Dear Evan Hansen Box Office Prediction

The film adaptation of the Tony Award winning musical drama Dear Evan Hansen hits theaters September 24. Directed by Stephen Chbosky (who made the 2012’s acclaimed indie The Perks of Being a Wallflower and 2017’s blockbuster Wonder), Hansen recasts Ben Platt in the title role. The supporting cast features Amy Adams, Julianne Moore, Kaitlyn Dever, and Amandla Stenberg.

Premiering at the Toronto Film Festival, the cinematic version has not garnered the same kudos that it did on Broadway. The Rotten Tomatoes score is 47% and many are griping about Platt (now in his late 20s) portraying a high schooler.

I might be a little more optimistic if Hansen had Oscar vibes going for it, but that’s been silenced by the critics. That said, there is a built-in audience familiar with the play and that could help. The same could have been said for this summer’s In the Heights, which majorly underperformed.

My projection is that this doesn’t quite reach double digits.

Dear Evan Hansen opening weekend prediction: $8.6 million

Oscar Predictions: Dear Evan Hansen

Ben Platt has won a Tony, Emmy, and Grammy for his performance in the Broadway sensation Dear Evan Hansen. The cinematic version of the play comes from director Stephen Chbosky, best known for 2012’s acclaimed The Perks of Being a Wallflower and 2017’s hit Wonder. 

Hansen has opened the Toronto Film Festival with Platt reprising his role. Costars include Amy Adams, Julianne Moore, and Kaitlyn Dever. The teen musical drama (where the 27-year-old Platt is a teen) is drawing wildly mixed reactions from critics – as evidence by its current 50% Rotten Tomatoes rating. Some are being kind while others are excoriating it.

That’s not a recipe for Oscars attention as I see it. Simply stated, its detractors should be loud enough to keep this out of contention. One possible exception could be a couple of original songs.

Bottom line: Platt’s EGOT is highly unlikely to happen with Hansen. My Oscar prediction posts for the films of 2021 will continue…

Summer 2011: The Top 10 Hits and More

We have arrived at part III of my recaps of the summer seasons that came 30, 20, and 10 years ago. That means 2011 is upon us. If you missed my sizzling throwbacks to 1991 and 2001, you can find them here:

Summer 1991: The Top 10 Hits and More

Summer 2001: The Top 10 Hits and More

As is tradition, I will recount the top 10 hits as well as other notable features and some flops in a season where moviegoers bid a fond farewell to their iconic wizard:

Let’s get to it, yes?

10. Bridesmaids

Domestic Gross: $169 million

Kristin Wiig made one of the most successful jumps from SNL to movie stardom in this critically hailed pic that also earned Melissa McCarthy her silver screen breakout and even an Oscar nomination. It might not be the highest grossing comedy on here, but it’s definitely still the most talked about.

9. The Help

Domestic Gross: $169 million

Based on Kathryn Stockett’s bestseller, the 1960s set period piece from Tate Taylor brought the book’s readers and many others to the multiplex. Four Oscar nods followed including Best Picture and a Supporting Actress victory for Octavia Spencer.

8. Captain America: The First Avenger

Domestic Gross: $176 million

The Marvel Cinematic Universe’s first big branch out occurred during this summer where we would get our first glimpse at this OG avenger in the form of Chris Evans and another one who sits at the throne of spot #6. The sequels actually improved on what we see here, but the Captain gets rolling with this.

7. Rise of the Planet of the Apes

Domestic Gross: $176 million

Rupert Wyatt’s reboot of the franchise is deservedly better regarded than Tim Burton’s re-imagining that transpired in 2001. Debuting the fantastic motion capture work of Andy Serkis, this would spawn two follow-ups that also pleased audiences and critics and did considerable monkey business.

6. Thor

Domestic Gross: $181 million

Chris Hemsworth’s Asgardian heartthrob hammered into the public consciousness alongside Natalie Portman and Anthony Hopkins and managed $5 million more box office bucks than the Captain. The third sequel is currently in production.

5. Cars 2

Domestic Gross: $191 million

Despite grossing nearly $200 million, this Pixar sequel is not one of the studio’s most fondly remembered vehicles with just a 40% Rotten Tomatoes rating. A third Cars did zoom into theaters six years later.

4. Pirates of the Caribbean: On Stranger Tides

Domestic Gross: $241 million

With a reported budget of $379 million, Johnny Depp’s fourth headlining of the franchise still sports the largest price tag of all time. The actor’s final participation in the series would come in 2017 with Disney still looking to reboot it without their signature player.

3. The Hangover Part II

Domestic Gross: $254 million

Crowds were still clamoring for the drunken exploits of Bradley Copper, Ed Helms, and Zach Galifianakis. Critics weren’t near as kind to part II, but audiences didn’t begin to tire of the hijinks until part III two years later.

2. Transformers: Dark of the Moon

Domestic Gross: $352 million

Michael Bay’s third saga of the Autobots and Decepticons marks Shia LaBeouf’s last appearance in the franchise and includes drop-ins from acting heavyweights John Malkovich and Frances McDormand. Mark Wahlberg would take over starring duties three years later.

1. Harry Potter and the Deathly Hallows – Part 2

Domestic Gross: $381 million

After nearly a decade of enchanting kids and their parents alike, the franchise stemming from J.K. Rowling’s beloved novels received a fittingly massive send-off with this billion dollar plus worldwide earner.

Now for other noteworthy titles from the summer:

X-Men: First Class

Domestic Gross: $146 million

Bryan Singer’s handed over directorial reigns to Matthew Vaughn for this reinvigorating reboot of the series that introduced the younger versions of Charles Xavier, Magneto, and Mystique in the bodies of James McAvoy, Michael Fassbender, and Jennifer Lawrence. Numerous sequels of varying quality followed.

The Smurfs

Domestic Gross: $142 million

Sony Pictures wasn’t blue about the financial returns for this half live-action/half animated adaptation of the popular comics and animated series. A sequel came in 2013.

Super 8

Domestic Gross: $127 million

In between Star Trek pics and before rebooting Star Wars, J.J. Abrams helmed this sci-fi original which paid tribute to the Spielberg efforts of the 1980s. Critics gave it their stamp of approval and it’s notable for one heckuva train crash sequence.

Horrible Bosses

Domestic Gross: $117 million

This raunchy comedy about workers exacting revenge on their wretched superiors showed us a whole different side to Jennifer Aniston and spawned a 2014 sequel.

Crazy, Stupid, Love

Domestic Gross: $84 million

Before their collaboration on La La Land earned lots of Oscar nods five years later, Emma Stone and Ryan Gosling teamed up for this rom com with Steve Carell and Julianne Moore that exceeded expectations with audiences and many critics.

Midnight in Paris

Domestic Gross: $56 million

It was a different time 10 years ago for Woody Allen, who scored his last big hit with this fantastical comedy starring Owen Wilson. Woody would win the Oscar for Original Screenplay and it landed three additional nominations including Picture and Director.

The Tree of Life

Domestic Gross: $13 million

Terrence Malick’s epic philosophical drama won the Palme d’Or at the Cannes Film Festival and was nominated for Best Picture, Director, and Cinematography at the Academy Awards. Not your typical summer fare, but it certainly had reviews on its side.

And now for some titles that didn’t meet expectations commercially, critically, or both:

Green Lantern

Domestic Gross: $116 million

Five years before he entered the comic book flick pantheon with Deadpool, Ryan Reynolds didn’t have as much luck with this critically drubbed flop. Even the star himself has taken to calling it a waste of time for viewers.

Cowboys & Aliens

Domestic Gross: $100 million

Coming off the huge Iron Man pics, Jon Favreau cast James Bond (Daniel Craig) and Indiana Jones (Harrison Ford) in this space western that didn’t impress crowds or critics and earned considerably less than its budget domestically.

Mr. Popper’s Penguins

Domestic Gross: $68 million

Audiences were mostly cool to Jim Carrey’s treatment of the popular late 30s children’s book though it did manage to top its $55 million budget. It probably would have made far more during the star’s box office heyday.

Spy Kids 4-D: All the Time in the World

Domestic Gross: $38 million

A decade after Robert Rodriguez kicked the kiddie franchise off to great results, part 4 marked a low mark for the series.

Larry Crowne

Domestic Gross: $35 million

The star power of Tom Hanks (who also directed) and Julia Roberts couldn’t elevate this rom com from a subpar showing (critics weren’t kind either). This is largely a forgotten entity on both actor’s filmographies.

Conan the Barbarian

Domestic Gross: $21 million

Before becoming known to the masses as Aquaman, Jason Momoa couldn’t fill the shoes of Arnold Schwarzenegger in this bomb that couldn’t swim close to its $90 million budget.

And that does it, folks! I’ll have recaps of the summers of 1992, 2002, and 2012 up for your enjoyment next season!

The Woman in the Window Review

The deeply troubled agoraphobic Anna Fox (Amy Adams) has a habit of avoiding reality in The Woman in the Window by chugging a bottle of wine and distracting herself with classic old movies. This is her way of not dealing with the story unfolding around her. There are times where I could relate as those vintage pictures would provide a better escape than what happens here for the most part.

Directed by Joe Wright (Atonement, Darkest Hour), Window is based on a 2018 novel by A.J. Finn. It features quite a list of Oscar winners (Gary Oldman, Julianne Moore) and actors you may think have won them (Adams, Jennifer Jason Leigh). The screenwriter Tracy Letts is a Pulitzer winning playwright. With that  level of talent involved, one would think Window would rise above the histrionic Hitchcockian “homage” that it is. Mentioning Mr. Hitchcock might be too complimentary. This shares many similar plot points to 2016’s The Girl on the Train, which was also based on a book meant to be read on an airplane or the beach you rush to after the flight. You could easily call this The Girl on the Painkillers.

Dr. Fox is a child psychologist whose condition has kept her confined to her Manhattan apartment. In addition to her binge drinking/movie watching, she spends most of her day spying on neighbors. The new ones across the street are the Russell family – businessman Alistair (Oldman), wife Jane (Moore), and teen son Ethan (Fred Hechinger). Or maybe not. After the wife and boy visit her, Anna suspects some abuse is occurring in the household. The mystery deepens when Jennifer Jason Leigh shows up as Alistair’s spouse. Maybe the abundance of Anna’s medication is causing hallucinations. Our voyeur tries to enlist the NYPD, led by Brian Tyree’s Henry detective, and her basement tenant (Wyatt Russell) to assist with her amateur sleuthing. There’s also the matter of Anna’s only family. She’s separated from her husband (Anthony Mackie) and they have a young daughter. They turn up in flashback form and saying much more would enter spoiler territory.

The Woman in the Window contains plenty of twists that might have worked in paperback form. The treatment by Wright and Letts is a tonally frantic one. This is primarily a melodrama that begs to be taken seriously from time to time. Some of the performers seem in on it as Oldman, Moore, and Hechinger got the memo to overact wildly. Yet this never reaches its apparent goal of being a genuine guilty pleasure. That’s too bad because the behind the camera personnel and cast in front of it deserved better. Many of those examples are contained in Anna’s cinematic collection in her brownstone where less spellbinding developments are transpiring.

** (out of four)

Oscar Watch: Spirit Untamed

In 2002, the horse drawn animated adventure Spirit: Stallion of the Cimarron managed a Best Animated Feature nomination (ultimately losing to Spirited Away). Nearly two decades ago, the pic received mostly positive reviews with a 70% Rotten Tomatoes rating and decent box office. Since then, a Netflix series focused on the main character led to Spirit Untamed, which opens in theaters today. It features the voices of some familiar faces like Jake Gyllenhaal and Julianne Moore

So how are its odds to race to awards voters ballots? Not good. Untamed has mostly stalled with critics and its Tomato meter is a mere 44%. We already have solid contenders to make the final cut (Raya and the Last Dragon and The Mitchells vs. The Machines) and there’s plenty more on deck for the second half of the year including the soon to be released Luca from Pixar.

Bottom line: I can’t imagine Dreamworks Animation will mount a spirited campaign for this one. Gyllenhaal’s only equestrian related Oscar contender should remain Brokeback Mountain. My Oscar Watch posts will continue…

Spirit Untamed Box Office Prediction

All the way back in 2002, the animated horse adventure Spirit: Stallion of the Cimarron debuted over Memorial Day weekend and performed fairly well. With Matt Damon voicing the title character, the pic galloped to a Best Animated Feature Oscar nod and a $73 million domestic gross. A Netflix spin-off series has aired since 2017 and Spirit Untamed is a joint venture between Universal and DreamWorks to bring the character back to the big screen. Elaine Bogan and Ennio Torresan Jr. co-direct with a voice cast that includes Isabela Merced, Jake Gyllenhaal, Marsai Martin, Mckenna Grace, Julianne Moore, Walton Goggins, and Eiza Gonzalez.

I will confess to not knowing how popular the streaming series is, but it seems to me that 19 years is a long break between theatrical releases. That could certainly be a nagging problem as to Spirit‘s potential. Additionally, some family audiences might still be checking out Cruella in its sophomore frame.

Untamed stands no shot at reaching what its predecessor accomplished. I’m even skeptical that it reaches $5 million out of the gate and will go a bit under that.

Spirit Untamed opening weekend prediction: $4.4 million

For my The Conjuring: The Devil Made Me Do It prediction, click here:

https://toddmthatcher.com/2021/05/26/the-conjuring-the-devil-made-me-do-it-box-office-prediction/

Oscar Watch: The Woman in the Window

On paper, at least, Joe Wright’s The Woman in the Window has a whole lot of Oscar connections in it. The psychological thriller stars Amy Adams, recipient of six nominations who’s never won (she’s considered well overdue for a victory). Costars include Academy winners and nominees such as Gary Oldman, Jennifer Jason Leigh, and Julianne Moore in addition to Anthony Mackie, Wyatt Russell, and Brian Tyree Henry. Screenwriter Tracy Letts has a Pulitzer Prize to his name. And Wright has seen two of his efforts (Atonement, Darkest Hour) nab Best Picture nods.

Window hits Netflix today after originally being planned for a fall 2019 premiere via 20th Century Fox. It was pushed back to May 2020 due to reshoots and the COVID-19 pandemic. The pic was finally snatched up by the streamer, foregoing a theatrical release. So there’s the question of whether this is even eligible for the Oscars since it’s not hitting the big screen. Not that it matters.

Word of mouth over the past several months has not been kind and the just lapsed review embargo confirms that. The Rotten Tomatoes score is a troubling 27% with many critics calling it a poor Hitchcock ripoff. Despite the many participants with a nexus to awards attention, Window appears more likely to garner Razzie mentions than anything at the big dance.

My Oscar Watch posts will continue…

Oscar History: 2014

Six years ago in Oscar history began an impressive two year run for filmmaker Alejandro Gonzalez Inarritu with Birdman emerging as the big winner of the evening. The film took Best Picture and Director over its major competitor – Richard Linklater’s Boyhood. This was a ceremony in which the largest category did have some suspense. Birdman took the prize over the aforementioned Boyhood and six other pics: American Sniper (the year’s top grosser), The Grand Budapest Hotel (marking Wes Anderson’s first and only Picture nominee), The Imitation Game, Selma, The Theory of Everything, and Whiplash. 

In this blogger’s perfect world, Dan Gilroy’s Nightcrawler would have been recognized. It was my favorite movie of that year so get used to seeing it pop up in this post. Other notable selections from 2014 left on the cutting room floor: David Fincher’s Gone Girl, Bong Joon-ho’s Snowpiercer, and Bennett Miller’s Foxcatcher. 

Mr. Miller did have the notable distinction of being nominated for Best Director despite his work not showing up in Best Picture (very rare these days). As mentioned, Inarritu took the gold over Miller as well as Linklater, Anderson, and Morten Tyldum (The Imitation Game). Gilroy, Fincher, and Joon-ho might have warranted consideration in my view as well as Chazelle’s bravura debut in Whiplash. 

One could argue that Nightcrawler isn’t your prototypical Picture contender. However, Jake Gyllenhaal being left out of the five Actor contenders stands as one of the noteworthy snubs in recent history. It was Eddie Redmayne emerging victorious for The Theory of Everything over his closest competitor Michael Keaton (Birdman). Other nominees: the three C’s of Steve Carell (Foxcatcher), Bradley Cooper (American Sniper, picking up his third nomination in a row), and Benedict Cumberbatch (The Imitation Game).

There is a voluminous list of solid performances beyond just Gyllenhaal’s that were left wanting. It includes Ben Affleck (Gone Girl), Chadwick Boseman (Get On Up), Bill Murray (St. Vincent), David Oyelowo (Selma), Joaquin Phoenix (Inherent Vice), Timothy Spall (Mr. Turner), and Miles Teller (Whiplash).

In Best Actress, Julianne Moore triumphed for Still Alice after four previous nominations without a win. She took the honor over Marion Cotillard (Two Days, One Night), Felicity Jones (The Theory of Everything), Rosamund Pike (Gone Girl), and Reese Witherspoon (Wild). Moore’s selection was one of the easiest to project as she’d been a sturdy frontrunner all season.

Looking back, how about Emily Blunt in Edge of Tomorrow? Its action genre trappings probably prevented consideration, but she might have made my quintet. Amy Adams won the Golden Globe for Actress in Musical/Comedy, but missed here.

Another easy (and absolutely deserved) winner was J.K. Simmons in Supporting Actor for Whiplash over Robert Duvall (The Judge), Ethan Hawke (Boyhood), Edward Norton (Birdman), and Mark Ruffalo (Foxcatcher).

I will yet again mention Nightcrawler as I might have considered Riz Ahmed. There’s also Josh Brolin in Inherent Vice.

Boyhood nabbed its major race victory in Supporting Actress with Patricia Arquette. Other nominees were Laura Dern (Wild), Keira Knightley (The Imitation Game), Emma Stone (Birdman), and the always in contention Meryl Streep for Into the Woods.

As for others, I’ll start with (surprise) Rene Russo in Nightcrawler. Others include both Melissa McCarthy and Naomi Watts for St. Vincent in addition to Jessica Chastain (A Most Violent Year) and Katherine Waterston (Inherent Vice).

My Oscar History will continue soon with 2015 as Mr. Inarritu will dominate the director race yet again while the Academy chose to spotlight something in Best Picture!

The Gothams Have a Cow

2020’s first precursor to the big show arrived today with the Gotham Awards nominations. The group which honoring independent pictures with budgets of $35 million and under made a little history too. All five contenders for Best Feature are made by female directors: Kitty’s Green The Assistant, Kelly Reichardt’s First Cow, Eliza Hittman’s Never Rarely Sometimes Always, Chloe Zhao’s Nomadland, and Relic from Natalie Erika James.

The tight controls on eligibility (and some major studios didn’t submit their Oscar hopefuls) makes it tricky to prognosticate how these nods compare to what the Academy may do. This has always been the case. That said, in the previous decade, at least one Gotham Feature nominee almost always gets a Best Picture nod. In fact, from 2014 to 2016, the Feature winners (Birdman, Spotlight, Moonlight) matched the Oscar winner. Last year, Marriage Story was the sole nominee at Gotham to make the Academy’s cut. In 2018, there were none. Three years ago, both Call Me by Your Name and Get Out got Oscar love.

First Cow led with the most nods and had itself a very good morning. However, its Oscar prospects are iffy while Nomadland looks to be the nominee that will almost certainly get recognition from the Academy (it could even win). The other three nominees are likely non-factors. We did not see another major picture from a female director with One Night in Miami make the final five, though Kingsley Ben-Adir did score a Breakthrough Performance nomination. Also left off: Minari, which seems to be rising in the Oscar chatter.

In the acting races, there were some high profile snubs particularly with Best Actress. Since this category’s inception in 2013, only one winner has matched up with Academy’s selection (Julianne Moore in Still Alice in 2014). In the previous year, none of the five women got Oscar recognition. In every other year, there’s been at least one.

The Gotham Actress hopefuls this year are Nicole Beharie (Miss Juneteenth), Jessie Buckley (I’m Thinking of Ending Things), Carrie Coon (The Nest), Frances McDormand (Nomadland), and Yuh-Jung Youn (Minari). Only McDormand seems destined for the Oscars in lead actress while Youn could show up in Supporting Actress. What is a bit surprising is the number of Gotham eligible performers who appear to be likely Oscar contenders who missed out here. That list includes Viola Davis (Ma Rainey’s Black Bottom), Vanessa Kirby (Pieces of a Woman), Carey Mulligan (Promising Young Woman), and Michelle Pfeiffer (French Exit). I wouldn’t read too much into it, but it’s worthy of mention.

In Best Actor, Chadwick Boseman picked up his first posthumous mention for Ma Rainey’s Black Bottom. He is joined by Riz Ahmed (Sound of Metal), Jude Law (The Nest), John Magaro (First Cow), and Jesse Plemons (I’m Thinking of Ending Things). Some eligible actors with Oscar hopes that missed out include Winston Duke (Nine Days) and Steven Yeun (Minari). The same could be said for Bill Murray in On the Rocks, though he would compete in supporting with the Academy.

Bottom line: while the Gothams aren’t a reliable barometer for what happens months from now, it does give a fun glimpse at what could follow. Today’s actions unsurprisingly solidify Nomadland and could give a slight boost to Cow. My weekly Oscar predictions will be updated tomorrow so stay tuned!

2020 Oscar Predictions: September 10th Edition

We have arrived at the third week for my Thursday Oscar predictions in the eight major categories and the biggest change so far can be summed up in four words: One Night in Miami.

The historical drama, which marks the debut feature film from actress Regina King, made waves when it screened this week at the Venice Film Festival. It has vaulted into the following categories for a nomination prediction: Picture, Director, Supporting Actor, and Adapted Screenplay.

As for that supporting race, there are actually four contenders vying for attention. I’m currently giving the nod to Kingsley Ben-Adir for his portrayal of Malcolm X over his costars Leslie Odom, Jr. (Sam Cooke), Eli Goree (Cassius Clay), and Aldis Hodge (Jim Brown). Yet this could be a fluid situation and don’t be surprised if those other performers make their way to the list in future postings.

Speaking of the supporting actor race, there has been some speculation that the late Chadwick Boseman may actually be campaigned for in the lead Actor competition with Ma Rainey’s Black Bottom. As for now, I’m keeping him ranked first in Supporting Actor. We’ll see what transpires in the weeks ahead. If Boseman does go lead, it could open the door for Glynn Turman to get a supporting nod for the picture.

As for the week that was, my Oscar Watch posts focused on Miami, as well as some other titles that debuted as Venice. Most noteworthy is Pieces of a Woman, which has caused some chatter for its lead Vanessa Kirby and her costar Ellen Burstyn. Kirby also costars in The World to Come, which garnered solid reviews but isn’t identified in my current rankings. Other write-ups this week included The Duke (which could catch the attention of the Golden Globes for Jim Broadbent) and the heist comedic drama Kajillionaire. You can read all those detailed posts here:

https://toddmthatcher.com/2020/09/07/oscar-watch-one-night-in-miami/

https://toddmthatcher.com/2020/09/07/oscar-watch-pieces-of-a-woman/

https://toddmthatcher.com/2020/09/07/oscar-watch-the-world-to-come/

https://toddmthatcher.com/2020/09/05/oscar-watch-the-duke/

https://toddmthatcher.com/2020/09/09/oscar-watch-kajillionaire/

With Venice still rolling along and the Toronto Film Festival set to open, this Friday will see the initial screenings of two major contenders – Chloe Zhao’s Nomadland and Francis Lee’s Ammonite. Expect Oscar Watch posts on both hopefuls this weekend.

The loser of the week is Tenet. I’ve taken it out of consideration for Picture, Director, and Original Screenplay. On the flip side, expect to see its name pop up again in October when I begin estimating all feature film races as it will surely nab some tech nods.

As for other developments since last Thursday:

  • My eight predicted Best Picture nominees from the past two weeks remains the same, but now it’s become nine with the addition of One Night in Miami.
  • Regina King’s inclusion in Best Director knocks out Aaron Sorkin for The Trial of the Chicago 7.
  • My five Best Actress predictions remains the same, Both Vanessa Kirby and Jennifer Lawrence (Red, White and Water) join the overall mix with Julianne Moore (The Glorias) and Jessie Buckley (I’m Thinking of Ending Things) falling out.
  • Anthony Hopkins (The Father) takes over the #1 spot over Delroy Lindo (Da 5 Bloods) in Best Actor. There are no changes in the top five. Riz Ahmed (Sound of Metal) makes his first appearance at #14 with Jesse Plemons (I’m Thinking of Ending Things) dropping out of the top 15.
  • Amanda Seyfried (Mank) enters the top 5 in Supporting Actress over Ariana DeBose for West Side Story. Ellen Burstyn enters the fold at #15 with Debra Winger’s work in Kajillionaire exiting the top 15.
  • As mentioned, Kingsley Ben-Adir vaults from 12th to 4th in Supporting Actor and he replaces Lakeith Stanfield in Judas and the Black Messiah. The top 15 marks the first appearances for Brian Tyree Henry (Red, White and Water) and Glynn Turman for Ma Rainey. Dropping out are Lucas Hedges in French Exit and David Alvarez in West Side Story. 
  • In Original Screenplay, Never Sometimes Rarely Always gets its first mention since Tenet travels out of the race.
  • In Adapted Screenplay, One Night in Miami gets in over Dune in the top 5. First Cow makes its inaugural appearance in 14th with The Eyes of Tammy Faye dropping.

You can read the full slate of guesstimates here:

Best Picture

Predicted Nominees:

1. Mank (PR: 1)

2. Nomadland (PR: 2)

3. The Trial of the Chicago 7 (PR: 3)

4. Dune (PR: 4)

5. News of the World (PR: 5)

6. One Night in Miami (PR: 13)

7. Ammonite (PR: 6)

8. Da 5 Bloods (PR: 7)

9. West Side Story (PR: 8)

Other Possibilities:

10. Ma Rainey’s Black Bottom (PR: 9)

11. The Father (PR: 16)

12. Soul (PR: 10)

13. Hillbilly Elegy (PR: 14)

14. Judas and the Black Messiah (PR: 11)

15. The French Dispatch (PR: 12)

16. Minari (PR: 15)

17. Stillwater (PR: 18)

18. Annette (PR: 17)

19. The United States vs. Billie Holiday (PR: 19)

20. Next Goal Wins (PR: 23)

21. Red, White and Water (PR: Not Ranked)

22. Respect (PR: 20)

23. French Exit (PR: 24)

24. Everybody’s Talking About Jamie (PR: Not Ranked)

25. I’m Thinking of Ending Things (PR: 25)

Dropped Out:

Tenet

The Midnight Sky 

Best Director

Predicted Nominees:

1. David Fincher, Mank (PR: 1)

2. Chloe Zhao, Nomadland (PR: 2)

3. Denis Villeneuve, Dune (PR: 3)

4. Paul Greengrass, News of the World (PR: 5)

5. Regina King, One Night in Miami (PR: 10)

Other Possibilities:

6. Aaron Sorkin, The Trial of the Chicago 7 (PR: 4)

7. Spike Lee, Da 5 Bloods (PR: 6)

8. Francis Lee, Ammonite (PR: 7)

9. Steven Spielberg, West Side Story (PR: 8)

10. George C. Wolfe, Ma Rainey’s Black Bottom (PR: 11)

11. Florian Zeller, The Father (PR: 14)

12. Ron Howard, Hillbilly Elegy (PR: 12)

13. Shaka King, Judas and the Black Messiah (PR: 13)

14. Wes Anderson, The French Dispatch (PR: 9)

15. Tom McCarthy, Stillwater (PR: Not Ranked)

Dropped Out:

Christopher Nolan, Tenet

Best Actress

Predicted Nominees:

1. Viola Davis, Ma Rainey’s Black Bottom (PR: 1)

2. Frances McDormand, Nomadland (PR: 2)

3. Kate Winslet, Ammonite (PR: 3)

4. Michelle Pfeiffer, French Exit (PR: 4)

5. Jennifer Hudson, Respect (PR: 5)

Other Possibilities:

6. Amy Adams, Hillbilly Elegy (PR: 6)

7. Carey Mulligan, Promising Young Woman (PR: 7)

8. Vanessa Kirby, Pieces of a Woman (PR: Not Ranked)

9. Rachel Zegler, West Side Story (PR: 8)

10. Andra Day, The United States vs. Billie Holiday (PR: 9)

11. Jennifer Lawrence, Red, White and Water (PR: Not Ranked)

12. Marion Cotillard, Annette (PR: 11)

13. Jessica Chastain, The Eyes of Tammy Faye (PR: 10)

14. Sophia Loren, The Life Ahead (PR: 15)

15. Elisabeth Moss, Shirley (PR: 14)

Dropped Out:

Julianne Moore, The Glorias

Jessie Buckley, I’m Thinking of Ending Things

Best Actor

Predicted Nominees:

1. Anthony Hopkins, The Father (PR: 2)

2. Delroy Lindo, Da 5 Bloods (PR: 1)

3. Gary Oldman, Mank (PR: 3)

4. Daniel Kaluuya, Judas and the Black Messiah (PR: 4)

5. Tom Hanks, News of the World (PR: 5)

Other Possibilities:

6. Eddie Redmayne, The Trial of the Chicago 7 (PR: 6)

7. Matt Damon, Stillwater (PR: 8)

8. Joaquin Phoenix, C’Mon C’Mon (PR: 7)

9. Adam Driver, Annette (PR: 9)

10. Michael Fassbender, Next Goal Wins (PR: 11)

11. Steven Yeun, Minari (PR: 10)

12. Trevante Rhodes, The United States vs. Billie Holiday (PR: 13)

13. Andrew Garfield, The Eyes of Tammy Faye (PR: 12)

14. Riz Ahmed, Sound of Metal (PR: Not Ranked)

15. Ansel Elgort, West Side Story (PR: 14)

Dropped Out:

Jesse Plemons, I’m Thinking of Ending Things

Best Supporting Actress

Predicted Nominees:

1. Saoirse Ronan, Ammonite (PR: 1)

2. Glenn Close, Hillbilly Elegy (PR: 2)

3. Olivia Colman, The Father (PR: 3)

4. Helena Zengel, News of the World (PR: 4)

5. Amanda Seyfried, Mank (PR: 6)

Other Possibilities:

6. Ariana DeBose, West Side Story (PR: 5)

7. Natasha Lyonne, The United States vs. Billie Holiday (PR: 10)

8. Abigail Breslin, Stillwater (PR: 9)

9. Meryl Streep, The Prom (PR: 7)

10. Audra McDonald, Respect (PR: 11)

11. Toni Collette, I’m Thinking of Ending Things (PR: 8)

12. Jayne Houdyshell, The Humans (PR: 12)

13. Kristin Scott Thomas, Rebecca (PR: 15)

14. Mary J. Blige, Respect (PR: 14)

15. Ellen Burstyn, Pieces of a Woman (PR: Not Ranked)

Dropped Out:

Debra Winger, Kajillionaire 

Best Supporting Actor

Predicted Nominees:

1. Chadwick Boseman, Ma Rainey’s Black Bottom (PR: 1)

2. David Strathairn, Nomadland (PR: 2)

3. Yahya Abdul-Mateen II, The Trial of the Chicago 7 (PR: 3)

4. Kingsley Ben-Adir, One Night in Miami (PR: 12)

5. Sacha Baron Cohen, The Trial of the Chicago 7 (PR: 4)

Other Possibilities:

6. Lakeith Stanfield, Judas and the Black Messiah (PR: 5)

7. Jeremy Strong, The Trial of the Chicago 7 (PR: 10)

8. Bill Murray, On the Rocks (PR: 7)

9. Mark Rylance, The Trial of the Chicago 7 (PR: 9)

10. Tom Pelphrey, Mank (PR: 6)

11. Tom Burke, Mank (PR: 8)

12. Richard Jenkins, The Humans (PR: 11)

13. Jonathan Majors, Da 5 Bloods (PR: 14)

14. Brian Tyree Henry, Red, White and Water (PR: Not Ranked)

15. Glynn Turman, Ma Rainey’s Black Bottom (PR: Not Ranked)

Dropped Out:

Lucas Hedges, French Exit

David Alvarez, West Side Story 

Best Original Screenplay

Predicted Nominees:

1. Mank (PR: 1)

2. The Trial of the Chicago 7 (PR: 2)

3. Ammonite (PR: 3)

4. Soul (PR: 5)

5. Da 5 Bloods (PR: 4)

Other Possibilities:

6. The French Dispatch (PR: 6)

7. Minari (PR: 7)

8. Judas and the Black Messiah (PR: 8)

9. Stillwater (PR: 9)

10. Promising Young Woman (PR: 10)

11. C’Mon C’Mon (PR: 12)

12. Red, White and Water (PR: 14)

13. On the Rocks (PR: 13)

14. Annette (PR: 11)

15. Never Rarely Sometimes Always (PR: Not Ranked)

Dropped Out:

Tenet

Best Adapted Screenplay

Predicted Nominees:

1. Nomadland (PR: 1)

2. News of the World (PR: 2)

3. One Night in Miami (PR: 9)

4. Ma Rainey’s Black Bottom (PR: 5)

5. The Father (PR: 4)

Other Possibilities:

6. Dune (PR: 3)

7. Hillbilly Elegy (PR: 6)

8. West Side Story (PR: 8)

9. I’m Thinking of Ending Things (PR: 7)

10. French Exit (PR: 11)

11. Next Goal Wins (PR: 12)

12. The United States vs. Billie Holiday (PR: 10)

13. The Humans (PR: 13)

14. First Cow (PR: Not Ranked)

15. Respect (PR: 15)

Dropped Out:

The Eyes of Tammy Faye 

And that does it for now, folks! I’ll be back at it next Thursday…