Air is the fifth feature directed by Ben Affleck and it closed out the South by Southwest festival this weekend prior to its April 5th theatrical release. The 1984 set sports drama focuses on Nike’s decision to make a shoe deal with an NBA rookie by the name of Michael Jordan. In addition to being behind the camera, Affleck costars as the company’s co-founder Phil Knight. The director’s buddy Matt Damon headlines as marketing exec Sonny Vaccaro with a supporting cast including Jason Bateman, Marlon Wayans, Chris Tucker, Chris Messina, Matthew Maher, and real life married couple Viola Davis and Julius Tennon as MJ’s parents and chief negotiators. #23 himself is not played by an actor and appears only in archival footage.
Early reactions from Austin indicate that Air might be the first legit awards hopeful to be released on the ’23 calendar. Several of the reviews are outright raves with comparisons to Jerry Maguire and Moneyball (both nominated for Best Picture). If this hits with audiences (and indications are it’s a crowdpleaser), that only increases its chances to make the big dance.
Affleck, of course, was famously snubbed by the Academy in 2012 even though his second directorial effort Argo won Best Picture. He’s yet to be nominated for his filmmaking. However, three of his previous four pics (Gone Baby Gone, The Town, Argo) achieved one or more mentions from Oscar voters. The one that didn’t was his last – 2016’s flop Live by Night.
It’s early, but the chances of Air garnering nominations is high. I don’t know if Affleck will get his first directing nod, but this already looks like it’s shooting for one of the ten slots in BP. The original screenplay by Alex Convery, cinematography from three-time winner Robert Richardson, and editing from William Goldenberg are all possibilities.
As for the cast, I’m curious to see category placement. Damon could be put in lead and vie for his fourth overall acting nom behind Good Will Hunting, Invictus, and The Martian. Amazon could also choose to campaign everyone in supporting. The other male performer drawing lots of attention is Chris Messina as MJ’s agent David Falk. Fresh off her EGOT, Viola Davis might have the best chance and it would be her fifth nom after Doubt, The Help, Fences (where she won), and Ma Rainey’s Black Bottom. It might help that many felt she was just snubbed for The Woman King.
Bottom line: Air is a real contender in the game of Oscar and my prediction posts will continue…
How reliable is the Director Guild of America (DGA) recipient as it pertains to the eventual Oscar winner for Best Director? In the 21st century, the match has been 19 of 22 times. In 2000, Ang Lee (Crouching Tiger, Hidden Dragon) took DGA and the Academy Award went to Steven Soderbergh for Traffic. Ben Affleck was the DGA recipient in 2012 for Argo though he didn’t get an Oscar nod. Ang Lee, for Life of Pi, took the gold instead. Sam Mendes (1917) was DGA in 2019, but Bong Joon-ho (Parasite) was the Academy’s choice. All others years corresponded in the century corresponded.
The DGA Award is revealed tomorrow night and here’s your nominees:
Daniels, Everything Everywhere All at Once
Todd Field, Tár
Joseph Kosinski, Top Gun: Maverick
Martin McDonagh, The Banshees of Inisherin
Steven Spielberg, The Fabelmans
There’s a 4/5 correlation with the Oscar nominees (par for the course). Kosinski is not in the Academy’s quintet while Ruben Ostlund (Triangle of Sadness) is. Therefore it’s safe to rule the Maverick maker out.
Neither Field nor McDonagh have taken any major precursors. The Daniels and Spielberg have. For the Daniels, they were the Critics Choice victors. At the Golden Globes, it was Spielberg. To call this is a two-person (or three technically) race seems accurate. Anyone else winning would be a considerable upset.
A little less than a month before the Oscar ceremony, I do believe Everything stands as your soft Oscar frontrunner. Spielberg saw a surprising omission at the BAFTAs where he didn’t even make their shortlist. Due to his legendary status, it would be foolish to discount him. However, I believe the momentum lies with Dan Kwan and Daniel Scheinert so…
Predicted DGA Winner(s):
The Daniels, Everything Everywhere All at Once
I’ll make my DGA commentary part of my recap post for the BAFTAs on Sunday evening. Stay tuned!
As is tradition every Oscar season on the blog, it’s time to dig a bit deeper into the nominees for Best Picture, Director, and the four acting derbies. These are my Case Of posts where I lay out the merits for and against the 35 contenders in the aforementioned competitions. Yes, that’s 35 individual posts and we start with the 10 hopefuls in BP.
This will occur alphabetically so All Quiet on the Western Front is on deck!
The Case for All Quiet on the Western Front:
Edward Berger’s antiwar epic is the only title that’s won Best Picture before. The 1929-30 ceremony (the 3rd ever Oscars) bestowed best in show to the 1930 version of Erich Maria Remarque’s novel. If we believe BAFTA is a reliable precursor to Academy glory, Front is loaded with a leading 14 nominations. Tied with The Banshees of Inisherin with 9 nods, the pair is second only to Everything Everywhere All at Once‘s 11. This is Netflix’s one and only contender so the streamer has and will be campaigning hard.
The Case Against All Quiet on the Western Front:
The nine mentions are impressive and more than anticipated. However, a couple of misses are key. Not many films end up winning BP that are omitted in Editing and that applies here. Most importantly, Berger did not make the quintet in Director. While there have been recent examples of the directors of BP recipients not making that cut (Ben Affleck for Argo, Peter Farrelly for Green Book, Sian Heder last year with CODA), this seems like the type of project where the filmmaker needed in to have much hope of taking the biggest prize. That’s not the only chink in the armor. Quiet was widely expected to take the Golden Globe statue for foreign feature and lost in an upset to Argentina, 1985. Netflix hasn’t won a BP yet.
Other Nominations:
Adapted Screenplay, International Feature Film, Cinematography, Makeup & Hairstyling, Original Score, Production Design, Sound, Visual Effects
The Verdict:
Quiet appears close to a lock to make noise in International Feature Film (I wouldn’t bet on an Argentina upset on Oscar night). While its haul of nine is laudable, its chances in BP are low-key.
My Case Of posts will continue with Avatar: The Way of Water!
For the other BP Case Of posts, you can find them here:
My latest Final Five post brings us to 2012 and the Oscars that occurred nearly a decade ago. If you’re reading this series for the first time, this is where I whittle the 8-10 Best Picture nominees from every year since 2009 to five. As you may know, it was in 2009 that the Academy stopped listing a quintet of movies for the big prize and expanded it upwards. If you missed my write-ups about 2009, 2010, and 2011 – you can access them here:
As we do with each year, we start with the obvious. Ben Affleck’s Argo certainly would have made the cut since it won BP. 2012 was a strange year with the Academy’s voters. Argo emerged as the first film since 1989’s Driving Miss Daisy where the BP recipient’s director wasn’t nominated in that category. It’s happened twice since with 2018’s Green Book and last year’s CODA. I will admit that picking a fifth entry was challenging. The other 3 besides Argo seem pretty clear. Let’s get into it!
Amour
Michael Haneke’s French drama was the easy winner of Foreign Language Film and nabbed 3 other nods: Director, Actress (Emmanuelle Riva), and Original Screenplay.
Does It Make the Final Five?
No, though an argument can certainly be made. I would venture that with only five, the narrative would’ve been that it had no trouble in the foreign race and that would be the reward.
Beasts of the Southern Wild
This micro-budgeted indie fantasy from Benh Zeitlin scored a surprise directing nod as well as Actress (Quvanzhane Wallis) and Adapted Screenplay.
Does It Make the Final Five?
No. It received the least amount of nominations of the nine nominees and won none of its four mentions. That said, it’s not entirely out of the question that it could have snuck in.
Django Unchained
Quentin Tarantino scored the biggest hit of his career with this Western which won Original Screenplay and Supporting Actor (Christoph Waltz). It also received nods for Cinematography and Sound Editing.
Does It Make the Final Five?
No, though an argument can be made yet again (especially with the Original Screenplay victory). That said, misses for directing and editing are indications that it might have just missed.
Les Miserables
With 8 nominations and wins for Supporting Actress (Anne Hathaway), Sound Mixing, and Makeup and Hairstyling, the adaptation of the famed musical was one of the biggest box office performers of the bunch.
Does It Make the Final Five?
No… and stop me if you’ve heard this before… but an argument could be made. Like Django, the directing and editing omissions prevent me from saying it is top five.
Life of Pi
Ang Lee’s visually striking adaptation of a bestseller tied with most nominations (11). Lee would win for his behind the camera work and it would pick up gold statues for Score, Cinematography, and Visual Effects. Unlike our last two contenders, it did receive an editing nod.
Does It Make the Final Five?
Yes. Furthermore, it was probably the runner-up for the win.
Lincoln
Steven Spielberg’s historical tale was the other movie to receive 11 nominations. The sole win was for Daniel Day-Lewis’s embodiment of the 16th POTUS in Best Actor.
Does It Make the Final Five?
Yes. Despite the 1 for 11 showing, the sheer number of nods strongly suggest its inclusion.
Silver Linings Playbook
With 8 nominations and Jennifer Lawrence taking Best Actress, this was the rare pic that scored nominations in all 4 acting derbies. Unlike Lawrence – Bradley Cooper, Robert De Niro, and Jacki Weaver didn’t win their respective races. This was also up for David O. Russell’s direction, Adapted Screenplay, and Editing.
Does It Make the Final Five?
Yes – based on where else it landed attention.
Zero Dark Thirty
Kathryn Bigelow’s follow-up to her Oscar winning The Hurt Locker won Sound Editing. Jessica Chastain was up for Actress with Original Screenplay and Editing nods making it five overall. Bigelow’s snub in the directing race was unexpected.
Does It Make the Final Five?
Yes, but this is the one I’m most unsure about. One could easily make the case for Amour or Beasts or Django or Les Miserables. The fact that this had the screenplay nod and editing made me pick it.
So in my view your abbreviated 2012 BP lineup would be:
In the turbulent months that followed the terrorist attacks of 9/11, domestic audiences needed some escapism at the box office. In the Christmas season of 2001, they found it with Harry Potter and the Sorcerer’s Stone and Lord of the Rings: The Fellowship of the Ring.
By summer 2002, moviegoers turned out in record-setting droves for the first big screen treatment of an iconic superhero.
20 years later, that’s one thing that hasn’t changed as Spidey continues to dominate the charts. It all started with a memorable upside down kiss. Before we go there, there’s plenty more to discuss for the cinematic summer of two decades past.
As I do every season on the blog, I’m recounting the top 10 hits, other notable features, and flops from 30, 20, and 10 years ago. If you missed my post covering 1992, it’s right here:
When Adam Sandler remade Frank Capra, the result was another blockbuster for the star and a needed one after his previous pic Little Nicky was a rare commercial flop.
9. Minority Report
Domestic Gross: $132 million
The first and still only collaboration between Tom Cruise and Steven Spielberg is a prescient sci-fi tale and its reputation has grown since its release. It’s my personal favorite film of 2002.
8. xXx
Domestic Gross: 142 million
Riding high off the success of the previous summer’s The Fast and the Furious, Rob Cohen and Vin Diesel reunited for this over the top action flick. A sequel would follow three years later without Diesel’s involvement (Ice Cube starred instead), but Vin would return to the role in 2017.
7. Lilo & Stitch
Domestic Gross: $145 million
This Disney animated effort performed just fine (if not in the stratosphere of some 90s gems) and spawned numerous direct-to-video follow-ups. A live-action version is being planned.
6. Scooby-Doo
Domestic Gross: $153 million
Critics might have thought it was a dog, but crowds lapped up this live-action/animated hybrid based on the very 1970s cartoon. Scoob and the gang would return two years later for part 2. Fun fact: James Gunn of Guardians of the Galaxy fame wrote the script.
5. Men in Black II
Domestic Gross: $190 million
Will Smith and Tommy Lee Jones teamed up again for the sci-fi comedic spectacle from Barry Sonnenfeld. This fell short of the original’s $250 million domestic haul and the reviewers weren’t impressed, but that didn’t prevent a third offering that will be discussed in my summer of 2012 post.
4. Austin Powers in Goldmember
Domestic Gross: $213 million
Mike Myers continued to flex his box office mojo alongside Beyonce, Michael Caine, and Mini-Me in this threequel that I believe surpassed the quality of predecessor The Spy Who Shagged Me.
3. Signs
Domestic Gross: $227 million
After the more mixed reaction that Unbreakable garnered, M. Night Shyamalan’s Signs with Mel Gibson and Joaquin Phoenix was more of a return to crowd favorite status. What followed was several pics from him that drew considerably more ambivalent to negative vibes.
2. Star Wars: Episode II – Attack of the Clones
Domestic Gross: $302 million
$302 million is just dandy for nearly any movie, but this second prequel from George Lucas fell well short of the $431 million achieved by The Phantom Menace three summers prior. Many consider this the worst of the nine officials episodes. I’m one of them.
Spider-Man
Domestic Gross: $403 million
When Sam Raimi’s spin on the webslinger kicked off the summer, it did so with the largest opening weekend of all time at $114 million (breaking a record that had just been set by the first Potter). Two sequels followed for the Tobey Maguire/Kirsten Dunst trilogy and, as we all know, the character has never left us. Spider-Man: No Way Home recently brought all 3 Spideys (Maguire, Andrew Garfield, Tom Holland) into its MCU Multiverse.
Now let’s move to some other notable titles from the season:
The Bourne Identity
Domestic Gross: $121 million
While outside the top ten, Paul Greengrass’s action thriller with Matt Damon as an amnesiac spy is more influential than the bulk of the flicks above it. Damon would return to the role three times.
The Sum of All Fears
Domestic Gross: $118 million
Right behind Damon is his buddy Ben Affleck who took over the role of Jack Ryan (previously played by Alec Baldwin and Harrison Ford) in the Tom Clancy adapted hit.
Road to Perdition
Domestic Gross: $104 million
His follow-up to Best Picture winner American Beauty, the Depression era crime drama from Sam Mendes cast Tom Hanks against type as a hitman with Paul Newman as his underworld boss. This only nabbed a Cinematography Oscar, but reviews were mostly strong. It also provides a juicy role for pre-007 Daniel Craig.
Insomnia
Domestic Gross: $67 million
Hanks wasn’t the only legend stretching in a villainous turn. Robin Williams memorably did the same as he was pitted against Al Pacino’s detective in this chilly thriller from Christopher Nolan (three years before Batman Begins).
Unfaithful
Domestic Gross: $52 million
Adrian Lyne made a movie about another fatal attraction and Unfaithful earned Diane Lane an Oscar nomination as the cheating wife of Richard Gere.
And now for some movies that didn’t perform so well…
Reign of Fire
Domestic Gross: $43 million
This dragon centered fantasy arrived before Matthew McConaughey and Christian Bale would be Oscar winners a few years later. Critics weren’t kind and the box office failed to generate much fire.
Windtalkers
Domestic Gross: $40 million
John Woo’s financial win streak blew over with this World War II action drama headlined by Nicolas Cage that only managed 32% on Rotten Tomatoes.
K-19: The Widowmaker
Domestic Gross: $35 million
Seven years before her Oscar winning The Hurt Locker, Kathryn Bigelow’s 1960s set submarine thriller with Harrison Ford was a pricey disappointment.
Halloween: Resurrection
Domestic Gross: $30 million
Michael Myers and Jamie Lee Curtis’s Laurie Strode are about to team up for the final (?) time in Halloween Ends in October. In 2002, this was the sequel to the successful Halloween H20 from 1998. This one was not so successful and it’s considered by many aficionados as the weakest of the whole franchise.
Bad Company
Domestic Gross: $30 million
One is a double Oscar winner and the other is one of greatest stand-ups of all time, but this cinematic pairing of Anthony Hopkins and Chris Rock in Joel Schumacher’s action comedy was met with a shrug.
Blood Work
Domestic Gross: $26 million
Ten years after Unforgiven won Best Picture after its summer release, Clint Eastwood’s mystery didn’t work for critics or crowds.
The Adventures of Pluto Nash
Domestic Gross: $4 million
Speaking of legendary stand-ups, Eddie Murphy reached a career low point as sci-fi comedy Nash stands as one of cinema’s most notorious flops. Its budget was a reported $100 million and that’s not a misprint above… it made an embarrassing $4 million.
After giving us well-regarded erotic thrillers in the 1980s (9 1/2 Weeks, Fatal Attraction), 90s (Indecent Proposal), and 00s (Unfaithful), Adrian Lyne is back in genre form after 22 years with Deep Water. Unfortunately it’s often as lifeless as the marriage it portrays and even when its central relationship gathers steam in the third act, I still found myself mostly unsatisfied.
Based on a 1957 by Patricia Highsmith (who wrote the novels that became Strangers on a Train and The Talented Mr. Ripley), Water is certainly a cinematic step-down from those pictures. Vic Van Allen (Ben Affleck) doesn’t have much to do in his sleepy small Louisiana town. He’s an early retiree after inventing a chip that powers drones. The political ramifications of his former occupation are glossed over though it seems like the screenwriters wanted to explore it further. He spends his days tending to his pet snails and his precocious daughter (adorably played by Grace Jenkins who gives the most memorable performance).
Her mom is Melinda (Ana de Armas), who is not content being a soccer mom. Vic and Melinda spend their evenings at endless gatherings of their well to do neighbors that include Lil Rel Howery and his muted comic relief and Don (Tracy Letts), a screenwriter looking for inspiration. He may have found it with the Van Allens. Melinda is not shy about flaunting her flirtations and likely sexual dalliances with a string of hunks like the surfer looking Joel (Brendan C. Miller) and ivory tickling Charlie (Jacob Elordi). A previous hookup turned up dead and the townspeople whisper about Vic’s possible involvement. The chatter intensifies when Melinda’s latest conquests follow similar fates.
There’s perhaps some deeper meaning to glean about the nature of suburban marriages and jealousy and my hunch is that it’s found in Highsmith’s source material. It generally isn’t on the screen (or stream in this case since it’s a Hulu release). Instead we get a film where’s little joy in the repetition. Deep Water never quite finds the balance of being a kooky guilty pleasure and an engrossing sexual nail-biter. Occasionally it comes close with the former as Vic bizarrely explains the nutritional dangers of those snails.
Part of the problem is that the leads aren’t given compelling characters to play. Affleck does portray his general malaise with the desired effect while de Armas is saddled with a one-note femme fatale. If she’s supposed to be sympathetic, the writers failed to accomplish that mission. There is a cute moment when their adorable offspring belts out Leo Sayer’s mid 70s tune “You Make Me Feel Like Dancing”. As for Deep Water, it made me feel wistful of an era when these types of exercises were better. Lyne made some of them and this recent proposal falls short of being a decent one.
Adrian Lyne’s erotic thriller Deep Water was supposed to surface in theaters way back in November 2020 before its COVID delays. It marks the director’s first feature in 20 years since Unfaithful. The multiplex release was scrapped and a year and a half later, it’s slated for a Hulu streaming debut on Friday. The cast includes former couple Ben Affleck and Ana de Armas along with Tracy Letts, Lil Rel Howery, Dash Mihok, Finn Wittrock, and Kristen Connolly.
The embargo is up. Some critics have called it a worthy throwback to 80s/90s era psychosexual dramas. Others aren’t as kind as evidenced by the 47% Rotten Tomatoes rating.
Lyne’s previous efforts have yielded awards attention. 1983’s Flashdance garnered 4 down the line nominations with a win for that title song. 1987’s Fatal Attraction nabbed six including Picture, Actress (Glenn Close), and Supporting Actress (Anne Archer). Diane Lane received a Best Actress mention for the aforementioned Unfaithful two decades back.
So it’s not unreasonable to think of Lyne’s work as Oscar bait. It just won’t happen here as Water‘s critical reaction won’t give this any oxygen. My Oscar Prediction posts will continue…
The SAG Awards air this Sunday night and I’m here to give you my take. For some context, I went 4/5 in my projections from 2017-2019 and 3/5 last year. The winners here will certainly help themselves if they’re nominated for Oscars (as you’ll see – not all are).
Let’s get to it!
Outstanding Performance by a Cast in a Motion Picture
Nominees:
Belfast
CODA
Don’t Look Up
House of Gucci
King Richard
Commentary:
I could offer an argument for anything but Gucci (partly because The Birdcage from 1996 is the only winner that wasn’t nominated for BP at the Oscars). The rest of the pics are BP players with the Academy. Belfast is the most likely to win (notice frontrunner The Power of the Dog isn’t here). Even though I’m not projecting its lone nominee (Balfe) to take the SAG and it was a surprise that Ciaran Hinds didn’t make it, I’ll say the cast is ultimately honored as a whole. CODA is right on its heels.
Predicted Winner: Belfast
Runner-Up: CODA
Outstanding Performance by a Female Actor in a Leading Role
Nominees:
Jessica Chastain, The Eyes of Tammy Faye
Olivia Colman, The Lost Daughter
Lady Gaga, House of Gucci
Jennifer Hudson, Respect
Nicole Kidman, Being the Ricardos
Commentary:
Welcome to the confounding world of Best Actress in the 2021 awards season and this is easily the trickiest race to figure out. The Oscar/SAG match is 3/5. Gaga and Hudson didn’t make the Acadeny’s cut in favor of Penelope Cruz (Parallel Mothers) and Kristen Stewart (Spencer).
Let’s start with Gaga. The SAG winner in this race has never not been nominated for an Oscar so the superstar would certainly make history if she takes this. That stat discourages me from calling her name, but who knows? All hopefuls here would be first-time winners in this category (Hudson took Supporting Actress 15 years back in Dreamgirls). She seems least likely to win. So we’re down to Chastain, Colman, and Kidman. All could prevail. Kidman took the Golden Globe and a podium trip could solidify her status as the Oscar frontrunner. Chastain’s showy role could be honored and it’s a bit of a coin flip for me. I’ll give Kidman an ever so slight edge.
Predicted Winner: Nicole Kidman
Runner-Up: Jessica Chastain
Outstanding Performance by a Male Actor in a Leading Role
Nominees:
Javier Bardem, Being the Ricardos
Benedict Cumberbatch, The Power of the Dog
Andrew Garfield, Tick Tick… Boom!
Will Smith, King Richard
Denzel Washington, The Tragedy of Macbeth
Commentary:
Not complicated like Actress as there’s a 5 for 5 lineup with the Academy’s nominees. Unlike the Oscars, I do buy into the theory that Garfield might be more of a spoiler than Cumberbatch to Smith. The SAG folks could reward Garfield’s showy role. That said, I’m not betting against Smith.
Predicted Winner: Will Smith
Runner-Up: Andrew Garfield
Outstanding Performance by a Female Actor in a Supporting Role
Nominees:
Caitriona Balfe, Belfast
Cate Blanchett, Nightmare Alley
Ariana DeBose, West Side Story
Kirsten Dunst, The Power of the Dog
Ruth Negga, Passing
Commentary:
There’s only a 2 for 5 symmetry with the big show and that’s DeBose and Dunst. Balfe, Blanchett, and Negga are in over Academy picks Jessie Buckley (The Lost Daughter), Judi Dench (Belfast), and Aunjanue Ellis (King Richard). I do think it’s between the Oscar contestants. Dunst is a threat though I’m going with DeBose sweeping until I see different.
Predicted Winner: Ariana DeBose
Runner-Up: Kirsten Dunst
Outstanding Performance by a Male Actor in a Supporting Role
Nominees:
Ben Affleck, The Tender Bar
Bradley Cooper, Licorice Pizza
Troy Kotsur, CODA
Jared Leto, House of Gucci
Kodi Smit-McPhee, The Power of the Dog
Commentary:
Like Supporting Actress, just a 2 for 5 (Kotsur, Smit-McPhee) match. Affleck, Cooper, and Leto got SAG love instead of Oscar selections Ciaran Hinds (Belfast), Jesse Plemons (The Power of the Dog), and J.K. Simmons (Being the Ricardos). And I’ll also say it’s between the two Academy players. This is difficult because I could easily see Smit-McPhee sweeping (he won the Globe). Yet I have a sneaking suspicion the thespians may go for Kotsur. With little confidence, I’ll pick that.
Predicted Winner: Troy Kotsur
Runner-Up: Kodi Smit-McPhee
I’ll have reaction up on the ceremony Sunday night!
And at last… they’re out! After months of speculating on the blog (starting all the way back with my initial predictions in August), the Oscar nominations for the 94th Academy Awards were unveiled early this morning.
As always, there’s shocking omissions and surprising additions. There’s races that went as planned. And (for me at least) there’s always that one tricky category where I end up going 2/5. This year it was Documentary Feature which is notoriously tough to figure out. On the flip side, I projected 4 out of the 20 feature film competitions with 5/5 accuracy. All in all – I went 82 for 105 on the picks.
Some initial thoughts before I break it down race by race. The Power of the Dog was easily the winner of the morning with 12 nods (even more than anticipated). It led all nominees with Dune second (10).
Other movies that either met or exceeded expectations: Drive My Car, King Richard, and Nightmare Alley (which was the only somewhat surprising BP addition). For others, it was more of a mixed bag. Belfast garnered 7 mentions but came up short in key tech indicators like Cinematography and Editing. The same can be said for Licorice Pizza. Seven was also the number for West Side Story, but it missed screenplay. Being the Ricardos got 3 acting nods but no Picture or screenplay. And even Dune, with the 10 nods, somehow missed a director nomination for Denis Villeneuve.
Then there’s House of Gucci, which showed up only in Makeup and Hairstyling. No Jared Leto (I predicted he’d be left off), but no Lady Gaga in Actress was perhaps the shocker of the day.
Let’s get into it and I’ll offer my initial take on what/who could win (my final predictions will come shortly before the March 27th show).
Best Picture
Nominees:
Belfast
CODA
Don’t Look Up
Drive My Car
Dune
King Richard
Licorice Pizza
Nightmare Alley
The Power of the Dog
West Side Story
How I Did: 9/10
Commentary: My one miss was Alley coming in over Being the Ricardos. Make no mistake. With its 12 mentions, The Power of the Dog is undoubtedly the frontrunner. Yes, the Twitterverse will offer alternate theories. Could Drive My Car‘s impressive haul give us our second foreign BP winner in three years? Could Belfast or West Side Story spoil? I doubt it.
Best Director
Nominees:
Paul Thomas Anderson, Licorice Pizza
Kenneth Branagh, Belfast
Jane Campion, The Power of the Dog
Ryusuke Hamaguchi, Drive My Car
Steven Spielberg, West Side Story
How I Did: 4/5
Commentary: Hamaguchi getting in wasn’t unforeseen. If so, I figured he’d do so over Anderson, Branagh, or Spielberg and certainly not Villeneuve. That’s what happened. Campion made history today by becoming the first female nominee to get a second nomination. All signs point to her becoming the third (after Kathryn Bigelow and Chloe Zhao) to win.
Best Actress
Nominees:
Jessica Chastain, The Eyes of Tammy Faye
Olivia Colman, The Lost Daughter
Penelope Cruz, Parallel Mothers
Nicole Kidman, Being the Ricardos
Kristen Stewart, Spencer
How I Did: 4/5
Commentary: We now arrive at the biggest head scratcher of the major categories. Gaga’s aforementioned omission is truly unexpected (Cruz takes her slot). The precursors (BAFTA, Globes, SAG) have been all over the map and there’s no obvious favorite. I would say Cruz doesn’t stand much of a chance, but the other four do (it’s a lot like last year’s Actress derby). This is also the first time since 2005 where no Actress hopeful has their film in contention for Best Picture. Kidman’s Globe win could help and we’ll see what SAG does, but this is wide open.
Best Actor
Nominees:
Javier Bardem, Being the Ricardos
Benedict Cumberbatch, The Power of the Dog
Andrew Garfield, Tick, Tick… Boom!
Will Smith, King Richard
Denzel Washington, The Tragedy of Macbeth
How I Did: 5/5
Commentary: That’s more like it! Smith (especially after Richard‘s good morning) is out ahead though I could see Cumberbatch definitely threatening after Dog‘s very good morning. Fun tidbit: not since 1980 has the Best Actor race consisted entirely of previous nominees until today.
Best Supporting Actress
Nominees:
Jessie Buckley, The Lost Daughter
Ariana DeBose, West Side Story
Judi Dench, Belfast
Kirsten Dunst, The Power of the Dog
Aunjanue Ellis, King Richard
How I Did: 3/5
Commentary: This was the first race announced today and the jaws of prognosticators dropped immediately. Buckley and (especially) Dench were not anticipated by most. I didn’t even have either as my runner-up or second alternate. They displace Ruth Negga (Passing) and Dench’s costar Caitriona Balfe. While the lineup is different than we thought, the frontrunner (DeBose) remains the same with Dunst (getting her first nod) as a possible upset pick.
Best Supporting Actor
Nominees:
Ciaran Hinds, Belfast
Troy Kotsur, CODA
Jesse Plemons, The Power of the Dog
J.K. Simmons, Being the Ricardos
Kodi Smit-McPhee, The Power of the Dog
How I Did: 4/5
Commentary: Simmons in over Bradley Cooper in Licorice Pizza. Mr. Cooper has two movies contending for BP but no singling out to show for it. Smit-McPhee may be out in front but a Kotsur victory is feasible.
Best Original Screenplay
Nominees:
Belfast
Don’t Look Up
King Richard
Licorice Pizza
The Worst Person in the World
How I Did: 3/5
Commentary: Worst Person is the surprise. I didn’t predict Richard though its inclusion was expected. They’re in over Ricardos and Parallel Mothers (which was admittedly a bit of an upset pick from me). This should be between Belfast and Pizza and it may represent the best opportunity for either to grab a statue.
Tidbit: since 2001, there was at least one screenplay contender where it served as its only nomination. Until today.
Best Adapted Screenplay
Nominees:
CODA
Drive My Car
Dune
The Lost Daughter
The Power of the Dog
How I Did: 5/5
Commentary: Let’s not overcomplicate it when we don’t need to. Power is far and away the leader in this pack.
Best Animated Feature
Nominees:
Encanto
Flee
Luca
The Mitchells vs. the Machines
Raya and the Last Dragon
How I Did: 5/5
Commentary: This went as planned. There are three Disney products in the group, but the other two (Flee, Mitchells) are potential roadblocks to Encanto winning. Yet betting against Disney usually isn’t wise in this one and Encanto will probably take it.
Best International Feature Film
Nominees:
Drive My Car
Flee
The Hand of God
Lunana: A Yak in the Classroom
The Worst Person in the World
How I Did: 3/5
Commentary: I’m gonna go ahead and say Lunana is the first Oscar contender with Yak in its title without checking (correct me if wrong). It surprisingly gets in (along with far less surprising The Hand of God) over A Hero and Playground. This one’s simple: anything other than Car would be a massive upset.
Best Documentary Feature
Nominees:
Ascension
Attica
Flee
Summer of Soul
Writing with Fire
How I Did: 2/5
Commentary: There’s that blasted 2 for 5 race! Ascension, Attica, and Fire are up over my selections of Faye Dayi, Procession, and The Rescue (its omission is stunning considering it was a contender to win).
Flee made history by becoming the first film to be nominated for Animated Feature, International Feature Film, and here. This race probably marks its best chance to win, but I wouldn’t sleep on Summer of Soul.
Best Cinematography
Nominees:
Dune
Nightmare Alley
The Power of the Dog
The Tragedy of Macbeth
West Side Story
How I Did: 4/5
Commentary: Alley over Belfast. Get used to hearing this with the tech categories – Dune might be out in front. Dog could threaten.
Best Costume Design
Nominees:
Cruella
Cyrano
Dune
Nightmare Alley
West Side Story
How I Did: 4/5
Commentary: Cyrano‘s sole nod comes here. I had House of Gucci instead. Dune can’t win all the techs and Cruella could take this.
Best Film Editing
Nominees:
Don’t Look Up
Dune
King Richard
The Power of the Dog
Tick, Tick… Boom!
How I Did: 3/5
Commentary: Richard and Boom! over Belfast and Licorice Pizza. The Belfast omission is particularly notable as BP victors nearly always are nominated here. This could be more Dune gold.
Best Makeup and Hairstyling
Nominees:
Coming 2 America
Cruella
Dune
The Eyes of Tammy Faye
House of Gucci
How I Did: 4/5
Commentary: Went with Suicide Squad over Coming 2 America. Despite its bad performance this morning, Gucci could win this. Or it might just go to Dune.
Best Original Score
Nominees:
Don’t Look Up
Dune
No Time to Die
Parallel Mothers
The Power of the Dog
How I Did: 4/5
Commentary: Went with The French Dispatch (which goose egged) over Mothers. As for the winner (get ready for it) – expect Dune or Dog.
Best Original Song
Nominees:
“Be Alive” from King Richard
“Dos Oruguitas” from Encanto
“Down to Joy” from Belfast
“No Time to Die” from No Time to Die
“Somehow You Do” from Four Good Days
How I Did: 4/5
Commentary: Maybe the surprise here shouldn’t be with “Somehow You Do” over “Just Look Up” from Don’t Look Up. After all, this marks Diane Warren’s 13th nomination and sixth in the last seven years. She’s never won and won’t this time.
“Be Alive” from Beyonce or “Oruguitas” could get it, but “No Time to Die” from Billie Eilish could be the third Bond theme in a row to be celebrated.
Best Production Design
Nominees:
Dune
Nightmare Alley
The Power of the Dog
The Tragedy of Macbeth
West Side Story
How I Did: 4/5
Commentary: Another category where I said French Dispatch and missed. Power gets in instead. While Dune is strong, I wouldn’t be startled to see this as the lone victory for Nightmare Alley.
Best Sound
Nominees:
Belfast
Dune
No Time to Die
The Power of the Dog
West Side Story
How I Did: 5/5
Commentary: You should hear Dune‘s name called.
Best Visual Effects
Nominees:
Dune
Free Guy
No Time to Die
Shang-Chi and the Legend of the Ten Rings
Spider-Man: No Way Home
How I Did: 3/5
Commentary: Free Guy and Spidey over The Matrix Resurrections and Godzilla vs. Kong. As for the winner: See Best Sound.
Here’s the overall nominations break down:
12 Nominations
The Power of the Dog
10 Nominations
Dune
7 Nominations
Belfast, West Side Story
6 Nominations
King Richard
4 Nominations
Don’t Look Up, Drive My Car, Nightmare Alley
3 Nominations
Being the Ricardos, CODA, Encanto, Flee, Licorice Pizza, The Lost Daughter, No Time to Die, The Tragedy of Macbeth
2 Nominations
Cruella, The Eyes of Tammy Faye, Parallel Mothers, Tick, Tick… Boom!, The Worst Person in the World
1 Nomination
Ascension, Attica, Coming 2 America, Cyrano, Four Good Days, Free Guy, The Hand of God, House of Gucci, Luca, Lunana: A Yak in the Classroom, The Mitchells vs. the Machines, Raya and the Last Dragon, Shang-Chi and the Legend of the Ten Rings, Spencer, Spider-Man: No Way Home, Summer of Soul, Writing with Fire
Starting very shortly, you can peruse my Case Of posts in which I write individualized posts for all the contenders in Picture, Director, and the four acting races!
This is it! After months of speculation that began all the way back in a time known as August 2021, the guesswork grinds to a halt. It’s time for my FINAL Oscar predictions for the 94th Academy Awards. Nominations are out Tuesday (February 8th) with the big show airing March 27th.
I’ve penned thousands of words discussing the various feature film categories that will be revealed. The speculation ends today. For each race, I will give you my picks along with a runner-up and a second alternate. On Tuesday, I’ll have reaction up with my thoughts and, of course, how I did with the prognostications. I’m also giving you how I fared in the previous two years with each category.
So… pencils down. Let’s get to it!
Best Picture
2019 Performance: 9/9
2020 Performance: 7/9
***There are 10 fixed nominees now***
Predicted Nominees:
Being the Ricardos
Belfast
CODA
Don’t Look Up
Drive My Car
Dune
King Richard
Licorice Pizza
The Power of the Dog
West Side Story
Runner-Up: Tick, Tick… Boom!
Second Alternate: The Tragedy of Macbeth
Best Director
2019 Performance: 4/5
2020 Performance: 4/5
Predicted Nominees:
Paul Thomas Anderson, Licorice Pizza
Kenneth Branagh, Belfast
Jane Campion, The Power of the Dog
Steven Spielberg, West Side Story
Denis Villeneuve, Dune
Runner-Up: Ryusuke Hamaguchi, Drive My Car
Second Alternate: Sian Heder, CODA
Best Actress
2019 Performance: 5/5
2020 Performance: 5/5
Predicted Nominees:
Jessica Chastain, The Eyes of Tammy Faye
Olivia Colman, The Lost Daughter
Lady Gaga, House of Gucci
Nicole Kidman, Being the Ricardos
Kristen Stewart, Spencer
Runner-Up: Penelope Cruz, Parallel Mothers
Second Alternate: Alana Haim, Licorice Pizza
Best Actor
2019 Performance: 4/5
2020 Performance: 5/5
Predicted Nominees:
Javier Bardem, Being the Ricardos
Benedict Cumberbatch, The Power of the Dog
Andrew Garfield, Tick, Tick… Boom!
Will Smith, King Richard
Denzel Washington, The Tragedy of Macbeth
Runner-Up: Leonardo DiCaprio, Don’t Look Up
Second Alternate: Peter Dinklage, Cyrano
Best Supporting Actress
2019 Performance: 4/5
2020 Performance: 4/5
Predicted Nominees:
Caitriona Balfe, Belfast
Ariana DeBose, West Side Story
Kirsten Dunst, The Power of the Dog
Aunjanue Ellis, King Richard
Ruth Negga, Passing
Runner-Up: Ann Dowd, Mass
Second Alternate: Cate Blanchett, Nightmare Alley
Best Supporting Actor
2019 Performance: 5/5
2020 Performance: 4/5
Predicted Nominees:
Bradley Cooper, Licorice Pizza
Ciaran Hinds, Belfast
Troy Kotsur, CODA
Jesse Plemons, The Power of the Dog
Kodi Smit-McPhee, The Power of the Dog
Runner-Up: Jared Leto, House of Gucci
Second Alternate: Ben Affleck, The Tender Bar
Best Original Screenplay
2019 Performance: 4/5
2020 Performance: 4/5
Predicted Nominees:
Being the Ricardos
Belfast
Don’t Look Up
Licorice Pizza
Parallel Mothers
Runner-Up: King Richard
Second Alternate: C’Mon C’Mon
Best Adapted Screenplay
2019 Performance: 5/5
2020 Performance: 3/5
Predicted Nominees:
CODA
Drive My Car
Dune
The Lost Daughter
The Power of the Dog
Runner-Up: West Side Story
Second Alternate: Passing
Best Animated Feature
2019 Performance: 4/5
2020 Performance: 4/5
Predicted Nominees:
Encanto
Flee
Luca
The Mitchells vs. the Machines
Raya and the Last Dragon
Runner-Up: Belle
Second Alternate: Sing 2
Best International Feature Film
2019 Performance: 3/5
2020 Performance: 2/5
Predicted Nominees:
Drive My Car
Flee
A Hero
Playground
The Worst Person in the World
Runner-Up: The Hand of God
Second Alternate: Prayers for the Stolen
Best Documentary Feature
2019 Performance: 3/5
2020 Performance: 3/5
Predicted Nominees:
Faya Dayi
Flee
Procession
The Rescue
Summer of Soul
Runner-Up: The First Wave
Second Alternate: Ascension
Best Cinematography
2019 Performance: 4/5
2020 Performance: 4/5
Predicted Nominees:
Belfast
Dune
The Power of the Dog
The Tragedy of Macbeth
West Side Story
Runner-Up: Nightmare Alley
Second Alternate: Licorice Pizza
Best Costume Design
2019 Performance: 3/5
2020 Performance: 4/5
Predicted Nominees:
Cruella
Dune
House of Gucci
Nightmare Alley
West Side Story
Runner-Up: Cyrano
Second Alternate: Licorice Pizza
Best Film Editing
2019 Performance: 4/5
2020 Performance: 4/5
Predicted Nominees:
Belfast
Don’t Look Up
Dune
Licorice Pizza
The Power of the Dog
Runner-Up: West Side Story
Second Alternate: King Richard
Best Makeup and Hairstyling
2019 Performance: 3/5
2020 Performance: 4/5
Predicted Nominees:
Cruella
Dune
The Eyes of Tammy Faye
House of Gucci
The Suicide Squad
Runner-Up: Coming 2 America
Second Alternate: Cyrano
Best Original Score
2019 Performance: 5/5
2020 Performance: 4/5
Predicted Nominees:
Don’t Look Up
Dune
Encanto
The French Dispatch
The Power of the Dog
Runner-Up: Parallel Mothers
Second Alternate: Spencer
Best Original Song
2019 Performance: 3/5
2020 Performance: 4/5
Predicted Nominees:
“Be Alive” from King Richard
“Dos Oruguitas” from Encanto
“Down to Joy” from Belfast
“Just Look Up” from Don’t Look Up
“No Time to Die” from No Time to Die
Runner-Up: “Here I Am” from Respect
Second Alternate: “Beyond the Shore” from CODA
Best Production Design
2019 Performance: 4/5
2020 Performance: 3/5
Predicted Nominees:
Dune
The French Dispatch
Nightmare Alley
The Tragedy of Macbeth
West Side Story
Runner-Up: Belfast
Second Alternate: Licorice Pizza
Best Sound
2020 Performance: 5/5
***Sound races were split into Editing and Mixing prior to 2020
Predicted Nominees:
Belfast
Dune
No Time to Die
The Power of the Dog
West Side Story
Runner-Up: A Quiet Place Part II
Second Alternate: Spider-Man: No Way Home
Best Visual Effects
2019 Performance: 5/5
2020 Performance: 3/5
Predicted Nominees:
Dune
Godzilla vs. Kong
The Matrix Resurrections
No Time to Die
Shang-Chi and the Legend of the Ten Rings
Runner-Up: Spider-Man: No Way Home
Second Alternate: Ghostbusters: Afterlife
And this means my FINAL tally of total nominations for these films are as follows:
11 Nominations
Dune, The Power of the Dog
9 Nominations
Belfast
7 Nominations
West Side Story
5 Nominations
Don’t Look Up, Licorice Pizza
4 Nominations
Being the Ricardos, King Richard
3 Nominations
CODA, Drive My Car, Encanto, Flee, House of Gucci, No Time to Die, The Tragedy of Macbeth
2 Nominations
Cruella, The Eyes of Tammy Faye, The French Dispatch, The Lost Daughter, Nightmare Alley
1 Nomination
Faya Dayi, Godzilla vs. Kong, A Hero, Luca, The Matrix Resurrections, The Mitchells vs. the Machines, Parallel Mothers, Passing, Playground, Procession, Raya and the Last Dragon, The Rescue, Shang-Chi and the Legend of the Ten Rings, Spencer, The Suicide Squad, Summer of Soul, Tick, Tick… Boom!, The Worst Person in the World
Come Tuesday – visit the blog for reaction to the nominations!
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