A Man Called Otto Review

A Man Called Otto is metaphorically and actually about the title character eventually getting his power back. Otto Anderson (Tom Hanks) is a recent widower just retired. We’re introduced to him as he suspiciously and precisely purchases a length of rope at a local suburban Pittsburgh home improvement store. Otto is a curmudgeon and he would probably tell neighbors to remove themselves from his condominium lawn, but he’s also Tom Hanks so we’re softened to him. It’s a bummer when that length of rope turns out to be what we fear. Not happy about his current situation, he shuts his electricity off as a prelude to suicide.

Then he keeps getting interrupted. The first prevention comes unwittingly from new neighbors Marisol (Mariana Treviño, stealing the show) and Tommy (Manuel Garcia-Rulfo). They are parents of two adorable girls with a boy on the way. The husband is a kindly dim bulb. Marisol is not. She’s strong and caring and seems to drive every relationship she’s in even if she can’t drive a car. At first Otto is dismissive of her (though not her cooking).

Another attempt involving carbon monoxide poisoning is thwarted by Marisol. Slowly an odd friendship develops. Their interplay generates the real electricity in the screenplay from David Magee. It was, as many know, adapted from Fredrik Backman’s 2012 novel A Man Called Ove. It was turned into an Oscar nominated 2015 Swedish film.

The genuine emotional connection between Otto and Marisol helps mask that other characters are broad caricatures. There’s silly Jimmy (Cameron Britton), who’s always doing his comically awkward walks nearby. Or the hip hop blaring Real Estate Agent (comedian Mike Birbiglia), who is trying to evict Otto’s long-time friends with health problems. Minimal nuance is involved with these folks – “Real Estate Agent” isn’t even granted a name. I forget if Bratty Dog Walker (her pooch is treated like royalty) has one. There is a cat who is easily more memorable as Otto increasingly seems to have nine lives. Also on the plus side, flashback sequences that show his marriage to Sonya (Rachel Keller) help inform Otto’s condition. His younger self is portrayed by the actor’s real son Truman Hanks.

Marc Forster is behind the camera and what a fascinating filmography he’s had. From directing Halle Berry to an Oscar in Monster’s Ball to Daniel Craig’s weakest 007 outing Quantum of Solace to the effective adaptation of World War Z and Finding Neverland and Christopher Robin, he mixes it up. His main style might be that he doesn’t have much of one (whatever fits the occasion). A silhouetted and overly dramatic later suicide attempt tries to bite off more stylistically than its filmmaker can chew. Forster is mostly content to allow Hanks and Treviño steer the vehicle and that’s welcome. A Man Called Otto is far from perfect yet it has a lot of heart.

*** (out of four)

80th Golden Globe Awards Winner Predictions

After controversies kept the 79th ceremony off of the air in 2021, the 80th Golden Golden Awards is set to air on NBC Tuesday night with Jerrod Carmichael hosting. When it comes down to winners for their contribution to film, we can safely bet on one. Eddie Murphy will receive the Cecil B. DeMille Award for his four decades of work onscreen. We can probably safely bet on more than just Eddie (Colin Farrell comes to mind).

Most categories are tougher to project. There are a number of races where I don’t feel confident with my arrived at winner. Quite frankly, if I go 7/14 this year, I’ll be content.

For each category, I’ll give you my pick and my runner-up. Unlike the Oscars, you won’t get detailed analysis though I will say here’s some of the categories that are tough:

Best Motion Picture (Drama) is a four-way race between everything not named Tár while Best Motion Picture (Musical or Comedy) is a genuine two-way competition between The Banshees of Inisherin and Everything Everywhere All at Once.

The Fabelmans might be fading with the Academy and that could hinder Spielberg’s chance at Director. The legendary filmmaker was very notably snubbed from the sixteen shortlist possibilities at BAFTA. However, that happened after voting had closed with HFPA. I still give him the slight edge with the Globes, but watch out for the Daniels or Baz Luhrmann.

In the lead acting races, three are easy to pick. Actor in a Drama is not as I think it’s a coin flip between Austin Butler and Brendan Fraser. My selection comes down to what I chose for Best Picture.

I don’t think Carey Mulligan takes Supporting Actress for She Said. The other four are all viable. While Kerry Condon might be the soft favorite for Oscar, I could see the HFPA going with a more famous performer with a celebrated body of work. Whether that’s Angela Bassett or Jamie Lee Curtis is an excellent question.

RRR could take Non-English Language Film and Song though the runners-up are both strong spoilers. Women Talking, The Fabelmans, and Babylon are all totally feasible for Score.

All right – enough talk! Time to (yikes) choose…

BEST MOTION PICTURE (DRAMA)

The Nominees: Avatar: The Way of Water, Elvis, The Fabelmans, Tár, Top Gun: Maverick

Predicted Winner: Elvis

Runner-Up: Top Gun: Maverick

BEST MOTION PICTURE (MUSICAL OR COMEDY)

The Nominees: Babylon, The Banshees of Inisherin, Everything Everywhere All at Once, Glass Onion: A Knives Out Mystery, Triangle of Sadness

Predicted Winner: Everything Everywhere All at Once

Runner-Up: The Banshees of Inisherin

BEST DIRECTOR

The Nominees: James Cameron (Avatar: The Way of Water), Daniels (Everything Everywhere All at Once), Baz Luhrmann (Elvis), Martin McDonagh (The Banshees of Inisherin), Steven Spielberg (The Fabelmans)

Predicted Winner: Steven Spielberg, The Fabelmans

Runner-Up: Daniels, Everything Everywhere All at Once

BEST ACTRESS IN A MOTION PICTURE (DRAMA)

The Nominees: Cate Blanchett (Tár), Olivia Colman (Empire of Light), Viola Davis (The Woman King), Ana de Armas (Blonde), Michelle Williams (The Fabelmans)

Predicted Winner: Cate Blanchett, Tár

Runner-Up: Michelle Williams, The Fabelmans

BEST ACTOR IN A MOTION PICTURE (DRAMA)

The Nominees: Austin Butler (Elvis), Brendan Fraser (The Whale), Hugh Jackman (The Son), Bill Nighy (Living), Jeremy Pope (The Inspection)

Predicted Winner: Austin Butler, Elvis

Runner-Up: Brendan Fraser, The Whale

BEST ACTRESS IN A MOTION PICTURE (MUSICAL OR COMEDY)

The Nominees: Lesley Manville (Mrs. Harris Goes to Paris), Margot Robbie (Babylon), Anya Taylor-Joy (The Menu), Emma Thompson (Good Luck to You, Leo Grande), Michelle Yeoh (Everything Everywhere All at Once)

Predicted Winner: Michelle Yeoh, Everything Everywhere All at Once

Runner-Up: Margot Robbie, Babylon

BEST ACTOR IN A MOTION PICTURE (MUSICAL OR COMEDY)

The Nominees: Diego Calva (Babylon), Daniel Craig (Glass Onion: A Knives Out Mystery), Adam Driver (White Noise), Colin Farrell (The Banshees of Inisherin), Ralph Fiennes (The Menu)

Predicted Winner: Colin Farrell, The Banshees of Inisherin

Runner-Up: Is there one?? Let’s say Daniel Craig, Glass Onion: A Knives Out Mystery

BEST SUPPORTING ACTRESS

The Nominees: Angela Bassett (Black Panther: Wakanda Forever), Kerry Condon (The Banshees of Inisherin), Jamie Lee Curtis (Everything Everywhere All at Once), Dolly De Leon (Triangle of Sadness), Carey Mulligan (She Said)

Predicted Winner: Angela Bassett, Black Panther: Wakanda Forever

Runner-Up: Jamie Lee Curtis, Everything Everywhere All at Once

BEST SUPPORTING ACTOR

The Nominees: Brendan Gleeson (The Banshees of Inisherin), Barry Keoghan (The Banshees of Inisherin), Brad Pitt (Babylon), Ke Huy Quan (Everything Everywhere All at Once), Eddie Redmayne (The Good Nurse)

Predicted Winner: Ke Huy Quan, Everything Everywhere All at Once

Runner-Up: Brendan Gleeson, The Banshees of Inisherin

BEST SCREENPLAY

The Nominees: The Banshees of Inisherin, Everything Everywhere All at Once, The Fabelmans, Tár, Women Talking

Predicted Winner: The Banshees of Inisherin

Runner-Up: Everything Everywhere All at Once

BEST ANIMATED FEATURE

The Nominees: Guillermo del Toro’s Pinocchio, Inu-oh, Marcel the Shell with Shoes On, Puss in Boots: The Last Wish, Turning Red

Predicted Winner: Guillermo del Toro’s Pinocchio

Runner-Up: Marcel the Shell with Shoes On

BEST NON-ENGLISH LANGUAGE FILM

The Nominees: All Quiet on the Western Front, Argentina, 1985, Close, Decision to Leave, RRR

Predicted Winner: RRR

Runner-Up: All Quiet on the Western Front

BEST ORIGINAL SCORE

The Nominees: Babylon, The Banshees of Inisherin, The Fabelmans, Guillermo del Toro’s Pinocchio, Women Talking

Predicted Winner: Women Talking

Runner-Up: The Fabelmans

BEST ORIGINAL SONG

The Nominees: “Carolina” from Where the Crawdads Sing, “Ciao Papa” from Guillermo del Toro’s Pinocchio, “Hold My Hand” from Top Gun: Maverick, “Lift Me Up” from Black Panther: Wakanda Forever, “Naatu Naatu” from RRR

Predicted Winner: “Naatu Naatu” from RRR

Runner-Up: “Hold My Hand” from Top Gun: Maverick

That equates to these movies achieving these numbers in terms of wins:

3 Wins

Everything Everywhere All at Once

2 Wins

The Banshees of Inisherin, Elvis, RRR

1 Win

Black Panther: Wakanda Forever, The Fabelmans, Guillermo del Toro’s Pinocchio, Tár, Women Talking

I’ll have a recap up Tuesday night with analysis!

2022 Golden Globes Nominations Reaction

The Hollywood Foreign Press Association, after a controversial couple of years which resulted in no aired telecast for the last ceremony, is moving forward with Jerrod Carmichael hosting the show on NBC in a month. The nominations for the 14 cinematic races were unveiled this morning.

I went 54 for 70 on my picks – an improvement over my previous 2021 performance of 49/70. The big winner: Martin McDonagh’s The Banshees of Inisherin. Its 8 nods led all pictures and landed mentions everywhere it was expected to.

On the flip side, it was a disappointing day for Women Talking. Sarah Polley’s expected Oscar contender managed two nods (Screenplay and Score) and missed out on several races where it was thought to be viable.

Let’s take the competitions one by one with my thoughts, shall we?

Best Motion Picture (Drama)

Nominees: Avatar: The Way of Water, Elvis, The Fabelmans, Tár, Top Gun: Maverick

How I Did: 4/5

Per above, the surprise here is Women Talking not making the cut. I had it in instead of Avatar (which is proving itself to be a highly likely hopeful for Oscar’s BP derby). While The Fabelmans could be considered a soft frontrunner, I would say everything but Tár has a shot to win.

Best Motion Picture (Musical/Comedy)

Nominees: Babylon, The Banshees of Inisherin, Everything Everywhere All at Once, Glass Onion: A Knives Out Mystery, Triangle of Sadness

How I Did: 4/5

I went with The Menu over Triangle but the latter’s inclusion was not unexpected. This is almost certainly a battle between Banshees and Everything.

Best Director

Nominees: James Cameron (Avatar: The Way of Water), Daniels (Everything Everywhere All at Once), Baz Luhrmann (Elvis), Martin McDonagh (The Banshees of Inisherin), Steven Spielberg (The Fabelmans)

How I Did: 4/5

Like in Best Drama, I went with Women Talking and its maker Sarah Polley instead of James Cameron. Also like that race, Spielberg might be favored but the others could upset the legend.

Best Actress (Drama)

Nominees: Cate Blanchett (Tár), Olivia Colman (Empire of Light), Viola Davis (The Woman King), Ana de Armas (Blonde), Michelle Williams (The Fabelmans)

How I Did: 4/5

Danielle Deadwyler (Till) failing to make the quintet is unexpected as is de Armas’s nod in the Marilyn Monroe biopic (which garnered plenty of poor reviews). You’re going to want to bet on Blanchett in this one.

Best Actor (Drama)

Nominees: Austin Butler (Elvis), Brendan Fraser (The Whale), Hugh Jackman (The Son), Bill Nighy (Living), Jeremy Pope (The Inspection)

How I Did: 3/5

Jackman and Pope in over my selections of Tom Cruise (Top Gun: Maverick) and Paul Mescal (Aftersun). Mr. Cruise whiffing is noticeable. Perhaps the HFPA is still salty about him giving back his Globes during the height of their controversies. Elvis is the only picture in this group that received more than 1 nomination and Butler could certainly emerge victorious. So could Fraser.

Best Actress (Musical/Comedy)

Nominees: Lesley Manville (Mrs. Harris Goes to Paris), Margot Robbie (Babylon), Anya Taylor-Joy (The Menu), Emma Thompson (Good Luck to You, Leo Grande), Michelle Yeoh (Everything Everywher All at Once)

How I Did: 5/5 (!)

This went as anticipated and should continue that way with Yeoh taking the trophy in January.

Best Actor (Musical/Comedy)

Nominees: Diego Calva (Babylon), Daniel Craig (Glass Onion: A Knives Out Mystery), Adam Driver (White Noise), Colin Farrell (The Banshees of Inisherin), Ralph Fiennes (The Menu)

How I Did: 4/5

I went with Tom Hanks (A Man Called Otto) instead of Driver. It doesn’t matter much who the other four gentlemen are. This is Farrell’s to lose.

Best Supporting Actress

Nominees: Angela Bassett (Black Panther: Wakanda Forever), Kerry Condon (The Banshees of Inisherin), Jamie Lee Curtis (Everything Everywhere All at Once), Dolly de Leon (Triangle of Sadness), Carey Mulligan (She Said)

How I Did: 2/5 (ouch)

Supporting Actress has been a head scratcher all year as I’ve done Oscar projections. That proved true today with my poor performance. I went with Hong Chau (The Whale), Claire Foy (Women Talking), and Janelle Monae (Glass Onion) instead of Bassett, de Leon, and Mulligan. I’d say any of these contestants could win in this wide open field.

Best Supporting Actor

Nominees: Brendan Gleeson (The Banshees of Inisherin), Barry Keoghan (The Banshees of Inisherin), Brad Pitt (Babylon), Ke Huy Quan (Everything Everywhere All at Once), Eddie Redmayne (The Good Nurse)

How I Did: 3/5

I had Paul Dano (The Fabelmans) and Tom Hanks (yet again for Elvis), but Koeghan and Redmayne made it. Quan is probably out front but I wouldn’t rule Gleeson out.

Best Screenplay

Nominees: The Banshees of Inisherin, Everything Everywhere All at Once, The Fabelmans, Tár, Women Talking

How I Did: 5/5 (!)

Finally we get something for Women Talking. Yet this race (like Musical/Comedy) is probably either Banshees or Everything.

Best Animated Feature

Nominees: Guillermo del Toro’s Pinocchio, Inu-Oh, Marcel the Shell with Shoes On, Puss in Boots: The Last Wish, Turning Red

How I Did: 4/5

Inu-Oh is the surprise (I said The Bad Guys instead). Pinocchio is favored but I wouldn’t discount Marcel (which is picking up critics prizes).

Best Foreign Language Film

Nominees: All Quiet on the Western Front, Argentina, 1985, Close, Decision to Leave, RRR

How I Did: 4/5

This could be a fascinating one. I don’t see Argentina or Close winning (which I left out for Bardo). The other 3 could.

Best Original Score

Nominees: Babylon, The Banshees of Inisherin, The Fabelmans, Guillermo del Toro’s Pinocchio, Women Talking

How I Did: 4/5

This is where I should’ve left Avatar out as Banshees got in instead. This could be a close one and I’m not ready to pick a leader.

Best Original Song

Nominees: “Carolina” from Where the Crawdads Sing, “Ciao Papa” from Guillermo del Toro’s Pinocchio, “Hold My Hand” from Top Gun: Maverick, “Lift Me Up” from Black Panther: Wakanda Forever, “Naatu Naatu” from RRR

How I Did: 4/5

Pop superstar Billie Eilish and “Nobody Like U” was left off for pop superstar Taylor Swift and “Carolina”. Don’t be shocked if this comes down to pop superstars Lady Gaga for “Hold My Hand” and Rihanna for “Lift Me Up”.

That means the following features nabbed these numbers in terms of nominations:

8 Nominations

The Banshees of Inisherin

6 Nominations

Everything Everywhere All at Once

5 Nominations

Babylon, The Fabelmans

3 Nominations

Elvis, Guillermo del Toro’s Pinocchio, Tár

2 Nominations

Avatar: The Way of Water, Black Panther Wakanda Forever, Glass Onion: A Knives Out Mystery, The Menu, RRR, Top Gun: Maverick, Triangle of Sadness, Women Talking

1 Nomination

All Quiet on the Western Front, Argentina, 1985, Blonde, Close, Decision to Leave, Empire of Light, Good Luck to You, Leo Grande, The Good Nurse, The Inspection, Inu-Oh, Living, Marcel the Shell with Shoes On, Mrs. Harris Goes to Paris, Puss in Boots: The Last Wish, She Said, The Son, Turning Red, The Whale, Where the Crawdads Sing, White Noise, The Woman King

2022 Golden Globe Nomination Predictions

After a couple years of major controversy, the Hollywood Foreign Press Association’s big shindig is back on your television screens with the 80th Golden Globe Awards. The ceremony honoring the year’s best in film and TV returns to NBC on January 10th and the nominations are out on Monday, December 12th.

Readers of my blog are aware that I update my Oscar predictions every week to two weeks. With the Globes, it’s just one shot. As an aside, I don’t forecast the small screen races.

There are 14 categories to consider. As you may recall, the Globes split Drama and Comedy/Musical for Picture and the lead acting derbies. This is not the case with director or supporting. Furthermore, this ceremony has a sole Screenplay race while the Academy differentiates between original and adapted works.

Let’s get to it! For each competition, I’m also giving you my alternate. On Monday, I’ll have a recap up with my thoughts on the nominations and how I performed.

Best Motion Picture – Drama

Elvis

The Fabelmans

Tár

Top Gun: Maverick

Women Talking

Alternate: Avatar: The Way of Water

Best Motion Picture – Musical or Comedy

Babylon

The Banshees of Inisherin

Everything Everywhere All at Once

Glass Onion: A Knives Out Mystery

The Menu

Alternate: Triangle of Sadness

Best Director

Daniels, Everything Everywhere All at Once

Baz Luhrmann, Elvis

Martin McDonagh, The Banshees of Inisherin

Sarah Polley, Women Talking

Steven Spielberg, The Fabelmans

Alternate: Todd Field, Tár

Best Actress – Drama

Cate Blanchett, Tár

Olivia Colman, Empire of Light

Viola Davis, The Woman King

Danielle Deadwyler, Till

Michelle Williams, The Fabelmans

Alternate: Jennifer Lawrence, Causeway

Best Actor – Drama

Austin Butler, Elvis

Tom Cruise, Top Gun: Maverick

Brendan Fraser, The Whale

Paul Mescal, Aftersun

Bill Nighy, Living

Alternate: Hugh Jackman, The Son

Best Actress – Musical/Comedy

Lesley Manville, Mrs. Harris Goes to Paris

Margot Robbie, Babylon

Anya Taylor-Joy, The Menu

Emma Thompson, Good Luck to You, Leo Grande

Michelle Yeoh, Everything Everywhere All at Once

Alternate: Julia Roberts, Ticket to Paradise

Best Actor – Musical or Comedy

Diego Calva, Babylon

Daniel Craig, Glass Onion: A Knives Out Mystery

Colin Farrell, The Banshees of Inisherin

Ralph Fiennes, The Menu

Tom Hanks, A Man Called Otto

Alternate: Adam Driver, White Noise

Best Supporting Actress

Hong Chau, The Whale

Kerry Condon, The Banshees of Inisherin

Jamie Lee Curtis, Everything Everywhere All at Once

Claire Foy, Women Talking

Janelle Monae, Glass Onion: A Knives Out Mystery

Alternate: Jessie Buckley, Women Talking

Best Supporting Actor

Paul Dano, The Fabelmans

Brendan Gleeson, The Banshees of Inisherin

Tom Hanks, Elvis

Brad Pitt, Babylon

Ke Huy Quan, Everything Everywhere All at Once

Alternate: Ben Whishaw, Women Talking

Best Screenplay

The Banshees of Inisherin

Everything Everywhere All at Once

The Fabelmans

Tár

Women Talking

Alternate: Glass Onion: A Knives Out Mystery

Best Animated Motion Picture

The Bad Guys

Guillermo del Toro’s Pinocchio

Marcel the Shell with Shoes On

Puss in Boots: The Last Wish

Turning Red

Alternate: My Father’s Dragon

Best Foreign Language Motion Picture

All Quiet on the Western Front

Argentina, 1985

Bardo

Decision to Leave

RRR

Alternate: Saint Omer

Best Original Score

Avatar: The Way of Water

Babylon

The Fabelmans

Guillermo del Toro’s Pinocchio

Women Talking

Alternate: The Banshees of Inisherin

Best Original Song

“Ciao Papa” from Guillermo del Toro’s Pinocchio

“Hold My Hand” from Top Gun: Maverick

“Lift Me Up” from Black Panther: Wakanda Forever

“Naatu Naatu” from RRR

“Nobody Like U” from Turning Red

Alternate: “Carolina” from Where the Crawdads Sing

And that means I’m projecting the following number of mentions for these pictures:

6 Nominations

The Banshees of Inisherin, Everything Everywhere All at Once, The Fabelmans

5 Nominations

Babylon, Women Talking

4 Nominations

Elvis

3 Nominations

Glass Onion: A Knives Out Mystery, Guillermo del Toro’s Pinocchio, The Menu, Tár

2 Nominations

RRR, Turning Red, The Whale

1 Nomination

Aftersun, All Quiet on the Western Front, Argentina, 1985, Avatar: The Way of Water, The Bad Guys, Bardo, Black Panther: Wakanda Forever, Decision to Leave, Empire of Light, Good Luck to You, Leo Grande, Living, A Man Called Otto, Marcel the Shell with Shoes On, Mrs. Harris Goes to Paris, Puss in Boots: The Last Wish, Till, The Woman King

Oscar Predictions – Glass Onion: A Knives Out Mystery

The critics certainly don’t have their knives out for Glass Onion: A Knives Out Mystery. This is the eagerly awaited follow-up to Rian Johnson’s 2019 comedic murder mystery which grossed over $300 million worldwide and gave Daniel Craig another franchise. Johnson and Craig are back with a new supporting cast that includes Edward Norton, Janelle Monae, Kathryn Hahn, Leslie Odom Jr., Jessicas Henwick, Madelyn Cline, Kate Hudson, and Dave Bautista.

Slated for select cinemas in November before a December 23rd Netflix bow, Onion has premiered at the Toronto Film Festival with reviews saying it’s quite appealing. Some even claim it improves on the original. The Rotten Tomatoes score is 100%.

Three years ago, Knives had a sliver of hope to nab a Best Picture nomination, but it never materialized. An Original Screenplay mention was the reward for its success. This time around, it would contend in Adapted Screenplay since it’s based on existing IP. That could happen though let’s see how competitive that race is over the remainder of the year. I suspect if we see a sequel nominated for Best Picture in 2022, it’ll be Top Gun: Maverick and not this… and we still don’t know how solid Avatar: The Way of Water is. As for performances, Monae is being singled out in several write-ups as the MVP. However, Supporting Actress is already starting to looked stacked.

Where Onion could sizzle is at the Golden Globes with a Musical/Comedy Best Motion Picture nod and Best Actor in that category for Craig. That occurred in 2019 and could happen again. My Oscar Prediction posts will continue…

Summer 2002: The Top 10 Hits and More

In the turbulent months that followed the terrorist attacks of 9/11, domestic audiences needed some escapism at the box office. In the Christmas season of 2001, they found it with Harry Potter and the Sorcerer’s Stone and Lord of the Rings: The Fellowship of the Ring. 

By summer 2002, moviegoers turned out in record-setting droves for the first big screen treatment of an iconic superhero.

20 years later, that’s one thing that hasn’t changed as Spidey continues to dominate the charts. It all started with a memorable upside down kiss. Before we go there, there’s plenty more to discuss for the cinematic summer of two decades past.

As I do every season on the blog, I’m recounting the top 10 hits, other notable features, and flops from 30, 20, and 10 years ago. If you missed my post covering 1992, it’s right here:

Summer 1992: The Top 10 Hits and More

Let’s begin with that top 10!

10. Mr. Deeds

Domestic Gross: $126 million

When Adam Sandler remade Frank Capra, the result was another blockbuster for the star and a needed one after his previous pic Little Nicky was a rare commercial flop.

9. Minority Report

Domestic Gross: $132 million

The first and still only collaboration between Tom Cruise and Steven Spielberg is a prescient sci-fi tale and its reputation has grown since its release. It’s my personal favorite film of 2002.

8. xXx

Domestic Gross: 142 million

Riding high off the success of the previous summer’s The Fast and the Furious, Rob Cohen and Vin Diesel reunited for this over the top action flick. A sequel would follow three years later without Diesel’s involvement (Ice Cube starred instead), but Vin would return to the role in 2017.

7. Lilo & Stitch

Domestic Gross: $145 million

This Disney animated effort performed just fine (if not in the stratosphere of some 90s gems) and spawned numerous direct-to-video follow-ups. A live-action version is being planned.

6. Scooby-Doo

Domestic Gross: $153 million

Critics might have thought it was a dog, but crowds lapped up this live-action/animated hybrid based on the very 1970s cartoon. Scoob and the gang would return two years later for part 2. Fun fact: James Gunn of Guardians of the Galaxy fame wrote the script.

5. Men in Black II

Domestic Gross: $190 million

Will Smith and Tommy Lee Jones teamed up again for the sci-fi comedic spectacle from Barry Sonnenfeld. This fell short of the original’s $250 million domestic haul and the reviewers weren’t impressed, but that didn’t prevent a third offering that will be discussed in my summer of 2012 post.

4. Austin Powers in Goldmember

Domestic Gross: $213 million

Mike Myers continued to flex his box office mojo alongside Beyonce, Michael Caine, and Mini-Me in this threequel that I believe surpassed the quality of predecessor The Spy Who Shagged Me. 

3. Signs

Domestic Gross: $227 million

After the more mixed reaction that Unbreakable garnered, M. Night Shyamalan’s Signs with Mel Gibson and Joaquin Phoenix was more of a return to crowd favorite status. What followed was several pics from him that drew considerably more ambivalent to negative vibes.

2. Star Wars: Episode II – Attack of the Clones

Domestic Gross: $302 million

$302 million is just dandy for nearly any movie, but this second prequel from George Lucas fell well short of the $431 million achieved by The Phantom Menace three summers prior. Many consider this the worst of the nine officials episodes. I’m one of them.

    1. Spider-Man

Domestic Gross: $403 million

When Sam Raimi’s spin on the webslinger kicked off the summer, it did so with the largest opening weekend of all time at $114 million (breaking a record that had just been set by the first Potter). Two sequels followed for the Tobey Maguire/Kirsten Dunst trilogy and, as we all know, the character has never left us. Spider-Man: No Way Home recently brought all 3 Spideys (Maguire, Andrew Garfield, Tom Holland) into its MCU Multiverse.

Now let’s move to some other notable titles from the season:

The Bourne Identity 

Domestic Gross: $121 million

While outside the top ten, Paul Greengrass’s action thriller with Matt Damon as an amnesiac spy is more influential than the bulk of the flicks above it. Damon would return to the role three times.

The Sum of All Fears

Domestic Gross: $118 million

Right behind Damon is his buddy Ben Affleck who took over the role of Jack Ryan (previously played by Alec Baldwin and Harrison Ford) in the Tom Clancy adapted hit.

Road to Perdition

Domestic Gross: $104 million

His follow-up to Best Picture winner American Beauty, the Depression era crime drama from Sam Mendes cast Tom Hanks against type as a hitman with Paul Newman as his underworld boss. This only nabbed a Cinematography Oscar, but reviews were mostly strong. It also provides a juicy role for pre-007 Daniel Craig.

Insomnia

Domestic Gross: $67 million

Hanks wasn’t the only legend stretching in a villainous turn. Robin Williams memorably did the same as he was pitted against Al Pacino’s detective in this chilly thriller from Christopher Nolan (three years before Batman Begins).

Unfaithful

Domestic Gross: $52 million

Adrian Lyne made a movie about another fatal attraction and Unfaithful earned Diane Lane an Oscar nomination as the cheating wife of Richard Gere.

And now for some movies that didn’t perform so well…

Reign of Fire

Domestic Gross: $43 million

This dragon centered fantasy arrived before Matthew McConaughey and Christian Bale would be Oscar winners a few years later. Critics weren’t kind and the box office failed to generate much fire.

Windtalkers

Domestic Gross: $40 million

John Woo’s financial win streak blew over with this World War II action drama headlined by Nicolas Cage that only managed 32% on Rotten Tomatoes.

K-19: The Widowmaker 

Domestic Gross: $35 million

Seven years before her Oscar winning The Hurt Locker, Kathryn Bigelow’s 1960s set submarine thriller with Harrison Ford was a pricey disappointment.

Halloween: Resurrection

Domestic Gross: $30 million

Michael Myers and Jamie Lee Curtis’s Laurie Strode are about to team up for the final (?) time in Halloween Ends in October. In 2002, this was the sequel to the successful Halloween H20 from 1998. This one was not so successful and it’s considered by many aficionados as the weakest of the whole franchise.

Bad Company

Domestic Gross: $30 million

One is a double Oscar winner and the other is one of greatest stand-ups of all time, but this cinematic pairing of Anthony Hopkins and Chris Rock in Joel Schumacher’s action comedy was met with a shrug.

Blood Work 

Domestic Gross: $26 million

Ten years after Unforgiven won Best Picture after its summer release, Clint Eastwood’s mystery didn’t work for critics or crowds.

The Adventures of Pluto Nash

Domestic Gross: $4 million

Speaking of legendary stand-ups, Eddie Murphy reached a career low point as sci-fi comedy Nash stands as one of cinema’s most notorious flops. Its budget was a reported $100 million and that’s not a misprint above… it made an embarrassing $4 million.

2012 is up next!

Memory Box Office Prediction

Can Memory reverse the string of forgettable Liam Neeson pics we’ve seen lately or will it fall in line with his recent underwhelming performers? Slated for April 29th, this casts him as an assassin dealing with cognitive lapses. Martin Campbell (who kicked off the Brosnan and Craig 007 eras with Goldeneye and Casino Royale) directs. He most recently helmed the lackluster The Protege with Maggie Q and Michael Keaton.  Costars include Guy Pearce (who starred in the acclaimed Memento which covered similar themes) and Monica Bellucci.

It’s been nearly a decade and a half since Neeson resurged his career with Taken. This second life as an action star resulted in some hits, but there’s been more misses recently. The Marksman and Blacklight took in $3.7 and $3.5 million, respectively, in the COVID era. I see no reason why Memory wouldn’t suffer a similar fate and the gross may even dip a bit.

Memory opening weekend prediction: $3.3 million

2021 BAFTA Nominations Reaction

For the second year in a row, the British Academy Film Awards (or BAFTAs) showed its unpredictable nature with some shocking omissions and unexpected inclusions. The last major precursor before Oscar nominations are unveiled Tuesday, I went 63 of 99 when it comes to races with a correlation to the Academy’s competitions. Truth be told – it coulda been worse considering the surprises we witnessed today.

Let’s break them down one by one with some commentary, shall we?

Film

Nominees: Belfast, Don’t Look Up, Dune, Licorice Pizza, The Power of the Dog

How I Did: 3/5

Commentary: The BAFTAs delivered a great haul for Pizza. It and Don’t Look Up got in over my picks of The Tragedy of Macbeth and West Side Story (which both underwhelmed). Gut reaction says Power is in the lead.

Director

Nominees: Paul Thomas Anderson (Licorice Pizza), Jane Campion (The Power of the Dog), Audrey Diwan (Happening), Julia Ducournau (Titane), Ryusuke Hamaguchi (Drive My Car), Aleem Khan (After Love)

How I Did: 4/6

Commentary: Wow – no Kenneth Branagh for Belfast or Denis Villeneuve for Dune! They miss with Anderson and Diwan taking the spots. Like with Film, Campion could be out in front.

Leading Actress

Nominees: Lady Gaga (House of Gucci), Alana Haim (Licorice Pizza), Emilia Jones (CODA), Renate Reinsve (The Worst Person in the World), Joanna Scanlan (After Love), Tessa Thompson (Passing)

How I Did: 3/6

Commentary: Surprises galore here! No Nicole Kidman for Being the Ricardos or Olivia Colman in The Lost Daughter. I predicted both along with Claire Rushbrook for Ali & Ava. In their slots are Haim (continuing the Licorice love), Jones, and Thompson. I would also note no Kristen Stewart in Spencer after her SAG snub.

Now here’s an interesting stat – since 2013, the BAFTA Leading Actress recipient has matched the Oscar winner. So… are Kidman and Colman in trouble? Could Gaga be on her way to a gold statue? Does this show Haim’s potential strength at getting an Academy mention? Questions abound, but I know one thing – this year’s Actress race is as intriguing as last year’s.

Leading Actor

Nominees: Adeel Akhtar (Ali & Ava), Mahershala Ali (Swan Song), Benedict Cumberbatch (The Power of the Dog), Leonardo DiCaprio (Don’t Look Up), Stephen Graham (Boiling Point), Will Smith (King Richard)

How I Did: 3/6

Commentary: Smith’s inclusion here (which I didn’t project) just might solidify him as the Oscar frontrunner (with Cumberbatch pretty close behind). Academy hopefuls Andrew Garfield (Tick, Tick… Boom!) and Denzel Washington (Macbeth) were left out as was Daniel Craig in his swan song as Bond in No Time to Die. In their place – Smith, Ali (following up on his Globe nominated turn), and DiCaprio.

Side note – somehow, Denzel has never been nominated for a BAFTA.

Supporting Actress

Nominees: Caitriona Balfe (Belfast), Jessie Buckley (The Lost Daughter), Ariana DeBose (West Side Story), Ann Dowd (Mass), Aunjanue Ellis (King Richard), Ruth Negga (Passing)

How I Did: 4/6

Commentary: Dowd finally shows up! I must say – no huge shockers here as she and Ellis made it over Kirsten Dunst (The Power of the Dog) and Kathryn Hunter (Macbeth). We’ll see if DeBose’s potential sweep continues here.

Supporting Actor

Nominees: Mike Faist (West Side Story), Ciaran Hinds (Belfast), Troy Kotsur (CODA), Woody Norman (C’Mon C’Mon), Jesse Plemons (The Power of the Dog), Kodi Smit-McPhee (The Power of the Dog)

How I Did: 3/6

Commentary: There was a double dose of Dog love for Plemons (who I didn’t predict) and Smit-McPhee (who I did and he could certainly win). I also went with Faist’s costar David Alvarez instead in a last minute switch that I now regret. And young Norman is responsible for the only nod for C’Mon C’Mon. I also went with Benicio del Toro for The French Dispatch and Jamie Dornan in Belfast. At this point, an Oscar nod for Dornan seems like a reach. Also worth noting is that, despite Pizza over performing, no Bradley Cooper.

Original Screenplay

Nominees: Being the Ricardos, Belfast, Don’t Look Up, King Richard, Licorice Pizza

How I Did: 4/5

Commentary: Here’s a list that may absolutely match the Oscar one. I said After Love over Richard (which had a solid day). Like with the Academy, this might be a Belfast v. Pizza showdown and considering how well the latter did, I might lean that way.

Adapted Screenplay

Nominees: CODA, Drive My Car, Dune, The Lost Daughter, The Power of the Dog

How I Did: 4/5

Commentary: Went with West Side Story over Dune. This is Power‘s to lose.

Animated Film

Nominees: Encanto, Flee, Luca, The Mitchells vs. the Machines

How I Did: 3/4

Commentary: Rather predictable list though I said Ron’s Gone Wrong instead of Luca.

Film Not in the English Language

Nominees: Drive My Car, The Hand of God, Parallel Mothers, Petite Maman, The Worst Person in the World

How I Did: 3/5

Commentary: No Flee here or Titane with God and Mothers in. Drive My Car is the favorite.

Documentary

Nominees: Becoming Cousteau, Cow, Flee, The Rescue, Summer of Soul

How I Did: 3/5

Commentary: Summer of Soul did well when factoring in the surprise Editing nod. It made it along with Cousteau over my picks of The Sparks Brothers and The Velvet Underground.

Cinematography

Nominees: Dune, Nightmare Alley, No Time to Die, The Power of the Dog, The Tragedy of Macbeth

How I Did: 4/5

Commentary: Well – Macbeth got something (!) Only miss here was going with Belfast instead of Alley.

Costume Design

Nominees: Cruella, Cyrano, Dune, The French Dispatch, Nightmare Alley

How I Did: 2/5

Commentary: There’s always a pesky 2/5 race where I just whiff. I got Cyrano and Dune right but the others popped up over House of Gucci, Last Night in Soho, and West Side Story. I didn’t predict it, but Cruella could be the main competition for Dune.

Editing

Nominees: Belfast, Dune, Licorice Pizza, No Time to Die, Summer of Soul

How I Did: 3/5

Commentary: Soul‘s aforementioned placement is unexpected – could it possibly follow suit with the Academy? Also didn’t project Pizza. They are in over Last Night in Soho and (you guessed it) West Side Story.

Makeup and Hair

Nominees: Cruella, Cyrano, Dune, The Eyes of Tammy Faye, House of Gucci

How I Did: 4/5

Commentary: Cyrano over The Electrical Life of Louis Wain. Honestly, other than Cyrano, I think any of the hopefuls could take this.

Original Score

Nominees: Being the Ricardos, Don’t Look Up, Dune, The French Dispatch, The Power of the Dog

How I Did: 3/5

Commentary: Ricardos and Don’t Look Up in; The Green Knight and Spencer out. Probably a showdown of Dune v. Dog. 

Production Design

Nominees: Cyrano, Dune, The French Dispatch, Nightmare Alley, West Side Story

How I Did: 3/5

Commentary: Here’s a rare category where I incorrectly had West Side missing. It’s in, along with Cyrano (which had a decent haul with tech races) over Belfast and Macbeth.

Sound

Nominees: Dune, Last Night in Soho, No Time to Die, A Quiet Place Part II, West Side Story

How I Did: 4/5

Commentary: Place over Belfast. Expect Dune to reign supreme.

Special Visual Effects

Nominees: Dune, Free Guy, Ghostbusters: Afterlife, The Matrix Resurrections, No Time to Die

How I Did: 3/5

Commentary: Should be another victory for Dune as Free Guy and Ghostbusters made it over my selections of The King’s Man and Shang-Chi and the Legend of the Ten Rings.

And there’s your recap. As a reminder, my FINAL Oscar predictions (which I’m currently beating myself up over) will be posted tomorrow! Stay tuned…

2021 BAFTA Predictions

The last major precursor nominations before Tuesday’s Oscar nods come out tomorrow and it’s the British Academy Film Awards or BAFTAs. Let’s discuss them a bit, shall we? The BAFTAs can be a confusing branch to figure out.

For starters, the number of nominees in each category is a tad puzzling. Best Film has five as do the tech races and screenplay derbies. Director and the acting competitions contain 6 while Animated Film is 4. However, Documentary and “Film Not in the English Language” is 5. Got that?

While past years have matched the Oscars fairly closely in the big categories, 2020 was an exception. While 4 of the 5 Best Film contenders ended up nabbing BP mentions from the Academy, it was just 3 of the directors. For Best Actor, it was also 3 but in Best Actress only two. Same goes for Supporting – 3 in Actor, 2 in Actress.

In other words, projecting the BAFTAs is a major crapshoot but I’ll try. Since it’s British voters, titles such as the BBC’s After Love are expected to perform well in some of the major races.

Another major note – I am only forecasting competitions where there’s a direct correlation to the Academy. Therefore I’m not weighing in on Best British Film, Outstanding Debut by a British Writer, Director, or Producer, or Casting.

For each race, I’ll give you my picks (and I triple checked the numbers) and an alternate. A recap on how I did and my general thoughts are up tomorrow and my final Oscar predictions will be up Friday!

Film

Predicted Nominees:

Belfast

Dune

The Power of the Dog

The Tragedy of Macbeth

West Side Story

Alternate: No Time to Die

Director

Predicted Nominees:

Kenneth Branagh, Belfast

Jane Campion, The Power of the Dog 

Julia Ducournau, Titane

Ryusuke Hamaguchi, Drive My Car

Aleem Khan, After Love

Denis Villeneuve, Dune

Alternate: Steven Spielberg, West Side Story

Leading Actress

Predicted Nominees:

Olivia Colman, The Lost Daughter

Lady Gaga, House of Gucci

Nicole Kidman, Being the Ricardos

Renate Reinsve, The Worst Person in the World

Claire Rushbrook, Ali & Ava

Joanna Scanlan, After Love

Alternate: Kristen Stewart, Spencer

Leading Actor

Predicted Nominees:

Adeel Akhtar, Ali & Ava

Daniel Craig, No Time to Die

Benedict Cumberbatch, The Power of the Dog

Andrew Garfield, Tick, Tick… Boom!

Stephen Graham, Boiling Point

Denzel Washington, The Tragedy of Macbeth

Alternate: Will Smith, King Richard

Supporting Actress

Predicted Nominees:

Caitriona Balfe, Belfast

Jessie Buckley, The Lost Daughter

Ariana DeBose, West Side Story

Kirsten Dunst, The Power of the Dog

Kathryn Hunter, The Tragedy of Macbeth

Ruth Negga, Passing

Alternate: Vinette Robinson, Boiling Point

Supporting Actor

Predicted Nominees:

David Alvarez, West Side Story

Benicio del Toro, The French Dispatch

Jamie Dornan, Belfast

Ciaran Hinds, Belfast

Troy Kotsur, CODA

Kodi Smit-McPhee, The Power of the Dog

Alternate: Bradley Cooper, Licorice Pizza

Original Screenplay

Predicted Nominees:

After Love

Being the Ricardos

Belfast

Don’t Look Up

Licorice Pizza

Alternate: The French Dispatch

Best Adapted Screenplay

Predicted Nominees:

CODA

Drive My Car

The Lost Daughter

The Power of the Dog

West Side Story

Alternate: The Tragedy of Macbeth

Animated Film

Predicted Nominees:

Encanto

Flee

The Mitchells vs. the Machines

Ron’s Gone Wrong

Alternate: Luca

Film Not in the English Language

Predicted Nominees:

Drive My Car

Flee

Petite Maman

Titane

The Worst Person in the World

Alternate: The Hand of God

Documentary

Predicted Nominees:

Cow

Flee

The Rescue

The Sparks Brothers

The Velvet Underground

Alternate: Summer of Soul

Cinematography

Predicted Nominees:

Belfast

Dune

No Time to Die

The Power of the Dog

The Tragedy of Macbeth

Alternate: West Side Story

Costume Design

Predicted Nominees:

Cyrano

Dune

House of Gucci

Last Night in Soho

West Side Story

Alternate: Cruella

Editing

Predicted Nominees:

Belfast

Dune

Last Night in Soho

No Time to Die

West Side Story

Alternate: The Power of the Dog

Makeup and Hair

Predicted Nominees:

Cruella

Dune

The Electrical Life of Louis Wain

The Eyes of Tammy Faye

House of Gucci

Altenrate: Last Night in Soho

Original Score

Predicted Nominees:

Dune

The French Dispatch

The Green Knight

The Power of the Dog

Spencer

Alternate: No Time to Die

Production Design

Predicted Nominees:

Belfast

Dune

The French Dispatch

Nightmare Alley

The Tragedy of Macbeth

Alternate: West Side Story

Sound

Predicted Nominees:

Belfast

Dune

Last Night in Soho

No Time to Die

West Side Story

Alternate: The Power of the Dog 

Special Visual Effects

Predicted Nominees:

Dune

The King’s Man

The Matrix Resurrections

No Time to Die

Shang-Chi and the Legend of the Ten Rings

Alternate: Ghostbusters: Afterlife

October 22-24 Box Office Predictions

Arriving a year after its COVID delay is Denis Villeneuve’s version of the sci-fi epic Dune along with the animated Ron’s Gone Wrong. The latter will try to keep the October box office hot streak rolling along with the latter attempting to bring in family audiences. You can peruse my detailed prediction posts on them here:

Dune Box Office Prediction

Ron’s Gone Wrong Box Office Prediction

We have had three weekends in a row with newcomers premiering at over $50 million or darn close. Dune could fall right in that range. A potential drawback could be its simultaneous availability on HBO Max. However, I do believe enough viewers are aware that it should be seen on the biggest screen possible. I have it in the low 40s, but as Venom and Halloween Kills have shown us, the chance of over performing is certainly there for the taking.

As for Ron’s Gone Wrong, it has the disadvantage of not being based on known IP. Reviews are decent yet I have it placing fifth and under $10 million.

Halloween Kills exceeded most estimates (more on that below). Its 2018 predecessor fell 59% in its sophomore frame with a B+ Cinemascore average. The sequel has a B- and I envision it dropping in the high 60s range. No Time to Die could see around 50% decline in its third outing while Venom: Let There Be Carnage may see only a dip in the low 40s to mid 40s.

And with that, my top 5 take on the weekend ahead:

1. Dune

Predicted Gross: $42.8 million

2. Halloween Kills

Predicted Gross: $15.4 million

3. No Time to Die

Predicted Gross: $12.1 million

4. Venom: Let There Be Carnage

Predicted Gross: $9.5 million

5. Ron’s Gone Wrong

Predicted Gross: $8.4 million

Box Office Results (October 15-17)

Haddonfield wasn’t the only place where Michael Myers made a killing over the weekend as Halloween Kills premiered at the highest end of projections. The $49.4 million start slashed my $41.2 million prediction. Its simultaneous release on Peacock didn’t appear to make much of a difference. That’s no huge surprise considering the streamer’s membership is minuscule compared to Netflix, HBO Max, and others. While the Kills gross is far under the $76 million achieved by Halloween in 2018, this is still a big win for Universal.

No Time to Die slipped to second with $23.7 million, a bit below my $25.8 million take. The 25th Bond adventure stands at $99 million. While its overseas earnings are pleasing, Daniel Craig’s swan song isn’t quite hitting the anticipated target stateside.

Venom: Let There Be Carnage was third with $16.5 million (I said $14.1 million) and it’s up to $168 million.

The Addams Family 2 had the best hold of all in fourth with $7 million, in range with my $6.6 million projection for $42 million total.

Finally, despite mostly solid reviews, Ridley Scott’s medieval tale The Last Duel with Matt Damon, Ben Affleck, Jodie Comer, and Adam Driver received little good will from moviegoers. It bombed hard with only $4.7 million in fifth. That’s a far cry from my estimate of $10.4 million. Duel is further proof that adult themed product is having a difficult time getting the intended demographic to the multiplex.

And that does it for now, folks! Until next time…