The Best of Enemies Box Office Prediction

Taraji P. Henson and Sam Rockwell headline true life drama The Best of Enemies, out this Friday. Set in 1971, the film casts Henson as a civil rights activist tasked with co-chairing a community meeting with Rockwell’s KKK leader. Robin Bissell directs with a supporting cast including Babou Ceesay, Anne Heche, Wes Bentley, and Bruce McGill.

Enemies hopes to bring in a similar audience that caused Green Book to nearly make $90 million domestically. However, this doesn’t have Oscar buzz and while its two leads are certainly highly respected, neither can open a movie.

Considering that, I see $10 million as too high a bar for this. Mid single digits is more likely.

The Best of Enemies opening weekend prediction: $5.9 million

For my Shazam! prediction, click here:

https://toddmthatcher.com/2019/03/27/shazam-box-office-prediction/

For my Pet Sematary prediction, click here:

https://toddmthatcher.com/2019/03/28/pet-sematary-box-office-prediction/

What Men Want Box Office Prediction

Paramount is banking on a significant African-American and female audience next weekend for What Men Want, a remake of the 2000 blockbuster What Women Want with Mel Gibson and Helen Hunt. As the title suggests, this is a flip of the original with its lead character being able to hear the inner thoughts of the male species. Taraji P. Henson plays her with costars including Aldis Hodge, Tracy Morgan, Wendi McLendon-Covey, Pete Davidson, and Erykah Badu. Adam Shankman, maker of Bringing Down the House and The Pacifier, directs.

The gimmicky formula could be a success with its target audience. Its source material was a smash, debuting to $33 million and legging out to $182 million overall. Henson has starred in such high-profile hits as Hidden Figures, No Good Deed, and the Think Like a Man pics.

Some of those efforts saw openings in the mid to high 20s and that’s exactly where I see this starting out at.

What Men Want opening weekend prediction: $26.4 million

For my The Lego Movie 2: The Second Part prediction, click here:

https://toddmthatcher.com/2019/01/29/the-lego-movie-2-the-second-part-box-office-prediction/

For my Cold Pursuit prediction, click here:

https://toddmthatcher.com/2019/01/30/cold-pursuit-box-office-prediction/

For my The Prodigy prediction, click here:

https://toddmthatcher.com/2019/01/31/the-prodigy-box-office-prediction/

Oscar Watch: Ralph Breaks the Internet

Ralph Breaks the Internet is expected to easily hit the #1 spot at the box office over the Thanksgiving holiday. The film is Disney’s highly anticipated sequel to 2012’s Wreck-It-Ralph and reviews are out today.

The verdict? Much like its predecessor, critical notice is strong as it currently stands at 92% on Rotten Tomatoes. Some early notices say it doesn’t quite match the original, but it’s all pretty much a positive vibe.

As to where that puts Internet in the Oscar race for Best Animated Feature, I’d say it’s almost certainly in. Wreck-It-Ralph also nabbed a nomination in that category, but lost to Disney/Pixar’s Brave. That would appear to be what will happen again as Ralph should get a nod and lose to the heroes of Pixar’s Incredibles 2.

Bottom line: Ralph officially broke into awards chatter today, but studio competition should keep it from achieving gold. My Oscar Watch posts will continue…

For my Creed II prediction, click here:

https://toddmthatcher.com/2018/11/14/creed-ii-box-office-prediction/

For my Robin Hood prediction, click here:

https://toddmthatcher.com/2018/11/14/robin-hood-box-office-prediction/

Ralph Breaks the Internet Box Office Prediction

Disney is no stranger to debuting high-profile titles over the long Turkey Day weekend and they’re back at it again with Ralph Breaks the Internet. It’s the sequel to 2012’s WreckItRalph and brings back the vocal stylings of John C. Reilly, Sarah Silverman, Jack McBrayer, Jane Lynch, and Ed O’Neill. New actors behind the mic include Gal Gadot, Taraji P. Henson, and Alfred Molina. Rich Moore and Phil Johnston direct.

While we’re not in Incredibles 2 territory as far as expectations, Ralph is forecasted to easily break into the top spot for the Thanksgiving holiday. The original made $49 million for its start six years ago and ended up with $189 million.

Animated sequels can and have exceeded debut earnings of their predecessors. There’s been several years for kids to watch the original repeatedly and Internet could also appeal to younger adults. As mentioned, the Mouse Factory likes this frame for their drawn efforts. On the high-end, there’s Frozen, which made $93 million over the full Wednesday to Sunday frame ($67 million traditional weekend). On the low-end is The Good Dinosaur with a $55 million five-day ($39 million three-day). Two years ago, Moana took in $82 million ($56 million Friday to Sunday). Last year it was Coco with $72 million ($50 million three-day).

So where does this fit in? I like it falling in between Disney’s output from the last two years. That means I’m estimating it slightly outshines WreckIt for the traditional weekend with upper 70s for the whole holiday.

Ralph Breaks the Internet opening weekend prediction: $54.4 million (Friday to Sunday); $79.8 million (Wednesday to Sunday)

For my Creed II prediction, click here:

https://toddmthatcher.com/2018/11/14/creed-ii-box-office-prediction/

For my Robin Hood prediction, click here:

https://toddmthatcher.com/2018/11/14/robin-hood-box-office-prediction/

For my Green Book prediction, click here:

https://toddmthatcher.com/2018/11/17/green-book-box-office-prediction/

Acrimony Box Office Prediction

Tyler Perry leaves Madea aside for Easter next weekend as he directs and writes the psychological thriller Acrimony. The tale of a cheating husband and a vengeful wife stars Taraji P. Henson, Lyriq Bent, Crystle Stewart, and Jazmyn Simon. The Lionsgate release hopes to capitalize on Mr. Perry’s involvement, as well as Ms. Henson, who’s had some successes on the big and small screen.

There are certainly some similar genre comps to put this up against. The trick is figuring out where it will fall. Will it play like Henson’s own No Good Deed from 2014, which debuted to a stellar $24.2 million? Or the $25.6 million achieved by The Perfect Guy in 2015? In 2016, When the Bough Breaks managed $14.2 million. How about some other non-comedic directorial efforts from Perry: $21.6 million opening for Temptation: Confessions of a Marriage Counselor or $15.5 million for Good Deeds? On the low end, what about the measly $4.7 million from last year’s Unforgettable?

My hunch is a low to mid teens gross is probably the ticket, just below the gross of Bough.

Acrimony opening weekend prediction: $13.2 million

For my Ready Player One prediction, click here:

https://toddmthatcher.com/2018/03/20/ready-player-one-box-office-prediction/

For my God’s Not Dead: A Light in Darkness prediction, click here:

https://toddmthatcher.com/2018/03/21/gods-not-dead-a-light-in-darkness-box-office-prediction/

Proud Mary Box Office Prediction

During last year’s Martin Luther King holiday weekend, Taraji P. Henson had the #1 film with her Oscar nominated Hidden Figures. In 2018, she’s back in the action thriller Proud Mary. The pic finds her cast as a Boston hitwoman from director Babak Najafi, best known for making poorly received sequel London Has Fallen. Supporting players include Billy Brown, Danny Glover, Neal McDonough, and Margaret Avery.

While she’s best known for “Empire” television work, Henson’s big screen track record has been rather impressive with her roles in Figures, The Karate Kid remake, and No Good Deed.

Proud Mary could have the advantage of attracting some genre fans, as well as African Americans and females (a demographic often underserved with action flicks). I believe this could post a high teens debut, which would put it above direct genre competition The Commuter.

Proud Mary opening weekend prediction: $18.5 million (Friday to Monday estimate)

For my The Commuter prediction, click here:

https://toddmthatcher.com/2018/01/03/the-commuter-box-office-prediction/

For my The Post prediction, click here:

https://toddmthatcher.com/2018/01/04/the-post-box-office-prediction/

For my Paddington 2 prediction, click here:

https://toddmthatcher.com/2018/01/03/paddington-2-box-office-prediction/

 

Hidden Figures Movie Review

Hidden Figures is a good film about a great story. It’s a picture about racial discrimination that isn’t looking to make any waves, but rather tell its tale in an audience pleasing style. Director Theodore Melfi and the top-notch cast manage to achieve their mission, while moviegoers looking for something deeper about similar subject matter have plenty of other quality material to select from.

Figures is set in the early 1960s and focuses on three African American women who were instrumental to the nation’s space race. Katherine (Taraji P. Henson) is a math whiz who does the work that computers would later accomplish. Dorothy (Octavia Spencer) is a capable supervisor whose chances at career advancement are hindered by her race. Same goes for Mary (Janelle Monae), a talented engineer who must fight to attend a whites only school to further her opportunities.

Each woman is presented with unique challenges based on their being in a foreign world in Langley. Even as Katherine is elevated to more important work in her field, she must run half a mile to a building with a colored only restroom as her new digs don’t have one. Dorothy’s supervisor (Kirsten Dunst) has a tough time envisioning her employee doing a similar job. Mary must be creative with the judicial system to achieve her goals.

The screenplay focuses most prominently on Katherine and her interactions with sympathetic Al Harrison (Kevin Costner), director of the Space Task Group. He enlists her help in the furious space race with the Russians as they try to get John Glenn to orbit the Earth.

Hidden Figures serves as a nifty history lesson to younger viewers and those who’ve forgotten their lessons when it comes to that race. And it’s the race of the three leads and their true stories that probably should’ve been told before now. The screenplay has apparently taken some liberties here and there with certain facts, but the contributions of Katherine, Dorothy, and Mary is not in question.

The subject’s personal lives aren’t explored in major detail, save for Katherine’s romance with a military officer (Mahershala Ali). Figures is more concerned with their work and the dynamic between Katherine and Harrison is the most interesting. It helps that both Henson and Costner do fine work here.

While the pic isn’t necessarily told in a new way as it builds toward triumphant moments for the principles, I’m glad I got to know about their previously unheralded contributions.

*** (out of four)