The People’s Choice Award at the Toronto Film Festival is a truly predictive bellwether for a Best Picture nomination at the Oscars. How much so? Thirteen of the past fourteen winners of the Canadian prize have nabbed a BP mention. That extends to sixteen of the last eighteen including the following Academy winners for the highest prize: Slumdog Millionaire, The King’s Speech, 12 Years a Slave, Green Book, and Nomadland. Movies that took People’s Choice and were nominated for BP include Silver Linings Playbook, Room, La La Land, Three Billboards Outside Ebbing, Missouri, Jojo Rabbit, American Fiction, and last year’s Hamnet. Since 2012, only Mike Flanagan’s The Life of Chuck took the PCA award and did not receive a BP nom from the Academy.
Additionally, the runner-up and second runner-up designation at TIFF is filled with Best Picture winners and nominees in the 21st century. That list includes Juno, Argo, Spotlight, Call Me by Your Name, Roma, Parasite, The Power of the Dog, The Holdovers, Emilia Pérez, Anora, and Frankenstein.
So… this is kind of a big deal. For six years in a row, two of the three People Choice’s selections from each year were honored with BP mentions from the Academy.
That’s why The Black Ball (La bola negra in Spanish) unquestionably punched its ticket to a Best Picture nod and a chance to emerge victorious. Truth be told, it was there already. The international drama (a near shoo-in winner for International Feature Film in a few months) was TIFF’s top choice. I’ve had it ranked 2nd behind Christopher Nolan’s The Odyssey for months. An argument can be made (especially now) to rank the Netflix property in first. Don’t be surprised if I still roll with Odyssey but Ball upped its opportunity even more so with today’s annoucement.
Many assumed Ball would get TIFF’s International People’s Choice prize but that surprisingly went to Simon Stone’s Elsinore with Andrew Scott (in what is anticipated to be a Best Actor nominated performance). This is a nice prize for Elsinore‘s chances in BP.
The real intrigue lies with TIFF’s runner-up selections: Peter Farrelly’s I Play Rocky and Sian Heder’s Being Heumann. The former was tagged as a crowd pleaser upon its screening though reviews were mixed. The latter is Heder’s follow-up to her Best Picture winning CODA from 2021. If this is the seventh year where two out of three make the Oscar BP cut, I haven’t had either of these in my top ten. The streak could be broken this year, but I’d say Rocky has a better shot than Heumann.
It is worth noting some contenders that didn’t make the top 3 from the festival going voters. Jesse Eisenberg’s The Debut and Martin McDonagh’s Wild Horse Nine were both strong possibilities. I have both in my BP ten and today’s developments are unlikely to take either out. One film that could have benefited more had it been included is Jordan Firstman’s Club Kid. A People’s Choice shoutout would’ve increased its visibility and now I think it might not be a major campaigning priority for A24 (who have other hopefuls to champion).
Bottom line: The Black Ball is rolling and should continue to do so as the season begins in earnest.
The jury at the Venice Film Festival have been an unpredictable group over the last few years and the deciders at the 2026 edition have followed suit. As the event draws to a close today, May el-Toukhy’s post-WWII drama Woman Unknown has taken the Golden Lion (the fest’s top prize) with lead Mathilde Arcel as Best Actress. This was not a pic that prognosticators were selecting.
The Dutch production isn’t slated to release in its home country until February 2027. It will be interesting to see of those plans are altered or if a stateside launch comes prior to this year’s end. If so, Unknown is at least a possibility for International Feature Film. However, four of the past five Lion recipients haven’t made it into the BP derby at the Oscars with the exception being 2023’s Poor Things. Unknown probably makes it five of six.
Lee Chang-dong’s Possible Love is the Silver Lion victor (second place). One of the best reviewed features out of Italy, the South Korean drama (already announced as their IFF competitor) and Netflix acquisition is a real threat to make the cut in that race.
Set in a Soviet research facility across five decades, Ilya Khrzhanosky is the Best Director for DAU which could be picked up by a number of countries as their IFF hopeful.
There was some love for domestic product as John Malkovich is Best Actor for Martin McDonagh’s acclaimed Wild Horse Nine. There’s not a strong history between this award at Venice and taking home gold at Oscar. In fact, it has somehow never happened in the 82 previous years. The last Venice recipient to get an Academy nom was Colin Farrell for 2022’s The Banshees of Inisherin. Prior to that, it was Willem Dafoe for At Eternity’s Gate. Malkovich has a real shot at being the first to win both based on WOM from the fest.
Keep clicking on the blog for more Oscar insight and festival reactions!
What are the awards possibilities for Lee Chanh-dong’s Possible Love now that it has premiered in Venice? The South Korean drama is the filmmaker’s follow-up to 2018’s Burning which was selected by its nation as their International Feature Film pick but failed to make the final cut. Jeon Do-yeon, Sul Kyung-gu, Zo In-sung, and Cho Yeo-jeong star with a stateside release for October 23rd and a Netflix streaming bow on November 6th.
Early reviews are impressive with 100% on Rotten Tomatoes and a perhaps more notable 96% on Metacritic. Even with that rapturous reaction, one wonders how much room for international product could make up the 10 Best Picture nominees. Love will need to compete with The Black Ball (which has likely punched its ticket) and potentially the Cannes winner Fjord and All of a Sudden. It is a legit question whether Netflix will throw most of the campaigning behind Ball.
If Love were to take the top prize at Venice, chances in the big dance would immediately rise. However, as of now, I think International Feature Film is perhaps the sole nomination with an outside shot at Original Screenplay. My Oscar Prediction posts will continue…
The Venice Film Festival kicks off today with Telluride and Toronto soon to follow. Danny Boyle’s Ink is the Italian fest’s opening feature. The filmmaker’s Slumdog Millionaire was the Best Picture honoree in 2008. Based on the 2017 stage play, the film recounts the founding and evolution of British tabloid The Sun from the late 1960s to the 1980s. Jack O’Connell, Claire Foy, and Guy Pearce (as Rupert Murdoch) headline the cast. Ink is slated for a limited and Oscar-qualifying theatrical engagement on December 11th before a Netflix bow on January 8th.
Sometimes a festival premiere will greatly increase or decrease a pic’s awards viability. The initial reaction to Ink pretty much puts it where I assumed it was. With 87% on Rotten Tomatoes and 81 on Metacritic, reviews are generally praising many aspects without going overboard.
I’ve had Ink just on the outside looking in for Best Picture contention. My update three days ago had it 11th. Netflix faces a choice with how hard they go in their campaign as The Black Ball will likely be their main focus. Right now my hunch that it misses the BP cut feels correct.
The buzz from Venice also indicates that O’Connell, Foy, and Pearce all deliver fine performances. However, only Pearce seems truly viable for consideration in the Supporting Actor field. The veteran performer landed his first nom two years ago for The Brutalist and was arguably runner-up for the win. He is nowhere near a shoo-in to make the final five though I suspect he’ll be in the mix in a way his costars are not.
Ink could also play in Adapted Screenplay and Film Editing. For the latter, that may apply only if it sneaks into the BP race. That is certainly a possibility, but I’m leaning the other way as the ink figuratively dries on this write-up. My Oscar Prediction posts will continue…
Moviegoers continue to get new looks at potential Oscar contenders in the last couple of weeks since my last predictions. We got our first extended glimpse for Alejandro Gonzalez Iñárritu’s Digger and it has sparked plenty of social media chatter for what appears to be a big swing for the filmmaker and Tom Cruise. I could see this going either way. For now I’m keeping it above the line in several of my forecasts.
This is the weekend where Christopher Nolan’s The Odyssey is dominating the box office with the review embargo having lifted four days ago. The results are impressive with 95% on Rotten Tomatoes and an 89 Metacritic. It is a threat not only to be nominated in Best Picture and Director (which appears automatic) but to win. As I wrote about in my detailed prediction post, the acting races shifted a bit in my calculations. The “in or out” debate regarding Matt Damon continues. However, Anne Hathaway seems to have solidified a spot in Supporting Actress. Her costar Samantha Morton’s inclusion is less likely unless Universal mounts a spirited campaign. As for the Supporting Actors, Robert Pattinson/Tom Holland/John Leguizamo could materialize. Yet I wouldn’t be surprised if no consensus emerges among them and they all miss the cut.
Fall festivals are beginning to announce their lineups. The opener at Venice was revealed to be Danny Boyle’s Ink starring Jack O’Connell, Guy Pearce (as media titan Rupert Murdoch), and Claire Foy. This was a surprise considering the release date was expected to be 2027. It was also announced that Netflix will carry U.S. distribution rights. Now it’s a question mark whether the streamer will choose a limited theatrical engagement in 2026 followed by the small screen output. The high profile Venice slot has me leaning toward a premiere before the calendar year closes. It joins my lineup just on the outside looking in with Pearce projected in Supporting Actor.
Speaking of release date uncertainty, we still don’t know if Tom Ford’s Cry to Heaven (an adaptation of an Anne Rice novel) is out this year. I’m still listing it, but it drops out of my BP lineup. The beneficiary of that change is Tony Gilroy’s Behemoth! which unveiled its first trailer this week. Leading man Pedro Pascal also makes the cut for the first time over Sebastian Stan (Fjord). There’s also chatter that Joel Coen’s Jack of Spades is moving to 2027 and I’m moving it outside of my projections at press time.
The Toronto Film Festival’s lineup is beginning trickle out with Sian Heder’s Being Heumann serving as the opener and Prima Facie with Cynthia Erivo tagged as a gala presentation. Paper Tiger from James Gray, which played at Cannes to a mostly positive though not overwhelming reception, will be first out of the gate at the New York Film Festival.
You can read all the movement from the last two weeks below and expect a fresh update in a couple of weeks!
Best Picture
Predicted Nominees:
1. The Odyssey (Previous Ranking: 1) (Even)
2. The Black Ball (PR: 2) (E)
3. Project Hail Mary (PR: 5) (+2)
4. Wild Horse Nine (PR: 4) (E)
5. Digger (PR: 3) (-2)
6. The Debut (PR: 7) (+1)
7. Fjord (PR: 6) (-1)
8. Dune: Part Three (PR: 8) (E)
9. Behemoth! (PR: 12) (+3)
10. Obsession (PR: 9) (-1)
Other Possibilities:
11. All of a Sudden (PR: 11) (E)
12. The Invite (PR: 17) (+5)
13. Ink (PR: Not Ranked)
14. A Place in Hell (PR: 14) (E)
15. Cry to Heaven (PR: 10) (-5)
16. The Social Reckoning (PR: 13) (-3)
17. Sense and Sensibility (PR: 15) (-2)
18. Fatherland (PR: 16) (-2)
19. The Adventures of Cliff Booth (PR: 19) (E)
20. Michael (PR: 21) (+1)
21. Elsinore (PR: Not Ranked)
22. Artificial (PR: 18) (-4)
23. Being Heumann (PR: 23) (E)
24. Disclosure Day (PR: 20) (-4)
25. Josephine (PR: 22) (-3)
Dropped Out:
Jack of Spades
Werwulf
Best Director
Predicted Nominees:
1. Christopher Nolan, The Odyssey (PR: 1) (E)
2. Javier Ambrossi and Javie Calvo, The Black Ball (PR: 2) (E)
6. Phil Lord and Christopher Miller, Project Hail Mary (PR: 6) (E)
7. Denis Villeneuve, Dune: Part Three (PR: 8) (+1)
8. Tony Gilroy, Behemoth! (PR: 13) (+5)
9. Curry Barker, Obsession (PR: 7) (-2)
10. Ryusuke Hamaguchi, All of a Sudden (PR: 10) (E)
11. Jesse Eisenberg, The Debut (PR: 11) (E)
12. Olivia Wilde, The Invite (PR: Not Ranked)
13. Danny Boyle, Ink (PR: Not Ranked)
14. Tom Ford, Cry to Heaven (PR: 9) (-5)
15. Pawel Pawlikowski, Fatherland (PR: 12) (-3)
Dropped Out:
Chloe Domont, A Place in Hell
Georgia Oakley, Sense and Sensibility
Best Actress
Predicted Nominees:
1. Julianne Moore, The Debut (PR: 2) (+1)
2. Michelle Williams, A Place in Hell (PR: 1) (-1)
3. Inde Navarrette, Obsession (PR: 4) (+1)
4. Renate Reinsve, Fjord (PR: 3) (-1)
5. Sandra Hüller, Rose (PR: 5) (E)
Other Possibilities:
6. Mikey Madison, The Social Reckoning (PR: 6) (E)
7. Olivia Wilde, The Invite (PR: 15) (+8)
8. Virginie Efira, All of a Sudden (PR: 7) (-1)
9. Cynthia Erivo, Prima Facie (PR: 9) (E)
10. Sandra Hüller, Fatherland (PR: 10) (E)
11. Emily Blunt, Disclosure Day (PR: 8) (-3)
12. Ruth Madeley, Being Heumann (PR: 12) (E)
13. Daisy Edgar-Jones, Sense and Sensibility (PR: 11) (-2)
14. Sophie Okonedo, Clarissa (PR: 13) (-1)
15. Mason Reeves, Josephine (PR: 14) (-1)
Best Actor
Predicted Nominees:
1. Tom Cruise, Digger (PR: 1) (E)
2. Ryan Gosling, Project Hail Mary (PR: 2) (E)
3. John Malkovich, Wild Horse Nine (PR: 3) (E)
4. Matt Damon, The Odyssey (PR: 5) (+1)
5. Pedro Pascal, Behemoth! (PR: 6) (+1)
Other Possibilities:
6. Sebastian Stan, Fjord (PR: 4) (-2)
7. Andrew Scott, Elsinore (PR: 12) (+5)
8. Jaafar Jackson, Michael (PR: 8) (E)
9. Robert Pattinson, Primetime (PR: 10) (+1)
10. John Turturro, The Only Living Pickpocket in New York (PR: 7) (-3)
11. Andrew Garfield, Artificial (PR: 9) (-2)
12. Jack O’Connell, Ink (PR: Not Ranked)
13. Timothée Chalamet, Dune: Part Three (PR: Not Ranked)
14. Dominic Sessa, Tony (PR: 14) (E)
15. Nicholas Hoult, Cry to Heaven (PR: 11) (-4)
Dropped Out:
Rami Malek, The Man I Love
Javier Bardem, The Beloved
Best Supporting Actress
Predicted Nominees:
1. Mariana di Girolamo, Wild Horse Nine (PR: 1) (E)
2. Anne Hathaway, The Odyssey (PR: 7) (+5)
3. Penélope Cruz, The Black Ball (PR: 2) (-1)
4. Sandra Hüller, Digger (PR: 3) (-1)
5. Daisy Edgar-Jones, A Place in Hell (PR: 5) (E)
Other Possibilities:
6. Penélope Cruz, The Invite (PR: 6) (E)
7. Parker Posey, Wild Horse Nine (PR: 4) (-3)
8. Sandra Hüller, Project Hail Mary (PR: 11) (+3)
9. Tao Okamoto, All of a Sudden (PR: 8) (-1)
10. Lola Dueñas, The Black Ball (PR: 13) (+3)
11. Eva Victor, Behemoth! (PR: Not Ranked)
12. Olivia Colman, Elsinore (PR: Not Ranked)
13. Claire Foy, Ink (PR: Not Ranked)
14. Samantha Morton, The Odyssey (PR: 10) (-4)
15. Esmé Creed-Miles, Sense and Sensibility (PR: 9) (-6)
Dropped Out:
Halle Bailey, The Debut
Scarlett Johansson, Paper Tiger
Elizabeth Debicki, The Adventures of Cliff Booth
Best Supporting Actor
Predicted Nominees:
1. Paul Giamatti, The Debut (PR: 1) (E)
2. John Goodman, Digger (PR: 2) (E)
3. Sam Rockwell, Wild Horse Nine (PR: 3) (E)
4. Edward Norton, The Invite (PR: 8) (+4)
5. Guy Pearce, Ink (PR: Not Ranked)
Other Possibilities:
6. Steve Buscemi, Wild Horse Nine (PR: 5) (-1)
7. Jeremy Strong, The Social Reckoning (PR: 7) (E)
8. Colman Domingo, Michael (PR: 9) (+1)
9. Riz Ahmed, Digger (PR: 6) (-3)
10. Robert Pattinson, The Odyssey (PR: 4) (-6)
11. Guittarricadelafuente, The Black Ball (PR: 14) (+3)
12. John Leguizamo, The Odyssey (PR: Not Ranked)
13. James Ortiz, Project Hail Mary (PR: 10) (-3)
14. Mark Ruffalo, Being Heumann (PR: 13) (-1)
15. Channing Tatum, Josephine (PR: 11) (-4)
Dropped Out:
Andrew Scott, A Place in Hell
Jesse Plemons, Digger
Best Original Screenplay
Predicted Nominees:
1. Wild Horse Nine (PR: 1) (E)
2. The Debut (PR: 3) (+1)
3. Digger (PR: 2) (-1)
4. Fjord (PR: 4) (E)
5. Obsession (PR: 5) (E)
Other Possibilities:
6. Behemoth! (PR: 6) (E)
7. A Place in Hell (PR: 7) (E)
8. Club Kid (PR: 9) (+1)
9. Primetime (PR: 12) (+3)
10. Artificial (PR: 8) (-2)
11. Elsinore (PR: Not Ranked)
12. Fatherland (PR: 13) (+1)
13. The Drama (PR: 15) (+2)
14. Josephine (PR: 14) (E)
15. The Only Living Pickpocket Living in New York (PR: 10) (-5)
Dropped Out:
Jack of Spades
Best Adapted Screenplay
Predicted Nominees:
1. The Black Ball (PR: 1) (E)
2. The Odyssey (PR: 2) (E)
3. Project Hail Mary (PR: 3) (E)
4. The Invite (PR: 5) (+1)
5. All of a Sudden (PR: 4) (-1)
Other Possibilities:
6. Ink (PR: Not Ranked)
7. Dune: Part Three (PR: 8) (+1)
8. The Social Reckoning (PR: 7) (-1)
9. The Adventures of Cliff Booth (PR: 9) (E)
10. Cry to Heaven (PR: 6) (-4)
11. Sense and Sensibility (PR: 10) (-1)
12. Being Heumann (PR: 11) (-1)
13. Wildwood (PR: 13) (E)
14. Prima Facie (PR: 12) (-2)
15. Minotaur (PR: 14) (-1)
Dropped Out:
A Long Winter
Best International Feature
Predicted Nominees:
1. The Black Ball (PR: 1) (E)
2. Fjord (PR: 2) (E)
3. All of a Sudden (PR: 3) (E)
4. Minotaur (PR: 4) (E)
5. Coward (PR: 5) (E)
Other Possibilities:
6. Fatherland (PR: 6) (E)
7. Rose (PR: 9) (+2)
8. Possible Love (PR: 7) (-1)
9. Mimesis (PR: 8) (-1)
10. The Beloved (PR: 10) (E)
Best Animated Feature Film
Predicted Nominees:
1. Wildwood (PR: 1) (E)
2. Toy Story 5 (PR: 2 (E)
3. Ray Gunn (PR: 3) (E)
4. Forgotten Island (PR: 7) (+3)
5. Tangles (PR: 4) (-1)
Other Possibilities:
6. Hoppers (PR: 5) (-1)
7. Shaun the Sheep: The Beast of Mossy Bottom (PR: 8) (+1)
8. In Waves (PR: 6) (-2)
9. Iron Boy (PR: 9) (E)
10. Hexed (PR: Not Ranked)
Dropped Out:
Minions & Monsters
Best Documentary Feature
Predicted Nominees:
1. Once Upon a Time in Harlem (PR: 1) (E)
2. 14th (PR: Not Ranked)
3. One in a Million (PR: 7) (+4)
4. American Doctor (PR: 6) (+2)
5. To Hold a Mountain (PR: 3) (-2)
Other Possibilities:
6. Nuisance Bear (PR: 2) (-4)
7. The History of Concrete (PR: 4) (-3)
8. Rehearsals for a Revolution (PR: 9) (+1)
9. When a Witness Recants (PR: 5) (-4)
10. Time and Water (PR: 8) (-2)
Dropped Out:
Everybody to Kenmure Street
Best Casting
Predicted Nominees:
1. The Odyssey (PR: 1) (E)
2. The Black Ball (PR: 2) (E)
3. Wild Horse Nine (PR: 3) (E)
4. Fjord (PR: 6) (+2)
5. Michael (PR: 5) (E)
Other Possibilities:
6. The Debut (PR: 7) (+1)
7. Digger (PR: 4) (-3)
8. Obsession (PR: Not Ranked)
9. Being Heumann (PR: Not Ranked)
10. Dune: Part Three (PR: 8) (-2)
Dropped Out:
Cry to Heaven
Behemoth!
Best Cinematography
Predicted Nominees:
1. The Odyssey (PR: 1) (E)
2. Dune: Part Three (PR: 3) (+1)
3. Project Hail Mary (PR: 2) (-1)
4. Digger (PR: 5) (+1)
5. The Black Ball (PR: 4) (-1)
Other Possibilities:
6. Fatherland (PR: 7) (+1)
7. Werwulf (PR: 8) (+1)
8. Cry to Heaven (PR: 6) (-2)
9. Wild Horse Nine (PR: Not Ranked)
10. Disclosure Day (PR: 9) (-1)
Dropped Out:
Jack of Spades
Best Costume Design
Predicted Nominees:
1. The Odyssey (PR: 1) (E)
2. The Black Ball (PR: 2) (E)
3. Sense and Sensibility (PR: 3) (E)
4. Werwulf (PR: 6) (+2)
5. Michael (PR: Not Ranked)
Other Possibilities:
6. Dune: Part Three (PR: 5) (-1)
7. The Devil Wears Prada 2 (PR: 7) (E)
8. Wuthering Heights (PR: 9) (+1)
9. I Love Boosters (PR: 10) (+1)
10. Cry to Heaven (PR: 4) (-6)
Dropped Out:
Jack of Spades
Best Film Editing
Predicted Nominees:
1. The Odyssey (PR: 1) (E)
2. The Black Ball (PR: 2) (E)
3. Project Hail Mary (PR: 4) (+1)
4. Digger (PR: 3) (-1)
5. Behemoth! (PR: 10) (+5)
Other Possibilities:
6. Wild Horse Nine (PR: 5) (-1)
7. Dune: Part Three (PR: 6) (-1)
8. Fjord (PR: 8) (E)
9. The Debut (PR: Not Ranked)
10. The Invite (PR: Not Ranked)
Dropped Out:
Cry to Heaven
Obsession
Best Makeup and Hairstyling
Predicted Nominees:
1. Digger (PR: 1) (E)
2. Werwulf (PR: 2) (E)
3. Clayface (PR: 4) (+1)
4. Michael (PR: 5) (+1)
5. The Odyssey (PR: 3) (-2)
Other Possibilities:
6. Wicker (PR: Not Ranked)
7. Dune: Part Three (PR: 7) (E)
8. The Black Ball (PR: 6) (-2)
9. The Bride! (PR: 9) (E)
10. Is God Is (PR: Not Ranked)
Dropped Out:
Cry to Heaven
Madden
Best Original Score
Predicted Nominees:
1. The Odyssey (PR: 1) (E)
2. Project Hail Mary (PR: 3) (+1)
3. The Black Ball (PR: 2) (-1)
4. Behemoth! (PR: Not Ranked)
5. Disclosure Day (PR: 4) (-1)
Other Possibilities:
6. Dune: Part Three (PR: 6) (E)
7. Wild Horse Nine (PR: 8) (+1)
8. Werwulf (PR: Not Ranked)
9. Digger (PR: 7) (-2)
10. Wildwood (PR: 9) (-1)
Dropped Out:
Cry to Heaven
The Social Reckoning
Best Original Song
Predicted Nominees:
1. “I Knew It, I Knew You” from Toy Story 5 (PR: 1) (E)
2. TBD from The Black Ball (PR: 2) (E)
3. TBD from The Debut (PR: 3) (E)
4. “La Playa” from The Black Ball (PR: 4) (E)
5. “How to Write a Song (Without You)” from Power Ballad (PR: 5) (E)
Other Possibilities:
6. “Runway” from The Devil Wears Prada 2 (PR: 6) (E)
7. TBD from The Odyssey (PR: Not Ranked)
8. TBD from Wildwood (PR: Not Ranked)
9. “Chains of Love” from Wuthering Heights (PR: 7) (-2)
10. TBD from The Rivals of Amziah King (PR: 10) (E)
Dropped Out:
TBD from Hexed
“Save the Day” from Hoppers
Best Production Design
Predicted Nominees:
1. The Odyssey (PR: 1) (E)
2. Dune: Part Three (PR: 3) (+1)
3. Project Hail Mary (PR: 2) (-1)
4. The Black Ball (PR: 4) (E)
5. Werwulf (PR: 7) (+2)
Other Possibilities:
6. Digger (PR: 6) (E)
7. Backrooms (PR: 10) (+3)
8. Sense and Sensibility (PR: Not Ranked)
9. Cry to Heaven (PR: 5) (-4)
10. Wuthering Heights (PR: Not Ranked)
Dropped Out:
Jack of Spades
The Adventures of Cliff Booth
Best Sound
Predicted Nominees:
1. Dune: Part Three (PR: 1) (E)
2. The Odyssey (PR: 2) (E)
3. Project Hail Mary (PR: 3) (E)
4. Disclosure Day (PR: 6) (+2)
5. Whalefall (PR: Not Ranked)
Other Possibilities:
6. The Black Ball (PR: 4) (-2)
7. Michael (PR: 5) (-2)
8. Behemoth! (PR: Not Ranked)
9. Digger (PR: 8) (-1)
10. Werwulf (PR: 9) (-1)
Dropped Out:
Cry to Heaven
Obsession
Best Visual Effects
Predicted Nominees:
1. Dune: Part Three (PR: 1) (E)
2. Project Hail Mary (PR: 2) (E)
3. The Odyssey (PR: 3) (E)
4. Whalefall (PR: 5) (+1)
5. Godzilla Minus Zero (PR: 4) (-1)
Other Possibilities:
6. Avengers: Doomsday (PR: 6) (E)
7. Disclosure Day (PR: 7) (E)
8. The End of Oak Street (PR: 9) (+1)
9. The Sheep Detectives (PR: 10) (+1)
10. The Mandalorian and Grogu (PR: Not Ranked)
Dropped Out:
Wildwood
That works out to these movies generating these numbers of nominations:
14 Nominations
The Odyssey
13 Nominations
The Black Ball
9 Nominations
Digger, Project Hail Mary
7 Nominations
Wild Horse Nine
6 Nominations
Fjord
5 Nominations
The Debut, Dune: Part Three
4 Nominations
Behemoth!
3 Nominations
Michael, Obsession, Werwulf
2 Nominations
All of a Sudden, The Invite,A Place in Hell, Toy Story 5, Whalefall
1 Nomination
14th, American Doctor, Clayface, Coward, Forgotten Island, Godzilla Minus Zero, Ink, Minotaur, Once Upon a Time in Harlem, One in a Million, Power Ballad, Ray Gunn, Rose, Sense and Sensibility, Tangles, To Hold a Mountain, Wildwood
Léa Seydoux was working double duty at the Cannes Film Festival this year with The Unknown (look for that individual post shortly) and the family drama Gentle Monster. The co-production between Austria, France, Germany, and Sweden is the latest feature from Corsage director Marie Kreutzer. Jella Haase, Laurence Rupp, and Catherine Deneuve are among the supporting players.
Both pics for the headlining French actress have the commonality of Seydoux being praised with the film drawing more of a mixed reaction. Rotten Tomatoes is at 59% with the somewhat rare occurrence of Metacritic being higher at 70.
The only feasible awards play is Best Actress. Netflix has reportedly picked up distribution rights. They would need a robust campaign. I would also say Monster needs to pick up steam by playing fall fests and hoping the buzz gets stronger. My Oscar Prediction posts will continue…
A nearly 160 minute epic spanning decades of gay history in Spain, Javier Calva and Javier Ambrossi’s The Black Ball (or La bola negra in its home language) was greeted with an extended ovation at the Cannes Film Festival. Telling three stories interconnected over 85 years, the cast includes singer Guitarricadelafuente, Miguel Bernardeau, Carlos González, Milo Quifes, Lola Dueñas, Julio Torres, Glenn Close, and Penélope Cruz.
Based on an unfinished play by Federico Garcia Lorca, all eyes are on the Cannes jury to see if Ball picks up a major prize later this weekend. The melodrama is being highly praised with many critics calling it a festival standout. Rotten Tomatoes is at 88% with 85 on Metacritic.
This is exactly the type of ambitious project that the Academy could honor in numerous categories including Best Picture and Director (the filmmakers are collectively known as Los Javis). The buzz reminds me of Emilia Pérez when it was unburdened by the controversies that would eventually follow. We probably have our Spanish submission for International Feature Film where this has immediately become a surefire contender. The reaction also indicates this could play in several down-the-line races like Casting, Costume Design, Production Design, and Sound.
As for the actors, Casting could be seen as a way to honor them all. Quifes seems to be generating particular attention. With Penélope Cruz, her small but memorable part might be remembered in Supporting Actress where she may also be in contention for this summer’s The Invite. Close’s role sounds too minor.
Just this morning, Netflix won the bidding war for Ball‘s release. Expect them to go all out in their campaign. My Oscar Prediction posts will continue…
Animated fantasy Swapped is streaming on Netflix today from Nathan Greno, best known for co-directing Disney’s Tangled. The body swap tale features Michael B. Jordan in a voiceover role and this is notably his first project since last year’s Oscar juggernaut Sinners and its record 16 nominations (including Jordan’s Best Actor victory). Other thespians behind the mic include Juno Temple, Tracy Morgan, Cedric the Entertainer, and Justina Machado.
The review embargo lifted on the same day of release. While some critics are praising the animation itself, write-ups aren’t overly wowed with the final results. Rotten Tomatoes is at 60% with 52 on Metacritic. Those numbers indicate the combined number of Academy mentions for Sinners and Swapped will be 16 as I don’t see this is a threat in Best Animated Feature. My Oscar Prediction posts will continue…
It is time to make my final predictions for the 98th Academy Awards airing Sunday evening with Conan O’Brien returning as host. The first word that comes to mind… ugh. This is tough. Not every category. Some are quite easy to forecast as is normally the case.
The ones that aren’t? I would say five of the top six competitions could go in different directions and that’s unique. As readers of my blog know, there are scores of individual write-ups talking about the Oscar chances of various films. There are multiple posts ranking the possibilities of pics, performers, directors, writers, and all kinds of crew members. It’s now time to put pencils down and write down my selections in pen for the 21 (now that Best Casting has joined the lineup) feature-length races.
Let’s get to it as I’ll select a winner and runner-up in each! And you can bet I’ll have a recap up Sunday night with reaction and how I did!
Best Picture
Bugonia, F1, Frankenstein, Hamnet, Marty Supreme, One Battle After Another, The Secret Agent, Sentimental Value, Sinners, Train Dreams
This is a head vs. gut call. The head says One Battle After Another which has taken PGA, the Golden Globe for Best Musical or Comedy, Critics Choice, and BAFTA. That kind of combo would normally be undeniable in BP. Yet Sinners is more of the gut prediction. Having just won Best Ensemble at SAG Actor, Ryan Coogler’s vampire tale seems to be peaking at the right time as voters finalize ballots. The record haul of 16 noms is an obvious bonus.
I cannot stress enough how much of a coin flip this is. I may look foolish on Sunday by betting against the kind of hardware that Battle has achieved in the precursors. However, for several days, the momentum of Sinners has me leaning in its direction.
WINNER: Sinners
Runner-Up: One Battle After Another
Best Director
Paul Thomas Anderson (One Battle After Another), Ryan Coogler (Sinners), Josh Safdie (Marty Supreme), Joachim Trier (Sentimental Value), Chloé Zhao (Hamnet)
2021 was the last year where there was a BP/Director split with CODA taking the grand prize and Jane Campion (The Power of the Dog) winning Director. Mr. Anderson has swept the precursors including the Directors Guild of America (DGA) which rarely differs from Oscar. A better night for Sinners than even I’m projecting could cause Ryan Coogler to become the first African-American to make this particular podium trip. In this case, my head and gut say PTA.
WINNER: Paul Thomas Anderson, One Battle After Another
Runner-Up: Ryan Coogler, Sinners
Best Actress
Jessie Buckley (Hamnet), Rose Byrne (If I Had Legs I’d Kick You), Kate Hudson (Song Sung Blue), Renate Reinsve (Sentimental Value), Emma Stone (Bugonia)
Someone other than Jessie Buckley had to win Actress in a Musical or Comedy at the Globes. That was Rose Byrne. Therefore she gets runner-up status. Make no mistake. Of the major categories, this is by far the easiest as Buckley has won everything else.
WINNER: Jessie Buckley, Hamnet
Runner-Up: Rose Byrne, If I Had Legs I’d Kick You
Best Actor
Timothée Chalamet (Marty Supreme), Leonardo DiCaprio (One Battle After Another), Ethan Hawke (Blue Moon), Michael B. Jordan (Sinners), Wagner Moura (The Secret Agent)
For a while, Critics Choice and Globe winner Timothée Chalamet was looking almost as certain as Buckley. BAFTA and SAG changed that dynamic and they are the last two precursors heading into Oscar voting. At the British ceremony, the not Academy nominated Robert Aramayo (I Swear) was triumphant. At SAG, it was Michael B. Jordan. There’s also Golden Globe Best Drama in a Drama recipient Wagner Moura. All three are viable. Heck there’s even prognosticators making arguments for DiCaprio and Hawke. This is an example where I’m ultimately buying the Sinners mojo though Chalamet still has a stronger shot than some are giving him credit for.
WINNER: Michael B. Jordan, Sinners
Runner-Up: Timothée Chalamet, Marty Supreme
Best Supporting Actress
Elle Fanning (Sentimental Value), Inga Ibsdotter Lilleass (Sentimental Value), Amy Madigan (Weapons), Wunmi Mosaku (Sinners), Teyana Taylor (One Battle After Another)
This one has been all over the place. The Globe went to Teyana Taylor, Amy Madigan took Critics Choice and SAG Actor, and Wunmi Mosaku grabbed BAFTA. Madigan’s performance is so singularly memorable that a win makes plenty of sense. Like Actor, I’m going with where I think the winds are blowing.
WINNER: Wunmi Mosaku, Sinners
Runner-Up: Amy Madigan, Weapons
Best Supporting Actor
Benicio del Toro (One Battle After Another), Jacob Elordi (Frankenstein), Delroy Lindo (Sinners), Sean Penn (One Battle After Another), Stellan Skarsgård (Sentimental Value)
Like Supporting Actress, a head scratcher. Critics Choice went to Jacob Elordi with Stellan Skarsgård getting the Globe. The latter seems more probable and, yes, Sinners love could extend to Lindo. BAFTA and SAG flipped the script by going with Sean Penn who would be picking up the rare third Oscar. This is a case where Battle has the late breaking momentum.
WINNER: Sean Penn, One Battle After Another
Runner-Up: Stellan Skarsgård, Sentimental Value
Best Original Screenplay
Blue Moon, It Was Just an Accident, Marty Supreme, Sentimental Value, Sinners
While most of the races above are tricky, the screenplay ones are not. Value stands the best chance at an upset but Sinners is the easy pick.
WINNER: Sinners
Runner-Up: Sentimental Value
Best Adapted Screenplay
Bugonia, Frankenstein, Hamnet, One Battle After Another, Train Dreams
Repeat everything I said for Original Screenplay and replace Battle for Sinners and Hamnet for Value.
WINNER: One Battle After Another
Runner-Up: Hamnet
Best International Feature Film
It Was Just an Accident, The Secret Agent, Sentimental Value, Sirāt, The Voice of Hind Rajab
At one time, Accident was seen as a potential frontrunner. The competition has morphed to a showdown between Value and Agent. This could definitely go either way, but I’ll give the edge to Value achieving something with its nine nominations.
WINNER: Sentimental Value
Runner-Up: The Secret Agent
Best Animated Feature
Arco, Elio, KPop Demon Hunters, Little Amélie or the Character of Rain, Zootopia 2
Zootopia 2 becoming 2025’s largest grossing blockbuster right as voting was occurring cannot hurt. It’s just hard to ignore the cultural juggernaut that KPop is.
WINNER: KPop Demon Hunters
Runner-Up: Zootopia 2
Best Documentary Feature
The Alabama Solution, Come See Me in the Good Light, Cutting Through Rocks, Mr. Nobody Against Putin, The Perfect Neighbor
This is a category capable of surprises and I could see Alabama, Good Light, and especially BAFTA winner Putin getting called up. Neighbor got lots of attention via its Netflix release and I’ll say the true crime doc squeaks through.
WINNER: The Perfect Neighbor
Runner-Up: Mr. Nobody Against Putin
Best Casting
Hamnet, Marty Supreme, One Battle After Another, The Secret Agent, Sinners
The inaugural year of the Casting contest is consists of five BP nominees and I’m going with the one I’m seledting as the winner.
WINNER: Sinners
Runner-Up: One Battle After Another
Best Cinematography
Frankenstein, Marty Supreme, One Battle After Another, Sinners, Train Dreams
Train Dreams has notched some precursors and is a real threat and the same logic certainly applies to Battle. Either could win. So could Sinners with that BP momentum. This is one I think Battle could manage to get and I’ll give it a slight edge over my BP selection
WINNER: One Battle After Another
Runner-Up: Sinners
Best Costume Design
Avatar: Fire and Ash, Frankenstein, Hamnet, Marty Supreme, Sinners
While we’re still wondering what Avatar is doing here, this is one of three races that Frankenstein is likely to collect.
WINNER: Frankenstein
Runner-Up: Sinners
Best Film Editing
F1, Marty Supreme, One Battle After Another, Sentimental Value, Sinners
F1 could zoom past the competition and Battle might be the safer bet. I’ll go withmy BP pick for this one.
WINNER: Sinners
Runner-Up: One Battle After Another
Best Makeup and Hairstyling
Frankenstein, Kokuho, Sinners, The Smashing Machine, The Ugly Stepsister
This is the second Frankenstein victory unless Sinners has a truly amazing evening.
WINNER: Frankenstein
Runner-Up: Sinners
Best Original Score
Bugonia, Frankenstein, Hamnet, One Battle After Another, Sinners
Sinners is anticipated to emerge here rather easily.
WINNER: Sinners
Runner-Up: One Battle After Another
Best Original Song
“Dear Me” from Diane Warren: Relentless; “Golden” from KPop Demon Hunters; “I Lied to You” from Sinners; “Sweet Dreams of Joy” from Viva Verdi!; “Train Dreams” from Train Dreams
The Sinners tune could score the upset though “Golden” should be just that.
WINNER: “Golden” from KPop Demon Hunters
Runner-Up: “I Lied to You” from Sinners
Best Production Design
Frankenstein, Hamnet, Marty Supreme, One Battle After Another, Sinners
Frankenstein Oscar #3 expected with Sinners looming.
WINNER: Frankenstein
Runner-Up: Sinners
Best Sound
F1, Frankenstein, One Battle After Another, Sinners, Sirāt
One of the trickiest down the line categories as Sinners could absolutely prevail and a Sirāt upset is feasible. I do think the autotunes of F1 gets it by a nose.
WINNER: F1
Runner-Up: Sinners
Best Visual Effects
Avatar: Fire and Ash, F1, Jurassic World Rebirth, The Lost Bus, Sinners
The first two Avatar flicks nabbed VE as should the third.
WINNER: Avatar: Fire and Ash
Runner-Up: F1
That equates to these movies generating these numbers in terms of victories:
7 Wins
Sinners
4 Wins
One Battle After Another
3 Wins
Frankenstein
2 Wins
KPop Demon Hunters
1 Win
Avatar: Fire and Ash, F1, Hamnet, The Perfect Neighbor, Sentimental Value
Disney/Pixar looks to jump to the top of the box office charts with Hoppers while Warner Bros hopes moviegoers RSVP for The Bride!, Maggie Gyllenhaal’s take on The Bride of Frankenstein starring Jessie Buckley and Christian Bale. You can peruse my detailed prediction posts on the newcomers here:
Recent original Pixar titles (Elemental, Elio) have struggled out of the gate with openings below $30 million. With encouraging reviews, I suspect that won’t be the case with Hoppers and I’m going with a start in the mid 40s.
As for The Bride!, I am forecasting a subpar premiere barely topping $10 million. As I mentioned in my post, the second weekend of Scream 7 and especially similar subject matter being covered in Guillermo del Toro’s Frankenstein on Netflix could hinder this.
Speaking of Scream 7, it had a terrific debut (more on that below) that easily set a franchise record. The horror genre usually sees substantial declines in their second frames and I envision a mid to high 60s plummet for the latest adventures of Ghostface. Goat and Wuthering Heights should round out the top five.
Here’s I how I envision it shaking out:
1. Hoppers
Predicted Gross: $43.6 million
2. Scream 7
Predicted Gross: $19.5 million
3. The Bride!
Predicted Gross: $10.3 million
4. Goat
Predicted Gross: $5.8 million
5. Wuthering Heights
Predicted Gross: $3.4 million
Box Office Results (February 27-March 1)
As mentioned, Scream 7 had no trouble making loud noises at multiplexes with a series best $63.6 million, trouncing the $44 million that 2023 predecessor Scream VI pulled in. It also eclipsed my meager $47.6 million prediction for the best start yet in 2026.
Goat dropped to second with $12 million, down only 29% for a three-week tally of $73 million. I went a little lower at $10.8 million.
Wuthering Heights was third with $6.7 million (I said $6.9 million) and its three-week total is $72 million. The Margot Robbie-Jacob Elordi romance should fall a bit short of nine digits.
I did not have the rest of the high five being populated with music docs, but that was the result. Twenty One Pilots: More Than We Ever Imagined was fourth with $3.7 million. The King was fifth as EPiC: Elvis Presley in Concert made $3.5 million to bring its earnings to nearly $8 million. Crime 101 was sixth with $3.7 million. I didn’t do a prediction for it and it’s made $30 million after three weeks.
I Can Only Imagine 2 fell a sharp 59% after a disappointing debut to $3.1 million in seventh. I forecasted a bit more at $4 million. The faith-based sequel stands at $13 million after ten days.
Send Help was eighth with $2.8 million (I went with $2.6 million) for a five-week gross of $59 million.
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