Tag: Angelina Jolie

97th Academy Awards Predictions: May 5, 2024

Cinco de Mayo brings the second ranked post for the 97th Academy Awards in the six major races- Picture, Director, and the four acting derbies. Obviously we’re early in the process and, at the moment, a lot of speculation is simply on where certain performers will be placed (lead or supporting). Some examples: His Three Daughters from director Azazel Jacobs screened to impressive reviews at Toronto last fall and has been given a plum Netflix streaming start for this autumn. The title characters are played by Carrie Coon, Natasha Lyonne, and Elizabeth Olsen. The studio has a decision to make on which categories the trio are campaigned in. I am currently guesstimating that Lyonne will be lead with the other two in supporting. It is indeed a guesstimate. They could all go supporting. Coon could be an Actress play with the others in supporting. Obviously I’ll adjust as the weeks and months move along as updates are provided.

Then there’s Saoirse Ronan. The four-time nominee and no time winner has two 2024 shots. Her work in The Outrun premiered at Sundance, indicating a definite possibility for a lead Actress nod. She is also in Steve McQueen’s Blitz which sure looks like an awards hopeful on paper. Whether she’s lead or supporting in it remains to be seen. Apple TV might have better luck putting her in Supporting Actress and that’s where I have her. However, we don’t know if that’s workable at press time.

Beyond the thespians, we have head scratchers like Kevin Costner’s western epic Horizon: An American Saga. Make that Horizon: An American Saga – Chapter 1 (slated for late June) and Horizon: An American Saga – Chapter 2 (arriving mid-August). Could the Dances with Wolves maker have another chance at Oscar glory? If so, which chapter books its spot on the BP list? I’m speculating that the better chance lies with the second one.

Horizon will first be seen at Cannes and that fest kicks off May 14th. Some other pictures showing there include Kinds of Kindness, Megalopolis, The Apprentice, Bird, Furiosa: A Mad Max Saga, Emilia Perez, and Anora. When I publish my next update in a couple of weeks, some of them will have reviews and buzz.

Here’s how I have it shaking out now!

Best Picture

Predicted Nominees:

1. Blitz (Previous Ranking: 1) (Even)

2. Dune: Part Two (PR: 2) (E)

3. Conclave (PR: 3) (E)

4. Sing Sing (PR: 4) (E)

5. Queer (PR: 6) (+1)

6. The End (PR: 5) (-1)

7. The Fire Inside (PR: 7) (E)

8. Kinds of Kindness (PR: 9) (+1)

9. Bird (PR: 8) (-1)

10. His Three Daughters (PR: Not Ranked)

Other Possibilities:

11. Joker: Folie à Deux (PR: 11) (E)

12. Horizon: An American Saga – Chapter 2 (PR: 19) (+7)

13. The Apprentice (PR: 12) (-1)

14. Furiosa: A Mad Max Saga (PR: 14) (E)

15. The Piano Lesson (PR: 18) (+3)

16. Megalopolis (PR: 17) (+1)

17. Maria (PR: 16) (-1)

18. The Nickel Boys (PR: 22) (+4)

19. Civil War (PR: 15) (-4)

20. Hit Man (PR: Not Ranked)

21. A Real Pain (PR: 20) (-1)

22. The Supremes at Earl’s All-You-Can-Eat (PR: 13) (-9)

23. Dídi (PR: 10) (-13)

24. Hard Truths (PR: 23) (-1)

25. SNL 1975 (PR: Not Ranked)

Dropped Out:

Here

Wicked

Gladiator II

Best Director

Predicted Nominees:

1. Steve McQueen, Blitz (PR: 1) (E)

2. Denis Villeneuve, Dune: Part Two (PR: 2) (E)

3. Edward Berger, Conclave (PR: 3) (E)

4. Joshua Oppenheimer, The End (PR: 4) (E)

5. Andrea Arnold, Bird (PR: 9) (+4)

Other Possibilities:

6. Luca Guadagnino, Queer (PR: 6) (E)

7. Yorgos Lanthimos, Kinds of Kindness (PR: 8) (+1)

8. Rachel Morrison, The Fire Inside (PR: 5) (-3)

9. Todd Phillips, Joker: Folie à Deux (PR: 10) (+1)

10. Greg Kwedar, Sing Sing (PR: 7) (-3)

11. George Miller, Furiosa: A Mad Max Saga (PR: 11) (E)

12. Kevin Costner, Horizon: An American Saga – Chapter 2 (PR: Not Ranked)

13. Francis Ford Coppola, Megalopolis (PR: 14) (+1)

14. Ali Abbisi, The Apprentice (PR: 15) (+1)

15. Azazel Jacobs, His Three Daughters (PR: Not Ranked)

Dropped Out:

Sean Wang, Dídi

Alex Garland, Civil War

Best Actress

Predicted Nominees:

1. Angelina Jolie, Maria (PR: 1) (E)

2. Saoirse Ronan, The Outrun (PR: 10) (+8)

3. Natasha Lyonne, His Three Daughters (PR: Not Ranked) – moved from Supporting

4. Ryan Destiny, The Fire Inside (PR: 3) (-1)

5. Lady Gaga, Joker: Folie à Deux (PR: 4) (-1)

Other Possibilities:

6. Tilda Swinton, The End (PR: 5) (-1)

7. Amy Adams, Nightbitch (PR: 6) (-1)

8. Karla Sofia Gascón, Emilia Perez (PR: 9) (+1)

9. Marianne Jean-Baptiste, Hard Truths (PR: 7) (-2)

10. Zendaya, Challengers (PR: 13) (+3)

11. Jessica Lange, Long Day’s Journey Into Night (PR: 11) (E)

12. Florence Pugh, We Live in Time (PR: Not Ranked)

13. Anne Hathaway, Mother Mary (PR: 12) (-1)

14. Uzo Aduba, The Supremes at Earl’s All-You-Can-Eat (PR: 8) (-6)

15. Noemie Merlant, Emmanuelle (PR: 15) (E)

Dropped Out:

Saoirse Ronan, Blitz (moved to Supporting)

Cynthia Erivo, Wicked

Best Actor

Predicted Nominees:

1. Colman Domingo, Sing Sing (PR: 1) (E)

2. Ralph Fiennes, Conclave (PR: 2) (E)

3. Daniel Craig, Queer (PR: 4) (+1)

4. Barry Keoghan, Bird (PR: 3) (-1)

5. André Holland, The Actor (PR: 5) (E)

Other Possibilities:

6. Joaquin Phoenix, Joker: Folie à Deux (PR: 6) (E)

7. Glen Powell, Hit Man (PR: 9) (+2)

8. Sebastian Stan, The Apprentice (PR: 8) (E)

9. John David Washington, The Piano Lesson (PR: 10) (+1)

10. George MacKay, The End (PR: 7) (-3)

11. Sebastian Stan, A Different Man (PR: 13) (+2)

12. Paul Bettany, The Collaboration (PR: 14) (+2)

13. Andrew Garfield, We Live in Time (PR: Not Ranked)

14. Kingsley Ben-Adir, Bob Marley: One Love (PR: 15) (+1)

15. Kevin Costner, Horizon: An American Saga – Chapter 2 (PR: Not Ranked)

Dropped Out:

Timothée Chalamet, Dune: Part Two

Adam Driver, Megalopolis

Best Supporting Actress

Predicted Nominees:

1. Isabella Rossellini, Conclave (PR: 2) (+1)

2. Saoirse Ronan, Blitz (PR: Not Ranked) – moved from lead Actress

3. Joan Chen, Dídi (PR: 1) (-2)

4. Carrie Coon, His Three Daughters (PR: Not Ranked)

5. Aunjanue Ellis-Taylor, The Nickel Boys (PR: 8) (+3)

Other Possibilities:

6. Hong Chau, Kinds of Kindness (PR: 5) (-1)

7. Lesley Manville, Queer (PR: 4) (-3)

8. Danielle Deadwyler, The Piano Lesson (PR: 9) (+1)

9. Elizabeth Olsen, His Three Daughters (PR: Not Ranked)

10. Erin Kellyman, Blitz (PR: 3) (-7)

11. Jodie Comer, The Bikeriders (PR: 6) (-5)

12. Maria Bakalova, The Apprentice (PR: 7) (-5)

13. Toni Collette, Juror No. 2 (PR: Not Ranked)

14. Margaret Qualley, Kinds of Kindness (PR: 15) (+1)

15. Zoe Saldaña, Emilia Perez (PR: 11) (-4)

Dropped Out:

Natasha Lyonne, His Three Daughters (moved to lead Actress)

Aunjanue Ellis-Taylor, The Supremes at Earl’s All-You-Can-Eat

Cailee Spaeny, Civil War

Naomi Watts, Emmanuelle

Best Supporting Actor

Predicted Nominees:

1. Stanley Tucci, Conclave (PR: 1) (E)

2. Clarence Maclin, Sing Sing (PR: 2) (E)

3. Brian Tyree Henry, The Fire Inside (PR: 3) (E)

4. Kieran Culkin, A Real Pain (PR: 4) (E)

5. Samuel L. Jackson, The Piano Lesson (PR: 7) (+2)

Other Possibilities:

6. Drew Starkey, Queer (PR: 8) (+2)

7. Jeremy Strong, The Apprentice (PR: 6) (-1)

8. Franz Rogowski, Bird (PR: Not Ranked)

9. John Lithgow, Conclave (PR: 11) (+2)

10. Adam Pearson, A Different Man (PR: 10) (E)

11. Harris Dickinson, Blitz (PR: 9) (-2)

12. Leigh Gill, Blitz (PR: 5) (-7)

13. Jesse Plemons, Kinds of Kindness (PR: Not Ranked)

14. Stephen Graham, Blitz (PR: Not Ranked)

15. Javier Bardem, Dune: Part Two (PR: Not Ranked)

Dropped Out:

Forest Whitaker, Megalopolis

Paul Raci, Sing Sing

Austin Butler, Dune: Part Two

Edgar Ramirez, Emilia Perez

97th Academy Awards Predictions: April 21, 2024

A month and change after the 96th Academy Awards aired, it is time for my first ranked predictions for the next ceremony coming your way March 2, 2025.

Yes, it’s early. However, I posted my inaugural numbered forecasts for Best Picture, Director, and the four acting derbies around the same juncture a year ago. The results named the eventual winners in all six races. In BP, four of the 10 contenders were predicted (including Oppenheimer) while three others were listed in Other Possibilities. For Director, I correctly called 2 of the 5 filmmakers (including Christopher Nolan) with two others in Other Possibilities. Best Actress yielded just one, but it was statue recipient Emma Stone for Poor Things. Two others were listed in Other Possibilities. Best Actor also saw one with three of the others in Other Possibilities (including Oppenheimer himself, Cillian Murphy). For Supporting Actress, it was 1 and then 2 in Other Possibilities (including victor Da’Vine Joy Randolph for The Holdovers). Finally, in Supporting Actor, it was one in the projected quintet with three in Other Possibilities and that includes Robert Downey Jr. for Oppenheimer.

Let’s get those caveats out of the way. Some of the performers predicted in lead will end up in supporting and vice versa. That happened in 2023 when I had Lily Gladstone (Killers of the Flower Moon) at #1 in Supporting Actress and then she ended up being campaigned for and was nominated in Best Actress. Some of the movies will get pushed back to 2025. There’s a few from my first projections in April 2023 that were supposed to come out that year. You’ll find them listed below and that list includes heavy hitters like Dune: Part Two, Blitz, Challengers, The Nickel Boys, The Piano Lesson, Nightbitch, and The Fire Inside to name a few.

You can expect these predictions to be updated every couple of weeks before it turns into a weekly post starting in late summer/early fall when festival season goes into overdrive. A smattering of these titles will have reviews up when they premiere at Cannes less than a month from now. They include Bird, Kinds of Kindness, Megalopolis, Furiosa: A Mad Max Saga, The Apprentice, Emilia Perez, and Horizon: An American Saga.

With all that out of the way – here are those first ranked takes!

BEST PICTURE

Predicted Nominees:

1. Blitz

2. Dune: Part Two

3. Conclave

4. Sing Sing

5. The End

6. Queer

7. The Fire Inside

8. Bird

9. Kinds of Kindness

10. Dídi

Other Possibilities:

11. Joker: Folie à Deux

12. The Apprentice

13. The Supremes at Earl’s All-You-Can-Eat

14. Furiosa: A Mad Max Saga

15. Civil War

16. Maria

17. Megalopolis

18. The Piano Lesson

19. Horizon: An America Saga – Chapter 2

20. A Real Pain

21. Here

22. The Nickel Boys

23. Hard Truths

24. Wicked

25. Gladiator II

Best Director

Predicted Nominees:

1. Steve McQueen, Blitz

2. Denis Villeneuve, Dune: Part Two

3. Edward Berger, Conclave

4. Joshua Oppenheimer, The End

5. Rachel Morrison, The Fire Inside

Other Possibilities:

6. Luca Guadagnino, Queer

7. Greg Kwedar, Sing Sing

8. Yorgos Lanthimos, Kinds of Kindness

9. Andrea Arnold, Bird

10. Todd Phillips, Joker: Folie à Deux

11. George Miller, Furiosa: A Mad Max Saga

12. Sean Wang, Dídi

13. Alex Garland, Civil War

14. Francis Ford Coppola, Megalopolis

15. Ali Abbisi, The Apprentice

Best Actress

Predicted Nominees:

1. Angelina Jolie, Maria

2. Saoirse Ronan, Blitz

3. Ryan Destiny, The Fire Inside

4. Lady Gaga, Joker: Folie á Deux

5. Tilda Swinton, The End

Other Possibilities:

6. Amy Adams, Nightbitch

7. Marianne Jean-Baptiste, Hard Truths

8. Uzo Aduba, The Supremes at Earl’s All-You-Can-Eat

9. Karla Sofia Gascón, Emilia Perez

10. Saoirse Ronan, The Outrun

11. Jessica Lange, Long Day’s Journey Into Night

12. Anne Hathaway, Mother Mary

13. Zendaya, Challengers

14. Cynthia Erivo, Wicked

15. Noemie Merlant, Emmanuelle

Best Actor

Predicted Nominees:

1. Colman Domingo, Sing Sing

2. Ralph Fiennes, Conclave

3. Barry Keoghan, Bird

4. Daniel Craig, Queer

5. André Holland, The Actor

Other Possibilities:

6. Joaquin Phoenix, Joker: Folie à Deux

7. George MacKay, The End

8. Sebastian Stan, The Apprentice

9. Glen Powell, Hit Man

10. John David Washington, The Piano Lesson

11. Timothée Chalamet, Dune: Part Two

12. Adam Driver, Megalopolis

13. Sebastian Stan, A Different Man

14. Paul Bettany, The Collaboration

15. Kingsley Ben-Adir, Bob Marley: One Love

Best Supporting Actress

Predicted Nominees:

1. Joan Chen, Dídi

2. Isabella Rossellini, Conclave

3. Erin Kellyman, Blitz

4. Lesley Manville, Queer

5. Hong Chau, Kinds of Kindness

Other Possibilities:

6. Jodie Comer, The Bikeriders

7. Maria Bakalova, The Apprentice

8. Aunjanue Ellis-Taylor, The Nickel Boys

9. Danielle Deadwyler, The Piano Lesson

10. Aunjanue Ellis-Taylor, The Supremes at Earl’s All-You-Can-Eat

11. Zoe Saldana, Emilia Perez

12. Cailee Spaeny, Civil War

13. Naomi Watts, Emmanuelle

14. Natasha Lyonne, His Three Daughters

15. Margaret Qualley, Kinds of Kindness

Best Supporting Actor

Predicted Nominees:

1. Stanley Tucci, Conclave

2. Clarence Maclin, Sing Sing

3. Brian Tyree Henry, The Fire Inside

4. Kieran Culkin, A Real Pain

5. Leigh Gill, Blitz

Other Possibilities:

6. Jeremy Strong, The Apprentice

7. Samuel L. Jackson, The Piano Lesson

8. Drew Starkey, Queer

9. Harris Dickinson, Blitz

10. Adam Pearson, A Different Man

11. John Lithgow, Conclave

12. Forest Whitaker, Megalopolis

13. Paul Raci, Sing Sing

14. Austin Butler, Dune: Part Two

15. Edgar Ramirez, Emilia Perez

As always, keep an eye on the blog for future updates and Oscar Prediction posts focusing in various pictures as they screen!

97th Academy Awards: FIRST Predictions in Best Actress

We are about a month removed from the 96th Academy Awards airing so that means it’s time to start speculating on the 97th. These are my initial glimpses at the four acting races, Director, and Picture and they will unfold on the blog over the next few days. I already posted my first takes on the supporting derbies and Best Actor and they can be perused here:

97th Academy Awards: FIRST Predictions in Best Actor
97th Academy Awards: FIRST Predictions in Best Supporting Actress
97th Academy Awards: FIRST Oscar Predictions in Best Supporting Actor

We now move to Actress. When I did my first picks on the competition in 2023, it yielded the winner with Emma Stone for Poor Things. I will note that her main competitor – Lily Gladstone in Killers of the Flower Moon – was listed at that time as a Supporting Actress contender and not lead. Under the 10 other possibilities, I named Annette Bening in Nyad and Carey Mulligan for Maestro. I did not identify Sandra Hüller (Anatomy of a Fall) at that early juncture.

Let’s start with an obvious caveat… it’s early. Some movies listed are likely to be pushed back or simply not turn out as awards contenders. Actresses listed here could end up being campaigned for in supporting actress (the vice versa of Gladstone).

Speaking of Gladstone, she could make a return appearance with Fancy Dance. So could Ms. Stone though I do wonder if the anthology format of Kinds of Kindness slots her here or in lead. Other possibilities include the return of Angelina Jolie to the awards conversation as opera legend Maria Callas in Maria and Lady Gaga as Joker’s muse Harley Quinn in Joker: Folie à Deux.

Here’s the first snapshot:

TODD’S FIRST OSCAR PREDICTIONS FOR BEST ACTRESS AT THE 97TH ACADEMY AWARDS:

Amy Adams, Nightbitch

Ryan Destiny, The Fire Inside

Lady Gaga, Joker: Folie à Deux

Angelina Jolie, Maria

Saoirse Ronan, Blitz

Other Possibilitities:

Glenn Close, The Summer Book

Karla Sofia Gascón, Emilia Perez

Lily Gladstone, Fancy Dance

Anne Hathaway, Mother Mary

Marianne Jean-Baptiste, Hard Truths

Noemie Merlant, Emmanuelle

Florence Pugh, We Live in Time

Saoirse Ronan, The Outrun

Tilda Swinton, The End

Zendaya, Challengers

Best Director is up next!

Is Origin An Oscar Sleeper?

Last year, a late breaking Oscar campaign for Andrea Riseborough’s performance in the micro-budgeted drama To Leslie resulted in success. With various celebrities holding events touting her work, Riseborough nabbed one of the five slots in Actress (over favored competitors like Danielle Deadwyler in Till and Viola Davis in The Woman King). This resulted in both controversy and kudos for a unique way to campaign for gold hardware.

Now for the 96th Academy Awards, we have another midnight hour title raising eyebrows in the form of Selma director Ana DuVernay’s Origin. Based on Isabel Wilkerson’s nonfiction novel, the race relations drama premiered on the festival circuit early in the fall at Venice and Toronto. Some reviews were raves, but not all. An 80% Rotten Tomatoes score resulted and Neon picked up distribution rights. Its wide release comes this Friday.

That timing could come in handy. However, Origin hasn’t been seen as a true threat for Picture, Adapted Screenplay, or Actress. Yet there’s been some noteworthy activity over the past week. Angelina Jolie hosted an FYC event with DuVernay and the film’s lead Aunjanue Ellis-Taylor (nominated for Supporting Actress in 2021 for King Richard). Today the USC Scripter nods for Adapted Screenplay had this in their top 5 along with expected heavy hitters American Fiction, Killers of the Flower Moon, Oppenheimer, and Poor Things.

Could Origin nab a screenplay mention from the Academy? That’s still a tough road. The other four titles should make the cut and Barbie is also an adapted work according to Oscar (despite that being heavily debatable). It wasn’t eligible for the USC prize due to their rules.

Where this could “come out of nowhere” as Riseborough did is in Actress. I would say Lily Gladstone in Flower Moon and Emma Stone in Poor Things are locked in. Sandra Hüller (Anatomy of a Fall) and Carey Mulligan (Maestro) aren’t shoo-ins, but their inclusion is expected. Then we have one slot up for grabs and hopefuls include Greta Lee (Past Lives), Margot Robbie (Barbie), and Annette Bening (Nyad). We shall see if this fresh round of campaigning puts Ellis-Taylor in the mix. I have my doubts. Then again I didn’t predict Riseborough a year ago and was proven wrong.

I do think Best Picture is a reach. At best, this might be 12th or 13th as far as possibilities. Or perhaps the power of Jolie isn’t to be underestimated. My final Oscar predictions are arriving on the blog imminently…

Best Picture 2008: The Expanded Ten

Earlier this summer, I completed a blog series on a particular piece of speculative Oscar history. From 2009 to the present, there has been anywhere from 8-10 Best Pictures nominees at the Academy Awards. The number has been set at 10 for the past couple of years and fluctuated previously. Before 2009, it was a quintet of films competing for the prize. I penned 14 posts making predictions on which five pics would have made the cut if it had stayed at that smaller number. **Click on that Oscar History tab on the blog to access all of them!

Beginning today… my speculation turns to the reverse. What if the Academy had always honored 10 motion pictures? From 1944-2008, there were always five vying for attention. For a completist view, there were five for the first two Oscars (1929 and 1930). We had eight in 1931. From 1932 to 1943, it was ten.

This series will project the other five that I believe would’ve gotten in beginning in 2008. In fact, it’s because of that year’s biggest grosser not being included that may have prompted the Academy to expand again in the first place. We’ll get there in just a minute.

We do, of course, know five of the ten and that would be the ones that were nominated. Danny Boyle’s Slumdog Millionaire dominated the ceremony with ten nods and an impressive eight victories in Picture, Director, Adapted Screenplay, Cinematography, Film Editing, Original Score, Original Song, and Sound Mixing.

David Fincher’s The Curious Case of Benjamin Button received the most overall mentions with 13 and took home 3 (Art Direction, Makeup, Visual Effects).

Our other trio of contenders were Ron Howard’s Frost/Nixon (o for 5 in nominations), Gus Van Sant’s Milk (8 nods with Sean Penn winning Actor as well as an Original Screenplay statue), and Stephen Daldry’s The Reader (5 nominations with Kate Winslet taking Actress).

The 81st Academy Awards were a rare year when the five Picture hopefuls matched the five filmmakers nominated in Best Director. In other words, there are no clues there for additional BP pics for the purposes of this post.

Yet for the ones that could’ve made the dance in an expanded lineup, we do begin with 2008’s largest moneymaker and that’s Christopher Nolan’s The Dark Knight. It did manage to score 8 mentions with Heath Ledger winning a posthumous Supporting Actor prize (in addition to Sound Editing gold). The fact that it didn’t break into BP was heavily criticized online and elsewhere. If there had been 10 pics up, that almost certainly wouldn’t have been the case.

I would say the same for Pixar’s Wall-E. When it went to 10 movies in 2009 and 2010, the studio’s Up and Toy Story 3 were in. The robotic adventure was the victor in Animated Feature and was nominated in five more races in Original Screenplay, Original Score, Original Song, Sound Editing, and Sound Mixing. Like Knight, Wall-E is an easy pick.

For the 8th spot, I’m fairly confident in Doubt. John Patrick Shanley’s drama (based on his Pulitzer Prize winning play) saw four of its actors nominated and was up for Adapted Screenplay. That combo is enough to assume inclusion.

Then it gets complicated for the 9th and 10th slots and there’s a few possibilities to ponder. Darren Aronofsky’s The Wrestler saw Mickey Rourke and Marisa Tomei up, but a screenplay miss makes me skeptical. Clint Eastwood’s Changeling had three noms (including Angelina Jolie in Actress), but drew mixed reviews. Woody Allen’s Vicky Christina Barcelona, despite taking the Golden Globe in Musical/Comedy, was only nominated for Penelope Cruz’s supporting turn (for which she won). Martin McDonagh’s In Bruges and Mike Leigh’s Happy-Go-Lucky were both up for Original Screenplay and that race alone. There’s usually one or two screenplay nominees that are only up for that category. Iron Man was a gigantic hit which kicked off the MCU. I doubt the Academy would have honored two comic book adaptations. The Duchess won Costume Design and was nominated for its Art Direction. It also was greeted with a mixed critical response.

All of those titles, to one degree or another, are worthy of consideration for the last two spots. I’m going with an indie selection in Courtney Hunt’s Frozen River which was nominated for Actress (Melissa Leo) and Original Screenplay. Let’s call it 2008’s Winter’s Bone (which would make the 2010 BP ten).

Lastly, I’m naming Revolutionary Road from Sam Mendes. Despite it missing noms for stars Leonardo DiCaprio and Kate Winslet, it received a Golden Globe nod in Drama and three Academy mentions for Supporting Actor (Michael Shannon), Art Direction, and Costume Design. That might have been just enough for #10.

So there you have it! That means my 2008 Best Picture expanded to ten is:

The Curious Case of Benjamin Button

The Dark Knight

Doubt

Frost/Nixon

Frozen River

Milk

The Reader

Revolutionary Road

Slumdog Millionaire

Wall-E

I’ll have 2007 up for your reading pleasure soon!

Eternals Review

When the core group of Avengers assembled in their climactic battle for that classic shot from the 2012 film, it held power because we’d come to know them in previous MCU entries. By the time we got to 2019 as seemingly half of Hollywood was ready to take on Thanos in Avengers: Endgame, the same emotions were present. The mere fact that we were witnessing many members of Marvel’s extensive roster ready for action via high quality predecessors was impressive.

That’s a testament to what Kevin Feige and team had pulled off. For all the nitpicking about the franchise, it’s easy to forget the monumental achievement in bringing these heroes to life in 20 plus pictures and getting us back to care about them. That’s not an easy assignment and they pulled it off.

This brings us to Eternals, the 26th entry in the series. And it often feels like we are meant to feel the same sentiments that I’ve described above. There’s a problem with that. Chloe Zhao’s immersion into the MCU is tasked with introducing us to a brand new team of heroes in its 156 minutes. Most of them, quite frankly, aren’t very compelling. Comic book lovers may be familiar, but the masses aren’t. When Iron Man got the gang together nearly a decade ago, we knew the gang. Eternals, which loves it landscapes and sunsets silhouetting its protagonists, strains to properly introduce them. For a movie that feels long, it’s still short on character development and getting us to care about this team in ways we previously did. I admired plenty about this latest adventure, but it still stands as one of the MCU’s overall weakest experiences.

A prologue set in 5000 B.C. establishes the players. The Eternals are a group of immortals tasked with saving planets from Deviants, a lot of monstrous CGI creations. Their leader is Ajak (Salma Hayek), who takes her orders from the almighty Arishem. Each Eternal has their own set of powers. Sersi (Gemma Chan) can transform matter. Her love interest Ikaris (Richard Madden) can shoot freakin lasers from his eyeballs (think Cyclops). Phastos (Brian Tyree Henry) is the science nerd capable of advancing technology centuries ahead of time. And… we’re gonna be here all day if I keep this up, but a couple more. Sprite (Lia McHugh) can create illusions, but can’t hide the fact that she’ll look like a 12-year-old girl for eternity. Thena (Angelina Jolie) is capable of creating weapons from thin air. Yet she’s a weapon herself because she has a condition that causes her to turn against her counterparts and try to kill them.

The Eternals spend centuries on Earth taking on the Deviants and appear to achieve their mission in 1521. The band breaks up and they’re free to roam free on our Earthly soil, which Nomadland director Zhao frames in loving travelogue mode. Importantly, Ajak orders them not to interfere with the many conflicts that will transpire over the coming centuries. That means the Eternals are not involved when Thanos wipes out half the population in Avengers: Infinity War. They’re not showing up for house calls with Doctor Strange or assisting Hulk smash anything.

In present day, the Deviants resurface and they must assemble (!) again. Some have taken on unexpected careers. Kingo (Kumail Nanjiani) is a Bollywood leading man with a trusty assistant (Harish Patel). He’s been a superstar for decades with the public believing his dad, granddad, and so on were different people. The real function for Nanjiani is to provide some comic relief in a story that needs it.. The actor and the superb Patel are up to the assignment. They might be the two characters I’d be excited to see return in future MCU tales.

On the flip side, the failed romance between Sersi and Ikaris is a yawner. And familiar faces like Hayek and Jolie aren’t given enough screen time to register. Barry Keoghan, always a compelling actor to watch, is Druig. He can manipulate minds and his superpower runs counter to his orders. Druig has the potential for a fascinating character arc yet, once again, the packed nature of the screenplay prevents it.

The look of Eternals is undoubtedly different than the MCU sheen we’re accustomed to. It has more of a real location feel as opposed to video game extravaganza. Some of the action sequences are well constructed. Others fall into the confused CGI jumble that’s hampered even some of the finest franchise flicks.

Here’s the bottom line – Eternals is by no means bad (even the middling stories in this series are quite watchable). It feels unnecessary because it never fully succeeds at making us understand why we need to be invested. Ajak’s hideaway in the present day is in South Dakota. Nothing that happens here made me think any Eternal will be carved into the Mt. Rushmore of Marvel’s cinematic universe.

**1/2 (out of four)

Eternals Box Office Prediction

The Marvel Cinematic Universe has been unleashing product at a furious pace following COVID delays and that continues November 5th with Eternals. Arriving four months after Black Widow, two months following Shang-Chi and the Legend of the Ten Rings and a month a half before Spider-Man: No Way Home, this is the 26th MCU superhero tale in the massive series. Chloe Zhao, fresh off a Best Picture and Director win for Nomadland, directs with a cast featuring Gemma Chan, Richard Madden, Kumail Nanjiani, Lia McHugh, Brian Tyree Henry, Lauren Ridloff, Barry Keoghan, Don Lee, Kit Harington, Salma Hayek, and Angelina Jolie.

Originally scheduled for November 2020 before the pandemic altered Disney’s plans, this is the long anticipated adaptation of Jack Kirby’s comics that debuted over half a century ago. Surprisingly, initial buzz is mixed in a way Marvel rarely sees. The Rotten Tomatoes meter currently sits at 63%. That’s the lowest score of any MCU offering to date (just below Thor: The Dark World‘s 66%).

If there’s any franchise that’s teflon, it would be this one. Reviews shouldn’t matter too much, but the word-of-mouth could keep Eternals from reaching COVID era records. Venom: Let There Be Carnage has the best three day start of the period with $90 million. In July, Black Widow took in $80 million out of the gate. Over Labor Day weekend, Shang-Chi surpassed projections with $75 million from Friday to Sunday and $94 million when adding the Monday haul.

Had Eternals achieved the glowing chatter of Shang-Chi, I might be discussing an opening weekend of over $100 million. Now I’m skeptical. I believe it’s more likely that Eternals could debut on pace with what its MCU predecessor did during the first three days. That’s just fine, but it’s an adjustment down from what I would’ve figured even a week or so ago.

Eternals opening weekend prediction: $77.8 million

For my Spencer prediction, click here:

Spencer Box Office Prediction

Oscar Predictions: Eternals

Chloe Zhao was the big winner at the previous Academy Awards when Nomadland took Best Picture and she became the second female filmmaker to take the trophy for her direction. Her follow-up is a high profile one in Marvel’s Eternals, which opens November 5th and had its review embargo lifted today.

With an eclectic cast including Gemma Chan, Richard Madden, Kumail Nanjiani, Lia McHugh, Brian Tyree Henry, Lauren Ridloff, Barry Keoghan, Kit Harington, Salma Hayek, and Angelina Jolie, MCU entry #26 is undoubtedly one of 2021’s most anticipated blockbusters. However, critical reaction is certainly mixed. The 74% Rotten Tomatoes score is on the lower side for this series. Just this year, Black Widow stands at 79% while Shang-Chi and the Legend of the Ten Rings got to 92%.

Any thought of Zhao’s having two Best Picture winners or nominees in a row (or being mentioned again in Director) has fallen by the wayside. The one race where I did feel hope for Eternals sprung was in Visual Effects. That could still happen, but I’m not near as confident. Competition will be fairly strong. Dune is easily the frontrunner and will likely win. Other notable contenders include The Matrix Resurrections, Don’t Look Up, Godzilla vs. Kong, Nightmare Alley, Jungle Cruise, Finch, and Free Guy. And then there’s the other MCU rivals like Shang-Chi and the upcoming Spider-Man: No Way Home. 

There could still be room for Eternals in VE, but I’m thinking it may on the outside looking in. Even some of the reviews aren’t gushing about the visuals. Bottom line: Eternals took itself out of the running for the big races and could be iffy in the one tech competition where I thought it stood an excellent shot. My Oscar Prediction posts for the films of 2021 will continue…

Summer 2001: The Top 10 Hits and More

My annual recounting of the cinematic seasons that preceded 30, 20, and 10 years prior continues on the blog today with the summer of 2001! It was a frame dominated by an animated jolly green giant that kicked off a massive franchise for its studio.

As is tradition, I’ll run through the top 10 domestic grossers as well as other notables pics and some flops. If you missed my post covering 1991’s May-August output, you can find it here:

https://toddmthatcher.com/2021/06/26/summer-1991-the-top-10-hits-and-more/

Let’s get to it!

10. Dr. Dolittle 2

Domestic Gross: $112 million

Eddie Murphy returned as the doc who talks to animals in this sequel that managed to cross the century mark, but failed to approach the $144 million earned by its 1998 predecessor. This would mark the end of Eddie’s involvement in the franchise, but a direct to DVD third helping came in 2006.

9. Lara Croft: Tomb Raider

Domestic Gross: $131 million

Angelina Jolie (fresh off an Oscar for Girl, Interrupted) headlined the video game adaptation that, despite weak reviews, spawned a sequel and an eventual reboot with Alicia Vikander that will soon get its own follow-up.

8. The Fast and the Furious

Domestic Gross: $144 million

We first saw Vin Diesel and Paul Walker and those souped up whips 20 years ago. Unless you’ve been living under a rock (or haven’t heard of The Rock), this begat a franchise which is still running strong today. F9 is currently the #1 movie in America in this series that has topped a billion bucks.

7. American Pie 2

Domestic Gross: $145 million

Universal quickly green lighted this sequel to 1999’s smash hit comedy. The gross out gags in part 2 (which resulted in another theatrical effort in 2003 and numerous direct to DVD entries) stands as the largest worldwide earner of the bunch.

6. Planet of the Apes

Domestic Gross: $180 million

Tim Burton’s reimagining of the 1968 classic didn’t result in the new franchise that 20th Century Fox hoped for. Critics had their knives out for Mark Wahlberg’s lead performance and the surprise ending that didn’t pack the wallop of Charlton Heston’s encounter with the Statue of Liberty. The studio would get their successful trilogy a decade later beginning with Rise of the Planet of the Apes (which will be covered in 2011’s blog post).

5. Jurassic Park III

Domestic Gross: $181 million

Joe Johnston took over directorial duties from Steven Spielberg is this threequel. Sam Neill was back in this dino-tale that (while profitable) failed to reach the heights of the first two commercially. A reboot 14 years later would get the series back in billion dollar good standing.

4. Pearl Harbor

Domestic Gross: $198 million

Michael Bay’s romantic war epic failed with reviewers but still approached $200 million domestically and $450 million worldwide. Its six Golden Raspberry nominations topped its four Oscar nods.

3. The Mummy Returns

Domestic Gross: $202 million

Brendan Fraser and Rachel Weisz returned for this adventure sequel to the 1999 hit that topped part 1 domestically by nearly $50 million. Dwayne “The Rock” Johnson would join the fun here and was rewarded with his spin-off (The Scorpion King) the next year. A third Mummy landed with disappointing results in 2008.

2. Rush Hour 2

Domestic Gross: $226 million

It was the best of times for director Brett Ratner and stars Chris Tucker and Jackie Chan as this action comedy built upon the grosses of the 1998 original. A third would follow six years later.

1. Shrek

Mike Myers as the title character ogre, Eddie Murphy stealing scenes with his voice work as Donkey, and Cameron Diaz as Princess Fiona proved that Disney wasn’t the only animation game in town. Shrek even competed for the Palme d’Or at the Cannes Film Festival in this DreamWorks game changer that resulted in three sequels and a stage musical.

And now for some other notables flicks from the summer that was:

The Princess Diaries

Domestic Gross: $108 million

Disney’s live-action fairy tale served as a breakout role for Anne Hathaway and a return to the studio for Julie Andrews for the first time since Mary Poppins. A 2004 sequel followed.

The Others

Domestic Gross: $96 million

With its own Sixth Sense style twist ending, this gothic horror pic with Nicole Kidman earned solid reviews and got genre fans to turn out.

Legally Blonde

Domestic Gross: $96 million

Shrek isn’t the only feature to spawn a Broadway treatment. So did this Reese Witherspoon hit which also resulted in a sequel and a third Blonde that is slated for May 2022.

Cats & Dogs

Domestic Gross: $93 million

Dr. Dolittle wasn’t the only animal game in town. This kiddie pic featuring featuring talking creatures also began a franchise.

A.I.: Artificial Intelligence

Domestic Gross: $78 million

Long planned as a project for Stanley Kubrick (who passed away in 1999), Steven Spielberg directed this sci-fi visual feast with Haley Joel Osment. The film elicited strong reactions from critics and crowds (both positively and negatively). It may not have reached $100 million domestic, but it’s still a picture people like to debate about today and that’s more that can be said for most titles on this list.

Swordfish

Domestic Gross: $69 million

Hugh Jackman and John Travolta headlined this action pic which somewhat underperformed expectations. This is mostly known as the film that paid Halle Berry an extra $500,000 to go topless during a few seconds of screen time.

Moulin Rouge!

Domestic Gross: $57 million

Baz Luhrmann’s postmodern musical with Nicole Kidman and Ewan McGregor scored 8 Oscar nominations and has its legions of fans that have endured over the past two decades.

Sexy Beast

Domestic Gross: $6 million

This crime drama is mostly known for its menacing supporting turn from Sir Ben Kingsley, who was rewarded with an Oscar nod.

Ghost World

Domestic Gross: $6 million

Terry Zwigoff’s dark comedy (based on a late 90s comic book) earned raves for its screenplay and for costars Thora Birch, Scarlett Johansson, and Steve Buscemi.

And now for some pictures that did not meet expectations:

America’s Sweethearts

Domestic Gross: $93 million

Yes, it may have approached $100 million, but this rom com starring Julia Roberts and featuring John Cusack, Billy Crystal (who cowrote), and Catherine Zeta-Jones didn’t come near what her previous blockbusters like My Best Friend’s Wedding, Notting Hill, and Runaway Bride managed.

Atlantis: The Lost Empire

Domestic Gross: $84 million

Disney’s animated sci-fi adventure was a letdown that didn’t recoup its reported $100 million budget domestically. A hoped for franchise with TV spin-offs and Disneyland ride attraction never rose to the surface.

Scary Movie 2

Domestic Gross: $71 million

This rushed horror spoof follow-up to the 2000 surprise smash couldn’t get close to the $157 million of the original. However, this didn’t stop several sequels from following that achieved greater success.

Evolution

Domestic Gross: $38 million

Director Ivan Reitman and supernatural comedy sure worked well in 1984 with Ghostbusters. Not so much here in this DreamWorks flop with David Duchovny which earned less than half its budget in North America.

Final Fantasy: The Spirits Within

Domestic Gross: $32 million

Tomb Raider was an example of a video game adaptation that made money. Not so here with this rendering of the popular role playing fantasy series that didn’t score with audiences.

Ghosts of Mars

Domestic Gross: $8 million

It wasn’t a good day at the box office for this science fiction flop from director John Carpenter and Ice Cube.

Pootie Tang

Domestic Gross: $3 million

Moviegoers didn’t turn out for this comedy written and directed by Louis C.K. that originated from a sketch on The Chris Rock Show (who costars). Despite the failed run at the box office, it has since become a cult hit.

And that does it for 2001, folks! Look for my post about summer 2011 in the coming days…

May 28-31 Box Office Predictions

In what is bound is to be the biggest box office weekend so far in the COVID-19 era, the Memorial Day frame marks the unofficial kickoff of the summer season at multiplexes. There are two genuinely high-profile debuts with John Krasinski’s horror sequel A Quiet Place Part II with Emily Blunt and Disney’s live-action remake Cruella with Emma Stone in the title role. My detailed prediction posts on the pair can be found here:

https://toddmthatcher.com/2020/03/11/a-quiet-place-part-ii-box-office-prediction/

https://toddmthatcher.com/2021/05/19/cruella-box-office-prediction/

As I have said a lot recently, we are in unfamiliar territory. This is the first time in a long time where we have two major releases out in the same holiday weekend. Just as entities are opening up everywhere, the same can be said for theaters. I believe AQPII can top $40 million over its four day premiere with Cruella managing low to mid 20s. There is the lingering suspicion that either or both can outdo my estimates.

The rest of the top five will be filled with holdovers and they may experience smallish declines given the holiday. And with that, my top 5 projections from Friday to Monday for a weekend that Hollywood has been eagerly anticipating:

1. A Quiet Place Part II

Predicted Gross: $43.6 million

2. Cruella

Predicted Gross: $22.7 million

3. Spiral

Predicted Gross: $3.2 million

4. Wrath of Man

Predicted Gross: $2.4 million

5. Raya and the Last Dragon

Predicted Gross: $1.6 million

Box Office Results (May 14-16)

As anticipated, it was the calm before the potential storming back of big grosses over this past frame. Spiral repeated at #1 in its sophomore outing with $4.5 million. It held up rather well for its genre ahead of my $4 million prediction. The overall gross for the gross out Saw sequel is $15 million.

Jason Statham’s Wrath of Man remained in second with $2.9 million. My estimate? $2.9 million! Total is $18 million.

Third place belonged to Angelina Jolie’s Those Who Wish Me Dead at $1.9 million compared to my $1.7 million take. The two week tally is $5 million.

Raya and the Last Dragon was fourth with $1.6 million, just under my projection of $1.7 million for $48 million.

Godzilla vs. Kong rounded out the top five with $1.4 million. I incorrectly had it outside my top five. At $96 million, the monster mash is inching ever so close to becoming the first $100 million domestic earner in the COVID era.

Finally, Demon Slayer was sixth at $1.3 million (which was my estimate) and it’s at $43 million overall.

And that’s all for now, folks! Until next time…