Luc Besson’s take on Bram Stoker’s famed bloodsucking novel Dracula has been out in France since last summer, but it’s finally sinking into domestic venues this weekend. The gothic tale stars Caleb Landry Jones in the title role with Christoph Waltz, Zoë Bleu, and Matilda De Angelis providing support.
This version is not expected to make much box office impact stateside. Reviews are rather blasé with 52% on Rotten Tomatoes and a 45 Metacritic. Despite praise for Danny Elfman’s score and Jones in the lead, this is not wired to get awards attention like Guillermo del Toro’s Frankenstein.
In a best case scenario, awards voters might consider the Makeup and Hairstyling or Production Design categories. A likelier result is that Dracula is forgotten several months down the line. My Oscar Prediction posts will continue…
Sony Pictures Animation hopes for Goat to be golden when it opens over President’s Day weekend. The sports comedy is directed by Tyree Dillihay with Stranger Things star Caleb McLaughlin voicing the title creature who dreams of playing pro ball. Other performers providing behind the mic contributions include Gabrielle Union, real life ball champ Stephen Curry, Nicola Coughlan, David Harbour, Jenifer Lewis, Aaron Pierre, Andrew Santino, Jelly Roll, and Jennifer Hudson.
Goat takes place over the NBA All-Star weekend and it has been promoted heavily on ESPN during games. The studio is hoping parents take their kiddos before the nighttime activities. It could be a decent marketing move considering it’s the sole pic seeking families in a weekend with new material catering to grown-ups.
I’m thinking that means a Friday to Sunday gross in the high teens with over $20 million over the four-day.
Goat opening weekend prediction: $18.7 million (Friday to Sunday); $21 million (Friday to Monday)
As we do every year on the blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It begins with the ten Best Picture contenders and then alternates alphabetically between the hopefuls in the other five races. We have arrived at the ninth candidate in BP and that’s Sinners from Ryan Coogler. If you missed my posts covering the previous nominees, you can find them here:
The 16 (yes, sixteen) nominations for the vampire saga set a record. Even if the Academy had not added the new Casting race, it still would’ve set the all-time high as the previous best was 14 in a three-way tie between All About Eve, Titanic, and La La Land. Besides Picture, it is up for Coogler’s direction and original screenplay, Actor (Michael B. Jordan), Supporting Actress (Wunmi Mosaku), Supporting Actor (Delroy Lindo), Casting, Cinematography, Costume Design, Film Editing, Makeup and Hairstyling, Original Score, Original Song, Production Design, Sound, and Visual Effects. Sinners has seen BP nods at all important precursors including the Globes, PGA, BAFTA, Critics Choice, and best ensemble at SAG Actor. At $280 million in domestic earnings, it is easily the largest grosser of the 10 nominees.
The Case Against Sinners:
The movie with the most nominations has only taken BP three out of the past 10 shows (2017’s The Shape of Water, 2022’s Everything Everywhere All at Once, and Oppenheimer in 2023). Sinners has yet to have a signature victory as Hamnet took Best Drama at the Globes and One Battle After Another was victorious at Critics Choice. The Academy has shown reluctance to honor horror flicks.
The Verdict:
The 16 nominations changed the dynamic from One Battle being seen as the fairly sturdy frontrunner to what’s now considered a legitimate showdown between Warner Bros properties. If Sinners takes this weekend’s DGA for its maker Coogler, look for this to become the favorite. If it doesn’t achieve that prize, it could still be honored with ensemble as SAG Actor and its momentum could result in Oscar glory. With all that said, Battle is still a strong competitor that may not be denied.
My Case Of posts will wrap up the BP hopefuls with Train Dreams…
Wuthering Heights (stylized as “Wuthering Heights”) looks to have a commanding #1 debut over a crowded President’s Day weekend beginning February 13th. Loosely adapting Emily Brontë’s 1847 novel, the tawdry romantic drama marks the third directorial of Emerald Fennel behind Promising Young Woman and Saltburn. Margot Robbie and Jacob Elordi headline with a supporting cast including Hong Chau, Shazad Latif, Alison Oliver, Martin Clunes, and Ewan Mitchell.
This could be seen as Robbie’s first majorly visible role since her 2023 phenomenon Barbie. Last year’s A Big Bold Beautiful Journey was barely marketed by Sony with poor word-of-mouth and reviews. Elordi has been on viewers’ radar with his Oscar-nominated turn in Netflix’s Frankenstein.
With that star power, familiar source material, and encouraging buzz, I suspect Heights could climb above current forecasts which are already rosy. The shrewdly timed release with Valentine’s Day falling on a Saturday could guarantee a large female turnout and plenty may bring their mates along for the journey. I’m going with a three-day in the high 50s and a mid 60s four-day.
Wuthering Heights opening weekend prediction: $58 million (Friday to Sunday); $65.5 million (Friday to Monday)
As we do every year on the blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It begins with the ten Best Picture contenders and then alternates alphabetically between the hopefuls in the other five races. We have arrived at the eighth horse in the BP derby and that’s Joachim Trier’s Sentimental Value. If you missed my posts covering the previous nominees, you can find them here:
The Norwegian drama has been on the Academy’s radar since it took home the Grand Prix (the prize for 2nd) at the Cannes Film Festival in May. It scored a better than anticipated nine nods including four of its cast members -Renate Reinsve in lead Actress, Elle Fanning and Inga Ibsdotter Lilleass in Supporting Actress, and Stellan Skarsgård in Supporting Actor plus Trier’s direction and original screenplay with Eskil Vogt. The other two mentions are for Film Editing and International Feature Film. It also nabbed BP noms at BAFTA, the Globes, and Critics Choice.
The Case Against Sentimental Value:
In addition to no BP victories at the already aired ceremonies, it has fallen short to The Secret Agent at the Globes and Critics Choice in the foreign field. Value also blanked at the SAG Actor awards. Only one Oscar winner (1995’s Braveheart) has been zeroed out by SAG previously.
The Verdict:
The overperformance of nine noms arguably makes it the favorite over Agent for International Feature Film and Skarsgård (fresh off a Globe win) is considered the frontrunner in his race. Though it could be in the top half of the 10 contenders, Value is not a real threat for the trophy.
Don’t count on a super weekend at the box office as horror sequel The Strangers – Chapter 3 and Kevin James headlined dramedy Solo Mio compete with the dog days of the season and the Super Bowl. You can peruse my detailed prediction posts on the newbies here:
I don’t see either title toppling Send Help in its second weekend. The Sam Raimi pic had a better than expected start (more on that below) and should see a drop in the low to mid 50s.
In third position, I have Solo edging Strangers in a close race for (non) bragging rights. That said, either could over or underperform.
After another better than anticipated debut, Melania should see a smaller sophomore decline than Iron Lung. That’s with a caveat that the doc about the First Lady might be more front-loaded than my estimate.
Here’s how I see the high five shaking out:
1. Send Help
Predicted Gross: $8.6 million
2. Iron Lung
Predicted Gross: $7.1 million
3. Solo Mio
Predicted Gross: $5.2 million
4. The Strangers – Chapter 3
Predicted Gross: $4.5 million
5. Melania
Predicted Gross: $4.2 million
Box Office Predictions (January 30-February 1)
As much of the nation dug out from a winter snowstorm, more of them headed to theaters than I figured. Three of the four newcomers easily surpassed my forecasts. Send Help, capitalizing on solid reviews, was tops with $19.1 million compared to my $13.5 million prediction. The B+ Cinemascore is promising for its genre though I still think it falls around 50% this coming weekend.
Gamer based Iron Lung was right behind in second with $18.1 million, blowing past my measly $8 million projection. This is widely anticipated to make the bulk of its cash right away. It is still a terrific gross given the reported $3 million price tag.
Melania also exceeded its range with $7.1 million as the political documentary played best between the coasts in third. I went lower at $4.2 million.
Holdovers held up well with Zootopia 2 actually gaining 12% over the previous weekend with $5.9 million. I incorrectly had it outside of my top 6. The ten-week tally is $409 million.
Avatar: Fire and Ash rounded out the top five with $5.6 million (I said $4.9 million). After seven weeks, it has amassed $386 million.
Jason Statham action thriller Shelter was not found by many fans in sixth with $5.5 million compared to my $6.9 million take.
Finally, sci-fi courtroom saga Mercy fell 58% and from 1st to 7th with $4.5 million, in line with my $4.7 million guesstimate. The two-week total is $19 million.
As we do every year on the blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It begins with the ten BP contenders and then alternates alphabetically between the hopefuls in the other five races. We have arrived at the seventh movie in the big dance and that’s The Secret Agent from Kleber Mendonça Filho. If you missed my posts covering the previous nominees, you can find them here:
Filho’s Brazilian political thriller has become a late bloomer in awards season even though it picked up traction last summer at Cannes where it won Actor (Wagner Moura) and director prizes. Agent was still seen as behind Sentimental Value and It Was Just An Accident in International Feature Film, but then it took the foreign prizes at Critics Choice and the Globes. In addition to BP and the International race, Moura is in for lead Actor and it is up for Casting.
The Case Against The Secret Agent:
Note that in the Case for, I never spoke of it being in serious contention for Best Picture. The four nominations are tied for the lowest of the BP hopefuls with three others. It missed key nods in director and screenplay and other tech categories that usually correlate to a victory. Agent underperformed at BAFTA with only two nominations.
The Verdict:
With Value having an impressive Oscar morning, Agent could fall short in IFF and come up empty-handed at the ceremony. It is not a threat for BP.
My Case Of posts will continue with Sentimental Value…
As we do every year on the blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It begins with the ten BP contenders and then alternates alphabetically between the hopefuls in the other five races. We have arrived at the sixth contender – Paul Thomas Anderson’s One Battle After Another. If you missed my posts covering the previous five nominees, you can find them here:
Since Paul Thomas Anderson’s multi-genre mixup premiered in September, it vaulted to the top of the BP rankings. It impressed with 12 additional nominations – PTA in Director and Adapted Screenplay, Actor (Leonardo DiCaprio), Supporting Actress (Teyana Taylor), Supporting Actor (Benicio del Toro and Sean Penn), Casting, Cinematography, Film Editing, Original Score, Production Design, and Sound. The precursor love has been strong already with a Best Film (Musical or Comedy) trophy at the Globes and BP victory at Critics Choice. It’s also in contention for SAG Actor Ensemble and highest honors at BAFTA. This is PTA’s fourth title up for BP (the others being There Will Be Blood, Phantom Thread, and Licorice Pizza) and there could be a feeling that he’s overdue for recognition after 30 years of critically acclaimed projects.
The Case Against One Battle After Another:
Sinners. The fellow Warner Bros release raised eyebrows with a record-breaking 16 nods. That could be hard for the Academy to discount when voting for BP. There was a notable Oscar miss for Teyana Taylor missing the quintet in lead Actress.
The Verdict:
The day before nominations morning, I would have confidently called Battle for the win. The Sinners showing makes it more of a toss-up.
My Case Of posts will continue with The Secret Agent…
As we do every year on the blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It begins with the ten BP contenders and then alternates alphabetically between the hopefuls in the other five races. We have arrived at the nominee #5 and that’s Josh Safdie’s Marty Supreme. If you missed my posts covering the previous four contenders, you can find them here:
Academy voters would be selecting one of the most widely seen nominees (it grossed more than arguable frontrunner One Battle After Another). The sports dramedy amassed a laudable eight additional nods including Safdie’s direction, his Original Screenplay with Ronald Bronstein, Casting, Cinematography, Costume Design, Editing, and Production Design. And of course there’s the nod for Marty himself, Timothée Chalamet, in lead Actor. It has landed BP placement in all noteworthy precursors – the Globes, PGA, Critics Choice, BAFTA, for its ensemble at SAG Actor, and Safdie at DGA.
The Case Against Marty Supreme:
It wasn’t as widely seen as the other arguable frontrunner Sinners. Supreme has yet to get a BP victory anywhere and it was a slight surprise that it missed other acting nominations besides Chalamet (supporting players Gwyneth Paltrow and especially Odessa A’Zion were thought to be possibilities).
The Verdict:
Marty Supreme is reminiscent of Hamnet, my previous Case Of post. It received a bounty of mentions but its best (and probably only) chance at gold is in the lead acting field. For Hamnet, it’s with Jessie Buckley in Actress and with Supreme where the third time could definitely be the charm for Chalamet.
My Case Of posts will continue with One Battle After Another…
Embarking on his Italian honeymoon alone after being left at the altar, Kevin James stars in Solo Mio on February 6th. The dramedy is co-directed by siblings Chuck and Dan Kinnane with a supporting cast including Alyson Hannigan, Nicole Grimaudio, Kim Coates, and Jonathan Roumie.
An Angel Studios release, this is James’s first headlining theatrical vehicle in over a decade (think Paul Blart: Mall Cop 2). Most everything in between has gone the streaming route. Can Solo drive any traffic to theaters? With a reported budget of only $4 million, profitability should be achieved.
I’ll say mid single digits is where it lands though it could manage only lower single digits in a worst case scenario.
Solo Mio opening weekend prediction: $5.2 million
For my The Strangers – Chapter 3 prediction, click here:
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