Since Best Animated Feature became a category at the Oscars in 2001, Brad Bird is 3 for 3 in terms of nominations and 2 for 3 in terms of wins. His tenure with Disney/Pixar led to victories for 2004’s The Incredibles and 2007’s Ratatouille while 2018’s Incredibles 2 was in contention but fell short to Spider-Man: Into the Spider-Verse. His debut, 1999’s The Iron Giant, would have certainly been up had the competition existed.
Bird’s latest is Ray Gunn and it has premiered at the London Film Festival prior to its December 4th limited theatrical release and December 18th Netflix bow. Said to be the filmmaker’s dream project, the sci-fi noir mystery features the voices of Sam Rockwell, Scarlett Johansson, Tom Waits, Matt Berry, Bobby Cannavale, Michelle Rodriguez, Matt Jones, Aasif Mandvi, Alan Tudyk, and Kathryn Hunter.
Word-of-mouth across the pond gives Gunn a 91% Rotten Tomatoes score. A closer look at the write-ups reveal plenty of recommendations with reservations. Bird’s first effort in nearly a decade should have enough goodwill to get in the Animated Feature quintet, but I’m skeptical that a win narrative exists. There’s another London premiere that does have that narrative and its Oscar Prediction post is imminent.
Netflix will campaign the song “Too Muck to Ask” (performed by Johansson in the pic) in Original Song and Michael Giacchino is behind the score. Both are worth considering if they manage to make their respective shortlists though I’ve yet to seriously consider either for inclusion. My Oscar Prediction posts will continue…
It can be said that four of Ben Affleck’s previous five directorial efforts attracted awards attention. His 2007 debut Gone Baby Gone received a Supporting Actress nod for Amy Ryan while 2010’s follow-up The Town saw Jeremy Renner nab a supporting mention. 2012’s Argo was the Best Picture winner in addition to Adapted Screenplay and Editing victories (though Affleck was not up for his directing). Four years later, Live by Night was a critical and commercial failure that is the outlier as far as Oscar prospects. While 2023’s Air didn’t end up with any noms, it was in the conversation for some.
Affleck’s sixth behind the camera effort Animals is out with a limited theatrical engagement (I guess for Academy eligibility) this weekend along with a Netflix streaming bow. The crime thriller stars Affleck, Gillian Anderson, Kerry Washington, Steven Yeun, Luis Gerardo Méndez, and Adriana Paz.
Critical reaction is even softer than what greeted Live by Night. Rotten Tomatoes is at 35% with Metacritic at an even worse 31. The review embargo didn’t lift until hours before it was available to millions of Netflix viewers. That was a big hint that Animals chances in the awards conversation were DOA and that’s been proven true. My Oscar Prediction posts will continue…
Other Mommy looks to make lots of money for Universal when it debuts October 9th. Based on the 2024 novel by Josh Malerman (who also wrote the source material for the Netflix hit Bird Box), Jessica Chastain stars in the supernatural horror flick. The supporting cast includes Jay Duplass, Arabella Olivia Clark, Dichen Lachman, Arian Moayed, and Karen Allen. Rob Savage, maker of 2023’s ambivalently received The Boogeyman, directs.
She may be an Oscar winner, but Chastain is no stranger to the genre with Mama and It Chapter Two in her filmography. Scary movies have been hot in 2026 and a genuinely unsettling trailer should help Mommy score an easy #1 debut.
This should double the $12 million that greeted Savage’s Boogeyman and it could have room to spare. I’m projecting it’ll premiere with a mid to high 20s start.
Other Mommy opening weekend prediction: $27.2 million
For my The Social Reckoning prediction, click here:
From 2003-2015, Alejandro González Iñárritu’s five directorial efforts in a row (21 Grams, Babel, Biutiful, Birdman, The Revenant) resulted in ten acting nominations at the Oscars and a win for Leonardo DiCaprio for The Revenant. The filmmaker himself collected two directorial victories in a row with Birdman and The Revenant while the former won Best Picture.
Tom Cruise is probably the biggest movie star on the planet over the last four decades. He’s a three-time Academy nominee (in lead for Born on the Fourth of July and Jerry Maguire and supporting for Magnolia) who’s yet to be in the mix during the 21st century.
The collaboration of Iñárritu and Cruise for this weekend’s satire Digger was rightly looked at as a major awards contender that could finally land its lead a statue (not counting his honorary Oscar that came months ago). And why not honor John Goodman, a beloved character actor never up for an Academy Award, with a first go at Supporting Actor? Other costars include Riz Ahmed, Sandra Hüller, Michael Stuhlbarg, and Jesse Plemons.
With the review embargo lifted, a lot of the aforementioned narrative has been buried. Rotten Tomatoes is at 51% with Metacritic even lower at 44. Critical reaction is widely varied. There are truly positive write-ups with others calling it an unmitigated disaster. Box office potential appears limited and I’m projecting it will bomb with just over $11 million out of the gate domestically.
Are the Oscar chances dead? In the main categories, a strong argument can be made in the affirmative. It may stand an outside shot at following the Don’t Look Up path. That 2021 political black comedy from Adam McKay holds similar numbers on RT/MC. The difference is that the 2026 lineup of BP contenders appears stronger and Up was generally considered a widely viewed Netflix effort. Digger seems headed for the stench of financial failure.
As for Cruise, he would have zero chance of winning. Without that narrative, I don’t see him getting into the final five. Conventional wisdom put Goodman in as the Supporting Actor hopeful. It’s Ahmed who’s being called the standout among the rest of the ensemble. Hüller was bandied about though her supporting turn in Project Hail Mary seems more feasible now and she has an even stronger chance in lead with Rose. Ultimately I doubt the cast factors into those races at all.
Digger‘s best and perhaps only opportunities to show up on Oscar night 2027 are for Makeup & Hairstyling and Production Design. I had it predicted for both in my update two days ago and I suspect that could remain the case moving forward. I’m slightly more confident about Makeup & Hairstyling. My Oscar Prediction posts will continue…
The People’s Choice Award at the Toronto Film Festival is a truly predictive bellwether for a Best Picture nomination at the Oscars. How much so? Thirteen of the past fourteen winners of the Canadian prize have nabbed a BP mention. That extends to sixteen of the last eighteen including the following Academy winners for the highest prize: Slumdog Millionaire, The King’s Speech, 12 Years a Slave, Green Book, and Nomadland. Movies that took People’s Choice and were nominated for BP include Silver Linings Playbook, Room, La La Land, Three Billboards Outside Ebbing, Missouri, Jojo Rabbit, American Fiction, and last year’s Hamnet. Since 2012, only Mike Flanagan’s The Life of Chuck took the PCA award and did not receive a BP nom from the Academy.
Additionally, the runner-up and second runner-up designation at TIFF is filled with Best Picture winners and nominees in the 21st century. That list includes Juno, Argo, Spotlight, Call Me by Your Name, Roma, Parasite, The Power of the Dog, The Holdovers, Emilia Pérez, Anora, and Frankenstein.
So… this is kind of a big deal. For six years in a row, two of the three People Choice’s selections from each year were honored with BP mentions from the Academy.
That’s why The Black Ball (La bola negra in Spanish) unquestionably punched its ticket to a Best Picture nod and a chance to emerge victorious. Truth be told, it was there already. The international drama (a near shoo-in winner for International Feature Film in a few months) was TIFF’s top choice. I’ve had it ranked 2nd behind Christopher Nolan’s The Odyssey for months. An argument can be made (especially now) to rank the Netflix property in first. Don’t be surprised if I still roll with Odyssey but Ball upped its opportunity even more so with today’s annoucement.
Many assumed Ball would get TIFF’s International People’s Choice prize but that surprisingly went to Simon Stone’s Elsinore with Andrew Scott (in what is anticipated to be a Best Actor nominated performance). This is a nice prize for Elsinore‘s chances in BP.
The real intrigue lies with TIFF’s runner-up selections: Peter Farrelly’s I Play Rocky and Sian Heder’s Being Heumann. The former was tagged as a crowd pleaser upon its screening though reviews were mixed. The latter is Heder’s follow-up to her Best Picture winning CODA from 2021. If this is the seventh year where two out of three make the Oscar BP cut, I haven’t had either of these in my top ten. The streak could be broken this year, but I’d say Rocky has a better shot than Heumann.
It is worth noting some contenders that didn’t make the top 3 from the festival going voters. Jesse Eisenberg’s The Debut and Martin McDonagh’s Wild Horse Nine were both strong possibilities. I have both in my BP ten and today’s developments are unlikely to take either out. One film that could have benefited more had it been included is Jordan Firstman’s Club Kid. A People’s Choice shoutout would’ve increased its visibility and now I think it might not be a major campaigning priority for A24 (who have other hopefuls to champion).
Bottom line: The Black Ball is rolling and should continue to do so as the season begins in earnest.
The jury at the Venice Film Festival have been an unpredictable group over the last few years and the deciders at the 2026 edition have followed suit. As the event draws to a close today, May el-Toukhy’s post-WWII drama Woman Unknown has taken the Golden Lion (the fest’s top prize) with lead Mathilde Arcel as Best Actress. This was not a pic that prognosticators were selecting.
The Dutch production isn’t slated to release in its home country until February 2027. It will be interesting to see of those plans are altered or if a stateside launch comes prior to this year’s end. If so, Unknown is at least a possibility for International Feature Film. However, four of the past five Lion recipients haven’t made it into the BP derby at the Oscars with the exception being 2023’s Poor Things. Unknown probably makes it five of six.
Lee Chang-dong’s Possible Love is the Silver Lion victor (second place). One of the best reviewed features out of Italy, the South Korean drama (already announced as their IFF competitor) and Netflix acquisition is a real threat to make the cut in that race.
Set in a Soviet research facility across five decades, Ilya Khrzhanosky is the Best Director for DAU which could be picked up by a number of countries as their IFF hopeful.
There was some love for domestic product as John Malkovich is Best Actor for Martin McDonagh’s acclaimed Wild Horse Nine. There’s not a strong history between this award at Venice and taking home gold at Oscar. In fact, it has somehow never happened in the 82 previous years. The last Venice recipient to get an Academy nom was Colin Farrell for 2022’s The Banshees of Inisherin. Prior to that, it was Willem Dafoe for At Eternity’s Gate. Malkovich has a real shot at being the first to win both based on WOM from the fest.
Keep clicking on the blog for more Oscar insight and festival reactions!
What are the awards possibilities for Lee Chanh-dong’s Possible Love now that it has premiered in Venice? The South Korean drama is the filmmaker’s follow-up to 2018’s Burning which was selected by its nation as their International Feature Film pick but failed to make the final cut. Jeon Do-yeon, Sul Kyung-gu, Zo In-sung, and Cho Yeo-jeong star with a stateside release for October 23rd and a Netflix streaming bow on November 6th.
Early reviews are impressive with 100% on Rotten Tomatoes and a perhaps more notable 96% on Metacritic. Even with that rapturous reaction, one wonders how much room for international product could make up the 10 Best Picture nominees. Love will need to compete with The Black Ball (which has likely punched its ticket) and potentially the Cannes winner Fjord and All of a Sudden. It is a legit question whether Netflix will throw most of the campaigning behind Ball.
If Love were to take the top prize at Venice, chances in the big dance would immediately rise. However, as of now, I think International Feature Film is perhaps the sole nomination with an outside shot at Original Screenplay. My Oscar Prediction posts will continue…
The Venice Film Festival kicks off today with Telluride and Toronto soon to follow. Danny Boyle’s Ink is the Italian fest’s opening feature. The filmmaker’s Slumdog Millionaire was the Best Picture honoree in 2008. Based on the 2017 stage play, the film recounts the founding and evolution of British tabloid The Sun from the late 1960s to the 1980s. Jack O’Connell, Claire Foy, and Guy Pearce (as Rupert Murdoch) headline the cast. Ink is slated for a limited and Oscar-qualifying theatrical engagement on December 11th before a Netflix bow on January 8th.
Sometimes a festival premiere will greatly increase or decrease a pic’s awards viability. The initial reaction to Ink pretty much puts it where I assumed it was. With 87% on Rotten Tomatoes and 81 on Metacritic, reviews are generally praising many aspects without going overboard.
I’ve had Ink just on the outside looking in for Best Picture contention. My update three days ago had it 11th. Netflix faces a choice with how hard they go in their campaign as The Black Ball will likely be their main focus. Right now my hunch that it misses the BP cut feels correct.
The buzz from Venice also indicates that O’Connell, Foy, and Pearce all deliver fine performances. However, only Pearce seems truly viable for consideration in the Supporting Actor field. The veteran performer landed his first nom two years ago for The Brutalist and was arguably runner-up for the win. He is nowhere near a shoo-in to make the final five though I suspect he’ll be in the mix in a way his costars are not.
Ink could also play in Adapted Screenplay and Film Editing. For the latter, that may apply only if it sneaks into the BP race. That is certainly a possibility, but I’m leaning the other way as the ink figuratively dries on this write-up. My Oscar Prediction posts will continue…
Moviegoers continue to get new looks at potential Oscar contenders in the last couple of weeks since my last predictions. We got our first extended glimpse for Alejandro Gonzalez Iñárritu’s Digger and it has sparked plenty of social media chatter for what appears to be a big swing for the filmmaker and Tom Cruise. I could see this going either way. For now I’m keeping it above the line in several of my forecasts.
This is the weekend where Christopher Nolan’s The Odyssey is dominating the box office with the review embargo having lifted four days ago. The results are impressive with 95% on Rotten Tomatoes and an 89 Metacritic. It is a threat not only to be nominated in Best Picture and Director (which appears automatic) but to win. As I wrote about in my detailed prediction post, the acting races shifted a bit in my calculations. The “in or out” debate regarding Matt Damon continues. However, Anne Hathaway seems to have solidified a spot in Supporting Actress. Her costar Samantha Morton’s inclusion is less likely unless Universal mounts a spirited campaign. As for the Supporting Actors, Robert Pattinson/Tom Holland/John Leguizamo could materialize. Yet I wouldn’t be surprised if no consensus emerges among them and they all miss the cut.
Fall festivals are beginning to announce their lineups. The opener at Venice was revealed to be Danny Boyle’s Ink starring Jack O’Connell, Guy Pearce (as media titan Rupert Murdoch), and Claire Foy. This was a surprise considering the release date was expected to be 2027. It was also announced that Netflix will carry U.S. distribution rights. Now it’s a question mark whether the streamer will choose a limited theatrical engagement in 2026 followed by the small screen output. The high profile Venice slot has me leaning toward a premiere before the calendar year closes. It joins my lineup just on the outside looking in with Pearce projected in Supporting Actor.
Speaking of release date uncertainty, we still don’t know if Tom Ford’s Cry to Heaven (an adaptation of an Anne Rice novel) is out this year. I’m still listing it, but it drops out of my BP lineup. The beneficiary of that change is Tony Gilroy’s Behemoth! which unveiled its first trailer this week. Leading man Pedro Pascal also makes the cut for the first time over Sebastian Stan (Fjord). There’s also chatter that Joel Coen’s Jack of Spades is moving to 2027 and I’m moving it outside of my projections at press time.
The Toronto Film Festival’s lineup is beginning trickle out with Sian Heder’s Being Heumann serving as the opener and Prima Facie with Cynthia Erivo tagged as a gala presentation. Paper Tiger from James Gray, which played at Cannes to a mostly positive though not overwhelming reception, will be first out of the gate at the New York Film Festival.
You can read all the movement from the last two weeks below and expect a fresh update in a couple of weeks!
Best Picture
Predicted Nominees:
1. The Odyssey (Previous Ranking: 1) (Even)
2. The Black Ball (PR: 2) (E)
3. Project Hail Mary (PR: 5) (+2)
4. Wild Horse Nine (PR: 4) (E)
5. Digger (PR: 3) (-2)
6. The Debut (PR: 7) (+1)
7. Fjord (PR: 6) (-1)
8. Dune: Part Three (PR: 8) (E)
9. Behemoth! (PR: 12) (+3)
10. Obsession (PR: 9) (-1)
Other Possibilities:
11. All of a Sudden (PR: 11) (E)
12. The Invite (PR: 17) (+5)
13. Ink (PR: Not Ranked)
14. A Place in Hell (PR: 14) (E)
15. Cry to Heaven (PR: 10) (-5)
16. The Social Reckoning (PR: 13) (-3)
17. Sense and Sensibility (PR: 15) (-2)
18. Fatherland (PR: 16) (-2)
19. The Adventures of Cliff Booth (PR: 19) (E)
20. Michael (PR: 21) (+1)
21. Elsinore (PR: Not Ranked)
22. Artificial (PR: 18) (-4)
23. Being Heumann (PR: 23) (E)
24. Disclosure Day (PR: 20) (-4)
25. Josephine (PR: 22) (-3)
Dropped Out:
Jack of Spades
Werwulf
Best Director
Predicted Nominees:
1. Christopher Nolan, The Odyssey (PR: 1) (E)
2. Javier Ambrossi and Javie Calvo, The Black Ball (PR: 2) (E)
6. Phil Lord and Christopher Miller, Project Hail Mary (PR: 6) (E)
7. Denis Villeneuve, Dune: Part Three (PR: 8) (+1)
8. Tony Gilroy, Behemoth! (PR: 13) (+5)
9. Curry Barker, Obsession (PR: 7) (-2)
10. Ryusuke Hamaguchi, All of a Sudden (PR: 10) (E)
11. Jesse Eisenberg, The Debut (PR: 11) (E)
12. Olivia Wilde, The Invite (PR: Not Ranked)
13. Danny Boyle, Ink (PR: Not Ranked)
14. Tom Ford, Cry to Heaven (PR: 9) (-5)
15. Pawel Pawlikowski, Fatherland (PR: 12) (-3)
Dropped Out:
Chloe Domont, A Place in Hell
Georgia Oakley, Sense and Sensibility
Best Actress
Predicted Nominees:
1. Julianne Moore, The Debut (PR: 2) (+1)
2. Michelle Williams, A Place in Hell (PR: 1) (-1)
3. Inde Navarrette, Obsession (PR: 4) (+1)
4. Renate Reinsve, Fjord (PR: 3) (-1)
5. Sandra Hüller, Rose (PR: 5) (E)
Other Possibilities:
6. Mikey Madison, The Social Reckoning (PR: 6) (E)
7. Olivia Wilde, The Invite (PR: 15) (+8)
8. Virginie Efira, All of a Sudden (PR: 7) (-1)
9. Cynthia Erivo, Prima Facie (PR: 9) (E)
10. Sandra Hüller, Fatherland (PR: 10) (E)
11. Emily Blunt, Disclosure Day (PR: 8) (-3)
12. Ruth Madeley, Being Heumann (PR: 12) (E)
13. Daisy Edgar-Jones, Sense and Sensibility (PR: 11) (-2)
14. Sophie Okonedo, Clarissa (PR: 13) (-1)
15. Mason Reeves, Josephine (PR: 14) (-1)
Best Actor
Predicted Nominees:
1. Tom Cruise, Digger (PR: 1) (E)
2. Ryan Gosling, Project Hail Mary (PR: 2) (E)
3. John Malkovich, Wild Horse Nine (PR: 3) (E)
4. Matt Damon, The Odyssey (PR: 5) (+1)
5. Pedro Pascal, Behemoth! (PR: 6) (+1)
Other Possibilities:
6. Sebastian Stan, Fjord (PR: 4) (-2)
7. Andrew Scott, Elsinore (PR: 12) (+5)
8. Jaafar Jackson, Michael (PR: 8) (E)
9. Robert Pattinson, Primetime (PR: 10) (+1)
10. John Turturro, The Only Living Pickpocket in New York (PR: 7) (-3)
11. Andrew Garfield, Artificial (PR: 9) (-2)
12. Jack O’Connell, Ink (PR: Not Ranked)
13. Timothée Chalamet, Dune: Part Three (PR: Not Ranked)
14. Dominic Sessa, Tony (PR: 14) (E)
15. Nicholas Hoult, Cry to Heaven (PR: 11) (-4)
Dropped Out:
Rami Malek, The Man I Love
Javier Bardem, The Beloved
Best Supporting Actress
Predicted Nominees:
1. Mariana di Girolamo, Wild Horse Nine (PR: 1) (E)
2. Anne Hathaway, The Odyssey (PR: 7) (+5)
3. Penélope Cruz, The Black Ball (PR: 2) (-1)
4. Sandra Hüller, Digger (PR: 3) (-1)
5. Daisy Edgar-Jones, A Place in Hell (PR: 5) (E)
Other Possibilities:
6. Penélope Cruz, The Invite (PR: 6) (E)
7. Parker Posey, Wild Horse Nine (PR: 4) (-3)
8. Sandra Hüller, Project Hail Mary (PR: 11) (+3)
9. Tao Okamoto, All of a Sudden (PR: 8) (-1)
10. Lola Dueñas, The Black Ball (PR: 13) (+3)
11. Eva Victor, Behemoth! (PR: Not Ranked)
12. Olivia Colman, Elsinore (PR: Not Ranked)
13. Claire Foy, Ink (PR: Not Ranked)
14. Samantha Morton, The Odyssey (PR: 10) (-4)
15. Esmé Creed-Miles, Sense and Sensibility (PR: 9) (-6)
Dropped Out:
Halle Bailey, The Debut
Scarlett Johansson, Paper Tiger
Elizabeth Debicki, The Adventures of Cliff Booth
Best Supporting Actor
Predicted Nominees:
1. Paul Giamatti, The Debut (PR: 1) (E)
2. John Goodman, Digger (PR: 2) (E)
3. Sam Rockwell, Wild Horse Nine (PR: 3) (E)
4. Edward Norton, The Invite (PR: 8) (+4)
5. Guy Pearce, Ink (PR: Not Ranked)
Other Possibilities:
6. Steve Buscemi, Wild Horse Nine (PR: 5) (-1)
7. Jeremy Strong, The Social Reckoning (PR: 7) (E)
8. Colman Domingo, Michael (PR: 9) (+1)
9. Riz Ahmed, Digger (PR: 6) (-3)
10. Robert Pattinson, The Odyssey (PR: 4) (-6)
11. Guittarricadelafuente, The Black Ball (PR: 14) (+3)
12. John Leguizamo, The Odyssey (PR: Not Ranked)
13. James Ortiz, Project Hail Mary (PR: 10) (-3)
14. Mark Ruffalo, Being Heumann (PR: 13) (-1)
15. Channing Tatum, Josephine (PR: 11) (-4)
Dropped Out:
Andrew Scott, A Place in Hell
Jesse Plemons, Digger
Best Original Screenplay
Predicted Nominees:
1. Wild Horse Nine (PR: 1) (E)
2. The Debut (PR: 3) (+1)
3. Digger (PR: 2) (-1)
4. Fjord (PR: 4) (E)
5. Obsession (PR: 5) (E)
Other Possibilities:
6. Behemoth! (PR: 6) (E)
7. A Place in Hell (PR: 7) (E)
8. Club Kid (PR: 9) (+1)
9. Primetime (PR: 12) (+3)
10. Artificial (PR: 8) (-2)
11. Elsinore (PR: Not Ranked)
12. Fatherland (PR: 13) (+1)
13. The Drama (PR: 15) (+2)
14. Josephine (PR: 14) (E)
15. The Only Living Pickpocket Living in New York (PR: 10) (-5)
Dropped Out:
Jack of Spades
Best Adapted Screenplay
Predicted Nominees:
1. The Black Ball (PR: 1) (E)
2. The Odyssey (PR: 2) (E)
3. Project Hail Mary (PR: 3) (E)
4. The Invite (PR: 5) (+1)
5. All of a Sudden (PR: 4) (-1)
Other Possibilities:
6. Ink (PR: Not Ranked)
7. Dune: Part Three (PR: 8) (+1)
8. The Social Reckoning (PR: 7) (-1)
9. The Adventures of Cliff Booth (PR: 9) (E)
10. Cry to Heaven (PR: 6) (-4)
11. Sense and Sensibility (PR: 10) (-1)
12. Being Heumann (PR: 11) (-1)
13. Wildwood (PR: 13) (E)
14. Prima Facie (PR: 12) (-2)
15. Minotaur (PR: 14) (-1)
Dropped Out:
A Long Winter
Best International Feature
Predicted Nominees:
1. The Black Ball (PR: 1) (E)
2. Fjord (PR: 2) (E)
3. All of a Sudden (PR: 3) (E)
4. Minotaur (PR: 4) (E)
5. Coward (PR: 5) (E)
Other Possibilities:
6. Fatherland (PR: 6) (E)
7. Rose (PR: 9) (+2)
8. Possible Love (PR: 7) (-1)
9. Mimesis (PR: 8) (-1)
10. The Beloved (PR: 10) (E)
Best Animated Feature Film
Predicted Nominees:
1. Wildwood (PR: 1) (E)
2. Toy Story 5 (PR: 2 (E)
3. Ray Gunn (PR: 3) (E)
4. Forgotten Island (PR: 7) (+3)
5. Tangles (PR: 4) (-1)
Other Possibilities:
6. Hoppers (PR: 5) (-1)
7. Shaun the Sheep: The Beast of Mossy Bottom (PR: 8) (+1)
8. In Waves (PR: 6) (-2)
9. Iron Boy (PR: 9) (E)
10. Hexed (PR: Not Ranked)
Dropped Out:
Minions & Monsters
Best Documentary Feature
Predicted Nominees:
1. Once Upon a Time in Harlem (PR: 1) (E)
2. 14th (PR: Not Ranked)
3. One in a Million (PR: 7) (+4)
4. American Doctor (PR: 6) (+2)
5. To Hold a Mountain (PR: 3) (-2)
Other Possibilities:
6. Nuisance Bear (PR: 2) (-4)
7. The History of Concrete (PR: 4) (-3)
8. Rehearsals for a Revolution (PR: 9) (+1)
9. When a Witness Recants (PR: 5) (-4)
10. Time and Water (PR: 8) (-2)
Dropped Out:
Everybody to Kenmure Street
Best Casting
Predicted Nominees:
1. The Odyssey (PR: 1) (E)
2. The Black Ball (PR: 2) (E)
3. Wild Horse Nine (PR: 3) (E)
4. Fjord (PR: 6) (+2)
5. Michael (PR: 5) (E)
Other Possibilities:
6. The Debut (PR: 7) (+1)
7. Digger (PR: 4) (-3)
8. Obsession (PR: Not Ranked)
9. Being Heumann (PR: Not Ranked)
10. Dune: Part Three (PR: 8) (-2)
Dropped Out:
Cry to Heaven
Behemoth!
Best Cinematography
Predicted Nominees:
1. The Odyssey (PR: 1) (E)
2. Dune: Part Three (PR: 3) (+1)
3. Project Hail Mary (PR: 2) (-1)
4. Digger (PR: 5) (+1)
5. The Black Ball (PR: 4) (-1)
Other Possibilities:
6. Fatherland (PR: 7) (+1)
7. Werwulf (PR: 8) (+1)
8. Cry to Heaven (PR: 6) (-2)
9. Wild Horse Nine (PR: Not Ranked)
10. Disclosure Day (PR: 9) (-1)
Dropped Out:
Jack of Spades
Best Costume Design
Predicted Nominees:
1. The Odyssey (PR: 1) (E)
2. The Black Ball (PR: 2) (E)
3. Sense and Sensibility (PR: 3) (E)
4. Werwulf (PR: 6) (+2)
5. Michael (PR: Not Ranked)
Other Possibilities:
6. Dune: Part Three (PR: 5) (-1)
7. The Devil Wears Prada 2 (PR: 7) (E)
8. Wuthering Heights (PR: 9) (+1)
9. I Love Boosters (PR: 10) (+1)
10. Cry to Heaven (PR: 4) (-6)
Dropped Out:
Jack of Spades
Best Film Editing
Predicted Nominees:
1. The Odyssey (PR: 1) (E)
2. The Black Ball (PR: 2) (E)
3. Project Hail Mary (PR: 4) (+1)
4. Digger (PR: 3) (-1)
5. Behemoth! (PR: 10) (+5)
Other Possibilities:
6. Wild Horse Nine (PR: 5) (-1)
7. Dune: Part Three (PR: 6) (-1)
8. Fjord (PR: 8) (E)
9. The Debut (PR: Not Ranked)
10. The Invite (PR: Not Ranked)
Dropped Out:
Cry to Heaven
Obsession
Best Makeup and Hairstyling
Predicted Nominees:
1. Digger (PR: 1) (E)
2. Werwulf (PR: 2) (E)
3. Clayface (PR: 4) (+1)
4. Michael (PR: 5) (+1)
5. The Odyssey (PR: 3) (-2)
Other Possibilities:
6. Wicker (PR: Not Ranked)
7. Dune: Part Three (PR: 7) (E)
8. The Black Ball (PR: 6) (-2)
9. The Bride! (PR: 9) (E)
10. Is God Is (PR: Not Ranked)
Dropped Out:
Cry to Heaven
Madden
Best Original Score
Predicted Nominees:
1. The Odyssey (PR: 1) (E)
2. Project Hail Mary (PR: 3) (+1)
3. The Black Ball (PR: 2) (-1)
4. Behemoth! (PR: Not Ranked)
5. Disclosure Day (PR: 4) (-1)
Other Possibilities:
6. Dune: Part Three (PR: 6) (E)
7. Wild Horse Nine (PR: 8) (+1)
8. Werwulf (PR: Not Ranked)
9. Digger (PR: 7) (-2)
10. Wildwood (PR: 9) (-1)
Dropped Out:
Cry to Heaven
The Social Reckoning
Best Original Song
Predicted Nominees:
1. “I Knew It, I Knew You” from Toy Story 5 (PR: 1) (E)
2. TBD from The Black Ball (PR: 2) (E)
3. TBD from The Debut (PR: 3) (E)
4. “La Playa” from The Black Ball (PR: 4) (E)
5. “How to Write a Song (Without You)” from Power Ballad (PR: 5) (E)
Other Possibilities:
6. “Runway” from The Devil Wears Prada 2 (PR: 6) (E)
7. TBD from The Odyssey (PR: Not Ranked)
8. TBD from Wildwood (PR: Not Ranked)
9. “Chains of Love” from Wuthering Heights (PR: 7) (-2)
10. TBD from The Rivals of Amziah King (PR: 10) (E)
Dropped Out:
TBD from Hexed
“Save the Day” from Hoppers
Best Production Design
Predicted Nominees:
1. The Odyssey (PR: 1) (E)
2. Dune: Part Three (PR: 3) (+1)
3. Project Hail Mary (PR: 2) (-1)
4. The Black Ball (PR: 4) (E)
5. Werwulf (PR: 7) (+2)
Other Possibilities:
6. Digger (PR: 6) (E)
7. Backrooms (PR: 10) (+3)
8. Sense and Sensibility (PR: Not Ranked)
9. Cry to Heaven (PR: 5) (-4)
10. Wuthering Heights (PR: Not Ranked)
Dropped Out:
Jack of Spades
The Adventures of Cliff Booth
Best Sound
Predicted Nominees:
1. Dune: Part Three (PR: 1) (E)
2. The Odyssey (PR: 2) (E)
3. Project Hail Mary (PR: 3) (E)
4. Disclosure Day (PR: 6) (+2)
5. Whalefall (PR: Not Ranked)
Other Possibilities:
6. The Black Ball (PR: 4) (-2)
7. Michael (PR: 5) (-2)
8. Behemoth! (PR: Not Ranked)
9. Digger (PR: 8) (-1)
10. Werwulf (PR: 9) (-1)
Dropped Out:
Cry to Heaven
Obsession
Best Visual Effects
Predicted Nominees:
1. Dune: Part Three (PR: 1) (E)
2. Project Hail Mary (PR: 2) (E)
3. The Odyssey (PR: 3) (E)
4. Whalefall (PR: 5) (+1)
5. Godzilla Minus Zero (PR: 4) (-1)
Other Possibilities:
6. Avengers: Doomsday (PR: 6) (E)
7. Disclosure Day (PR: 7) (E)
8. The End of Oak Street (PR: 9) (+1)
9. The Sheep Detectives (PR: 10) (+1)
10. The Mandalorian and Grogu (PR: Not Ranked)
Dropped Out:
Wildwood
That works out to these movies generating these numbers of nominations:
14 Nominations
The Odyssey
13 Nominations
The Black Ball
9 Nominations
Digger, Project Hail Mary
7 Nominations
Wild Horse Nine
6 Nominations
Fjord
5 Nominations
The Debut, Dune: Part Three
4 Nominations
Behemoth!
3 Nominations
Michael, Obsession, Werwulf
2 Nominations
All of a Sudden, The Invite,A Place in Hell, Toy Story 5, Whalefall
1 Nomination
14th, American Doctor, Clayface, Coward, Forgotten Island, Godzilla Minus Zero, Ink, Minotaur, Once Upon a Time in Harlem, One in a Million, Power Ballad, Ray Gunn, Rose, Sense and Sensibility, Tangles, To Hold a Mountain, Wildwood
Léa Seydoux was working double duty at the Cannes Film Festival this year with The Unknown (look for that individual post shortly) and the family drama Gentle Monster. The co-production between Austria, France, Germany, and Sweden is the latest feature from Corsage director Marie Kreutzer. Jella Haase, Laurence Rupp, and Catherine Deneuve are among the supporting players.
Both pics for the headlining French actress have the commonality of Seydoux being praised with the film drawing more of a mixed reaction. Rotten Tomatoes is at 59% with the somewhat rare occurrence of Metacritic being higher at 70.
The only feasible awards play is Best Actress. Netflix has reportedly picked up distribution rights. They would need a robust campaign. I would also say Monster needs to pick up steam by playing fall fests and hoping the buzz gets stronger. My Oscar Prediction posts will continue…
