After a historically weak Thanksgiving frame that left moviegoers hungry for other options, the first weekend of December should be rather quiet at multiplexes as well. The lone wide release is Violent Night with David Harbour as a gun toting Santa. You can peruse my detailed prediction post on it here:
Night, even though I have it falling under $10 million, should slide into the runner-up position behind Black Panther: Wakanda Forever. The MCU sequel looks to four-peat and should have no trouble doing so. A low to mid 50s drop would put it over $20 million. It’s likely to be #1 for five weekends until Avatar: The Way of Water arrives on December 16th.
After a disastrous opening (more on that below), Strange World should fall to third. With a weak B Cinemascore grade, the Disney animated flop could experience a plummet in the mid to high 50s. Who knows? Maybe even higher.
The four and five spots could be close between the second and third frames of Devotion and The Menu. Both should see dips in the mid 40s.
Here’s how I see the top 5 looking:
1. Black Panther: Wakanda Forever
Predicted Gross: $21.3 million
2. Violent Night
Predicted Gross: $9.4 million
3. Strange World
Predicted Gross: $5.2 million
4. Devotion
Predicted Gross: $3.3 million
5. The Menu
Predicted Gross: $3.1 million
Box Office Results (Thanksgiving Weekend)
The Turkey Day holiday didn’t bring in the masses as the weekend fell under $100 million. That’s despite plenty of new releases for crowds to chew on.
Strangely enough, the biggest winner belonged to a streamer. Netflix doesn’t officially report numbers. They put Glass Onion: A Knives Out Mystery, the acclaimed sequel to 2019’s blockbuster, on just under 700 screens. Word is out that it did approximately $9.2 million from Friday to Sunday and $13.3 million since the Wednesday start. That per theater average of over $13k is easily the best of the bunch. Onion is scheduled to leave its venues tomorrow before it hits Netflix on December 23rd.
Now back to the movies that do report official tallies. Black Panther: Wakanda Forever easily stayed atop the charts with $45.5 million, besting my $37.9 million prediction in weekend #3. The 17-day total is $367 million.
The story of the holiday was the dismal Strange World performance. The Mouse Factory had a disappointing result over the summer with Lightyear. This made it look like a phenomenon. World took in an embarrassing $12.1 million from Friday to Sunday and $18.8 million in the five-day. I said it would manage $19.3 million and $26.7 million, respectively. Simply put, Disney animated efforts aren’t supposed to do those anemic figures.
I suppose technically Glass Onion was third, so the war saga Devotion was fourth. Despite mostly decent reviews, it was a flop considering the reported $90 million budget. The Friday to Sunday take was $5.9 million with $9 million when counting Wednesday and Thursday. I went higher with $7.2 million and $10.7 million.
The Menu rounded out the top five at $5.4 million (I said $6.4 million) to bring the two-week gross to $18 million.
Black Adam was sixth with $3.2 million, on target with my $3.3 million prediction. Total is $162 million.
Steven Spielberg’s awards hopeful The Fabelmans was on 638 screens and was seventh with $2.2 million ($3.1 million for the five-day). That’s under my guesstimates of $2.8 million and $4.1 million. While that’s easily the second best average of the newbies (after Onion), it’s still not too impressive. It will hope to develop legs during awards season.
The cannibalistic romance Bones and All wasn’t a recipe for success with an 8th place showing. The $2.2 million and $3.6 million three and five day earnings couldn’t match my $3.5 and $5.3 million projections.
Ticket to Paradise was ninth with $1.8 million (I went with $2.3 million) as the rom com is up to $65 million.
Fathom Event The Chosen Season 3: Episodes 1 and 2 was 10th as it dove 81% to $1.5 million. I was more giving at $2.4 million. In ten days, it’s made $13 million.
Finally, She Said was 11th after its poor premiere last weekend. With $1.1 million (I said $1.6 million), it’s at a lowly $4 million.
Spoiler Alert is out in limited release December 2nd with a nationwide expansion the following week. It’s based on the memoir of journalist Michael Ausiello as he recounts his boyfriend Kit’s battle with cancer. Jim Parsons plays Michael with Ben Aldridge as Kit. Costars include Sally Field and Bill Irwin. Michael Showalter, maker of The Big Sick (which received an Original Screenplay nod) and The Eyes of Tammy Faye (which won Jessica Chastain her Best Actress Oscar last year) directs.
The first handful of reviews are out and Spoiler currently has a 40% Rotten Tomatoes score. Parsons, of course, is an Emmy and Globe recipient for his small screen role on The Big Bang Theory. Like his other big screen starring role in 2020’s The Boys in the Band, don’t look for this to play to awards voters. And that’s not revealing too much to make that projection. My Oscar Prediction posts will continue…
If you’d told me in the spring that Puss in Boots: The Last Wish was better suited for an Animated Feature Oscar nomination than Disney’s Lightyear or Strange World, I might’ve questioned your awards prognosticating abilities. With its embargo lifted prior to the December 21st theatrical bow, this appears to be the case.
Early reviews have this at 100% on Rotten Tomatoes and that’s beyond the 86% that the first Boots earned (we are still at under 10 write-ups so it could come down). The aforementioned Shrek from 2001 is actually the first movie to win the Academy’s animated prize. In 2004, Shrek 2 was nominated but lost to Disney’s The Incredibles. The third and fourth tales of the jolly green monster didn’t make the cut. However, Puss in Boots was among 2011’s quintet. Rango took the gold.
This is a strange year in the Animated Feature race. Of Disney’s trio of hopefuls, only Turning Red appears safe for inclusion. The frontrunner is Guillermo del Toro’s Pinocchio from Netflix. The steamer’s Wendell and Wild and My Father’s Dragon could also get in. We have A24’s Marcel the Shell with Shoes On and The Bad Guys (also from DreamWorks). I haven’t had Puss in Boots: The Last Wish in the top 10 of possibilities. After seeing the initial reaction, it definitely will make that jump. When I update my projections on Thursday, it could even enter the high five. My Oscar Prediction posts will continue…
Despite submitting 10 pictures for consideration (including eight from 2013-20), the nation of Pakistan has yet to receive a nomination in the International Feature Film Oscar race. Could that change with Joyland?
The directorial debut of Saim Sadiq, the family drama won the Jury Prize when it premiered at the Cannes Film Festival in May. It also picked up a nod for Best International Film at the Independent Spirit Awards earlier this week. The Rotten Tomatoes score is 100%.
We have plenty of potential heavy hitters in IFF for 2022 including likely frontrunners All Quiet on the Western Front and Decision to Leave. Pakistan has a non-existent track record of making the eventual cut, but Joyland might be its most promising contender so far. I haven’t listed it in my top five (or even top 10 yet), but I wouldn’t completely discount its viability. My Oscar Prediction posts will continue…
Documentarian Matthew Heineman is no stranger to tackling hot button issues and awards voters have rewarded his features in the past. 2015’s Cartel Land was an Oscar nominee for Documentary Feature. Additional acclaim was bestowed upon 2017’s City of Ghosts and last year’s The First Wave, which took us into a NYC hospital at the height of the COVID epidemic. Heineman’s lone fictional work was 2018’s A Private War, in which Rosamund Pike nabbed a Golden Globe Best Actress nod in the Drama competition.
His latest is the Nat Geo produced Retrograde, recounting America’s final nine months in the Afghanistan War. It’s out already on an awards qualifying run prior to a December 11th Hulu bow. Initial reviews are typical for the filmmaker at 96% on Rotten Tomatoes.
Both Ghosts and Wave didn’t make the Academy’s cut. If Retrograde can manage to make the shortlist, it could certainly vie for one of the five spots. Based on recent history, I’m not yet comfortable slotting it there. My Oscar Prediction posts will continue…
If Mel Gibson in 2020’s Fatman didn’t satiate your desire to see Kris Kringle toting semiautomatic weapons, we’ve got Violent Night sliding into theaters on December 2nd. David Harbour of Stranger Things fame is Santa in the satiric action pic from director Tommy Wirkola. Supporting players include John Leguizamo (currently appearing in The Menu), Cam Gigandet, Alex Hassell, Alexis Louder, and Beverly D’Angelo (already a holiday silver screen staple thanks to Christmas Vacation).
Universal is hoping audiences want a little comedic savagery in their Yuletide viewing plans. Harbour hasn’t had a big screen breakout. In fact, it’s quite the opposite as 2019’s Hellboy was a dud (he did turn up in last year’s MCU blockbuster Black Widow).
The best case scenario would be a premiere approaching 2015’s Krampus, which rolled out on the same December weekend. It made just over $16 million and eventually topped out at $42 million domestically. I don’t anticipate that kind of showing for Violent Night. There’s a chance it won’t even reach double digits. I’ll put it a hair under.
Violent Night opening weekend prediction: $9.4 million
In 1993, NBA superstar Charles Barkley famously told the world in a commercial that he was not a role model. Nearly three decades later, cinematic superstar Dwayne Johnson tells us repeatedly in Black Adam that he is not a hero. This latest offering from the DC Extended Universe kind of has a mid 90s vibe when it comes to comic book adaptations. That was a weak time for the genre prior to its explosion in the 21st century. As far as quality, this has more in common with 1996’s Kazaam, which starred Barkley’s Inside the NBA colleague Shaquille O’Neal. Adam may have a connection to 2019’s Shazam!, but shares little of its entertainment value.
A prologue in 2600 B.C. introduces us to the fictional Middle Eastern nation of Kahndaq. A young boy enslaved by an evil ruler chooses to take a stand against the oppression (even as his elders discourage it). He is rewarded by the Council of Wizards – hence that Shazam! tie-in as he’s given the immense powers of that character.
Flash forward 5000 years and Kahndaq is under a different kind of oppression from a crime syndicated known as Intergang. Archeologist Adrianna (Sarah Shahi) is in search of the Crown of Sabbac, which turns its wearer into a demonic being. Intergang is looking for it as well. When they clash, she manages to awaken Teth-Adam. He’s believed to be that heroic rebel from 50 centuries ago. Dwayne Johnson is the awoken being. Adam insists that’s he not a hero and keeps saying it.
The presence of this superhuman relic attracts the attention of Amanda Waller (Viola Davis), who you may remember as The Suicide Squad‘s recruiter. Adam is looked at as a potential threat. The Squad doesn’t intervene. Neither does Superman or Batman or The Flash (though they’re glimpsed on the bedroom wall of Adrianna’s teenage son). Instead the Justice Society books passage to Kahndaq to investigate just how dangerous Adam is. Pierce Brosnan is the clairvoyant Doctor Fate, Aldis Hodge is Hawkman, Noah Centineo plays Atom Smasher (think Ant-Man but he can only grow big), and Quintessa Swindell is the twirling Cyclone. If this sounds like the B list of the DC pages, that’s certainly how it feels. That superficiality extends to the villain (Marwan Kenzari), the Intergang leader who dons the devilish crown. He might be more forgettable than Justice League‘s baddie Steppenwolf (Ciarán Hinds) and that’s saying a lot.
Jaume Collet-Serra directed Johnson in the pretty enjoyable Jungle Cruise. That collaboration was a better ride than this. Johnson is saddled with a hero (wait… NOT a hero!!!) who’s often a sullen bore. Very little of the actor’s dynamic personality comes through. It breaks through on occasion but not nearly enough. We’re cooking at a low boil. Everything in Black Adam has been done with more pizzazz in other DCEU and especially MCU pictures. Dwayne Johnson (and Tina Turner) are right in this case. We don’t need another hero.
Disney, be it through their traditionally animated works or especially Pixar, has had a stranglehold on the Best Animated Feature race at the Oscars. The category began in 2001. Of the 21 winners, 15 are from the Mouse Factory. That includes 9 out of the last 10 (the outlier is Spider-Man: Into the Spider-Verse).
The Disney domination appears fragile in 2022. Their adventure tale Strange World, focused on a legendary group of explorers, hits multiplexes over the Turkey Day weekend. Don Hall and Qui Nguyen direct with a voice cast including Jake Gyllenhaal, Dennis Quaid, Jaboukie Young-White, Gabrielle Union, and Lucy Liu.
With its review embargo up, the Rotten Tomatoes meter is at 72%. That’s pretty low for this studio’s product. The Pixar offering from earlier in the year, Turning Red, sits at 95%. Now that World has been seen, it appears Red is Disney’s strongest contender to take the Academy’s prize. In fact, Strange World could miss the top five altogether.
However, Red is expected to come up short to Guillermo del Toro’s Pinocchio from Netflix. We were waiting to see if Strange could present a challenge. It will not and my Oscar prediction posts will continue…
Hollywood is hoping audiences mix a trip to the multiplex in their holiday plans. We have a slew of new releases, but it should be a three-week old leftover topping the Turkey weekend charts. Disney’s animated Strange World, aerial adventure Devotion, cannibalistic romance Bones and All, and Steven Spielberg’s coming-of-age awards hopeful The Fabelmans all debut or expand. You can peruse my detailed prediction posts on them here:
Let’s begin with a title you don’t see. Rian Johnson’s Glass Onion: A Knives Out Mystery is the eagerly awaited and well-reviewed follow-up to Knives Out, which opened over the same holiday three years ago. Netflix is the distributor and it will be before our streaming eyes for Christmas. Onion is hitting approximately 600 venues for a sneak preview from Wednesday to Sunday. It is not expected that Netflix will report its financials. That’s why you won’t find it in the top 10. If they do end up deciding to do so, I imagine it’ll do quite well (and be either third or fourth).
Back to movies where we expect box office grosses! Strange World is the Mouse Factory’s latest animated offering to be unveiled over Thanksgiving. Yet the marketing campaign has been weak. My high teens three-day and mid 20s five-day is very subpar for the studio. On the bright side, they’ll certainly have numbers 1-2 as Black Panther: Wakanda Forever should three-peat with a drop in the low 40s range.
Devotion could over perform if enough older moviegoers check in. I have it settling for a so-so third place in the high single digits for the traditional frame and low double digits for the Wednesday to Sunday portion.
The Menu should be fourth after an appetizing start (more on that below). I think it’ll only fall in the high 20s or low 30s for the sophomore outing. Bones and All could round out the top five. Its gory subject matter could prevent crowds from perusing its gruesome menu.
Spielberg’s The Fabelmans is out on just 600 screens. That limits the potential and I have a gut feeling it may fall short of expectations anyway. I have it pegged for 7th place as it hopes that Oscar buzz improves its earnings in later weekends.
Here’s how I envision the top 10 looking with 3 and 5 day estimates for the newcomers:
1. Black Panther: Wakanda Forever
Predicted Gross: $37.9 million
2. Strange World
Predicted Gross: $19.3 million (Friday to Sunday); $26.7 million (Wednesday to Sunday)
3. Devotion
Predicted Gross: $7.2 million (Friday to Sunday); $10.7 million (Wednesday to Sunday)
4. The Menu
Predicted Gross: $6.4 million
5. Bones and All
Predicted Gross: $3.5 million (Friday to Sunday); $5.3 million (Wednesday to Sunday)
6. Black Adam
Predicted Gross: $3.3 million
7. The Fabelmans
Predicted Gross: $2.8 million (Friday to Sunday); $4.1 million (Wednesday to Sunday)
8. The Chosen Season 3: Episodes 1 and 2
Predicted Gross: $2.4 million
9. Ticket to Paradise
Predicted Gross: $2.3 million
10. She Said
Predicted Gross: $1.6 million
Box Office Results (November 18-20)
Black Panther: Wakanda Forever didn’t quite drop as far as MCU predecessors Doctor Strange in the Multiverse of Madness or Thor: Love and Thunder, but it was still a steep decline. The sequel to 2018’s phenomenon slid 63% in weekend 2 with $66.4 million, under my $70.3 million projection. The ten-day tally is $287 million.
The Menu was the rare pic for the grown-ups that performed admirably. The culinary satire was runner-up with $9 million, a bit ahead of my $8.2 million prediction. Look for it for to hold well over Thanksgiving.
The Chosen Season 3: Episodes 1 and 2 had its core audience believing as the Fathom Events experience was third with $8.7 million (topping my $7.5 million estimate). Last December, Christmas with the Chosen: The Messengers had a 71% plummet in its second weekend. Expect similar results here.
Black Adam was fourth with $4.6 million (I said $5.3 million) as the superhero pic is up to $157 million after four weeks.
Ticket to Paradise rounded out the top five at $3.1 million, below my $4.1 million prediction. The rom com has grossed $61 million.
Finally, She Said was a dud. Focused on the journalistic journey to expose Harvey Weinstein, it was a quiet sixth at $2.2 million. I went with $3.4 million.
And that does it for now, folks! Have a Happy Thanksgiving!!
Two weeks have passed since my previous Oscar predictions and the biggest news is that there’s a new #1 in Best Picture. For quite some time, I’ve had Steven Spielberg’s The Fabelmans in first position. It would still make plenty of sense to keep it there. However, I’ve had a nagging feeling that this frontrunner is vulnerable. And my gut (at the moment) tells me that Everything Everywhere All at Once is a major threat for the victory. Stephanie Hsu is back in Supporting Actress for Everything over Carey Mulligan (She Said).
This isn’t the only development in the last 14 days. Damien Chazelle’s eagerly awaited Babylon held screenings. The buzz is wildly mixed, but I still believe it should perform well with nominations.
Another big change in BP is that Avatar: The Way of Water has surfaced in the top 10 (where it’s yet to place before). She Said, which had a very disappointing box office showing this weekend, dips to 11th.
There are changes in Best Actor. For the first time, I’m elevating Tom Cruise to the top five in Best Actor. He does so at the expense of Hugh Jackman in The Son, whose wide release was just delayed to January. That indicates to me that Sony Pictures Classics is losing faith in the pic (which received plenty of negative reviews). They may focus the bulk of their attention on Bill Nighy in Living.
In Supporting Actor, I’ve put Paul Dano back in for The Fabelmans. That means Spielberg’s movie would have the double supporting nominees instead of The Banshees of Inisherin (Barry Keoghan has moved to sixth).
There’s modifications in Animated Feature with Marcel the Shell with Shoes On and My Father’s Dragon entering the quintet and Wendell and Wild and Strange World falling out. Holy Spider is back in International Feature Film to the detriment of Bardo. In Documentary Feature, Fire of Love returns with Last Flight Home out.
You can peruse all the movement below!
Best Picture
Predicted Nominees:
1 . Everything Everywhere All at Once (Previous Ranking: 2) (+1)
2. The Fabelmans (PR: 1) (-1)
3. The Banshees of Inisherin (PR: 5) (+2)
4. Women Talking (PR: 4) (E)
5. Babylon (PR: 3) (-2)
6. Top Gun: Maverick (PR: 6) (E)
7. Tár (PR: 7) (E)
8. The Whale (PR: 8) (E)
9. Triangle of Sadness (PR: 9) (E)
10. Avatar: The Way of Water (PR: 13) (+3)
Other Possibilities:
11. She Said (PR: 10) (-1)
12. Guillermo del Toro’s Pinocchio (PR: Not Ranked)
13. Decision to Leave (PR: 12) (-1)
14. All Quiet on the Western Front (PR: 11) (-3)
15. Elvis (PR: 14) (-1)
Dropped Out:
Glass Onion: A Knives Out Mystery
Best Director
Predicted Nominees:
1. Steven Spielberg, The Fabelmans (PR: 1) (E)
2. Daniels, Everything Everywhere All at Once (PR: 3) (+1)
3. Damien Chazelle, Babylon (PR: 2) (-1)
4. Sarah Polley, Women Talking (PR: 4) (E)
5. Todd Field, Tár (PR: 5) (E)
Other Possibilities:
6. Martin McDonagh, The Banshees of Inisherin (PR: 8) (+2)
7. Park Chan-wook, Decision to Leave (PR: 7) (E)
8. Edward Berger, All Quiet on the Western Front (PR: 6) (-2)
9. James Cameron, Avatar: The Way of Water (PR: 9) (E)
10. Joseph Kosinski, Top Gun: Maverick (PR: Not Ranked)
Dropped Out:
Ruben Ostlund, Triangle of Sadness
Best Actress
Predicted Nominees:
1. Cate Blanchett, Tár (Previous Ranking: 1) (E)
2. Michelle Yeoh, Everything Everywhere All at Once (PR: 2) (E)
3. Danielle Deadwyler, Till (PR: 3) (E)
4. Michelle Williams, The Fabelmans (PR: 4) (E)
5. Margot Robbie, Babylon (PR: 5) (E)
Other Possibilities:
6. Olivia Colman, Empire of Light (PR: 6) (E)
7. Jennifer Lawrence, Causeway (PR: 9) (+2)
8. Viola Davis, The Woman King (PR: 8) (E)
9. Naomi Ackie, I Wanna Dance with Somebody (PR: 7) (-2)
10. Rooney Mara, Women Talking (PR: 10) (E)
Best Actor
Predicted Nominees:
1. Brendan Fraser, The Whale (PR: 1) (E)
2. Colin Farrell, The Banshees of Inisherin (PR: 2) (E)
3. Austin Butler, Elvis (PR: 3) (E)
4. Bill Nighy, Living (PR: 4) (E)
5. Tom Cruise, Top Gun: Maverick (PR: 7) (+2)
Other Possibilities:
6. Diego Calva, Babylon (PR: 6) (E)
7. Hugh Jackman, The Son (PR: 5) (-2)
8. Paul Mescal, Aftersun (PR: 10) (+2)
9. Jeremy Pope, The Inspection (PR: 8) (-1)
10. Will Smith, Emancipation (PR: Not Ranked)
Dropped Out:
Adam Driver, White Noise
Best Supporting Actress
Predicted Nominees:
1. Claire Foy, Women Talking (PR: 1) (E)
2. Kerry Condon, The Banshees of Inisherin (PR: 2) (E)
3. Jessie Buckley, Women Talking (PR: 3) (E)
4. Hong Chau, The Whale (PR: 4) (E)
5. Stephanie Hsu, Everything Everywhere All at Once (PR: 6) (+1)
Other Possibilities:
6. Carey Mulligan, She Said (PR: 5) (-1)
7. Jamie Lee Curtis, Everything Everywhere All at Once (PR: 9) (+2)
8. Dolly De Leon, Triangle of Sadness (PR: 7) (-1)
9. Nina Hoss, Tár (PR: 8) (-1)
10. Angela Bassett, Black Panther: Wakanda Forever (PR: Not Ranked)
Dropped Out:
Jean Smart, Babylon
Best Supporting Actor
Predicted Nominees:
1. Ke Huy Quan, Everything Everywhere All at Once (PR: 1) (E)
2. Brendan Gleeson, The Banshees of Inisherin (PR: 2) (E)
3. Ben Whishaw, Women Talking (PR: 3) (E)
4. Paul Dano, The Fabelmans (PR: 6) (+2)
5. Judd Hirsch, The Fabelmans (PR: 4) (-1)
Other Possibilities:
6. Barry Keoghan, The Banshees of Inisherin (PR: 5) (-1)
7. Brad Pitt, Babylon (PR: 7) (E)
8. Mark Rylance, Bones and All (PR: 8) (E)
9. Eddie Redmayne, The Good Nurse (PR: 10) (+1)
10. Woody Harrelson, Triangle of Sadness (PR: 9) (-1)
Best Original Screenplay
Predicted Nominees:
1. Everything Everywhere All at Once (PR: 1) (E)
2. The Banshees of Inisherin (PR: 3) (+1)
3. The Fabelmans (PR: 2) (-1)
4. Triangle of Sadness (PR: 4) (E)
5. Tár (PR: 5) (E)
Other Possibilities:
6. Babylon (PR: 6) (E)
7. The Menu (PR: 10) (+3)
8. Aftersun (PR: 8) (E)
9. Decision to Leave (PR: 7) (-2)
10. Bardo (PR: Not Ranked)
Dropped Out:
Broker
Best Adapted Screenplay
Predicted Nominees:
1. Women Talking (PR: 1) (E)
2. The Whale (PR: 2) (E)
3. She Said (PR: 3) (E)
4. Glass Onion: A Knives Out Mystery (PR: 4) (E)
5. Living (PR: 5) (E)
Other Possibilities:
6. White Noise (PR: 6) (E)
7. Bones and All (PR: 7) (E)
8. Top Gun: Maverick (PR: 8) (E)
9. Guillermo del Toro’s Pinocchio (PR: 9) (E)
10. The Son (PR: Not Ranked)
Dropped Out:
All Quiet on the Western Front
Best Animated Feature
Predicted Nominees:
1. Guillermo del Toro’s Pinocchio (PR: 1) (E)
2. Turning Red (PR: 2) (E)
3. Marcel the Shell with Shoes On (PR: 6) (+3)
4. My Father’s Dragon (PR: 8) (+4)
5. The Bad Guys (PR: 5) (E)
Other Possibilities:
6. Wendell and Wild (PR: 3) (-3)
7. Strange World (PR: 4) (-3)
8. The Sea Beast (PR: 7) (-1)
9. Lightyear (PR: 9) (E)
10. Minions: The Rise of Gru (PR: 10) (E)
Best International Feature Film
Predicted Nominees:
1. Decision to Leave (PR: 2) (+1)
2. All Quiet on the Western Front (PR: 1) (-1)
3. Close (PR: 3) (E)
4. Saint Omer (PR: 5) (+1)
5. Holy Spider (PR: 7) (+2)
Other Possibilities:
6. Bardo (PR: 4) (-2)
7. Argentina, 1985 (PR: 8) (+1)
8. The Quiet Girl (PR: Not Ranked)
9. EO (PR: 9) (E)
10. Alcarras (PR: 10) (E)
Dropped Out:
Klondike
Best Documentary Feature
Predicted Nominees:
1. All the Beauty and the Bloodshed (PR: 1) (E)
2. Descendant (PR: 2) (E)
3. Navalny (PR: 3) (E)
4. All That Breathes (PR: 4) (E)
5. Fire of Love (PR: 6) (+1)
Other Possibilities:
6. The Territory (PR: 7) (+1)
7. Moonage Daydream (PR: 8) (+1)
8. Good Night Oppy (PR: 9) (+1)
9. Last Flight Home (PR: 5) (-4)
10. Sr. (PR: 10) (E)
Best Cinematography
Predicted Nominees:
1. Babylon (PR: 1) (E)
2. Avatar: The Way of Water (PR: 3) (+1)
3. The Fabelmans (PR: 2) (-1)
4. Empire of Light (PR: 4) (E)
5. Bardo (PR: 6) (+1)
Other Possibilities:
6. Top Gun: Maverick (PR: 7) (+1)
7. All Quiet on the Western Front (PR: 5) (-2)
8. The Banshees of Inisherin (PR: 8) (E)
9. Everything Everywhere All at Once (PR: 10) (+1)
10. Emancipation (PR: Not Ranked)
Dropped Out:
Black Panther: Wakanda Forever
Best Costume Design
Predicted Nominees:
1. Babylon (PR: 1) (E)
2. Elvis (PR: 2) (E)
3. Black Panther: Wakanda Forever (PR: 3) (E)
4. The Woman King (PR: 5) (+1)
5. Mrs. Harris Goes to Paris (PR: 4) (-1)
Other Possibilities:
6. The Fabelmans (PR: 7) (+1)
7. Living (PR: 6) (-1)
8. Everything Everywhere All at Once (PR: 10) (+2)
9. Corsage (PR: 9) (E)
10. Three Thousand Years of Longing (PR: 8) (-2)
Best Film Editing
Predicted Nominees:
1. Everything Everywhere All at Once (PR: 1) (E)
2. Top Gun: Maverick (PR: 3) (+1)
3. The Fabelmans (PR: 4) (+1)
4. Babylon (PR: 2) (-2)
5. Avatar: The Way of Water (PR: 8) (+3)
Other Possibilities:
6. Women Talking (PR: 5) (-1)
7. Elvis (PR: 6) (-1)
8. The Banshees of Inisherin (PR: 9) (+1)
9. All Quiet on the Western Front (PR: 7) (-2)
10. Tár (PR: Not Ranked)
Dropped Out:
Decision to Leave
Best Makeup and Hairstyling
Predicted Nominees:
1. The Whale (PR: 1) (E)
2. Elvis (PR: 3) (+1)
3. Babylon (PR: 2) (-1)
4. The Batman (PR: 4) (E)
5. Everything Everywhere All at Once (PR: 6) (+1)
Other Possibilities:
6. Black Panther: Wakanda Forever (PR: 5) (-1)
7. The Woman King (PR: 10) (+3)
8. X (PR: 7) (-1)
9. Amsterdam (PR: Not Ranked)
10. Corsage (PR: Not Ranked)
Dropped Out:
Three Thousand Years of Longing
All Quiet on the Western Front
Best Original Score
Predicted Nominees:
1. Babylon (PR: 2) (+1)
2. The Fabelmans (PR: 1) (-1)
3. Women Talking (PR: 5) (+2)
4. Guillermo del Toro’s Pinocchio (PR: 7) (+3)
5. Avatar: The Way of Water (PR: 9) (+4)
Other Possibilities:
6. The Banshees of Inisherin (PR: 4) (-2)
7. Empire of Light (PR: 3) (-4)
8. She Said (PR: Not Ranked)
9. White Noise (PR: Not Ranked)
10. The Batman (PR: Not Ranked)
Dropped Out:
Tár
Bardo
All Quiet on the Western Front
Best Original Song
Predicted Nominees:
1. “Hold My Hand” from Top Gun: Maverick (PR: 1) (E)
2. “Lift Me Up” from Black Panther: Wakanda Forever (PR: 2) (E)
3. “Naatu Naatu” from RRR (PR: 3) (E)
4. “Nobody Like U” from Turning Red (PR: 4) (E)
5. “Applause” from Tell It Like a Woman (PR: 6) (+1)
Other Possibilities:
6. “Ciao Papa” from Guillermo del Toro’s Pinocchio (PR: 10) (+4)
7. “This Is a Life” from Everything Everywhere All at Once (PR: 5) (-2)
8. “Carolina” from Where the Crawdads Sing (PR: 8) (E)
9. “New Body Rhumba” from White Noise (PR: 9) (E)
10. “Stand Up” from Till (PR: 7) (-3)
Best Production Design
Predicted Nominees:
1. Babylon (PR: 1) (E)
2. Avatar: The Way of Water (PR: 2) (E)
3. Elvis (PR: 4) (+1)
4. Black Panther: Wakanda Forever (PR: 3) (-1)
5. The Fabelmans (PR: 5) (E)
Other Possibilities:
6. Guillermo del Toro’s Pinocchio (PR: 7) (+1)
7. Everything Everywhere All at Once (PR: 6) (-1)
8. All Quiet on the Western Front (PR: 10) (+2)
9. The Woman King (PR: Not Ranked)
10. Glass Onion: A Knives Out Mystery (PR: 9) (-1)
Dropped Out:
Empire of Light
Best Sound
Predicted Nominees:
1. Top Gun: Maverick (PR: 1) (E)
2. Avatar: The Way of Water (PR: 2) (E)
3. Elvis (PR: 7) (+4)
4. The Batman (PR: 6) (+2)
5. All Quiet on the Western Front (PR: 5) (E)
Other Possibilities:
6. Everything Everywhere All at Once (PR: 8) (+2)
7. Babylon (PR: 3) (-4)
8. Black Panther: Wakanda Forever (PR: 4) (-4)
9. The Fabelmans (PR: 9) (E)
10. Nope (PR: 10) (E)
Best Visual Effects
Predicted Nominees:
1. Avatar: The Way of Water (PR: 1) (E)
2. Top Gun: Maverick (PR: 2) (E)
3. Everything Everywhere All at Once (PR: 3) (E)
4. Guillermo del Toro’s Pinocchio (PR: 5) (+1)
5. Black Panther: Wakanda Forever (PR: 4) (-1)
Other Possibilities:
6. The Batman (PR: 6) (E)
7. Doctor Strange in the Multiverse of Madness (PR: 8) (+1)
8. RRR (PR: 7) (-1)
9. Good Night Oppy (PR: 10) (+1)
10. All Quiet on the Western Front (PR: 9) (-1)
And that equates to these movies garnering these numbers of nominations:
10 Nominations
The Fabelmans
9 Nominations
Babylon, Everything Everywhere All at Once
7 Nominations
Avatar: The Way of Water, Women Talking
6 Nominations
Top Gun: Maverick
5 Nominations
The Banshees of Inisherin, Elvis, The Whale
4 Nominations
Black Panther: Wakanda Forever, Tár
3 Nominations
Guillermo del Toro’s Pinocchio
2 Nominations
All Quiet on the Western Front, The Batman, Living, Triangle of Sadness, Turning Red
1 Nomination
All That Breathes, All the Beauty and the Bloodshed, The Bad Guys, Bardo, Close, Decision to Leave, Descendant, Empire of Light, Glass Onion: A Knives Out Mystery, Holy Spider, Marcel the Shell with Shoes On, Mrs. Harris Goes to Paris, My Father’s Dragon, Navalny, RRR, Saint Omer, She Said, Tell It Like a Woman, Till, The Woman King
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