 10 BP projections edging out The Humans. The Will Smith sports drama also enters Original Screenplay over C’Mon C’Mon.
    • Paul Thomas Anderson (Licorice Pizza) is in for Best Director over Ridley Scott for House of Gucci.
    • The praise for Jessica Chastain in The Eyes of Tammy Faye is enough to put her at #2 in Actress. It’s not enough to dislodge Kristen Stewart (Spencer) from her ruling perch. I will admit that the subpar box office grosses for Faye this weekend doesn’t help, but I’m relatively confident at this juncture that she’s in.
    • The revolving door that is slot #5 in Best Actor lands on Joaquin Phoenix (C’Mon C’Mon) over Bradley Cooper (Nightmare Alley).
    • Big changes in Supporting Actor as Jamie Dornan (Belfast) and Jared Leto (House of Gucci) are in. Dropping are Dornan’s costar Ciaran Hinds and Kodi Smit-McPhee (The Power of the Dog).
    • While the Supporting Actress five stays intact, I’ve vaulted Ann Dowd (Mass) back to the top spot.

By this time next Sunday, we will know the buzz for Joel Coen’s The Tragedy of Macbeth as it opens the New York Film Festival this Friday. Stay tuned for my Oscar Predictions post on that next weekend.

You can peruse all the action below and the forecasts will be updated next Sunday!

Best Picture

Predicted Nominees:

1. Belfast (Previous Ranking: 4) (+3)

2. The Power of the Dog (PR: 1) (-1)

3. Nightmare Alley (PR: 2) (-1)

4. Dune (PR: 5) (+1)

5. House of Gucci (PR: 3) (-2)

6. Licorice Pizza (PR: 7) (+1)

7. The Tragedy of Macbeth (PR: 6) (-1)

8. West Side Story (PR: 8) (E)

9. Don’t Look Up (PR: 9) (E)

10. King Richard (PR: 12) (+2)

Other Possibilities:

11. The Humans (PR: 10) (-1)

12. Spencer (PR: 15) (+3)

13. CODA (PR: 11) (-2)

14. Mass (PR: 14) (E)

15. The Hand of God (PR: 13) (-2)

16. Flee (PR: 17) (+1)

17. The French Dispatch (PR: 16) (-1)

18. Tick, Tick… Boom! (PR: 19) (+1)

19. A Hero (PR: 18) (-1)

20. The Lost Daughter (PR: 20) (E)

21. C’Mon C’Mon (PR: 24) (+3)

22. Being the Ricardos (PR: 22) (E)

23. Cyrano (PR: 23) (E)

24. Passing (PR: 21) (-3)

25. Parallel Mothers (PR: 25) (E)

Best Director

Predicted Nominees:

1. Jane Campion, The Power of the Dog (PR: 1) (E)

2. Guillermo del Toro, Nightmare Alley (PR: 2) (E)

3. Kenneth Branagh, Belfast (PR: 4) (+1)

4. Denis Villeneuve, Dune (PR: 3) (-1)

5. Paul Thomas Anderson, Licorice Pizza (PR: 6) (+1)

Other Possibilities:

6. Ridley Scott, House of Gucci (PR: 5) (-1)

7. Joel Coen, The Tragedy of Macbeth (PR: 7) (E)

8. Steven Spielberg, West Side Story (PR: 8) (E)

9. Adam McKay, Don’t Look Up (PR: 9) (E)

10. Pablo Larrain, Spencer (PR: 11) (+1)

11. Paolo Sorrentino, The Hand of God (PR: 10) (-1)

12. Jonas Poher Rasmussen, Flee (PR: 13) (+1)

13. Reinaldo Marcus Green, King Richard (PR: Not Ranked)

14. Asghar Farhadi, A Hero (PR: 14) (E)

15. Stephen Karam, The Humans (PR: 12) (-3)

Dropped Out:

Wes Anderson, The French Dispatch

Best Actress

Predicted Nominees:

1. Kristen Stewart, Spencer (PR: 1) (E)

2. Jessica Chastain, The Eyes of Tammy Faye (PR: 3) (+1)

3. Lady Gaga, House of Gucci (PR: 2) (-1)

4. Penelope Cruz, Parallel Mothers (PR: 4) (E)

5. Olivia Colman, The Lost Daughter (PR: 5) (E)

Other Possibilities:

6. Jennifer Hudson, Respect (PR: 6) (E)

7. Cate Blanchett, Nightmare Alley (PR: 7) (E)

8. Rachel Zegler, West Side Story (PR: 9) (+1)

9. Nicole Kidman, Being the Ricardos (PR: 8) (-1)

10. Renate Reinsve, The Worst Person in the World (PR: 13) (+3)

11. Jennifer Lawrence, Don’t Look Up (PR: 12) (+1)

12. Emilia Jones, CODA (PR: 10) (-2)

13. Jodie Comer, The Last Duel (PR: 11) (-2)

14. Halle Berry, Bruised (PR: 15) (+1)

15. Tessa Thompson, Passing (PR: 14) (-1)

Best Actor

Predicted Nominees:

1. Will Smith, King Richard (PR: 1) (E)

2. Benedict Cumberbatch, The Power of the Dog (PR: 2) (E)

3. Denzel Washington, The Tragedy of Macbeth (PR: 3) (E)

4. Peter Dinklage, Cyrano (PR: 4) (E)

5. Joaquin Phoenix, C’Mon C’Mon (PR: 6) (+1)

Other Possibilities:

6. Bradley Cooper, Nightmare Alley (PR: 5) (-1)

7. Adam Driver, House of Gucci (PR: 7) (E)

8. Leonardo DiCaprio, Don’t Look Up (PR: 8) (E)

9. Andrew Garfield, Tick, Tick… Boom! (PR: 10) (+1)

10. Clifton Collins, Jr., Jockey (PR: 9) (-1)

11. Nicolas Cage, Pig (PR: 11) (E)

12. Ben Foster, The Survivor (PR: Not Ranked)

13. Jude Hill, Belfast (PR: Not Ranked)

14. Cooper Hoffman, Licorice Pizza (PR: Not Ranked)

15. Amir Jadidi, A Hero (PR: 12) (-3)

Dropped Out:

Adam Driver, Annette

Filippo Scott, The Hand of God

Simon Rex, Red Rocket

Best Supporting Actress

Predicted Nominees:

1. Ann Dowd, Mass (PR: 2) (+1)

2. Caitriona Balfe, Belfast (PR: 3) (+1)

3. Kirsten Dunst, The Power of the Dog (PR: 1) (-2)

4. Ariana DeBose, West Side Story (PR: 5) (+1)

5. Jayne Houdyshell, The Humans (PR: 4) (-1)

Other Possibilities:

6. Frances McDormand, The Tragedy of Macbeth (PR: 6) (E)

7. Aunjanue Ellis, King Richard (PR: 8) (+1)

8. Rooney Mara, Nightmare Alley (PR: 10) (+2)

9. Toni Collette, Nightmare Alley (PR: 9) (E)

10. Judi Dench, Belfast (PR: 11) (+1)

11. Marlee Matlin, CODA (PR: 7) (-4)

12. Meryl Streep, Don’t Look Up (PR: 12) (E)

13. Martha Plimpton, Mass (PR: 14) (+1)

14. Ruth Negga, Passing (PR: 13) (-1)

15. Dakota Johnson, The Lost Daughter (PR: 15) (E)

Best Supporting Actor

Predicted Nominees:

1. Bradley Cooper, Licorice Pizza (PR: 1) (E)

2. Richard Jenkins, The Humans (PR: 2) (E)

3. Jamie Dornan, Belfast (PR: 7) (+4)

4. Jason Isaacs, Mass (PR: 5) (+1)

5. Jared Leto, House of Gucci (PR: 6) (+1)

Other Possibilities:

6. Kodi Smit-McPhee, The Power of the Dog (PR: 4) (-2)

7. Corey Hawkins, The Tragedy of Macbeth (PR: 8) (+1)

8. Ciaran Hinds, Belfast (PR: 3) (-5)

9. Mark Rylance, Don’t Look Up (PR: 10) (+1)

10. Jesse Plemons, The Power of the Dog (PR: 9) (-1)

11. Willem Dafoe, Nightmare Alley (PR: 12) (+1)

12. David Alvarez, West Side Story (PR: 13) (+1)

13. Troy Kotsur, CODA (PR: 11) (-2)

14. Andrew Garfield, The Eyes of Tammy Faye (PR: Not Ranked)

15. Reed Birney, Mass (PR: Not Ranked)

Dropped Out:

Timothy Spall, Spencer

Benny Safdie, Licorice Pizza

Best Original Screenplay

Predicted Nominees:

1. Belfast (PR: 1) (E)

2. Licorice Pizza (PR: 2) (E)

3. Don’t Look Up (PR: 3) (E)

4. Mass (PR: 4) (E)

5. King Richard (PR: 6) (+1)

Other Possibilities:

6. C’Mon C’Mon (PR: 5) (-1)

7. Spencer (PR: 7) (E)

8. The Hand of God (PR: 9) (+1)

9. The French Dispatch (PR: 8) (-1)

10. A Hero (PR: 12) (+2)

11. Parallel Mothers (PR: 10) (-1)

12. The Worst Person in the World (PR: 13) (+1)

13. Being the Ricardos (PR: 11) (-2)

14. Last Night in Soho (PR: 14) (E)

15. Annette (PR: Not Ranked)

Dropped Out:

Blue Bayou

Best Adapted Screenplay

Predicted Nominees:

1. The Power of the Dog (PR: 1) (E)

2. Nightmare Alley (PR: 2) (E)

3. The Humans (PR: 3) (E)

4. House of Gucci (PR: 4) (E)

5. The Lost Daughter (PR: 5) (E)

Other Possibilities:

6. The Tragedy of Macbeth (PR: 6) (E)

7. Dune (PR: 7) (E)

8. CODA (PR: 8) (E)

9. West Side Story (PR: 9) (E)

10. Passing (PR: 10) (E)

11. Cyrano (PR: 11) (E)

12. Tick, Tick… Boom! (PR: 12) (E)

13. The Last Duel (PR: 13) (E)

14. The Green Knight (PR: 15) (+1)

15. In the Heights (PR: Not Ranked)

Dropped Out:

The Eyes of Tammy Faye

2021 Oscar Predictions: September 12th Edition

With the Venice and Telluride Film Festivals having just wrapped and Toronto going strong, there are fresh updates to my Oscar predictions in every category but Director!

Of course, the big question from the past week might be: Will a movie with the word “pizza” in it finally get a Best Picture nomination? That’s more possible than ever since Paul Thomas Anderson’s latest (which had the working title Soggy Bottom) is now apparently called Licorice Pizza. It makes perfect sense if you research the setting.

It’ll be a while before we know how much of a contender that one actually is.   There is some movement based on actual buzz and it starts with Stephen Karam’s The Humans, which has screened at Toronto. I believe it could make the BP cut and I’ve got it in. I’m also returning West Side Story to the top ten. Dropping out are CODA and King Richard, though either could certainly find themselves back in the mix.

In other developments:

    • Penelope Cruz’s Venice win for Best Actress gets her back in the top five. Falling out is Jennifer Hudson for Respect.
    • I now have Bradley Cooper as a double nominee. In addition to him maintaining the top spot in Supporting Actor for Pizza (that’s gonna take some getting used to), he’s listed in Actor for Nightmare Alley. He takes the place of Adam Driver in House of Gucci. 
    • With category placement still in flux for certain pics, I’ve chosen to put the ensemble for Belfast all in supporting. That means Caitriona Balfe is in for Supporting Actress over her costar Judi Dench. I’m also elevating Jayne Houdyshell (The Humans) and dropping Marlee Matlin (CODA). Furthermore, I have Frances McDormand moved to supporting from lead and she sits just on the outside at #6. Kirsten Dunst takes over the #1 position over Ann Dowd in Mass.
    • Jamie Dornan (Belfast) also enters the competition in supporting instead of lead, but he’s not in my five. There is one change: Jason Isaacs (Mass) over Jared Leto (House of Gucci).
    • C’Mon C’Mon gets the 5th slot in Original Screenplay over Spencer. And Belfast is now listed first instead of Pizza. 
    • In Adapted Screenplay, The Humans and The Lost Daughter make the cut over The Tragedy of Macbeth and CODA. The latter did not have a good week as you can see (dropping out of Picture, Supporting Actress, and here).

We are mere hours away from knowing whether Jessica Chastain (The Eyes of Tammy Faye) deserves her #3 placement in Actress. Those developments and more will be available when I update next Sunday. Until then, you can peruse all the movement below!

Best Picture

Predicted Nominees:

1. The Power of the Dog (Previous Ranking: 1)

2. Nightmare Alley (PR: 3)

3. House of Gucci (PR: 2)

4. Belfast (PR: 4)

5. Dune (PR: 6)

6. The Tragedy of Macbeth (PR: 5)

7. Licorice Pizza (PR: 7) – formerly Soggy Bottom

8. West Side Story (PR: 11)

9. Don’t Look Up (PR: 8)

10. The Humans (PR: 14)

Other Possibilities:

11. CODA (PR: 10)

12. King Richard (PR: 9)

13. The Hand of God (PR: 17)

14. Mass (PR: 12)

15. Spencer (PR: 13)

16. The French Dispatch (PR: 19)

17. Flee (PR: 16)

18. A Hero (PR: 15)

19. Tick, Tick… Boom! (PR: 20)

20. The Lost Daughter (PR: Not Ranked)

21. Passing (PR: 24)

22. Being the Ricardos (PR: 22)

23. Cyrano (PR: 18)

24. C’Mon C’Mon (PR: 25)

25. Parallel Mothers (PR: 23)

Dropped Out:

The Last Duel

Best Director

Predicted Nominees:

1. Jane Campion, The Power of the Dog (PR: 1)

2. Guillermo del Toro, Nightmare Alley (PR: 2)

3. Denis Villeneuve, Dune (PR: 3)

4. Kenneth Branagh, Belfast (PR: 5)

5. Ridley Scott, House of Gucci (PR: 4)

Other Possibilities:

6. Paul Thomas Anderson, Licorice Pizza (PR: 6)

7. Joel Coen, The Tragedy of Macbeth (PR: 7)

8. Steven Spielberg, West Side Story (PR: 10)

9. Adam McKay, Don’t Look Up (PR: 8)

10. Paolo Sorrentino, The Hand of God (PR: 15)

11. Pablo Larrain, Spencer (PR: 9)

12. Stephen Karam, The Humans (PR: Not Ranked)

13. Jonas Poher Rasmussen, Flee (PR: 13)

14. Asghar Farhadi, A Hero (PR: 11)

15. Wes Anderson, The French Dispatch (PR: Not Ranked)

Dropped Out:

Reinaldo Marcus Green, King Richard

Sian Heder, CODA

Best Actress

Predicted Nominees:

1. Kristin Stewart, Spencer (PR: 1)

2. Lady Gaga, House of Gucci (PR: 2)

3. Jessica Chastain, The Eyes of Tammy Faye (PR: 3)

4. Penelope Cruz, Parallel Mothers (PR: 6)

5. Olivia Colman, The Lost Daughter (PR: 4)

Other Possibilities: 

6. Jennifer Hudson, Respect (PR: 5)

7. Cate Blanchett, Nightmare Alley (PR: 11)

8. Nicole Kidman, Being the Ricardos (PR: 10)

9. Rachel Zegler, West Side Story (PR: 15)

10. Emilia Jones, CODA (PR: 13)

11. Jodie Comer, The Last Duel (PR: 8)

12. Jennifer Lawrence, Don’t Look Up (PR: 12)

13. Renate Reinsve, The Worst Person in the World (PR: 14)

14. Tessa Thompson, Passing (PR: Not Ranked)

15. Halle Berry, Bruised (PR: Not Ranked)

Dropped Out:

Frances McDormand, The Tragedy of Macbeth (moved to Supporting Actress)

Caitriona Balfe, Belfast (moved to Supporting Actress)

Best Actor

Predicted Nominees:

1. Will Smith, King Richard (PR: 1)

2. Benedict Cumberbatch, The Power of the Dog (PR: 2)

3. Denzel Washington, The Tragedy of Macbeth (PR: 3)

4. Peter Dinklage, Cyrano (PR: 5)

5. Bradley Cooper, Nightmare Alley (PR: 8)

Other Possibilities:

6. Joaquin Phoenix, C’Mon C’Mon (PR: 7)

7. Adam Driver, House of Gucci (PR: 4)

8. Leonardo DiCaprio, Don’t Look Up (PR: 6)

9. Clifton Collins, Jr., Jockey (PR: 9)

10. Andrew Garfield, Tick, Tick… Boom! (PR: 10)

11. Nicolas Cage, Pig (PR: 12)

12. Amir Jadidi, A Hero (PR: 13)

13. Filippo Scott, The Hand of God (PR: Not Ranked)

14. Simon Rex, Red Rocket (PR: Not Ranked)

15. Adam Driver, Annette (PR: 14)

Dropped Out:

Jamie Dornan, Belfast (moved to Supporting)

Javier Bardem, Being the Ricardos 

Best Supporting Actress

Predicted Nominees:

1. Kirsten Dunst, The Power of the Dog (PR: 2)

2. Ann Dowd, Mass (PR: 1)

3. Caitriona Balfe, Belfast (PR: Not Ranked – moved from lead)

4. Jayne Houdyshell, The Humans (PR: 6)

5. Ariana DeBose, West Side Story (PR: 5)

Other Possibilities:

6. Frances McDormand, The Tragedy of Macbeth (PR: Not Ranked – moved from lead)

7. Marlee Matlin, CODA (PR: 4)

8. Aunjanue Ellis, King Richard (PR: 7)

9. Toni Collette, Nightmare Alley (PR: 8)

10. Rooney Mara, Nightmare Alley (PR: 12)

11. Judi Dench, Belfast (PR: 3)

12. Meryl Streep, Don’t Look Up (PR: 10)

13. Ruth Negga, Passing (PR: 9)

14. Martha Plimpton, Mass (PR: 11)

15. Dakota Johnson, The Lost Daughter (PR: Not Ranked)

Dropped Out:

Nina Arianda, Being the Ricardos

Olga Merediz, In the Heights

Jessie Buckley, The Lost Daughter 

Best Supporting Actor

Predicted Nominees:

1. Bradley Cooper, Licorice Pizza (PR: 1)

2. Richard Jenkins, The Humans (PR: 4)

3. Ciaran Hinds, Belfast (PR: 3)

4. Kodi Smit-McPhee, The Power of the Dog (PR: 2)

5. Jason Isaacs, Mass (PR: 6)

Other Possibilities:

6. Jared Leto, House of Gucci (PR: 5)

7. Jamie Dornan, Belfast (PR: Not Ranked – moved from lead)

8. Corey Hawkins, The Tragedy of Macbeth (PR: 7)

9. Jesse Plemons, The Power of the Dog (PR: 8)

10. Mark Rylance, Don’t Look Up (PR: 9)

11. Troy Kotsur, CODA (PR: 13)

12. Willem Dafoe, Nightmare Alley (PR: 10)

13. David Alvarez, West Side Story (PR: Not Ranked)

14. Timothy Spall, Spencer (PR: Not Ranked)

15. Benny Safdie, Licorice Pizza (PR: Not Ranked)

Dropped Out:

Reed Birney, Mass

Simon Helberg, Annette

J.K. Simmons, Being the Ricardos

Adam Driver, The Last Duel

Best Original Screenplay

Predicted Nominees:

1. Belfast (PR: 2)

2. Licorice Pizza (PR: 1)

3. Don’t Look Up (PR: 3)

4. Mass (PR: 4)

5. C’Mon C’Mon (PR: 10)

Other Possibilities:

6. King Richard (PR: 6)

7. Spencer (PR: 5)

8. The French Dispatch (PR: 9)

9. The Hand of God (PR: 11)

10. Parallel Mothers (PR: 7)

11. Being the Ricardos (PR: 12)

12. A Hero (PR: 8)

13. The Worst Person in the World (PR: 13)

14. Last Night in Soho (PR: Not Ranked)

15. Blue Bayou (PR: 14)

Dropped Out:

Annette

Best Adapted Screenplay 

Predicted Nominees:

1. The Power of the Dog (PR: 1)

2. Nightmare Alley (PR: 2)

3. The Humans (PR: 6)

4. House of Gucci (PR: 3)

5. The Lost Daughter (PR: 7)

Other Possibilities:

6. The Tragedy of Macbeth (PR: 4)

7. Dune (PR: 8)

8. CODA (PR: 5)

9. West Side Story (PR: 12)

10. Passing (PR: 11)

11. Cyrano (PR: 10)

12. Tick, Tick… Boom! (PR: 13)

13. The Last Duel (PR: 9)

14. The Eyes of Tammy Faye (PR: 14)

15. The Green Knight (PR: 15)

Oscar Predictions: The Lost Daughter

Maggie Gyllenhaal’s directorial debut The Lost Daughter has screened at Venice prior to its theatrical and Netflix release in December. Olivia Colman stars as a college professor who confronts her familial past. The supporting cast includes Dakota Johnson, Jessie Buckley, Peter Sarsgaard, and Ed Harris.

In addition to being behind the camera, Gyllenhaal (a 2009 Supporting Actress nominee for Crazy Heart) also adapted the screenplay based on an Elena Ferrante novel. Reviews indicate this is an impressive start to her directing career and it stands at 100% on Rotten Tomatoes.

Will the Academy take notice? It certainly may with Colman, who’s unsurprisingly drawing raves. Best Actress should be a crowded field so this is no guarantee. If Colman does manage one of the five spots, it would be her third nod in four years. She won the lead race in 2018 for The Favourite and was nominated in Supporting Actress for The Father last year. Johnson and Buckley are slightly longer shots for supporting and Netflix could concentrate primarily on Colman.

I’m not sure Picture or Director are feasible, but you never know if the streamer goes all in on a campaign. Bottom line: Colman may have the best odds, but The Lost Daughter could find its way into other competitions with the right push. My Oscar Prediction posts for the films of 2021 will continue…

Oscar Watch: The Peanut Butter Falcon

After premiering last weekend in limited release to pleasing box office results, The Peanut Butter Falcon is generating buzz among audiences. The dramedy centers on a boy with Down syndrome (Zack Gottsagen) who dreams of becoming a pro wrestler and his unique journey to get there. The impressive supporting cast includes Shia LaBeouf (experiencing an indie career resurgence with this and Honey Boy), Dakota Johnson, John Hawkes, Bruce Dern, Jon Bernthal, and Thomas Haden Church. It marks the directorial debut of Tyler Nilson and Michael Schwartz, who also penned the screenplay inspired by the tale of Huckleberry Finn.

When Falcon debuted earlier this year at the South by Southwest Festival, it picked up an Audience Favorite prize. The Rotten Tomatoes score stands at 96%. Could Academy voters take notice?

In order for that to occur, the pic will really need to take off with crowds in coming weeks and the jury is still out. I would say it stands an outside shot at an Original Screenplay nod, but competition could be brutal. My Oscar Watch posts will continue…

Bad Times at the El Royale Box Office Prediction

Director Drew Goddard follows up his cult hit The Cabin in the Woods next weekend with the thriller Bad Times at the El Royale. Set at a novelty hotel in the late 1960s that occupies space in California and Nevada, the cast includes Jeff Bridges, Cynthia Erivo, Dakota Johnson, Jon Hamm, Nick Offerman, Cailee Spaeny, and Chris Hemsworth.

Early reviews for Royale have been mostly positive and it currently occupies a 77% rating on Rotten Tomatoes. Box office estimates I’ve seen have a wide range from low double digits to high ones.

While this is a project that cinephiles are excited for, I question whether this can break out with a mainstream audience. For starters, there’s competition in the form of the second weekend of Venom and A Star Is Born and the debut of First Man. Trailers and TV spots are a little murky as to what this is actually about. While there’s plenty of famous faces in the cast, I’m not sure any of them will help much in filling seats (even Thor himself).

Taking all that into account, I believe El Royale will premiere on the low-end of expectations and may even struggle to reach double digits.

Bad Times at the El Royale opening weekend prediction: $8 million

For my First Man prediction, click here:

https://toddmthatcher.com/2018/10/02/first-man-box-office-prediction/

For my Goosebumps 2: Haunted Halloween prediction, click here:

https://toddmthatcher.com/2018/10/03/goosebumps-2-haunted-halloween/

Oscar Watch: Suspiria

Most horror remakes would not warrant an Oscar Watch post. However, when it’s an update of the 1977 Dario Argento cult classic and it’s directed by Luca Guadagnino – we come to the 2018 version of Suspiria.

The film premiered at the Venice Film Festival this weekend and it’s said to be a blend of gore and dance that departs significantly from its source material. Early critical reaction is very mixed and its drawn some comparisons to last year’s mother! That could be a sign that audiences could be baffled by this concoction.

Guadagnino saw his previous work, 2017 Call Me by Your Name, nab a Best Picture nomination. That will not happen here and I don’t expect it to play any role in other high-profile categories, including the performances of Dakota Johnson or Tilda Swinton.

The new Suspiria is said to place a greater emphasis on dance sequences. If there was an Oscar for Best Choreography, this could be a shoo-in. There could be the possibility of recognition in Production Design or for Radiohead lead singer Thom Yorke’s Original Score, but Suspiria is more likely to be a non-factor come Oscar time.

Bottom line: expect Suspiria to get lots of publicity, divide audiences, and generate controversy. Don’t expect awards attention.

The film comes out domestically on October 26. My Oscar Watch posts will continue…

Fifty Shades Freed Movie Review

A franchise can’t run out of steam if it never gathered any to begin with. That is the legacy of the Fifty Shades films and it climaxes limply with Fifty Shades Freed. The third and final (!) entry in the romantic saga of Christian Grey (Jamie Dornan) and Anastasia Steele-Grey (Dakota Johnson), we open with the lovebirds tying the knot. And by tying the knot, I mean they’re getting married and not just tying some knot as part of their wild sex escapades. We’ve seen that before and it’s a major reason why the pictures (based on the E.L. James bestsellers) have their legions of fans.

Their wedded bliss is relatively short-lived, though describing anything as short-lived is generous in this sluggishly paced series. For one thing, Ana’s stalker Jack (Eric Johnson) is causing mischief once again. There’s also feelings of jealousy happening with Christian’s former flame (Kim Basinger). That subplot actually gets less screen time than the relationship woes of Ana’s best bud (Eloise Mumford) and Christian’s brother (Luke Grimes). What do these storylines have in common? None of them are interesting. For a trilogy wanting to burst with lustful excitement, Freed and its predecessors have been so very listless.

I was never familiar with the source material from which these movies were spawned. Upon viewing Fifty Shades of Grey for the first time, I was more than willing to keep an open mind and try to understand how the novels become phenomenons. Three tales later, I just don’t get it and that certainly applies to its cinematic renderings. The performances of Johnson and Dornan still come across as flat. My previous descriptions of the “hot scenes” being no more gripping than late night Cinemax still stands (the writing is no better either).

Thankfully I can now officially close that once open mind when it comes to Christian and Anastasia. I am freed.

* (out of four)

Fifty Shades Freed Box Office Prediction

For the third Valentine’s Day frame in the past four years, the romantic adventures of Anastasia and Christian will be on display for moviegoers when Fifty Shades Freed opens next weekend. Dakota Johnson and Jamie Dornan return with James Foley (who made previous entry Fifty Shades Darker) directing. Costars include Kim Basinger, Eric Johnson, Marcia Gay Harden, and Rita Ora.

This is the third and final chapter of the franchise based on E.L. James’s sultry bestsellers. The trailer reminds us to not miss the climax (get it?). The series has been a popular one for Universal Pictures, but there was a significant dip between 2015’s Fifty Shades of Grey and 2017 sequel Darker. Three years ago, Grey premiered to $85 million with an eventual $166 million domestic haul. Darker managed $46 million for its start with $114 million overall.

Freed appears likely to follow that downward trend, but its drop shouldn’t be nearly as pronounced as the last one. Current estimates have this hovering around the $40 million mark and that seems about right. I’ll say it falls just under that as fans bid farewell to Mr. and Mrs. Grey.

Fifty Shades Freed opening weekend prediction: $38.4 million

For my Peter Rabbit prediction, click here:

https://toddmthatcher.com/2018/01/31/peter-rabbit-box-office-prediction/

For my The 15:17 to Paris prediction, click here:

https://toddmthatcher.com/2018/01/31/the-1517-to-paris-box-office-prediction/

Fifty Shades Darker Movie Review

There’s a scene towards the end of Fifty Shades Darker where we find ourselves in Christian Grey’s childhood bedroom. He is engaged in deep conversation with Anastasia Steele. Instead of giving anywhere near a damn about what they were discussing, I found myself distracted by the movie poster in his room: The Chronicles of Riddick starring Vin Diesel.

For the next couple of minutes, my mind wandered to the following questions: What made the set designers pick that 2004 sci-fi flick? What made them deduce that their lead character with a penchant for dominance and sadism would choose that film over any other? I thought about what age Christian would have been when it was released. 17 maybe? Here’s a guy, even as a youngster, that could have bought any movie poster, yet he chose The Chronicles of Riddick. Then I realized the fact that I was preoccupied with this minor piece of set decoration said a lot. I didn’t really care about anything else in that bedroom and or anyone in it.

Fifty Shades Darker is the sequel to 2015’s smash hit Fifty Shades of Grey and continues the saga of that man with the Riddick poster (Jamie Dornan) and book editor Anastasia (Dakota Johnson). Their romance was originated in a series of wildly popular E.L. James novels. As I opined in my one star review of Grey, I tried my best to understand its mass appeal to viewers and readers, but just couldn’t get there. Yet here we are again. When we last left the lovers, they had broken up because Anastasia just couldn’t quite get there with Christian’s kinky preferences. It takes about ten minutes of screen time for her to inexplicably change her mind and they’re back at it.

Part two does bring some new dynamics and characters into the fold. Anastasia’s new boss (Eric Johnson) wants more than her editing services. Christian’s sexual mentor (Kim Basinger) keeps popping up, as does a former lover (Bella Heathcote) who’s still subservient to her former master. These subplots lead to jealousy on both ends. There’s also a bit of exploration of Christian’s troubled childhood. All of these items seem like wind up to whatever the inevitable third picture will bring. There’s no pay off.

Instead we get a whole lot of conversations between our two leads and two underwhelming actors playing them. More than anything, the Fifty Shades series rises and falls with the chemistry of Dornan and Johnson. Once again, its mostly non-existent. The franchise’s selling point is the sex scenes and even they’re nothing more than what you’d see on cable after dark.

That said, I’m awarding Fifty Shades Darker a whole half star more than Grey. Why? Good question. Johnson’s acting is probably a half star better. There is perhaps a half star’s worthy more plot developments than in the first. Or maybe the Riddick poster distraction put me in a better mood. Who knows? The more likely reasoning is I’ve become more numb to the pain this unfortunate series has inflicted on me.

*1/2 (out of four)

Fifty Shades Darker Box Office Prediction

Two years ago, the film version of the E.L. James novel Fifty Shades of Grey made a killing in theaters. This prompted the back to back shooting of second and third sequels Fifty Shades Darker and Fifty Shades Freed. Next weekend, Darker hits screens and hopes to keep the momentum going.

Dakota Johnson and Jamie Dornan are back in the roles of Anastasia Steele and Christian Grey as their, shall we say, unique love life is further explored. Costars include Marcia Gay Harden, Kim Basinger, Luke Grimes, and Rita Ora. James Foley takes over directorial duties from Sam Taylor-Johnson (Foley will also helm the third installment out in February 2018).

The initial pairing of these kinky leads led to a box office bonanza in February 2015 when Grey took in an astonishing $85 million in its first weekend with an eventual domestic haul of $166 million.

Early tracking suggests Darker is highly unlikely to compete with that opening frame gross. In fact, it’s been speculated that this follow-up may only earn about half that number. This sounds about right. While Grey easily took the #1 spot out of the gate, this opens against The Lego Batman Movie and probably won’t whip that serious competition. I’ll say Darker gets to the mid 40s for its start, which is still pretty solid considering its reported $55M budget.

Fifty Shades Darker opening weekend prediction: $44.8 million

For my The Lego Batman Movie prediction, click here:

https://toddmthatcher.com/2017/02/02/the-lego-batman-movie-box-office-prediction/

For my John Wick: Chapter 2 prediction, click here:

https://toddmthatcher.com/2017/02/02/john-wick-chapter-2-box-office-prediction/