The People’s Choice Award at the Toronto Film Festival is a truly predictive bellwether for a Best Picture nomination at the Oscars. How much so? Thirteen of the past fourteen winners of the Canadian prize have nabbed a BP mention. That extends to sixteen of the last eighteen including the following Academy winners for the highest prize: Slumdog Millionaire, The King’s Speech, 12 Years a Slave, Green Book, and Nomadland. Movies that took People’s Choice and were nominated for BP include Silver Linings Playbook, Room, La La Land, Three Billboards Outside Ebbing, Missouri, Jojo Rabbit, American Fiction, and last year’s Hamnet. Since 2012, only Mike Flanagan’s The Life of Chuck took the PCA award and did not receive a BP nom from the Academy.
Additionally, the runner-up and second runner-up designation at TIFF is filled with Best Picture winners and nominees in the 21st century. That list includes Juno, Argo, Spotlight, Call Me by Your Name, Roma, Parasite, The Power of the Dog, The Holdovers, Emilia Pérez, Anora, and Frankenstein.
So… this is kind of a big deal. For six years in a row, two of the three People Choice’s selections from each year were honored with BP mentions from the Academy.
That’s why The Black Ball (La bola negra in Spanish) unquestionably punched its ticket to a Best Picture nod and a chance to emerge victorious. Truth be told, it was there already. The international drama (a near shoo-in winner for International Feature Film in a few months) was TIFF’s top choice. I’ve had it ranked 2nd behind Christopher Nolan’s The Odyssey for months. An argument can be made (especially now) to rank the Netflix property in first. Don’t be surprised if I still roll with Odyssey but Ball upped its opportunity even more so with today’s annoucement.
Many assumed Ball would get TIFF’s International People’s Choice prize but that surprisingly went to Simon Stone’s Elsinore with Andrew Scott (in what is anticipated to be a Best Actor nominated performance). This is a nice prize for Elsinore‘s chances in BP.
The real intrigue lies with TIFF’s runner-up selections: Peter Farrelly’s I Play Rocky and Sian Heder’s Being Heumann. The former was tagged as a crowd pleaser upon its screening though reviews were mixed. The latter is Heder’s follow-up to her Best Picture winning CODA from 2021. If this is the seventh year where two out of three make the Oscar BP cut, I haven’t had either of these in my top ten. The streak could be broken this year, but I’d say Rocky has a better shot than Heumann.
It is worth noting some contenders that didn’t make the top 3 from the festival going voters. Jesse Eisenberg’s The Debut and Martin McDonagh’s Wild Horse Nine were both strong possibilities. I have both in my BP ten and today’s developments are unlikely to take either out. One film that could have benefited more had it been included is Jordan Firstman’s Club Kid. A People’s Choice shoutout would’ve increased its visibility and now I think it might not be a major campaigning priority for A24 (who have other hopefuls to champion).
Bottom line: The Black Ball is rolling and should continue to do so as the season begins in earnest.
50 years after parlaying its “little movie that could” status to a Best Picture Oscar victory over heavyweights like All the President’s Men, Network, and Taxi Driver, a movie about its making looks to punch its own ticket with awards voters. Peter Farrelley’s I Play Rocky has debuted at the Toronto Film Festival prior to a November release with Anthony Ippolito as Rocky star and writer Sylvester Stallone. Costars include AnnaSophia Robb, Toby Kebbell, P.J. Byrne, Stephan James, Jay Duplass, Tracy Letts, and Matt Dillon.
Word-of-mouth from our northern neighbor indicates that this Rocky recounting, like the source material, is quite the crowdpleaser. Critics are more mixed. The early RT score is 60%. Eight years ago, Farrelly’s Green Book premiered in Toronto, ended up taking the coveted audience prize, and eventually took home Best Picture at the 91st Academy Awards. It is a BP win that is now considered one of the weaker results in recent ceremonies.
I Play Rocky is a fascinating case study for prognosticators. The reviews aren’t overly strong. However, if this can nab the same TIFF hardware that Farrelly’s earlier title did, all bets are off and this could materialize in BP. An impressive box office run could assist and that’s certainly a possibility.
I’m skeptical that it makes the cut right now. If it does, Adapted Screenplay or Casting nods could follow. Where Rocky may have its best shot is Best Actor where Ippolito’s work is said to rise far above just an impersonation. He would face off against a seemingly crowded ring of competitors. I doubt I’ll have this predicted in BP or Actor in my imminent next update though it’ll be ranked higher in both than any time before. My Oscar Prediction posts will continue…
As August closes out and September dawns, film festival season is nearly upon us. Venice begins on Wednesday with Telluride playing out over Labor Day weekend. Between those two events, we are expected to get screenings and critical reaction for Martin McDonagh’s Wild Horse Nine, Jesse Eisenberg’s The Debut, Danny Boyle’s Ink, Lance Oppenheim’s Primetime, Florian Zeller’s Bunker, Mike Leigh’s Tender Loving Care, Simon Stone’s Elsinore, Andrew Haigh’s A Long Winter, and Werner Herzog’s Bucking Fastard to name a few.
September 10th brings Toronto with their own premieres including Sian Heder’s Being Heumann, Chris Rock’s Misty Green, Susanna White’s Prima Facie, Peter Farrelly’s I Play Rocky, and Bassam Tariq’s Your Mother Your Mother Your Mother.
Needless to say you can expect a bunch of Oscar Prediction posts over the next three weeks. And if history is any guide, my next update in a couple weekends should look quite different.
Away from festival buzz, there was a significant piece of news since my last update two weeks ago. It was announced that Diane Warren is behind the title track to the upcoming By Any Means starring Yayha Abdul-Mateen II and Mark Wahlberg. The songwriter has famously racked up 17 Best Original Song nominations without a win. She currently is up to nine noms in a row since 2017. It would be foolish to not include her in my five predicted tracks.
There’s not a ton of movement in the major races though it is a solid update for The Invite. Olivia Wilde’s dramedy rises to the #1 spot in Adapted Screenplay over The Black Ball with the filmmaker entering the directorial quintet for the first time. She knocks out Phil Lord and Christopher Miller (Project Hail Mary).
You can read all the movement below and expect plenty of posts in the coming days and weeks as the festivals commence!
Best Picture
Predicted Nominees:
1. The Odyssey (Previous Ranking: 1) (Even)
2. The Black Ball (PR: 2) (E)
3. Project Hail Mary (PR: 3) (E)
4. Wild Horse Nine (PR: 4) (E)
5. Dune: Part Three (PR: 6) (+1)
6. Fjord (PR: 7) (+1)
7. The Invite (PR: 8) (+1)
8. The Debut (PR: 5) (-3)
9. Obsession (PR: 9) (E)
10. Behemoth! (PR: 10) (E)
Other Possibilities:
11. Ink (PR: 12) (+1)
12. Digger (PR: 11) (-1)
13. All of a Sudden (PR: 13) (E)
14. Elsinore (PR: 16) (+2)
15. Michael (PR: 15) (E)
16. Primetime (PR: 18) (+2)
17. The Social Reckoning (PR: 14) (-3)
18. Sense and Sensibility (PR: 17) (-1)
19. Werwulf (PR: 21) (+2)
20. Being Heumann (PR: 22) (+2)
21. The Further Mis-Adventures of Cliff Booth (PR: 20) (-1)
22. Josephine (PR: 25) (+3)
23. Disclosure Day (PR: 24) (+1)
24. Club Kid (PR: Not Ranked)
25. A Long Winter (PR: Not Ranked)
Dropped Out:
Fatherland
Artificial
Best Director
Predicted Nominees:
1. Christopher Nolan, The Odyssey (PR: 1) (E)
2. Javier Ambrossi and Javier Calvo, The Black Ball (PR: 2) (E)
3. Martin McDonagh, Wild Horse Nine (PR: 3) (E)
4. Cristian Mungiu, Fjord (PR: 4) (E)
5. Olivia Wilde, The Invite (PR: 6) (+1)
Other Possibilities:
6. Phil Lord and Christopher Miller, Project Hail Mary (PR: 5) (-1)
7. Denis Villeneuve, Dune: Part Three (PR: 7) (E)
8. Alejandro G. Iñárritu, Digger (PR: 8) (E)
9. Tony Gilroy, Behemoth! (PR: 9) (E)
10. Ryusuke Hamaguchi, All of a Sudden (PR: 11) (+1)
11. Jesse Eisenberg, The Debut (PR: 10) (-1)
12. Danny Boyle, Ink (PR: 13) (+1)
13. Curry Barker, Obsession (PR: 12) (-1)
14. Lance Oppenheim, Primetime (PR: Not Ranked)
15. Robert Eggers, Werwulf (PR: 15) (E)
Dropped Out:
Pawel Pawlikowski, Fatherland
Best Actress
Predicted Nominees:
1. Julianne Moore, The Debut (PR: 1) (E)
2. Inde Navarrette, Obsession (PR: 2) (E)
3. Olivia Wilde, The Invite (PR: 4) (+1)
4. Renate Reinsve, Fjord (PR: 3) (-1)
5. Sandra Hüller, Rose (PR: 5) (E)
Other Possibilities:
6. Virginie Efira, Al of a Sudden (PR: 8) (+2)
7. Cynthia Erivo, Prima Facie (PR: 6) (-1)
8. Emily Blunt, Disclosure Day (PR: 12) (+4)
9. Mikey Madison, The Social Reckoning (PR: 7) (-2)
10. Ruth Madeley, Being Heumann (PR: 11) (+1)
11. Léa Seydoux, Gentle Monster (PR: 9) (-2)
12. Daisy Edgar-Jones, Sense and Sensibility (PR: 13) (+1)
13. Sandra Hüller, Fatherland (PR: 10) (-3)
14. Rosalind Eleazar, Misty Green (PR: 14) (E)
15. Mason Reeves, Josephine (PR: 15) (E)
Best Actor
Predicted Nominees:
1. Matt Damon, The Odyssey (PR: 1) (E)
2. John Malkovich, Wild Horse Nine (PR: 2) (E)
3. Ryan Gosling, Project Hail Mary (PR: 3) (E)
4. Andrew Scott, Elsinore (PR: 4) (E)
5. Robert Pattinson, Primetime (PR: 5) (E)
Other Possibilities:
6. Tom Cruise, Digger (PR: 6) (E)
7. Pedro Pascal, Behemoth! (PR: 7) (E)
8. Sebastian Stan, Fjord (PR: 9) (+1)
9. Jaafar Jackson, Michael (PR: 8) (-1)
10. Seth Rogen, The Invite (PR: 10) (E)
11. Jack O’Connell, Ink (PR: 12) (+1)
12. John Turturro, The Only Living Pickpocket in New York (PR: 11) (-1)
13. Timothée Chalamet, Dune: Part Three (PR: 14) (+1)
14. Dominic Sessa, Tony (PR: 13) (-1)
15. Javier Bardem, The Beloved (PR: 15) (E)
Best Supporting Actress
Predicted Nominees:
1. Anne Hathaway, The Odyssey (PR: 1) (E)
2. Penélope Cruz, The Invite (PR: 3) (+1)
3. Mariana di Girolamo, Wild Horse Nine (PR: 2) (-1)
4. Olivia Colman, Elsinore (PR: 5) (+1)
5. Lola Dueñas, The Black Ball (PR: 4) (-1)
Other Possibilities:
6. Penélope Cruz, The Black Ball (PR: 6) (E)
7. Samantha Morton, The Odyssey (PR: 7) (E)
8. Tao Okamoto, All of a Sudden (PR: 10) (+2)
9. Parker Posey, Wild Horse Nine (PR: 11) (+2)
10. Sandra Hüller, Digger (PR: 8) (-2)
11. Claire Foy, Ink (PR: 12) (+1)
12. Sandra Hüller, Project Hail Mary (PR: 9) (-3)
13. Esmé Creed-Miles, Sense and Sensibility (PR: 13) (E)
14. Eva Victor, Behemoth! (PR: 14) (E)
15. Scarlett Johansson, Paper Tiger (PR: 15) (E)
Best Supporting Actor
Predicted Nominees:
1. Paul Giamatti, The Debut (PR: 1) (E)
2. Sam Rockwell, Wild Horse Nine (PR: 2) (E)
3. Edward Norton, The Invite (PR: 3) (E)
4. Guy Pearce, Ink (PR: 4) (E)
5. John Leguizamo, The Odyssey (PR: 5) (E)
Other Possibilities:
6. John Goodman, Digger (PR: 6) (E)
7. Steve Buscemi, Wild Horse Nine (PR: 7) (E)
8. Jeremy Strong, The Social Reckoning (PR: 8) (E)
9. Colman Domingo, Michael (PR: 9) (E)
10. Guitarradelafuente, The Black Ball (PR: 10) (E)
11. Riz Ahmed, Digger (PR: 13) (+2)
12. Channing Tatum, Josephine (PR: 14) (+2)
13. Mark Ruffalo, Being Heumann (PR: 11) (-2)
14. Robert Pattinson, The Odyssey (PR: 12) (-2)
15. Daniel Kaluuya, Misty Green (PR: 15) (E)
Best Original Screenplay
Predicted Nominees:
1. Wild Horse Nine (PR: 1) (E)
2. The Debut (PR: 2) (E)
3. Obsession (PR: 4) (+1)
4. Fjord (PR: 3) (-1)
5. Elsinore (PR: 7) (+2)
Other Possibilities:
6. Behemoth! (PR: 5) (-1)
7. Digger (PR: 6) (-1)
8. Club Kid (PR: 8) (E)
9. Tender Loving Care (PR: Not Ranked)
10. The Drama (PR: Not Ranked)
Dropped Out:
Primetime (moved to Adapted Screenplay)
Artificial
Best Adapted Screenplay
Predicted Nominees:
1. The Invite (PR: 3) (+2)
2. The Black Ball (PR: 1) (-1)
3. The Odyssey (PR: 2) (-1)
4. Project Hail Mary (PR: 4) (E)
5. All of a Sudden (PR: 5) (E)
Other Possibilities:
6. Ink (PR: 6) (E)
7. Primetime (PR: Not Ranked – moved from Original Screenplay)
8. Dune: Part Three (PR: 8) (E)
9. The Social Reckoning (PR: 7) (-2)
10. The Further Mis-Adventures of Cliff Booth (PR: 9) (-1)
Dropped Out:
Sense and Sensibility
Best International Feature Film
Predicted Nominees:
1. The Black Ball (PR: 1) (E)
2. Fjord (PR: 2) (E)
3. All of a Sudden (PR: 3) (E)
4. Minotaur (PR: 4) (E)
5. Possible Love (PR: 6) (+1)
Other Possibilities:
6. Fatherland (PR: 5) (-1)
7. Rose (PR: 7) (E)
8. Coward (PR: 8) (E)
9. Mimesis (PR: 9) (E)
10. Silent Friend (PR: Not Ranked)
Dropped Out:
The Beloved
Best Animated Feature
Predicted Nominees:
1. Wildwood (PR: 1) (E)
2. Toy Story 5 (PR: 2) (E)
3. Ray Gunn (PR: 3) (E)
4. Tangles (PR: 5) (+1)
5. Iron Boy (PR: 6) (+1)
Other Possibilities:
6. Forgotten Island (PR: 4) (-2)
7. Hoppers (PR: 7) (E)
8. In Waves (PR: 8) (E)
9. Shaun the Sheep: The Beast of Mossy Bottom (PR: 9) (E)
10. Hexed (PR: 10) (E)
Best Documentary Feature
Predicted Nominees:
1. Once Upon a Time in Harlem (PR: 1) (E)
2. American Doctor (PR: 2) (E)
3. NAZA (PR: Not Ranked)
4. 14th (PR: 3) (-1)
5. One in a Million (PR: 4) (-1)
Other Possibilities:
6. To Hold a Mountain (PR: 5) (-1)
7. Closure (PR: Not Ranked)
8. Nuisance Bear (PR: 7) (-1)
9. The History of Concrete (PR: 9) (E)
10. Rehearsals for Revolution (PR: 8) (-2)
Dropped Out:
When a Witness Recants
Musk
Best Casting
Predicted Nominees:
1. The Black Ball (PR: 2) (+1)
2. The Odyssey (PR: 1) (-1)
3. Wild Horse Nine (PR: 3) (E)
4. Fjord (PR: 7) (+3)
5. Michael (PR: 5) (E)
Other Possibilities:
6. The Debut (PR: 4) (-2)
7. Digger (PR: 6) (-1)
8. The Invite (PR: 8) (E)
9. Elsinore (PR: Not Ranked)
10. Dune: Part Three (PR: 9) (-1)
Dropped Out:
Being Heumann
Best Cinematography
Predicted Nominees:
1. The Odyssey (PR: 1) (E)
2. Dune: Part Three (PR: 2) (E)
3. The Black Ball (PR: 3) (E)
4. Project Hail Mary (PR: 6) (+2)
5. Fatherland (PR: 5) (E)
Other Possibilities:
6. Digger (PR: 4) (-2)
7. Werwulf (PR: 8) (+1)
8. Wild Horse Nine (PR: 7) (-1)
9. Disclosure Day (PR: 9) (E)
10. Behemoth! (PR: 10) (E)
Best Costume Design
Predicted Nominees:
1. The Odyssey (PR: 1) (E)
2. The Black Ball (PR: 2) (E)
3. Werwulf (PR: 3) (E)
4. Sense and Sensibility (PR: 4) (E)
5. Michael (PR: 5) (E)
Other Possibilities:
6. Dune: Part Three (PR: 6) (E)
7. I Love Boosters (PR: 9) (+2)
8. The Devil Wears Prada 2 (PR: 7) (-1)
9. Wuthering Heights (PR: 8) (-1)
10. Mother Mary (PR: 10) (E)
Best Film Editing
Predicted Nominees:
1. The Odyssey (PR: 1) (E)
2. The Black Ball (PR: 2) (E)
3. Wild Horse Nine (PR: 4) (+1)
4. Project Hail Mary (PR: 3) (-1)
5. Behemoth! (PR: 5) (E)
Other Possibilities:
6. The Invite (PR: 8) (+2)
7. Dune: Part Three (PR: 6) (-1)
8. Ink (PR: 9) (+1)
9. Digger (PR: 7) (-2)
10. Fjord (PR: Not Ranked)
Dropped Out:
The Debut
Best Makeup and Hairstyling
Predicted Nominees:
1. Werwulf (PR: 1) (E)
2. Digger (PR: 2) (E)
3. Wicker (PR: 7) (+4)
4. Clayface (PR: 4) (E)
5. Rose (PR: 8) (+3)
Other Possibilities:
6. The Odyssey (PR: 3) (-3)
7. Dune: Part Three (PR: 6) (-1)
8. Michael (PR: 5) (-3)
9. Obsession (PR: Not Ranked)
10. Is God Is (PR: 10) (E)
Dropped Out:
The Black Ball
Best Original Score
Predicted Nominees:
1. The Odyssey (PR: 1) (E)
2. Project Hail Mary (PR: 2) (E)
3. The Black Ball (PR: 6) (+3)
4. Disclosure Day (PR: 4) (E)
5. Behemoth! (PR: 3) (-2)
Other Possibilities:
6. Dune: Part Three (PR: 5) (-1)
7. Wild Horse Nine (PR: 7) (E)
8. Digger (PR: 8) (E)
9. The Social Reckoning (PR: Not Ranked)
10. Wildwood (PR: 10) (E)
Dropped Out:
Ink
Best Original Song
Predicted Nominees:
1. “I Knew It, I Knew You” from Toy Story 5 (PR: 1) (E)
2. “La Nieve” from The Black Ball (PR: 2) (E)
3. “By Any Means” from By Any Means (PR: Not Ranked)
4. TBD from The Debut (PR: 3) (-1)
5. “How to Write a Song (Without You)” from Power Ballad (PR: 5) (E)
Other Possibilities:
6. “When I’m Home” from The Odyssey (PR: 4) (-2)
7. “Runway” from The Devil Wears Prada 2 (PR: 6) (-1)
8. TBD from Wildwood (PR: Not Ranked)
9. “Chains of Love” from Wuthering Heights (PR: 8) (-1)
10. “Save the Day” from Hoppers (PR: 10) (E)
Dropped Out:
“La Playa” from The Black Ball
TBD from Hexed
Best Production Design
Predicted Nominees:
1. The Odyssey (PR: 1) (E)
2. Dune: Part Three (PR: 2) (E)
3. Project Hail Mary (PR: 3) (E)
4. Werwulf (PR: 4) (E)
5. The Black Ball (PR: 5) (E)
Other Possibilities:
6. Digger (PR: 6) (E)
7. Backrooms (PR: 7) (E)
8. Sense and Sensibility (PR: 8) (E)
9. Wuthering Heights (PR: 9) (E)
10. The Further Mis-Adventures of Cliff Booth (PR: 10) (E)
Best Sound
Predicted Nominees:
1. The Odyssey (PR: 2) (+1)
2. Dune: Part Three (PR: 1) (-1)
3. Project Hail Mary (PR: 3) (E)
4. Behemoth! (PR: 6) (+2)
5. Disclosure Day (PR: 4) (-1)
Other Possibilities:
6. The Black Ball (PR: 7) (+1)
7. Michael (PR: 5) (-2)
8. Digger (PR: 10) (+2)
9. Whalefall (PR: 8) (-1)
10. Werwulf (PR: 9) (-1)
Best Visual Effects
Predicted Nominees:
1. Dune: Part Three (PR: 1) (E)
2. Project Hail Mary (PR: 2) (E)
3. The Odyssey (PR: 3) (E)
4. Whalefall (PR: 4) (E)
5. Spider-Man: Brand New Day (PR: 5) (E)
Other Possibilities:
6. Godzilla Minus Zero (PR: 6) (E)
7. Avengers: Doomsday (PR: 7) (E)
8. The End of Oak Street (PR: 9) (+1)
9. The Sheep Detectives (PR: 8) (-1)
10. Disclosure Day (PR: 10) (E)
That equates to these movies generating these numbers of nominations:
14 Nominations
The Odyssey
12 Nominations
The Black Ball
9 Nominations
Project Hail Mary
8 Nominations
Wild Horse Nine
6 Nominations
Fjord, The Invite
5 Nominations
The Debut, Dune: Part Three
4 Nominations
Behemoth!
3 Nominations
Elsinore, Obsession, Werwulf
2 Nominations
All of a Sudden, Disclosure Day, Michael, Rose. Toy Story 5
1 Nomination
14th, American Doctor, By All Means, Clayface, Digger, Fatherland, Ink, Iron Boy, Minotaur, NAZA, Once Upon a Time in Harlem, One in a Million, Possible Love, Power Ballad, Primetime, Ray Gunn, Sense and Sensibility, Spider-Man: Brand New Day, Tangles, Whalefall, Wicker. Wildwood
In Bobby Farrelly’s Champions, we see glimpses of the gross-out humor that made the director and his brother Peter hugely successful filmmaker in the 90s. The co-maker of Dumb and Dumber, Kingpin, and There’s Something About Mary throws up puke, flatulence, and sex jokes, but it takes up limited screen time. This high concept dramedy is more centered on the heart than a fart (forgive me) and some of it scores. This also occasionally feels so desperate for our affection that you feel obliged to pet it, rub its belly, and tell it what a good movie it is.
Marcus Marakovich (Woody Harrelson) is a basketball coach whose skills aren’t being put to their best use. He’s an Iowa based assistant in the minors after squandering larger opportunities due to his hair-trigger temper. When his big mouth gets him canned yet again, he drinks his sorrows away and ends up with a DUI offense. The judge, in lieu of a lengthy jail sentence, assigns him to instruct a team with intellectual disabilities for 90 days.
The sports cliches follow as the hard-hearted Marcus’s outlook on life eventually is softened by his players who call themselves The Friends. One of the players is Johnny (Kevin Iannucci), the brother of his coach’s one-night stand turned potential love interest Alex (Kaitlin Olson). His primary character trait in the beginning is that he refuses to shower. The screenplay (co-scribed by Farrelly) doesn’t spend much time exploring the lives of these teammates. That might have been a worthwhile approach. For example, more airtime for Madison Tevlin’s forthright and self-confident Cosentino might have benefitted the picture. Same goes for Joshua Felder’s Darius, who’s the strongest player yet refuses to suit up for his legally bound coach (his reasons make good sense once revealed). Their performances make the absolute most of what they’re given. Unfortunately that’s limited.
Those character’s subplots could have turned into rewarding larger ones. We’ll never know. Champions is more focused on Marcus. He pines for NBA exposure instead of riding the pine in menial tutorial positions. Ironically the feel-good story of the Friends gets him closer to his goal as ESPN takes notice of his legally decreed assignment. Harrelson is no JV performer and he brings his A game to a script that never fully coalesces. He has a winning chemistry with Olson and their romantic interplay is a frequent plus.
A remake of a 2018 Spanish title, Champions isn’t offensive unless you count a short shot of projectile vomiting (there’s nothing approaching what we saw in the aforementioned Farrelly tales). I didn’t really find its treatment of the Friends objectionable either and that’s refreshing considering the filmmakers have a fine line to walk. On the other hand, there’s a fair share of mediocrity to deal with. For all the moments where the formula works, there’s a nagging feeling that this could end in the cast doing a dance routine to something like “Tubthumping” by Chumbawumba. Ahem, spoiler alert…
Woody Harrelson headlines the sports comedy Champions on March 10th which marks the solo directorial debut for Bobby Farrelly. A remake of a 2018 Spanish pic, a basketball coach in legal hot water whose community service involves leading a team with intellectual disabilities. Kaitlin Olson, Matt Cook, Ernie Hudson, Cheech Marin, and Mike Smith are among the supporting cast.
Along with his brother Peter, the Farrellys directed comedy blockbusters including Dumb and Dumber and There’s Something About Mary. In between there was cult favorite Kingpin starring Harrelson. Peter’s solo career includes a Best Picture winner with 2018’s Green Book. This is Bobby’s first big screen behind the camera assignment since Dumb and Dumber To in 2014.
Bobby’s initial effort without his sibling is not expected to score highly at the box office. If it manages to top $10 million, that would be a pleasant surprise for Focus Features. I wouldn’t count on it. It might be lucky to gross half of that.
Champions opening weekend prediction: $5.1 million
As is tradition every Oscar season on the blog, it’s time to dig a bit deeper into the nominees for Best Picture, Director, and the four acting derbies. These are my Case Of posts where I lay out the merits for and against the 35 contenders in the aforementioned competitions. Yes, that’s 35 individual posts and we start with the 10 hopefuls in BP.
This will occur alphabetically so All Quiet on the Western Front is on deck!
The Case for All Quiet on the Western Front:
Edward Berger’s antiwar epic is the only title that’s won Best Picture before. The 1929-30 ceremony (the 3rd ever Oscars) bestowed best in show to the 1930 version of Erich Maria Remarque’s novel. If we believe BAFTA is a reliable precursor to Academy glory, Front is loaded with a leading 14 nominations. Tied with The Banshees of Inisherin with 9 nods, the pair is second only to Everything Everywhere All at Once‘s 11. This is Netflix’s one and only contender so the streamer has and will be campaigning hard.
The Case Against All Quiet on the Western Front:
The nine mentions are impressive and more than anticipated. However, a couple of misses are key. Not many films end up winning BP that are omitted in Editing and that applies here. Most importantly, Berger did not make the quintet in Director. While there have been recent examples of the directors of BP recipients not making that cut (Ben Affleck for Argo, Peter Farrelly for Green Book, Sian Heder last year with CODA), this seems like the type of project where the filmmaker needed in to have much hope of taking the biggest prize. That’s not the only chink in the armor. Quiet was widely expected to take the Golden Globe statue for foreign feature and lost in an upset to Argentina, 1985. Netflix hasn’t won a BP yet.
Other Nominations:
Adapted Screenplay, International Feature Film, Cinematography, Makeup & Hairstyling, Original Score, Production Design, Sound, Visual Effects
The Verdict:
Quiet appears close to a lock to make noise in International Feature Film (I wouldn’t bet on an Argentina upset on Oscar night). While its haul of nine is laudable, its chances in BP are low-key.
My Case Of posts will continue with Avatar: The Way of Water!
For the other BP Case Of posts, you can find them here:
We have reached 2018 in my posts speculating on a specific piece of Oscar history. As awards followers are aware, 2009 saw the Academy expand the Best Picture category from five movies to ten. That lasted for two years and in 2011, it switched to anywhere from 5-10 with 8 or 9 as the magic numbers for several years. In 2021, the number reverted back to a set ten.
What if that hadn’t happened? What if the BP derby had stayed at a quintet? What pictures would have made the cut? If you missed my write-ups centered on 2009-17, they are linked at the bottom of the post.
2018 is a tricky year to winnow down. In fact, all 8 nominees have strong cases to make the final five. Only one thing is for sure. Peter Farrelly’s Green Book is one of the five considering it won Best Picture. It stands as one of the more surprising (and derided) victors in recent years. The race relations drama went an impressive 3/5 on its nominations – taking Picture, Supporting Actor (Mahershala Ali), and Original Screenplay and missing Actor (Viggo Mortensen) and Film Editing.
So what of the other seven hopefuls? Here’s my speculation:
Black Panther
The only MCU flick (and for that matter comic book adaptation) to score a BP nom was Ryan Coogler’s phenomenon with Chadwick Boseman as the title character. Its seven nominations included three wins for Score, Production Design, and Costume Design.
Does It Make the Final Five?
No. Besides BP, the other six mentions were all technical. It missed directing, any acting inclusions, screenplay, and even editing. It’s hard to leave this out though that’s the case with everything here.
BlacKkKlansman
Spike Lee received his first and only Oscar for his adapted screenplay. That’s the only victory of the night among its six total nods as Lee did make the quintet for direction. The others were Supporting Actor (Adam Driver), Score, and Film Editing.
Does It Make the Final Five?
Had this not taken Adapted Screenplay, I’d leave this off. Yet that win has me (somewhat reluctantly) leaving it in.
Bohemian Rhapsody
Rami Malek was crowned Best Actor for his performance as Queen frontman Freddie Mercury in the biopic. Despite mixed reviews, Rhapsody was successful in four of its five noms. Picture is the only race it didn’t win as it took Actor, Sound Editing, Sound Mixing, and Film Editing.
Does It Make the Final Five?
Yes. That 80% ratio solidifies it even without attention for the direction or screenplay.
The Favourite
The period piece from Yorgos Lanthimos tied all nominees with 10. The lone victory was an unexpected one as Olivia Colman took Best Actress over the favored Glenn Close (The Wife).
Does It Make the Final Five?
Yes. Despite the 10% ratio, it still led all contenders with key placements in Director, two Supporting Actress bids (Emma Stone and Rachel Weisz), Original Screenplay, and Editing.
Roma
Alfonso Cuaron was your Best Director in the Mexican drama that was the other picture with 10 nods. It also won Foreign Language Film and Cinematography while contending in Actress (Yalitza Aparicio), Supporting Actress (Marina de Tavira), Original Screenplay, both Sound competitions, and Production Design.
Does It Make the Final Five?
Yes and easily. The Netflix property was supposed to be the streamer’s first BP (they’re still waiting) and was favored before that Book upset.
A Star Is Born
Bradley Cooper’s version of the frequently remade melodrama achieved 8 nominations and one win for the director’s duet with costar Lady Gaga “Shallow” in Original Song. Both Cooper and Gaga were up for their acting as was Sam Elliot in Supporting Actor, Adapted Screenplay, Sound Mixing, and Cinematography.
Does It Make the Final Five?
No, but another tough call. Star‘s shine with voters seemed to dim as the season wore on. This is evidenced by it missing directing and editing.
Vice
This is a good time to point out that all 8 BP hopefuls won at least one statue. Adam McKay’s biopic of former Vice President Cheney (played by Christian Bale) took home the Makeup and Hairstyling award. Other noms were for the direction, Bale, Supporting Actor (Sam Rockwell), Supporting Actress (Amy Adams), Original Screenplay, and Film Editing.
Does It Make the Final Five?
No and I really struggled here. Vice landed mentions everywhere it needed to. The so-so critical reaction made it a tad easier to leave it out. Simply put, this could’ve been in over BlacKkKlansman or Bohemian, but I had to make the judgment call.
So that means my 2018 final five is:
BlacKkKlansman
Bohemian Rhapsody
The Favourite
Green Book
Roma
I’ll have my post for 2019 up soon! The 2009-17 write-ups are here:
Peter Farrelly’s Green Book scored an upset Best Picture victory over Roma in 2018 and that’s still stuck in the craw of many cinephiles. While I actually found it to be pretty good overall, I get it. It is one of the weaker BP winners in recent times.
His follow-up is The Greatest Beer Run Ever starring Zac Efron in the stranger than fiction true story of a merchant seaman bringing some suds to his buds serving in ‘Nam. Russell Crowe and Bill Murray costar.
Like Green Book, it has debuted in Toronto before its simultaneous theatrical and Apple TV streaming debut on September 30th. Unlike Green Book, don’t expect this to attract any awards talk. The Rotten Tomatoes score is a skunky 42%. I saw it up north and would be shocked if it contended for any category. My Oscar Prediction posts will continue…
As I do every summer on the blog, I am looking back at the cinematic seasons of 30, 20, and 10 years ago and recounting the top ten hits, other notable pics, and some misfires. A week ago, I covered the summer of 1990 (when we all were “ghosted”). If you missed it, you can peruse it here:
Today brings us to the dawn of the new century. What struck me is that there weren’t a whole lot of outright flops, but the ones that were are rather significant bombs. Let’s take a trip down memory lane of 2000 and were we not entertained?!?!
10. The Patriot
Domestic Gross: $113 million
Mel Gibson and Heath Ledger teamed up with disaster flick specialist Roland Emmerich for this Revolutionary War era drama that managed to just achieve blockbuster status and barely top its reported $110 million budget stateside.
9. Big Momma’s House
Domestic Gross: $117 million
Negative reviews couldn’t prevent this Martin Lawrence comedy from nearly quadrupling its $30 million budget and spawning two eventual sequels. 30% also happens to be its Rotten Tomatoes score.
8. Nutty Professor II: The Klumps
Domestic Gross: $123 million
Eddie Murphy’s sequel to his 1996 hit certainly didn’t get the reviews of its predecessor, but it fell only $5 million short of the domestic gross of part 1 and introduced superstar Janet Jackson as his new love interest. Part 2 also greatly expanded Eddie’s work as other members of the Klump brood. As you can see from numbers 8 and 9, it was a big summer for comedians in fat suits.
7. Dinosaur
Domestic Gross: $137 million
The prehistoric Disney animated adventure is not one of their most talked about titles in recent decades, but it was still a profitable venture that grossed nearly $350 million worldwide.
6. What Lies Beneath
Domestic Gross: $155 million
Despite mixed reviews, Robert Zemeckis’s Hitchcockian thriller starring Harrison Ford and Michelle Pfeiffer landed big with audiences. Its filming schedule is a memorable one. Zemeckis was shooting Cast Away with Tom Hanks and there was a long break in filming so its star could shed weight and grow his long beard. It was enough time for the director to fit in Beneath.
5. Scary Movie
Domestic Gross: $157 million
The summer’s biggest comedy was a Scream spoof from filmmaker Keenan Ivory Wayans. Shot for less than $20 million, it spawned four sequels and became its own franchise.
4. X-Men
Domestic Gross: $157 million
I recently wrote about the 20th anniversary of X-Men here:
That post talks about its significant impact on the comic book genre that has dominated the 21st century.
3. The Perfect Storm
Domestic Gross: $182 million
Wolfgang Peterson’s fact based disaster drama with George Clooney and Mark Wahlberg was not much of a hit with critics, but crowds were swept up in the waves.
2. Gladiator
Domestic Gross: $187 million
Ridley Scott’s historical action drama kicked off summer 2000 and made a global superstar out of Russell Crowe and provided a juicy supporting part for Joaquin Phoenix. The film became an Oscar darling – winning Best Picture and Crowe taking Best Actor. This is the rare summer popcorn pic that achieved awards glory.
1. Mission: Impossible 2
Domestic Gross: $215 million
This sequel cruised to the top spot of earners for the season. Now that there’s been six editions in the franchise, this John Woo directed experience is generally (and rightfully) considered the weakest of the bunch. Yet that didn’t prevent huge grosses.
And now for some other notable features:
Chicken Run
Domestic Gross: $106 million
This still stands as the highest grossing stop-motion animated feature of all time and it doubled its budget domestically. A sequel is in development, but it was recently announced that lead voice Mel Gibson will not be part of the proceedings.
Gone in 60 Seconds
Domestic Gross: $101 million
Despite poor reviews, Nicolas Cage and Angelina Jolie’s remake of the 1970s heist pic still zoomed (barely) past $100 million and was a solid performer overseas.
Me, Myself & Irene
Domestic Gross: $90 million
The Farrelly Brothers reunited with their Dumb and Dumber star Jim Carrey for this comedy that earned mixed reaction. This was nowhere near the hit that the brothers had two years earlier with their runaway success There’s Something About Mary, but it still made money.
Space Cowboys
Domestic Gross: $90 million
Clint Eastwood guided this “old guys in space” tale alongside Tommy Lee Jones to a very respectable gross and decent critical reaction.
Hollow Man
Domestic Gross: $73 million
Paul Verhoeven’s take on the H.G. Wells novel starred Kevin Bacon and earned a Visual Effects Oscar nomination (losing to Gladiator). While it didn’t make its budget back stateside, it ended up doubling its price tag when factoring in foreign markets. A direct to video sequel followed.
Shaft
Domestic Gross: $70 million
Samuel L. Jackson took over the iconic private dick role from Richard Roundtree (who costarred here) in this sequel from the late John Singleton. Christian Bale memorably plays a villain here. Another sequel followed in 2019 and it was an outright flop.
Bring It On
Domestic Gross: $68 million
Made for only $11 million, this teen cheerleading comedy was an unexpected hit that gave Kirsten Dunst and Gabrielle Union a boost in their careers. Five direct to video sequels followed as well as a stage musical.
The Cell
Domestic Gross: $61 million
Despite so-so reviews, this twisty supernatural thriller with Jennifer Lopez easily topped its $33 million budget. It has continued to have ardent admirers including the late Roger Ebert, who awarded it four stars.
Coyote Ugly
Domestic Gross: $60 million
This tale about saloon life with Piper Perabo and John Goodman managed to take in over $100 million worldwide against a $45 million budget and has become a cult favorite since.
The Original Kings of Comedy
Domestic Gross: $38 million
A stand-up comedy pic grossing this much in theaters is notable. Spike Lee directed Bernie Mac, Steve Harvey, D.L. Hughley, and Cedric the Entertainer and audiences turned out.
As I mentioned, the total bombs aren’t plentiful here. However, they’re notable:
The Adventures of Rocky and Bullwinkle
Domestic Gross: $26 million
A pet project of Robert De Niro, this loose take on the 1960s animated series grossed a third of its budget domestically and was quickly forgotten.
Titan A.E.
Domestic Gross: $22 million
20th Century Fox had a big failure here at the start of the 21st century with this animated sci-fi tale with Matt Damon as a leading voice. The price tag was reportedly around $90 million and it made just $36 million worldwide.
Battlefield Earth
Domestic Gross: $21 million
Based on a work from Scientology founder L. Ron Hubbard, audiences and critics savaged this sci-fi tale with John Travolta. It won a then record 7 Golden Raspberry Awards and was mocked relentlessly for its poor quality.
And that does it, folks! I’ll have 2010 recounted on the blog in the coming days…
Two comedies make their way into my Daily Streaming Guide. Also – about the “daily” thing – I’m trying my darnedest to post each day, but sometimes life and work get in the way. I’ll do my best to update as much as possible!
Netflix
1996’s Kingpin from the Farrelly Brothers arrived in-between two of their massive and beloved comedies – Dumb and Dumber and There’s Something About Mary. This bowling farce starring Woody Harrelson, Randy Quaid, and a glorious Bill Murray didn’t receive near as much attention. It’s since turned into a cult favorite and its brand of depraved and often hilarious comedy is well worth a look (for Murray’s hair alone).
HBO Streaming
2004’s Along Came Polly is the romantic tale of ultra cautious Ben Stiller and free spirit Jennifer Aniston. They are responsible for plenty of funny moments, but supporting players Alec Baldwin and especially the late Philip Seymour Hoffman make it even more worthwhile.
