Let’s start with the fact with Mike Schmidt (Josh Hutcherson), the night guard at the now abandoned entertainment center in Five Nights at Freddy’s is just bad at his job. It’s an excuse to sleep, but there’s a purpose. He’s trying to conjure up the circumstances of what happened to his kidnapped brother years ago. Mike believes his visions during the dreams will lead to finding his sibling or at least uncovering who took him. Emma Tammi’s adaptation of the wildly successful video game series that began in 2014 (which I have no familiarity with) might lead to counting sheep as well, especially in the first half. That’s instead of counting on the animatronic animals to provide worthy scares. It doesn’t happen often.
The genealogical drama doesn’t stop at the protagonist’s abduction visions. He also has a much younger sister Abby (Piper Rubio). Their aunt (Mary Stuart Masterson) wants custody for the paycheck. Mike is desperate for employment to keep little sis with him. He reluctantly accepts the graveyard shift at Freddy Fazbear’s Pizza. Matthew Lillard of Scream distinction interviews him for the gig. The long closed pie shop with four singing critters probably would’ve been an awesome experience back in the 1980s. I could imagine Eleven and the Stranger Things gang or a Goonie hanging at it while working with a better script. Freddy’s is mysteriously not torn down. Kindly and pretty policewoman Vanessa (Elizabeth Lail) tells Mike they have a tough time keeping guards on duty. Apparently security during the day is not warranted.
By night 3 of Mike’s gig that he can’t stay alert for, he is forced to bring Abby along. That’s at about the midway point when we already know the house band is capable of wreaking havoc on unwanted visitors. They befriend Abby while Mike is confounded by their existence. At least he’s awake now even if Hutcherson’s performance is missing much of a pulse. I was less groggy too after muddling through the Schmidt family misfortunes for almost an hour. The bear, rabbit, chick, and fox come from Jim Henson’s Creature Shop and they are effective creature designs.
If only the screenplay (cowritten by the game’s creator Scott Cawthorn) allowed them to play more in their venue. We have a promising setting that is underutilized. I know this is massively successful IP with millions of young diehard fans and maybe this will deliver for them. Regular old horror fans unfamiliar with the source material (like me) have to settle for infrequent PG-13 frights. I found myself hungering to see what kind of Reagan era games occurred when kiddie customers were devouring mediocre pizza instead of the overly plotted mechanics served here. That makes it hard to recommend one night in this setting so I just say no.
Sony Pictures will release Freud’s Last Session on December 22nd. It premiered last week at the AFI Fest. Matt Brown directs the adaptation of Mark St. Germain’s play which imagines a fictional meeting between Sigmund Freud (Anthony Hopkins) and C.S. Lewis (Matthew Goode). Discussions on faith and psychology naturally follow.
The two-hander has drawn mixed reviews thus far (not enough for a Rotten Tomatoes score). While the script is being criticized and this will not generate any BP attention, there is the matter of Sir Anthony.
32 years after winning Best Actor for The Silence of the Lambs and three years after taking it again for The Father, the legend is unsurprisingly receiving praise for his work. At one time, I thought his awards viability could be stronger for One Life (which played the fest circuit this fall). However, its release date was recently slated for 2024.
With the so-so reviews, I suspect Hopkins won’t factor into this year’s leading man derby as it’s already stacked with likelier contenders from Bradley Cooper (Maestro) to Cillian Murphy (Oppenheimer) to Leonardo DiCaprio (Killers of the Flower Moon) and more. My Oscar Prediction posts will continue…
After a record breaking Halloween opening at the box office, Five Nights at Freddy’s will have no trouble dominating the charts again as November arrives. The only wide release is the expansion of biopic Priscilla from Sofia Coppola. You can peruse my detailed prediction post on it here:
While it played went well in limited release this weekend, Priscilla probably won’t impress as it goes nationwide. I’m projecting it at the lower end of its range for what could be a fourth or fifth place showing (depending on the second weekend drop for faith-based doc After Death).
Freddy’s is ready to easily be 1st again after its massive start (more on that below). It’s a reasonable assumption that its earnings will be quite front loaded. A mid 60s to even high 60s decline wouldn’t be a surprise, but that would still give it a second frame atop the landscape due to scant competition.
Taylor Swift: The Eras Tour and Killers of the Flower Moon (following a disappointing sophomore performance) should retain their spots in second and third. Here’s how I see it shaking out:
1. Five Nights at Freddy’s
Predicted Gross: $27.6 million
2. Taylor Swift: The Eras Tour
Predicted Gross: $8.3 million
3. Killers of the Flower Moon
Predicted Gross: $5.8 million
4. Priscilla
Predicted Gross: $3.9 million
5. After Death
Predicted Gross: $3.2 million
Box Office Results (October 27-29)
Based on the hugely successful series of video games, Five Nights at Freddy’s obliterated the previous best Halloween weekend of all time. It was held by 2011’s Puss in Boots with $34 million. Freddy’s more than doubled that mark with an astonishing $80 million. That’s good for the third highest horror start in history after It and its sequel. It bested my $68.3 million prediction and that’s all the more impressive considering it premiered simultaneously on Peacock.
Taylor Swift: The Eras Tour, after its own record setting two weeks on top, fell to second with $15.4 million. That’s a tad more than my $14.2 million take as it’s up to $150 million domestically.
Killers of the Flower Moon, despite great reviews and Oscar buzz, fell a troubling 60% in its second outing with $9.3 million. I assumed it would hold up much better at $13.4 million. The subpar ten-day tally (especially considering a $200 million budget) is $40 million.
I mistakenly left After Death out of top five. The documentary from Angel Studios (the company behind the unexpected summer smash Sound of Freedom) was fourth with $5 million.
The Exorcist: Believer rounded out the top five with $3.2 million (I said $3.5 million) for $59 million in four weeks.
PAW Patrol: The Mighty Movie was sixth with $2.3 million (I went with $2.9 million) for five week earnings of $59 million as well.
As October closes out, my first predictions in two weeks sees changes with a few of the major categories along with a significant ranking alteration. American Fiction is back in the projected ten for Best Picture with Anatomy of a Fall falling to 11th. Jeffrey Wright from Fiction also gets into the quintet for Actor at the expense of Colman Domingo in Rustin.
Greta Lee returns to the Actress lineup with Margot Robbie (Barbie) out while Viola Davis (Air) is back in the Supporting Actress derby with Penelope Cruz (Ferrari) on the outside looking in. Charles Melton (May December) is in Supporting Actor with Willem Dafoe (Poor Things) now in sixth.
As for that ranking alteration, Bradley Cooper (Maestro) is in 1st position in Actor for the first time with Cillian Murphy (Oppenheimer) now runner-up.
You can read all the movement below!
Best Picture
Predicted Nominees:
1. Oppenheimer (Previous Ranking: 1) (Even)
2. Killers of the Flower Moon (PR: 2) (E)
3. Poor Things (PR: 3) (E)
4. Barbie (PR: 4) (E)
5. Maestro (PR: 6) (+1)
6. The Holdovers (PR: 5) (-1)
7. Past Lives (PR: 7) (E)
8. The Color Purple (PR: 8) (E)
9. The Zone of Interest (PR: 9) (E)
10. American Fiction (PR: 12) (+2)
Other Possibilities:
11. Anatomy of a Fall (PR: 10) (-1)
12. Air (PR: 11) (-1)
13. Napoleon (PR: 13 (E)
14. Spider-Man: Across the Spider-Verse (PR: 15) (+1)
15. Saltburn (PR: 14) (-1)
Best Director
Predicted Nominees:
1. Christopher Nolan, Oppenheimer (PR: 1) (E)
2. Martin Scorsese, Killers of the Flower Moon (PR: 2) (E)
3. Yorgos Lanthimos, Poor Things (PR: 3) (E)
4. Greta Gerwig, Barbie (PR: 4) (E)
5. Jonathan Glazer, The Zone of Interest (PR: 5) (E)
Other Possibilities:
6. Alexander Payne, The Holdovers (PR: 7) (+1)
7. Justine Triet, Anatomy of a Fall (PR: 6) (-1)
8. Bradley Cooper, Maestro (PR: 9) (+1)
9. Celine Song, Past Lives (PR: 8) (-1)
10. Blitz Bazawule, The Color Purple (PR: 10) (E)
Best Actress
Predicted Nominees:
1. Emma Stone, Poor Things (PR: 1) (E)
2. Lily Gladstone, Killers of the Flower Moon (PR: 2) (E)
3. Carey Mulligan, Maestro (PR: 3) (E)
4. Sandra Hüller, Anatomy of a Fall (PR: 4) (E)
5. Greta Lee, Past Lives (PR: 6) (+1)
Other Possibilities:
6. Margot Robbie, Barbie (PR: 5) (-1)
7. Cailee Spaeny, Priscilla (PR: 7) (E)
8. Fantasia Barrino, The Color Purple (PR: 8) (E)
9. Annette Bening, Nyad (PR: 9) (E)
10. Natalie Portman, May December (PR: 10) (E)
Best Actor
Predicted Nominees:
1. Bradley Cooper, Maestro (PR: 2) (+1)
2. Cillian Murphy, Oppenheimer (PR: 1) (-1)
3. Leonardo DiCaprio, Killers of the Flower Moon (PR: 3) (E)
4. Paul Giamatti, The Holdovers (PR: 4) (E)
5. Jeffrey Wright, American Fiction (PR: 7) (+2)
Other Possibilities:
6. Colman Domingo, Rustin (PR: 5) (-1)
7. Andrew Scott, All of Us Strangers (PR: 6) (-1)
8. Barry Keoghan, Saltburn (PR: 8) (E)
9. Joaquin Phoenix, Napoleon (PR: 9) (E)
10. Teo Yoo, Past Lives (PR: Not Ranked)
Dropped Out:
Adam Driver, Ferrari
Best Supporting Actress
Predicted Nominees:
1. Danielle Brooks, The Color Purple (PR: 1) (E)
2. Da’Vine Joy Randolph, The Holdovers (PR: 2) (E)
3. Emily Blunt, Oppenheimer (PR: 3) (E)
4. Taraji P. Henson, The Color Purple (PR: 4) (E)
5. Viola Davis, Air (PR: 7) (+2)
Other Possibilities:
6. Penelope Cruz, Ferrari (PR: 5) (-1)
7. Julianne Moore, May December (PR: 6) (-1)
8. Jodie Foster, Nyad (PR: 9) (+1)
9. Rachel McAdams, Are You There God? It’s Me, Margaret (PR: Not Ranked)
10. Sandra Hüller, The Zone of Interest (PR: 10) (E)
Dropped Out:
Rosamund Pike, Saltburn
Best Supporting Actor
Predicted Nominees:
1. Robert Downey Jr, Oppenheimer (PR: 1) (E)
2. Ryan Gosling, Barbie (PR: 2) (E)
3. Robert De Niro, Killers of the Flower Moon (PR: 3) (E)
4. Mark Ruffalo, Poor Things (PR: 4) (E)
5. Charles Melton, May December (PR: 6) (+1)
Other Possibilities:
6. Willem Dafoe, Poor Things (PR: 5) (-1)
7. Dominic Sessa, The Holdovers (PR: 8) (+1)
8. Colman Domingo, The Color Purple (PR: 10) (+2)
9. Glenn Howerton, BlackBerry (PR: Not Ranked)
10. John Magaro, Past Lives (PR: 7) (-3)
Dropped Out:
Paul Mescal, All of Us Strangers
Best Original Screenplay
Predicted Nominees:
1. Barbie (PR: 1) (E)
2. The Holdovers (PR: 3) (+1)
3. Past Lives (PR: 2) (-1)
4. Anatomy of a Fall (PR: 4) (E)
5. Air (PR: 7) (+2)
Other Possibilities:
6. Maestro (PR: 6) (E)
7. May December (PR: 5) (-2)
8. Saltburn (PR: 8) (E)
9. Asteroid City (PR: 9) (E)
10. Fair Play (PR: 10) (E)
Best Adapted Screenplay
Predicted Nominees:
1. Killers of the Flower Moon (PR: 1) (E)
2. Poor Things (PR: 2) (E)
3. Oppenheimer (PR: 3) (E)
4. American Fiction (PR: 6) (+2)
5. All of Us Strangers (PR: 4) (-1)
Other Possibilities:
6. The Zone of Interest (PR: 5) (-1)
7. The Color Purple (PR: 7) (E)
8. The Taste of Things (PR: Not Ranked)
9. Are You There God? It’s Me, Margaret (PR: Not Ranked)
10. Priscilla (PR: 10) (E)
Dropped Out:
Hit Man
Origin
Best International Feature Film
Predicted Nominees:
1. The Zone of Interest (PR: 1) (E)
2. The Taste of Things (PR: 2) (E)
3. Perfect Days (PR: 3) (E)
4. The Teachers’ Lounge (PR: 5) (+1)
5. Fallen Leaves (PR: 4) (-1)
Other Possibilities:
6. Society of the Snow (PR: 8) (+2)
7. About Dry Grasses (PR: 7) (E)
8. The Peasants (PR: Not Ranked)
9. The Promised Land (PR: 6) (-3)
10. The Monk and the Gun (PR: 10) (E)
Dropped Out:
The Settlers
Best Animated Feature
Predicted Nominees:
1. Spider-Man: Across the Spider-Verse (PR: 1) (E)
10. Spider-Man: Across the Spider-Verse (PR: Not Ranked)
Dropped Out:
Napoleon
The Boy and the Heron
Best Original Song
Predicted Nominees:
1. TBD from The Color Purple (PR: 1) (E)
2. “What Was I Made For?” from Barbie (PR: 2) (E)
3. “This Wish” from Wish (PR: 5) (+2)
4. “I’m Just Ken” from Barbie (PR: 4) (E)
5. “Road to Freedom” from Rustin (PR: 3) (-2)
Other Possibilities:
6. “Quiet Eyes” from Past Lives (PR: 8) (+2)
7. “Joan Still” from Theater Camp (PR: 6) (-1)
8. “Dance the Night” from Barbie (PR: 7) (-1)
9. “Gonna Be You” from 80 for Brady (PR: 9) (E)
10. “Steal the Show” from Elemental (PR: 10) (E)
Best Production Design
Predicted Nominees:
1. Poor Things (PR: 2) (+1)
2. Barbie (PR: 1) (-1)
3. Killers of the Flower Moon (PR: 3) (E)
4. The Color Purple (PR: 5) (+1)
5. Asteroid City (PR: 6) (+1)
Other Possibilities:
6. Oppenheimer (PR: 4) (-1)
7. Napoleon (PR: 8) (+1)
8. Maestro (PR: 7) (-1)
9. Saltburn (PR: 9) (E)
10. The Zone of Interest (PR: 10) (E)
Best Sound
Predicted Nominees:
1. Oppenheimer (PR: 1) (E)
2. Napoleon (PR: 4) (+2)
3. Ferrari (PR: 2) (-1)
4. The Color Purple (PR: 3) (-1)
5. Spider-Man: Across the Spider-Verse (PR: 9) (+4)
Other Possibilities:
6. Killers of the Flower Moon (PR: 5) (-1)
7. Maestro (PR: 6) (-1)
8. The Zone of Interest (PR: 7) (-1)
9. The Killer (PR: Not Ranked)
10. The Creator (PR: 10) (E)
Dropped Out:
Barbie
Best Visual Effects
Predicted Nominees:
1. Oppenheimer (PR: 1) (E)
2. The Creator (PR: 2) (E)
3. Poor Things (PR: 6) (+3)
4. Guardians of the Galaxy Vol. 3 (PR: 3) (-1)
5. Napoleon (PR: 4) (-1)
Other Possibilities:
6. Dungeons & Dragons: Honor Among Thieves (PR: 8) (+2)
7. Rebel Moon (PR: 5) (-2)
8. Indiana Jones and the Dial of Destiny (PR: 7) (-1)
9. Wonka (PR: 10) (+1)
10. Killers of the Flower Moon (PR: Not Ranked)
Dropped Out:
Barbie
That shakes out to these movies garnering these numbers of nominations:
12 Nominations
Poor Things
11 Nominations
Killers of the Flower Moon, Oppenheimer
9 Nominations
Barbie
8 Nominations
The Color Purple
6 Nominations
Maestro
5 Nominations
The Holdovers
4 Nominations
Past Lives, The Zone of Interest
3 Nominations
American Fiction, Napoleon
2 Nominations
Air, Anatomy of a Fall, Elemental, Guardians of the Galaxy Vol. 3, Spider-Man: Across the Spider-Verse, Wish
1 Nomination
20 Days in Mariupol, All of Us Strangers, American Symphony, Asteroid City, Beyond Utopia, The Boy and the Heron, The Creator, The Eternal Memory, Fallen Leaves, Ferrari, May December, The Peasants, Perfect Days, Rustin, Stamped from the Beginning, The Taste of Things, The Teachers’ Lounge
Set in the gynecological ward of a Parisian hospital, Claire Simon directs the documentary Our Body. It premiered at the Berlin Festival back in February and made its rounds on the circuit before a limited release in August. With a 100% Rotten Tomatoes score, it nabbed a key precursor nod in the doc race at the Gotham Awards earlier this week.
At this point, it’s a guessing game which pics in the genre make the Academy’s shortlist in a couple of months. Features like Beyond Utopia, 20 Days in Mariupol, and Still: A Michael J. Fox Movie have been my frontrunners. However, I can’t say enough how unpredictable this branch of voters tends to be. Our Body has the reviews to make the list of hopefuls. If it does, making the final five is certainly feasible. My Oscar Prediction posts will continue…
When the Sundance Film Festival screened the psychological drama Magazine Dreams back in January, the Best Actor competition at the Oscars appeared to pick up a likely contender at an early stage. Jonathan Majors was on a roll having appeared as antagonist Kang the Conquerer in Ant-Man and the Wasp: Quantumania with his villainous role in Creed III on deck.
Dreams, while not achieving across the board raves for the picture itself, saw its lead heavily praised. Portraying a mentally unbalanced bodybuilder, Majors immediately garnered awards buzz. Disney (via subsidiary Searchlight) acquired distribution rights with plans for a spirited campaign in the lead actor race. When I wrote my Oscar Predictions post for Dreams at that time, I felt that Majors might be a can’t miss prospect for one of the five spots.
On March 25th, Majors was arrested on various assault charges. Earlier this week, his trial was set for late November. And today, Disney/Searchlight pulled Dreams from December 8th to a dreaded TBD status.
Obviously there are issues bigger than film and this is one of them. The career of Majors will be majorly impacted by the result of the pending proceedings. Yet Oscar speculation is what I focus on with this blog. The rescheduling news probably confirms that this performance is no longer a viable prospect this year or any other. Do not be surprised if Dreams is relegated to a Hulu streaming bow sometime next year with no theatrical output at all. It’s a remarkable turnaround from where we were in January.
Based on the well-regarded 2020 novel by Rumaan Alam, Leave the World Behind has premiered at the AFI Fest prior to its limited November 22nd theatrical run and December 8th Netflix bow. Sam Esmail directs the apocalyptic thriller starring Julia Roberts, Mahershala Ali, Ethan Hawke, Myha’la, Farrah Mackenzie, Charlie Evans, and Kevin Bacon.
Counting Barack and Michelle Obama among its executive producers, this looks to attract plenty of eyeballs during the holiday season. The small number of reviews so far are mostly complimentary (83% on Rotten Tomatoes) while not as strong as the source material’s notices.
Despite the awards friendly cast (Roberts won in 2000 for Erin Brockovich and Ali is a two-time recipient for 2016’s Moonlight and 2018’s Green Book), the chances for World being a contender are likely flatlined. My Oscar Prediction posts will continue…
Two months after it premiered at the Venice Film Festival, Priscilla rolls out in wide release on November 3rd. Based on her mid-80s memoir, the biopic of Priscilla Presley stars Cailee Spaeny in the title role with Jacob Elordi as Elvis. Sofia Coppola directs.
Reviews have been satisfactory with a 94% Rotten Tomatoes rating. While Spaeny could contend at the Oscars in Best Actress (though it’s a crowded field), this has not generated much awards buzz outside of that. The A24 title is out in limited fashion October 27th. While it might play decently on the coasts, I suspect there’s not much demand across the country.
Part of its diminished prospects could be attributed to Elvis, Baz Luhrmann’s flashy biopic which rocked the box office in the summer of 2022. It picked up 8 Academy nominations as well.
If this were to manage high single digits, A24 should consider that a success. I am skeptical about that and I question whether it even gets to $5 million.
Priscilla opening weekend prediction: $3.9 million
The highly unpredictable Gotham Awards released nominations today for their 2023 best. And, as expected, it was… unpredictable. There was added intrigue because the organization (dedicated to independent film) dropped their “low” budget requirements (traditionally $35 million or under) to qualify for inclusion. However, likely Oscar heavy hitters such as Killers of the Flower Moon, Oppenheimer, and The Color Purple took themselves out of contention.
That was not the case with Barbie, but it managed just one nomination in Outstanding Supporting Performance for Ryan Gosling. His costar from The Notebook Rachel McAdams will compete against him for her work in Are You There God? It’s Me, Margaret. Last year, the Gothams dropped their gender divisions with ten nominees in the lead and supporting derbies. We’ll cover those momentarily.
We start with Best Feature which showcases five pictures. From 2014-16, the Gotham recipient matched the Academy’s BP with Birdman, Spotlight, and Moonlight. The same occurred in 2020 with Nomadland and last year with Everything Everywhere All at Once. In other recent years, there’s been at least one nominee that got into BP at the big dance, including The Favourite, Marriage Story, and Tár. The only recent exception in the last decade was in 2021.
This year’s contenders are Passages, Past Lives, Reality, Showing Up, and A Thousand and One. Only Past Lives seems poised to make BP at the Oscars and even that isn’t a foregone conclusion.
Andrew Haigh’s romantic ghost tale All of Us Strangers actually led all nominees with four: Screenplay, International Feature, Outstanding Lead Performance (Andrew Scott), and Outstanding Supporting Performance (Claire Foy).
Last year, four of the ten leading performance nominees managed Oscar nominations. That includes the two winners (Brendan Fraser for The Whale and Michelle Yeoh in Everything Everywhere All at Once) as well as Paul Mescal (Aftersun) and Cate Blanchett (Tár). Danielle Deadwyler (Till), who was snubbed by the Academy, won.
In addition to the aforementioned Scott for Strangers, the other nine up for lead in 2023 are Aunjanue Ellis-Taylor (Origin), Lily Gladstone (The Unknown Country), Greta Lee (Past Lives), Franz Rogowski (Passages), Babetida Sadjo (Our Father, the Devil), Cailee Spaeny (Priscilla), Teyana Taylor (A Thousand and One), Michelle Williams (Showing Up), and Jeffrey Wright (American Fiction). I would argue that unlike Fraser, Yeoh, and Blanchett from the previous ceremony, none of the nominees here are guaranteed Oscar spots. Those with the best chance? Probably Lee, Wright, Spaeny, and Scott. Gladstone should get in, but it will be for Killers of the Flower Moon and not Country.
The supporting derby in 2022 yielded three eventual nominees including Supporting Actor victor Ke Huy Quan (Everything Everywhere) as well as Hong Chau (The Whale) and Brian Tyree Henry (Causeway). Quan also took the Gotham.
Our ten supporting players for this year’s ceremony are the aforementioned Foy (All of Us Strangers) and McAdams (Margaret) and Gosling (Barbie). Then there’s Juliette Binoche (The Taste of Things), Penelope Cruz (Ferrari), Jamie Foxx (They Cloned Tyrone), Glenn Howerton (BlackBerry), Sandra Hüller (The Zone of Interest), Charles Melton (May December), and Da’Vine Joy Randolph (The Holdovers). With the exception of Foxx, I would say all nine have solid to at least feasible shots at making the Oscar cut (especially Gosling and Randolph).
How will it all shake out? Don’t look for the Gothams to provide too much guidance. Yet today’s announcement at least gives us a peek at movies and performers who could keep or gain momentum. Movies like The Holdovers, Poor Things, Anatomy of a Fall, and more that came up short today? They shouldn’t worry too much.
Based on the hugely popular series of video games, the PG-13 horror flick Five Nights at Freddy’s looks to dominate the Halloween frame. It is the only wide release as October draws to a close and you can peruse my detailed prediction post on it here:
There is a wide range of possibility for Freddy’s and I think it is ready for a debut just north of $60 million. That would easily top the rest of the top five combined.
The battle for the runner-up spot will be decided by the respective third and second weekend drops for Taylor Swift: The Eras Tour and Killers of the Flower Moon. The former had an understandable mid 6os plummet as Swifties wanted to rush out and see it immediately. Moon hopes for smallish declines in the frames ahead. I have Ms. Swift edging Killers as her concert film enters its third and final outing in multiplexes.
The Exorcist: Believer should be fourth with PAW Patrol: The Mighty Movie rounding out the top five. Here’s how I see it shaking out:
1. Five Nights at Freddy’s
Predicted Gross: $68.3 million
2. Taylor Swift: The Eras Tour
Predicted Gross: $14.2 million
3. Killers of the Flower Moon
Predicted Gross: $13.4 million
4. The Exorcist: Believer
Predicted Gross: $3.5 million
5. PAW Patrol: The Mighty Movie
Predicted Gross: $2.9 million
Box Office Results (October 20-22)
Taylor Swift: The Eras Tour belonged at #1 again as the record-setting concert experience drew another $33.2 million, a tad under my $35.6 million projection. That gives it a two weekend take of $131 million.
Martin Scorsese’s Killers of the Flower Moon came in at the bottom end of its expected range with $23.2 million. I was more generous at $32.7 million. While not a flop (especially considering it was first slated for an Apple TV streaming start), it is underwhelming considering the awards buzz, Leo star power, and $200 million reported budget. The Oscar hopeful will hope to leg out during November.
The Exorcist: Believer was third with $5.6 million compared to my $6.9 million forecast. The three-week total is a fair $54 million.
PAW Patrol: The Mighty Movie sat in the four spot with $4.4 million (I said $4.7 million) for $56 million after four frames.
Rounding out the top five was a holiday themed re-release of 1993’s The Nightmare Before Christmas on its 30th anniversary. The Tim Burton produced classic added another $4.2 million to its coffers. I failed to put it in the mix.
That took Saw X out of the high five in sixth with $3.6 million (I went with $4.1 million). The four-week gross is $47 million.
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