My big announcement today is the selection of my first candidates for Best Actress in the 2020 Oscar field! If you happened to miss my predictions for the supporting categories and Best Actor, you can find them right here:
Unlike Best Actor, none of my initial top 5 picks here have seen their pictures screened. As discussed in previous posts, 2020 is a mighty speculative year for these early August estimates. The potential contenders are certainly some heavy hitters and it was, frankly, hard to whittle the list to this quintet. 4 of my 5 choices here are past winners. Both Viola Davis and Jennifer Hudson are Supporting Actress victors for 2016’s Fences and 2006’s Dreamgirls respectively. Frances McDormand is a two-time lead Actress winner for 1996’s Fargo and 2017’s Three Billboards Outside, Missouri. Kate Winslet took this prize in 2008 for The Reader. The only non-winner is Michelle Pfeiffer and she’s been nominated three times. If she makes it here, it would mark her first nod in 28 years since 1992’s Love Field.
This is in addition to acclaimed actresses such as Amy Adams, Jessica Chastain, and Julianne Moore as possibilities and up and comers like Jessie Buckley, Liu Yifei, and Rachel Zegler. On the opposite end of the spectrum, there’s the silver screen return of cinematic legend Sophia Loren. She last won an Oscar for Two Women some 60 years ago. Elisabeth Moss has two already released pics for which she’s received solid reviews. Of the two, Shirley seems more viable than the horror hit The Invisible Man.
In 2019, my original late summer projections yielded a whopping 4 of the 5 eventual nominees: Cynthia Erivo (Harriet), Scarlett Johansson (Marriage Story), Saoirse Ronan (Little Women), and Charlize Theron (Bombshell). In my ten other possibilities, I also identified eventual trophy recipient Renee Zellweger as Judy.
Lots of intrigue in this race and here’s the first take:
EARLY OSCAR PREDICTIONS: BEST ACTRESS
Viola Davis, Ma Rainey’s Black Bottom
Jennifer Hudson, Respect
Frances McDormand, Nomadland
Michelle Pfeiffer, French Exit
Kate Winslet, Ammonite
Other Possibilities:
Amy Adams, Hillbilly Elegy
Jessie Buckley, I’m Thinking of Ending Things
Jessica Chastain, The Eyes of Tammy Faye
Rashida Jones, On the Rocks
Sophia Loren, The Life Ahead
Julianne Moore, The Glorias
Elisabeth Moss, Shirley
Carey Mulligan, Promising Young Woman
Liu Yifei, Mulan
Rachel Zegler, West Side Story
That completes the acting portions of the early predictions and Best Director is up next! Until then…
Today brings us my second post in my very early and quite speculative predictions on Oscar contenders for this thing we call 2020. I have already generated my initial picks for Supporting Actor and you can peruse it here:
So we arrive at Supporting Actress. In my previous writeup for the gentlemen vying for recognition this year, I went into great detail regarding the challenges of Academy forecasting in 2020. I will not rehash them in detail here, but they obviously involve the COVID-19 pandemic that has created tremendous uncertainty when it comes to release dates. There’s the typical every year questions as well such as whether certain performers will end up in lead or supporting (Olivia Colman in The Father is just one example). Netflix’s The Prom, with Meryl Streep and Nicole Kidman, is another one to watch as far as campaigns (I’ve got them both here for the moment). And I’m currently guessing that Saoirse Ronan will be in this race for Ammonite with her costar Kate Winslet going for Best Actress.
We already have some storylines that could prove fascinating if they pan out. In 2018, Olivia Colman scored a surprise win for The Favourite in lead actress over the more favored Glenn Close in The Wife. In 2020, we could certainly see them go head to head once again in supporting.
When I made my inaugural predictions post in this race in 2019, I correctly identified two of the eventual nominees in my top 5. This included winner Laura Dern in Marriage Story as well as Florence Pugh for Little Women. In my 10 other possibilities, I named Scarlett Johansson for Jojo Rabbit. I did not, however, list the other two contenders: Kathy Bates (Richard Jewell) and Margot Robbie (Bombshell).
Charlize Theron’s Megyn Kelly and dozens of other women deal with their own monster in Jay Roach’s Bombshell, a retelling of the Fox News harassment scandal that ended the reign of founder Roger Ailes. The ripped from the headlines tale features outstanding performances, incredible makeup work, and at least a handful of scenes that strike the right chord.
The film focuses primarily on three women in different stages of dealing with Ailes, as played by John Lithgow. Kelly is the star with her own highly successful primetime hour and loads of ambition. Nicole Kidman’s Gretchen Carlson is seeing her career on the downslide. She’s been moved from a top rated morning show to the desert of afternoon programming. Much of this has to do with her rebuffing the advances of Ailes. Carlson is already making moves to hold Ailes accountable while Kelly is conflicted. The fictional and composite character of Kayla (Margot Robbie) is just starting her journey at the network. In many ways, her role is the most fascinating. They say don’t meet your heroes and as a young conservative landing her dream gig, she (and her family) worship at the altar of the Fox logo. When Kayla maneuvers an introduction to Roger, her nightmare begins and a scene where the head honcho “auditions” her is horrific.
Charles Randolph’s screenplay peppers in many characters involved in the sordid saga. This allows for plenty of recognizable faces playing very or semi recognizable figures, including Allison Janney as Ailes attorney Susan Estrich, Malcolm McDowell as Fox CEO Rupert Murdoch, and Richard Kind as loyal defender Rudy Giuliani. There’s also Kate McKinnon as Kayla’s confidante in the bullpen. Yet it’s the quartet of leads that eat up most screen time. Theron’s transformation to Kelly is pretty remarkable. Much of that is due to her performance and capturing her mannerisms, but the makeup work of Kazu Hiro and team must be mentioned. The writing of Ailes is well handled as the script doesn’t shy away from his creepiness. It also doesn’t shy away from his connection to people and that he got to the top of the mountain with his abilities. After all, it’s those traits that sadly allowed many to stay silent for so long. Robbie’s character is the most conflicted. Her eventual face to face with Kelly regarding Roger’s behavior takes an unexpected turn worthy of conversation afterwards.
Perhaps the best scene occurs in 2006 and it involves Rudi Bakhtiar (Nazanin Boniadi). Her harassment comes not from Ailes, but as a direct result of the culture he created. When her incident occurs, we hear her inner monologue while she attempts to navigate her way out of it. We know that so many others heard that voice and Bombshell holds our interest in showing us where those voices led them.
There was certainly an international flavor to last night’s Oscar ceremony and it was in a history making way. The Academy Awards honoring the pictures and performers of 2019 will forever be known as The Parasite Show as voters fell hard for Bong Joon-Ho’s South Korean export.
So how did I do on predictions? 18/21 and I’m pretty darn pleased with that. There were few surprises that didn’t involve Eminem popping up for an out of nowhere performance of his 2002 Best Song winner “Lose Yourself” (of which he missed that acceptance speech 17 years back).
Best Director was certainly the biggest race I missed. That’s because Sam Mendes (1917) was undeniably the front runner after taking home the Golden Globe and especially the Directors Guild of America, which almost always previews the eventual Academy winner. Yet the Parasite love extended to Joon-Ho, whose interpreter seemed to get more airtime than anyone. The film also was victorious for Best Picture, International Feature Film, and Original Screenplay, which I correctly projected. In doing so, Parasite is the first foreign language entry to take Best Picture in its 92 year history. The four victories ended up leading the night over 1917, which took three in tech categories (Sound Mixing, Cinematography, Visual Effects).
In the acting races, everything was according to script as the quartet of Joaquin Phoenix (Joker), Renee Zellweger (Judy), Brad Pitt (Once Upon a Time in Hollywood), and Laura Dern (Marriage Story) went to the podium. Anything else happening would have constituted serious upset territory.
Other correct calls are as follows:
Adapted Screenplay – Jojo Rabbit
Animated Feature – Toy Story 4
Costume Design – Little Women
Film Editing – Ford v Ferrari
Makeup and Hairstyling – Bombshell
Original Score – Joker
Original Song – “I’m Gonna Love Me Again” from Rocketman
Production Design – Once Upon a Time in Hollywood
Besides Director, I whiffed on Documentary with my slight upset pick of For Sama. It went to the front runner American Factory. Same goes for Sound Editing, which Ford v Ferrari took as opposed to 1917.
I was correct in my thinking that The Irishman would be the only Best Picture nominee to come up completely empty-handed, despite 10 nominations. Lucky for Martin Scorsese, he received plenty of shout-outs including from the maker of Parasite. Joon-Ho (and his interpreter) certainly came away as the story of the evening. And I’m ready to get the 2020 Oscar speculation rolling!
Ok… here me out before you question why “Oscar Watch” and Birds of Prey are in the same post heading. The DC Extended Universe title, which debuted this weekend, is not going to garner 11 leading Oscar nods like Joker did. It is not going to earn star Margot Robbie a third nomination after 2017’s I, Tonya and 2019’s Bombshell.
That said, critical reaction to Prey has turned out much better than expected with a current 82% Rotten Tomatoes score. On the flip side, early box office returns are undeniably disappointing. Tracking is showing this premiering in the mid 30s and that’s at least $15 million under projections.
No… the only reason this post exists is one category: Best Makeup and Hairstyling. And that’s because Ms. Robbie has been the Queen of this category recently. It all started in 2016 with Suicide Squad, of which Birds is a spin-off. In case you forgot Suicide Squad is an Academy Award winning picture, it is. Two years later, Robbie’s period piece Mary Queen of Scots received a nod and didn’t win. Tomorrow night, Bombshell is featured in the category and it’s the front runner to take it.
The Makeup and Hairstyling race expanded from 3 to 5 nominees just this year so the possibility of Birds flying to a nomination has increased. Obviously we are awfully early in 2020, but I wouldn’t bet against Margot in this particular competition. My Oscar Watch posts will continue…
And here we are! After one year plus of speculating about the Academy Awards ceremony that will air this Sunday evening, we arrive at my final prediction posts on the winners!
For all 21 races encompassing feature-length films, I am giving you my analysis with my pick and the runner-up in case I’m wrong (which is bound to occur). A broad overview includes these thoughts:
There are undeniable strong front-runners in all four acting categories – so much so that even picking a runner-up is a challenge. If anyone other than my quartet wins, it’ll constitute an upset.
This is not the case in the other major races and that includes Picture and Director and both screenplay categories.
Other matchups are practical coin tosses and that includes Animated Feature, Documentary Feature, Production Design, and Visual Effects.
I’m going to begin with the tech races and build up from there. So let’s get to it!
Best Cinematography
The Nominees: The Irishman, Joker, The Lighthouse, 1917, Once Upon a Time in Hollywood
Analysis: We start with a relatively easy one as the work of Roger Deakins in 1917 appears to have this in the bag. Anything else would be a surprise, but Hollywood could potentially challenge.
PREDICTED WINNER: 1917
Runner-Up: Once Upon a Time in Hollywood
Best Costume Design
The Nominees: The Irishman, Jojo Rabbit, Joker, Little Women, Once Upon a Time in Hollywood
Analysis: Here’s another one where Hollywood could get it, but I will predict voters go back a bit further to the stylings of Little Women (for what could definitely be its sole victory).
PREDICTED WINNER: LITTLE WOMEN
Runner-Up: Once Upon a Time in Hollywood
Best Film Editing
The Nominees: Ford v Ferrari, The Irishman, Jojo Rabbit, Joker, Parasite
Analysis: Both The Irishman and Parasite are possibilities here, but I believe Ferrari has the upper hand (for what could be its sole victory).
PREDICTED WINNER: FORD V FERRARI
Runner-Up: Parasite
Best Makeup and Hairstyling
The Nominees: Bombshell, Joker, Judy, Maleficent: Mistress of Evil, 1917
Analysis: Bombshell appears to be the sturdy favorite here. And like a broken record, this likely stands as its only win. Joker or Judy would be the upset contenders.
PREDICTED WINNER: BOMBSHELL
Runner-Up: Joker
Best Original Score
The Nominees: Joker, Little Women, Marriage Story, 1917, Star Wars: The Rise of Skywalker
Analysis: Thomas Newman (1917) has been nominated numerous times without a victory and the consensus for a while is that he would finally get his due. However, Joker has pretty much swept the precursors.
PREDICTED WINNER: JOKER
Runner-Up: 1917
Best Original Song
The Nominees: “I Can’t Let You Throw Yourself Away” from Toy Story 4, “I’m Gonna Love Me Again” from Rocketman, “I’m Standing with You” from Breakthrough, “Into the Unknown” from Frozen II, “Stand Up” from Harriet
Analysis: It was a bit of a shocker that this stands as the only nod for Rocketman, which was expected to garner attention in Makeup and Hairstyling and the sound races. Yet the Academy is probably poised to get Sir Elton John up to the stage.
PREDICTED WINNER: “I’M GONNA LOVE ME AGAIN” FROM ROCKETMAN
Runner-Up: “Into the Unknown” from Frozen II
Best Production Design
The Nominees: The Irishman, Jojo Rabbit, 1917, Once Upon a Time in Hollywood, Parasite
Analysis: Along with Supporting Actor and Original Screenplay, this race marks the best shot for Hollywood to nab an Oscar. Frankly, this is a fairly wide open category where there is a narrative for any of the nominees to take it. I’m going to pick Hollywood by a hair.
PREDICTED WINNER: ONCE UPON A TIME IN HOLLYWOOD
Runner-Up: Parasite
Best Sound Editing
The Nominees: Ford v Ferrari, Joker, 1917, Once Upon a Time in Hollywood, Star Wars: The Rise of Skywalker
Analysis: In both Sound races, I feel it comes down to Ford v 1917. In each case, I’ll give it to 1917.
PREDICTED WINNER: 1917
Runner-Up: Ford v Ferrari
Best Sound Mixing
The Nominees: Ad Astra, Ford v Ferrari, Joker, 1917, Once Upon a Time in Hollywood
Analysis: See Sound Editing
PREDICTED WINNER: 1917
Runner-Up: Ford v Ferrari
Best Visual Effects
The Nominees: Avengers: Endgame, The Irishman, The Lion King, 1917, Star Wars: The Rise of Skywalker
Analysis: This is a tough one. Other than Skywalker, I feel any of the competitors could squeeze out a win. With 1917 picking up other tech races, I’ll give it the slight advantage. This wasn’t the case a month or two ago, but this might actually be the likeliest category for an Irishman Oscar.
PREDICTED WINNER: 1917
Runner-Up: The Irishman
Best Animated Feature
The Nominees: How to Train Your Dragon: The Hidden World, I Lost My Body, Klaus, Missing Link, Toy Story 4
Analysis: This one has been all over the map. Klaus picked up some key precursors. Missing Link surprised everyone by taking the Golden Globe. The Academy could choose to honor the Dragon franchise as a whole. I Lost My Body has its ardent admirers. Ultimately I’m playing it safe and betting Pixar manages to top all of them, though I’m less confident than usual about that.
PREDICTED WINNER: TOY STORY 4
Runner-Up: Klaus
Best Documentary Feature
The Nominees: American Factory, The Cave, The Edge of Democracy, For Sama, Honeyland
Analysis: For Sama is a legit contender and Honeyland being nominated here and in International Feature Film (which it will not win) could mean something. American Factory, however, has held slight front runner status for some time. This is a coin flop, but we’ve seen surprises here before and I’ll lean towards that.
PREDICTED WINNER: FOR SAMA
Runner-Up: American Factory
Best International Feature Film
The Nominees: Corpus Christi, Honeyland, Les Miserables, Pain and Glory, Parasite
Analysis: Let’s not complicate this. It’s going to be Parasite.
PREDICTED WINNER: PARASITE
Runner-Up: I guess… Pain and Glory?
Best Adapted Screenplay
The Nominees: The Irishman, Jojo Rabbit, Joker, Little Women, The Two Popes
Analysis: There is definitely a chance that Greta Gerwig for Little Women could take this, especially after her Oscar snub for directing. The precursor attention, on the other hand, has mainly gone to Jojo for what might be its solo award.
PREDICTED WINNER: JOJO RABBIT
Runner-Up: Little Women
Best Original Screenplay
The Nominees: Knives Out, Marriage Story, 1917, Once Upon a Time in Hollywood, Parasite
Analysis: Quentin could pick up his third statue here after Pulp Fiction and Django Unchained, but the Parasite love seems stronger.
PREDICTED WINNER: PARASITE
Runner-Up: Once Upon a Time in Hollywood
Best Supporting Actor
The Nominees: Tom Hanks (A Beautiful Day in the Neighborhood), Anthony Hopkins (The Two Popes), Al Pacino (The Irishman), Joe Pesci (The Irishman), Brad Pitt (Once Upon a Time in Hollywood)
Analysis: With the Irishmen splitting votes and Pitt taking every significant precursor, this is an easy one.
PREDICTED WINNER: BRAD PITT, ONCE UPON A TIME IN HOLLYWOOD
Runner-Up: Tom Hanks, A Beautiful Day in the Neighborhood
Best Supporting Actress
The Nominees: Kathy Bates (Richard Jewell). Laura Dern (Marriage Story), Scarlett Johansson (Jojo Rabbit), Florence Pugh (Little Women), Margot Robbie (Bombshell)
Analysis: Johansson being a double nominee is tough to ignore and I believe she’s got a slightly better shot here than in Actress. Her costar Dern, though, has swept the season.
PREDICTED WINNER: LAURA DERN, MARRIAGE STORY
Runner-Up: Scarlett Johansson, Jojo Rabbit
Best Actor
The Nominees: Antonio Banderas (Pain and Glory), Leonardo DiCaprio (Once Upon a Time in Hollywood), Adam Driver (Marriage Story), Joaquin Phoenix (Joker), Jonathan Pryce (The Two Popes)
Analysis: Here’s a race where there were about a dozen performances vying for five spots. At the end of the day, the competition was fun to witness but Phoenix has picked up all the hardware thus far and I don’t see that stopping on Sunday.
PREDICTED WINNER: JOAQUIN PHOENIX, JOKER
Runner-Up: Adam Driver, Marriage Story
Best Actress
The Nominees: Cynthia Erivo (Harriet), Scarlett Johansson (Marriage Story), Saoirse Ronan (Little Women), Charlize Theron (Bombshell), Renee Zellweger (Judy)
Analysis: Zellweger could the most vulnerable of the favored quartet with Theron or Johansson in the wings. It would be foolish to bet against her based on what’s already happened.
PREDICTED WINNER: RENEE ZELLWEGER, JUDY
Runner-Up: Charlize Theron, Bombshell
Best Director
The Nominees: Bong Joon-Ho (Parasite), Sam Mendes (1917), Todd Phillips (Joker), Martin Scorsese (The Irishman), Quentin Tarantino (Once Upon a Time in Hollywood)
Analysis: Even with heavyweights like Scorsese and Tarantino in the mix, this has come down to Joon-Ho vs. Mendes. And the latter has won the Golden Globe and the DGA (which has a steady track record of naming the winner here).
PREDICTED WINNER: SAM MENDES, 1917
Runner-Up: Bong Joon-Ho, Parasite
Best Picture
The Nominees: Ford v Ferrari, The Irishman, Jojo Rabbit, Joker, Little Women, Marriage Story, 1917, Once Upon a Time in Hollywood, Parasite
Analysis: Ugh… OK. Let’s begin with this: the smart money is on 1917. It won the Golden Globe for Best Drama and the Critics Choice Award. Mendes took the DGA and I have him picked to win Director.
On the contrary – in the 2010s, we have seen a Picture/Director split 5 out of 9 times. No foreign language film has ever won the biggest prize of all. Last year, I (along with many others) predicted Roma would be the first to do so and it lost to Green Book.
That said, the affection for Parasite feels deeper than for Roma. I’ll make this pronouncement now… if Parasite loses Original Screenplay on Sunday night, you’ll pretty much know my prediction is wrong. Yet I’m rolling the dice here for a minor surprise and that’s why…
PREDICTED WINNER: PARASITE
Runner-Up: 1917
My predictions pan out to the following films winning these many Oscars:
5 Wins
1917
3 Wins
Parasite
2 Wins
Joker, Once Upon a Time in Hollywood
1 Win
American Factory, Bombshell, Ford v Ferrari, Jojo Rabbit, Judy, Little Women, Marriage Story, Rocketman, Toy Story 4
These calls also mean every nominated Best Picture player will win an Oscar with the exception of The Irishman, which I’m estimating will go 0 for 10.
And that does it, folks! The speculation has ended and the ceremony is two days away. I’ll have a recap post on how I did Sunday night…
My final Case of post in the Supporting Actress race focuses on Margot Robbie’s work in Jay Roach’s Fox News scandal drama Bombshell:
The Case for Margot Robbie
She’s had one heckuva 2019. In addition to her nominated role, she was also in contention for Quentin Tarantino’s Once Upon a Time in Hollywood before the attention shifted to Bombshell. The actress was actually a double nominee at the BAFTAs for both pictures. Robbie will go into this weekend with the #1 film in America, reprising her Suicide Squad role in Birds of Prey. This marks her second nod in three years after being recognized in 2017 for I, Tonya.
The Case Against Margot Robbie
Based on precursors, this is definitely Laura Dern’s category to lose. Bombshell itself failed to garner recognition in Picture, Director, or for its screenplay.
The Verdict
Robbie can take solace in having the top movie on Oscar weekend, but it’s unlikely to end with winning one.
My Case of posts will continue with Quentin Tarantino’s direction in Once Upon a Time in Hollywood!
My Case of posts for thespians competing for Oscars comes to our final Best Actress nominee – Renee Zellweger in Judy:
The Case for Renee Zellweger
She’s one of the comeback stories of the year and in the strong front runner position for this award. This is Zellweger’s fourth nomination, but it’s been awhile. The actress failed to achieve gold for her first two mentions with Bridget Jones’s Diary and Chicago, but the third time was the charm in Supporting Actress with 2003’s Cold Mountain. Her role as Judy Garland has already earned her the Golden Globe, SAG, and Critics Choice honors.
The Case Against Renee Zellweger
The film itself drew a mixed reaction from critics. Challengers to Zellweger could point to last year when Glenn Close (The Wife) picked up the same precursors, but was upset on Oscar night by Olivia Colman for The Favourite.
The Verdict
There are some who feel Zellweger could be vulnerable to an upset by either Scarlett Johansson (Marriage Story) or Charlize Theron (Bombshell). However, there’s no doubt that the smart money is on her to win 16 years after her initial podium trip.
My Case of posts will continue with the direction of Martin Scorsese in The Irishman!
The BAFTAs took place today and they’re the British equivalent of the Oscars. And it was 1917 continuing its epic run in precursors by winning 7 trophies, including Best Picture and Director. That said, the victory comes with a caveat and not a minor one. The last five BAFTA Picture recipients did not go on to nab the top prize with the Academy. So if you’re still considering going with Parasite or Once Upon a Time in Hollywood or something else to take the biggest Oscar, there’s reason to do so.
In the acting races, nothing changed the narrative of having major front runners in all four. The winners (and it’ll look familiar): Joaquin Phoenix (Joker) for Actor, Renee Zellweger (Judy) in Actress, and Brad Pitt (Once Upon a Time in Hollywood) and Laura Dern (Marriage Story) for the supporting derbies. Simply put, anyone other than this quartet taking Oscar gold would constitute an upset.
One day after the Writers Guild named Jojo Rabbit as Adapted Screenplay as its winner and Parasite in Original Screenplay, BAFTA followed suit. It puts them in the driver’s seat for the Academy and that’s not welcome news for Little Women in Adapted or Hollywood in Original.
Another race to watch is Animated Feature because it seems wide open at the moment. Toy Story 4 is seen as the favorite due to Oscar’s penchant for Pixar. However, that sure seems iffy because other titles keep picking up precursors. Today it was Netflix’s Klaus taking the award.
Here’s the list of other winners for the BAFTAs:
Outstanding British Film – 1917
Film Not in the English Language – Parasite
Documentary – For Sama
Score – Joker
Casting – Joker
Cinematography – 1917
Editing – Ford v Ferrari
Production Design – 1917
Costume Design – Little Women
Makeup & Hair – Bombshell
Sound – 1917
Visual Effects – 1917
Look for plenty more Oscar speculation as we are now one week away from the show!
Charlize Theron in Jay Roach’s Fox News expose Bombshell is the fourth Best Actress hopeful to be profiled in my Oscar Case of posts:
The Case for Charlize Theron
Sixteen years after winning gold for her first Oscar nomination for Monster, Theron is back in the mix as journalist Megyn Kelly in Bombshell. It marks her third nod after also being named for 2005’s North Country. She drew raves for her transformation (with the help of the film’s makeup crew) to the former Fox News anchor. There are sturdy front runners in all four acting races, but some feel Best Actress is most ripe for an upset. So while Renee Zellweger in Judy is the heavy favorite based on precursors, Theron and Scarlett Johansson (Marriage Story) are looked at as most likely to surprise.
The Case Against Charlize Theron
While she picked up Golden Globe and SAG attention, she lost both to Zellweger (who won Supporting Actress for Cold Mountain the same year Theron took Actress). Bombshell failed to pick up significant nods beyond acting (Margot Robbie is in Supporting Actress) and Makeup and Hairstyling.
The Verdict
The chance of Theron pulling an upset victory is slim, but at least somewhat feasible. I wouldn’t count on it, however, given Zellweger’s ongoing sweep.
My Case of posts will continue with the direction of Sam Mendes for 1917!
