Léa Seydoux was working double duty at the Cannes Film Festival this year with The Unknown (look for that individual post shortly) and the family drama Gentle Monster. The co-production between Austria, France, Germany, and Sweden is the latest feature from Corsage director Marie Kreutzer. Jella Haase, Laurence Rupp, and Catherine Deneuve are among the supporting players.
Both pics for the headlining French actress have the commonality of Seydoux being praised with the film drawing more of a mixed reaction. Rotten Tomatoes is at 59% with the somewhat rare occurrence of Metacritic being higher at 70.
The only feasible awards play is Best Actress. Netflix has reportedly picked up distribution rights. They would need a robust campaign. I would also say Monster needs to pick up steam by playing fall fests and hoping the buzz gets stronger. My Oscar Prediction posts will continue…
A nearly 160 minute epic spanning decades of gay history in Spain, Javier Calva and Javier Ambrossi’s The Black Ball (or La bola negra in its home language) was greeted with an extended ovation at the Cannes Film Festival. Telling three stories interconnected over 85 years, the cast includes singer Guitarricadelafuente, Miguel Bernardeau, Carlos González, Milo Quifes, Lola Dueñas, Julio Torres, Glenn Close, and Penélope Cruz.
Based on an unfinished play by Federico Garcia Lorca, all eyes are on the Cannes jury to see if Ball picks up a major prize later this weekend. The melodrama is being highly praised with many critics calling it a festival standout. Rotten Tomatoes is at 88% with 85 on Metacritic.
This is exactly the type of ambitious project that the Academy could honor in numerous categories including Best Picture and Director (the filmmakers are collectively known as Los Javis). The buzz reminds me of Emilia Pérez when it was unburdened by the controversies that would eventually follow. We probably have our Spanish submission for International Feature Film where this has immediately become a surefire contender. The reaction also indicates this could play in several down-the-line races like Casting, Costume Design, Production Design, and Sound.
As for the actors, Casting could be seen as a way to honor them all. Quifes seems to be generating particular attention. With Penélope Cruz, her small but memorable part might be remembered in Supporting Actress where she may also be in contention for this summer’s The Invite. Close’s role sounds too minor.
Just this morning, Netflix won the bidding war for Ball‘s release. Expect them to go all out in their campaign. My Oscar Prediction posts will continue…
Animated fantasy Swapped is streaming on Netflix today from Nathan Greno, best known for co-directing Disney’s Tangled. The body swap tale features Michael B. Jordan in a voiceover role and this is notably his first project since last year’s Oscar juggernaut Sinners and its record 16 nominations (including Jordan’s Best Actor victory). Other thespians behind the mic include Juno Temple, Tracy Morgan, Cedric the Entertainer, and Justina Machado.
The review embargo lifted on the same day of release. While some critics are praising the animation itself, write-ups aren’t overly wowed with the final results. Rotten Tomatoes is at 60% with 52 on Metacritic. Those numbers indicate the combined number of Academy mentions for Sinners and Swapped will be 16 as I don’t see this is a threat in Best Animated Feature. My Oscar Prediction posts will continue…
It is time to make my final predictions for the 98th Academy Awards airing Sunday evening with Conan O’Brien returning as host. The first word that comes to mind… ugh. This is tough. Not every category. Some are quite easy to forecast as is normally the case.
The ones that aren’t? I would say five of the top six competitions could go in different directions and that’s unique. As readers of my blog know, there are scores of individual write-ups talking about the Oscar chances of various films. There are multiple posts ranking the possibilities of pics, performers, directors, writers, and all kinds of crew members. It’s now time to put pencils down and write down my selections in pen for the 21 (now that Best Casting has joined the lineup) feature-length races.
Let’s get to it as I’ll select a winner and runner-up in each! And you can bet I’ll have a recap up Sunday night with reaction and how I did!
Best Picture
Bugonia, F1, Frankenstein, Hamnet, Marty Supreme, One Battle After Another, The Secret Agent, Sentimental Value, Sinners, Train Dreams
This is a head vs. gut call. The head says One Battle After Another which has taken PGA, the Golden Globe for Best Musical or Comedy, Critics Choice, and BAFTA. That kind of combo would normally be undeniable in BP. Yet Sinners is more of the gut prediction. Having just won Best Ensemble at SAG Actor, Ryan Coogler’s vampire tale seems to be peaking at the right time as voters finalize ballots. The record haul of 16 noms is an obvious bonus.
I cannot stress enough how much of a coin flip this is. I may look foolish on Sunday by betting against the kind of hardware that Battle has achieved in the precursors. However, for several days, the momentum of Sinners has me leaning in its direction.
WINNER: Sinners
Runner-Up: One Battle After Another
Best Director
Paul Thomas Anderson (One Battle After Another), Ryan Coogler (Sinners), Josh Safdie (Marty Supreme), Joachim Trier (Sentimental Value), Chloé Zhao (Hamnet)
2021 was the last year where there was a BP/Director split with CODA taking the grand prize and Jane Campion (The Power of the Dog) winning Director. Mr. Anderson has swept the precursors including the Directors Guild of America (DGA) which rarely differs from Oscar. A better night for Sinners than even I’m projecting could cause Ryan Coogler to become the first African-American to make this particular podium trip. In this case, my head and gut say PTA.
WINNER: Paul Thomas Anderson, One Battle After Another
Runner-Up: Ryan Coogler, Sinners
Best Actress
Jessie Buckley (Hamnet), Rose Byrne (If I Had Legs I’d Kick You), Kate Hudson (Song Sung Blue), Renate Reinsve (Sentimental Value), Emma Stone (Bugonia)
Someone other than Jessie Buckley had to win Actress in a Musical or Comedy at the Globes. That was Rose Byrne. Therefore she gets runner-up status. Make no mistake. Of the major categories, this is by far the easiest as Buckley has won everything else.
WINNER: Jessie Buckley, Hamnet
Runner-Up: Rose Byrne, If I Had Legs I’d Kick You
Best Actor
Timothée Chalamet (Marty Supreme), Leonardo DiCaprio (One Battle After Another), Ethan Hawke (Blue Moon), Michael B. Jordan (Sinners), Wagner Moura (The Secret Agent)
For a while, Critics Choice and Globe winner Timothée Chalamet was looking almost as certain as Buckley. BAFTA and SAG changed that dynamic and they are the last two precursors heading into Oscar voting. At the British ceremony, the not Academy nominated Robert Aramayo (I Swear) was triumphant. At SAG, it was Michael B. Jordan. There’s also Golden Globe Best Drama in a Drama recipient Wagner Moura. All three are viable. Heck there’s even prognosticators making arguments for DiCaprio and Hawke. This is an example where I’m ultimately buying the Sinners mojo though Chalamet still has a stronger shot than some are giving him credit for.
WINNER: Michael B. Jordan, Sinners
Runner-Up: Timothée Chalamet, Marty Supreme
Best Supporting Actress
Elle Fanning (Sentimental Value), Inga Ibsdotter Lilleass (Sentimental Value), Amy Madigan (Weapons), Wunmi Mosaku (Sinners), Teyana Taylor (One Battle After Another)
This one has been all over the place. The Globe went to Teyana Taylor, Amy Madigan took Critics Choice and SAG Actor, and Wunmi Mosaku grabbed BAFTA. Madigan’s performance is so singularly memorable that a win makes plenty of sense. Like Actor, I’m going with where I think the winds are blowing.
WINNER: Wunmi Mosaku, Sinners
Runner-Up: Amy Madigan, Weapons
Best Supporting Actor
Benicio del Toro (One Battle After Another), Jacob Elordi (Frankenstein), Delroy Lindo (Sinners), Sean Penn (One Battle After Another), Stellan Skarsgård (Sentimental Value)
Like Supporting Actress, a head scratcher. Critics Choice went to Jacob Elordi with Stellan Skarsgård getting the Globe. The latter seems more probable and, yes, Sinners love could extend to Lindo. BAFTA and SAG flipped the script by going with Sean Penn who would be picking up the rare third Oscar. This is a case where Battle has the late breaking momentum.
WINNER: Sean Penn, One Battle After Another
Runner-Up: Stellan Skarsgård, Sentimental Value
Best Original Screenplay
Blue Moon, It Was Just an Accident, Marty Supreme, Sentimental Value, Sinners
While most of the races above are tricky, the screenplay ones are not. Value stands the best chance at an upset but Sinners is the easy pick.
WINNER: Sinners
Runner-Up: Sentimental Value
Best Adapted Screenplay
Bugonia, Frankenstein, Hamnet, One Battle After Another, Train Dreams
Repeat everything I said for Original Screenplay and replace Battle for Sinners and Hamnet for Value.
WINNER: One Battle After Another
Runner-Up: Hamnet
Best International Feature Film
It Was Just an Accident, The Secret Agent, Sentimental Value, Sirāt, The Voice of Hind Rajab
At one time, Accident was seen as a potential frontrunner. The competition has morphed to a showdown between Value and Agent. This could definitely go either way, but I’ll give the edge to Value achieving something with its nine nominations.
WINNER: Sentimental Value
Runner-Up: The Secret Agent
Best Animated Feature
Arco, Elio, KPop Demon Hunters, Little Amélie or the Character of Rain, Zootopia 2
Zootopia 2 becoming 2025’s largest grossing blockbuster right as voting was occurring cannot hurt. It’s just hard to ignore the cultural juggernaut that KPop is.
WINNER: KPop Demon Hunters
Runner-Up: Zootopia 2
Best Documentary Feature
The Alabama Solution, Come See Me in the Good Light, Cutting Through Rocks, Mr. Nobody Against Putin, The Perfect Neighbor
This is a category capable of surprises and I could see Alabama, Good Light, and especially BAFTA winner Putin getting called up. Neighbor got lots of attention via its Netflix release and I’ll say the true crime doc squeaks through.
WINNER: The Perfect Neighbor
Runner-Up: Mr. Nobody Against Putin
Best Casting
Hamnet, Marty Supreme, One Battle After Another, The Secret Agent, Sinners
The inaugural year of the Casting contest is consists of five BP nominees and I’m going with the one I’m seledting as the winner.
WINNER: Sinners
Runner-Up: One Battle After Another
Best Cinematography
Frankenstein, Marty Supreme, One Battle After Another, Sinners, Train Dreams
Train Dreams has notched some precursors and is a real threat and the same logic certainly applies to Battle. Either could win. So could Sinners with that BP momentum. This is one I think Battle could manage to get and I’ll give it a slight edge over my BP selection
WINNER: One Battle After Another
Runner-Up: Sinners
Best Costume Design
Avatar: Fire and Ash, Frankenstein, Hamnet, Marty Supreme, Sinners
While we’re still wondering what Avatar is doing here, this is one of three races that Frankenstein is likely to collect.
WINNER: Frankenstein
Runner-Up: Sinners
Best Film Editing
F1, Marty Supreme, One Battle After Another, Sentimental Value, Sinners
F1 could zoom past the competition and Battle might be the safer bet. I’ll go withmy BP pick for this one.
WINNER: Sinners
Runner-Up: One Battle After Another
Best Makeup and Hairstyling
Frankenstein, Kokuho, Sinners, The Smashing Machine, The Ugly Stepsister
This is the second Frankenstein victory unless Sinners has a truly amazing evening.
WINNER: Frankenstein
Runner-Up: Sinners
Best Original Score
Bugonia, Frankenstein, Hamnet, One Battle After Another, Sinners
Sinners is anticipated to emerge here rather easily.
WINNER: Sinners
Runner-Up: One Battle After Another
Best Original Song
“Dear Me” from Diane Warren: Relentless; “Golden” from KPop Demon Hunters; “I Lied to You” from Sinners; “Sweet Dreams of Joy” from Viva Verdi!; “Train Dreams” from Train Dreams
The Sinners tune could score the upset though “Golden” should be just that.
WINNER: “Golden” from KPop Demon Hunters
Runner-Up: “I Lied to You” from Sinners
Best Production Design
Frankenstein, Hamnet, Marty Supreme, One Battle After Another, Sinners
Frankenstein Oscar #3 expected with Sinners looming.
WINNER: Frankenstein
Runner-Up: Sinners
Best Sound
F1, Frankenstein, One Battle After Another, Sinners, Sirāt
One of the trickiest down the line categories as Sinners could absolutely prevail and a Sirāt upset is feasible. I do think the autotunes of F1 gets it by a nose.
WINNER: F1
Runner-Up: Sinners
Best Visual Effects
Avatar: Fire and Ash, F1, Jurassic World Rebirth, The Lost Bus, Sinners
The first two Avatar flicks nabbed VE as should the third.
WINNER: Avatar: Fire and Ash
Runner-Up: F1
That equates to these movies generating these numbers in terms of victories:
7 Wins
Sinners
4 Wins
One Battle After Another
3 Wins
Frankenstein
2 Wins
KPop Demon Hunters
1 Win
Avatar: Fire and Ash, F1, Hamnet, The Perfect Neighbor, Sentimental Value
Disney/Pixar looks to jump to the top of the box office charts with Hoppers while Warner Bros hopes moviegoers RSVP for The Bride!, Maggie Gyllenhaal’s take on The Bride of Frankenstein starring Jessie Buckley and Christian Bale. You can peruse my detailed prediction posts on the newcomers here:
Recent original Pixar titles (Elemental, Elio) have struggled out of the gate with openings below $30 million. With encouraging reviews, I suspect that won’t be the case with Hoppers and I’m going with a start in the mid 40s.
As for The Bride!, I am forecasting a subpar premiere barely topping $10 million. As I mentioned in my post, the second weekend of Scream 7 and especially similar subject matter being covered in Guillermo del Toro’s Frankenstein on Netflix could hinder this.
Speaking of Scream 7, it had a terrific debut (more on that below) that easily set a franchise record. The horror genre usually sees substantial declines in their second frames and I envision a mid to high 60s plummet for the latest adventures of Ghostface. Goat and Wuthering Heights should round out the top five.
Here’s I how I envision it shaking out:
1. Hoppers
Predicted Gross: $43.6 million
2. Scream 7
Predicted Gross: $19.5 million
3. The Bride!
Predicted Gross: $10.3 million
4. Goat
Predicted Gross: $5.8 million
5. Wuthering Heights
Predicted Gross: $3.4 million
Box Office Results (February 27-March 1)
As mentioned, Scream 7 had no trouble making loud noises at multiplexes with a series best $63.6 million, trouncing the $44 million that 2023 predecessor Scream VI pulled in. It also eclipsed my meager $47.6 million prediction for the best start yet in 2026.
Goat dropped to second with $12 million, down only 29% for a three-week tally of $73 million. I went a little lower at $10.8 million.
Wuthering Heights was third with $6.7 million (I said $6.9 million) and its three-week total is $72 million. The Margot Robbie-Jacob Elordi romance should fall a bit short of nine digits.
I did not have the rest of the high five being populated with music docs, but that was the result. Twenty One Pilots: More Than We Ever Imagined was fourth with $3.7 million. The King was fifth as EPiC: Elvis Presley in Concert made $3.5 million to bring its earnings to nearly $8 million. Crime 101 was sixth with $3.7 million. I didn’t do a prediction for it and it’s made $30 million after three weeks.
I Can Only Imagine 2 fell a sharp 59% after a disappointing debut to $3.1 million in seventh. I forecasted a bit more at $4 million. The faith-based sequel stands at $13 million after ten days.
Send Help was eighth with $2.8 million (I went with $2.6 million) for a five-week gross of $59 million.
We are less than two weeks away from KPop Demon Hunters likely giving Netflix a Best Animated Feature victory at the Oscars for the 98th Academy Awards. This Friday, Disney/Pixar is releasing a sci-fi comedy that could easily make the quintet at the 99th. Daniel Chong’s Hoppers features a voice cast including Piper Curda, Bobby Moynihan, Jon Hamm, Kathy Najimy, and Dave Franco.
With 96% on Rotten Tomatoes and a 77 Metacritic, reviews are strong enough that it should become the 21st Pixar title to nab a spot among the contending five. It should have competition from its own studio in the form of this summer’s Toy Story 4. Parts 3 and 4 won the prize and the first two probably would’ve had the category existed when they were released.
Hoppers also features an original song titled “Save the Day” from SZA and the Mouse House will probably mount a campaign for it in Original Song. Besides the fifth edition of Woody and Buzz, there will be other animated fare vying for the votes of Academy members in the coming months. Pixar’s first 2026 offering has already staked its claim for attention. My Oscar Prediction posts will continue…
Some Oscar categories may have become more solidified (Supporting Actor) while others remain unsettled (Actor and Supporting Actor and perhaps Best Picture) courtesy of tonight’s 32nd Actor Awards. Formerly known as SAG, Kristen Bell returned to host the Netflix aired ceremony where Sinners remained a viable alternative to One Battle After Another for Best Picture in two weeks.
It was the only film to take 2 prizes as I correctly called it for Best Ensemble. Ryan Coogler’s vampire tale did take an acting honor, but not the one I forecasted. In Best Actor, Michael B. Jordan is the winner over Timothée Chalamet (Marty Supreme) and this opens up the real possibility of him grabbing the Oscar. After Robert Aramayo (I Swear) took BAFTA, Chalamet is looking truly vulnerable.
On a night where I went 4 for 6, the other miss was projecting BAFTA victor Wunmi Mosaku’s work in Sinners for Supporting Actress. Instead the Screen Actors Guild went with Critics Choice winner Amy Madigan in Weapons. That race is legit looking like an open contest between Madigan (who now has 2 key precursors) and Mosaku and Teyana Taylor (One Battle After Another).
Battle‘s Sean Penn is your Supporting Actor honoree and he’s grabbed 2 trophies in a row (BAFTA). I wouldn’t want to bet against him on Oscar night for what would be a third gold statue.
Jessie Buckley’s sweep continued in Best Actress for Hamnet. With all preceding ceremonies going her way, she is unquestionably the easiest acting derby to predict for the Academy.
In the Stunt Ensemble race, the voters predictably went with Mission: Impossible – The Final Reckoning.
From a pure precursor standpoint, Battle has won top honors at the Globes, Critics Choice, BAFTA, and PGA. That mix is hard to deny. Yet late breaking momentum certainly makes Sinners the easy runner-up and a threat to be the Academy’s BP.
Stay tuned to the blog for final Oscar predictions in a few days!
The Producers Guild of America (PGA) followed the Golden Globes, Critics Choice, and BAFTA and bestowed their best picture honors to Paul Thomas Anderson’s One Battle After Another last night. It occurred during a weekend where Ryan Coogler’s Sinners has two shots to interrupt Battle‘s momentum. The second comes tonight at the Actor Awards (formerly known as SAG) where Sinners has a stronger chance to win the top Ensemble prize.
Even if it does, Battle‘s road to Oscar glory could be undeniable at this point with victories at the aforementioned precursors. A reminder that PGA and the Academy’s BP have matched five times in a row. I correctly called the biggest category and did the same in the animated race with KPop Demon Hunters. That Netflix phenomenon has also landed trophies at earlier ceremonies including the Globes and Critics Choice. The only place it didn’t was BAFTA where it wasn’t eligible and Zootopia 2 emerged. Yet that Disney sequel will likely be #2 to KPop in Academy tabulations.
The only surprise at PGA came in documentary where My Mom Jayne, Mariska Hargitay’s exploration of her relationship with mother Jayne Mansfield, was the winner. I went with another Netflix hit The Perfect Neighbor. Jayne is not among the doc quintet at the Oscars. Neighbor, seen as the Academy favorite, definitely looks vulnerable and I wouldn’t discount BAFTA recipient Mr. Nobody Against Putin or The Alabama Solution.
Keep an eye on the blog for my recap of the Actor Awards later tonight!
Warner Bros is counting on moviegoers to walk down multiplex aisles when The Bride! opens March 6th. Maggie Gyllenhaal directs the gothic thriller based on The Bride of Frankenstein. Jessie Buckley and Christian Bale headline the odd romance. Costars include Peter Sarsgaard (Maggie’s husband), Annette Bening, Jake Gyllenhaal (Maggie’s brother), and Penélope Cruz.
With a reported $80 million budget, the studio is seeking lots of RSVPs. Buckley is likely on the precipice of an Oscar win for Hamnet with Bale as the monstrous “Frank”. I’m not convinced their star power equals an impressive gross. The Bride! faces challenges. Scream 7 will be in its sophomore weekend and still posting solid figures. I question the mainstream appeal of this based on trailers and TV spots. Most importantly, plenty of potential viewers might feel like they got their Frankenstein fix via Guillermo del Toro’s Best Picture nominated Netflix version just four months ago.
Familiarity with the source material could still propel this to a premiere in the low to mid teen. My gut says to take the under and that means a disappointing result just over $10 million.
The Bride! opening weekend prediction: $10.3 million
As we do every year on the blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It begins with the ten Best Picture contenders and then alternates alphabetically between the hopefuls in the other five races. We have arrived at the final film in BP and that’s Clint Bentley’s Train Dreams. If you missed my posts covering the previous nominees, you can find them here:
Since premiering at Sundance over a year ago, the period drama has been seen an awards player. In addition to the BP nod, it’s up for Adapted Screenplay, Cinematography, and Original Song. Precursor BP nominations for the Netflix release include the Globes and PGA.
The Case Against Train Dreams:
Note the noms it didn’t get including directing and or any mentions for its cast (Joel Edgerton, Felicity Jones, or William H. Macy). BAFTA almost completely ignored it where it received a sole cinematography nom and it was blanked at SAG Actor.
The Verdict:
Of the two Netflix entries up in the biggest race, Dreams is below Frankenstein as far as victory chances and Frankenstein is definitely not going to win.
My Case Of posts will continue with the first Best Actress write-up and that’s Jessie Buckley in Hamnet…
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