Tag: Pixar

September 11-13 Box Office Predictions

Spidey’s reign atop the box office charts looks to end this weekend with the release of Practical Magic 2. We also have the South Korean sci-fi action epic Hope and period action drama The Uprising out. You can peruse my detailed prediction posts on the trio here:

Practical Magic 2 Box Office Prediction
Hope Box Office Prediction
The Uprising Box Office Prediction

Reuniting Sandra Bullock and Nicole Kidman 26 years after their witchy original, Practical Magic 2 has a nostalgia factor and an appeal to a female audience that could mean an impressive start. My high 40s projection gives it (unadjusted for inflation) more in its first frame than the 1998 original made in its entire domestic run.

Hope is a wild card as the South Korean release boasts the widest opening from its country since 2019’s Parasite. The Wednesday bow has me thinking it’ll manage a fifth place start over the traditional weekend with nearly $10 million over the five-day.

My hunch is that The Uprising from Paul Greengrass and starring Andrew Garfield will struggle. Out on a smallish 1500 reported screens, my mid single digits estimate should mean a premiere just outside the top five.

As for holdovers, Spider-Man: Brand New Day may still manage double digits as it finally moves to the runner-up spot while The Odyssey and Coyote vs. Acme should be third and fourth. Here’s how I see it shaking out:

1. Practical Magic 2

Predicted Gross: $43.5 million

2. Spider-Man: Brand New Day

Predicted Gross: $10.3 million

3. The Odyssey

Predicted Gross: $8.6 million

4. Coyote vs. Acme

Predicted Gross: $6.2 million

5. Hope

Predicted Gross: $5.9 million (Friday to Sunday); $9.4 million (Wednesday to Sunday)

6. The Uprising

Predicted Gross: $4.2 million

Box Office Results (September 4-7)

Capping off a fruitful summer, the Labor Day weekend was a winner for the MCU as Spider-Man: Brand New Day put up $23.7 million from Friday to Monday. That’s right on pace with my $23 million prediction with the juggernaut hitting $923 million after six weeks. It is now just $13 million away from the all-time domestic record of $936 million held by Star Wars: The Force Awakens. That record looks to fall in the coming days.

The Odyssey was once again #2 with $17.2 million, eclipsing my $14.8 million projection. Christopher Nolan’s all-time largest earner grew to $588 million after eight weeks.

Coyote vs. Acme held up impressively in third for its sophomore outing with $16.1 million compared to my $13.2 million call. The tally is $38 million for the live-action/animated hybrid that nearly didn’t see the light of day.

The holiday weekend’s top grossing newcomer was By Any Means with Mark Wahlberg. The crime thriller was fourth with $9.2 million, a bit ahead of my $7.8 million forecast.

Disney/Pixar’s 20th anniversary re-release of Cars rounded out the top five with $8 million and I incorrectly had it outside of the top half of the chart.

Insidious: Out of the Further placed sixth and also took in $8 million (I said $7.5 million). The horror sequel has scared up $55 million in three weeks.

And that does it for now, folks! Until next time…

September 4-7 Box Office Predictions

There are multiple new releases making their way to multiplexes over the Labor Day frame, but I only have one managing a top five showing. That would be 1960s set crime thriller By Any Means with Mark Wahlberg and Yahya Abdul-Mateen II as it attempts double digits over the holiday weekend. You can peruse my detailed prediction post on it here:

By Any Means Box Office Prediction

As summer turns into fall on the cinematic calendar, the MCU should be perched atop the charts for a sixth weekend in a row courtesy of Spider-Man: Brand New Day. A note that over this particular weekend, holdovers often experience minimal percentage declines or even a slight increase as moviegoers catch up on recent offerings. From Friday to Monday, I have Spidey essentially doing what it did in its fifth outing.

The Odyssey could return to second place from third while Coyote vs. Acme drops a spot after a notable premiere (more on that below). The latter’s second week drop is a head scratcher and it could be more front-loaded that I’m assuming. On the flip side, families could show up in solid numbers since it appears to have fresh word-of-mouth with an A Cinemascore.

Means may flirt with $10M+ in a best case scenario though I’ve got falling under for a fourth place start and Insidious: Out of the Further rounding out the top five.

As for other fresh product, I’m skeptical that horror offering Onslaught from Adam Wingard, survival flick sequel Fall 2: Deadpoint (out Wednesday), or Pixar’s 20th anniversary re-issue of Cars populate the top half of the top ten so no individual posts for that trio.

And with that, here’s how I have the top 5 shaking out and keep in mind that these are Friday through Monday guesstimates:

1. Spider-Man: Brand New Day

Predicted Gross: $23 million

2. The Odyssey

Predicted Gross: $14.8 million

3. Coyote vs. Acme

Predicted Gross: $13.2 million

4. By Any Means

Predicted Gross: $7.8 million

5. Insidious: Out of the Further

Predicted Gross: $7.5 million

Box Office Results (August 28-30)

As anticipated, Spider-Man: Brand New Day had no trouble swinging to a fifth victory with $22.5 million, in line with my $23.2 million call. With $891 million in its coffers, Day looks to exceed domestic record holder Star Wars: The Force Awakens ($936 million) in short order.

After Warner Bros jettisoned it as a tax write-off in 2023, Ketchup Entertainment squeezed some decent figures out of the live-action/animated hybrid Coyote vs. Acme. With $15.9 million, it was runner-up and surpassed my $13.8 million projection. Considering it was never going to see the light of day if WB had their way, it’s a better than expected result.

The Odyssey was third after four weeks in second position with $14.3 million, just under my $15.6 million call for a seven-week take of $563 million.

Insidious: Out of the Further dropped 59% in its sophomore weekend with $10.2 million compared to my $9.4 million take. The sixth feature in the horror franchise is at $43 million total.

With so-so reviews and muted WOM, Ridley Scott’s The Dog Stars starring Jacob Elordi, Josh Brolin, and Margaret Qualley failed to find an audience in fifth with $7.7 million (I said $8.3 million).

Finally, Roadside Attractions had a laudable showing with the low-budget Buddy in sixth. I didn’t do a prediction write-up for it, but the satirical horror tale made $5.5 million. The per theater average nearly equaled that of Acme.

And that does it for now, folks! Until next time…

August 14-16 Box Office Predictions

While Spider-Man: Brand New Day should face no trouble spinning a third weekend atop the charts, two dinosaur centered features will attempt to make their mark at multiplexes. We have 1980s set The End of Oak Street with Anne Hathaway and Ewan McGregor and animated three-quel PAW Patrol: The Dino Movie debuting. They premiere alongside The Brink of War from Angel Studios (recounting the Reagan/Gorbachev 1986 Icelandic summit) and you can peruse my detailed prediction posts on the newcomers here:

The End of Oak Street Box Office Prediction
PAW Patrol: The Dino Movie Box Office Prediction
The Brink of War Box Office Prediction

Buzz appears to picking up for Oak Street, the sci-fi adventure from acclaimed filmmaker David Robert Mitchell. While I wouldn’t discount an opening approaching $40 million in a best case scenario, the floor could be in the low 20s. My low 30s projection gives it a second place showing.

The third pic based on the Canadian kids TV series, I foresee PAW Patrol coming in a bit behind 2023 predecessor PAW Patrol: The Mighty Movie. It could be in third place, but I’ve got it in fourth slightly behind the fifth outing for The Odyssey.

The Brink of War should land the five spot. The political drama may get beyond my mid single digits estimate, but I’ll play it safe.

As mentioned, Spidey is poised to make it three in a row. A percentage decline in the high 50s would mean a gross just north of $60 million and here’s how I have it all shaking out:

1. Spider-Man: Brand New Day

Predicted Gross: $60.2 million

2. The End of Oak Street

Predicted Gross $31.1 million

3. The Odyssey

Predicted Gross: $21 million

4. PAW Patrol: The Dino Movie

Predicted Gross: $18.7 million

5. The Brink of War

Predicted Gross: $4.5 million

Box Office Results (August 7-9)

Two new comedies struggled while Peter Parker and Odysseus continued to rule. Spider-Man: Brand New Day, after scoring the greatest domestic opening haul in box office history, had the third strongest sophomore weekend ever behind Star Wars: The Force Awakens ($149 million) and Avengers: Endgame ($147 million). The MCU saga took in $144.2 million. While that’s below my generous $153 million take, the ten-day total is a whopping $654 million.

The Odyssey held runner-up status once again with $31.7 million, on target with my $31.6 million call. The future awards player sits at $461 million after four weeks.

Rom com One Night Only starring Monica Barbaro and Callum Turner was third at the low end of expectations with $5.5 million. I thought it would nab $7.8 million.

Toy Story 5 was fourth with $4.2 million (I said $4.9 million) as the Pixar sequel brought its eight-week earnings to $470 million.

Finally, Super Troopers 3 fell way behind its 2018 predecessor in fifth. While part 2 made off with $15 million out of the gate, part 3 was good for only $4 million. I went with $7.6 million.

And that does it for now, folks! Until next time…

August 7-9 Box Office Predictions

A history making weekend just occurred at the box office with Spider-Man: Brand New Day and The Odyssey breaking records. The blockbuster duo should easily rule the charts once again but we do have newcomers jockeying for third place. The Broken Lizard comedy gang returns in Super Troopers 3 while Monica Barbaro and Callum Turner headline the rom com One Night Only. You can peruse my detailed prediction posts on them here:

One Night Only Box Office Prediction
Super Troopers 3 Box Office Prediction

We’ll get to the newbies in a minute, but let’s talk Spidey. Brand New Day, the 38th overall MCU pic and 4th franchise effort with Tom Holland in the title role, swung the best opening weekend ever domestically (more on that below). Edging out seven-year record holder Avengers: Endgame by $3 million, Day could be in contention for the highest second frame of all time. In order to do so, it would need to top the $149 million that Star Wars: The Force Awakens earned in 2015 (Endgame did $147 million in its sophomore outing). I’m projecting it’ll get there with a gross just north of $150 million.

Christopher Nolan’s epic The Odyssey should continue its fantastic run with a second place finish in the $30-35 million range.

Third place is more of a question mark and I’m predicting a photo finish between One Night and Troopers. I don’t see either of them greatly exceeding expectations. My $7-8 million take on both gives Night minor bragging rights in third.

Toy Story 5 should place fifth and here’s how I have it shaking out:

1. Spider-Man: Brand New Day

Predicted Gross: $153 million

2. The Odyssey

Predicted Gross: $31.6 million

3. One Night Only

Predicted Gross: $7.8 million

4. Super Troopers 3

Predicted Gross: $7.6 million

5. Toy Story 5

Predicted Gross: $4.9 million

Box Office Results (July 31-August 2)

Spider-Man: Brand New Day astonished prognosticators and pummeled my prediction by nearly $100 million (!) as the MCU sequel swung $360 million. That’s way beyond my $268 million take and ahead of Endgame‘s $357 million record. Audience anticipation was clearly sky high after 2021 predecessor No Way Home as this looks to dominate August at multiplexes.

The Odyssey landed another $51 million in its third weekend to bring its gargantuan total to $395 million. That added coin, coupled with Spider-Man, contributed to the best box office weekend in history (unadjusted for inflation). My projection was slightly lower at $48.5 million.

Toy Story 5 was third in its seventh go-round with $6.7 million, a tad more than my $6.1 million call. The Pixar sequel has hauled in $462 million thus far.

Minions & Monsters was fourth with $6 million compared to my $5.6 million forecast for a five-week tally of $168 million.

Disney’s Moana rounded out the top five with $5.6 million (I said $5.7 million) for $115 million after four weeks.

And that does it for now, folks! Until next time…

July 17-19 Box Office Predictions

Christopher Nolan’s eagerly awaited epic The Odyssey looks to dominate the box office charts this weekend. Perched in what has become the bankable filmmaker’s typical mid-July release date, it is the only new picture out wide and you can peruse my detailed prediction post on it here:

The Odyssey Box Office Prediction

The range for The Odyssey is all over the map for the adaptation of Homer’s tale. On the low end we are talking $80 million while the rosiest expectations have it landing around $130 million. My projection gives it nine digits out of the gate for what should be a healthy summer run.

Holdover family friendly flicks should populate spots 2-4. Disney’s Moana did not have a splashy start (more on that below) and we could see a mid 50s decline to just below $20 million. Animated efforts Minions & Monsters and Toy Story 5 should follow.

After a subpar premiere, Evil Dead Burn is likely to round out the top five with a hefty decline typical for horror fare.

Here’s how I have it shaking out:

1. The Odyssey

Predicted Gross: $106.2 million

2. Moana

Predicted Gross: $19.1 million

3. Minions & Monsters

Predicted Gross: $13.7 million

4. Toy Story 5

Predicted Gross: $12.4 million

5. Evil Dead Burn

Predicted Gross: $5.5 million

Box Office Results (July 10-12)

A lot of parents and kids sat out the live-action rendering of Disney’s Moana. With mediocre reviews and quiet buzz, the musical adventure starring Dwayne Johnson brought in $43.1 million. With a reported $250 million price tag, that’s a huge letdown for the Mouse Hunt and well under my $54.3 million prediction.

After a less than anticipated rollout over the Fourth of July frame, Minions & Monsters dropped to second with $21.1 million. That’s in range with my $20 million call as Illumination Entertainment’s latest animated comedy declined 43%. The two-week take is $108 million as it is poised to become the lowest grossing domestic earner of the seven Despicable Me/Minions sagas.

Toy Story 5 was third with $19 million, ahead of my $16.2 million forecast. The fifth feature in the Pixar franchise sits at $404 million after four weeks.

Evil Dead Burn was not a hot commodity in fourth with just $13.7 million compared to my generous $21.9 million take. The third entry in this current iteration of Dead series came in well below the mid 20s debuts of its predecessors.

Young Washington proved to be a Fourth of July play with a considerable 64% plummet in its sophomore weekend. At $6.9 million, it failed to reach my $11 million projection. The two-week total is a laudable $33 million for the Angel Studios production.

Finally, Olivia Wilde’s acclaimed comedy The Invite expanded nationwide and was sixth with $5.7 million (I said $6.4 million). It has made $7.3 million when factoring in the limited engagements that started a couple weeks back.

And that does it for now, folks! Until next time…

July 3-5 Box Office Predictions

Animation domination looks to be in order over the holiday weekend with Minions & Monsters debuting and Toy Story 5 sliding to the runner-up slot. Angel Studios is also releasing Young Washington focused on the formative years of America’s 1st POTUS. You can peruse my detailed prediction posts on the newcomers here:

Minions & Monsters Box Office Prediction
Young Washington Box Office Prediction

The seventh feature in Illumination Entertainment’s Despicable Me/Minions franchise, Monsters is unleashed on Wednesday. The Fourth of July falls on a Saturday where many families will opt for literal fireworks instead of causing financial ones at the multiplex. I’ll project mid 60s for Friday to Sunday while topping nine digits over the five-day rollout.

Young Washington‘s projections are all over the map with some as low as $10 million and others in the $30 million range. The timing of release is hopefully shrewd for its studio. I’m basically splitting the difference with a high teens gross and that should be good for third.

Toy Story 5 may lose around 50% of its audience (especially with the Minions competition) for second place. The sophomore frame decline for Supergirl should be far more significant after a weak opening (more on that below). I have it plummeting in the mid 60s for low teens while Obsession should round out the top five.

Here’s how I envision it shaking out:

1. Minions & Monsters

Predicted Gross: $66.4 million (Friday to Sunday); $106.5 million (Wednesday to Sunday)

2. Toy Story 5

Predicted Gross: $35.4 million

3. Young Washington

Predicted Gross: $18.5 million

4. Supergirl

Predicted Gross: $13.2 million

5. Obsession

Predicted Gross: $6.8 million

Box Office Results (June 26-28)

Toy Story 5 fell an understandable 56% in weekend #2 to $70.8 million after a franchise best start. I had it holding stronger at $80.6 million though Disney/Pixar is perfectly happy with the $298 million in its domestic coffers.

The story of the week was the collective meh that audiences and critics greeted Supergirl with. The second pic in the newly configured DC Universe after last summer’s Superman, the stand-alone effort for the Man of Steel’s cousin brought in only $37.1 million compared to my $44.5 million call. To put that in perspective, Superman from last summer started off with $125 million.

Obsession was third with $9.7 million, a touch more than my $9 million forecast. The horror sensation has amassed $233 million after seven weeks.

No previous Jackass flick has earned less than $20 million out of the gate before now. However, series finale Jackass: Best and Last ensured it probably will be the swan song. It opened in fourth with a disappointing $8.4 million, under my $11.3 million projection.

Disclosure Day was fifth with $8.2 million (I said $8.4 million) for an underwhelming three-week take of $94 million.

And that does it for now, folks! Until next time…

June 26-28 Box Office Predictions

Supergirl will attempt to fly high and challenge Toy Story 5 for box office bragging rights as June closes out, but it faces considerable odds. The DC Studios adventure opens alongside Johnny Knoxville and his band of pranksters in Jackass: Best and Last. You can peruse my detailed prediction posts on the newcomers here:

Supergirl Box Office Prediction
Jackass: Best and Last Box Office Prediction

The rosiest estimates have Supergirl approaching $60 million. Even if that occurs, it’s probably not enough to catch Toy Story 5 which should ease in the mid 40s-50 percent range. I’m taking the under with Supergirl and projecting mid 40s. That would leave it well behind in the runner-up position.

Jackass: Best and Last should the first of the five big screen franchise entries to open under $20 million. My low teens forecast would mean a third place showing as the series may be running out of steam with the alleged final edition.

Holdovers Obsession and Disclosure Day may flip spots as the former should have a smaller decline.

Here’s how I see the top 5 shaking out:

1. Toy Story 5

Predicted Gross: $80.6 million

2. Supergirl

Predicted Gross: $44.5 million

3. Jackass: Best and Last

Predicted Gross: $11.3 million

4. Obsession

Predicted Gross: $9 million

5. Disclosure Day

Predicted Gross: $8.4 million

Box Office Results (June 19-21)

Toy Story 5 had the second best Disney/Pixar sequel opening in history. That also means it had the second strongest beginning for any animated feature behind Incredibles 2. The return of Woody and Buzz kicked off in line with expectations at $159.6 million. I was a bit more generous with $166.8 million, but this is still a massively pleasing result for the Mouse House.

Steven Spielberg’s Disclosure Day, after a premiere at the bottom end of its anticipated range, fell a troubling 60% in its sophomore outing to $17.7 million. I figured it would hold a bit better at $21.5 million. That B Cinemascore grade is evidenced by the performance.

Obsession made $13.3 million in third as it’s finally starting to drop from week to week. I had it at $15.2 million and the horror phenomenon has hauled in $215 million after six weeks.

A24 smash Backrooms was fourth with $7.1 million (I said $6.6 million) for a four-week tally of $175 million. The news wasn’t good for A24 everywhere (more on that in a second).

Scary Movie rounded out the top five with $6.3 million, on target with my $6.1 million call. The spoof sequel is near nine digits with $97 million in three weeks.

That aforementioned A24 bad news came from The Death of Robin Hood with Hugh Jackman. With middling reviews and non-existent buzz, it bombed in 8th place with $2.8 million compared to my $3.8 million prediction.

And that does it for now, folks! Until next time…

Oscar Predictions: Toy Story 5

Disney/Pixar’s Toy Story franchise has had a storied history at the Oscars and it would be more impressive had the Best Animated Feature category existed prior to 2001. The original from 1995 and its 1999 sequel would have been near certainties for that statue (even with part two facing serious competition from The Iron Giant, South Park: Bigger, Longer & Uncut, and Princess Mononoke). In 2010, Toy Story 3 not only won the animated race, but was up for Best Picture. Nine years later, the fourth feature didn’t nab a BP slot but did take the animation prize.

That brings us to Toy Story 5, out this weekend. Andrew Stanton, who’s already taken Best Animated Feature twice for Finding Nemo and Wall-E, finally takes over directorial duties after co-creating the series over 30 years ago. Tom Hanks and Tim Allen are back voicing the iconic characters of Woody and Buzz along with returnees Joan Cusack, Tony Hale, John Ratzenberger, Wallace Shawn, Blake Clark, Annie Potts, Bonnie Hunt, Melissa Villaseñor, Kristen Schaal, Keanu Reeves, and Ally Maki. Newcomers behind the mic include Greta Lee, Conan O’Brien, Craig Robinson, Ernie Hudson, Bad Bunny, and Alan Cumming.

Unsurprisingly, reviews for Toy Story 5 are just fine… with a caveat. While the Rotten Tomatoes meter is 94%, Metacritic is at 74. That’s easily the lowest of the quintet with second lowest being #4 at 84. For that matter, that RT score is the “lowest” as well with the next being the fourth again at 97%.

Why is this important? I think it tells us that, like #4, a Best Picture nomination isn’t happening. Nor is this in the mix for Adapted Screenplay where #3 competed. It also opens the door to #5 not being a shoo-in to win Animated Feature though we’ll see what competition arises in the months to come. Recent examples of Mouse House sequels not taking that trophy are Incredibles 2, Inside Out 2 and Zootopia 2.

Every previous Toy Story flick has seen an Original Song nominated with Randy Newman’s “We Belong Together” victorious for #3. It’s hard to imagine Taylor Swift’s “I Knew It, I Knew You” not getting one of the five spots. It’s already a radio mainstay and would mark the pop star’s first Oscar nod. This is a golden opportunity for the Academy to have her perform at the 99th ceremony. My Oscar Prediction posts will continue…

June 19-21 Box Office Predictions

Blogger’s Update (06/17): It is being reported that The Death of Robin Hood is only hitting around 1000 screens so I revising my estimate down from $8 million to a mere $3.8 million. That would put it in outside of the top 5

Toy Story 5 should dominate the upcoming weekend as the franchise enters its fourth decade of existence. The other premiere is Michael Sarnoski’s The Death of Robin Hood with Hugh Jackman in the title role. You can peruse my detailed prediction posts on the newcomers here:

Toy Story 5 Box Office Prediction
The Death of Robin Hood Box Office Prediction

In order to set the series record for highest opening, Disney/Pixar’s fifth round of Woody and Buzz needs to top the $120 million earned by part 4 in 2019. I’ve got it doing that with plenty of room to spare. My prediction also gives it 2026’s largest out of the gate haul currently held by The Super Mario Galaxy Movie with $131 million.

I’m not expecting much from Robin Hood and my fourth place forecast could decrease if the screen count is lower than the 2000-2500 venues I’m assuming. The A24 title seemingly hasn’t picked up much buzz though it’ll hope for some Father’s Day traffic.

Disclosure Day from Steven Spielberg got off to a decent if unspectacular beginning (more on that below). The sci-fi adventure hopes for a somewhat meager sophomore frame drop though I’ve got it falling in the low to mid 50s.

Obsession should be third while holdovers Scary Movie and Backrooms should duke it out for fifth place with the latter perhaps having a slight edge.

Here’s how I see the top 6 shaking out:

1. Toy Story 5

Predicted Gross: $166.8 million

2. Disclosure Day

Predicted Gross: $21.5 million

3. Obsession

Predicted Gross: $15.2 million

4. Backrooms

Predicted Gross: $6.6 million

5. Scary Movie

Predicted Gross: $6.1 million

Box Office Results (June 12-14)

In short, everything made less than I projected over the weekend. In more detail, Disclosure Day kicked off in the middle of its anticipated range with $44.5 million. I thought Spielberg’s return to the alien genre would fare better at $51.6 million. The B Cinemascore grade, not encouraging for a blockbuster, suggests a heftier drop than I might’ve originally thought could be coming.

Obsession, in its fifth frame, at last saw it grosses go down. That said, the 25% decline to $19 million gave the horror smash (and now Oscar contender in my view) a total of $188 million thus far.

Scary Movie had a massive 74% fall in weekend #2 with $14.2 million compared to my far more generous $22 million take. The sixth edition in the spoof series sits at $84 million.

Backrooms was fourth with $11.5 million, just under my $12.4 million call. This scary movie has amassed $160 million after three weeks.

Finally, Masters of the Universe solidified placement as a summer flop with a 70% plummet in its sophomore outing with $8.9 million. Once again, my benefit doubting forecast of $13.5 million proved false. The two-week tally is a weak $46 million.

And that does it for now, folks! Until next time…

Toy Story 5 Box Office Prediction

30 plus years after kicking off the Pixar craze for parent company Disney, Woody and Buzz are back in theaters with Toy Story 5 on June 19th. The beloved franchise arrives seven years after the fourth entry which set a series best in terms of domestic earnings at $434 million. Andrew Stanton, maker of Pixar smashes Finding Nemo and Wall-E, directs his first Toy tale (he had screenwriter or story credit on the previous ones). Tom Hanks and Tim Allen are back voicing their iconic characters as are Joan Cusack, Tony Hale, John Ratzenberger, Wallace Shawn, Blake Clark, Annie Potts, Bonnie Hunt, Melissa Villaseñor, Kristen Schaal, Keanu Reeves, and Ally Maki. Newcomers behind the mic include Greta Lee, Conan O’Brien, Craig Robinson, Bad Bunny, Ernie Hudson, and Alan Cumming.

Each Story since 1995 has topped the grosses of its predecessor (non adjusted for inflation). Toy Story 4 also had the largest opening of the quartet at $120 million (the third did $110 million). Early word-of-mouth suggests this is an improvement over part 4. That should mean this has no trouble setting a new series debut record. It it doesn’t, that would be considered a letdown.

I think the floor is $130 million. While not out of the question that this could surpass it, Pixar’s all-time largest premiere held by Incredibles 2 at $182 million should stay intact. Toy Story 5 should, however, challenge Inside Out 2 at #2 and its $154 million. I’ll say it gets beyond that for the highest 2026 start, besting The Super Mario Galaxy Movie‘s $131 million.

Toy Story 5 opening weekend prediction: $166.8 million

For my The Death of Robin Hood prediction, click here:

The Death of Robin Hood Box Office Prediction