In a summer where horror pics have lit up the box office, Warner Bros hopes that Evil Dead Burn continues that trend on July 10th. The sixth overall feature in a franchise that Sam Raimi started in the early 80s, this serves as a stand-alone continuation to 2013’s Evil Dead and 2023’s Evil Dead Rise. Sébastien Vaniček takes over directorial duties. The cast includes Souheila Yacoub, Tandi Wright, Hunter Doohan, and Luciane Buchanan.
Ten years ago, Evil Dead kicked off with a front-loaded $25.7 million on its way to a domestic gross of $54 million. A decade after that, Evil Dead Rise made a slightly lower $24.5 million out of the gate. However, it had stronger legs and ended up with $67 million. That goodwill from its predecessor and the genre’s overall strength in the marketplace could push Burn to the largest debut of the three.
In a best case scenario, that could mean a premiere above $30 million. I’ll go just under that.
Evil Dead Burn opening weekend prediction: $29.6 million
Out July 10th and arriving nearly a decade behind the original, Moana is Disney’s latest live-action rendering of their animated blockbusters. The musical adventure marks the directorial debut of Broadway vet Thomas Kail with Dwayne Johnson reprising his role as Maui and Catherine Laga’aia making her big screen debut in the title role. Costars include John Tui, Frankie Adams, Jemaine Clement, and Rena Owen.
In 2016, Moana kicked off with $56 million over the traditional Thanksgiving weekend and $82 million over the five-day holiday frame. The domestic haul was an eventual $248 million. Over Turkey Day in 2024, Moana 2 tremendously exceeded expectations with $139 million from Friday to Sunday, $225 million for the five-day, and $460 million overall.
The Mouse House wasted no time with this live-action version to capitalize on the franchise’s viability. An argument could be made that the eight-year wait between the first two Moana‘s helped with anticipation. That may not be the case for this version considering that two years hasn’t even lapsed. I still think it’ll manage mid to possibly high 60s and that would be considered a letdown.
It’s not often that the seventh feature in a franchise is considered to be the strongest (sorry Diamonds Are Forever and Saw: The Final Chapter). However, plenty of critics are claiming that to be the case for Minions & Monsters. Out today and prepared to rule the Fourth of July holiday weekend, this is Illumination Entertainment’s latest entry in their blockbuster animated comedic adventures. Pierre Coffin directs and voices the adorable little yellow creatures once again. Familiar faces providing behind the mic contributions include Trey Parker, Allison Janney, Christoph Waltz, Jesse Eisenberg, Jeff Bridges, Zoey Deutch, and Bobby Moynihan.
This is the third feature with the Minions moniker after the 2015 original and 2022 sequel Minions: The Rise of Gru. The series got started sixteen summers ago with Despicable Me and its three follow-ups. An ode to Hollywood in the 1920s, Monsters stands at 90% on Rotten Tomatoes. That’s the freshest RT score of the septet, topping Despicable Me‘s 80% and well ahead of Minions (55%) and Rise of Gru (70%). The 67 Metacritic lags only behind the first Despicable at 72.
The franchise’s Oscar track record got off to a promising start and then leveled off. In 2010, Despicable Me landed a Best Animated Feature nod. In 2013, the sequel was up in that race and also for the inescapable ditty “Happy” from Pharrell Williams in Original Song. None of those nominations resulted in victories and the four pics since haven’t received any recognition.
Monsters has the potential to change that with its better than expected reviews. A Best Animated Feature slot in the quintet is not out of the question. That said, competition is a factor. I’d put it behind Disney’s Hoppers and Toy Story 5 and upcoming releases like Wildwood, Ray Gunn, and Tangles are anticipated to contend. Time will tell if there’s room for the Minions and it might be an uphill battle. My Oscar Prediction posts will continue…
Animation domination looks to be in order over the holiday weekend with Minions & Monsters debuting and Toy Story 5 sliding to the runner-up slot. Angel Studios is also releasing Young Washington focused on the formative years of America’s 1st POTUS. You can peruse my detailed prediction posts on the newcomers here:
The seventh feature in Illumination Entertainment’s Despicable Me/Minions franchise, Monsters is unleashed on Wednesday. The Fourth of July falls on a Saturday where many families will opt for literal fireworks instead of causing financial ones at the multiplex. I’ll project mid 60s for Friday to Sunday while topping nine digits over the five-day rollout.
Young Washington‘s projections are all over the map with some as low as $10 million and others in the $30 million range. The timing of release is hopefully shrewd for its studio. I’m basically splitting the difference with a high teens gross and that should be good for third.
Toy Story 5 may lose around 50% of its audience (especially with the Minions competition) for second place. The sophomore frame decline for Supergirl should be far more significant after a weak opening (more on that below). I have it plummeting in the mid 60s for low teens while Obsession should round out the top five.
Here’s how I envision it shaking out:
1. Minions & Monsters
Predicted Gross: $66.4 million (Friday to Sunday); $106.5 million (Wednesday to Sunday)
2. Toy Story5
Predicted Gross: $35.4 million
3. Young Washington
Predicted Gross: $18.5 million
4. Supergirl
Predicted Gross: $13.2 million
5. Obsession
Predicted Gross: $6.8 million
Box Office Results (June 26-28)
Toy Story 5 fell an understandable 56% in weekend #2 to $70.8 million after a franchise best start. I had it holding stronger at $80.6 million though Disney/Pixar is perfectly happy with the $298 million in its domestic coffers.
The story of the week was the collective meh that audiences and critics greeted Supergirl with. The second pic in the newly configured DC Universe after last summer’s Superman, the stand-alone effort for the Man of Steel’s cousin brought in only $37.1 million compared to my $44.5 million call. To put that in perspective, Superman from last summer started off with $125 million.
Obsession was third with $9.7 million, a touch more than my $9 million forecast. The horror sensation has amassed $233 million after seven weeks.
No previous Jackass flick has earned less than $20 million out of the gate before now. However, series finale Jackass: Best and Last ensured it probably will be the swan song. It opened in fourth with a disappointing $8.4 million, under my $11.3 million projection.
Disclosure Day was fifth with $8.2 million (I said $8.4 million) for an underwhelming three-week take of $94 million.
As we move closer to knowing whether Christopher Nolan’s The Odyssey deserves its placeholder #1 rankings in Best Picture and Director, we have seen some new trailers for consideration in the two weeks since my last update. I have said that you can’t judge a movie by its trailer, but we can look for clues about who the studio will focus on.
Jesse Eisenberg’s follow-up to A Real Pain (which won Kieran Culkin a Supporting Actor Oscar) is not titled No One Cares (which was rumored to be a working name). The first preview reveals it is called The Debut with hints that it’s a somewhat of two-hander between Julianne Moore and Paul Giamatti. That said, I still have Halle Bailey listed as a possibility in Supporting Actress.
We got our first glimpse of Georgia Oakley’s Sense and Sensibility with Daisy Edgar-Jones and Esmé Creed-Miles vying for noms. And we witnessed a Digger promotional ad that certainly indicated the studio will be all in on Tom Cruise.
Also in the past two weeks, Steven Spielberg’s Disclosure Day has proven to be a box office disappointment. In my estimation, its chances in BP and Emily Blunt in Best Actress have gone down.
Toy Story 5 also opened and while reviews were fine, many critics deemed it the weakest of the quintet. Unlike Toy Story 3 and like Toy Story 4, it should reserve a slot in Best Animated Feature but not Best Picture.
Finally, The Invite from Olivia Wilde opened in limited fashion before a nationwide rollout in July. Word-of-mouth is strong and I’m beginning to think it could at least manage an Adapted Screenplay nod… if not more.
You can read all the movement below including a new #1 in Best Actress and some serious shifts in Supporting Actress!
Best Picture
Predicted Nominees:
1. The Odyssey (Previous Ranking: 1) (Even)
2. The Black Ball (PR: 3) (+1)
3. Project Hail Mary (PR: 2) (-1)
4. Digger (PR: 4) (E)
5. Wild Horse Nine (PR: 5) (E)
6. Fjord (PR: 6) (E)
7. The Debut (PR: 7) (E)
8. Dune: Part Three (PR: 8) (E)
9. Obsession (PR: 10) (+1)
10. Cry to Heaven (PR: 9) (-1)
Other Possibilities:
11. A Place in Hell (PR: !3) (+2)
12. The Social Reckoning (PR: 11) (-1)
13. Sense and Sensibility (PR: 15) (+2)
14. All of a Sudden (PR: 12) (-2)
15. Fatherland (PR: 16) (+1)
16. Behemoth! (PR: 17) (+1)
17. The Invite (PR: Not Ranked)
18. Werwulf (PR: 18) (E)
19. The Adventures of Cliff Booth (PR: 20) (+1)
20. Disclosure Day (PR: 14) (-6)
21. Josephine (PR: 21) (E)
22. Jack of Spades (PR: 19) (-3)
23. Saturn Return (PR: 22) (-1)
24. Michael (PR: 23) (-1)
25. Club Kid (PR: 25) (E)
Dropped Out:
Being Heumann
Best Director
Predicted Nominees:
1. Christopher Nolan, The Odyssey (PR: 1) (E)
2. Javier Ambrossi and Javier Calvo, The Black Ball (PR: 2) (E)
3. Alejandro G. Iñárritu, Digger (PR: 3) (E)
4. Martin McDonagh, Wild Horse Nine (PR: 4) (E)
5. Cristian Mungiu, Fjord (PR: 6) (+1)
Other Possibilities:
6. Phil Lord and Christopher Miller, Project Hail Mary (PR: 5) (-1)
7. Curry Barker, Obsession (PR: 9) (+2)
8. Tom Ford, Cry to Heaven (PR: 7) (-1)
9. Denis Villeneuve, Dune: Part Three (PR: 8) (-1)
10. Ryusuke Hamaguchi, All of a Sudden (PR: 12) (+2)
11. Pawel Pawlikowski, Fatherland (PR: 10) (-1)
12. Jesse Eisenberg, The Debut (PR: 11) (-1)
13. Chloe Domont, A Place in Hell (PR: 13) (E)
14. Georgia Oakley, Sense and Sensibility (PR: 14) (E)
15. Tony Gilroy, Behemoth! (PR: Not Ranked)
Dropped Out:
Robert Eggers, Werwulf
Best Actress
Predicted Nominees:
1. Michelle Williams, A Place in Hell (PR: 3) (+2)
2. Julianne Moore, The Debut (PR: 2) (E)
3. Renate Reinsve, Fjord (PR: 1) (-2)
4. Mikey Madison, The Social Reckoning (PR: 5) (+1)
5. Sandra Hüller, Rose (PR: 9) (+4)
Other Possibilities:
6. Virginie Efira, All of a Sudden (PR: 4) (-2)
7. Daisy Edgar-Jones, Sense and Sensibility (PR 8) (+1)
8. Sandra Hüller, Fatherland (PR: 6) (-2)
9. Cynthia Erivo, Prima Facie (PR: 10) (+1)
10. Emily Blunt, Disclosure Day (PR: 7) (-3)
11. Ruth Madeley, Being Heumann (PR: 11) (E)
12. Mason Reeves, Josephine (PR: 12) (E)
13. Sophie Okonedo, Clarissa (PR: 13) (E)
14. Penélope Cruz, Bunker (PR: 14) (E)
15. Zendaya, The Drama (PR: Not Ranked)
Dropped Out:
Léa Seydoux, Gentle Monster
Best Actor
Predicted Nominees:
1. Tom Cruise, Digger (PR: 1) (E)
2. Ryan Gosling, Project Hail Mary (PR: 2) (E)
3. John Malkovich, Wild Horse Nine (PR: 4) (+1)
4. Sebastian Stan, Fjord (PR: 3) (-1)
5. John Turturro, The Only Living Pickpocket in New York (PR: 6) (+1)
Other Possibilities:
6. Matt Damon, The Odyssey (PR: 5) (-1)
7. Pedro Pascal, Behemoth! (PR: 7) (E)
8. Jaafar Jackson, Michael (PR: 9) (+1)
9. Nicholas Hoult, Cry to Heaven (PR: 8) (-1)
10. Robert Pattinson, Primetime (PR: 11) (+1)
11. Dominic Sessa, Tony (PR: 10) (-1)
12. Guitarricadelfuente, The Black Ball (PR: Not Ranked)
13. Rami Malek, The Man I Love (PR: 14) (+1)
14. Timothée Chalamet, Dune: Part Three (PR: 12) (-2)
15. Hanns Zischler, Fatherland (PR: 13) (-2)
Dropped Out:
Jordan Firstman, Club Kid
Best Supporting Actress
Predicted Nominees:
1. Mariana Di Girolamo, Wild Horse Nine (PR: 1) (E)
2. Inde Navarrette, Obsession (PR: 2) (E)
3. Penélope Cruz, The Black Ball (PR: 4) (+1)
4. Daisy Edgar-Jones, A Place in Hell (PR: 9) (+5)
5. Esmé Creed-Miles, Sense and Sensibility (PR: 10) (+5)
Other Possibilities:
6. Parker Posey, Wild Horse Nine (PR: 7) (+1)
7. Penélope Cruz, The Invite (PR: 11) (+4)
8. Anne Hathaway, The Odyssey (PR: 6) (-2)
9. Tao Okamato, All of a Sudden (PR: 5) (-4)
10. Sandra Hüller, Digger (PR: 3) (-7)
11. Sandra Hüller, Project Hail Mary (PR: 8) (-3)
12. Halle Bailey, The Debut (PR: 12) (E)
13. Lola Dueñas, The Black Ball (PR: Not Ranked)
14. Elizbeth Debicki, The Adventures of Cliff Booth (PR: 14) (E)
15. Gemma Chan, Josephine (PR: Not Ranked)
Dropped Out:
Scarlett Johansson, Paper Tiger
Lesley Manville, Jack of Spades
Best Supporting Actor
Predicted Nominees:
1. Paul Giamatti, The Debut (PR: 1) (E)
2. John Goodman, Digger (PR: 2) (E)
3. Sam Rockwell, Wild Horse Nine (PR: 3) (E)
4. Robert Pattinson, The Odyssey (PR: 4) (E)
5. Steve Buscemi, Wild Horse Nine (PR: 5) (E)
Other Possibilities:
6. Riz Ahmed, Digger (PR: 10) (+4)
7. Jeremy Strong, The Social Reckoning (PR: 6) (-1)
8. Andrew Scott, A Place in Hell (PR: 9) (+1)
9. James Ortiz, Project Hail Mary (PR: 12) (+3)
10. Jesse Plemons, Digger (PR: 7) (-3)
11. Edward Norton, The Invite (PR: Not Ranked)
12. Channing Tatum, Josephine (PR: 11) (-1)
13. Colman Domingo, Michael (PR: 8) (-5)
14. Milo Quifes, The Black Ball (PR: Not Ranked)
15. Miguel Bernardeau, The Black Ball (PR: Not Ranked)
Dropped Out:
Tom Holland, The Odyssey
Aaron Taylor-Johnson, Cry to Heaven
Owen Cooper, Cry to Heaven
Best Original Screenplay
Predicted Nominees:
1. Wild Horse Nine (PR: 1) (E)
2. Digger (PR: 2) (E)
3. The Debut (PR: 4) (+1)
4. Fjord (PR: 3) (-1)
5. A Place in Hell (PR: 5) (E)
Other Possibilities:
6. Obsession (PR: 6) (E)
7. Behemoth! (PR: 8) (E)
8. Club Kid (PR: 9) (E)
9. The Only Living Pickpocket in New York City (PR: Not Ranked)
10. Jack of Spades (PR: 10) (E)
11. Josephine (PR: 12) (+1)
12. Fatherland (PR: 9) (-3)
13. Primetime (PR: 11) (-2)
14. Saturn Return (PR: 15) (+1)
15. Teenage Sex and Death at Camp Miasma (PR: Not Ranked)
Angel Studios hopes audiences will seek a Founding Father drama over the Independence Day weekend when Young Washington debuts on July 3rd. Directed by Jon Erwin (I Can Only Imagine, American Underdog), William Franklyn-Miller plays our first POTUS in his formative years. Costars include Mary-Louise Parker, Kelsey Grammer, Andy Serkis, and Ben Kingsley.
Three summers ago, Sound of Freedom from the same studio shocked box office prognosticators with a Fourth of July frame gross of over $40 million for the extended six-day earnings. July 4th was on a Tuesday that year and its traditional Friday to Sunday gross was $19 million. It would be a heavenly result for Angel to repeat that same magic. However, with the 4th on the Saturday, the dynamic has changed. Projections for Young Washington are all over the map with some as low as $10 million from Friday to Sunday and the most optimistic topping $30 million.
I am not falling on the side of the high end estimates though the timing of the release is shrewd and this distributor has certainly exceeded expectations before. On the flip side, they’ve had a number of so-so performances since Freedom. I’ll say high teens is where it lands.
Young Washington opening weekend prediction: $18.5 million
Looking to set off fireworks over the long holiday weekend, Minions & Monsters attacks multiplexes on July 1st. The seventh overall feature in the Despicable Me/Minions sagas, the animated comedy finds creator Pierre Coffin directing and voicing the beloved animated yellow creatures. The Illumination Entertainment production also features vocal contributions from Allison Janney, Christoph Waltz, Jeff Bridges, Jesse Eisenberg, Zoey Deutch, Bobby Moynihan, and Trey Parker.
A prequel set in the 1920s (nearly a half century before 2015’s Minions), Monsters should stay the course for a remarkably durable franchise. Early critical response is thumbing up as kids and parents should turn out in droves. That said, the seventh offering (behind four Despicable Me entries and two Minions flicks) is unlikely to threaten series best figures. There’s also Toy Story 5 in its third outing and it should still be performing well.
Illumination has made it a habit to open these pics in the 4th of July corridor or a tad later in the month. Minions hold the highest overall 3-day debut at $115 million right after the holiday. 2022’s Minions: The Rise of Gru opened on July 1 with a three-day take of $107 million. For this one, a Wednesday beginning is occurring. The Fourth of July is landing on a Saturday. Based on historical precedence, that should mean a dip in earnings on that date since plenty of families will be preoccupied with the 250th celebration. It also means the Wednesday and Thursday numbers should play like a traditional weekend date.
I’ll project a mid 60s gross from Friday to Sunday while it gets above nine digits for the five-day.
Minions & Monsters opening weekend prediction: $66.4 million (Friday to Sunday); $106.5 million (Wednesday to Sunday)
As a director battling an illness while in Paris for Fashion Week, Angelina Jolie headlines Couture. Out in limited release this weekend, Alice Winocour writes and directs with a supporting cast including Louis Garrel, Ella Rumpf, and Garance Marillier.
Couture was first screened at the Toronto Film Festival last September where it failed to fashion much buzz for itself. Critics are unimpressed with 50% on Rotten Tomatoes and a 49 Metacritic. While some reviews are being kind to Jolie, this appears to be an awards non-starter. That even includes in Best Costume Design despite taking its title from the high-end brand. My Oscar Prediction posts will continue…
Supergirl marks the second feature in the new James Gunn curated iteration of the DC Universe behind last summer’s Superman reboot. Directed by Craig Gillespie, Milly Alcock (who briefly appeared in the Man of Steel’s 2025 adventure) plays the title character. David Corenswet appears as Supes with the supporting cast including Matthias Schoenaerts, Eve Ridley, David Krumholtz, and Jason Momoa as bad guy Lobo (not Aquaman).
Box office expectations aren’t near as high for this DC effort compared to what was happening a year ago. Reviews were mixed on Superman. However, reaction to Supergirl is more negative. While Alcock is getting some decent ink, Rotten Tomatoes is at 57% with 48 on Metacritic.
The only awards races worth considering are Visual Effects, Sound, and Makeup and Hairstyling. Superman didn’t get into any of those despite being shortlisted in the first two. Supergirl‘s best shot might be in Makeup and Hairstyling where Gunn’s Guardians of the Galaxy trilogy managed three nominations. Interestingly critics are comparing Supergirl less with Guardians and more with Mad Max flicks. Like 2024’s Furiosa: A Mad Max Saga, the chances are strong this will receive zero noms. My Oscar Prediction posts will continue…
Supergirl will attempt to fly high and challenge Toy Story 5 for box office bragging rights as June closes out, but it faces considerable odds. The DC Studios adventure opens alongside Johnny Knoxville and his band of pranksters in Jackass: Best and Last. You can peruse my detailed prediction posts on the newcomers here:
The rosiest estimates have Supergirl approaching $60 million. Even if that occurs, it’s probably not enough to catch Toy Story 5 which should ease in the mid 40s-50 percent range. I’m taking the under with Supergirl and projecting mid 40s. That would leave it well behind in the runner-up position.
Jackass: Best and Last should the first of the five big screen franchise entries to open under $20 million. My low teens forecast would mean a third place showing as the series may be running out of steam with the alleged final edition.
Holdovers Obsession and Disclosure Day may flip spots as the former should have a smaller decline.
Here’s how I see the top 5 shaking out:
1. Toy Story 5
Predicted Gross: $80.6 million
2. Supergirl
Predicted Gross: $44.5 million
3. Jackass: Best and Last
Predicted Gross: $11.3 million
4. Obsession
Predicted Gross: $9 million
5. Disclosure Day
Predicted Gross: $8.4 million
Box Office Results (June 19-21)
Toy Story 5 had the second best Disney/Pixar sequel opening in history. That also means it had the second strongest beginning for any animated feature behind Incredibles 2. The return of Woody and Buzz kicked off in line with expectations at $159.6 million. I was a bit more generous with $166.8 million, but this is still a massively pleasing result for the Mouse House.
Steven Spielberg’s Disclosure Day, after a premiere at the bottom end of its anticipated range, fell a troubling 60% in its sophomore outing to $17.7 million. I figured it would hold a bit better at $21.5 million. That B Cinemascore grade is evidenced by the performance.
Obsession made $13.3 million in third as it’s finally starting to drop from week to week. I had it at $15.2 million and the horror phenomenon has hauled in $215 million after six weeks.
A24 smash Backrooms was fourth with $7.1 million (I said $6.6 million) for a four-week tally of $175 million. The news wasn’t good for A24 everywhere (more on that in a second).
Scary Movie rounded out the top five with $6.3 million, on target with my $6.1 million call. The spoof sequel is near nine digits with $97 million in three weeks.
That aforementioned A24 bad news came from The Death of Robin Hood with Hugh Jackman. With middling reviews and non-existent buzz, it bombed in 8th place with $2.8 million compared to my $3.8 million prediction.
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