We have reached 2021 in my posts speculating on a specific piece of Oscar history. As awards followers are aware, 2009 saw the Academy expand the Best Picture category from five movies to ten. That lasted for two years and in 2011, it switched to anywhere from 5-10 with 8 or 9 as the magic numbers for several years. In 2021, the number reverted back to a set ten.
What if that hadn’t happened? What if the BP derby had stayed at a quintet? What pictures would have made the cut?
Beyond the headlines made during the 94th Academy Awards by Will Smith and Chris Rock, the other story was a little movie called CODA. The family drama from Apple TV built momentum beginning at the Sundance Film Festival early in the year. It culminated in a 3/3 performance on Oscar night – winning Picture, Original Screenplay, and Supporting Actor (Troy Kotsur). We can assume it would’ve made the final cut.
As for the other nine, let’s take a deeper dive:
Belfast
Kenneth Branagh’s semi-autobiographical coming-of-age drama picked up other key nods in Director, Supporting Actress (Judi Dench), Supporting Actor (Ciaran Hinds), Original Song, and Sound. It didn’t emerge victorious in any, but its sole win came in Original Screenplay in a tight contest with Licorice Pizza.
Does It Make the Final Five?
Yes. The seven nominations were tied for third most and the screenplay trophy pushes it over.
Don’t Look Up
Adam McKay’s political satire was a streaming hit for Netflix with a megawatt all-star cast including Leonardo DiCaprio, Jennifer Lawrence, and Meryl Streep. Even with the Power of the Meryl, it received just three other mentions besides Picture in Original Screenplay, Original Score, and Film Editing (going 0 for 4).
Does It Make the Final Five?
No. Critics were divided and Netflix likely would’ve thrown all their campaign muscle behind The Power of the Dog if the count was only five.
Drive My Car
Ryusuke Hamaguchi’s three-hour Japanese drama easily won the International Feature Film race, but it also picked up other nods in Director and Adapted Screenplay.
Does It Make the Final Five?
No, but you could argue otherwise. I left it off due to the power of the others and the fact that foreign directors often get nominated without their films making the BP cut.
Dune
Denis Villeneuve was shockingly omitted from the Best Director derby. However, the sci-fi epic got the second most nominations at 10. It won a ceremony high 6 with Cinematography, Film Editing, Original Score, Production Design, Sound, and Visual Effects. The other nods were Adapted Screenplay, Costume Design, and Makeup and Hairstyling.
Does It Make the Final Five?
Yes. The Villeneuve snub causes some doubt, but the sheer amount of victories makes the inclusion likely.
King Richard
Will Smith infamously had the true-life sports drama’s sole win in Actor and it was also nominated in Supporting Actress (Aunjanue Ellis), Original Screenplay, Original Song, and Film Editing.
Does It Make the Final Five?
No. Yet this is another one that was a very close call. Once again, I just couldn’t take out some upcoming entries.
Licorice Pizza
Paul Thomas Anderson’s coming-of-age dramedy also saw its maker nominated in Director and Original Screenplay. It went 0 for 3.
Does It Make the Final Five?
No. That performance is a low showing for PTA’s pic and this was fairly easy to leave out of the ultimate quintet.
Nightmare Alley
Guillermo del Toro’s noirish thriller received three additional tech nods (losing all) in Cinematography, Costume Design, and Production Design.
Does It Make the Final Five?
No. This was (by a considerable margin) the easiest to leave off since it was blanked in all other major races like directing and screenplay and any acting mentions.
The Power of the Dog
Jane Campion’s direction is responsible for the Netflix Western’s one win. The nom count was an even better than expected 12 that included Actor (Benedict Cumberbatch), Supporting Actress (Kirsten Dunst), Supporting Actor (Kodi Smit-McPhee and Jesse Plemons), Adapted Screenplay, Cinematography, Film Editing, Original Score, Production Design, and Sound.
Does It Make the Final Five?
Yes, even though that 1/12 count is underwhelming to be kind. That’s still the most nods and Campion winning director seals it.
West Side Story
Steven Spielberg’s musical remake had its only win for Ariana DeBose (doing her thing in Supporting Actress). Five additional noms came for Mr. Spielberg, Cinematography, Costume Design, Production Design, and Sound.
Does It Make the Final Five?
Yes. I’ll admit this is a tough one and you could put Drive My Car or King Richard in its place. My gut says The Power of the Spielberg gives it a minor advantage.
That means my final 2021 five is:
Belfast
CODA
Dune
The Power of the Dog
West Side Story
2022 is next! And then, I’m switching it up. From 2008 and working backwards, I’ll do the inverse of these posts. For those years, I’ll speculate on what an expanded lineup of 10 might look like.
If you missed my entries for 2009-20, have no fear! They’re here:
We have reached 2018 in my posts speculating on a specific piece of Oscar history. As awards followers are aware, 2009 saw the Academy expand the Best Picture category from five movies to ten. That lasted for two years and in 2011, it switched to anywhere from 5-10 with 8 or 9 as the magic numbers for several years. In 2021, the number reverted back to a set ten.
What if that hadn’t happened? What if the BP derby had stayed at a quintet? What pictures would have made the cut? If you missed my write-ups centered on 2009-17, they are linked at the bottom of the post.
2018 is a tricky year to winnow down. In fact, all 8 nominees have strong cases to make the final five. Only one thing is for sure. Peter Farrelly’s Green Book is one of the five considering it won Best Picture. It stands as one of the more surprising (and derided) victors in recent years. The race relations drama went an impressive 3/5 on its nominations – taking Picture, Supporting Actor (Mahershala Ali), and Original Screenplay and missing Actor (Viggo Mortensen) and Film Editing.
So what of the other seven hopefuls? Here’s my speculation:
Black Panther
The only MCU flick (and for that matter comic book adaptation) to score a BP nom was Ryan Coogler’s phenomenon with Chadwick Boseman as the title character. Its seven nominations included three wins for Score, Production Design, and Costume Design.
Does It Make the Final Five?
No. Besides BP, the other six mentions were all technical. It missed directing, any acting inclusions, screenplay, and even editing. It’s hard to leave this out though that’s the case with everything here.
BlacKkKlansman
Spike Lee received his first and only Oscar for his adapted screenplay. That’s the only victory of the night among its six total nods as Lee did make the quintet for direction. The others were Supporting Actor (Adam Driver), Score, and Film Editing.
Does It Make the Final Five?
Had this not taken Adapted Screenplay, I’d leave this off. Yet that win has me (somewhat reluctantly) leaving it in.
Bohemian Rhapsody
Rami Malek was crowned Best Actor for his performance as Queen frontman Freddie Mercury in the biopic. Despite mixed reviews, Rhapsody was successful in four of its five noms. Picture is the only race it didn’t win as it took Actor, Sound Editing, Sound Mixing, and Film Editing.
Does It Make the Final Five?
Yes. That 80% ratio solidifies it even without attention for the direction or screenplay.
The Favourite
The period piece from Yorgos Lanthimos tied all nominees with 10. The lone victory was an unexpected one as Olivia Colman took Best Actress over the favored Glenn Close (The Wife).
Does It Make the Final Five?
Yes. Despite the 10% ratio, it still led all contenders with key placements in Director, two Supporting Actress bids (Emma Stone and Rachel Weisz), Original Screenplay, and Editing.
Roma
Alfonso Cuaron was your Best Director in the Mexican drama that was the other picture with 10 nods. It also won Foreign Language Film and Cinematography while contending in Actress (Yalitza Aparicio), Supporting Actress (Marina de Tavira), Original Screenplay, both Sound competitions, and Production Design.
Does It Make the Final Five?
Yes and easily. The Netflix property was supposed to be the streamer’s first BP (they’re still waiting) and was favored before that Book upset.
A Star Is Born
Bradley Cooper’s version of the frequently remade melodrama achieved 8 nominations and one win for the director’s duet with costar Lady Gaga “Shallow” in Original Song. Both Cooper and Gaga were up for their acting as was Sam Elliot in Supporting Actor, Adapted Screenplay, Sound Mixing, and Cinematography.
Does It Make the Final Five?
No, but another tough call. Star‘s shine with voters seemed to dim as the season wore on. This is evidenced by it missing directing and editing.
Vice
This is a good time to point out that all 8 BP hopefuls won at least one statue. Adam McKay’s biopic of former Vice President Cheney (played by Christian Bale) took home the Makeup and Hairstyling award. Other noms were for the direction, Bale, Supporting Actor (Sam Rockwell), Supporting Actress (Amy Adams), Original Screenplay, and Film Editing.
Does It Make the Final Five?
No and I really struggled here. Vice landed mentions everywhere it needed to. The so-so critical reaction made it a tad easier to leave it out. Simply put, this could’ve been in over BlacKkKlansman or Bohemian, but I had to make the judgment call.
So that means my 2018 final five is:
BlacKkKlansman
Bohemian Rhapsody
The Favourite
Green Book
Roma
I’ll have my post for 2019 up soon! The 2009-17 write-ups are here:
We have reached 2015 in my posts speculating on a specific piece of Oscar history. As awards followers are aware, 2009 saw the Academy expand the Best Picture category from five movies to ten. That lasted for two years and in 2011, it switched to anywhere from 5-10 with 8 or 9 as the magic numbers for several years. In 2021, the number reverted back to a set ten.
What if that hadn’t happened? What if the BP derby had stayed at a quintet? What pictures would have made the cut? If you missed my write-ups centered on 2009-14, you can peruse them here:
There is one certainty when it comes to 2015 and that’s Spotlight earning a spot in the final five. After all, it won the big prize. It was also the rare BP recipient that emerged victorious in only one other category (Original Screenplay).
For 2015, eight movies were nominated. Time to put a spotlight on which ones get in and which ones are left on the cutting room floor:
The Big Short
Adam McKay’s satirical take on the 2008 financial crisis is the first of 3 Best Picture nominees in a row for the filmmaker. It earned a total of five nods with a win for its Adapted Screenplay.
Does It Make the Final Five?
Yes. With nods for the director, the win for the script, and an editing nom – a quintet inclusion is highly likely.
Bridge of Spies
Steven Spielberg’s Cold War set drama starred Tom Hanks and his costar Mark Rylance won a surprise Supporting Actor trophy over the favored Sylvester Stallone for Creed. There were six nominations total.
Does It Make the Final Five?
No. Despite the considerable pedigree, the misses in directing and editing are significant.
Brooklyn
John Crowley’s 50s set period drama was the first of three eventual Best Actress mentions for Saoirse Ronan. With an Adapted Screenplay nod, its own. three tries at gold are the least among the 8 BP hopefuls.
Does It Make the Final Five?
No – primarily for the last sentence above. Brooklyn probably just snuck in the top 8.
Mad Max: Fury Road
George Miller’s long in development fourth entry in his wild action franchise received 10 nominations and took home 6 (all technical in nature). That’s easily the most victories of the evening.
Does It Make the Final Five?
Yes. With Miller in Director and a Film Editing win, I don’t see how it would have missed.
The Martian
Ridley Scott’s outer space tale with Matt Damon garnered 7 mentions but came up empty-handed on the night.
Does It Make the Final Five?
No, but I’d rank it sixth. I couldn’t make the call, however, since Scott was omitted in Director and it failed to make the Editing group.
The Revenant
Alejandro Gonzalez Inarritu made it two directing wins in a row after Birdman for his survival pic. Leonardo DiCaprio, after several close but no cigar tries, was finally crowned Best Actor. Overall, this was the most nominated film at 12 with 3 wins.
Does It Make the Final Five?
Yes and I suspect it was the runner-up to Spotlight.
Room
Brie Larson was the Best Actress for the abduction drama where Lenny Abrahamson was also an unexpected directing contender. With an Adapted Screenplay nom, it managed 4 mentions.
Does It Make the Final Five?
Yes though I’d put in fifth and in a close race with The Martian. Abrahamson getting in made the difference.
And that means my five BP contenders match the Best Director contestants. That’s a rare thing before the race expanded in 2009. Yet it seems appropriate for this particular year.
Can a satire about the apocalypse premiering on Netflix at year’s end contend for a Best Picture nomination? It happened in 2021 for Adam McKay’s Don’t Look Up. Will lightning strike again for the streamer with White Noise, Noah Baumbach’s latest which has opened the Venice Film Festival?
Based on a 1985 Don DeLillo novel that many tagged as unfilmable, Adam Driver headlines the filmmaker’s follow-up to 2019’s Marriage Story (which nabbed 6 Academy nods). Costars include Baumbach’s partner in real life Greta Gerwig, Raffey Cassidy, Andre Benjamin, Sam Nivola, Jodie Turner-Smith, and Don Cheadle. A November 25th limited theatrical rollout is planned prior to the December 30th streaming start.
Early reviews are a bit all over the place. The Tomatoes meter is 78% at the moment. There’s some “ex’s” in the mix like exciting and exhilarating, but also exhausting and exasperating. Some are indicating its ambition is admirable, but it falters in the execution.
Those are some of the same criticisms lobbed at the aforementioned Up, which still managed a slot in the ten BP hopefuls. That could happen with Noise. However, there is a caveat and it’s an important one. Don’t Look Up didn’t go through the film festival circuit and I believe that worked to its advantage. Despite its heavily mixed reaction, it hit Netflix at the end of the year just as awards voters were beginning to consider their ballots. At that time, it was easily the most talked about motion picture in the country. The bulk of Noise‘s chatter is occurring four months earlier.
As for its acting prospects, Driver, Gerwig, and Cheadle are getting solid ink, but I don’t really see them as viable players. If anything, a weak lead actor field (undetermined at the moment) could help Driver. This could land an Adapted Screenplay nod as a reward for it not being the disaster that some feared it might be (this is Baumbach’s first non-original script). Most critics are claiming it’s far from that. And we have a new LCD Soundsystem track titled “New Body Rhumba” that is being praised (we’ll see if Netflix mounts a major Original Song campaign for it). Same goes for Danny Elfman’s score. Tech nods (particularly Production Design) might be doable.
Bottom line: I wouldn’t completely discount that Noise could make just that in awards season though skepticism is warranted. My Oscar Prediction posts will continue…
My Case Of posts for the 10 Best Picture nominees is down to our third entry and that’s Adam McKay’s end of the world black comedy Don’t Look Up. If you missed the first two covering Belfast and CODA, you can find them here:
The Netflix property has probably received more social media chatter and buzz than any of the other hopefuls (with the possible exception of Dune). The streaming numbers were said to be massive so it is certainly one of the most widely seen contenders. For McKay, it marks his third BP nominee in a row behind 2015’s The Big Short and 2018’s Vice.Â
The Case Against Don’t Look Up:
That aforementioned chatter was definitely not all positive. Reviews were mixed and Up‘s 56% Rotten Tomatoes score is easily the worst of the lot (the next lowest is Nightmare Alley at 80%). While some viewers sang its praises, plenty more derided it. This also missed key races like Director and any of the actors involved (Leonardo DiCaprio was likely close but no cigar in Actor).
The Verdict:
Netflix could be well on its way to its inaugural BP statue and that would be for The Power of the Dog. Their other hopeful is too divisive to have a shot and its total of four nominations is on the low end of the scale.
My Case Of posts will continue with Drive My Car…
The DGA and PGA nominations are out as of yesterday and it’s caused some reflection as I pen my penultimate predictions for the 2021 Oscars. With Being the Ricardos and Tick, Tick… Boom! nabbing the final two BP spots at PGA (the other 8 were pretty obvious), I feel it necessary to include at least one of them. On the other hand, I’m reluctant to include both as PGA and the Academy’s BP selection rarely match. I’m leaning toward Boom! and it vaults back into the top ten. Yet I’m continuing to keep The Tragedy of Macbeth in the mix despite its lack of recent precursor love.
The DGA quintet and the Best Director nominees haven’t mirrored each other since 2009. So it’s a risk to go with DGA’s five. However, as of this moment, I’m going with it.
Another big change is in Best Actor as I’m including Javier Bardem in Ricardos for the first time (over Leonardo DiCaprio for Don’t Look Up). There’s also a change in Supporting Actor as I’m putting Ben Affleck (The Tender Bar) in for his inaugural appearance. That knocks out Jared Leto for Gucci.
The last big piece of the precursor puzzle arrives Thursday with BAFTA nods. On Friday (02/04), I will make my FINAL Oscar calls before nomination morning on Tuesday, February 8th.
Here’s how I have things standing as of now:
Best Picture
Predicted Nominees:
1. The Power of the Dog (Previous Ranking: 1) (E)
2. Belfast (PR: 2) (E)
3. Dune (PR: 4) (+1)
4. West Side Story (PR: 3) (-1)
5. Licorice Pizza (PR: 5) (E)
6. King Richard (PR: 7) (+1)
7. Don’t Look Up (PR: 6) (-1)
8. CODA (PR: 8) (E)
9. Tick, Tick… Boom! (PR: 11) (+2)
10. The Tragedy of Macbeth (PR: 9) (-1)
Other Possibilities:
11. Being the Ricardos (PR: 12) (+1)
12. Drive My Car (PR: 13) (+1)
13. House of Gucci (PR: 10) (-3)
14. Nightmare Alley (PR: Not Ranked)
15. The Lost Daughter (PR: 14) (-1)
Dropped Out:
No Time to Die
Best Director
Predicted Nominees:
1. Jane Campion, The Power of the Dog (PR: 1) (E)
2. Denis Villeneuve, Dune (PR: 2) (E)
3. Steven Spielberg, West Side Story (PR: 3) (E)
4. Kenneth Branagh, Belfast (PR: 4) (E)
5. Paul Thomas Anderson, Licorice Pizza (PR: 5) (E)
Other Possibilities:
6. Ryusuke Hamaguchi, Drive My Car (PR: 7) (+1)
7. Adam McKay, Don’t Look Up (PR: 6) (-1)
8. Joel Coen, The Tragedy of Macbeth (PR: 8) (E)
9. Sian Heder, CODA (PR: 9) (E)
10. Guillermo del Toro, Nightmare Alley (PR: Not Ranked)
Dropped Out:
Maggie Gyllenhaal, The Lost Daughter
Best Actress
Predicted Nominees:
1. Nicole Kidman, Being the Ricardos (PR: 1) (E)
2. Olivia Colman, The Lost Daughter (PR: 2) (E)
3. Jessica Chastain, The Eyes of Tammy Faye (PR: 3) (E)
4. Kristen Stewart, Spencer (PR: 5) (+1)
5. Lady Gaga, House of Gucci (PR: 4) (-1)
Other Possibilities:
6. Penelope Cruz, Parallel Mothers (PR: 8) (+2)
7. Jennifer Hudson, Respect (PR: 7) (E)
8. Rachel Zegler, West Side Story (PR: 6) (-2)
9. Alana Haim, Licorice Pizza (PR: 9) (E)
10. Emilia Jones, CODA (PR: 10) (E)
Best Actor
Predicted Nominees
1. Will Smith, King Richard (PR: 2) (E)
2. Benedict Cumberbatch, The Power of the Dog (PR: 2) (E)
3. Andrew Garfield, Tick, Tick… Boom! (PR: 3) (E)
4. Denzel Washington, The Tragedy of Macbeth (PR: 4) (E)
5. Javier Bardem, Being the Ricardos (PR: 6) (+1)
7. “Guns Go Bang” from The Harder They Fall (PR: 7) (E)
8. “Beyond the Shore” from CODA (PR: 8) (E)
9. “So May We Start” from Annette (PR: 9) (E)
10. “Somehow You Do” from Four Good Days (PR: 10) (E)
Best Production Design
Predicted Nominees:
1. Dune (PR: 1) (E)
2. Nightmare Alley (PR: 3) (+1)
3. West Side Story (PR: 2) (-1)
4. The French Dispatch (PR: 4) (E)
5. The Tragedy of Macbeth (PR: 5) (E)
Other Possibilities:
6. Belfast (PR: 6) (E)
7. Licorice Pizza (PR: 7) (E)
8. The Power of the Dog (PR: 9) (+1)
9. Spencer (PR: 8) (-1)
10. Cyrano (PR: 10) (E)
Best Sound
Predicted Nominees:
1. Dune (PR: 1) (E)
2. West Side Story (PR: 2) (E)
3. Belfast (PR: 3) (E)
4. Tick, Tick… Boom! (PR: 5) (+1)
5. No Time to Die (PR: 4) (-1)
Other Possibilities:
6. The Power of the Dog (PR: 7) (+1)
7. Spider-Man: No Way Home (PR: 6) (-1)
8. A Quiet Place Part II (PR: 9) (+1)
9. The Matrix Resurrections (PR: 8) (-1)
10. Last Night in Soho (PR: 10) (E)
Best Visual Effects
Predicted Nominees
1. Dune (PR: 1) (E)
2. The Matrix Resurrections (PR: 2) (E)
3. Godzilla vs. Kong (PR: 3) (E)
4. Shang-Chi and the Legend of the Ten Rings (PR: 4) (E)
5. Spider-Man: No Way Home (PR: 6) (+1)
Other Possibilities:
6. No Time to Die (PR: 5) (-1)
7. Free Guy (PR: 7) (E)
8. Eternals (PR: 8) (E)
9. Ghostbusters: Afterlife (PR: 9) (E)
10. Black Widow (PR: 10) (E)
This all equates to the following numbers of nominations for these pictures:
11 Nominations
Dune
9 Nominations
Belfast, The Power of the Dog
8 Nominations
West Side Story
5 Nominations
Don’t Look Up, Licorice Pizza
4 Nominations
King Richard, The Tragedy of Macbeth
3 Nominations
Being the Ricardos, CODA, Flee, House of Gucci, Tick, Tick… Boom!
2 Nominations
Cruella, Encanto, The Eyes of Tammy Faye, The French Dispatch, The Lost Daughter, Nightmare Alley, No Time to Die, Spencer
1 Nomination
C’Mon C’Mon, Coming 2 America, Drive My Car, The First Wave, Godzilla vs. Kong, The Hand of God, A Hero, Luca, The Matrix Resurrections, The Mitchells vs. the Machines, Passing, Procession, Ray and the Last Dragon, The Rescue, Shang-Chi and the Legend of the Ten Rings, Spider-Man: No Way Home, Summer of Soul, The Tender Bar, The Worst Person in the World
Two major Oscar precursors dropped today and it’s a good day to be the Ricardos as Aaron Sorkin’s Lucy and Desi pic make the PGA’s top ten cut, as did Netflix’s musical Tick, Tick… Boom!
Here are your 10 PGA nominees:
Being the Ricardos
Belfast
CODA
Don’t Look Up
Dune
King Richard
Licorice Pizza
The Power of the Dog
Tick, Tick… Boom!
West Side Story
That means I went 8 out of 10 for my projections. The general thinking (and one that I shared) is that 8 pictures were safe: Belfast, CODA, Don’t Look Up, Dune, King Richard, Licorice Pizza, The Power of the Dog, West Side Story. That turned out to be accurate.
The real battle was for the last 2 spots and they went to Ricardos and Boom! PGA has a history of nominating moneymakers and that’s why I chose No Time to Die to make the list (others were putting Spider-Man: No Way Home in the mix). Neither did so and that might end discussions on whether either of them could make it  with the Academy.
I also had House of Gucci getting in and its PGA omission decreases its viability in the Oscar BP derby. Other notables to miss include Drive My Car, The Lost Daughter, Nightmare Alley, and The Tragedy of Macbeth.Â
Truth be told – the PGA lineup could easily be the Oscar one. However, that is hardly ever the case and we’ll see how it shakes out when I update my predictions tomorrow.
It’s also true that the five contenders in the Directors Guild Awards rarely match the Oscars (usually it’s 4 out of five). My quintet of Academy hopefuls has stayed steady over recent weeks: Paul Thomas Anderson (Licorice Pizza), Kenneth Branagh (Belfast), Jane Campion (The Power of the Dog), Steven Spielberg (Wet Side Story), and Denis Villeneuve (Dune).
And that’s exactly the lineup that DGA revealed today. I went 4 of 5 because I had Adam McKay (Don’t Look Up) in over Anderson. A DGA nod could have helped others on the outside looking in like Ryusuke Hamaguchi (Drive My Car) or Joel Coen (Macbeth).
As I explained in my predictions yesterday, you have to go back to 2009 for the last year in which DGA/Oscar matched in Best Director. It could absolutely happen in 2021 and, unlike PGA, I may continue to project it that way.
As mentioned, look for my penultimate 2021 Oscar updates tomorrow!
Two significant Academy precursors are coming our way tomorrow when the Directors and Producers Guilds of America reveal nominees. Both groups could shed major light on who and what we will see on Oscar nomination morning in less than two weeks.
The DGA nominates five directors for their top prize and it is a reliable preview for usually 4 of the 5 eventual hopefuls at the big show. In the past five years, the DGA’s list corresponds with the Academy’s on the 4 of 5 ratio. The exception was 2018 when it was 3/5. You have to go back to 2009 to find the last year in which there was a perfect match.
For weeks, my Oscar projections in Best Director has remained consistent: Paul Thomas Anderson (Licorice Pizza), Kenneth Branagh (Belfast), Jane Campion (The Power of the Dog), Steven Spielberg (West Side Story), and Denis Villeneuve (Dune). That’s probably the safest lineup to predict for DGA as well, but I’m hesitant to do so since it’s been over a decade with the two corresponding.
So who’s vulnerable and who could rise up? It’s hard to see Campion (the Oscar frontrunner), Villeneuve, or Spielberg missing. Same generally goes for Branagh though there’s whispers that Belfast could be slipping a bit (still not enough for me to take him out). That leaves Anderson and there’s some precedent. In 2017, the Academy nominated him for Phantom Thread while DGA omitted him. He’s the easiest to leave off their ballot.
Who takes his place? I doubt that it’s Ryusuke Hamaguchi for Drive My Car. In recent times, the Academy has been more generous with nods for filmmakers and their international features. Last year, they nominated Thomas Vinterberg (Another Round) and in 2018 they did the same for Pawel Pawlikowski (Cold War) while DGA ignored them.
If there’s a surprise fifth nominee in store, watch out for Guillermo del Toro (Nightmare Alley), Maggie Gyllenhaal (The Lost Daughter) or Sian Heder (CODA). However, I think it could come down to Joel Coen (The Tragedy of Macbeth) and Adam McKay (Don’t Look Up). The latter is a two-time DGA nominee (The Big Short and Vice) and Don’t Look Up is a buzzy streaming success story that’s been widely viewed. Coen, on the other hand, could be honored for the technical mastery of Macbeth.Â
This is a close call, but I’m ever so slightly leaning toward McKay and I’ll go that route. Therefore – my official DGA predictions are:
Kenneth Branagh, Belfast
Jane Campion, The Power of the Dog
Adam McKay, Don’t Look Up
Steven Spielberg, West Side Story
Denis Villeneuve, Dune
Runner-Up: Paul Thomas Anderson, Licorice Pizza
Second Alternate: Joel Coen, The Tragedy of MacbethÂ
Let’s move to the PGA, shall we? Over the last five years, these are the matches between the Producers and the Academy when it comes to their Best Picture awards:
2016: 9/9
2017: 7/9
2018: 8/8
2019: 9/9
2020: 7/8
It’s important to keep in mind that the Academy, for the past several years, can have anywhere between 5-10 BP contenders (the magic number has been 8 or 9). Yet in 2021, the Oscars are reverting back to a set 10 (the PGA always nominates 10 except for 2017 when they had 11 for some inexplicable reason).
That means there’s only been three films (Darkest Hour and Phantom Thread in 2017 and The Father in 2020) that received Oscar nods and didn’t materialize on the PGA list.
My current 10 selections for BP from the Academy are as follows:Â Belfast, CODA, Don’t Look Up, Dune, House of Gucci, King Richard, Licorice Pizza, The Power of the Dog, The Tragedy of Macbeth, West Side Story.
I’m estimating that only Gucci and Tragedy could be truly vulnerable to miss the PGA cut (anything else being left off would constitute a pretty big surprise). If that happens, CODA or Richard might be the ones.
In my view, Tragedy is exactly the kind of feature that PGA may not recognize. Gucci is more of a question mark as the Producers generally like to nominate pictures that performed well at the box office. To that point, the PGA has a history of honoring moneymakers that the Academy does not. Recent examples include Bridesmaids, Skyfall, Gone Girl, Straight Outta Compton, Deadpool, Wonder Woman, Crazy Rich Asians, A Quiet Place, and Knives Out.
That could absolutely open the door for No Time to Die or Spider-Man: No Way Home… or both. I’m slightly more hesitant to include Spidey being that neither Avengers: Infinity War or Endgame got PGA love. However, I’m not oblivious to the fact that this guild may want to mention the picture that broke pandemic era box office records.
Outside of the blockbuster mold, you could also see titles like Being the Ricardos, Drive My Car, The Lost Daughter, Nightmare Alley, or Tick, Tick… Boom! factor in.
I’m keeping Gucci in (with extreme uncertainty) and projecting 007 in the mega-earner slot so here’s my PGA ten:
Belfast
CODA
Don’t Look Up
Dune
House of Gucci
King Richard
Licorice Pizza
No Time to Die
The Power of the Dog
West Side Story
Runner-Up:Â Spider-Man: No Way Home
Second Alternate: The Tragedy of MacbethÂ
So there you have it! I’ll have reaction up on both DGA and PGA tomorrow on the blog…
In two weeks time, House of Gucci has gone from unranked in my top 15 Best Picture possibilities to making the cut in 10th. Whether it stays there – who knows? As I see it, the top 8 look relatively safe and then it could be a free for all for the last two spots. Gucci‘s rise means Tick, Tick… Boom! drops out.
I’ve also made way for The Lone Screenplay nominee which has occurred every year since 2001. C’Mon C’Mon is now included in Original Screenplay and that knocks out King Richard. I wrote about The Lone Screenplay history of the 21st century here:
You can read all the movement below and I’ll have a penultimate update next week before unveiling my final predictions shortly before the February 8th announcement!
Best Picture
Predicted Nominees:
1. The Power of the Dog (Previous Ranking: 1) (E)
2. Belfast (PR: 2) (E)
3. West Side Story (PR: 3) (E)
4. Dune (PR: 4) (E)
5. Licorice Pizza (PR: 5) (E)
6. Don’t Look Up (PR: 8) (+2)
7. King Richard (PR: 6) (-1)
8. CODA (PR: 7) (-1)
9. The Tragedy of Macbeth (PR: 10) (+1)
10. House of Gucci (PR: 12) (+2)
Other Possibilities:
11. Tick, Tick… Boom! (PR: 9) (-2)
12. Being the Ricardos (PR: 11) (-1)
13. Drive My Car (PR: 13) (E)
14. The Lost Daughter (PR: 14) (E)
15. No Time to Die (PR: Not Ranked)
Dropped Out:
Nightmare Alley
Best Director
Predicted Nominees:
1. Jane Campion, The Power of the Dog (PR: 1) (E)
2. Denis Villeneuve, Dune (PR: 2) (E)
3. Steven Spielberg, West Side Story (PR: 4) (+1)
4. Kenneth Branagh, Belfast (PR: 3) (-1)
5. Paul Thomas Anderson, Licorice Pizza (PR: 5) (E)
Other Possibilities:
6. Adam McKay, Don’t Look Up (PR: 7) (+1)
7. Ryusuke Hamaguchi, Drive My Car (PR: 6) (-1)
8. Joel Coen, The Tragedy of Macbeth (PR: 8) (E)
9. Sian Heder, CODA (PR: 9) (E)
10. Maggie Gyllenhaal, The Lost Daughter (PR: Not Ranked)
Dropped Out:
Guillermo del Toro, Nightmare Alley
Best Actress
Predicted Nominees:
1. Nicole Kidman, Being the Ricardos (PR: 1) (E)
2. Olivia Colman, The Lost Daughter (PR: 3) (+1)
3. Jessica Chastain, The Eyes of Tammy Faye (PR: 2) (-1)
4. Lady Gaga, House of Gucci (PR: 5) (+1)
5. Kristen Stewart, Spencer (PR: 4) (-1)
Other Possibilities:
6. Rachel Zegler, West Side Story (PR: 7) (+1)
7. Jennifer Hudson, Respect (PR: 6) (-1)
8. Penelope Cruz, Parallel Mothers (PR: 9) (+1)
9. Alana Haim, Licorice Pizza (PR: 8) (-1)
10. Emilia Jones, CODA (PR: 10) (E)
Best Actor
Predicted Nominees:
1. Will Smith, King Richard (PR: 1) (E)
2. Benedict Cumberbatch, The Power of the Dog (PR: 2) (E)
3. Andrew Garfield, Tick, Tick… Boom! (PR: 3) (E)
4. Denzel Washington, The Tragedy of Macbeth (PR: 4) (E)
5. Leonardo DiCaprio, Don’t Look Up (PR: 5) (E)
Other Possibilities:
6. Javier Bardem, Being the Ricardos (PR: 6) (E)
7. Peter Dinklage, Cyrano (PR: 7) (E)
8. Nicolas Cage, Pig (PR: 8) (E)
9. Joaquin Phoenix, C’Mon C’Mon (PR: 9) (E)
10. Hidetoshi Nishijima, Drive My Car (PR: Not Ranked)
Dropped Out:
Clifton Collins, Jr., Jockey
Best Supporting Actress
Predicted Nominees:
1. Ariana DeBose, West Side Story (PR: 1) (E)
2. Kirsten Dunst, The Power of the Dog (PR: 2) (E)
3. Caitriona Balfe, Belfast (PR: 3) (E)
4. Ruth Negga, Passing (PR: 4) (E)
5. Aunjanue Ellis, King Richard (PR: 5) (E)
Other Possibilities:
6. Marlee Matlin, CODA (PR: 6) (E)
7. Ann Dowd, Mass (PR: 7) (E)
8. Cate Blanchett, Nightmare Alley (PR: 9) (+1)
9. Rita Moreno, West Side Story (PR: 8) (-1)
10. Jessie Buckley, The Lost Daughter (PR: 10) (E)
Best Supporting Actor
Predicted Nominees:
1. Kodi Smit-McPhee, The Power of the Dog (PR: 1) (E)
2. Troy Kotsur, CODA (PR: 2) (E)
3. Ciaran Hinds, Belfast (PR: 3) (E)
4. Bradley Cooper, Licorice Pizza (PR: 4) (E)
5. Jared Leto, House of Gucci (PR: 5) (E)
Other Possibilities:
6. Ben Affleck, The Tender Bar (PR: 6) (E)
7. Jamie Dornan, Belfast (PR: 7) (E)
8. Jesse Plemons, The Power of the Dog (PR: 8) (E)
9. J.K. Simmons, Being the Ricardos (PR: 9) (E)
10. Mike Faist, West Side Story (PR: 10) (E)
Best Original Screenplay
Predicted Nominees:
1. Licorice Pizza (PR: 1) (E)
2. Belfast (PR: 2) (E)
3. Don’t Look Up (PR: 3) (E)
4. Being the Ricardos (PR: 5) (+1)
5. C’Mon C’Mon (PR: 6) (+1)
Other Possibilities:
6. King Richard (PR: 4) (-2)
7. Parallel Mothers (PR: 7) (E)
8. Mass (PR: 8) (E)
9. The French Dispatch (PR: 9) (E)
10. Pig (PR: Not Ranked)
Dropped Out:
A Hero
Best Adapted Screenplay
Predicted Nominees:
1. The Power of the Dog (PR: 1) (E)
2. West Side Story (PR: 2) (E)
3. CODA (PR: 3) (E)
4. The Lost Daughter (PR: 5) (+1)
5. Dune (PR: 4) (-1)
Other Possibilities:
6. Drive My Car (PR: 6) (E)
7. The Tragedy of Macbeth (PR: 9) (+2)
8. Tick, Tick… Boom! (PR: 7) (-1)
9. Passing (PR: 8) (-1)
10. The Last Duel (PR: 10) (E)
Best Animated Feature
Predicted Nominees:
1. Encanto (PR: 1) (E)
2. Flee (PR: 2) (E)
3. The Mitchells vs. the Machines (PR: 3) (E)
4. Luca (PR: 4) (E)
5. Raya and the Last Dragon (PR: 5) (E)
Other Possibilities:
6. Belle (PR: 6) (E)
7. The Summit of the Gods (PR: 7) (E)
8. Vivo (PR: 9) (+1)
9. Ron’s Gone Wrong (PR: 10) (+1)
10. My Sunny Maad (PR: 8) (-2)
Best International Feature Film
Predicted Nominees:
1. Drive My Car (PR: 1) (E)
2. A Hero (PR: 2) (E)
3. The Worst Person in the World (PR: 3) (E)
4. Flee (PR: 4) (E)
5. The Hand of God (PR: 5) (E)
Other Possibilities:
6. I’m Your Man (PR: 7) (+1)
7. Compartment No. 6 (PR: 6) (-1)
8. Prayers for the Stolen (PR: 8) (E)
9. Great Freedom (PR: 9) (E)
10. The Good Boss (PR: 10) (E)
Best Documentary Feature
Predicted Nominees:
1. Flee (PR: 1) (E)
2. The Rescue (PR: 2) (E)
3. Summer of Soul (PR: 4) (+1)
4. Procession (PR: 3) (-1)
5. The First Wave (PR: 7) (+2)
Other Possibilities:
6. Ascension (PR: 5) (-1)
7. Attica (PR: 6) (-1)
8. President (PR: 8) (E)
9. Faya Dayi (PR: 9) (E)
10. In the Same Breath (PR: Not Ranked)
Dropped Out:
Julia
Best Cinematography
Predicted Nominees:
1. Dune (PR: 1) (E)
2. The Power of the Dog (PR: 2) (E)
3. Belfast (PR: 4) (+1)
4. The Tragedy of Macbeth (PR: 5) (+1)
5. West Side Story (PR: 3) (-2)
Other Possibilities:
6. Nightmare Alley (PR: 6) (E)
7. Licorice Pizza (PR: 9) (+2)
8. The French Dispatch (PR: 7) (-1)
9. C’Mon C’Mon (PR: 10) (+1)
10. Spencer (PR: 8) (-2)
Best Costume Design
Predicted Nominees:
1. Cruella (PR: 1) (E)
2. Dune (PR: 2) (E)
3. West Side Story (PR: 3) (E)
4. House of Gucci (PR: 4) (E)
5. Spencer (PR: 5) (E)
Other Possibilities:
6. Licorice Pizza (PR: 9) (+3)
7. Nightmare Alley (PR: 6) (-1)
8. Cyrano (PR: 8) (E)
9. The French Dispatch (PR: 7) (-2)
10. Last Night in Soho (PR: 10) (E)
Best Film Editing
Predicted Nominees:
1. Dune (PR: 1) (E)
2. West Side Story (PR: 2) (E)
3. Belfast (PR: 3) (E)
4. The Power of the Dog (PR: 4) (E)
5. Licorice Pizza (PR: 7) (+2)
Other Possibilities:
6. Don’t Look Up (PR: 6) (E)
7. Tick, Tick… Boom! (PR: 5) (-2)
8. King Richard (PR: 8) (E)
9. Being the Ricardos (PR: 9) (E)
10. Nightmare Alley (PR: Not Ranked)
Dropped Out:
The French Dispatch
Best Makeup and Hairstyling
Predicted Nominees:
1. Dune (PR: 1) (E)
2. House of Gucci (PR: 2) (E)
3. The Eyes of Tammy Faye (PR: 3) (E)
4. Cruella (PR: 5) (+1)
5. Coming 2 America (PR: 4) (-1)
Other Possibilities:
6. West Side Story (PR: 8) (+2)
7. The Suicide Squad (PR: 6) (-1)
8. Nightmare Alley (PR: 7) (-1)
9. Cyrano (PR: 9) (E)
10. No Time to Die (PR: 10) (E)
Best Original Score
Predicted Nominees:
1. Dune (PR: 1) (E)
2. The Power of the Dog (PR: 2) (E)
3. Don’t Look Up (PR: 3) (E)
4. The French Dispatch (PR: 4) (E)
5. Parallel Mothers (PR: 6) (+1)
Other Possibilities:
6. Spencer (PR: 5) (-1)
7. Encanto (PR: 9) (+2)
8. The Tragedy of Macbeth (PR: 7) (-1)
9. King Richard (PR: 8) (-1)
10. Being the Ricardos (PR: 10) (E)
Best Original Song
Predicted Nominees:
1. “No Time to Die” from No Time to Die (PR: 1) (E)
7. “Guns Go Bang” from The Harder They Fall (PR: 9) (+2)
8. “Beyond the Shore” from CODA (PR: 7) (-1)
9. “So May We Start” from Annette (PR: 8) (-1)
10. “Somehow You Do” from Four Good Days (PR: 10) (E)
Best Production Design
Predicted Nominees:
1. Dune (PR: 1) (E)
2. West Side Story (PR: 2) (E)
3. Nightmare Alley (PR: 3) (E)
4. The French Dispatch (PR: 4) (E)
5. The Tragedy of Macbeth (PR: 5) (E)
Other Possibilities:
6. Belfast (PR: 6) (E)
7. Licorice Pizza (PR: Not Ranked)
8. Spencer (PR: 7) (-1)
9. The Power of the Dog (PR: 9) (E)
10. Cyrano (PR: 8) (-2)
Dropped Out:
Cruella
Best Sound
Predicted Nominees:
1. Dune (PR: 1) (E)
2. West Side Story (PR: 2) (E)
3. Belfast (PR: 3) (E)
4. No Time to Die (PR: 4) (E)
5. Tick, Tick… Boom! (PR: 5) (E)
Other Possibilities:Â
6. Spider-Man: No Way Home (PR: 8) (+2)
7. The Power of the Dog (PR: 6) (-1)
8. The Matrix Resurrections (PR: 9) (+1)
9. A Quiet Place Part II (PR: 8) (-1)
10. Last Night in Soho (PR: 10) (E)
Best Visual Effects
Predicted Nominees:
1. Dune (PR: 1) (E)
2. The Matrix Resurrections (PR: 2) (E)
3. Godzilla vs. Kong (PR: 4) (+1)
4. Shang-Chi and the Legend of the Ten Rings (PR: 5) (+1)
5. No Time to Die (PR: 6) (+1)
Other Possibilities:
6. Spider-Man: No Way Home (PR: 3) (-3)
7. Free Guy (PR: 7) (E)
8. Eternals (PR: 9) (+1)
9. Ghostbusters: Afterlife (PR: 8) (-1)
10. Black Widow (PR: 10) (E)
That equates to these films achieving these numbers of nominations:
11 Nominations
Dune
9 Nominations
Belfast, The Power of the Dog, West Side Story
5 Nominations
House of Gucci, Licorice Pizza
4 Nominations
Don’t Look Up, King Richard, The Tragedy of Macbeth
3 Nominations
CODA, Flee, No Time to Die
2 Nominations
Being the Ricardos, Cruella, Encanto, The Eyes of Tammy Faye, The French Dispatch, The Lost Daughter, Spencer, Tick, Tick… Boom!
1 Nomination
C’Mon C’Mon, Coming 2 America, Drive My Car, The First Wave, Godzilla vs. Kong, The Hand of God, A Hero, Luca, The Matrix Resurrections, The Mitchells vs. the Machines, Nightmare Alley, Parallel Mothers, Passing, Procession, Raya and the Last Dragon, The Rescue, Respect, Shang-Chi and the Legend of the Ten Rings, Summer of Soul, The Worst Person in the World
My first Oscar predictions following the Golden Globes bestowing their winners and the SAG Award nods comes with not a whole lot of changes in who and what I’m actually predicting in the major categories.
However, there is a significant alteration in placement for Best Actress as Kristen Stewart’s shocking omission in Spencer from the SAG five drops her from 1st (where she’s been perched for months) to 4th. Rising to #1 is Globes victor Nicole Kidman for Being the Ricardos. This competition is beginning to resemble the unpredictable Actress lineup from 2020 and it should be fun to witness.
In Best Picture, I’m (perhaps stubbornly) sticking to the same ten. Yet there’s no doubt that Ricardos and House of Gucci could be on the rise and either or both could crack the lineup soon.
The only significant change is in Supporting Actor where I’m finally putting Jared Leto for Gucci in the mix. He’s in over Jamie Dornan (Belfast).
I’m also adding a new feature which shows how many eventual nominees from 2020 were correctly picked at this same juncture. I’ll keep that up until I make my final picks shortly before the February 8th announcement. This will be listed as 2020 Count.Â
You can read all the movement below.
Best Picture
Predicted Nominees:
1. The Power of the Dog (Previous Ranking: 1) (E)
2. Belfast (PR: 2) (E)
3. West Side Story (PR: 3) (E)
4. Dune (PR: 4) (E)
5. Licorice Pizza (PR: 5) (E)
6. King Richard (PR: 6) (E)
7. CODA (PR: 8) (+1)
8. Don’t Look Up (PR: 7) (-1)
9. Tick, Tick… Boom! (PR: 9) (E)
10. The Tragedy of Macbeth (PR: 10) (E)
Other Possibilities:
11. Being the Ricardos (PR: 14) (+3)
12. House of Gucci (PR: Not Ranked)
13. Drive My Car (PR: 11) (-2)
14. The Lost Daughter (PR: 12) (-2)
15. Nightmare Alley (PR: 13) (-2)
Dropped Out:
Spider-Man: No Way Home
2020 Count: 7 of 8 eventual nominees
Best Director
Predicted Nominees:
1. Jane Campion, The Power of the Dog (PR: 1) (E)
2. Denis Villeneuve, Dune (PR: 2) (E)
3. Kenneth Branagh, Belfast (PR: 4) (+1)
4. Steven Spielberg, West Side Story (PR: 3) (-1)
5. Paul Thomas Anderson, Licorice Pizza (PR: 5) (E)
Other Possibilities:
6. Ryusuke Hamaguchi, Drive My Car (PR: 6) (E)
7. Adam McKay, Don’t Look Up (PR: 7) (E)
8. Joel Coen, The Tragedy of Macbeth (PR: 8) (E)
9. Sian Heder, CODA (PR: 10) (+1)
10. Guillermo del Toro, Nightmare Alley (PR: 9) (-1)
2020 Count: 2 of 5 eventual nominees
Best Actress
Predicted Nominees:
1. Nicole Kidman, Being the Ricardos (PR: 3) (+2)
2. Jessica Chastain, The Eyes of Tammy Faye (PR: 2) (E)
3. Olivia Colman, The Lost Daughter (PR: 4) (+1)
4. Kristen Stewart, Spencer (PR: 1) (-3)
5. Lady Gaga, House of Gucci (PR: 5) (E)
Other Possibilities:
6. Jennifer Hudson, Respect (PR: 9) (+3)
7. Rachel Zegler, West Side Story (PR: 7) (E)
8. Alana Haim, Licorice Pizza (PR: 6) (-2)
9. Penelope Cruz, Parallel Mothers (PR: 8) (-1)
10. Emilia Jones, CODA (PR: 10) (E)
2020 Count: 4 of 5 eventual nominees
Best Actor
Predicted Nominees:
1. Will Smith, King Richard (PR: 1) (E)
2. Benedict Cumberbatch, The Power of the Dog (PR: 2) (E)
3. Andrew Garfield, Tick, Tick… Boom! (PR: 3) (E)
4. Denzel Washington, The Tragedy of Macbeth (PR: 4) (E)
5. Leonardo DiCaprio, Don’t Look Up (PR: 5) (E)
Other Possibilities:
6. Javier Bardem, Being the Ricardos (PR: 9) (+3)
7. Peter Dinklage, Cyrano (PR: 6) (-1)
8. Nicolas Cage, Pig (PR: 7) (-1)
9. Joaquin Phoenix, C’Mon C’Mon (PR: 8) (-1)
10. Clifton Collins, Jr., Jockey (PR: 10) (E)
2020 Count: 4 of 5 eventual nominees
Best Supporting Actress
Predicted Nominees:
1. Ariana DeBose, West Side Story (PR: 1) (E)
2. Kirsten Dunst, The Power of the Dog (PR: 2) (E)
3. Caitriona Balfe, Belfast (PR: 4) (+1)
4. Ruth Negga, Passing (PR: 5) (+1)
5. Aunjanue Ellis, King Richard (PR: 3) (-2)
Other Possibilities:
6. Marlee Matlin, CODA (PR: 7) (+1)
7. Ann Dowd, Mass (PR: 6) (-1)
8. Rita Moreno, West Side Story (PR: 8) (E)
9. Cate Blanchett, Nightmare Alley (PR: Not Ranked)
10. Jessie Buckley, The Lost Daughter (PR: 9) (-1)
Dropped Out:
Judi Dench, Belfast
2020 Count: 4 of 5 eventual nominees
Best Supporting Actor
Predicted Nominees:
1. Kodi Smit-McPhee, The Power of the Dog (PR: 1) (E)
2. Troy Kotsur, CODA (PR: 2) (E)
3. Ciaran Hinds, Belfast (PR: 3) (E)
4. Bradley Cooper, Licorice Pizza (PR: 5) (+1)
5. Jared Leto, House of Gucci (PR: 7) (+2)
Other Possibilities:
6. Ben Affleck, The Tender Bar (PR: 10) (+4)
7. Jamie Dornan, Belfast (PR: 4) (-3)
8. Jesse Plemons, The Power of the Dog (PR: 6) (-2)
9. J.K. Simmons, Being the Ricardos (PR: 9) (E)
10. Mike Faist, West Side Story (PR: 8) (-2)
2020 Count: 4 of 5 eventual nominees
Best Original Screenplay
Predicted Nominees:
1. Licorice Pizza (PR: 1) (E)
2. Belfast (PR: 2) (E)
3. Don’t Look Up (PR: 3) (E)
4. King Richard (PR: 4) (E)
5. Being the Ricardos (PR: 5) (E)
Other Possibilities:
6. C’Mon C’Mon (PR: 7) (+1)
7. Parallel Mothers (PR: 8) (+1)
8. Mass (PR: 6) (-2)
9. The French Dispatch (PR: 10) (+1)
10. A Hero (PR: 9) (-1)
2020 Count: 3 of 5 eventual nominees
Best Adapted Screenplay
Predicted Nominees:
1. The Power of the Dog (PR: 1) (E)
2. West Side Story (PR: 2) (E)
3. CODA (PR: 3) (E)
4. Dune (PR: 5) (+1)
5. The Lost Daughter (PR: 4) (-1)
Other Possibilities:
6. Drive My Car (PR: 6) (E)
7. Tick, Tick… Boom! (PR: 7) (E)
8. Passing (PR: 9) (+1)
9. The Tragedy of Macbeth (PR: 8) (-1)
10. The Last Duel (PR: 10) (E)
2020 Count: 3 of 5 eventual nominees
Best Animated Feature
Predicted Nominees:
1. Encanto (PR: 1) (E)
2. Flee (PR: 2) (E)
3. The Mitchells vs. the Machines (PR: 4) (+1)
4. Luca (PR: 3) (-1)
5. Raya and the Last Dragon (PR: 5) (E)
Other Possibilities:
6. Belle (PR: 6) (E)
7. The Summit of the Gods (PR: 7) (E)
8. My Sunny Maad (PR: 10) (+2)
9. Vivo (PR: 8) (-1)
10. Ron’s Gone Wrong (PR: 9) (-1)
2020 Count: 4 of 5 eventual nominees
Best International Feature Film
Predicted Nominees:
1. Drive My Car (PR: 1) (E)
2. A Hero (PR: 2) (E)
3. The Worst Person in the World (PR: 3) (E)
4. Flee (PR: 4) (E)
5. The Hand of God (PR: 5) (E)
Other Possibilities:
6. Compartment No. 6 (PR: 7) (+1)
7. I’m Your Man (PR: 6) (-1)
8. Prayers for the Stolen (PR: 9) (+1)
9. Great Freedom (PR: 8) (-1)
10. The Good Boss (PR: 10) (E)
2020 Count: 3 of 5 eventual nominees
Best Documentary Feature
Predicted Nominees:
1. Flee (PR: 1) (E)
2. The Rescue (PR: 3) (+1)
3. Procession (PR: 4) (+1)
4. Summer of Soul (PR: 2) (-2)
5. Ascension (PR: 5) (E)
Other Possibilities:
6. Attica (PR: 6) (E)
7. The First Wave (PR: 7) (E)
8. President (PR: 8) (E)
9. Faya Dayi (PR: 9) (E)
10. Julia (PR: Not Ranked)
Dropped Out:
In the Same Breath
2020 Count: 1 of 5 eventual nominees
Best Cinematography
Predicted Nominees:
1. Dune (PR: 1) (E)
2. The Power of the Dog (PR: 2) (E)
3. West Side Story (PR: 3) (E)
4. Belfast (PR: 5) (+1)
5. The Tragedy of Macbeth (PR: 4) (-1)
Other Possibilities:
6. Nightmare Alley (PR: 6) (E)
7. The French Dispatch (PR: 8) (+1)
8. Spencer (PR: Not Ranked)
9. Licorice Pizza (PR: 7) (-2)
10. C’Mon C’Mon (PR: 10) (E)
Dropped Out:
No Time to Die
2020 Count: 4 of 5 eventual nominees
Best Costume Design
Predicted Nominees:
1. Cruella (PR: 1) (E)
2. Dune (PR: 2) (E)
3. West Side Story (PR: 4) (+1)
4. House of Gucci (PR: 5) (+1)
5. Spencer (PR: 3) (-2)
Other Possibilities:
6. Nightmare Alley (PR: 7) (+1)
7. The French Dispatch (PR: 8) (+1)
8. Cyrano (PR: 6) (-2)
9. Licorice Pizza (PR: 9) (E)
10. Last Night in Soho (PR: 10) (E)
2020 Count: 4 of 5 eventual nominees
Best Film Editing
Predicted Nominees:
1. Dune (PR: 1) (E)
2. West Side Story (PR: 2) (E)
3. Belfast (PR: 3) (E)
4. The Power of the Dog (PR: 4) (E)
5. Tick, Tick… Boom! (PR: 8) (+3)
Other Possibilities:
6. Don’t Look Up (PR: 6) (E)
7. Licorice Pizza (PR: 5) (-2)
8. King Richard (PR: 9) (+1)
9. Being the Ricardos (PR: Not Ranked)
10. The French Dispatch (PR: 10) (E)
Dropped Out:
Nightmare Alley
2020 Count: 3 of 5 eventual nominees
Best Makeup and Hairstyling
Predicted Nominees:
1. Dune (PR: 1) (E)
2. House of Gucci (PR: 2) (E)
3. The Eyes of Tammy Faye (PR: 3) (E)
4. Coming 2 America (PR: 6) (+2)
5. Cruella (PR: 4) (-1)
Other Possibilities:
6. The Suicide Squad (PR: 9) (+3)
7. Nightmare Alley (PR: 5) (-2)
8. West Side Story (PR: 7) (-1)
9. Cyrano (PR: 8) (-1)
10. No Time to Die (PR: 10) (E)
2020 Count: 4 of 5 eventual nominees
Best Original Score
Predicted Nominees:
1. Dune (PR: 1) (E)
2. The Power of the Dog (PR: 2) (E)
3. Don’t Look Up (PR: 3) (E)
4. The French Dispatch (PR: 6) (+2)
5. Spencer (PR: 4) (-1)
Other Possibilities:
6. Parallel Mothers (PR: 5) (-1)
7. The Tragedy of Macbeth (PR: 7) (E)
8. King Richard (PR: 8) (E)
9. Encanto (PR: 9) (E)
10. Being the Ricardos (PR: 10) (E)
2020 Count: 4 of 5 eventual nominees
Best Original Song
Predicted Nominees:
1. “No Time to Die” from No Time to Die (PR: 1) (E)
9. “Guns Go Bang” from The Harder They Fall (PR: 7) (-2)
10. “Somehow You Do” from Four Good Days (PR: Not Ranked)
Dropped Out:
“Right Where I Belong” from Brian Wilson: Long Promised Road
2020Â Count: 3 of 5 eventual nominees
Best Production Design
Predicted Nominees:
1. Dune (PR: 1) (E)
2. West Side Story (PR: 3) (+1)
3. Nightmare Alley (PR: 2) (-1)
4. The French Dispatch (PR: 4) (E)
5. The Tragedy of Macbeth (PR: 5) (E)
Other Possibilities:
6. Belfast (PR: 6) (E)
7. Spencer (PR: 8) (+1)
8. Cyrano (PR: 7) (-1)
9. The Power of the Dog (PR: 9) (E)
10. Cruella (PR: 10) (E)
2020 Count: 3 of 5 eventual nominees
Best Sound
Predicted Nominees:
1. Dune (PR: 1) (E)
2. West Side Story (PR: 2) (E)
3. Belfast (PR: 3) (E)
4. No Time to Die (PR: 4) (E)
5. Tick, Tick… Boom! (PR: 5) (E)
Other Possibilities:
6. The Power of the Dog (PR: 8) (+2)
7. A Quiet Place Part II (PR: 7) (E)
8. Spider-Man: No Way Home (PR: 6) (-2)
9. The Matrix Resurrections (PR: 9) (E)
10. Last Night in Soho (PR: 10) (E)
2020 Count: 3 of 5 eventual nominees
Best Visual Effects
Predicted Nominees:
1. Dune (PR: 1) (E)
2. The Matrix Resurrections (PR: 4) (+2)
3. Spider-Man: No Way Home (PR: 2) (-1)
4. Godzilla vs. Kong (PR: 3) (-1)
5. Shang-Chi and the Legend of the Ten Rings (PR: 6) (+1)
Other Possibilities:
6. No Time to Die (PR: 7) (+1)
7. Free Guy (PR: 5) (-2)
8. Ghostbusters: Afterlife (PR: 9) (+1)
9. Eternals (PR: 8) (-1)
10. Black Widow (PR: 10) (E)
2020 Count: 3 of 5 eventual nominees
And that equates to these movies hitting these numbers for their nominations:
11 Nominations
Dune
9 Nominations
Belfast, The Power of the Dog, West Side Story
5 Nominations
Don’t Look Up, King Richard
4 Nominations
House of Gucci, Licorice Pizza, Tick, Tick… Boom!, The Tragedy of Macbeth
3 Nominations
CODA, Flee, Spencer
2 Nominations
Being the Ricardos, Cruella, Encanto, The Eyes of Tammy Faye, The French Dispatch, The Lost Daughter, No Time to Die
1 Nomination
Ascension, Coming 2 America, Drive My Car, Godzilla vs. Kong, The Hand of God, A Hero, Luca, The Matrix Resurrections, The Mitchells vs. the Machines, Passing, Procession, Raya and the Last Dragon, The Rescue, Shang-Chi and the Legend of the Ten Rings, Spider-Man: No Way Home, The Worst Person in the World
All My Life... I Wanted To Be A Blogster 