99th Academy Awards Predictions: June 14th Edition

It’s been two weeks since my last round of predictions in Best Picture, Director, and the four acting competitions. With mid-June upon us, I am now adding my first takes on the two screenplay derbies.

What’s changed in the last two weeks? In my estimation, Obsession has picked up considerable momentum with its astonishing box office performance. I am now vaulting the low-budget horror smash from #25 all the way into the BP lineup. Additionally, I am now thinking that Focus Features will slot Inde Navarrette and her buzzy performance to Supporting Actress and I’m placing her in my quintet all the way in second position.

While Obsession‘s fortunes have risen, I would say Disclosure Day from Steven Spielberg has taken a slight downturn. The sci-fi saga which debuted this weekend in line with financial expectations (though certainly not over them) will have to battle other blockbusters (Project Hail Mary, The Odyssey, Dune: Part Three) over the next several months for awards viability. It could still get in (and so could Emily Blunt in Actress). However, the non-gushing critical response and mixed audience reaction is a potential roadblock.

Trailers can be deceiving when evaluating a picture’s Oscar chances. Yet I have to admit that I found our first look at The Social Reckoning underwhelming and I dropped it from my BP lineup, putting it just on the outside looking in.

You can read all the movement below!

Best Picture

Predicted Nominees:

1. The Odyssey (Previous Ranking: 1) (Even)

2. Project Hail Mary (PR: 2) (E)

3. The Black Ball (PR: 5) (+2)

4. Digger (PR: 3) (-1)

5. Wild Horse Nine (PR: 4) (-1)

6. Fjord (PR: 6) (E)

7. No One Cares (PR: 8) (+1)

8. Dune: Part Three (PR: 7) (-1)

9. Cry to Heaven (PR: 10) (+1)

10. Obsession (PR: 25) (+15)

Other Possibilities:

11. The Social Reckoning (PR: 9) (-2)

12. All of a Sudden (PR: 12) (E)

13. A Place in Hell (PR: 15) (+2)

14. Disclosure Day (PR: 11) (-2)

15. Sense and Sensibility (PR: 14) (-1)

16. Fatherland (PR: 13) (-3)

17. Behemoth! (PR: 19) (+2)

18. Werwulf (PR: 16) (-2)

19. Jack of Spades (PR: 18) (-1)

20. The Adventures of Cliff Booth (PR: 17) (-3)

21. Josephine (PR: 23) (+2)

22. Saturn Return (PR: 24) (+2)

23. Michael (PR: 22) (-1)

24. Being Heumann (PR: 20) (-4)

25. Club Kid (PR: Not Ranked)

Dropped Out:

The Entertainment System is Down

Best Director

Predicted Nominees:

1. Christopher Nolan, The Odyssey (PR: 1) (E)

2. Javier Ambrossi and Javier Calvo, The Black Ball (PR: 4) (+2)

3. Alejandro G. Iñárritu, Digger (PR: 2) (-1)

4. Martin McDonagh, Wild Horse Nine (PR: 3) (-1)

5. Phil Lord and Christopher Miller, Project Hail Mary (PR: 5) (E)

Other Possibilities:

6. Cristian Mingiu, Fjord (PR: 6) (E)

7. Tom Ford, Cry to Heaven (PR: 7) (E)

8. Denis Villeneuve, Dune: Part Three (PR: 8) (E)

9. Curry Barker, Obsession (PR: Not Ranked)

10. Pawel Pawlikowski, Fatherland (PR: 9) (-1)

11. Jesse Eisenberg, No One Cares (PR: 12) (+1)

12. Ryusuke Hamaguchi, All of a Sudden (PR: 11) (-1)

13. Chloe Domont, A Place in Hell (PR: Not Ranked)

14. Georgia Oakley, Sense and Sensibility (PR: 14) (E)

15. Robert Eggers, Werwulf (PR: 15) (E)

Dropped Out:

Steven Spielberg, Disclosure Day

Aaron Sorkin, The Social Reckoning

Best Actress

Predicted Nominees:

1. Renate Reinsve, Fjord (PR: 1) (E)

2. Julianne Moore, No One Cares (PR: 2) (E)

3. Michelle Williams, A Place in Hell (PR: 4) (+1)

4. Virginie Efira, All of a Sudden (PR: 5) (+1)

5. Mikey Madison, The Social Reckoning (PR: 3) (-2)

Other Possibilities:

6. Sandra Hüller, Fatherland (PR: 6) (E)

7. Emily Blunt, Disclosure Day (PR: 7) (E)

8. Daisy Edgar-Jones, Sense and Sensibility (PR: 11) (+3)

9. Sandra Hüller, Rose (PR: 10) (+1)

10. Cynthia Erivo, Prima Facie (PR: 8) (-2)

11. Ruth Madeley, Being Heumann (PR: 12) (+1)

12. Mason Reeves, Josephine (PR: 14) (+2)

13. Sophie Okonedo, Clarissa (PR: 13) (E)

14. Penélope Cruz, Bunker (PR: Not Ranked)

15. Léa Seydoux, Gentle Monster (PR: Not Ranked)

Dropped Out:

Inde Navarrette, Obsession (moved to Supporting Actress)

Rachel Brosnahan, Saturn Return

Best Actor

Predicted Nominees:

1. Tom Cruise, Digger (PR: 1) (E)

2. Ryan Gosling, Project Hail Mary (PR: 2) (E)

3. Sebastian Stan, Fjord (PR: 3) (E)

4. John Malkovich, Wild Horse Nine (PR: 4) (E)

5. Matt Damon, The Odyssey (PR: 5) (E)

Other Possibilities:

6. John Turturro, The Only Living Pickpocket in New York (PR: 13) (+7)

7. Pedro Pascal, Behemoth! (PR: 9) (+2)

8. Nicholas Hoult, Cry to Heaven (PR: 6) (-2)

9. Jaafar Jackson, Michael (PR: 7) (-2)

10. Dominic Sessa, Tony (PR: 8) (-2)

11. Robert Pattinson, Primetime (PR: 11) (E)

12. Timothée Chalamet, Dune: Part Three (PR: 12) (E)

13. Hanns Zischler, Fatherland (PR: 14) (+1)

14. Rami Malek, The Man I Love (PR: 10 (-4)

15. Jordan Firstman, Club Kid (PR: Not Ranked)

Dropped Out:

Javier Bardem, The Beloved

Best Supporting Actress

Predicted Nominees:

1. Mariana Di Girolamo, Wild Horse Nine (PR: 1) (E)

2. Inde Navarrette, Obsession (PR: Not Ranked – moved from lead Actress)

3. Sandra Hüller, Digger (PR: 2) (-1)

4. Penélope Cruz, The Black Ball (PR: 5) (+1)

5. Tao Okamoto, All of a Sudden (PR: 4) (-1)

Other Possibilities:

6. Anne Hathaway, The Odyssey (PR: 3) (-3)

7. Parker Posey, Wild Horse Nine (PR: 6) (-1)

8. Sandra Hüller, Project Hail Mary (PR: 7) (-1)

9. Daisy Edgar-Jones, A Place in Hell (PR: 8) (-1)

10. Esmé Creed-Miles, Sense and Sensibility (PR: 10) (E)

11. Penélope Cruz, The Invite (PR: 13) (+2)

12. Halle Bailey, No One Cares (PR: 9) (-3)

13. Scarlet Johansson, Paper Tiger (PR: 15) (+2)

14. Elizabeth Debicki, The Adventures of Cliff Booth (PR: 11) (-3)

15. Lesley Manville, Jack of Spades (PR: 14) (-1)

Dropped Out:

Adele, Cry to Heaven

Best Supporting Actor

Predicted Nominees:

1. Paul Giamatti, No One Cares (PR: 1) (E)

2. John Goodman, Digger (PR: 2) (E)

3. Sam Rockwell, Wild Horse Nine (PR: 3) (E)

4. Robert Pattinson, The Odyssey (PR: 4) (E)

5. Steve Buscemi, Wild Horse Nine (PR: 5) (E)

Other Possibilities:

6. Jeremy Strong, The Social Reckoning (PR: 6) (E)

7. Jesse Plemons, Digger (PR: 8) (+1)

8. Colman Domingo, Michael (PR: 9) (+1)

9. Andrew Scott, A Place in Hell (PR: 13) (+4)

10. Riz Ahmed, Digger (PR: Not Ranked)

11. Channing Tatum, Josephine (PR: 12) (+1)

12. James Ortiz, Project Hail Mary (PR: Not Ranked)

13. Tom Holland, The Odyssey (PR: 10) (-3)

14. Aaron Taylor-Johnson, Cry to Heaven (PR: 7) (-7)

15. Owen Cooper, Cry to Heaven (PR: 11) (-4)

Dropped Out:

Mark Ruffalo, Being Heumann

Antonio Banderas, Tony

Best Original Screenplay

Predicted Nominees:

1. Wild Horse Nine

2. Digger

3. Fjord

4. No One Cares

5. A Place in Hell

Other Possibilities:

6. Obsession

7. Behemoth!

8. Club Kid

9. Fatherland

10. Jack of Spades

11. Primetime

12. Josephine

13. The Drama

14. Disclosure Day

15. Saturn Return

Best Adapted Screenplay

Predicted Nominees:

1. The Black Ball

2. The Odyssey

3. Project Hail Mary

4. All of a Sudden

5. Cry to Heaven

Other Possibilties:

6. The Social Reckoning

7. Dune: Part Three

8. Sense and Sensibility

9. The Invite

10. The Adventures of Cliff Booth

11. Prima Facie

12. Being Heumann

13. A Long Winter

14. Tony

15. Minotaur

Oscar Predictions: Club Kid

At last month’s Cannes Film Festival, Jordan Firstman’s feature length directorial debut Club Kid was a crowd favorite that sparked a bidding war won by A24. Firstman, known best for his Instagram posts, also penned the screenplay and stars as a party promoter unexpectedly forced to grow up. The dramedy’s supporting cast includes Cara Delevingne, Diego Calva, and Reggie Absolom.

With 100% on Rotten Tomatoes and 85 on Metacritic, A24 shelled out $17 million for distribution rights with a release expected in the fall. This could be a sleeper hit with the right promotion by the parties involved. I would expect an awards campaign with the likeliest shot being Original Screenplay and Best Picture and Firstman’s lead performance as longer shots. My Oscar Prediction posts will continue…

Oscar Predictions: The Death of Robin Hood

A dark interpretation of a folkloric character portrayed many times on film, Hugh Jackman has title role status in The Death of Robin Hood. Out June 19th, costars include Jodie Comer, Bill Skarsgård, Murray Bartlett, and Noah Jupe. Michael Sarnoski, maker of Pig and A Quiet Place: Day One, directs.

Mr. Jackman is generally being appreciated for his downbeat take on the part. Reviews are varied with 67% on Rotten Tomatoes and a 62 Metacritic. That’s more than 2010’s Robin Hood from Ridley Scott and starring Jackman’s Les Miserables singing partner Russell Crowe. It’s far better than 2018’s version with Taron Egerton, but the critical reaction does not indicate the A24 release will play in awards season. I doubt its distributor will prioritize it. My Oscar Prediction posts will continue…

Toy Story 5 Box Office Prediction

30 plus years after kicking off the Pixar craze for parent company Disney, Woody and Buzz are back in theaters with Toy Story 5 on June 19th. The beloved franchise arrives seven years after the fourth entry which set a series best in terms of domestic earnings at $434 million. Andrew Stanton, maker of Pixar smashes Finding Nemo and Wall-E, directs his first Toy tale (he had screenwriter or story credit on the previous ones). Tom Hanks and Tim Allen are back voicing their iconic characters as are Joan Cusack, Tony Hale, John Ratzenberger, Wallace Shawn, Blake Clark, Annie Potts, Bonnie Hunt, Melissa Villaseñor, Kristen Schaal, Keanu Reeves, and Ally Maki. Newcomers behind the mic include Greta Lee, Conan O’Brien, Craig Robinson, Bad Bunny, Ernie Hudson, and Alan Cumming.

Each Story since 1995 has topped the grosses of its predecessor (non adjusted for inflation). Toy Story 4 also had the largest opening of the quartet at $120 million (the third did $110 million). Early word-of-mouth suggests this is an improvement over part 4. That should mean this has no trouble setting a new series debut record. It it doesn’t, that would be considered a letdown.

I think the floor is $130 million. While not out of the question that this could surpass it, Pixar’s all-time largest premiere held by Incredibles 2 at $182 million should stay intact. Toy Story 5 should, however, challenge Inside Out 2 at #2 and its $154 million. I’ll say it gets beyond that for the highest 2026 start, besting The Super Mario Galaxy Movie‘s $131 million.

Toy Story 5 opening weekend prediction: $166.8 million

Oscar Predictions: Disclosure Day

Disclosure Day, which returns Steven Spielberg to the extraterrestrial genre, marks the 34th feature from the iconic filmmaker. Of the previous 33, only five failed to receive at least Oscar nomination: 1974’s The Sugarland Express, 1989’s Always, 2004’s The Terminal, 2008’s Indiana Jones and the Kingdom of the Crystal Skull, and 2016’s The BFG. That’s one heckuva percentage with the Academy and it’s highly unlikely that Disclosure Day will become the sixth to blank with voters.

Out this weekend, the sci-fi tale reunites the director with his frequent screenwriter David Koepp. Emily Blunt, Josh O’Connor, Colin Firth, Eve Hewson, Wyatt Russell, and Colman Domingo headline the cast. The review embargo is up with an encouraging 88% on Rotten Tomatoes and 74 on Metacritic.

Finding Spielberg back in the blockbuster territory for the first time since 2018’s Ready Player One, this is not as Oscar baity as his last two projects (West Side Story and The Fabelmans). As far as Disclosure‘s Best Picture prospects, the possibility is there under a best case scenario. However, other mass appeal pics like Project Hail Mary (which has probably punched its BP ticket) and the upcoming The Odyssey and Dune: Part Three loom. If it manages to get into BP, Spielberg could follow suit in director. Original Screenplay might be more of a challenge.

It’s no surprise that the film’s strongest chances lie below the line, particularly in Sound and Visual Effects. Then there’s John Williams. Spielberg’s most frequent collaborator could manage an Original Score mention. He would be 95 when the 99th ceremony airs and it would mark his 55th (!) nomination with five victories to his legendary name.

As far as the cast, Firth is getting good ink. Yet it’s Blunt who could make the cut in Best Actress. Competition will clearly be key, but she is being heralded in what some critics are calling career-best work. She is nowhere near as guaranteed to get in as her The Fall Guy costar Ryan Gosling is for Hail Mary, but Blunt definitely has a prayer. If so, it would mark only her second attempt at Academy gold after being up in Supporting Actress for 2023’s Oppenheimer.

Bottom line: Disclosure Day will keep its maker’s popularity with the Academy intact. The number of nominations is the real mystery. My Oscar Prediction posts will continue…

June 12-14 Box Office Predictions

Steven Spielberg’s latest alien tale Disclosure Day looks to open impressively as the only new release in the top 5. You can peruse my detailed prediction post on the legendary filmmaker’s latest here:

Disclosure Day Box Office Prediction

With solid reviews and a robust marketing campaign, Spielberg’s return to the extraterrestrial genre will have no trouble topping the charts. I do not, however, think it’ll surpass the anticipated premiere range in the mid 40s to mid 50s. I’m putting it smack dab in the middle of those figures.

The last three Scary Movie flicks have all fallen in the high 50s during their sophomore outings. After a terrific opening (more on that below), I don’t see why the sixth installment wouldn’t do the same and it might even approach 60%.

That could mean Obsession, the little horror movie that could, rises from 4th to 2nd in its fifth weekend assuming it only drops around 10% with current champ Scary Movie dropping to third. I’m estimating that Masters of the Universe and Backrooms see declines in the mid 50s and place fourth and fifth.

Here’s how I see it shaking out:

1. Disclosure Day

Predicted Gross: $51.6 million

2. Obsession

Predicted Gross: $22.8 million

3. Scary Movie

Predicted Gross: $22 million

4. Masters of the Universe

Predicted Gross: $13.5 million

4. Backrooms

Predicted Gross: $12.4 million

Box Office Results (June 5-7)

Scary Movie reenergized a franchise that had been dormant for 13 years and set a series best start with $54.3 million, besting my $47.5 million projection. The spoof flicks that have been around since the beginning of the 21st century looks good to go for an eventual seventh entry and I doubt a decade plus wait will occur.

Masters of the Universe did not have the power of box office potency in second with $29.4 million, on target with my $29.8 million call. Considering the reported budget approaching $200 million, that’s a weak debut for the second big screen adaptation of the 80s Saturday morning animated show.

Backrooms was third with a considerable but understandable 68% sophomore slide. The low-budget horror hit took in $26.2 million compared to my $30.6 million forecast. The two-week tally is a fantastic $135 million.

Obsession continued its historic run in weekend #4 in fourth with $25.3 million, surpassing my $23.4 million estimate. The really low-budget horror hit grew to $151 million.

The Amazing Digital Circus: The Last Act, featuring episodes of the hit web series, rounded out the top five with $12.3 million, in line with my $13.1 million take. Since its Thursday start, the gross is $20.2 million.

The Mandalorian and Grogu, the summer’s most notable disappointment (more than He-Man), was sixth with $9.6 million (I said $11 million). The three-week earnings of $155 million is low for its storied franchise.

Finally, Power Ballad with Paul Rudd and Nick Jonas (despite decent critical reaction) bombed in 12th with only $1.2 million. I thought it might strike a higher chord at $4.2 million.

And that does it for now, folks! Until next time…

Oscar Predictions: Savage House

Some reviews indicate that Claire Foy and Richard E. Grant might be having more fun than the audience will in Savage House. The 18th century set British black comedy is from writer/director Peter Glanz with a supporting cast including Kila Lord Cassidy, Bel Powley, and Jack Farthing. Out this weekend in limited fashion, the Paramount release was originally slated for late 2024.

With 62% on Rotten Tomatoes, most of the praise is going to Foy (never nominated for an Oscar) and Grant (a 2018 supporting contender for Can You Ever Forgive Me?). Yet the mixed reaction means the Academy is likely to ignore it unless the studio can manage noms that can greet this genre like Costume Design
(more likely) and Production Design (less). I wouldn’t bet on it and I doubt the Globes or BAFTAs take notice either. My Oscar Prediction posts will continue…

Oscar Predictions: Gentle Monster

Léa Seydoux was working double duty at the Cannes Film Festival this year with The Unknown (look for that individual post shortly) and the family drama Gentle Monster. The co-production between Austria, France, Germany, and Sweden is the latest feature from Corsage director Marie Kreutzer. Jella Haase, Laurence Rupp, and Catherine Deneuve are among the supporting players.

Both pics for the headlining French actress have the commonality of Seydoux being praised with the film drawing more of a mixed reaction. Rotten Tomatoes is at 59% with the somewhat rare occurrence of Metacritic being higher at 70.

The only feasible awards play is Best Actress. Netflix has reportedly picked up distribution rights. They would need a robust campaign. I would also say Monster needs to pick up steam by playing fall fests and hoping the buzz gets stronger. My Oscar Prediction posts will continue…

Oscar Predictions: The Only Living Pickpocket in New York

John Turturro has had a decades long critically acclaimed career with memorable performances in Do the Right Thing, Miller’s Crossing, Barton Fink, Quiz Show, and O Brother Where Art Thou to name a handful. He has not found a role that has given him an Oscar nomination. Could that change with The Only Living Pickpocket in New York?

The crime thriller debuted in Sundance back in January and made a festival stop in Berlin. Noah Segan directs with Turturro as the title character and a supporting cast including Giancarlo Esposito, Tatiana Maslany, Will Price, Steve Buscemi, Lori Tan Chinn, Karina Arroyave, Victoria Moroles, and Jamie Lee Curtis. Impressive reviews greeted it with 100% on Rotten Tomatoes and an 83 Metacritic. Sony Pictures Classics picked up distribution rights with a planned release for the fall. With a robust campaign, Original Screenplay could be a (somewhat remote) possibility. Yet the studio may focus solely on getting Turturro that first shot with the Academy.

On paper, Best Actor is looking crowded with potential heavy hitters like Tom Cruise (Digger), Matt Damon (The Odyssey), and John Malkovich (Wild Horse Nine) on deck and Ryan Gosling (Project Hail Mary) probably with a reserved slot. However, I wouldn’t discount the overdue narrative helping to get Turturro firmly in the mix. My Oscar Prediction posts will continue…

Disclosure Day Box Office Prediction

Steven Spielberg is back in familiar alien territory when Disclosure Day opens June 12th. The sci-fi saga centered on extraterrestrial revelations finds the Close Encounters of the Third, E.T.: The Extra-Terrestrial, and War of the Worlds maker in summer blockbuster mode for the first time in years. Emily Blunt and Josh O’Connor star with Colin Firth, Eve Hewson, Colman Domingo, and Wyatt Russell in support. David Koepp, a frequent collaborator of the director who penned Jurassic Park and War of the Worlds, scripts.

The trailers have done a decent job at keeping Spielberg’s wishes to not spoil the plot. The pic’s biggest selling point is indeed the man behind the camera. You can’t say that about many directors though Christopher Nolan certainly comes to mind recently. As mentioned, you have to go back to 2008’s Indiana Jones and the Kingdom of the Crystal Skull for Mr. Spielberg’s last proper popcorn flick in this season.

Forthcoming reviews could help or hinder the turnout and let’s see if I adjust my figure next week when the buzz is louder. Current estimates have this between $40-$50 million with the possibility of an uptick seeming likelier than the alternative. Considering that many movies are exceeding expectations, I’ll go with the slight over.

Disclosure Day opening weekend prediction: $51.6 million