As the grieving mother of an iconic Marvel superhero, Angela Bassett is first up in my Case Of posts for the Supporting Actress quintet.
The Case for Angela Bassett:
Nearly thirty years after receiving a Best Actress nomination as Tina Turner in What’s Love Got to Do with It, Bassett becomes the first performer to land a mention for an MCU pic (in its 30th feature). Her work in Black Panther: Wakanda Forever has already given her Golden Globe and Critics Choice statues. BAFTA and SAG could follow suit as she hasn’t missed any of the significant precursors. She’s also a highly respected thespian and voters may feel it’s time to honor her.
The Case Against Angela Bassett:
This would be the only performance from a comic book tale to win where the actor isn’t playing the Joker. In other words, despite the prevalence of the genre in the 21st century, this is a rare occurrence. While she’s run the table thus far, a SAG or BAFTA victory for another contestant (say Kerry Condon in The Banshees of Inisherin) would interrupt the sweep chatter.
Previous Nominations:
What’s Love Got to Do with It (Actress, 1993)
The Verdict:
In the supporting fields, I’m not not quite as confident in Bassett’s coronation as I am with Ke Huy Quan in Supporting Actor. That said, she is definitely in the best position for the crown.
My Case Of posts will continue with the first Supporting Actor write-up and that’s Brendan Gleeson in The Banshees of Inisherin!
For post covering the other Supporting Actress hopefuls, click here:
We have reached 2019 in my posts speculating on a specific piece of Oscar history. As awards followers are aware, 2009 saw the Academy expand the Best Picture category from five movies to ten. That lasted for two years and in 2011, it switched to anywhere from 5-10 with 8 or 9 as the magic numbers for several years. In 2021, the number reverted back to a set ten.
What if that hadn’t happened? What if the BP derby had stayed at a quintet? What pictures would have made the cut?
In 2019, there were nine films vying for the prize. We know one thing for sure. Bong Joon-ho’s Parasite is in since it made history and became the first non-English language title to take Best Picture. It had a big night as it also won Director, Original Screenplay, and International Feature Film.
There’s 8 others to consider. Only half make cut. Let’s get into it!
Ford v Ferrari
James Mangold’s 1960s set sports drama starring Matt Damon and Christian Bale had four total nominations and won 2 of them (Sound Editing and Film Editing). It wasn’t as fortunate in Picture or Sound Mixing.
Does It Make the Final Five?
No. I say this knowing the Film Editing victor usually lands a BP nod (though not the case with 2007’s The Bourne Ultimatum and 2011’s The Girl with Dragon Tattoo). However, Ford achieved the least number of overall mentions among the 9 contenders and missed key races including Director, any acting derbies, and screenplay.
The Irishman
Martin Scorsese’s return to the Mob genre was Netflix’s highest profile Oscar player yet. It earned ten overall nods including for Scorsese, two Supporting Actor bids for Al Pacino and Joe Pesci, and Adapted Screenplay. Going 0 for 10, Robert De Niro was a somewhat surprising omission for his lead work.
Does It Make the Final Five?
Yes. Despite the lack of wins, the sheer number of inclusions indicate the legendary filmmaker and cast would vie for the top award.
Jojo Rabbit
Taika Waititi’s unique take on WWII was up for 6 races including Scarlett Johansson for Supporting Actress and Film Editing. The sole victory (a major one) was Adapted Screenplay where it beat out three other BP nominees.
Does It Make the Final Five?
No, but this was easily the hardest to leave off. The Screenplay win suggests it certainly could have. A miss in Director was a deciding factor and the fact that I couldn’t omit any of the final five I ended up going with.
Joker
Warner Bros. had unexpected bragging rights as this Scorsese inspired take on the DC Comics villain had the best haul with 11 nods. This includes Todd Phillips in Director and key precursors like Editing and Adapted Screenplay. The two wins came courtesy of Joaquin Phoenix in the title role and in Original Score.
Does It Make the Final Five?
Yes. Usually the leader of the pack does and this popped up in categories it originally wasn’t anticipated to.
Little Women
Greta Gerwig’s acclaimed version of the classic Louisa May Alcott novel was also up for Actress (Saoirse Ronan), Supporting Actress (Florence Pugh), Adapted Screenplay, Score, and Costume Design (which was its only victory).
Does It Make the Final Five?
No. Simple math here. If I didn’t put Jojo in (which won Adapted Screenplay), I can’t justify vaulting this over it.
Marriage Story
Just like Little Women, Noah Baumbach’s drama was up for six and managed one. The win was Laura Dern (who was also in Women) in Supporting Actress while it also vied for Actor (Adam Driver), Actress (double nominee Scarlett Johansson), Original Screenplay, and Original Score.
Does It Make the Final Five?
Just like Little Women – no. Like Women, not making the Director race and not winning screenplay make this a fairly easy forecast.
1917
The World War I epic from Sam Mendes boasted 10 nominations with 3 statues for Sound Mixing, Cinematography, and Visual Effects. The Editing miss was obvious since the picture famously used few cuts.
Does It Make the Final Five?
Yes. In fact, this was likely the runner-up to Parasite. It went into the evening as the favorite for BP and Director until Joon-ho’s film made its history.
Once Upon a Time in Hollywood
Quentin Tarantino’s ninth feature was slotted for 10 categories including QT for director, Leonardo DiCaprio in Actor, and Original Screenplay where its two-time winning scribe lost to Joon-ho. The two victories were Brad Pitt in Supporting Actor and Production Design.
Does It the Final Five?
Yes though I admit the Editing snub had me questioning it. An argument can be made for Jojo, but I ultimately think Quentin and company get in.
So that means your 2019 Final Five is:
The Irishman
Joker
1917
Once Upon a Time in Hollywood
Parasite
I will note that this quintet mirrors the individuals who were up for Best Director. That is typically not a 5/5 match. It happened occasionally when there were 5 BP nominees and I feel this is a time where it would’ve.
2020 will be up soon and if you missed the posts covering 2009-18, they can be accessed here:
My detailed look at six of the top Oscar categories – Picture, Director, and the four acting derbies – arrives at Best Actor. If you missed the posts covering the supporting races, you can find them here:
At this late October/early November stage of forecasting in the previous three years, my picks in the lead acting competitions have been more accurate than the supporting ones.
In 2019 at this juncture, I managed to correctly identify four of the five eventual nominees: winner Joaquin Phoenix (Joker), Leonardo DiCaprio (Once Upon a Time in Hollywood), Adam Driver (Marriage Story), and Jonathan Pryce (The Two Popes). The fifth was Antonio Banderas in Pain and Glory and he was listed in Other Possibilities.
Three of five was the story in 2020 and 2021. Two years ago, I had The Father‘s Anthony Hopkins (who won), Chadwick Boseman in Ma Rainey’s Black Bottom, and Gary Oldman (Mank) pegged with Riz Ahmed (Sound of Metal) and Steven Yeun (Minari) as possibles.
You may remember that Will Smith took gold last year for King Richard. I had him correctly called with two months remaining on the calendar. Same with Benedict Cumberbatch in The Power of the Dog and Denzel Washington for The Tragedy of Macbeth. Andrew Garfield (Tick, Tick… Boom!) was mentioned in Other Possibilities. Javier Bardem (Being the Ricardos) had yet to enter my top ten.
Had a certain slap heard around the world not occurred, it’s totally possible that Will Smith (Emancipation) might be listed in my top 5. However, with his current ban from attending the ceremony, I question whether he could make a return to the ballot so quickly after the controversy. Therefore he’s not in my top 10. We’ll see if the reviews (coming soon) change the dynamic.
We do have a frontrunner and that’s Brendan Fraser in The Whale. Since its Venice and Toronto fest bows, he’s drawn raves. This is also a comeback narrative that the Academy should fall for. I’ve had Fraser listed in 1st for several weeks and I see no reason to change that.
There are two viable runners-up in Colin Farrell (The Banshees of Inisherin) and Austin Butler (Elvis). I’ve been switching them in 2nd and 3rd place over the past few posts. Farrell is 2nd because I think Banshees stands a better shot at a BP nod. You have to go back to 2009 and Jeff Bridges (Crazy Heart) where the Best Actor recipient’s movie didn’t achieve BP inclusion. If Elvis makes the big dance – an argument could be made that Butler is Fraser’s most serious competition to shake the race up.
After those three names, it could be a free for all for the final two slots. The only other performer I had listed in 1st place other than Fraser was Hugh Jackman for The Son. This was before it premiered at the festivals and garnered middling reviews. Now the question is whether Jackman gets in at all.
Someone who has fared well on the fest circuit is Bill Nighy for Living. Sony Pictures will need to mount a spirited campaign, but they’re good at that kinda thing. I’m starting to feel better about Nighy than Jackman.
Diego Calva is the biggest remaining question mark for Babylon. Screenings coming up in two weeks should help answer his viability. There’s a pair of indie performances that could bubble up if critics groups assist – Paul Mescal for Aftersun and Jeremy Pope in The Inspection. One possible hindrance for both of them is their movies are both A24 and that studio could be distracted with crowning Fraser. We could see foreign film leads Song Kang-ho (Broker) and Park Hae-il (Decision to Leave) make a play.
Netflix is apparently going in on a spirited campaign for Adam Sandler in Hustle. I have a hard time seeing that pan out (especially since he couldn’t get in for Uncut Gems). The streamer could also focus on Christian Bale (The Pale Blue Eye) or Adam Driver (White Noise). Bale also has Amsterdam, but it failed with critics and audiences.
Finally… there’s Tom Cruise. A three-time nominee, it’s been 23 years since he was in the mix. And a little pic called Top Gun: Maverick was easily the largest blockbuster of his career and the runaway hit of 2022. I’m not ready to put him in my five. I wouldn’t be shocked if he ends up there.
Here’s my current state of this race:
1 . Brendan Fraser, The Whale (Previous Ranking: 1) (Even)
2. Colin Farrell, The Banshees of Inisherin (PR: 2) (E)
In an alternative universe, Emancipation might be in my top 10 predicted Best Picture nominees. I could potentially be discussing Will Smith’s chances of being the first back to back acting winner since Tom Hanks in 1993 and 1994.
I didn’t think this alternative universe could be a potential reality in the 2022 awards season. In 2021, Apple TV beat Netflix and others to the punch as CODA was the inaugural streaming Best Picture winner. For a while, Martin Scorsese’s Killers of the Flower Moon appeared to be Apple’s best shot at making it two years in a row. That’s until it got pushed to 2023. In recent weeks, there was speculation that Ridley Scott’s Napoleon starring Joaquin Phoenix could make a jump to 2022. It wasn’t to be.
This has left Apple without a legit across the board Oscar player… until maybe today. Why? The streamer announced that Antoine Fuqua’s historical drama Emancipation will hit theaters for an awards qualifying run on December 2nd and then be available for home viewing on December 9th. The trailer was unveiled this morning.
And in case you’re still wondering why I’m skeptical… two words: The Slap. Yes, the slap heard around the globe when Chris Rock presented Best Documentary Feature at the Academy Awards and cracked a joke about Jada Pinkett Smith. And, of course, slap provider Will Smith giving his acceptance speech a few minutes later when he was victorious in Best Actor for King Richard.
Since then, many of Smith’s planned projects have entered turnaround status. Emancipation, in which he plays a slave who joins the Union Army, was already filmed. And Apple made the surprising decision in early October to get it out two months later. This surely means Smith will be subject to interviews where he’ll address The Slap sooner than later.
So… the obvious question: can Smith get nominated? Can the film itself do so in other categories? Even though the star resigned from the Academy in the aftermath of the incident, he can still be nominated (and he can attend if invited by other members). So while the short answer is yes… the real answer is more complicated.
My gut is that Smith’s work in Emancipation would have to be undeniably awards worthy to make the final five. Even that could be a stretch. Time heals controversies and not much time has passed. As for the film itself, it could surely garner nods from Best Picture on down (I’m curious if Ben Foster gets any chatter for Supporting Actor). Yet it starts off at a unique disadvantage.
We won’t know until reviews start surfacing and that could be a few weeks. I can only assume Apple will give this a major push for consideration. It’s a campaign that is an uphill battle for reasons unfathomable just a few months ago.
My blog series continues with speculation on what a Best Picture lineup of five would have looked like in the years since the format changed to up to 10 nominees. That began in 2009 and if you missed my previous posts covering 2009-2012, you can peruse them here:
In our year of 2013, the magic number was 9 contenders. We know that Steve McQueen’s 12 Years a Slave would have been included since a win in Best Picture was among its nine nominations. It also took Director, Supporting Actress (Lupita Nyong’o), and Adapted Screenplay. So what else would’ve made the cut? Let’s speculate, shall we?
American Hustle
David O. Russell’s disco era crime pic tied for the most nods with 10, including Director and four acting mentions for Christian Bale, Amy Adams, Bradley Cooper, and Jennifer Lawrence. Despite the double digit nomination haul, it ended the night with zero victories.
Does It Make the Final Five?
Yes. Even with the goose egg, the sheer number of nods indicates making the quintet.
Captain Phillips
With Tom Hanks as the title character in the true life Somali pirate drama, Paul Greengrass’s tense thriller scored 6 overall nods. In addition to Pic, Supporting Actor (Barkhad Abdi), Adapted Screenplay, both Sound races, and Film Editing were in the mix. Like Hustle, there were no wins.
Does It Make the Final Five?
No. With no nods for directing or Hanks’s performance (which was a huge snub), I think this would’ve been on the outside looking in.
Dallas Buyers Club
While our first two selections went 0 for 16, this mid 80s set AIDS drama won half of its six nominations – Actor (Matthew McConaughey), Supporting Actor (Jared Leto), and Makeup and Hairstyling. The other two mentions were Original Screenplay and Film Editing.
Does It Make the Final Five?
Yes, but it’s a close call. The three gold statues put it over the edge in my opinion despite not landing a directing slot for the late Jean-Marc Vallee.
Gravity
Alfonso Cuaron’s space thriller tied Hustle with 10 nominations. Unlike Hustle, it won 70% of its possibilities: Director, Score, Sound Editing, Sound Mixing, Cinematography, Film Editing, and Visual Effects. Sandra Bullock was nominated for Best Actress and it got a Production Design nod.
Does It Make the Final Five?
Yes. Even without a screenplay nom, this would’ve been in contention and it was probably the runner-up to Slave considering the Cuaron win.
Her
Spike Jonze’s quirky romantic drama won Original Screenplay and was up for Score, Song, and Production Design.
Does It Make the Final Five?
No because it missed out on key precursors including Director, Actor (Joaquin Phoenix), and Film Editing.
Nebraska
Alexander Payne’s B&W road dramedy nabbed five other nods for direction, Actor (Bruce Dern), Supporting Actress (June Squibb), Original Screenplay, and Cinematography. It didn’t emerge victorious for any.
Does It Make the Final Five?
No, but I struggled with this one (it’s sixth). Film Editing is often the biggest indicator of a BP nom and that’s part of the reason I gave Dallas Buyers Club a slight edge.
Philomena
Judi Dench received a Best Actress nod for this adoption drama. Adapted Screenplay and Score were the other mentions as its four overall are the least of the BP hopefuls.
Does It Make the Final Five?
No. The Academy loves Dench. However, that wouldn’t have been enough for this to survive a cut to five.
The Wolf of Wall Street
Martin Scorsese’s raunchy tale of 80s excess landed Leonardo DiCaprio and Jonah Hill acting spots. The direction and Adapted Screenplay were up as well. It won none.
Does It Make the Final Five?
Yes though I will say I don’t think it’s automatic. Wolf‘s complete lack of nominations in the tech categories is a bit of a surprise, but ultimately I don’t think the voters would’ve ignored this.
In the turbulent months that followed the terrorist attacks of 9/11, domestic audiences needed some escapism at the box office. In the Christmas season of 2001, they found it with Harry Potter and the Sorcerer’s Stone and Lord of the Rings: The Fellowship of the Ring.Â
By summer 2002, moviegoers turned out in record-setting droves for the first big screen treatment of an iconic superhero.
20 years later, that’s one thing that hasn’t changed as Spidey continues to dominate the charts. It all started with a memorable upside down kiss. Before we go there, there’s plenty more to discuss for the cinematic summer of two decades past.
As I do every season on the blog, I’m recounting the top 10 hits, other notable features, and flops from 30, 20, and 10 years ago. If you missed my post covering 1992, it’s right here:
When Adam Sandler remade Frank Capra, the result was another blockbuster for the star and a needed one after his previous pic Little Nicky was a rare commercial flop.
9. Minority Report
Domestic Gross: $132 million
The first and still only collaboration between Tom Cruise and Steven Spielberg is a prescient sci-fi tale and its reputation has grown since its release. It’s my personal favorite film of 2002.
8. xXx
Domestic Gross: 142 million
Riding high off the success of the previous summer’s The Fast and the Furious, Rob Cohen and Vin Diesel reunited for this over the top action flick. A sequel would follow three years later without Diesel’s involvement (Ice Cube starred instead), but Vin would return to the role in 2017.
7. Lilo & Stitch
Domestic Gross: $145 million
This Disney animated effort performed just fine (if not in the stratosphere of some 90s gems) and spawned numerous direct-to-video follow-ups. A live-action version is being planned.
6. Scooby-Doo
Domestic Gross: $153 million
Critics might have thought it was a dog, but crowds lapped up this live-action/animated hybrid based on the very 1970s cartoon. Scoob and the gang would return two years later for part 2. Fun fact: James Gunn of Guardians of the Galaxy fame wrote the script.
5. Men in Black II
Domestic Gross: $190 million
Will Smith and Tommy Lee Jones teamed up again for the sci-fi comedic spectacle from Barry Sonnenfeld. This fell short of the original’s $250 million domestic haul and the reviewers weren’t impressed, but that didn’t prevent a third offering that will be discussed in my summer of 2012 post.
4. Austin Powers in Goldmember
Domestic Gross: $213 million
Mike Myers continued to flex his box office mojo alongside Beyonce, Michael Caine, and Mini-Me in this threequel that I believe surpassed the quality of predecessor The Spy Who Shagged Me.Â
3. Signs
Domestic Gross: $227 million
After the more mixed reaction that Unbreakable garnered, M. Night Shyamalan’s Signs with Mel Gibson and Joaquin Phoenix was more of a return to crowd favorite status. What followed was several pics from him that drew considerably more ambivalent to negative vibes.
2. Star Wars: Episode II – Attack of the Clones
Domestic Gross: $302 million
$302 million is just dandy for nearly any movie, but this second prequel from George Lucas fell well short of the $431 million achieved by The Phantom Menace three summers prior. Many consider this the worst of the nine officials episodes. I’m one of them.
Spider-Man
Domestic Gross: $403 million
When Sam Raimi’s spin on the webslinger kicked off the summer, it did so with the largest opening weekend of all time at $114 million (breaking a record that had just been set by the first Potter). Two sequels followed for the Tobey Maguire/Kirsten Dunst trilogy and, as we all know, the character has never left us. Spider-Man: No Way Home recently brought all 3 Spideys (Maguire, Andrew Garfield, Tom Holland) into its MCU Multiverse.
Now let’s move to some other notable titles from the season:
The Bourne IdentityÂ
Domestic Gross: $121 million
While outside the top ten, Paul Greengrass’s action thriller with Matt Damon as an amnesiac spy is more influential than the bulk of the flicks above it. Damon would return to the role three times.
The Sum of All Fears
Domestic Gross: $118 million
Right behind Damon is his buddy Ben Affleck who took over the role of Jack Ryan (previously played by Alec Baldwin and Harrison Ford) in the Tom Clancy adapted hit.
Road to Perdition
Domestic Gross: $104 million
His follow-up to Best Picture winner American Beauty, the Depression era crime drama from Sam Mendes cast Tom Hanks against type as a hitman with Paul Newman as his underworld boss. This only nabbed a Cinematography Oscar, but reviews were mostly strong. It also provides a juicy role for pre-007 Daniel Craig.
Insomnia
Domestic Gross: $67 million
Hanks wasn’t the only legend stretching in a villainous turn. Robin Williams memorably did the same as he was pitted against Al Pacino’s detective in this chilly thriller from Christopher Nolan (three years before Batman Begins).
Unfaithful
Domestic Gross: $52 million
Adrian Lyne made a movie about another fatal attraction and Unfaithful earned Diane Lane an Oscar nomination as the cheating wife of Richard Gere.
And now for some movies that didn’t perform so well…
Reign of Fire
Domestic Gross: $43 million
This dragon centered fantasy arrived before Matthew McConaughey and Christian Bale would be Oscar winners a few years later. Critics weren’t kind and the box office failed to generate much fire.
Windtalkers
Domestic Gross: $40 million
John Woo’s financial win streak blew over with this World War II action drama headlined by Nicolas Cage that only managed 32% on Rotten Tomatoes.
K-19: The WidowmakerÂ
Domestic Gross: $35 million
Seven years before her Oscar winning The Hurt Locker, Kathryn Bigelow’s 1960s set submarine thriller with Harrison Ford was a pricey disappointment.
Halloween: Resurrection
Domestic Gross: $30 million
Michael Myers and Jamie Lee Curtis’s Laurie Strode are about to team up for the final (?) time in Halloween Ends in October. In 2002, this was the sequel to the successful Halloween H20 from 1998. This one was not so successful and it’s considered by many aficionados as the weakest of the whole franchise.
Bad Company
Domestic Gross: $30 million
One is a double Oscar winner and the other is one of greatest stand-ups of all time, but this cinematic pairing of Anthony Hopkins and Chris Rock in Joel Schumacher’s action comedy was met with a shrug.
Blood WorkÂ
Domestic Gross: $26 million
Ten years after Unforgiven won Best Picture after its summer release, Clint Eastwood’s mystery didn’t work for critics or crowds.
The Adventures of Pluto Nash
Domestic Gross: $4 million
Speaking of legendary stand-ups, Eddie Murphy reached a career low point as sci-fi comedy Nash stands as one of cinema’s most notorious flops. Its budget was a reported $100 million and that’s not a misprint above… it made an embarrassing $4 million.
As May comes to a close and the Cannes Film Festival wraps up, I’m giving you a fresh update in the six major Oscar categories!
In Best Picture, I’m elevating Empire of Light from Sam Mendes into the top ten and that takes Rustin out. The Daniels from Everything Everywhere All at Once vault into Director to the detriment of Sarah Polley for Women Talking.Â
Empire of Light also benefits in Best Actress with Olivia Colman in over Carey Mulligan from She Said. While Actor and Supporting Actress remain unchanged, there’s two alterations in Supporting Actor with Ke Huy Quan (Everything Everywhere…) and Jesse Plemons (Killers of the Flower Moon) in over John David Washington (Amsterdam) and Tom Hanks (Elvis).
You can peruse all the movement below!
Best Picture
Predicted Nominees:
1. Babylon (Previous Ranking: 1) (E)
2. The Fabelmans (PR: 2) (E)
3. Killers of the Flower Moon (PR: 3) (E)
4. Everything Everywhere All at Once (PR: 6) (+2)
5. The Son (PR: 5) (E)
6. Women Talking (PR: 4) (-2)
7. Bardo (PR: 8) (+1)
8. She Said (PR: 7) (-1)
9. Empire of Light (PR: 16) (+7)
10. The Whale (PR: 9) (-1)
Other Possibilities:
11. Rustin (PR: 10) (-1)
12. Broker (PR: Not Ranked)
13. Decision to Leave (PR: 12) (-1)
14. Amsterdam (PR: 11) (-3)
15. White Noise (PR: 13) (-2)
16. Thirteen Lives (PR: 21) (+5)
17. Elvis (PR: 20) (+3)
18. Poor Things (PR: 14) (-4)
19. Avatar: The Way of Water (PR: 15) (-4)
20. Top Gun: Maverick (PR: Not Ranked)
21. Armageddon Time (PR: 19) (-2)
22. Till (PR: 18) (-4)
23. Next Goal Wins (PR: 25) (+2)
24. Tar (PR: 17) (-7)
25. Aftersun (PR: Not Ranked)
Dropped Out:
The Woman King
Three Thousand Years of LongingÂ
Don’t Worry DarlingÂ
Best Director
Predicted Nominees:
Damien Chazelle, Babylon (PR: 1) (E)
2. Steven Spielberg, The Fabelmans (PR: 2) (E)
3. Martin Scorsese, Killers of the Flower Moon (PR: 3) (E)
4. Dan Kwan & Daniel Scheinert, Everything Everywhere All at Once (PR: 6) (+2)
My second round of Oscar predictions in the six biggest races are before you. When I update them next, we’ll be in the midst of the Cannes Film Festival where some of these hopefuls are screening.
As for category placement changes, I’ve moved Jesse Plemons in Killers of the Flower Moon to Supporting Actor from lead. It remains to be seen which contest he’s placed in. If it is supporting, we shall see if it’s him or Robert De Niro that gets the buzz. I’m betting on the latter at press time.
Let’s get into it!
Best Picture
Predicted Nominees:
1. Babylon (Previous Ranking: 1) (E)
2. The Fabelmans (PR: 3) (+1)
3. Killers of the Flower Moon (PR: 2) (-1)
4. Women Talking (PR: 5) (+1)
5. The Son (PR: 4) (-1)
6. Everything Everywhere All at Once (PR: 8) (+2)
7. She Said (PR: 6) (-1)
8. Bardo (PR: 7) (-1)
9. The Whale (PR: 9) (E)
10. Rustin (PR: 10) (E)
Other Possibilities:Â
11. Amsterdam (PR: 11) (E)
12. Decision to Leave (PR: Not Ranked)
13. White Noise (PR: 12) (-1)
14. Poor Things (PR: 13) (-1)
15. Avatar: The Way of Water (PR: 17) (+2)
16. Empire of Light (PR: 16) (E)
17. Tar (PR: 14) (-3)
18. Till (PR: 15) (-3)
19. Armageddon Time (PR: 25) (+6)
20. Elvis (PR: 22) (+2)
21. Thirteen Lives (PR: 20) (-1)
22. The Woman King (PR: 23) (+1)
23. Three Thousand Years of Longing (PR: 24) (+1)
24. Don’t Worry Darling (PR: 18) (-6)
25. Next Goal Wins (PR: 19) (-6)
Dropped Out:
The Banshees of Inisherin
Best Director
Predicted Nominees:
1. Damien Chazelle, Babylon (PR: 1) (E)
2. Steven Spielberg, The Fabelmans (PR: 3) (+1)
3. Martin Scorsese, Killers of the Flower Moon (PR: 2) (-1)
The DGA and PGA nominations are out as of yesterday and it’s caused some reflection as I pen my penultimate predictions for the 2021 Oscars. With Being the Ricardos and Tick, Tick… Boom! nabbing the final two BP spots at PGA (the other 8 were pretty obvious), I feel it necessary to include at least one of them. On the other hand, I’m reluctant to include both as PGA and the Academy’s BP selection rarely match. I’m leaning toward Boom! and it vaults back into the top ten. Yet I’m continuing to keep The Tragedy of Macbeth in the mix despite its lack of recent precursor love.
The DGA quintet and the Best Director nominees haven’t mirrored each other since 2009. So it’s a risk to go with DGA’s five. However, as of this moment, I’m going with it.
Another big change is in Best Actor as I’m including Javier Bardem in Ricardos for the first time (over Leonardo DiCaprio for Don’t Look Up). There’s also a change in Supporting Actor as I’m putting Ben Affleck (The Tender Bar) in for his inaugural appearance. That knocks out Jared Leto for Gucci.
The last big piece of the precursor puzzle arrives Thursday with BAFTA nods. On Friday (02/04), I will make my FINAL Oscar calls before nomination morning on Tuesday, February 8th.
Here’s how I have things standing as of now:
Best Picture
Predicted Nominees:
1. The Power of the Dog (Previous Ranking: 1) (E)
2. Belfast (PR: 2) (E)
3. Dune (PR: 4) (+1)
4. West Side Story (PR: 3) (-1)
5. Licorice Pizza (PR: 5) (E)
6. King Richard (PR: 7) (+1)
7. Don’t Look Up (PR: 6) (-1)
8. CODA (PR: 8) (E)
9. Tick, Tick… Boom! (PR: 11) (+2)
10. The Tragedy of Macbeth (PR: 9) (-1)
Other Possibilities:
11. Being the Ricardos (PR: 12) (+1)
12. Drive My Car (PR: 13) (+1)
13. House of Gucci (PR: 10) (-3)
14. Nightmare Alley (PR: Not Ranked)
15. The Lost Daughter (PR: 14) (-1)
Dropped Out:
No Time to Die
Best Director
Predicted Nominees:
1. Jane Campion, The Power of the Dog (PR: 1) (E)
2. Denis Villeneuve, Dune (PR: 2) (E)
3. Steven Spielberg, West Side Story (PR: 3) (E)
4. Kenneth Branagh, Belfast (PR: 4) (E)
5. Paul Thomas Anderson, Licorice Pizza (PR: 5) (E)
Other Possibilities:
6. Ryusuke Hamaguchi, Drive My Car (PR: 7) (+1)
7. Adam McKay, Don’t Look Up (PR: 6) (-1)
8. Joel Coen, The Tragedy of Macbeth (PR: 8) (E)
9. Sian Heder, CODA (PR: 9) (E)
10. Guillermo del Toro, Nightmare Alley (PR: Not Ranked)
Dropped Out:
Maggie Gyllenhaal, The Lost Daughter
Best Actress
Predicted Nominees:
1. Nicole Kidman, Being the Ricardos (PR: 1) (E)
2. Olivia Colman, The Lost Daughter (PR: 2) (E)
3. Jessica Chastain, The Eyes of Tammy Faye (PR: 3) (E)
4. Kristen Stewart, Spencer (PR: 5) (+1)
5. Lady Gaga, House of Gucci (PR: 4) (-1)
Other Possibilities:
6. Penelope Cruz, Parallel Mothers (PR: 8) (+2)
7. Jennifer Hudson, Respect (PR: 7) (E)
8. Rachel Zegler, West Side Story (PR: 6) (-2)
9. Alana Haim, Licorice Pizza (PR: 9) (E)
10. Emilia Jones, CODA (PR: 10) (E)
Best Actor
Predicted Nominees
1. Will Smith, King Richard (PR: 2) (E)
2. Benedict Cumberbatch, The Power of the Dog (PR: 2) (E)
3. Andrew Garfield, Tick, Tick… Boom! (PR: 3) (E)
4. Denzel Washington, The Tragedy of Macbeth (PR: 4) (E)
5. Javier Bardem, Being the Ricardos (PR: 6) (+1)
7. “Guns Go Bang” from The Harder They Fall (PR: 7) (E)
8. “Beyond the Shore” from CODA (PR: 8) (E)
9. “So May We Start” from Annette (PR: 9) (E)
10. “Somehow You Do” from Four Good Days (PR: 10) (E)
Best Production Design
Predicted Nominees:
1. Dune (PR: 1) (E)
2. Nightmare Alley (PR: 3) (+1)
3. West Side Story (PR: 2) (-1)
4. The French Dispatch (PR: 4) (E)
5. The Tragedy of Macbeth (PR: 5) (E)
Other Possibilities:
6. Belfast (PR: 6) (E)
7. Licorice Pizza (PR: 7) (E)
8. The Power of the Dog (PR: 9) (+1)
9. Spencer (PR: 8) (-1)
10. Cyrano (PR: 10) (E)
Best Sound
Predicted Nominees:
1. Dune (PR: 1) (E)
2. West Side Story (PR: 2) (E)
3. Belfast (PR: 3) (E)
4. Tick, Tick… Boom! (PR: 5) (+1)
5. No Time to Die (PR: 4) (-1)
Other Possibilities:
6. The Power of the Dog (PR: 7) (+1)
7. Spider-Man: No Way Home (PR: 6) (-1)
8. A Quiet Place Part II (PR: 9) (+1)
9. The Matrix Resurrections (PR: 8) (-1)
10. Last Night in Soho (PR: 10) (E)
Best Visual Effects
Predicted Nominees
1. Dune (PR: 1) (E)
2. The Matrix Resurrections (PR: 2) (E)
3. Godzilla vs. Kong (PR: 3) (E)
4. Shang-Chi and the Legend of the Ten Rings (PR: 4) (E)
5. Spider-Man: No Way Home (PR: 6) (+1)
Other Possibilities:
6. No Time to Die (PR: 5) (-1)
7. Free Guy (PR: 7) (E)
8. Eternals (PR: 8) (E)
9. Ghostbusters: Afterlife (PR: 9) (E)
10. Black Widow (PR: 10) (E)
This all equates to the following numbers of nominations for these pictures:
11 Nominations
Dune
9 Nominations
Belfast, The Power of the Dog
8 Nominations
West Side Story
5 Nominations
Don’t Look Up, Licorice Pizza
4 Nominations
King Richard, The Tragedy of Macbeth
3 Nominations
Being the Ricardos, CODA, Flee, House of Gucci, Tick, Tick… Boom!
2 Nominations
Cruella, Encanto, The Eyes of Tammy Faye, The French Dispatch, The Lost Daughter, Nightmare Alley, No Time to Die, Spencer
1 Nomination
C’Mon C’Mon, Coming 2 America, Drive My Car, The First Wave, Godzilla vs. Kong, The Hand of God, A Hero, Luca, The Matrix Resurrections, The Mitchells vs. the Machines, Passing, Procession, Ray and the Last Dragon, The Rescue, Shang-Chi and the Legend of the Ten Rings, Spider-Man: No Way Home, Summer of Soul, The Tender Bar, The Worst Person in the World
In two weeks time, House of Gucci has gone from unranked in my top 15 Best Picture possibilities to making the cut in 10th. Whether it stays there – who knows? As I see it, the top 8 look relatively safe and then it could be a free for all for the last two spots. Gucci‘s rise means Tick, Tick… Boom! drops out.
I’ve also made way for The Lone Screenplay nominee which has occurred every year since 2001. C’Mon C’Mon is now included in Original Screenplay and that knocks out King Richard. I wrote about The Lone Screenplay history of the 21st century here:
You can read all the movement below and I’ll have a penultimate update next week before unveiling my final predictions shortly before the February 8th announcement!
Best Picture
Predicted Nominees:
1. The Power of the Dog (Previous Ranking: 1) (E)
2. Belfast (PR: 2) (E)
3. West Side Story (PR: 3) (E)
4. Dune (PR: 4) (E)
5. Licorice Pizza (PR: 5) (E)
6. Don’t Look Up (PR: 8) (+2)
7. King Richard (PR: 6) (-1)
8. CODA (PR: 7) (-1)
9. The Tragedy of Macbeth (PR: 10) (+1)
10. House of Gucci (PR: 12) (+2)
Other Possibilities:
11. Tick, Tick… Boom! (PR: 9) (-2)
12. Being the Ricardos (PR: 11) (-1)
13. Drive My Car (PR: 13) (E)
14. The Lost Daughter (PR: 14) (E)
15. No Time to Die (PR: Not Ranked)
Dropped Out:
Nightmare Alley
Best Director
Predicted Nominees:
1. Jane Campion, The Power of the Dog (PR: 1) (E)
2. Denis Villeneuve, Dune (PR: 2) (E)
3. Steven Spielberg, West Side Story (PR: 4) (+1)
4. Kenneth Branagh, Belfast (PR: 3) (-1)
5. Paul Thomas Anderson, Licorice Pizza (PR: 5) (E)
Other Possibilities:
6. Adam McKay, Don’t Look Up (PR: 7) (+1)
7. Ryusuke Hamaguchi, Drive My Car (PR: 6) (-1)
8. Joel Coen, The Tragedy of Macbeth (PR: 8) (E)
9. Sian Heder, CODA (PR: 9) (E)
10. Maggie Gyllenhaal, The Lost Daughter (PR: Not Ranked)
Dropped Out:
Guillermo del Toro, Nightmare Alley
Best Actress
Predicted Nominees:
1. Nicole Kidman, Being the Ricardos (PR: 1) (E)
2. Olivia Colman, The Lost Daughter (PR: 3) (+1)
3. Jessica Chastain, The Eyes of Tammy Faye (PR: 2) (-1)
4. Lady Gaga, House of Gucci (PR: 5) (+1)
5. Kristen Stewart, Spencer (PR: 4) (-1)
Other Possibilities:
6. Rachel Zegler, West Side Story (PR: 7) (+1)
7. Jennifer Hudson, Respect (PR: 6) (-1)
8. Penelope Cruz, Parallel Mothers (PR: 9) (+1)
9. Alana Haim, Licorice Pizza (PR: 8) (-1)
10. Emilia Jones, CODA (PR: 10) (E)
Best Actor
Predicted Nominees:
1. Will Smith, King Richard (PR: 1) (E)
2. Benedict Cumberbatch, The Power of the Dog (PR: 2) (E)
3. Andrew Garfield, Tick, Tick… Boom! (PR: 3) (E)
4. Denzel Washington, The Tragedy of Macbeth (PR: 4) (E)
5. Leonardo DiCaprio, Don’t Look Up (PR: 5) (E)
Other Possibilities:
6. Javier Bardem, Being the Ricardos (PR: 6) (E)
7. Peter Dinklage, Cyrano (PR: 7) (E)
8. Nicolas Cage, Pig (PR: 8) (E)
9. Joaquin Phoenix, C’Mon C’Mon (PR: 9) (E)
10. Hidetoshi Nishijima, Drive My Car (PR: Not Ranked)
Dropped Out:
Clifton Collins, Jr., Jockey
Best Supporting Actress
Predicted Nominees:
1. Ariana DeBose, West Side Story (PR: 1) (E)
2. Kirsten Dunst, The Power of the Dog (PR: 2) (E)
3. Caitriona Balfe, Belfast (PR: 3) (E)
4. Ruth Negga, Passing (PR: 4) (E)
5. Aunjanue Ellis, King Richard (PR: 5) (E)
Other Possibilities:
6. Marlee Matlin, CODA (PR: 6) (E)
7. Ann Dowd, Mass (PR: 7) (E)
8. Cate Blanchett, Nightmare Alley (PR: 9) (+1)
9. Rita Moreno, West Side Story (PR: 8) (-1)
10. Jessie Buckley, The Lost Daughter (PR: 10) (E)
Best Supporting Actor
Predicted Nominees:
1. Kodi Smit-McPhee, The Power of the Dog (PR: 1) (E)
2. Troy Kotsur, CODA (PR: 2) (E)
3. Ciaran Hinds, Belfast (PR: 3) (E)
4. Bradley Cooper, Licorice Pizza (PR: 4) (E)
5. Jared Leto, House of Gucci (PR: 5) (E)
Other Possibilities:
6. Ben Affleck, The Tender Bar (PR: 6) (E)
7. Jamie Dornan, Belfast (PR: 7) (E)
8. Jesse Plemons, The Power of the Dog (PR: 8) (E)
9. J.K. Simmons, Being the Ricardos (PR: 9) (E)
10. Mike Faist, West Side Story (PR: 10) (E)
Best Original Screenplay
Predicted Nominees:
1. Licorice Pizza (PR: 1) (E)
2. Belfast (PR: 2) (E)
3. Don’t Look Up (PR: 3) (E)
4. Being the Ricardos (PR: 5) (+1)
5. C’Mon C’Mon (PR: 6) (+1)
Other Possibilities:
6. King Richard (PR: 4) (-2)
7. Parallel Mothers (PR: 7) (E)
8. Mass (PR: 8) (E)
9. The French Dispatch (PR: 9) (E)
10. Pig (PR: Not Ranked)
Dropped Out:
A Hero
Best Adapted Screenplay
Predicted Nominees:
1. The Power of the Dog (PR: 1) (E)
2. West Side Story (PR: 2) (E)
3. CODA (PR: 3) (E)
4. The Lost Daughter (PR: 5) (+1)
5. Dune (PR: 4) (-1)
Other Possibilities:
6. Drive My Car (PR: 6) (E)
7. The Tragedy of Macbeth (PR: 9) (+2)
8. Tick, Tick… Boom! (PR: 7) (-1)
9. Passing (PR: 8) (-1)
10. The Last Duel (PR: 10) (E)
Best Animated Feature
Predicted Nominees:
1. Encanto (PR: 1) (E)
2. Flee (PR: 2) (E)
3. The Mitchells vs. the Machines (PR: 3) (E)
4. Luca (PR: 4) (E)
5. Raya and the Last Dragon (PR: 5) (E)
Other Possibilities:
6. Belle (PR: 6) (E)
7. The Summit of the Gods (PR: 7) (E)
8. Vivo (PR: 9) (+1)
9. Ron’s Gone Wrong (PR: 10) (+1)
10. My Sunny Maad (PR: 8) (-2)
Best International Feature Film
Predicted Nominees:
1. Drive My Car (PR: 1) (E)
2. A Hero (PR: 2) (E)
3. The Worst Person in the World (PR: 3) (E)
4. Flee (PR: 4) (E)
5. The Hand of God (PR: 5) (E)
Other Possibilities:
6. I’m Your Man (PR: 7) (+1)
7. Compartment No. 6 (PR: 6) (-1)
8. Prayers for the Stolen (PR: 8) (E)
9. Great Freedom (PR: 9) (E)
10. The Good Boss (PR: 10) (E)
Best Documentary Feature
Predicted Nominees:
1. Flee (PR: 1) (E)
2. The Rescue (PR: 2) (E)
3. Summer of Soul (PR: 4) (+1)
4. Procession (PR: 3) (-1)
5. The First Wave (PR: 7) (+2)
Other Possibilities:
6. Ascension (PR: 5) (-1)
7. Attica (PR: 6) (-1)
8. President (PR: 8) (E)
9. Faya Dayi (PR: 9) (E)
10. In the Same Breath (PR: Not Ranked)
Dropped Out:
Julia
Best Cinematography
Predicted Nominees:
1. Dune (PR: 1) (E)
2. The Power of the Dog (PR: 2) (E)
3. Belfast (PR: 4) (+1)
4. The Tragedy of Macbeth (PR: 5) (+1)
5. West Side Story (PR: 3) (-2)
Other Possibilities:
6. Nightmare Alley (PR: 6) (E)
7. Licorice Pizza (PR: 9) (+2)
8. The French Dispatch (PR: 7) (-1)
9. C’Mon C’Mon (PR: 10) (+1)
10. Spencer (PR: 8) (-2)
Best Costume Design
Predicted Nominees:
1. Cruella (PR: 1) (E)
2. Dune (PR: 2) (E)
3. West Side Story (PR: 3) (E)
4. House of Gucci (PR: 4) (E)
5. Spencer (PR: 5) (E)
Other Possibilities:
6. Licorice Pizza (PR: 9) (+3)
7. Nightmare Alley (PR: 6) (-1)
8. Cyrano (PR: 8) (E)
9. The French Dispatch (PR: 7) (-2)
10. Last Night in Soho (PR: 10) (E)
Best Film Editing
Predicted Nominees:
1. Dune (PR: 1) (E)
2. West Side Story (PR: 2) (E)
3. Belfast (PR: 3) (E)
4. The Power of the Dog (PR: 4) (E)
5. Licorice Pizza (PR: 7) (+2)
Other Possibilities:
6. Don’t Look Up (PR: 6) (E)
7. Tick, Tick… Boom! (PR: 5) (-2)
8. King Richard (PR: 8) (E)
9. Being the Ricardos (PR: 9) (E)
10. Nightmare Alley (PR: Not Ranked)
Dropped Out:
The French Dispatch
Best Makeup and Hairstyling
Predicted Nominees:
1. Dune (PR: 1) (E)
2. House of Gucci (PR: 2) (E)
3. The Eyes of Tammy Faye (PR: 3) (E)
4. Cruella (PR: 5) (+1)
5. Coming 2 America (PR: 4) (-1)
Other Possibilities:
6. West Side Story (PR: 8) (+2)
7. The Suicide Squad (PR: 6) (-1)
8. Nightmare Alley (PR: 7) (-1)
9. Cyrano (PR: 9) (E)
10. No Time to Die (PR: 10) (E)
Best Original Score
Predicted Nominees:
1. Dune (PR: 1) (E)
2. The Power of the Dog (PR: 2) (E)
3. Don’t Look Up (PR: 3) (E)
4. The French Dispatch (PR: 4) (E)
5. Parallel Mothers (PR: 6) (+1)
Other Possibilities:
6. Spencer (PR: 5) (-1)
7. Encanto (PR: 9) (+2)
8. The Tragedy of Macbeth (PR: 7) (-1)
9. King Richard (PR: 8) (-1)
10. Being the Ricardos (PR: 10) (E)
Best Original Song
Predicted Nominees:
1. “No Time to Die” from No Time to Die (PR: 1) (E)
7. “Guns Go Bang” from The Harder They Fall (PR: 9) (+2)
8. “Beyond the Shore” from CODA (PR: 7) (-1)
9. “So May We Start” from Annette (PR: 8) (-1)
10. “Somehow You Do” from Four Good Days (PR: 10) (E)
Best Production Design
Predicted Nominees:
1. Dune (PR: 1) (E)
2. West Side Story (PR: 2) (E)
3. Nightmare Alley (PR: 3) (E)
4. The French Dispatch (PR: 4) (E)
5. The Tragedy of Macbeth (PR: 5) (E)
Other Possibilities:
6. Belfast (PR: 6) (E)
7. Licorice Pizza (PR: Not Ranked)
8. Spencer (PR: 7) (-1)
9. The Power of the Dog (PR: 9) (E)
10. Cyrano (PR: 8) (-2)
Dropped Out:
Cruella
Best Sound
Predicted Nominees:
1. Dune (PR: 1) (E)
2. West Side Story (PR: 2) (E)
3. Belfast (PR: 3) (E)
4. No Time to Die (PR: 4) (E)
5. Tick, Tick… Boom! (PR: 5) (E)
Other Possibilities:Â
6. Spider-Man: No Way Home (PR: 8) (+2)
7. The Power of the Dog (PR: 6) (-1)
8. The Matrix Resurrections (PR: 9) (+1)
9. A Quiet Place Part II (PR: 8) (-1)
10. Last Night in Soho (PR: 10) (E)
Best Visual Effects
Predicted Nominees:
1. Dune (PR: 1) (E)
2. The Matrix Resurrections (PR: 2) (E)
3. Godzilla vs. Kong (PR: 4) (+1)
4. Shang-Chi and the Legend of the Ten Rings (PR: 5) (+1)
5. No Time to Die (PR: 6) (+1)
Other Possibilities:
6. Spider-Man: No Way Home (PR: 3) (-3)
7. Free Guy (PR: 7) (E)
8. Eternals (PR: 9) (+1)
9. Ghostbusters: Afterlife (PR: 8) (-1)
10. Black Widow (PR: 10) (E)
That equates to these films achieving these numbers of nominations:
11 Nominations
Dune
9 Nominations
Belfast, The Power of the Dog, West Side Story
5 Nominations
House of Gucci, Licorice Pizza
4 Nominations
Don’t Look Up, King Richard, The Tragedy of Macbeth
3 Nominations
CODA, Flee, No Time to Die
2 Nominations
Being the Ricardos, Cruella, Encanto, The Eyes of Tammy Faye, The French Dispatch, The Lost Daughter, Spencer, Tick, Tick… Boom!
1 Nomination
C’Mon C’Mon, Coming 2 America, Drive My Car, The First Wave, Godzilla vs. Kong, The Hand of God, A Hero, Luca, The Matrix Resurrections, The Mitchells vs. the Machines, Nightmare Alley, Parallel Mothers, Passing, Procession, Raya and the Last Dragon, The Rescue, Respect, Shang-Chi and the Legend of the Ten Rings, Summer of Soul, The Worst Person in the World
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