Midsommar Box Office Prediction

Arriving smack dab in Hollywood’s version of midsummer is Ari Aster’s Midsommar next week. The horror pic is the filmmaker’s sophomore effort after his critically acclaimed debut Hereditary from last summer. Centered around a pair of couples who attend a mysterious Swedish festival that occurs every 90 years, the creepy flick stars Florence Pugh, Jack Reynor, William Jackson Harper, and Will Poulter.

Like Hereditary, Aster’s follow-up has garnered strong critical reaction with a current Rotten Tomatoes score of 96%. Last June, Hereditary started off with $13.5 million with an eventual $44 million domestic gross. Reviewers liked it more than audiences did and word of mouth suggests that could apply to Midsommar.

It’s out on Wednesday to capitalize on the long July 4th holiday frame. A potential comp could be 2014’s Deliver Us From Evil, another scary title that opened over the same weekend. Evil took in nearly $10 million for the traditional Friday to Sunday period with $15 million when adding Wednesday and Thursday. I’ll say Midsommar falls a bit under those numbers.

Midsommar opening weekend prediction: $7.8 million (Friday to Sunday); $13.2 million (Wednesday to Sunday)

For my SpiderMan: Far From Home prediction, click here:

https://toddmthatcher.com/2019/06/25/spider-man-far-from-home-box-office-prediction/

Spider-Man: Far From Home Box Office Prediction

Peter Parker’s European vacation goes awry and Marvel looks to have its third massive 2019 blockbuster in a row when SpiderMan: Far From Home opens next week over a long holiday weekend. The sequel to 2017’s SpiderMan: Homecoming finds Tom Holland returning to the title role after appearing in Avengers: Infinity War and Avengers: Endgame in between. Jon Watts is back directing with familiar MCU faces Samuel L. Jackson, Cobie Smulders, and Jon Favreau among the cast. Returnees from Homecoming include Zendaya, Marisa Tomei, and Jacob Batalon. Newbies to this cinematic universe are J.B. Smoove and Jake Gyllenhaal as main villain Mysterio.

The sequel should benefit tremendously from the MCU’s hot streak. Endgame and Captain  Marvel stand as the top two grossers of the year so far. Homecoming was well received two summers ago with a $334 million domestic haul. Advance word of mouth is strong.

Spidey flicks have a history of debuting over the July 4th frame. 2004’s SpiderMan 2 also had a six-day rollout and earned $180 million in that time frame. Same goes for 2012’s reboot The Amazing SpiderMan with $137 million from Tuesday to Sunday.

Far From Home gets underway on Tuesday and I believe earnings approaching $200 million is doable. I’ll say this manages over $100 million from the traditional Friday to Sunday frame with just under the double century mark over the holiday.

Spider-Man: Far From Home opening weekend prediction: $112.5 million (Friday to Sunday); $192.4 million

For my Midsommar prediction, click here:

https://toddmthatcher.com/2019/06/26/midsommar-box-office-prediction/

June 28-30 Box Office Predictions

Another creepy doll looks to hit the runner-up spot while Toy Story 4 stays in first place this weekend as Conjuring Cinematic Universe entry Annabelle Comes Home debuts. We also have the high concept musical comedy Yesterday out and you can peruse my detailed prediction posts on both newcomers here:

https://toddmthatcher.com/2019/06/18/annabelle-comes-home-box-office-prediction/

https://toddmthatcher.com/2019/06/21/yesterday-box-office-prediction/

It seems awfully risky in the summer of 2019 to project that a sequel will come close to meeting expectations. Not even Toy Story 4 managed to do that (more on that below), but that’s where I’m at by saying Annabelle will gross in the high 20s for its Friday to Sunday earnings and high 30s when taking in the Wednesday and Thursday money.

As mentioned, Pixar’s fourth pairing of Woody and Buzz should have no trouble maintaining top position. Toy Story 3 dipped 46% in its sophomore frame and I look for this to lose around half its volume.

Yesterday, in my view, once had breakout potential. However, so-so reviews don’t help. My estimate for The Beatles themed pic puts it just behind Aladdin in fourth place. The Secret Life of Pets 2 may stay put in fifth as I figure the drops for Child’s Play and Men in Black: International will be more severe.

And with that, my top five for the weekend:

1. Toy Story 4

Predicted Gross: $60.3 million

2. Annabelle Comes Home

Predicted Gross: $27.4 million (Friday to Sunday), $38 million (Wednesday to Sunday)

3. Aladdin

Predicted Gross: $9.7 million

4. Yesterday

Predicted Gross: $9.1 million

5. The Secret Life of Pets 2

Predicted Gross: $5.7 million

Box Office Results (June 2123)

Pixar scored yet another hit with Toy Story 4. Yet the acclaimed sequel (arriving nine years after part three) unquestionably made less than anticipated at $120.9 million. While that’s $10 million over its predecessor, that’s a far cry from my $167.5 million forecast. And even if you think I was being generous, the floor for most projections was around $140 million. I wouldn’t feel too bad for Disney as they’re having a terrific year thus far.

The return of Chucky was met with ambivalence as Child’s Play was second with $14 million compared to my $17.6 million prediction. Look for it to fade fast, especially with that other dastardly doll arriving Wednesday. The reboot only cost a reported $10 million to make so United Artists shouldn’t be too upset either.

Aladdin was third with $13.2 million (I said $13 million) and it’s up to $288 million in the coffers.

Men in Black: International tumbled from first to fourth with $10.7 million, below my $13.1 million projection for just $52 million. This reboot, like Dark Phoenix before it, looks to come in under $100 million domestically.

The Secret Life of Pets 2 rounded out the top five with $10.2 million. I was higher at $12.6 million. The three-week tally is $117 million.

Finally, the Luc Besson action thriller Anna was a flop in ninth with $3.6 million. My prediction? $3.6 million! That almost makes up for being $40 million plus off Toy Story 4! Ok maybe not…

That’s all for now, folks! Until next time…

Oscar Watch: Wild Rose

After premiering at the Toronto Film Festival last fall, Wild Rose was released stateside in limited fashion this weekend. The musical drama casts Jessie Buckley as an ex con and mother of two who aspires to be a country crooner. Tom Harper directs and costars include Julie Walters and Sophie Okonedo.

Reviews have been strong and the pic stands at 93% on Rotten Tomatoes. Special attention has especially been paid to Buckley, who is also among the cast of HBO’s huge miniseries hit Chernobyl.

Rose struggled to blossom at the box office this weekend on four screens. It’s doubtful it will post significant numbers in multiplexes. Yet there could be a sizable push for Buckley to nab a Best Actress nod (and maybe Nicole Taylor’s original screenplay). My Oscar Watch posts will continue…

Yesterday Box Office Prediction

Oscar winning director Danny Boyle, who clearly enjoys playing in multiple genres, tries his hand at a musical comedy next weekend with Yesterday. The high concept pic puts forth the theory that only one aspiring songwriter (Himesh Patel) rememberers The Beatles and cashes in on the world’s memory loss. Costars include Lily James, Kate McKinnon, and Ed Sheeran.

Mr. Boyle, as mentioned, has a varied filmography that includes Trainspotting and its sequel, 28 Days Later and its follow-up, Best Picture winner Slumdog Millionaire, and Steve Jobs. When Yesterday premiered at the Tribeca Film Festival, its so-so reception killed any potential awards chatter. The Rotten Tomatoes score is 68%.

While there’s legions of Fab Four fans out there, I don’t see this turning into a summer sleeper. I believe this will struggle to reach $10 million.

Yesterday opening weekend prediction: $9.1 million

For my Annabelle Comes Home prediction, click here:

https://toddmthatcher.com/2019/06/18/annabelle-comes-home-box-office-prediction/

Oscar Watch: Midsommar

Midsommar is director Ari Aster’s eagerly awaited follow-up to his acclaimed debut Hereditary from last year. The filmmaker stays in the horror genre for this tale of two couples visiting a mysterious Swedish festival that only occurs every 90 years. Cult like scares follow.

The pic has screened ahead of its July 5 stateside bow and critics are once again singing Aster’s praises. It stands at 94% on Rotten Tomatoes, while some reviews point out audience reaction could be quite mixed (like his first effort).

This particular genre is usually ignored by Oscar voters. A groundswell of support began to gather in 2018 for Toni Collette’s lead role in Hereditary. The female lead here, Florence Pugh, has also gotten raves for her work. Yet if Collette couldn’t get in, it probably doesn’t bode well for this lead actress. Furthermore, Lupita Nyong’o could garner attention for her work earlier in 2019 for Jordan Peele’s sophomore flick Us.

Bottom line: if Hereditary couldn’t get on the Academy’s radar, don’t expect Midsommar to do so. My Oscar Watch posts will continue…

Annabelle Comes Home Box Office Prediction

2019 has seen a number of franchises stumble hard with their sequels and reboots. Yet Warner Bros has one of the sturdiest series in recent memory with the Conjuring Cinematic Universe. Next week brings the third edition of the Annabelle entries and I don’t see fatigue among horror fans happening here.

Annabelle Comes Home marks the directorial debut of Gary Dauberman, who penned both predecessors and last fall’s spin-off The Nun. Mckenna Grace and Madison Iseman star and this time Conjuring leads Patrick Wilson and Vera Farmiga join the doll party.

As mentioned, this has been a mighty profitable franchise for its studio. After five pictures, the lowest opening belongs to Annabelle: Creation at $35 million two summers ago. However, it legged out better than 2014’s Annabelle ($102 million vs. $84 million). Any thought of the series dwindling was dispelled last fall when The Nun took in $53 million for the best premiere of all.

What might give this Annabelle the lowest debut yet is a matter of logistics. This one opens on Wednesday and that will certainly eat into its traditional weekend haul. I still foresee a high 20s Friday to Sunday gross and high 40s when factoring in the extra two days.

Annabelle Comes Home opening weekend prediction: $27.4 million (Friday to Sunday); $38 million (Wednesday to Sunday)

For my Yesterday prediction, click here:

https://toddmthatcher.com/2019/06/21/yesterday-box-office-prediction/