Tag: Pixar

Oscar Predictions: Toy Story 5

Disney/Pixar’s Toy Story franchise has had a storied history at the Oscars and it would be more impressive had the Best Animated Feature category existed prior to 2001. The original from 1995 and its 1999 sequel would have been near certainties for that statue (even with part two facing serious competition from The Iron Giant, South Park: Bigger, Longer & Uncut, and Princess Mononoke). In 2010, Toy Story 3 not only won the animated race, but was up for Best Picture. Nine years later, the fourth feature didn’t nab a BP slot but did take the animation prize.

That brings us to Toy Story 5, out this weekend. Andrew Stanton, who’s already taken Best Animated Feature twice for Finding Nemo and Wall-E, finally takes over directorial duties after co-creating the series over 30 years ago. Tom Hanks and Tim Allen are back voicing the iconic characters of Woody and Buzz along with returnees Joan Cusack, Tony Hale, John Ratzenberger, Wallace Shawn, Blake Clark, Annie Potts, Bonnie Hunt, Melissa Villaseñor, Kristen Schaal, Keanu Reeves, and Ally Maki. Newcomers behind the mic include Greta Lee, Conan O’Brien, Craig Robinson, Ernie Hudson, Bad Bunny, and Alan Cumming.

Unsurprisingly, reviews for Toy Story 5 are just fine… with a caveat. While the Rotten Tomatoes meter is 94%, Metacritic is at 74. That’s easily the lowest of the quintet with second lowest being #4 at 84. For that matter, that RT score is the “lowest” as well with the next being the fourth again at 97%.

Why is this important? I think it tells us that, like #4, a Best Picture nomination isn’t happening. Nor is this in the mix for Adapted Screenplay where #3 competed. It also opens the door to #5 not being a shoo-in to win Animated Feature though we’ll see what competition arises in the months to come. Recent examples of Mouse House sequels not taking that trophy are Incredibles 2, Inside Out 2 and Zootopia 2.

Every previous Toy Story flick has seen an Original Song nominated with Randy Newman’s “We Belong Together” victorious for #3. It’s hard to imagine Taylor Swift’s “I Knew It, I Knew You” not getting one of the five spots. It’s already a radio mainstay and would mark the pop star’s first Oscar nod. This is a golden opportunity for the Academy to have her perform at the 99th ceremony. My Oscar Prediction posts will continue…

June 19-21 Box Office Predictions

Blogger’s Update (06/17): It is being reported that The Death of Robin Hood is only hitting around 1000 screens so I revising my estimate down from $8 million to a mere $3.8 million. That would put it in outside of the top 5

Toy Story 5 should dominate the upcoming weekend as the franchise enters its fourth decade of existence. The other premiere is Michael Sarnoski’s The Death of Robin Hood with Hugh Jackman in the title role. You can peruse my detailed prediction posts on the newcomers here:

Toy Story 5 Box Office Prediction
The Death of Robin Hood Box Office Prediction

In order to set the series record for highest opening, Disney/Pixar’s fifth round of Woody and Buzz needs to top the $120 million earned by part 4 in 2019. I’ve got it doing that with plenty of room to spare. My prediction also gives it 2026’s largest out of the gate haul currently held by The Super Mario Galaxy Movie with $131 million.

I’m not expecting much from Robin Hood and my fourth place forecast could decrease if the screen count is lower than the 2000-2500 venues I’m assuming. The A24 title seemingly hasn’t picked up much buzz though it’ll hope for some Father’s Day traffic.

Disclosure Day from Steven Spielberg got off to a decent if unspectacular beginning (more on that below). The sci-fi adventure hopes for a somewhat meager sophomore frame drop though I’ve got it falling in the low to mid 50s.

Obsession should be third while holdovers Scary Movie and Backrooms should duke it out for fifth place with the latter perhaps having a slight edge.

Here’s how I see the top 6 shaking out:

1. Toy Story 5

Predicted Gross: $166.8 million

2. Disclosure Day

Predicted Gross: $21.5 million

3. Obsession

Predicted Gross: $15.2 million

4. Backrooms

Predicted Gross: $6.6 million

5. Scary Movie

Predicted Gross: $6.1 million

Box Office Results (June 12-14)

In short, everything made less than I projected over the weekend. In more detail, Disclosure Day kicked off in the middle of its anticipated range with $44.5 million. I thought Spielberg’s return to the alien genre would fare better at $51.6 million. The B Cinemascore grade, not encouraging for a blockbuster, suggests a heftier drop than I might’ve originally thought could be coming.

Obsession, in its fifth frame, at last saw it grosses go down. That said, the 25% decline to $19 million gave the horror smash (and now Oscar contender in my view) a total of $188 million thus far.

Scary Movie had a massive 74% fall in weekend #2 with $14.2 million compared to my far more generous $22 million take. The sixth edition in the spoof series sits at $84 million.

Backrooms was fourth with $11.5 million, just under my $12.4 million call. This scary movie has amassed $160 million after three weeks.

Finally, Masters of the Universe solidified placement as a summer flop with a 70% plummet in its sophomore outing with $8.9 million. Once again, my benefit doubting forecast of $13.5 million proved false. The two-week tally is a weak $46 million.

And that does it for now, folks! Until next time…

Toy Story 5 Box Office Prediction

30 plus years after kicking off the Pixar craze for parent company Disney, Woody and Buzz are back in theaters with Toy Story 5 on June 19th. The beloved franchise arrives seven years after the fourth entry which set a series best in terms of domestic earnings at $434 million. Andrew Stanton, maker of Pixar smashes Finding Nemo and Wall-E, directs his first Toy tale (he had screenwriter or story credit on the previous ones). Tom Hanks and Tim Allen are back voicing their iconic characters as are Joan Cusack, Tony Hale, John Ratzenberger, Wallace Shawn, Blake Clark, Annie Potts, Bonnie Hunt, Melissa Villaseñor, Kristen Schaal, Keanu Reeves, and Ally Maki. Newcomers behind the mic include Greta Lee, Conan O’Brien, Craig Robinson, Bad Bunny, Ernie Hudson, and Alan Cumming.

Each Story since 1995 has topped the grosses of its predecessor (non adjusted for inflation). Toy Story 4 also had the largest opening of the quartet at $120 million (the third did $110 million). Early word-of-mouth suggests this is an improvement over part 4. That should mean this has no trouble setting a new series debut record. It it doesn’t, that would be considered a letdown.

I think the floor is $130 million. While not out of the question that this could surpass it, Pixar’s all-time largest premiere held by Incredibles 2 at $182 million should stay intact. Toy Story 5 should, however, challenge Inside Out 2 at #2 and its $154 million. I’ll say it gets beyond that for the highest 2026 start, besting The Super Mario Galaxy Movie‘s $131 million.

Toy Story 5 opening weekend prediction: $166.8 million

For my The Death of Robin Hood prediction, click here:

The Death of Robin Hood Box Office Prediction

Oscar Predictions: The Super Mario Galaxy Movie

The Super Mario Galaxy Movie is ready to launch in theaters over Easter weekend and expected to dominate the charts. The sequel to 2023’s box office juggernaut The Super Mario Bros. Movie, Aaron Horvath and Michael Jelenic are back directing Illumination Entertainment’s comedic adventure based on the Nintendo IP. Voiceover contributions come from Chris Pratt, Anya Taylor-Joy, Charlie Day, Jack Black, Keegan-Michael Key, Benny Safdie, Donald Glover, Brie Larson, and Glen Powell.

While audiences gobbled up the 2023 offering and are likely to do the same here, critics were mostly lukewarm. The original rated at 59% on Rotten Tomatoes with a 46 Metacritic. Despite some buzz for its song “Peaches”, Mario wasn’t represented in Original Song or in the Animated Feature category at the 96th Academy Awards.

Reviews are on the downslide for the follow-up with a 44% RT and 37 Meta. We’ve already seen one animated effort (Disney/Pixar’s Hoppers) that probably has a reserved slot in the Animated Feature quintet at the 99th ceremony. That’s not the case with Galaxy. My Oscar Prediction posts will continue…

April 3-5 Box Office Predictions

The Super Mario Galaxy Movie should play to domestic and worldwide domination over the Easter holiday as April dawns. Illumination Entertainment’s animated sequel debuts alongside Zendaya and Robert Pattinson in The Drama. You can peruse my detailed prediction posts on the newbies here:

The Super Mario Galaxy Movie Box Office Prediction
The Drama Box Office Prediction

Three Easters back, The Super Mario Bros. Movie blew past expectations with nearly $150 million from Friday to Sunday and over $200 million when counting Wednesday and Thursday. Galaxy is smartly following the same release pattern. While I don’t think the results will be quite as much, it should surpass Project Hail Mary as the year’s largest premiere.

Speaking of Mary, there’s something about its second weekend that was remarkable (more on that below). The sci-fi tale with Ryan Gosling should have no trouble being strong in the runner-up position after two weeks on top.

As for The Drama, it’s more of a question mark. It looks to draw upon the star appeal of its young leads. I have it earning a tad more than Zendaya’s Challengers from 2024 in the mid teens for a third place showing.

Holdovers Hoppers and Reminders of Him should round out the top five and here’s how I have it rolling out:

1. The Super Mario Galaxy Movie

Predicted Gross: $126.5 million (Friday to Sunday); $171.2 million (Wednesday to Sunday)

2. Project Hail Mary

Predicted Gross: $35.2 million

3. The Drama

Predicted Gross: $16.7 million

4. Hoppers

Predicted Gross: $8 million

5. Reminders of Him

Predicted Gross: $2.9 million

Box Office Results (March 27-29)

Amazon MGM had a banner sophomore frame with Project Hail Mary. After launching to $80 million, the acclaimed adaptation of Andy Weir’s novel declined a meager 33% to $54 million for a two-week haul of $163 million. Eclipsing my $44.8 million prediction, a domestic end run of over $300 million appears to be happening as the crowd favorite builds Oscar steam.

Hoppers remained in second with $12.1 million, right in line with my $12 million call. Disney/Pixar’s original story has risen to $138 million after four weeks.

Comedic horror entry They Will Kill You was DOA in its unveiling. With $4.9 million in third, the Warner Bros release failed to hit my $6.3 million forecast. Look for it to fade fast.

Reminders of Him was fourth with $4.7 million, on target with my $4.3 million estimate. The romantic drama has made a respectable $41 million after three weeks.

Dhurandhar: The Revenge was right behind in fifth with $4.6 million and I incorrectly had it outside of the high five. The total is $22 million after two weeks.

Also in its second outing, Ready or Not 2: Here I Come fell 54% to $4.1 million (I said $4.2 million). The underwhelming sequel sits at $16 million.

And that does it for now, folks! Until next time…

March 27-29 Box Office Predictions

Project Hail Mary touched down with fantastic results as it looks to easily repeat in 1st place as March closes out. Horror comedy They Will Kill You is the sole wide release newcomer and my detailed prediction post on it can be accessed here:

They Will Kill You Box Office Prediction

A best case scenario for They Will Kill You might be a second place finish in the low double digits or low teens. I’m going lower in the mid single digits for a third place start.

Space set Hail Mary opened at the top end of its expected range for 2026’s highest premiere (more on that below). It scored the second largest debut for a non-franchise, non-sequel behind Oppenheimer and Ryan Gosling’s second best unveiling after Barbie. I suspect the sophomore dip will be in the mid 40s (similar to Oppenheimer).

Hoppers should remain in the runner-up position as it heads into the Easter frame. The 4-5 spots should be close between Reminders of Him and Ready or Not 2: Here I Come after its meh debut.

Here’s how I see the top 5 shaking out:

1. Project Hail Mary

Predicted Gross: $44.8 million

2. Hoppers

Predicted Gross: $12 million

3. They Will Kill You

Predicted Gross: $6.3 million

4. Reminders of Him

Predicted Gross: $4.3 million

5. Ready or Not 2: Here I Come

Predicted Gross: $4.2 million

Box Office Results (March 20-22)

Project Hail Mary reached for the stars and achieved a remarkable launch with $80.5 million, zooming beyond my $69 million prediction. With solid reviews and awards buzz, it turned out to be the event film that Amazon MGM was hoping for. The future looks bright as it faces no obstacles topping the charts again.

Hoppers, after two weeks in 1st, was second with $17.8 million. That’s on target with my $18.4 million call as Disney/Pixar’s latest hit $120 million after three weeks.

Indian action sequel Dhurandhar: The Revenge managed bragging rights by outgrossing the Ready or Not follow-up. With the second best per theater average, it made $10 million compared to my $7.8 million forecast with $14 million in the bank since its Wednesday bow.

Ready or Not 2: Here I Come stumbled in fourth with $9 million, under my $11.2 million take. The horror sequel showed that most genre fans fell on the not ready side.

Reminders of Him rounded out the top five with $8 million (I said $9.2 million) for a two-week tally of $33 million.

Scream 7 was sixth with $4.3 million. I went with $5.3 million as the latest franchise entry’s four-week earnings rose to $114 million.

And that does it for now, folks! Until next time…

March 20-22 Box Office Predictions

Blogger’s Update (03/19): Upping my Project Hail Mary prediction from $59 million to $69 million and adding Dhurandhar the Revenge to the #5 spot at $7.8 million.

Amazon MGM space adventure Project Hail Mary looks to dominate the box office this weekend while Searchlight searches for horror fans to boost Ready or Not 2: Here I Come. You can peruse my detailed prediction posts on the newcomers here:

Project Hail Mary Box Office Prediction
Ready or Not 2: Here I Come Box Office Prediction

With high star reviews, Mary appears poised for an impressive showing out of the gate (it will need it with the reported $200M+ budget). My prediction has it reaching nearly $60 million as it hopes for a long run in the coming weeks.

Barring a significant overperformance, Ready or Not 2: Here I Come should place third in low double digits behind the third frame of current champ Hoppers.

The remainder of the top five should go to holdovers Reminders of Him in its sophomore frame (more on its solid performance below) and Scream 7.

Here’s how I see it shaking out:

1. Project Hail Mary

Predicted Gross: $69 million

2. Hoppers

Predicted Gross: $18.4 million

3. Ready or Not 2: Here I Come

Predicted Gross: $11.2 million

4. Reminders of Him

Predicted Gross: $9.2 million

5. Dhurandhar The Revenge

Predicted Gross: $7.8 million

6. Scream 7

Predicted Gross: $5.3 million

Box Office Results (March 13-15)

As anticipated, Disney/Pixar’s Hoppers stayed in 1st place while newcomers managed to outdo my projections. Hoppers made off with $28.6 million, just ahead of my $27.2 million prediction. The two-week earnings jumped to $86 million.

Reminders of Him, the romantic drama based on the Colleen Hoover novel, came in at the high end of expectations with $17.9 million in second. That’s well beyond my $10.4 million call. Look for it to drop in the high 40s in its second week.

Low-budget Canadian horror pic Undertone was third with $9.3 million. Like Reminders, it started out at the top of its expected range and past my meager $4.9 million take. I do think it will drop out of the top 5 this weekend with a percentage dip in the high 50s or more.

Scream 7 was fourth with $8.5 million, ahead of my $6.9 million forecast for a three-week tally of $106 million. It will match the $108 million take of its 2023 predecessor this week.

Goat rounded out the top five with $4.6 million (I said $4.3 million) as the animated sports tale is nearly at nine digits with $90 million.

Finally, The Bride! plummeted 70% in weekend #2 with just $2 million. I was more generous at $2.6 million. The two-week total for the WB flop is $11 million.

And that does it for now, folks! Until next time…

March 13-15 Box Office Predictions

Two new features vie for audience attention as romantic drama Reminders of Him and low-budget Canadian horror flick Undertone make their way to multiplexes. You can peruse my detailed prediction posts on them here:

Reminders of Him Box Office Prediction
Undertone Box Office Prediction

It is highly unlikely that either comes close to bouncing Hoppers from a repeat performance in first. Reminders, based on a Colleen Hoover novel, should be second though I have it just topping $10 million for a subpar start.

I’m not expecting much from Undertone, but it could manage a 4th or 5th place showing considering The Bride! should plummet out of the top 5 after a dismal debut (more on that below).

Hoppers, as mentioned, should be #1 assuming a slide in the high 30s or low 40s with Scream 7 and Goat placing third and fourth.

Here’s how I see the top 6 shaking out:

1. Hoppers

Predicted Gross: $27.2 million

2. Reminder of Him

Predicted Gross: $10.4 million

3. Scream 7

Predicted Gross: $6.9 million

4. Undertone

Predicted Gross: $4.9 million

5. Goat

Predicted Gross: $4.3 million

6. The Bride!

Predicted Gross: $2.6 million

Box Office Results (March 6-8)

Disney/Pixar had a commendable opening for an original title as Hoppers earned $45.3 million, slightly topping my $43.6 million prediction. That’s a cut above recent studio originals Elemental and Elio which both failed to reach $30 million in their unveilings.

Scream 7 was runner-up and dropped a severe 73% in weekend #2 to $17 million, under my $19.5 million call. The latest franchise entry is up to $93 million.

The Bride!, Maggie Gyllenhaal’s monster mash with Jessie Buckley and Christian Bale, failed to collect RSVPs with only $7 million in third. I projected more at $10.3 million. With a reported $85 million price tag, this is a costly dud for Warner Bros.

Goat was fourth with $6.4 million (I said $5.8 million) as the animated tale has amassed $83 million in four weeks.

Wuthering Heights rounded out the top five with $3.7 million, in range with my $3.4 million forecast. The period romance, in its fourth week, stands at $78 million.

And that does it for now, folks! Until next time…

March 6-8 Box Office Predictions

Disney/Pixar looks to jump to the top of the box office charts with Hoppers while Warner Bros hopes moviegoers RSVP for The Bride!, Maggie Gyllenhaal’s take on The Bride of Frankenstein starring Jessie Buckley and Christian Bale. You can peruse my detailed prediction posts on the newcomers here:

Hoppers Box Office Prediction
The Bride! Box Office Prediction

Recent original Pixar titles (Elemental, Elio) have struggled out of the gate with openings below $30 million. With encouraging reviews, I suspect that won’t be the case with Hoppers and I’m going with a start in the mid 40s.

As for The Bride!, I am forecasting a subpar premiere barely topping $10 million. As I mentioned in my post, the second weekend of Scream 7 and especially similar subject matter being covered in Guillermo del Toro’s Frankenstein on Netflix could hinder this.

Speaking of Scream 7, it had a terrific debut (more on that below) that easily set a franchise record. The horror genre usually sees substantial declines in their second frames and I envision a mid to high 60s plummet for the latest adventures of Ghostface. Goat and Wuthering Heights should round out the top five.

Here’s I how I envision it shaking out:

1. Hoppers

Predicted Gross: $43.6 million

2. Scream 7

Predicted Gross: $19.5 million

3. The Bride!

Predicted Gross: $10.3 million

4. Goat

Predicted Gross: $5.8 million

5. Wuthering Heights

Predicted Gross: $3.4 million

Box Office Results (February 27-March 1)

As mentioned, Scream 7 had no trouble making loud noises at multiplexes with a series best $63.6 million, trouncing the $44 million that 2023 predecessor Scream VI pulled in. It also eclipsed my meager $47.6 million prediction for the best start yet in 2026.

Goat dropped to second with $12 million, down only 29% for a three-week tally of $73 million. I went a little lower at $10.8 million.

Wuthering Heights was third with $6.7 million (I said $6.9 million) and its three-week total is $72 million. The Margot Robbie-Jacob Elordi romance should fall a bit short of nine digits.

I did not have the rest of the high five being populated with music docs, but that was the result. Twenty One Pilots: More Than We Ever Imagined was fourth with $3.7 million. The King was fifth as EPiC: Elvis Presley in Concert made $3.5 million to bring its earnings to nearly $8 million. Crime 101 was sixth with $3.7 million. I didn’t do a prediction for it and it’s made $30 million after three weeks.

I Can Only Imagine 2 fell a sharp 59% after a disappointing debut to $3.1 million in seventh. I forecasted a bit more at $4 million. The faith-based sequel stands at $13 million after ten days.

Send Help was eighth with $2.8 million (I went with $2.6 million) for a five-week gross of $59 million.

And that does it for now, folks! Until next time…

Oscar Predictions: Hoppers

We are less than two weeks away from KPop Demon Hunters likely giving Netflix a Best Animated Feature victory at the Oscars for the 98th Academy Awards. This Friday, Disney/Pixar is releasing a sci-fi comedy that could easily make the quintet at the 99th. Daniel Chong’s Hoppers features a voice cast including Piper Curda, Bobby Moynihan, Jon Hamm, Kathy Najimy, and Dave Franco.

With 96% on Rotten Tomatoes and a 77 Metacritic, reviews are strong enough that it should become the 21st Pixar title to nab a spot among the contending five. It should have competition from its own studio in the form of this summer’s Toy Story 4. Parts 3 and 4 won the prize and the first two probably would’ve had the category existed when they were released.

Hoppers also features an original song titled “Save the Day” from SZA and the Mouse House will probably mount a campaign for it in Original Song. Besides the fifth edition of Woody and Buzz, there will be other animated fare vying for the votes of Academy members in the coming months. Pixar’s first 2026 offering has already staked its claim for attention. My Oscar Prediction posts will continue…