2018 FINAL Oscar Winner Predictions

We’ve had months of predictions and endless speculation on this blog about the 2018 Oscars and now it’s come to this. On Sunday, the 91st edition of the Academy Awards will air with your host…

As you’ve likely read, there actually is no emcee for this year’s ceremony. I’m not here to write about that. I’m here to make my final picks for the winners! Let’s break down each race one by one, shall we? And, of course, I’ll have a piece up Sunday night with my thoughts on how it all went down.

Best Picture

Nominees: Black Panther, BlacKkKlansman, Bohemian Rhapsody, The Favourite, Green Book, Roma, A Star Is Born, Vice

Analysis: First things first. It’s extremely rare that the winner here doesn’t have its director nominated. Therefore, two films that might have served as the biggest competition to Roma could now be seen as longer shots: A Star Is Born and Green Book. You could correctly point out that Argo achieved a victory just six years ago without Ben Affleck getting an individual nod. However, it had been 23 years prior to that (Driving Miss Daisy) when it had occurred previously. BlacKkKlansman and The Favourite are upset possibilities, but the smart money is on Alfonso Cuaron’s Netflix Mexican drama and it would mark the streaming service’s first win in the big race.

Predicted Winner: Roma

Best Director

Nominees: Alfonso Cuaron (Roma), Yorgos Lanthimos (The Favourite), Spike Lee (BlacKkKlansman), Adam McKay (Vice), Pawel Pawlikowski (Cold War)

Analysis: I feel even more confident that Cuaron will take the gold here, even if Roma somehow comes up short in Picture. He’s run the table on precursors, including the DGA prize. It would be his second win in five years, after winning for 2013’s Gravity.

Predicted Winner: Cuaron

Best Actor

Nominees: Christian Bale (Vice), Bradley Cooper (A Star Is Born), Willem Dafoe (At Eternity’s Gate), Rami Malek (Bohemian Rhapsody), Viggo Mortensen (Green Book)

Analysis: This is a tough one as Malek and Bale have split a number of precursors. With the SAG Awards, I deemed it a coin flip and picked Malek. I was right. At the Golden Globes, they both won due to category splits. I won’t be surprised to see either win, but my 50/50 feeling going with Malek worked before

Predicted Winner: Malek

Best Actress

Nominees: Yalitza Aparicio (Roma), Glenn Close (The Wife), Olivia Colman (The Favourite), Lady Gaga (A Star Is Born), Melissa McCarthy (Can You Ever Forgive Me?)

Analysis: Aparicio and McCarthy should be honored to be nominated. Colman and Gaga are threats, but Close has fared best in previous ceremonies and there’s the fact that she’s a highly respected performer who’s yet to win despite multiple nods.

Predicted Winner: Close

Best Supporting Actor

Nominees: Mahershala Ali (Green Book), Adam Driver (BlacKkKlansman), Sam Elliot (A Star Is Born), Richard E. Grant (Can You Ever Forgive Me?), Sam Rockwell (Vice)

Analysis: This category features the last two Oscar winners as Ali won in 2016 for Moonlight and Rockwell took it last year for Three Billboards Outside Ebbing, Missouri. They have far different chances to become two-time victors. Ali is the front-runner. Supporting Actor has seen upsets, but Ali looks strong.

Predicted Winner: Ali

Best Supporting Actress

Nominees: Amy Adams (Vice), Marina de Tavira (Roma), Regina King (If Beale Street Could Talk), Emma Stone (The Favourite), Rachel Weisz (The Favourite)

Analysis: Even though King didn’t get a SAG nod, they bestowed their award to Emily Blunt for A Quiet Place and she’s not even nominated. An Adams name call is feasible since she’s never won, but King will probably be crowned Sunday evening.

Predicted Winner: King

Best Adapted Screenplay

Nominees: The Ballad of Buster Scruggs, BlacKkKlansman, Can You Ever Forgive Me?, If Beale Street Could Talk, A Star Is Born

Analysis: Star could perhaps shine here, but this really feels like the race where voters will recognize BlacKkKlansman. 

Predicted Winner: BlacKkKlansman

Best Original Screenplay

Nominees: The Favourite, First Reformed, Green Book, Roma, Vice

Analysis: This one is legitimately difficult and I think you can make a case for all of them. Roma is a distinct possibility as the Picture favorite and Green Book could make a showing. Yet my slight favorite here is The Favourite.

Predicted Winner: The Favourite

Best Foreign Language Film

Nominees: Capernaum, Cold War, Never Look Away, Roma, Shoplifters

Analysis: This could be interesting. As revealed above, Roma is my Picture pick. So it’s automatic that it wins here right? Not so fast. Cold War could get the consolation prize and I feel that’s even more possible since it nabbed a surprise nod for director Pawel Pawlikowski. I’m tempted to pick it, but I’ll say Roma manages the double win. However, if you wish to get creative in your office pool, this could be the race to do it.

Predicted Winner: Roma

Best Animated Feature Film

Nominees: Incredibles 2, Isle of Dogs, Mirai, Ralph Breaks the Internet, SpiderMan: Into the SpiderVerse

Analysis: Pixar has dominated this field for years. In most years, it would be risky to bet against them – therefore Incredibles 2. This might be the year to do it as SpiderMan arrived late in the year, swung the momentum, and swept the precursors.

Predicted Winner: SpiderMan: Into the SpiderVerse

Best Documentary Feature

Nominees: Free Solo, Hale County This Morning, This Evening, Minding the Gap, Of Fathers and Sons, RBG

Analysis: One of the biggest shockers when nominations came out was the omission of Mr. Rogers doc Won’t You Be My Neighbor?. I likely would’ve picked it to win had it been nominated. Now I believe this is between Solo and RBG. Reverence for the latter could swing it that way, but I’ll give a small edge to Solo.

Predicted Winner: Free Solo

Best Film Editing

Nominees: BlacKkKlansman, Bohemian Rhapsody, The Favourite, Green Book, Vice

Analysis: Bohemian Rhapsody won the significant precursor for its branch and The Favourite or BlacKkKlansman could factor in as well. My gut says Vice may get this one, however.

Predicted Winner: Vice

Best Cinematography

Nominees: Cold War, The Favourite, Never Look Away, Roma, A Star Is Born

Analysis: Major love for the foreign pics here and Cold War has a shot. This is probably Roma’s race to lose though.

Predicted Winner: Roma

Best Production Design

Nominees: Black Panther, The Favourite, First Man, Mary Poppins Returns, Roma

Analysis: This one comes down to Panther and Favourite in my view and I’ll give the latter an ever so slight edge,

Predicted Winner: The Favourite

Best Costume Design

Nominees: The Ballad of Buster Scruggs, Black Panther, The Favourite, Mary Poppins Returns, Mary Queen of Scots

Analysis: Like Production Design, Panther and Favourite are the favorites. The best bet could be The Favourite, but Panther has to win something right?

Predicted Winner: Black Panther

Best Makeup and Hairstyling

Nominees: Border, Mary Queen of Scots, Vice

Analysis: A Border win isn’t out of the question, but Vice is the likely recipient here.

Predicted Winner: Vice

Best Sound Editing

Nominees: Black Panther, Bohemian Rhapsody, First Man, A Quiet Place, Roma

Analysis: First Man and Panther could get this, but that Wembley Stadium sequence could cause Rhapsody to achieve gold status.

Predicted Winner: Bohemian Rhapsody

Best Sound Mixing

Nominees: Black Panther, Bohemian Rhapsody, First Man, Roma, A Star Is Born

Analysis: Even though Star didn’t get in the other Sound race, Mixing seems like where it could be picked. I wouldn’t count out First Man, but I’ll guess Star wins here.

Predicted Winner: A Star Is Born

Best Visual Effects

Nominees: Avengers: Infinity War, Christopher Robin, First Man, Ready Player One, Solo: A Star Wars Story

Analysis: It was a bit surprising that Black Panther missed the cut here. Its MCU counterpart Infinity is possible, but I’ll say this is the sole victory for First Man.

Predicted Winner: First Man

Best Original Score

Nominees: Black Panther, BlacKkKlansman, If Beale Street Could Talk, Isle of Dogs, Mary Poppins Returns

Analysis: Another chance for Panther lies here, but I’m going with a coin flip between BlacKkKlansman and Beale Street.

Predicted Winner: If Beale Street Could Talk

Best Original Song

Nominees: “All the Stars” from Black Panther, “I’ll Fight” from RBG, “The Place Where Lost Things Go” from Mary Poppins Returns, “Shallow” from A Star Is Born, “When a Cowboy Trades His Spurs for Wings” from The Ballad of Buster Scruggs

Analysis: My last race is the easiest. “Shallow” is the massive favorite here.

Predicted Winner: “Shallowfrom A Star Is Born

And there you have it. Enjoy the show Sunday night!

The Front Runner Movie Review

Jason Reitman’s The Front Runner is a true political story that transfixed the nation three decades ago. The Presidential campaign of Colorado Senator Gary Hart (Hugh Jackman) happened at a time just as cable was set to dominate how we get our news. Newspapers could see it coming and The Miami Herald, for better or worse, got ahead of the curve by venturing into tabloid territory. The Washington Post here is uncertain whether they should veer in that direction. However, they see the sensationalism train beginning to roll and can’t be the highbrow publication to pump the brakes.

It was The Post that exploited a massive Commander-in-Chief scandals a few years prior with Watergate. Here it’s the extramarital activities of Hart. We first witness him in 1984 conceding to Democratic nominee Walter Mondale, who would lose badly to President Reagan. Yet his run wasn’t wasted as he becomes the film’s title four years later. He appears set to top the ticket until three wild weeks occur in 1987. It involves his relationship with a young woman Donna Rice (Sara Paxton) and the media’s fixation on it. The days of reporters looking the other way when it comes to extracurricular activity is finished.

In this screenplay from Reitman, Matt Bai, and Jay Carson, Hart is alternatively seen as a sympathetic figure while not completely ignoring that he was a lousy spouse. Vera Farmiga is wife Lee and she’s given a few moments to shine as his conflicted partner. Her performance, while more limited in time, is the strongest. She emerges as the most fascinating character, but the marriage is given short treatment. This film is more geared towards critiquing our feeding frenzy media landscape. And while the times were a-changin’ thirty years ago, the script never finds an angle to shed any meaningful light on it.

Candidate Hart himself didn’t see the tide turning and felt his personal life was just that. As played by Jackman, he’s an enigma focused on policy proposals and not the show biz acumen that comes with the territory (let’s not forget he’s attempting to succeed the first movie star POTUS). It frustrates staff including his campaign manager (J.K. Simmons). They believe in him, but realize he gets in his own way.

The Front Runner tries to say Important Things about a campaign that’s influenced all that have followed. Hart’s foibles in our current environment may be considered quaint. That said, the pic rarely makes its points seem bold or fresh. There’s been fictional politico tales such as Primary Colors and Bulworth that were more entertaining and perceptive in their take on this particular universe. This lies toward the back of the pack in the genre.

** (out of four)

Fighting with My Family Box Office Prediction

WWE Studios hope to get fans out of the arena and into the multiplexes next weekend with the release of Fighting with My Family. The comedic drama is a biopic of female English wrestler Paige and her quirky brood. She’s played by Florence Pugh. Stephen Merchant (best known for his acting and collaborations with Ricky Gervais) directs with a supporting cast including Jack Lowden, Nick Frost, Lena Headey, and Vince Vaughn. The world’s most famous brawler turned thespian Dwayne Johnson executive produces and plays himself.

Family premiered at the Sundance Film Festival to rather strong reviews. It stands at 90% on Rotten Tomatoes. With a reported budget of just $11 million, this should have no trouble turning a profit.

It’s a little tricky to figure out how this sport’s fans will turn out. The film is being released on a very limited basis tomorrow in four venues and it will be worth keeping an eye on its per theater average. Some may choose to simply wait for the On Demand release and watch this tale like they typically view wrestling itself. The participation of Johnson only helps, however. I’ll estimate that this basically grosses its budget out of the gate.

Fighting with My Family opening weekend prediction: $10.8 million

For my How to Train Your Dragon: The Hidden World prediction, click here:

https://toddmthatcher.com/2019/02/13/how-to-train-your-dragon-the-hidden-world-box-office-prediction/

How to Train Your Dragon: The Hidden World Box Office Prediction

Dreamworks Animation closes out its animated trilogy next weekend with the release of How to Train Your Dragon: The Hidden World. The critically acclaimed franchise began in 2010 with a sequel that followed four years later. Dean DeBlois, maker of the first two, returns to direct the third installment that comes with a reported budget of nearly $130 million. Actors providing voices include Jay Baruchel, America Ferrera, Cate Blanchett, Craig Ferguson, Gerard Butler, F. Murray Abraham, Jonah Hill, Christopher Mintz-Plasse, and Kristin Wiig.

Nearly a decade ago, the original Dragon debuted to $43 million and legged out nicely to an overall $217 domestic gross. The 2014 follow-up topped the opening of part 1 with $49 million. However, it ended up taking in $177 million total. While the studio certainly hopes for robust stateside sales, the series has been a juggernaut overseas (Dragon 2 made $621 million worldwide). The Hidden World is out in numerous foreign markets already and taken in $85 million thus far.

I’ll project this threequel gets in the range of what preceded it and put it in the middle of what they accomplished.

How to Train Your Dragon: The Hidden World opening weekend prediction: $45.9 million

For my Fighting with My Family prediction, click here:

https://toddmthatcher.com/2019/02/14/fighting-with-my-family-box-office-prediction/

February 15-18 Box Office Predictions

It’s the four-day President’s Day weekend at the box office with Valentines Day falling on Thursday. That means the trio of newcomers out are hitting screens during the week. They are Blumhouse horror sequel Happy Death Day 2U, James Cameron penned sci-fi graphic novel adaptation Alita: Battle Angel, and romantic comedy satire Isn’t It Romantic. You can peruse my detailed prediction posts on each of them here:

https://toddmthatcher.com/2019/02/06/happy-death-day-2u-box-office-prediction/

https://toddmthatcher.com/2019/02/06/alita-battle-angel-box-office-prediction/

https://toddmthatcher.com/2019/02/07/isnt-it-romantic-box-office-prediction/

Before the weekend began, it was pretty much a given that The Lego Movie 2: The Second Part would repeat rather easily at #1 over this long frame. Now with it’s much less than forecasted debut (more on that below), there’s some uncertainty. What should help is that both Death Day and Romantic come out on Wednesday with Alita following on Thursday. This particular weekend typically sees small declines for holdovers considering the extra day involved. In 2014, the first Lego Movie dipped a scant 9%. I’ve got the sequel dropping more than that, but I’ve still topping the charts.

That is, of course, if none of the newbies over perform and that’s certainly possible (especially with Death Day part deux in my opinion). Yet the Wednesday premiere still leads me to think it could be a tad front loaded.

That means I have slots 2-4 reserved for the debuts with What Men Want rounding out the top five in its sophomore frame.

Here’s how I have the high-five shaking out and keep in mind these projections are for Friday through Monday.

1. The Lego Movie 2: The Second Part

Predicted Gross: $27.8 million

2. Happy Death Day 2U

Predicted Gross: $22 million (Friday to Monday); $28.6 million (Wednesday to Monday)

3. Alita: Battle Angel

Predicted Gross: $19.7 million (Friday to Monday); $24.8 million (Thursday to Monday)

4. Isn’t It Romantic

Predicted Gross: $14.3 million (Friday to Monday); $20.7 million (Wednesday to Monday)

5. What Men Want

Predicted Gross: $13 million

Box Office Results (February 810)

It was a weekend with four newcomers and they all came in under my expectations and none more so than The Lego Movie 2: The Second Part. The animated sequel had no problem nabbing the top spot, but it was a hollow victory as it earned $34.1 million. That’s less than half of what its predecessor started with five years ago and well below my $48.6 million prediction. Warner Bros may be forced to rethink the future of the franchise while they cross their fingers for a minimal drop this weekend.

What Men Want opened in so-so fashion in second with $18.2 million, below my forecast of $26.4 million. The comedic remake with Taraji P. Henson came in on the low-end of its range.

Same story for Cold Pursuit as the Liam Neeson action thriller was third with $11 million (I was higher at $12.8 million). Neeson received all the wrong kinds of publicity in the lead up to the release and it certainly didn’t help.

On a rare positive note for this weekend, The Upside continued its remarkable hold in fourth with $7 million compared to my $5.8 million take. The gross is currently $85 million as the century club appears assured.

Glass, after two weeks in first, slid to fifth with $6.2 million. I incorrectly had it outside the top five and it’s scratching the $100 million mark at $98 million.

Horror flick The Prodigy was sixth with just $5.8 million, in line with my $6.1 million prediction. Look for it to disappear quickly.

And that does it for now, folks! Until next time…

The British Are Picking! A BAFTA Recap

Our British friends had their version of the Oscars today with the BAFTA Awards. The ceremony has a checkered history with its American counterpart in matching wins, particularly with Best Picture.

In this decade, the BAFTA and Oscar victor for the top prize matched from 2010-2013. However, the shows have honored different recipients for the last four years. The Picture winner tonight is Alfonso Cuarón’s Mexican drama Roma. Given the recent BAFTA history, perhaps that isn’t a great sign for its Academy prospects. Yet it’s performed extremely well with other precursors and likely remains the front-runner for that other awards program in two weeks. Cuarón also took Best Director and the BAFTA/Oscar for that race has lined up for the previous four years.

Rami Malek won Best Actor for Bohemian Rhapsody and that could have him sitting well for Oscar as the BAFTA winner has matched Oscar seven out of eight years this decade. I give him an edge over Christian Bale in Vice.

That seven for eight statistic also applies to Best Actress and things got a little interesting today as Olivia Colman (The Favourite) took the trophy instead of Glenn Close (The Wife) and Lady Gaga (A Star Is Born). I still think Close is the Academy’s favorite, but Colman is making a potential run.

The supporting races furthered a strong front-runner and gave another a first win. Mahershala Ali (Green Book) has made it a clean sweep in Supporting Actor in the precursors and he’s the heavy expected Oscar winner. For Supporting Actress, Regina King (If Beale Street Could Talk) wasn’t nominated here, but remains a slight favorite two Sunday’s from now. BAFTA’s favorite, however, was from The Favourite and it was Rachel Weisz picking up her first significant trophy.

Keep an eye on the blog for my final predictions for the Oscars!

Velvet Buzzsaw Movie Review

There’s a moment in Dan Gilroy’s Velvet Buzzsaw where one of the vapid SoCal characters walks past a pile of garbage and declares it an inspired work of art. He doesn’t realize it’s just plain garbage. The writer/director has his eye trained on the reviewing class here in this satire fueled with intermittent gore. Items are junk or priceless because critic Morf Vandewalt (Jake Gyllenhaal) says so. His opinion matters and his choices influence. When he has his eyes dilated after an eye appointment, someone asks if those flimsy and disposable sunglasses he wears after are the new designer craze.

These small moments provide some well-placed humor as Gilroy dissects his power-hungry characters one by one. The setting is Los Angeles, the same locale from his 2014 effort Nightcrawler (which happened to be my favorite film of that year). Gyllenhaal starred in that as well. His portrayal of Louis Bloom was a desperate figure looking to climb the ladder of his chosen profession. In Buzzsaw, Morf already has made it. The Bloom figure would be Josephina (Zawe Ashton). She works for an art gallery run by Rhodora Haze (Rene Russo) and she’s trying to make her mark. Josephina gets that chance when a tenant in her building dies and leaves behind a vast collection of paintings. No one knows much about the dead man’s background, but his works are immediately deemed masterpieces.

It takes a considerable amount of time for people to discover that the paintings have a mind of their own. A violent mind for anyone who dares to exhibit them. Or perhaps they’re just blinded to it because they see the dollar signs involved. Everyone in this piece judges art by that monetary standard only. Whether it’s an image that could harm you or whether it’s literal garbage, it’s valuation is what counts.

Velvet Buzzsaw is a bizarre and hit or miss concoction filled with stuffy self-important individuals to root against. You may find yourself cheering on the paintings to do their grisly thing. The cast is sprawling with Gyllenhaal adding another peculiar part to his repertoire. Russo (who’s married to Gilroy) is as ruthlessly profit hungry as she was in Nightcrawler (though her part isn’t as memorable). Her background here does provide the title as it’s the name of a punk rock band she was in decades ago. Toni Collette is a curator looking for her best angle to get in on the new craze. Natalia Dyer (of “Stranger Things” fame) is an opportunistic assistant who gains the unfortunate distinction of finding lots of dead bodies.

The artwork comes alive in visually arresting ways from time to time. The main difference between this and Nightcrawler comes down to this – I was constantly enthralled by the disreputable populace of the latter. It’s a more rare occurrence in the former. Velvet Buzzsaw won’t be mistaken for trash, but it shouldn’t be hailed as a sensation either.

**1/2 (out of four)