Oscar Nominations: The Case of Emma Stone in Bugonia

As we do every year on the blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.

It began with the ten Best Picture contenders and now alternates alphabetically between the hopefuls in the other five races. The BP posts are readily available for your perusing pleasure. Our final performer in Best Actress is Emma Stone for Bugonia. If you missed my posts covering the others, you can find them here:

Oscar Nominations: The Case of Jessie Buckley in Hamnet
Oscar Nominations: The Case of Rose Byrne in If I Had Legs I’d Kick You
Oscar Nominations: The Case of Kate Hudson in Song Sung Blue
Oscar Nominations: The Case of Renate Reinsve in Sentimental Value

Previous Acting Nominations:

2014 (Supporting Actress) – Birdman – lost to Patricia Arquette in Boyhood; 2016 (Actress) – La La Land (WON); 2018 (Supporting Actress) – The Favourite – lost to Regina King in If Beale Street Could Talk; 2023 (Actress) – Poor Things (WON)

The Case for Emma Stone:

She’s won the other two times she was up in the lead competition and her collaborations with Yorgos Lanthimos have attracted lots of Oscar attention. For her work in Bugonia, she was nominated at key precursors SAG Actor, BAFTA, the Golden Globes, and Critics Choice.

The Case Against Emma Stone:

Best Actress is the one acting category where a sweep is expected to occur thanks to Jessie Buckley in Hamnet. Her performance has won everywhere and the Academy could certainly feel that Stone has been well-rewarded in recent years. Her costar Jesse Plemons couldn’t manage a nod.

The Verdict:

Stone will not be making a third trip to the stage.

My Case Of posts will continue the last Best Actor contender – Wagner Moura in The Secret Agent…

Oscar Nominations: The Case of Joachim Trier for Sentimental Value

As we do every year on the blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.

It began with the ten Best Picture contenders and now alternates alphabetically between the hopefuls in the other five races. The BP posts are readily available for your perusing pleasure. The fourth director for consideration is Joachim Trier for Sentimental Value. If you missed my previous posts on the filmmakers in the mix, you can access them here:

Oscar Nominations: The Case of Paul Thomas Anderson for One Battle After Another
Oscar Nominations: The Case of Ryan Coogler for Sinners
Oscar Nominations: The Case of Josh Safdie for Marty Supreme

Previous Directing Nominations:

None

The Case for Joachim Trier:

The Dutch auteur’s family drama exceeded expectations on nominations morning with nine including another at bat for his Original Screenplay with Eskil Vogt. BAFTA and Golden Globe nods preceded the Oscar mention.

The Case Against Joachim Trier:

Trier didn’t make the cut at Critics Choice and, most importantly, Academy bellwether DGA. Paul Thomas Anderson (One Battle After Another) has swept the season thus far with Ryan Coogler (Sinners) seen as the only threat.

The Verdict:

Trier might have a slightly stronger shot for his cowriting (though Sinners is looking likely there). A directing victory isn’t happening.

My Case Of posts will continue with the final entrant in Best Actress – Emma Stone in Bugonia…

Oscar Nominations: The Case of Sean Penn in One Battle After Another

As we do every year on the blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.

It began with the ten Best Picture contenders and now alternates alphabetically between the hopefuls in the other five races. The BP posts are readily available for your perusing pleasure. The fourth entrant in Best Supporting Actor is Sean Penn as the villainous Colonel Steven J. Lockjaw in Paul Thomas Anderson’s One Battle After Another. If you missed my posts covering the first three thespians in the race, they can be accessed here:

Oscar Nominations: The Case of Benicio del Toro in One Battle After Another
Oscar Nominations: The Case of Jacob Elordi in Frankenstein
Oscar Nominations: The Case of Delroy Lindo in Sinners

Previous Acting Nominations:

1995 – Actor (Dead Man Walking) – lost to Nicolas Cage for Leaving Las Vegas; 1999 – Actor (Sweet and Lowdown) – lost to Kevin Spacey for American Beauty; 2001 – Actor (I Am Sam) – lost to Denzel Washington for Training Day; 2003 – Actor (Mystic River) – WON; 2008 – Actor (Milk) – WON

The Case for Sean Penn:

The six-time nominee and two-time winner is peaking at the right time. Penn has taken the previous major precursors via BAFTA and SAG Actor. While he’s been a mainstay at the Oscars, it’s been 17 years between nominations and this is seen as his meatiest role in quite some time. He would entered rarified territory as only the 8th actor to have more than two gold statues joining Katherine Hepburn with four and the following performers with three – Ingrid Bergman, Walter Brennan, Daniel Day-Lewis, Frances McDormand, Jack Nicholson, and Meryl Streep.

The Case Against Sean Penn:

As you can see above, it’s no easy task to get a trio of Oscars. He could vote split with his costar Benicio del Toro. The early precursors did not go his way with Jacob Elordi (Frankenstein) taking Critics Choice and the Globes selecting Stellan Skarsgård (Sentimental Value). Unlike some his fellow nominees, he’s not big on campaigning.

The Verdict:

Momentum matters. A month ago, Penn looked like a long shot. Now he’s the favorite and hard to bet against.

My Case Of posts will continue with fourth director for consideration – Joachim Trier for Sentimental Value…

Oscar Nominations: The Case of Wunmi Mosaku in Sinners

As we do every year on the blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.

It began with the ten Best Picture contenders and now alternates alphabetically between the hopefuls in the other five races. The BP posts are readily available for your perusing pleasure. Our fourth entrant among the Supporting Actress nominees is Wunmi Mosaku for Ryan Coogler’s Sinners. If you missed the previous three write-ups in this race, you can access them here:

Oscar Nominations: The Case of Elle Fanning in Sentimental Value
Oscar Nominations: The Case of Inga Ibsdotter Lilleass in Sentimental Value
Oscar Nominations: The Case of Amy Madigan in Weapons

Previous Acting Nominations:

None

The Case for Wunmi Mosaku:

With a showcase role as Hoodoo practitioner Annie in the most nominated Oscar movie of all time (16), Mosaku’s stock in the race shot through the roof with her BAFTA victory. Seven out of the last 10 winners at BAFTA have also picked up the Academy Award. If Sinners takes Best Picture, it stands to reason that an acting nominee will come along for the ride. She was additionally nominated at Critics Choice and the Actor Awards.

The Case Against Wunmi Mosaku:

BAFTA is Mosaku’s only major precursor podium trip. Amy Madigan (Weapons) took Critics Choice and most notably SAG Actor where 15 out of the last 16 winners have matched with Oscar. Teyana Taylor (One Battle After Another) took the Globe where Mosaku wasn’t even nominated. The Academy can also honor Actor Award recipient Michael B. Jordan in Best Actor or Delroy Lindo in Supporting Actor as the Sinners cast member prize.

The Verdict:

Madigan, Mosaku, and Taylor all have decently compelling arguments for the gold statue and I’ll be going back and forth between them until final prediction time.

My Case Of posts will continue with the fourth performer in Supporting Actor – Sean Penn for One Battle After Another…

Oscar Predictions: The Bride!

Maggie Gyllenhaal’s The Bride! is out Friday and her loose rendering of The Bride of Frankenstein is drawing plenty of differing reactions. Jessie Buckley, who appears poised to win Best Actress next weekend for Hamnet, is in the title role with Christian Bale as The Monster. Costars include Peter Sarsgaard, Annette Bening, Jake Gyllenhaal, and Penélope Cruz.

Reviews are mixed with 60% on Rotten Tomatoes and a 55 Metacritic. Whereas Guillermo del Toro’s Frankenstein landed five nominations at next Sunday’s 98th Academy Awards including Best Picture, The Bride!‘s chances are more limited.

It is entirely realistic that Gyllenhaal’s treatment of Mary Shelley’s 200-year-old plus novel will receive no awards attention. Production Design is a remote possibility with Makeup and Hairstyling (a race where Frankenstein is a near certainty to emerge victorious) is the strongest possibility. That’s a different story than the filmmaker’s debut feature The Lost Daughter which was up in Actress (Olivia Colman), Supporting Actor (Buckley’s first nom), and Adapted Screenplay. My Oscar Prediction posts will continue…

March 6-8 Box Office Predictions

Disney/Pixar looks to jump to the top of the box office charts with Hoppers while Warner Bros hopes moviegoers RSVP for The Bride!, Maggie Gyllenhaal’s take on The Bride of Frankenstein starring Jessie Buckley and Christian Bale. You can peruse my detailed prediction posts on the newcomers here:

Hoppers Box Office Prediction
The Bride! Box Office Prediction

Recent original Pixar titles (Elemental, Elio) have struggled out of the gate with openings below $30 million. With encouraging reviews, I suspect that won’t be the case with Hoppers and I’m going with a start in the mid 40s.

As for The Bride!, I am forecasting a subpar premiere barely topping $10 million. As I mentioned in my post, the second weekend of Scream 7 and especially similar subject matter being covered in Guillermo del Toro’s Frankenstein on Netflix could hinder this.

Speaking of Scream 7, it had a terrific debut (more on that below) that easily set a franchise record. The horror genre usually sees substantial declines in their second frames and I envision a mid to high 60s plummet for the latest adventures of Ghostface. Goat and Wuthering Heights should round out the top five.

Here’s I how I envision it shaking out:

1. Hoppers

Predicted Gross: $43.6 million

2. Scream 7

Predicted Gross: $19.5 million

3. The Bride!

Predicted Gross: $10.3 million

4. Goat

Predicted Gross: $5.8 million

5. Wuthering Heights

Predicted Gross: $3.4 million

Box Office Results (February 27-March 1)

As mentioned, Scream 7 had no trouble making loud noises at multiplexes with a series best $63.6 million, trouncing the $44 million that 2023 predecessor Scream VI pulled in. It also eclipsed my meager $47.6 million prediction for the best start yet in 2026.

Goat dropped to second with $12 million, down only 29% for a three-week tally of $73 million. I went a little lower at $10.8 million.

Wuthering Heights was third with $6.7 million (I said $6.9 million) and its three-week total is $72 million. The Margot Robbie-Jacob Elordi romance should fall a bit short of nine digits.

I did not have the rest of the high five being populated with music docs, but that was the result. Twenty One Pilots: More Than We Ever Imagined was fourth with $3.7 million. The King was fifth as EPiC: Elvis Presley in Concert made $3.5 million to bring its earnings to nearly $8 million. Crime 101 was sixth with $3.7 million. I didn’t do a prediction for it and it’s made $30 million after three weeks.

I Can Only Imagine 2 fell a sharp 59% after a disappointing debut to $3.1 million in seventh. I forecasted a bit more at $4 million. The faith-based sequel stands at $13 million after ten days.

Send Help was eighth with $2.8 million (I went with $2.6 million) for a five-week gross of $59 million.

And that does it for now, folks! Until next time…

Oscar Predictions: Hoppers

We are less than two weeks away from KPop Demon Hunters likely giving Netflix a Best Animated Feature victory at the Oscars for the 98th Academy Awards. This Friday, Disney/Pixar is releasing a sci-fi comedy that could easily make the quintet at the 99th. Daniel Chong’s Hoppers features a voice cast including Piper Curda, Bobby Moynihan, Jon Hamm, Kathy Najimy, and Dave Franco.

With 96% on Rotten Tomatoes and a 77 Metacritic, reviews are strong enough that it should become the 21st Pixar title to nab a spot among the contending five. It should have competition from its own studio in the form of this summer’s Toy Story 4. Parts 3 and 4 won the prize and the first two probably would’ve had the category existed when they were released.

Hoppers also features an original song titled “Save the Day” from SZA and the Mouse House will probably mount a campaign for it in Original Song. Besides the fifth edition of Woody and Buzz, there will be other animated fare vying for the votes of Academy members in the coming months. Pixar’s first 2026 offering has already staked its claim for attention. My Oscar Prediction posts will continue…

Oscar Nominations: The Case of Michael B. Jordan in Sinners

As we do every year on the blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.

It began with the ten Best Picture contenders and now alternates alphabetically between the hopefuls in the other five races. The BP posts are readily available for your perusing pleasure. Our fourth entry in the Best Actor derby is Michael B. Jordan playing the dual roles of Smoke and Stack in Ryan Coogler’s Sinners. If you missed my posts covering the first three leading men, they can be found here:

Oscar Nominations: The Case of Timothée Chalamet in Marty Supreme
Oscar Nominations: The Case of Leonardo DiCaprio in One Battle After Another
Oscar Nominations: The Case of Ethan Hawke in Blue Moon

Previous Acting Nominations:

None

The Case for Michael B. Jordan:

Last night’s Actor Awards where Jordan scored a minor upset victory after not winning previous precursors. Starring in one of two pics with a legit shot at Best Picture, Jordan’s win from the SAG branch comes at a crucial time when Academy members are actively voting. He was nominated everywhere else including at the Globes, Critics Choice, and BAFTA. It doesn’t hurt that Sinners scored a record setting 16 noms in total.

The Case Against Michael B. Jordan:

He came up short to Timothée Chalamet (Marty Supreme) at Critics Choice and lost to Wagner Moura (The Secret Agent) at the Golden Globes. Both performers are very much still in the mix and major threats to take the prize. The voters have two other chances to honor the Sinners cast via Wunmi Mosaku and Delroy Lindo in their respective supporting fields.

The Verdict:

We don’t know if Jordan’s Actor award is the knockout blow he needed. There’s little question that it upped his chances considerably.

My Case Of posts will continue with Jordan’s costar Wunmi Mosaku for Supporting Actress…

32nd Actor Awards Reaction

Some Oscar categories may have become more solidified (Supporting Actor) while others remain unsettled (Actor and Supporting Actor and perhaps Best Picture) courtesy of tonight’s 32nd Actor Awards. Formerly known as SAG, Kristen Bell returned to host the Netflix aired ceremony where Sinners remained a viable alternative to One Battle After Another for Best Picture in two weeks.

It was the only film to take 2 prizes as I correctly called it for Best Ensemble. Ryan Coogler’s vampire tale did take an acting honor, but not the one I forecasted. In Best Actor, Michael B. Jordan is the winner over Timothée Chalamet (Marty Supreme) and this opens up the real possibility of him grabbing the Oscar. After Robert Aramayo (I Swear) took BAFTA, Chalamet is looking truly vulnerable.

On a night where I went 4 for 6, the other miss was projecting BAFTA victor Wunmi Mosaku’s work in Sinners for Supporting Actress. Instead the Screen Actors Guild went with Critics Choice winner Amy Madigan in Weapons. That race is legit looking like an open contest between Madigan (who now has 2 key precursors) and Mosaku and Teyana Taylor (One Battle After Another).

Battle‘s Sean Penn is your Supporting Actor honoree and he’s grabbed 2 trophies in a row (BAFTA). I wouldn’t want to bet against him on Oscar night for what would be a third gold statue.

Jessie Buckley’s sweep continued in Best Actress for Hamnet. With all preceding ceremonies going her way, she is unquestionably the easiest acting derby to predict for the Academy.

In the Stunt Ensemble race, the voters predictably went with Mission: Impossible – The Final Reckoning.

From a pure precursor standpoint, Battle has won top honors at the Globes, Critics Choice, BAFTA, and PGA. That mix is hard to deny. Yet late breaking momentum certainly makes Sinners the easy runner-up and a threat to be the Academy’s BP.

Stay tuned to the blog for final Oscar predictions in a few days!

Oscar Predictions: At the Sea

Kornél Mundruczó’s drama At the Sea casts Amy Adams as a fresh out of rehab woman adjusting to family life. Costars include Murray Bartlett, Brett Goldstein, Chloe East, Dan Levy, Jenny Slate, and Rainn Wilson. Sea premiered at the Berlin Film Festival where Rose Byrne won Best Actress last year for If I Had Legs I’d Lick You before nabbing an Oscar nod.

Adams is a six-time nominee at the Academy with five supporting mentions for Junebug, Doubt, The Fighter, The Master, and Vice. Her sole leading try came in 2013 for American Hustle. She probably came darn close to another nom for 2016’s Arrival but was surprisingly snubbed. Recent starring turns in The Woman in the Window and Nightbitch have fizzled with awards voters.

That should hold true with Sea. The Rotten Tomatoes rating is a lowly 38% and this should be lost in the shuffle when the Academy is filling out ballots next year. A long sought victory for Adams will have to wait. My Oscar Prediction posts will continue…