Scream 7 looks to set record high franchise noise when it debuts February 27th. Nearly 30 years into the series, Kevin Williamson (who penned the 1st, 2nd, and 4th editions) directs and cowrites. This is only his second behind the camera feature after 1999’s Teaching Mrs. Tingle. Jenna Ortega and Melissa Barrera, the headliners of parts V-VI, are MIA. However, Neve Campbell is back in action after missing the predecessor along with returnees Jasmin Savoy Brown, Mason Gooding, David Arquette, Matthew Lillard, Courtney Cox, and Roger L. Jackson (voicing Ghostface). Newcomers to the fold include Isabel May, Anna Camp, Michelle Randolph, Jimmy Tatro, Mckenna Grace, Asa Germann, Celeste O’Connor, Sam Rechner, Tim Simons, and Joel McHale.
After a decade in dormancy, the franchise was brought back with solid numbers in 2022. The fifth pic (simply titled Scream) took in just over $30 million opening weekend with an eventual $81 million domestic haul. Yet those premiere grosses fell short of 2 and 3 and the overall gross fell short of the first three flicks. Scream VI in 2023 (not adjusted for inflation) set series bests at a $44 million start and $108 million stateside.
With little competition at multiplexes and recent overperformances for the genre, I am leaning toward 7 being lucky. I suspect this might achieve another record number out of the gate.
Scream 7 opening weekend prediction: $47.6 million
As we do every year on the blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It began with the ten Best Picture contenders and now alternates alphabetically between the hopefuls in the other five races. The BP posts are readily available for your perusing pleasure. The third entrant in Best Actor is Ethan Hawke as songwriter Lorenz Hart in Richard Linklater’s musical dramedy Blue Moon. If you missed my posts covering Timothée Chalamet and Leonardo DiCaprio, they can be accessed here:
2001 – Supporting Actor (Training Day) – lost to Jim Broadbent for Iris; 2014 – Supporting Actor (Boyhood) – lost to J.K. Simmons for Whiplash
The Case for Ethan Hawke:
He has garnered some career best notices and made the cut at significant precursors like the Globes, Critics Choice, SAG Actor, and BAFTA. For a career lasting over three decades, Hawke been on a roll lately mixing indies with horror and TV work. Voters may wish to give him his due, especially after being snubbed a few years back for First Reformed and nabbing two other Oscar nods for his Before Sunset and Before Midnight screenplays.
The Case Against Ethan Hawke:
A signature precursor victory has yet to materialize. Chalamet’s performance in Marty Supreme has swept the season thus far. Moon is the sole pic represented in Best Actor that doesn’t come from a Best Picture nominee.
The Verdict:
An upset win is unlikely to occur unless Hawke manages a SAG or BAFTA trophy. Barring that, Chalamet remains the sturdy frontrunner.
My Case Of posts will continue with the third contestant in Supporting Actress and that’s Amy Madigan in Weapons…
The 79th BAFTAs (Britain’s version of the Academy Awards) occur this Sunday and they are often a reliable precursor to what Oscar voters will do. For example, they are 8 for 8 in the past two cycles in forecasting the acting races. On the flip side, in 2022, none of the four BAFTA acting recipients took the Oscar. The previous five cycles has seen the BAFTA Best Film match with Best Picture only twice (Nomadland, Oppenheimer). In 2021, the Brits honored The Power of the Dog over CODA (which wasn’t nominated). The following year it was All Quiet on the Western Front instead of Everything Everywhere All at Once. Last year, BAFTA selected Conclave and not Anora.
That’s why it’s very tempting to go with Hamnet over arguable frontrunners One Battle After Another and Sinners in the top competition. I almost did so, but ultimately decided with roll with Battle (with a low degree of confidence). Let’s walk through each race one by one with my winner projections and a runner-up.
Best Film
Hamnet, Marty Supreme, One Battle After Another, Sentimental Value, Sinners
WINNER: One Battle After Another
Runner-Up: Hamnet
Best Director
Paul Thomas Anderson (One Battle After Another), Ryan Coogler (Sinners), Yorgos Lanthimos (Bugonia), Josh Safdie (Marty Supreme), Joachim Trier (Sentimental Value), Chloé Zhao (Hamnet)
WINNER: Paul Thomas Anderson, One Battle After Another
Runner-Up: Chloé Zhao, Hamnet
Best Actress
Jessie Buckley (Hamnet), Rose Byrne (If I Had Legs I’d Kick You), Kate Hudson (Song Sung Blue), Chase Infiniti (One Battle After Another), Renate Reinsve (Sentimental Value), Emma Stone (Bugonia)
WINNER: Jessie Buckley, Hamnet
Runner-Up: Renate Reinsve, Sentimental Value
Best Actor
Robert Aramayo (I Swear), Timothée Chalamet (Marty Supreme), Leonardo DiCaprio (One Battle After Another), Ethan Hawke (Blue Moon), Michael B. Jordan (Sinners), Jesse Plemons (Bugonia)
WINNER: Timothée Chalamet, Marty Supreme
Runner-Up: Ethan Hawke, Blue Moon
Best Supporting Actress
Odessa A’Zion (Marty Supreme), Inga Ibsdotter Lilleass (Sentimental Value), Wunmi Mosaku (Sinners), Carey Mulligan (The Ballad of Wallis Island), Teyana Taylor (One Battle After Another), Emily Watson (Hamnet)
WINNER: Teyana Taylor, One Battle After Another
Runner-Up: Inga Ibsdotter Lilleass, Sentimental Value
Best Supporting Actor
Benicio del Toro (One Battle After Another), Jacob Elordi (Frankenstein), Paul Mescal (Hamnet), Peter Mullan (I Swear), Sean Penn (One Battle After Another), Stellan Skarsgård (Sentimental Value)
WINNER: Stellan Skarsgård, Sentimental Value
Runner-Up: Benicio del Toro, One Battle After Another
Best Original Screenplay
I Swear, Marty Supreme, The Secret Agent, Sentimental Value, Sinners
WINNER: Sentimental Value
Runner-Up: Sinners
Best Adapted Screenplay
The Ballad of Wallis Island, Bugonia, Hamnet, One Battle After Another, Pillion
WINNER: One Battle After Another
Runner-Up: Hamnet
Outstanding British Film
28 Years Later, The Ballad of Wallis Island, Bridget Jones: Mad About the Boy, Die My Love, H is for Hawk, Hamnet, I Swear, Mr Burton, Pillion, Steve
WINNER: Hamnet
Runner-Up: Pillion
Outstanding Debut by a British Writer, Director or Producer
The Ceremony, My Father’s Shadow, Pillion, A Want in Her, Wasteman
WINNER: Pillion
Runner-Up: My Father’s Shadow
Best Film Not in the English Language
It Was Just an Accident, The Secret Agent, Sentimental Value, Sirāt, The Voice of Hind Rajab
WINNER: Sentimental Value
Runner-Up: The Secret Agent
Best Animated Film
Elio, Little Amélie or the Character of Rain, Zootopia 2
WINNER: Zootopia 2
Runner-Up: Little Amélie or the Character of Rain
Best Children’s & Family Film
Arco, Boong, Lilo & Stitch, Zootopia 2
WINNER: Zootopia 2
Runner-Up: Arco
Best Documentary
2000 Meters to Andrivka, Apocalypse in the Tropics, Cover-Up, Mr. Nobody Against Putin, The Perfect Neighbor
WINNER: 2000 Meters to Andrivka
Runner-Up: The Perfect Neighbor
Best Casting
I Swear, Marty Supreme, One Battle After Another, Sentimental Value, Sinners
WINNER: Sentimental Value
Runner-Up: One Battle After Another
Best Cinematography
Frankenstein, Marty Supreme, One Battle After Another, Sinners, Train Dreams
WINNER: One Battle After Another
Runner-Up: Sinners
Best Costume Design
Frankenstein, Hamnet, Marty Supreme, Sinners, Wicked: For Good
WINNER: Frankenstein
Runner-Up: Hamnet
Best Editing
F1, A House of Dynamite, Marty Supreme, One Battle After Another, Sinners
WINNER: F1
Runner-Up: One Battle After Another
Best Make Up & Hair
Frankenstein, Hamnet, Marty Supreme, Sinners, Wicked: For Good
WINNER: Frankenstein
Runner-Up: Wicked: For Good
Best Original Score
Bugonia, Frankenstein, Hamnet, One Battle After Another, Sinners
WINNER: Sinners
Runner-Up: Hamnet
Best Production Design
Frankenstein, Hamnet, Marty Supreme, One Battle After Another, Sinners
WINNER: Frankenstein
Runner-Up: Hamnet
Best Sound
F1, Frankenstein, One Battle After Another, Sinners, Warfare
WINNER: F1
Runner-Up: Sinners
Best Special Visual Effects
Avatar: Fire and Ash, F1, Frankenstein, How to Train Your Dragon, The Lost Bus
WINNER: Avatar: Fire and Ash
Runner-Up: F1
That adds up to these movies generating numbers of victories:
5 Wins
One Battle After Another
4 Wins
Sentimental Value
3 Wins
Frankenstein
2 Wins
F1, Hamnet, Zootopia 2
1 Win
2000 Meters to Andrivka, Avatar: Fire and Ash, Marty Supreme, Pillion, Sinners
I’ll have a recap up Sunday with how I performed and my thoughts on how it might impact the Oscars…
The Berlin Film Festival is underway. Last year, it was where critics and audiences first saw Rose Byrne’s Oscar nominated performance for If I Had Legs I’d Kick You. There could be another Best Actress contender for the next ceremony via Rose.
Sandra Hüller plays the title role of a 17th century woman masquerading as a man for financial purposes. Marcus Schleinzer directs with a supporting cast including Caro Braun, Marisa Growaldt, Godehard Giese, and Robert Gwisdek. The Austrian/German production is slated for European release this spring while stateside distribution is unsettled (though probably not for long).
Rotten Tomatoes stands at 100% with much praise going to its star. Hüller was a 2023 nominee for Anatomy of a Fall and she could rise again here. It is also feasible that Austria or Germany might select this as their horse for International Feature Film. If this receives a well-managed campaign, Rose could bloom during the next season. My Oscar Prediction posts will continue…
Faith-based sequel I Can Only Imagine 2 looks to top the charts as the weekend’s only significant wide release and stands an excellent shot at doing so. You can peruse my detailed prediction post here:
The Lionsgate follow-up to the 2018 sleeper hit hopes to build upon the $17 million premiere that its predecessor made. I have it barely doing so though this will likely be more front-loaded than the original. That should be good enough to nab the #1 slot.
That might depend on the sophomore fall of the animated Goat which met and even slightly exceeded expectations over the long Valentine’s/President’s Day frame. I am confident its second weekend dip will be much smaller than that of current champ of Wuthering Heights (more on its performance below). Goat should stay in second with Heights falling to third.
Crime 101 might lose about half its crowd in weekend #2 with Send Help rounding out the top five.
Here’s how I see it shaking out:
1. I Can Only Imagine 2
Predicted Gross: $17.8 million
2. Goat
Predicted Gross: $15.6 million
3. Wuthering Heights
Predicted Gross: $13.2 million
4. Crime 101
Predicted Gross: $7.1 million
5. Send Help
Predicted Gross: $4.8 million
Box Office Results (February 13-16)
As anticipated, Emerald Fennell’s loose adaptation of Wuthering Heights with Margot Robbie and Jacob Elordi managed to place first. However, I took the over on it and certainly should’ve went under. It opened below forecasts with $32.8 million from Friday to Sunday and $37.5 million when counting Monday. That’s well below my generous respective predictions of $55 million and $62.1 million. With a B Cinemascore grade, look for it to fade rather quickly. I have it declining in the 60% range this weekend.
Goat was runner-up with a $27.2 million 3-day and $35.1 million 4-day. That’s on target and a bit superior than my calls of $26.7 million and $30.4 million (it had a better Monday that I figured). The future looks bright with its A Cinemascore.
Crime 101 with Chris Hemsworth was a decent third at $14.2 million (Fri-Sun) and $16 million over the long frame. The thriller performed in range with my takes of $13.3 million and $15.2 million.
Sam Raimi’s Send Help was fourth after two weeks in 1st with $8.8 million (3-day) and $10.1 million (4-day), ahead of my $7.4 million and $8.2 million projections. The laudable three-week tally is $49 million.
Solo Mio with Kevin James had a sturdy hold in fifth with $6.3 million (3-day) and $7.2 million (4-day). I said $6.9 million and $7.5 million. The two-week total is $17 million.
Two other newcomers performed in line with and below my guesstimates. Good Luck, Have Fun, Don’t Die from Gore Verbinski was 8th with $3.6 million (3-day) and $4.1 million (4-day) and I was right there at $3.5 million and $4 million.
Finally, horror comedy Cold Storage got a chilly reception in 14th with $966k from Fri-Sun and $1.1 million factoring in Monday. I was more hopeful at $1.7 million and $2 million.
As we do every year on the blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It began with the ten Best Picture contenders and now alternates alphabetically between the hopefuls in the other five races. The BP posts are readily available for your perusing pleasure. We have arrived at our third contestant in Best Actress and that’s Kate Hudson for Song Sung Blue. If you missed my posts covering the first two contenders, you can find them here:
2000 (Supporting Actress) – Almost Famous – lost to Marcia Gay Harden in Pollock
The Case for Kate Hudson:
Hollywood loves a good awards comeback story and this marks Hudson’s second try at Oscar glory after a quarter century and probably almost winning for Almost Famous. For her performance as the real-life Claire from a Neil Diamond tribute band in Craig Brewer’s musical drama, Hudson has picked up precursor noms at SAG Actor, BAFTA, and the Golden Globes.
The Case Against Kate Hudson:
As I mentioned in the write-up for Rose Byrne in If I Had Legs I’d Kick You, you have to go back to 2014 and Julianne Moore (Still Alice) to find the last Best Actress winner whose movie managed just one nomination. Hudson missed out at Critics Choice. Blue itself received mixed reviews. Jessie Buckley (Hamnet) has swept thus far.
The Verdict:
Hudson had a much stronger chance 25 years ago as Penny Lane than she has today.
My Case Of posts will continue with the third entrant in Best Actor – Ethan Hawke for Blue Moon…
As we do every year on the blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It began with the ten Best Picture contenders and now alternates alphabetically between the hopefuls in the other five races. The BP posts are readily available for your perusing pleasure. Our second director to consider is Ryan Coogler for Sinners. If you missed my post covering Paul Thomas Anderson for One Battle After Another, you can find it here:
He’s the director of the movie with the most nominations (an all-time record of 16) and Sinners is the highest grosser of the 10 movies up for BP. Coogler has taken Hollywood by storm over the past decade with the Creed and Black Panther franchises before this vampire saga gave him his highest acclaim. For his behind the camera work, nods have come at Critics Choice, the Globes, BAFTA, and DGA.
The Case Against Ryan Coogler:
Paul Thomas Anderson’s work in One Battle has taken the DGA, the Globe, and Critics Choice with BAFTA yet to come. The DGA especially is a heavy indicator of the Oscar winner.
The Verdict:
When Sinners did better than anticipated on nomination morning with that historic haul, it opened up the possibility of victories previously unforeseen. If this takes Best Picture (which is certainly feasible), obviously Coogler could come along for the ride. That said, it’s hard to ignore how PTA has swept through the season.
My Case Of posts will continue with the third entrant for Best Actress and that’s because Kate Hudson in Song Sung Blue…
As we do every year on the blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It began with the ten Best Picture contenders and now alternates alphabetically between the hopefuls in the other five races. The BP posts are readily available for your perusing pleasure. Our second write-up among the Supporting Actor five is Jacob Elordi in Frankenstein. If you missed my post covering Benicio del Toro from One Battle After Another, you can find it here:
The Aussie star of Euphoria and Saltburn (and currently #1 movie Wuthering Heights) entered the awards chat as The Monster in Guillermo del Toro’s passion project. He surprisingly nabbed a trophy at first major precursor Critics Choice and was nominated at the Globes and is awaiting word from BAFTA and SAG Actor.
The Case Against Jacob Elordi:
He lost the Globe to Sentimental Value‘s Stellan Skarsgård. All other nominees in the Academy quintet are veteran thespians and voters might think Elordi’s time could come later.
The Verdict:
At the time of this writing, it is definitely a mystery whether that Critics Choice podium trip was a fluke. It will become more clear if Elordi can manage to take BAFTA or SAG Actor. Both are possible and if takes either or both, his stock on Oscar night goes up.
My Case Of posts will continue with the second director in contention and that’s Ryan Coogler for Sinners…
As we do every year on the blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It began with the ten Best Picture contenders and now alternates alphabetically between the hopefuls in the other five races. The BP posts are readily available for your perusing pleasure. Our second contender among the Supporting Actress nominees is Inga Ibsdotter Lilleass for Sentimental Value. If you missed the first write-up covering her costar Elle Fanning, you can peruse it here:
The Norwegian thespian gets her first Oscar nod along with three of her costars for Joachim Trier’s acclaimed family drama. Precursors nods include the Golden Globes, BAFTA, Critics Choice, and a win from the National Board of Review. Value did better than expected on nominations morning and the cast could benefit.
The Case Against Inga Ibsdotter Lilleass:
Her cast mate Stellan Skarsgård appears most likely to benefit in terms of victory chances. Lilleass wasn’t nominated at SAG Actor and only 2 of the 31 previous Academy recipients were ignored by SAG. Vote splitting is probable between her and Fanning. Precursors have gone to Teyana Taylor in One Battle After Another (Globes) and Amy Madigan for Weapons (Critics Choice).
The Verdict:
A BAFTA win could increase the chances of a Lilleass upset, but I wouldn’t bet on it.
My Case Of posts will continue with the second man up in Supporting Actor and that’s Jacob Elordi in Frankenstein…
As we do every year on the blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It began with the ten Best Picture contenders and now alternates alphabetically between the hopefuls in the other five races. The BP posts are readily available for your perusing pleasure. A mostly unknown chap that goes by Leonardo DiCaprio is our second contender in Best Actor for One Battle After Another. If you missed my post on Timothée Chalamet as Marty Supreme, you can peruse it here:
1993 – Supporting Actor (What’s Eating Gilbert Grape) – lost to Tommy Lee Jones for The Fugitive; 2004 – Actor (The Aviator) – lost to Jamie Foxx for Ray; 2006 – Actor (Blood Diamond) – lost to Forest Whitaker from The Last King of Scotland; 2013 – Actor (The Wolf of Wall Street) – lost to Matthew McConaughey from Dallas Buyers Club); 2015 – Actor (The Revenant) – WON); 2019 – Actor (Once Upon a Time in Hollywood) – lost to Joaquin Phoenix from Joker
The Case for Leonardo DiCaprio:
Arguably being the biggest movie star on the planet helps. It doesn’t hurt that Battle is the frontrunner or easily co-frontrunner for Best Picture. As former revolutionary turned forgetful dad Bob Ferguson, DiCaprio has racked up all the precursors nominations including the Globes, Critics Choice, BAFTA, and SAG Actor.
The Case Against Leonardo DiCaprio:
He is up against arguably the biggest movie star on the planet Timothée Chalamet and his work as Marty Supreme has already won him the Globe and Critics Choice prize. Leo’s overdue narrative ended ten years ago with his Revenant victory.
The Verdict:
A SAG Actor or BAFTA trophy would be needed for DiCaprio to pose any real threat to a Chalamet sweep. He might be #2 among the Best Actor five, but there’s some considerable distance between 1st and 2nd.
My Case Of posts will continue with the second nominee in Supporting Actress and that’s Inga Ibsdotter Lilleass in Sentimental Value…
All My Life... I Wanted To Be A Blogster 