Best Picture 2012: The Final Five

My latest Final Five post brings us to 2012 and the Oscars that occurred nearly a decade ago. If you’re reading this series for the first time, this is where I whittle the 8-10 Best Picture nominees from every year since 2009 to five. As you may know, it was in 2009 that the Academy stopped listing a quintet of movies for the big prize and expanded it upwards. If you missed my write-ups about 2009, 2010, and 2011 – you can access them here:

Best Picture 2009: The Final Five

Best Picture 2010: The Final Five

Best Picture 2011: The Final Five

As we do with each year, we start with the obvious. Ben Affleck’s Argo certainly would have made the cut since it won BP. 2012 was a strange year with the Academy’s voters. Argo emerged as the first film since 1989’s Driving Miss Daisy where the BP recipient’s director wasn’t nominated in that category. It’s happened twice since with 2018’s Green Book and last year’s CODA. I will admit that picking a fifth entry was challenging. The other 3 besides Argo seem pretty clear. Let’s get into it!

Amour

Michael Haneke’s French drama was the easy winner of Foreign Language Film and nabbed 3 other nods: Director, Actress (Emmanuelle Riva), and Original Screenplay.

Does It Make the Final Five?

No, though an argument can certainly be made. I would venture that with only five, the narrative would’ve been that it had no trouble in the foreign race and that would be the reward.

Beasts of the Southern Wild

This micro-budgeted indie fantasy from Benh Zeitlin scored a surprise directing nod as well as Actress (Quvanzhane Wallis) and Adapted Screenplay.

Does It Make the Final Five?

No. It received the least amount of nominations of the nine nominees and won none of its four mentions. That said, it’s not entirely out of the question that it could have snuck in.

Django Unchained

Quentin Tarantino scored the biggest hit of his career with this Western which won Original Screenplay and Supporting Actor (Christoph Waltz). It also received nods for Cinematography and Sound Editing.

Does It Make the Final Five?

No, though an argument can be made yet again (especially with the Original Screenplay victory). That said, misses for directing and editing are indications that it might have just missed.

Les Miserables

With 8 nominations and wins for Supporting Actress (Anne Hathaway), Sound Mixing, and Makeup and Hairstyling, the adaptation of the famed musical was one of the biggest box office performers of the bunch.

Does It Make the Final Five?

No… and stop me if you’ve heard this before… but an argument could be made. Like Django, the directing and editing omissions prevent me from saying it is top five.

Life of Pi

Ang Lee’s visually striking adaptation of a bestseller tied with most nominations (11). Lee would win for his behind the camera work and it would pick up gold statues for Score, Cinematography, and Visual Effects. Unlike our last two contenders, it did receive an editing nod.

Does It Make the Final Five?

Yes. Furthermore, it was probably the runner-up for the win.

Lincoln

Steven Spielberg’s historical tale was the other movie to receive 11 nominations. The sole win was for Daniel Day-Lewis’s embodiment of the 16th POTUS in Best Actor.

Does It Make the Final Five?

Yes. Despite the 1 for 11 showing, the sheer number of nods strongly suggest its inclusion.

Silver Linings Playbook

With 8 nominations and Jennifer Lawrence taking Best Actress, this was the rare pic that scored nominations in all 4 acting derbies. Unlike Lawrence – Bradley Cooper, Robert De Niro, and Jacki Weaver didn’t win their respective races. This was also up for David O. Russell’s direction, Adapted Screenplay, and Editing.

Does It Make the Final Five?

Yes – based on where else it landed attention.

Zero Dark Thirty

Kathryn Bigelow’s follow-up to her Oscar winning The Hurt Locker won Sound Editing. Jessica Chastain was up for Actress with Original Screenplay and Editing nods making it five overall. Bigelow’s snub in the directing race was unexpected.

Does It Make the Final Five?

Yes, but this is the one I’m most unsure about. One could easily make the case for Amour or Beasts or Django or Les Miserables. The fact that this had the screenplay nod and editing made me pick it.

So in my view your abbreviated 2012 BP lineup would be:

Argo

Life of Pi

Lincoln

Silver Linings Playbook

Zero Dark Thirty 

2013 is up next!

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