February kicks off with two new entries that should place 1-2 on the charts. Johnny Knoxville and his pranksters return in Jackass Forever and the Roland Emmerich disaster pic Moonfall starring Halle Berry are the debuts and you can peruse my detailed prediction posts on them here:
It’s been years since we’ve seen a Jackass experience and I do question if younger viewers aren’t as familiar with the franchise. On the other hand, no film in the series (including 2013 spinoff Bad Grandpa) has opened below $20 million and I won’t predict that this will. My low 20s forecast easily puts it in first place.
As for Moonfall, I’ve got it premiering in the same range as 2017’s Geostorm and that’s in the lower double digits range. That should certainly be good for second, but is weak considering the reported $140 million price tag.
The trio of S sequels that have reigned supreme in the last couple of weeks – Spider-Man: No Way Home, Scream, Sing 2 – should all slide 2 spots and populate the rest of the top five.
Here’s how I see it shaking out:
1. Jackass Forever
Predicted Gross: $21.8 million
2. Moonfall
Predicted Gross: $12.8 million
3. Spider-Man: No Way Home
Predicted Gross: $8.1 million
4. Scream
Predicted Gross: $4.4 million
5. Sing 2
Predicted Gross: $3.6 million
Box Office Results (January 28-30)
In a weekend that saw no major releases, Spider-Man: No Way Home easily ruled for the sixth out of its seven weekends. The MCU sensation took in another $11 million, reaching a tad higher than my $10.3 million projection. It stands just $25 million away from overtaking Avatar as the third biggest domestic earner of all time.
Scream was in the runner-up position again and it held better than I anticipated. The horror sequel made $7.2 million in its third frame compared to my $5.5 million estimate and it’s grossed $62 million.
Sing 2 was third with $4.6 million, edging my $4.2 million take and it’s up to $134 million.
Redeeming Love was fourth in its sophomore outing with $1.7 million (I said $1.8 million) for $6 million overall.
The King’s Man rounded out the top five at $1.6 million (I went with $1.3 million). Tally is $33 million.
Lena Dunham gained notoriety through her HBO series Girls and five years after its conclusion, she’s brought her directorial effort Sharp Stick to Sundance. The comedy stars Kristine Froseth, Taylour Paige, Jennifer Jason Leigh, Jon Bernthal, Scott Speedman, Tommy Dorfman, and Dunham herself.
Stick is measured at just 45% on Rotten Tomatoes and is one of the festival titles that drew a truly mixed to negative reaction. While Girls received plenty of Emmy nominations during its run, awards chatter is highly unlikely to materialize for Dunham’s cinematic project. My Oscar Prediction posts will continue…
Focused on the Russian opposition leader who was mysteriously poisoned in 2020, Navalny struck a chord with Sundance festival goers and won the documentary audience award and festival favorite prize.
It comes from filmmaker Daniel Roher and is slated for distribution on CNN and via HBO Max in the early portion of the year. Standing at 100% on Rotten Tomatoes, this will attempt to carry its buzz forward through awards season and could absolutely be a factor in the Doc Feature competition at next year’s Oscars.
Sundance is often a successful launching pad in the genre. Last year, a third of the 15 doc contenders (including Flee, Faye Dayi, and Summer of Soul) got their starts in Park City. Navalny may be on the list this time in 2023 and my Oscar Prediction posts will continue…
The DGA and PGA nominations are out as of yesterday and it’s caused some reflection as I pen my penultimate predictions for the 2021 Oscars. With Being the Ricardos and Tick, Tick… Boom! nabbing the final two BP spots at PGA (the other 8 were pretty obvious), I feel it necessary to include at least one of them. On the other hand, I’m reluctant to include both as PGA and the Academy’s BP selection rarely match. I’m leaning toward Boom! and it vaults back into the top ten. Yet I’m continuing to keep The Tragedy of Macbeth in the mix despite its lack of recent precursor love.
The DGA quintet and the Best Director nominees haven’t mirrored each other since 2009. So it’s a risk to go with DGA’s five. However, as of this moment, I’m going with it.
Another big change is in Best Actor as I’m including Javier Bardem in Ricardos for the first time (over Leonardo DiCaprio for Don’t Look Up). There’s also a change in Supporting Actor as I’m putting Ben Affleck (The Tender Bar) in for his inaugural appearance. That knocks out Jared Leto for Gucci.
The last big piece of the precursor puzzle arrives Thursday with BAFTA nods. On Friday (02/04), I will make my FINAL Oscar calls before nomination morning on Tuesday, February 8th.
Here’s how I have things standing as of now:
Best Picture
Predicted Nominees:
1. The Power of the Dog (Previous Ranking: 1) (E)
2. Belfast (PR: 2) (E)
3. Dune (PR: 4) (+1)
4. West Side Story (PR: 3) (-1)
5. Licorice Pizza (PR: 5) (E)
6. King Richard (PR: 7) (+1)
7. Don’t Look Up (PR: 6) (-1)
8. CODA (PR: 8) (E)
9. Tick, Tick… Boom! (PR: 11) (+2)
10. The Tragedy of Macbeth (PR: 9) (-1)
Other Possibilities:
11. Being the Ricardos (PR: 12) (+1)
12. Drive My Car (PR: 13) (+1)
13. House of Gucci (PR: 10) (-3)
14. Nightmare Alley (PR: Not Ranked)
15. The Lost Daughter (PR: 14) (-1)
Dropped Out:
No Time to Die
Best Director
Predicted Nominees:
1. Jane Campion, The Power of the Dog (PR: 1) (E)
2. Denis Villeneuve, Dune (PR: 2) (E)
3. Steven Spielberg, West Side Story (PR: 3) (E)
4. Kenneth Branagh, Belfast (PR: 4) (E)
5. Paul Thomas Anderson, Licorice Pizza (PR: 5) (E)
Other Possibilities:
6. Ryusuke Hamaguchi, Drive My Car (PR: 7) (+1)
7. Adam McKay, Don’t Look Up (PR: 6) (-1)
8. Joel Coen, The Tragedy of Macbeth (PR: 8) (E)
9. Sian Heder, CODA (PR: 9) (E)
10. Guillermo del Toro, Nightmare Alley (PR: Not Ranked)
Dropped Out:
Maggie Gyllenhaal, The Lost Daughter
Best Actress
Predicted Nominees:
1. Nicole Kidman, Being the Ricardos (PR: 1) (E)
2. Olivia Colman, The Lost Daughter (PR: 2) (E)
3. Jessica Chastain, The Eyes of Tammy Faye (PR: 3) (E)
4. Kristen Stewart, Spencer (PR: 5) (+1)
5. Lady Gaga, House of Gucci (PR: 4) (-1)
Other Possibilities:
6. Penelope Cruz, Parallel Mothers (PR: 8) (+2)
7. Jennifer Hudson, Respect (PR: 7) (E)
8. Rachel Zegler, West Side Story (PR: 6) (-2)
9. Alana Haim, Licorice Pizza (PR: 9) (E)
10. Emilia Jones, CODA (PR: 10) (E)
Best Actor
Predicted Nominees
1. Will Smith, King Richard (PR: 2) (E)
2. Benedict Cumberbatch, The Power of the Dog (PR: 2) (E)
3. Andrew Garfield, Tick, Tick… Boom! (PR: 3) (E)
4. Denzel Washington, The Tragedy of Macbeth (PR: 4) (E)
5. Javier Bardem, Being the Ricardos (PR: 6) (+1)
Other Possibilities:
6. Leonardo DiCaprio, Don’t Look Up (PR: 5) (-1)
7. Peter Dinklage, Cyrano (PR: 7) (E)
8. Nicolas Cage, Pig (PR: 8) (E)
9. Joaquin Phoenix, C’Mon C’Mon (PR: 9) (E)
10. Hidetoshi Nishijima, Drive My Car (PR: 10) (E)
Best Supporting Actress
Predicted Nominees:
1. Ariana DeBose, West Side Story (PR: 1) (E)
2. Kirsten Dunst, The Power of the Dog (PR: 2) (E)
3. Caitriona Balfe, Belfast (PR: 3) (E)
4. Ruth Negga, Passing (PR: 4) (E)
5. Aunjanue Ellis, King Richard (PR: 5) (E)
Other Possibilities:
6. Ann Dowd, Mass (PR: 7) (+1)
7. Marlee Matlin, CODA (PR: 6) (-1)
8. Cate Blanchett, Nightmare Alley (PR: 8) (E)
9. Rita Moreno, West Side Story (PR: 9) (E)
10. Jessie Buckley, The Lost Daughter (PR: 10) (E)
Best Supporting Actor
Predicted Nominees:
1. Kodi Smit-McPhee, The Power of the Dog (PR: 1) (E)
2. Troy Kotsur, CODA (PR: 2) (E)
3. Ciaran Hinds, Belfast (PR: 3) (E)
4. Bradley Cooper, Licorice Pizza (PR: 4) (E)
5. Ben Affleck, The Tender Bar (PR: 6) (+1)
Other Possibilities:
6. Jared Leto, House of Gucci (PR: 5) (-1)
7. Jesse Plemons, The Power of the Dog (PR: 8) (+1)
8. J.K. Simmons, Being the Ricardos (PR: 9) (+1)
9. Jamie Dornan, Belfast (PR: 7) (-2)
10. Mike Faist, West Side Story (PR: 10) (E)
Best Original Screenplay
Predicted Nominees:
1. Licorice Pizza (PR: 1) (E)
2. Belfast (PR: 2) (E)
3. Don’t Look Up (PR: 3) (E)
4. Being the Ricardos (PR: 4) (E)
5. C’Mon C’Mon (PR: 5) (E)
Other Possibilities:
6. King Richard (PR: 6) (E)
7. Parallel Mothers (PR: 7) (E)
8. Mass (PR: 8) (E)
9. The French Dispatch (PR: 9) (E)
10. A Hero (PR: Not Ranked)
Dropped Out:
Pig
Best Adapted Screenplay
Predicted Nominees:
1. The Power of the Dog (PR: 1) (E)
2. West Side Story (PR: 2) (E)
3. CODA (PR: 3) (E)
4. The Lost Daughter (PR: 4) (E)
5. Dune (PR: 5) (E)
Other Possibilities:
6. Drive My Car (PR: 6) (E)
7. The Tragedy of Macbeth (PR: 7) (E)
8. Passing (PR: 9) (+1)
9. Tick, Tick… Boom! (PR: 8) (-1)
10. Nightmare Alley (PR: Not Ranked)
Dropped Out:
The Last Duel
Best Animated Feature
Predicted Nominees
1. Encanto (PR: 1) (E)
2. Flee (PR: 2) (E)
3. The Mitchells vs. the Machines (PR: 3) (E)
4. Luca (PR: 4) (E)
5. Raya and the Last Dragon (PR: 5) (E)
Other Possibilities:
6. Belle (PR: 6) (E)
7. Sing 2 (PR: Not Ranked)
8. The Summit of the Gods (PR: 7) (-1)
9. Vivo (PR: 8) (-1)
10. Ron’s Gone Wrong (PR: 9) (-1)
Dropped Out:
My Sunny Maad
Best International Feature Film
Predicted Nominees:
1. Drive My Car (PR: 1) (E)
2. A Hero (PR: 2) (E)
3. The Worst Person in the World (PR: 3) (E)
4. Flee (PR: 4) (E)
5. The Hand of God (PR: 5) (E)
Other Possibilities:
6. I’m Your Man (PR: 6) (E)
7. Prayers for the Stolen (PR: 8) (+1)
8. Compartment No. 6 (PR: 7) (-1)
9. Great Freedom (PR: 9) (E)
10. Playground (PR: Not Ranked)
Dropped Out:
The Good Boss
Best Documentary Feature
Predicted Nominees:
1. Flee (PR: 1) (E)
2. The Rescue (PR: 2) (E)
3. Procession (PR: 4) (+1)
4. Summer of Soul (PR: 3) (-1)
5. The First Wave (PR: 5) (E)
Other Possibilities:
6. Ascension (PR: 6) (E)
7. Faya Dayi (PR: 9) (+2)
8. Attica (PR: 7) (-1)
9. President (PR: 8) (-1)
10. The Velvet Underground (PR: Not Ranked)
Dropped Out:
In the Same Breath
Best Cinematography
Predicted Nominees:
1. Dune (PR: 1) (E)
2. The Power of the Dog (PR: 2) (E)
3. The Tragedy of Macbeth (PR: 4) (+1)
4. Belfast (PR: 3) (-1)
5. West Side Story (PR: 5) (E)
Other Possibilities:
6. Nightmare Alley (PR: 6) (E)
7. Licorice Pizza (PR: 7) (E)
8. The French Dispatch (PR: 8) (E)
9. Spencer (PR: 10) (+1)
10. No Time to Die (PR: Not Ranked)
Dropped Out:
C’Mon C’Mon
Best Costume Design
Predicted Nominees:
1. Cruella (PR: 1) (E)
2. Dune (PR: 2) (E)
3. West Side Story (PR: 3) (E)
4. House of Gucci (PR: 4) (E)
5. Nightmare Alley (PR: 7) (+2)
Other Possibilities:
6. Spencer (PR: 5) (-1)
7. Licorice Pizza (PR: 6) (-1)
8. The French Dispatch (PR: 9) (+1)
9. Cyrano (PR: 8) (-1)
10. Last Night in Soho (PR: 10) (E)
Best Film Editing
Predicted Nominees:
1. Dune (PR: 1) (E)
2. Belfast (PR: 3) (+1)
3. The Power of the Dog (PR: 4) (+1)
4. Don’t Look Up (PR: 6) (+2)
5. Licorice Pizza (PR: 5) (E)
Other Possibilities:
6. West Side Story (PR: 2) (-4)
7. King Richard (PR: 8) (+1)
8. Tick, Tick… Boom! (PR: 7) (-1)
9. Nightmare Alley (PR: 10) (+1)
10. No Time to Die (PR: Not Ranked)
Dropped Out:
Being the Ricardos
Best Makeup and Hairstyling
Predicted Nominees:
1. Dune (PR: 1) (E)
2. House of Gucci (PR: 2) (E)
3. The Eyes of Tammy Faye (PR: 3) (E)
4. Cruella (PR: 4) (E)
5. Coming 2 America (PR: 5) (E)
Other Possibilities:
6. The Suicide Squad (PR: 7) (+1)
7. Nightmare Alley (PR: 8) (+1)
8. West Side Story (PR: 6) (-2)
9. Cyrano (PR: 9) (E)
10. No Time to Die (PR: 10) (E)
Best Original Score
Predicted Nominees:
1. Dune (PR: 1) (E)
2. The Power of the Dog (PR: 2) (E)
3. The French Dispatch (PR: 4) (+1)
4. Don’t Look Up (PR: 3) (-1)
5. Spencer (PR: 6) (+1)
Other Possibilities:
6. Parallel Mothers (PR: 5) (-1)
7. The Tragedy of Macbeth (PR: 8) (+1)
8. Encanto (PR: 7) (-1)
9. King Richard (PR: 9) (E)
10. Being the Ricardos (PR: 10) (E)
Best Original Song
Predicted Nominees:
1. “No Time to Die” from No Time to Die (PR: 1) (E)
2. “Dos Oruguitas” from Encanto (PR: 3) (+1)
3. “Be Alive” from King Richard (PR: 2) (-1)
4. “Just Look Up” from Don’t Look Up (PR: 6) (+2)
5. “Down to Joy” from Belfast (PR: 4) (-1)
Other Possibilities:
6. “Here I Am” from Respect (PR: 5) (-1)
7. “Guns Go Bang” from The Harder They Fall (PR: 7) (E)
8. “Beyond the Shore” from CODA (PR: 8) (E)
9. “So May We Start” from Annette (PR: 9) (E)
10. “Somehow You Do” from Four Good Days (PR: 10) (E)
Best Production Design
Predicted Nominees:
1. Dune (PR: 1) (E)
2. Nightmare Alley (PR: 3) (+1)
3. West Side Story (PR: 2) (-1)
4. The French Dispatch (PR: 4) (E)
5. The Tragedy of Macbeth (PR: 5) (E)
Other Possibilities:
6. Belfast (PR: 6) (E)
7. Licorice Pizza (PR: 7) (E)
8. The Power of the Dog (PR: 9) (+1)
9. Spencer (PR: 8) (-1)
10. Cyrano (PR: 10) (E)
Best Sound
Predicted Nominees:
1. Dune (PR: 1) (E)
2. West Side Story (PR: 2) (E)
3. Belfast (PR: 3) (E)
4. Tick, Tick… Boom! (PR: 5) (+1)
5. No Time to Die (PR: 4) (-1)
Other Possibilities:
6. The Power of the Dog (PR: 7) (+1)
7. Spider-Man: No Way Home (PR: 6) (-1)
8. A Quiet Place Part II (PR: 9) (+1)
9. The Matrix Resurrections (PR: 8) (-1)
10. Last Night in Soho (PR: 10) (E)
Best Visual Effects
Predicted Nominees
1. Dune (PR: 1) (E)
2. The Matrix Resurrections (PR: 2) (E)
3. Godzilla vs. Kong (PR: 3) (E)
4. Shang-Chi and the Legend of the Ten Rings (PR: 4) (E)
5. Spider-Man: No Way Home (PR: 6) (+1)
Other Possibilities:
6. No Time to Die (PR: 5) (-1)
7. Free Guy (PR: 7) (E)
8. Eternals (PR: 8) (E)
9. Ghostbusters: Afterlife (PR: 9) (E)
10. Black Widow (PR: 10) (E)
This all equates to the following numbers of nominations for these pictures:
11 Nominations
Dune
9 Nominations
Belfast, The Power of the Dog
8 Nominations
West Side Story
5 Nominations
Don’t Look Up, Licorice Pizza
4 Nominations
King Richard, The Tragedy of Macbeth
3 Nominations
Being the Ricardos, CODA, Flee, House of Gucci, Tick, Tick… Boom!
2 Nominations
Cruella, Encanto, The Eyes of Tammy Faye, The French Dispatch, The Lost Daughter, Nightmare Alley, No Time to Die, Spencer
1 Nomination
C’Mon C’Mon, Coming 2 America, Drive My Car, The First Wave, Godzilla vs. Kong, The Hand of God, A Hero, Luca, The Matrix Resurrections, The Mitchells vs. the Machines, Passing, Procession, Ray and the Last Dragon, The Rescue, Shang-Chi and the Legend of the Ten Rings, Spider-Man: No Way Home, Summer of Soul, The Tender Bar, The Worst Person in the World
Two major Oscar precursors dropped today and it’s a good day to be the Ricardos as Aaron Sorkin’s Lucy and Desi pic make the PGA’s top ten cut, as did Netflix’s musical Tick, Tick… Boom!
Here are your 10 PGA nominees:
Being the Ricardos
Belfast
CODA
Don’t Look Up
Dune
King Richard
Licorice Pizza
The Power of the Dog
Tick, Tick… Boom!
West Side Story
That means I went 8 out of 10 for my projections. The general thinking (and one that I shared) is that 8 pictures were safe: Belfast, CODA, Don’t Look Up, Dune, King Richard, Licorice Pizza, The Power of the Dog, West Side Story. That turned out to be accurate.
The real battle was for the last 2 spots and they went to Ricardos and Boom! PGA has a history of nominating moneymakers and that’s why I chose No Time to Die to make the list (others were putting Spider-Man: No Way Home in the mix). Neither did so and that might end discussions on whether either of them could make it with the Academy.
I also had House of Gucci getting in and its PGA omission decreases its viability in the Oscar BP derby. Other notables to miss include Drive My Car, The Lost Daughter, Nightmare Alley, and The Tragedy of Macbeth.
Truth be told – the PGA lineup could easily be the Oscar one. However, that is hardly ever the case and we’ll see how it shakes out when I update my predictions tomorrow.
It’s also true that the five contenders in the Directors Guild Awards rarely match the Oscars (usually it’s 4 out of five). My quintet of Academy hopefuls has stayed steady over recent weeks: Paul Thomas Anderson (Licorice Pizza), Kenneth Branagh (Belfast), Jane Campion (The Power of the Dog), Steven Spielberg (Wet Side Story), and Denis Villeneuve (Dune).
And that’s exactly the lineup that DGA revealed today. I went 4 of 5 because I had Adam McKay (Don’t Look Up) in over Anderson. A DGA nod could have helped others on the outside looking in like Ryusuke Hamaguchi (Drive My Car) or Joel Coen (Macbeth).
As I explained in my predictions yesterday, you have to go back to 2009 for the last year in which DGA/Oscar matched in Best Director. It could absolutely happen in 2021 and, unlike PGA, I may continue to project it that way.
As mentioned, look for my penultimate 2021 Oscar updates tomorrow!
Roland Emmerich, maker of Independence Day, The Day After Tomorrow, and 2012, has never met a disaster scenario he didn’t like. So let’s have the moon hurtle toward Earth and potentially destroy humanity, shall we? That’s the concept of Moonfall, out February 4th. The sci-fi extravaganza comes with a whopping reported budget of $140 million and its cast includes Halle Berry, Patrick Wilson, John Bradley, Michael Pena, Charlie Plummer, Kelly Yu, and Donald Sutherland.
This one could have a tough time making that budget back and it better hope for robust international grosses. Emmerich is not the drawing power he was a quarter century ago. His last feature, 2019’s Midway, started with just over $17 million (though it is worth noting that was slightly above expectations).
It also might not help that moviegoers looking for mindless entertainment have Jackass Forever debuting directly against it. The best scenario for Moonfall could be $20 million, but that could be a giant leap. I’m thinking a premiere similar to Geostorm (which started north of $13 million) might be where this lands.
Moonfall opening weekend prediction: $12.8 million
Johnny Knoxville and his band of merry pranksters are back again in Jackass Forever, opening February 4th. It is the fourth theatrically released Jackass saga and it follows 2013’s successful spinoff Bad Grandpa. Jeff Tremaine is back in the director’s chair along with familiar pain enthusiasts Steve-O, Wee Man, Chris Pontius, Dave England, Danger Ehren, Preston Lacy, and Bam Margera (who was fired from production but remains onscreen). There’s celebrity cameos from Eric Andre, Shaquille O’Neal, Machine Gun Kelly, and Tyler, the Creator.
The boys aren’t boys anymore as Knoxville is 50 and Forever will be a test of the franchise’s durability. Back in 2002, part one (which stemmed from the smash MTV show) made $22 million for its start. The first sequel in 2006 made off with $29 million in its opening while 2010’s Jackass 3D easily hit the series high point with a $50 million debut. By 2013, any doubts about the Jackass bankability were wiped away when Bad Grandpa hit $32 million out of the gate.
Younger viewers, eight years after the last installment, may not be as familiar with the brand. However, I’m hesitant to bet against them. No Jackass tale has premiered with less than $20 million and my hunch is that this won’t either. Low to mid 20s sounds about right.
Jackass Forever opening weekend prediction: $21.8 million
Two significant Academy precursors are coming our way tomorrow when the Directors and Producers Guilds of America reveal nominees. Both groups could shed major light on who and what we will see on Oscar nomination morning in less than two weeks.
The DGA nominates five directors for their top prize and it is a reliable preview for usually 4 of the 5 eventual hopefuls at the big show. In the past five years, the DGA’s list corresponds with the Academy’s on the 4 of 5 ratio. The exception was 2018 when it was 3/5. You have to go back to 2009 to find the last year in which there was a perfect match.
For weeks, my Oscar projections in Best Director has remained consistent: Paul Thomas Anderson (Licorice Pizza), Kenneth Branagh (Belfast), Jane Campion (The Power of the Dog), Steven Spielberg (West Side Story), and Denis Villeneuve (Dune). That’s probably the safest lineup to predict for DGA as well, but I’m hesitant to do so since it’s been over a decade with the two corresponding.
So who’s vulnerable and who could rise up? It’s hard to see Campion (the Oscar frontrunner), Villeneuve, or Spielberg missing. Same generally goes for Branagh though there’s whispers that Belfast could be slipping a bit (still not enough for me to take him out). That leaves Anderson and there’s some precedent. In 2017, the Academy nominated him for Phantom Thread while DGA omitted him. He’s the easiest to leave off their ballot.
Who takes his place? I doubt that it’s Ryusuke Hamaguchi for Drive My Car. In recent times, the Academy has been more generous with nods for filmmakers and their international features. Last year, they nominated Thomas Vinterberg (Another Round) and in 2018 they did the same for Pawel Pawlikowski (Cold War) while DGA ignored them.
If there’s a surprise fifth nominee in store, watch out for Guillermo del Toro (Nightmare Alley), Maggie Gyllenhaal (The Lost Daughter) or Sian Heder (CODA). However, I think it could come down to Joel Coen (The Tragedy of Macbeth) and Adam McKay (Don’t Look Up). The latter is a two-time DGA nominee (The Big Short and Vice) and Don’t Look Up is a buzzy streaming success story that’s been widely viewed. Coen, on the other hand, could be honored for the technical mastery of Macbeth.
This is a close call, but I’m ever so slightly leaning toward McKay and I’ll go that route. Therefore – my official DGA predictions are:
Kenneth Branagh, Belfast
Jane Campion, The Power of the Dog
Adam McKay, Don’t Look Up
Steven Spielberg, West Side Story
Denis Villeneuve, Dune
Runner-Up: Paul Thomas Anderson, Licorice Pizza
Second Alternate: Joel Coen, The Tragedy of Macbeth
Let’s move to the PGA, shall we? Over the last five years, these are the matches between the Producers and the Academy when it comes to their Best Picture awards:
2016: 9/9
2017: 7/9
2018: 8/8
2019: 9/9
2020: 7/8
It’s important to keep in mind that the Academy, for the past several years, can have anywhere between 5-10 BP contenders (the magic number has been 8 or 9). Yet in 2021, the Oscars are reverting back to a set 10 (the PGA always nominates 10 except for 2017 when they had 11 for some inexplicable reason).
That means there’s only been three films (Darkest Hour and Phantom Thread in 2017 and The Father in 2020) that received Oscar nods and didn’t materialize on the PGA list.
My current 10 selections for BP from the Academy are as follows: Belfast, CODA, Don’t Look Up, Dune, House of Gucci, King Richard, Licorice Pizza, The Power of the Dog, The Tragedy of Macbeth, West Side Story.
I’m estimating that only Gucci and Tragedy could be truly vulnerable to miss the PGA cut (anything else being left off would constitute a pretty big surprise). If that happens, CODA or Richard might be the ones.
In my view, Tragedy is exactly the kind of feature that PGA may not recognize. Gucci is more of a question mark as the Producers generally like to nominate pictures that performed well at the box office. To that point, the PGA has a history of honoring moneymakers that the Academy does not. Recent examples include Bridesmaids, Skyfall, Gone Girl, Straight Outta Compton, Deadpool, Wonder Woman, Crazy Rich Asians, A Quiet Place, and Knives Out.
That could absolutely open the door for No Time to Die or Spider-Man: No Way Home… or both. I’m slightly more hesitant to include Spidey being that neither Avengers: Infinity War or Endgame got PGA love. However, I’m not oblivious to the fact that this guild may want to mention the picture that broke pandemic era box office records.
Outside of the blockbuster mold, you could also see titles like Being the Ricardos, Drive My Car, The Lost Daughter, Nightmare Alley, or Tick, Tick… Boom! factor in.
I’m keeping Gucci in (with extreme uncertainty) and projecting 007 in the mega-earner slot so here’s my PGA ten:
Belfast
CODA
Don’t Look Up
Dune
House of Gucci
King Richard
Licorice Pizza
No Time to Die
The Power of the Dog
West Side Story
Runner-Up: Spider-Man: No Way Home
Second Alternate: The Tragedy of Macbeth
So there you have it! I’ll have reaction up on both DGA and PGA tomorrow on the blog…
Honk for Jesus. Save Your Soul. (that’s how the title is indeed punctuated) is based on a 2018 short film and the elongated version is a mockumentary starring Regina Hall and Sterling K. Brown as Atlanta megachurch leaders whose congregation isn’t as mega as it used to be. Adamma Ebo directs the indie satire which premiered at Sundance.
Reviews so far translate to 85% on Rotten Tomatoes, but plenty of them point out that it’s flawed. Praise for the leads is there. In 2018, Hall picked up some critics awards for Support the Girls. It doesn’t appear that’ll happen here. My Oscar Prediction posts will continue…
Comedian Tig Notaro and actress Stephanie Allynne, who are married in real life, direct the tale of a same sex couple in Am I Ok?, which debuted at Sundance. The dramedy stars Dakota Johnson and Sonoya Mizuno with a supporting cast featuring Jermaine Fowler, Kiersey Clemons, Molly Gordon, Sean Hayes, and Notaro herself.
Critical reaction stands at 83% on Rotten Tomatoes though there’s a few notices that skew negative. Johnson is having a busy Sundance as Cha Cha Real Smooth is being called a crowdpleaser where some reviews hail it as her career best work.
Am I Ok? is unlikely to nab any awards buzz. Johnson’s other effort could be a different story. My Oscar Prediction posts will continue…
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