It might be Oscar weekend, but it’s also time for South by Southwest which is premiering numerous movies and TV shows. The Austin fest isn’t really a breeding ground for eventual Academy fare though 2022’s BP winner Everything Everywhere All at Once did kick off there.
SXSW is known more for showcasing odder and independent spirited movies. The Oscar bait usually saves itself for Venice, Telluride, and Toronto. Nevertheless Boots Riley’s I Love Boosters is an eagerly awaited title that served as opening selection.
This is the rapper and political activist turned filmmaker’s sophomore feature after his acclaimed 2018 debut Sorry to Bother You. The satire centers on a group of shoplifters boasts an eclectic cast including Keke Palmer, Naomi Ackie, Taylour Paige, Poppy Liu, Eiza González, LaKeith Stanfield, Will Poulter, Don Cheadle, and Demi Moore.
Early buzz indicates Riley has another critical hit with 100% on Rotten Tomatoes and a 75 Metacritic. Reviews also infer that it’s far out there similar to Bother. Perhaps Original Screenplay could be in play at the Oscars, but this might be more tailored to the Independent Spirit Awards or the Gothams (two ceremonies where Riley’s inaugural effort showed up). My Oscar Prediction posts will continue…
As awards followers are aware, 2009 saw the Academy expand the Best Picture category from five movies to ten. That lasted two years and in 2011, it switched from anywhere from 5-10 with 8 or 9 as the magic number for several years. In 2021, the number reverted back to a set 10.
What if that hadn’t happened? What if the BP derby had stayed a quintet? What pictures would have made the cut?
On the eve of the 98th Academy Awards, let’s ponder what five would have done so at the 97th. One is for certain. We know that Sean Baker’s Anora has a reserved slot. It won five out of six awards it was up for – Picture, Director, Actress (Mikey Madison), Original Screenplay, and Film Editing.
Picking the other 4 of 9 for the final five is less clear. Here’s my best speculation.
The Brutalist
Brady Corbet’s epic immigrant drama scored ten nods and won three for Adrien Brody’s lead performance, Original Score, and Cinematography. Other nods went to the director, Supporting Actress (Felicity Jones), Supporting Actor (Guy Pearce), Original Screenplay, Film Editing, and Production Design.
Does It Make the Final Five?
Yes and it can certainly be argued that it was second in the BP voting.
A Complete Unknown
James Mangold’s Bob Dylan biopic starring Timothée Chalamet landed a laudable eight nominations – BP, Director, Actor, Monica Barbaro in Supporting Actress, Edward Norton in Supporting Actor, Adapted Screenplay, Costume Design, and Sound. It was one of two BP nominees that went home empty-handed.
Does It Make the Final Five?
I don’t think it’s automatic but yes. Despite the 0 for 8 tally, the fact that it made the directing five puts it over the edge.
Conclave
Edward Berger’s drama about the search a new Pope also landed eight mentions with the others coming in Actor (Ralph Fiennes), Supporting Actress (Isabella Rossellini), Adapted Screenplay, Costume Design, Film Editing, Original Score, and Production Design. It won for the script.
Does It Make the Final Five?
Like Unknown, not automatic but I’m going with yes because of the screenplay victory.
Dune: Part Two
The Denis Villeneuve sequel managed five nominations with two victories in Sound and Visual Effects and at bats for Cinematography and Production Design.
Does It Make the Final Five?
No. That handful is nods is only half of what the 2021 predecessor achieved and Villeneuve’s omission is telling.
Emilia Pérez
Jacques Audiard’s crime musical easily led the ceremony with 13 nominations. There were victories in Supporting Actress (Zoe Saldaña) and Original Song. Other noms were for directing, Actress (Karla Sofia Gascón), Adapted Screenplay, International Feature Film, Cinematography, Film Editing, Makeup and Hairstyling, Original Score, another Original Song, and Sound.
Does It Make the Final Five?
Yes. As you may recall, Gascón’s controversial comments likely sunk the pic’s chances at International Feature Film where I’m Still Here would emerge. However, at the time of the nominations, I feel Pérez still would’ve made it in the top half of contention.
I’m Still Here
The Brazilian political drama from Walter Salles was the beneficiary of Emilia backlash when it took the IFF prize. It was also up for Actress (Fernanda Torres).
Does It Make the Final Five?
No. Even with the late breaking international prize, the three noms are second lowest of the lot.
Nickel Boys
RaMell Ross’s drama is the only pic with two nominations with the other coming in Adapted Screenplay.
Does It Make the Final Five?
No and the question was pretty much answered above.
The Substance
Coralie Fargeat was nominated for director in her wild anti-aging body horror saga that won Makeup and Hairstyling and was up for Actress (Demi Moore) and Original Screenplay.
Does It Make the Final Five?
This was the toughest one to leave off, but no. I’d have it sixth. Had Moore received Best Actress, it might be a different story.
Wicked
With 10 noms, the adaptation of the acclaimed Broadway musical won Costume Design and Production Design. It additionally made the ballot for Actress (Cynthia Erivo), Supporting Actress (Ariana Grande), Film Editing, Makeup and Hairstyling, Original Score, Sound, and Visual Effects.
Does It Make the Final Five?
The case could certainly be made, but I’m going no. No direction or screenplay inclusions make the call a bit easier.
That means my 2024 final five consists of the alphabetically top heavy:
Anora
The Brutalist
A Complete Unknown
Conclave
Emilia Pérez
The 98th Academy Awards air tomorrow and down the line, I’ll give you my top 5 for that show!
Fox Searchlight looks for horror fans to make a return engagement with Ready or Not 2: Here I Come on March 20th. Combining laughs with gore, Matt Bettinelli-Olpin and Tyler Gillett return to this scary franchise after making a detour rebooting the Scream series. Samara Weaving is back headlining with a new supporting cast including Kathryn Newton, Sarah Michelle Gellar, Shawn Hatosy, David Cronenberg (!), and Elijah Wood.
Back in late summer 2019, the eat the rich first edition made $8 million in its opening frame ($11 million over the five-day as it debuted on a Wednesday). It held up decently for its genre with $28 million domestically. I’m a little unsure if audiences are clamoring for a sequel. Unlike the recent Scream 7, I don’t look for this to exceed expectations.
I’ll say this gets beyond $10 million for starters though not by much.
Ready or Not 2: Here I Come opening weekend prediction: $11.2 million
Project Hail Mary looks to throw down impressive grosses for Amazon MGM when it debuts March 20th. Drew Goddard adapts Andy Weir’s 2021 novel with Phil Lord and Christopher Miller directing. The sci-fi adventures stars Ryan Gosling with a supporting cast including Sandra Hüller, Lionel Boyce, Ken Leung, and Milana Vayntrub.
Critics have complimented the production on its Spielberg vibes with Rotten Tomatoes at 95% and 80 on Metacritic. With a reported budget north of $200 million, the studio is hoping for a high launch. Encouraging early word-of-mouth should assist.
One scenario is that it plays similar to 2015’s The Martian which is also based on a Weir book. That space tale with Matt Damon opened to $54 million. A best case might be closer to $70 million, but I’ll hedge and say high 50s to low 60s is likelier. Like The Martian (with an eventual $228 million domestic haul), it’ll bank on sturdy legs in follow-up weekends.
Project Hail Mary opening weekend prediction: $59 million
For my Ready or Not 2: Here I Come prediction, click here:
Canadian horror flick Undertone was made for a teensy reported budget of $500k with the A24 pickup arriving in theaters this weekend. It marks the directorial debut Ian Tuason with Nina Kiri and Adam DiMarco starring.
While its distributor hopes to turn a nifty profit considering the price tag, Undertone is worthy of an Oscar Predictions post for one specific reason. While the 78% Rotten Tomatoes rating and 67 Metacritic are fine, Undertone‘s plot centers on paranormal noises and other auditory aspects.
That raises the possibility of this scoring a Sound nomination. The question is whether the Academy’s voters remember it. That might depend on A24’s campaign. The biggest challenge might be making the shortlist of ten for consideration. Heavy hitters such as The Odyssey and Dune: Part Three loom. If Undertone does get named among the ten, a spot in the top five seems likely. My Oscar Prediction posts will continue…
It is time to make my final predictions for the 98th Academy Awards airing Sunday evening with Conan O’Brien returning as host. The first word that comes to mind… ugh. This is tough. Not every category. Some are quite easy to forecast as is normally the case.
The ones that aren’t? I would say five of the top six competitions could go in different directions and that’s unique. As readers of my blog know, there are scores of individual write-ups talking about the Oscar chances of various films. There are multiple posts ranking the possibilities of pics, performers, directors, writers, and all kinds of crew members. It’s now time to put pencils down and write down my selections in pen for the 21 (now that Best Casting has joined the lineup) feature-length races.
Let’s get to it as I’ll select a winner and runner-up in each! And you can bet I’ll have a recap up Sunday night with reaction and how I did!
Best Picture
Bugonia, F1, Frankenstein, Hamnet, Marty Supreme, One Battle After Another, The Secret Agent, Sentimental Value, Sinners, Train Dreams
This is a head vs. gut call. The head says One Battle After Another which has taken PGA, the Golden Globe for Best Musical or Comedy, Critics Choice, and BAFTA. That kind of combo would normally be undeniable in BP. Yet Sinners is more of the gut prediction. Having just won Best Ensemble at SAG Actor, Ryan Coogler’s vampire tale seems to be peaking at the right time as voters finalize ballots. The record haul of 16 noms is an obvious bonus.
I cannot stress enough how much of a coin flip this is. I may look foolish on Sunday by betting against the kind of hardware that Battle has achieved in the precursors. However, for several days, the momentum of Sinners has me leaning in its direction.
WINNER: Sinners
Runner-Up: One Battle After Another
Best Director
Paul Thomas Anderson (One Battle After Another), Ryan Coogler (Sinners), Josh Safdie (Marty Supreme), Joachim Trier (Sentimental Value), Chloé Zhao (Hamnet)
2021 was the last year where there was a BP/Director split with CODA taking the grand prize and Jane Campion (The Power of the Dog) winning Director. Mr. Anderson has swept the precursors including the Directors Guild of America (DGA) which rarely differs from Oscar. A better night for Sinners than even I’m projecting could cause Ryan Coogler to become the first African-American to make this particular podium trip. In this case, my head and gut say PTA.
WINNER: Paul Thomas Anderson, One Battle After Another
Runner-Up: Ryan Coogler, Sinners
Best Actress
Jessie Buckley (Hamnet), Rose Byrne (If I Had Legs I’d Kick You), Kate Hudson (Song Sung Blue), Renate Reinsve (Sentimental Value), Emma Stone (Bugonia)
Someone other than Jessie Buckley had to win Actress in a Musical or Comedy at the Globes. That was Rose Byrne. Therefore she gets runner-up status. Make no mistake. Of the major categories, this is by far the easiest as Buckley has won everything else.
WINNER: Jessie Buckley, Hamnet
Runner-Up: Rose Byrne, If I Had Legs I’d Kick You
Best Actor
Timothée Chalamet (Marty Supreme), Leonardo DiCaprio (One Battle After Another), Ethan Hawke (Blue Moon), Michael B. Jordan (Sinners), Wagner Moura (The Secret Agent)
For a while, Critics Choice and Globe winner Timothée Chalamet was looking almost as certain as Buckley. BAFTA and SAG changed that dynamic and they are the last two precursors heading into Oscar voting. At the British ceremony, the not Academy nominated Robert Aramayo (I Swear) was triumphant. At SAG, it was Michael B. Jordan. There’s also Golden Globe Best Drama in a Drama recipient Wagner Moura. All three are viable. Heck there’s even prognosticators making arguments for DiCaprio and Hawke. This is an example where I’m ultimately buying the Sinners mojo though Chalamet still has a stronger shot than some are giving him credit for.
WINNER: Michael B. Jordan, Sinners
Runner-Up: Timothée Chalamet, Marty Supreme
Best Supporting Actress
Elle Fanning (Sentimental Value), Inga Ibsdotter Lilleass (Sentimental Value), Amy Madigan (Weapons), Wunmi Mosaku (Sinners), Teyana Taylor (One Battle After Another)
This one has been all over the place. The Globe went to Teyana Taylor, Amy Madigan took Critics Choice and SAG Actor, and Wunmi Mosaku grabbed BAFTA. Madigan’s performance is so singularly memorable that a win makes plenty of sense. Like Actor, I’m going with where I think the winds are blowing.
WINNER: Wunmi Mosaku, Sinners
Runner-Up: Amy Madigan, Weapons
Best Supporting Actor
Benicio del Toro (One Battle After Another), Jacob Elordi (Frankenstein), Delroy Lindo (Sinners), Sean Penn (One Battle After Another), Stellan Skarsgård (Sentimental Value)
Like Supporting Actress, a head scratcher. Critics Choice went to Jacob Elordi with Stellan Skarsgård getting the Globe. The latter seems more probable and, yes, Sinners love could extend to Lindo. BAFTA and SAG flipped the script by going with Sean Penn who would be picking up the rare third Oscar. This is a case where Battle has the late breaking momentum.
WINNER: Sean Penn, One Battle After Another
Runner-Up: Stellan Skarsgård, Sentimental Value
Best Original Screenplay
Blue Moon, It Was Just an Accident, Marty Supreme, Sentimental Value, Sinners
While most of the races above are tricky, the screenplay ones are not. Value stands the best chance at an upset but Sinners is the easy pick.
WINNER: Sinners
Runner-Up: Sentimental Value
Best Adapted Screenplay
Bugonia, Frankenstein, Hamnet, One Battle After Another, Train Dreams
Repeat everything I said for Original Screenplay and replace Battle for Sinners and Hamnet for Value.
WINNER: One Battle After Another
Runner-Up: Hamnet
Best International Feature Film
It Was Just an Accident, The Secret Agent, Sentimental Value, Sirāt, The Voice of Hind Rajab
At one time, Accident was seen as a potential frontrunner. The competition has morphed to a showdown between Value and Agent. This could definitely go either way, but I’ll give the edge to Value achieving something with its nine nominations.
WINNER: Sentimental Value
Runner-Up: The Secret Agent
Best Animated Feature
Arco, Elio, KPop Demon Hunters, Little Amélie or the Character of Rain, Zootopia 2
Zootopia 2 becoming 2025’s largest grossing blockbuster right as voting was occurring cannot hurt. It’s just hard to ignore the cultural juggernaut that KPop is.
WINNER: KPop Demon Hunters
Runner-Up: Zootopia 2
Best Documentary Feature
The Alabama Solution, Come See Me in the Good Light, Cutting Through Rocks, Mr. Nobody Against Putin, The Perfect Neighbor
This is a category capable of surprises and I could see Alabama, Good Light, and especially BAFTA winner Putin getting called up. Neighbor got lots of attention via its Netflix release and I’ll say the true crime doc squeaks through.
WINNER: The Perfect Neighbor
Runner-Up: Mr. Nobody Against Putin
Best Casting
Hamnet, Marty Supreme, One Battle After Another, The Secret Agent, Sinners
The inaugural year of the Casting contest is consists of five BP nominees and I’m going with the one I’m seledting as the winner.
WINNER: Sinners
Runner-Up: One Battle After Another
Best Cinematography
Frankenstein, Marty Supreme, One Battle After Another, Sinners, Train Dreams
Train Dreams has notched some precursors and is a real threat and the same logic certainly applies to Battle. Either could win. So could Sinners with that BP momentum. This is one I think Battle could manage to get and I’ll give it a slight edge over my BP selection
WINNER: One Battle After Another
Runner-Up: Sinners
Best Costume Design
Avatar: Fire and Ash, Frankenstein, Hamnet, Marty Supreme, Sinners
While we’re still wondering what Avatar is doing here, this is one of three races that Frankenstein is likely to collect.
WINNER: Frankenstein
Runner-Up: Sinners
Best Film Editing
F1, Marty Supreme, One Battle After Another, Sentimental Value, Sinners
F1 could zoom past the competition and Battle might be the safer bet. I’ll go withmy BP pick for this one.
WINNER: Sinners
Runner-Up: One Battle After Another
Best Makeup and Hairstyling
Frankenstein, Kokuho, Sinners, The Smashing Machine, The Ugly Stepsister
This is the second Frankenstein victory unless Sinners has a truly amazing evening.
WINNER: Frankenstein
Runner-Up: Sinners
Best Original Score
Bugonia, Frankenstein, Hamnet, One Battle After Another, Sinners
Sinners is anticipated to emerge here rather easily.
WINNER: Sinners
Runner-Up: One Battle After Another
Best Original Song
“Dear Me” from Diane Warren: Relentless; “Golden” from KPop Demon Hunters; “I Lied to You” from Sinners; “Sweet Dreams of Joy” from Viva Verdi!; “Train Dreams” from Train Dreams
The Sinners tune could score the upset though “Golden” should be just that.
WINNER: “Golden” from KPop Demon Hunters
Runner-Up: “I Lied to You” from Sinners
Best Production Design
Frankenstein, Hamnet, Marty Supreme, One Battle After Another, Sinners
Frankenstein Oscar #3 expected with Sinners looming.
WINNER: Frankenstein
Runner-Up: Sinners
Best Sound
F1, Frankenstein, One Battle After Another, Sinners, Sirāt
One of the trickiest down the line categories as Sinners could absolutely prevail and a Sirāt upset is feasible. I do think the autotunes of F1 gets it by a nose.
WINNER: F1
Runner-Up: Sinners
Best Visual Effects
Avatar: Fire and Ash, F1, Jurassic World Rebirth, The Lost Bus, Sinners
The first two Avatar flicks nabbed VE as should the third.
WINNER: Avatar: Fire and Ash
Runner-Up: F1
That equates to these movies generating these numbers in terms of victories:
7 Wins
Sinners
4 Wins
One Battle After Another
3 Wins
Frankenstein
2 Wins
KPop Demon Hunters
1 Win
Avatar: Fire and Ash, F1, Hamnet, The Perfect Neighbor, Sentimental Value
As we do every year on the blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It began with the ten Best Picture contenders and now alternates alphabetically between the hopefuls in the other five races. The BP posts are readily available for your perusing pleasure. The final director for consideration is Chloé Zhao for Hamnet. If you missed my previous posts on the filmmakers in the mix, you can access them here:
For the tearjerking historical drama, she could make history by becoming the first female to win this twice (only two others have taken the gold). Hamnet is the Golden Globe winner for Best Drama. Zhao was nominated everywhere that matters, however…
The Case Against Chloé Zhao:
Paul Thomas Anderson (One Battle After Another) has taken all notable precursors – Globes, Critics Choice, BAFTA, and the highly predictive DGA. Ryan Coogler (Sinners) has emerged as the competition if Sinners manages a mild BP upset.
The Verdict:
Zhao is not going to achieve filmmaking Oscar #2 though she’s likely to have directed another Best Actress winner via Jessie Buckley with Frances McDormand in Nomadland being the first.
And that concludes for Case Of write-ups for the 98th Academy Awards! FINAL predictions on the winners will be up on the blog in short order…
As we do every year on the blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It began with the ten Best Picture contenders and now alternates alphabetically between the hopefuls in the other five races. The BP posts are readily available for your perusing pleasure. The final entrant in Best Supporting Actor is Swedish veteran Stellan Skarsgård in Joachim Trier’s Sentimental Value. If you missed my posts covering the others, they can found here:
He’s a well-respected thespian who finally nabbed a role with big screen awards attention. As film director Gustav Borg, Skarsgård joins costars Renate Reinsve, Elle Fanning, and Inga Ibsdotter Lilleass as nominees. He received the Golden Globe where seven of the past ten winners have matched with Oscar. Additionally, nominations came at Critics Choice and BAFTA.
The Case Against Stellan Skarsgård:
Surprisingly, he did not make the cut at SAG Actor. The last Oscar winner to not show up at SAG was Christoph Waltz for 2012’s Django Unchained. That’s the only time where the Academy’s honoree didn’t contend at SAG. Sean Penn (One Battle After Another) has the momentum with prizes at BAFTA and SAG while Jacob Elordi (Frankenstein) took Critics Choice.
The Verdict:
Skarsgård could pull the upset, but he’s behind Penn for sure. While he might have the best shot among the Value quartet, he’s still a long shot.
My Case Of posts will continue the fifth contender in Best Director – Chloé Zhao for Hamnet…
Two new features vie for audience attention as romantic drama Reminders of Him and low-budget Canadian horror flick Undertone make their way to multiplexes. You can peruse my detailed prediction posts on them here:
It is highly unlikely that either comes close to bouncing Hoppers from a repeat performance in first. Reminders, based on a Colleen Hoover novel, should be second though I have it just topping $10 million for a subpar start.
I’m not expecting much from Undertone, but it could manage a 4th or 5th place showing considering The Bride! should plummet out of the top 5 after a dismal debut (more on that below).
Hoppers, as mentioned, should be #1 assuming a slide in the high 30s or low 40s with Scream 7 and Goat placing third and fourth.
Here’s how I see the top 6 shaking out:
1. Hoppers
Predicted Gross: $27.2 million
2. Reminder of Him
Predicted Gross: $10.4 million
3. Scream 7
Predicted Gross: $6.9 million
4. Undertone
Predicted Gross: $4.9 million
5. Goat
Predicted Gross: $4.3 million
6. The Bride!
Predicted Gross: $2.6 million
Box Office Results (March 6-8)
Disney/Pixar had a commendable opening for an original title as Hoppers earned $45.3 million, slightly topping my $43.6 million prediction. That’s a cut above recent studio originals Elemental and Elio which both failed to reach $30 million in their unveilings.
Scream 7 was runner-up and dropped a severe 73% in weekend #2 to $17 million, under my $19.5 million call. The latest franchise entry is up to $93 million.
The Bride!, Maggie Gyllenhaal’s monster mash with Jessie Buckley and Christian Bale, failed to collect RSVPs with only $7 million in third. I projected more at $10.3 million. With a reported $85 million price tag, this is a costly dud for Warner Bros.
Goat was fourth with $6.4 million (I said $5.8 million) as the animated tale has amassed $83 million in four weeks.
Wuthering Heights rounded out the top five with $3.7 million, in range with my $3.4 million forecast. The period romance, in its fourth week, stands at $78 million.
Project Hail Mary touches down in theaters March 20th looking to score impressive box office numbers. The sci-fi adventure comes from filmmakers Phil Lord and Christopher Miller, best known for their involvement in the Lego, 21/22 Jump Street, and Spider-Verse franchises. Ryan Gosling headlines with Sandra Hüller, Lionel Boyce, Ken Leung, and Milana Vayntrub providing support.
Early reviews are encouraging with many critics calling this a big-hearted popcorn feast reminiscent of Spielberg. Rotten Tomatoes is fresh at 96% with Metacritic at 80. If Mary pops with audiences and becomes a financial hit, that could help with awards attention. Down the line nods including Daniel Pemberton’s score, Editing, Production Design, and especially Sound and Visual Effects are all possibilities.
How it fares in the major races is more of an open question. Under a best case scenario, Director, Adapted Screenplay (by Drew Goddard from the Andy Weir novel) could happen. This logic also applies to Best Picture like other space tales Gravity and The Martian (also based on a Weir story). It could also miss the big dance like other genre titles Interstellar and Gosling’s First Man. The leading man could make a play for a fourth acting mention.
The bottom line is that this Project could be one that Oscar voters notice. To what level remains to be seen. My Oscar Prediction posts will continue…
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