Mixing sci-fi with action and comedy, Good Luck, Have Fun, Don’t Die is out over the long Valentine’s/President’s Day weekend. It will try and carve its niche among a handful of newcomers. Gore Verbinski, known to many moviegoers as the maker of Pirates of the Caribbean entries 1-3, is behind the camera for the first time in nearly a decade since A Cure for Wellness. Sam Rockwell headlines with Haley Lu Richardson, Michael Peña, Zazie Beetz, Asim Chaudhry, Tom Taylor, and Juno Temple providing support.
Fun was initially screened at Fantastic Fest last fall and early reviews are fresh with 93% on Rotten Tomatoes and a 78 Metacritic. Despite the praise, this could face tough odds finding a significant audience. I do have it debuting slightly higher than Cold Storage which will compete for a similar demographic. However, getting to $5 million for over four-day might be a tall order.
Good Luck, Have Fun, Don’t Die opening weekend prediction: $3.5 million (Friday to Sunday); $4 million (Friday to Monday)
Emerald Fennell’s loose interpretation of Emily Brontë’s nearly 180-year-old romance Wuthering Heights is out Friday and expected to do brisk business at the box office. Margot Robbie and Jacob Elordi (currently up for Supporting Actor in Frankenstein) headline with Hong Chau, Shazad Latif, Alison Oliver, Martin Clunes, and Ewan Mitchell costarring.
Critical reaction is of the mixed variety with 72% on Rotten Tomatoes and a 61 Metacritic. In 2020, Fennell’s debut Promising Young Woman landed five Oscar nominations – Picture, Director, Actress (Carey Mulligan), and Film Editing with a victory for the auteur in Original Screenplay. 2023 follow-up Saltburn drew reviews more in line with Heights and landed zero mentions by the Academy.
Fennell’s third feature might split the difference. I do not anticipate nods in the major races considering the more divisive word-of-mouth. It could, however, show up in down-the-line competitions like Costume Design (where inclusion seems likely), Production Design, or one of the original songs from Charli XCX. My Oscar Prediction posts will continue…
While his Stranger Things costars Caleb McLaughlin and David Harbour provide voiceover work for Goat next weekend, Joe Keery is part of the cast for horror comedy Cold Storage. Opening February 13th, Jonny Campbell directs with a script from veteran scribe David Koepp. Besides Keery, Georgina Campbell, Sosie Bacon, Vanessa Redgrave, Lesley Manville, and Liam Neeson appear.
With solid reviews thus far, Storage will attempt to stake its claim among numerous competitors debuting over the Valentine’s/President’s Day frame. It might have a tricky time finding its niche. Outside of some franchise stalwarts, mixing these two genres is a risky gambit.
I have yet to see a theater count and that could alter my forecast. My hunch is it doesn’t even reach mid single digits over the three or four-day premiere.
Cold Storage opening weekend prediction: $2.9 million (Friday to Sunday); $3.3 million (Friday to Monday)
As we do every year on the blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It began with the ten Best Picture contenders and now alternates alphabetically between the hopefuls in the other five races. The BP posts are readily available for your perusing pleasure. Our first contender in the Best Actor five is on the table and it’s Timothée Chalamet for Marty Supreme.
Previous Acting Nominations:
2017 – Actor (Call Me by Your Name) – lost to Gary Oldman for Darkest Hour; 2024 – Actor (A Complete Unknown) – lost to Adrien Brody for The Brutalist
The Case for Timothée Chalamet:
After likely being runner-up last year, Chalamet has drawn career best reviews as the singularly focused ping pong player in Josh Safdie’s sports drama. Precursor appreciation has followed with victories at the Golden Globes and Critics Choice while he awaits the BAFTAs and SAG Actor. While he’s only 30, Chalamet’s body of work in recent years is seen as worthy of recognition and Marty is a supreme vehicle for it.
The Case Against Timothée Chalamet:
The Academy left his costars out of contention including Odessa A’Zion (who I predicted for inclusion). A domino effect for either One Battle After Another or Sinners could create an opening for Leonardo DiCaprio or Michael B. Jordan, respectively.
The Verdict:
Unless one of the upcoming precursors provides an upset, it appears the third time is probably going to be the charm for Chalamet.
My Case Of posts will continue with the first hopeful in Supporting Actress and that’s Elle Fanning in Sentimental Value…
As we do every year on the blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It began with the ten Best Picture contenders and now alternates alphabetically between the hopefuls in the other five races. The BP posts are readily available for your perusing pleasure. Our first contender in the Best Actress quintet is up for consideration and that’s Jessie Buckley in Hamnet.
Previous Acting Nominations:
2021 – Supporting Actress (The Lost Daughter) – lost to Ariana DeBose for West Side Story
The Case for Jessie Buckley:
As Agnes, the grief stricken spouse of William Shakespeare, Buckley’s weighty role has been seen as a major contender since the project was announced. The buzz intensified after its Telluride premiere in early fall. Buckley has already picked up hardware at the Golden Globes and Critics Choice and is awaiting word on potential victories at BAFTA and SAG Actor.
The Case Against Jessie Buckley:
Hamnet had a couple of unexpected misses on Oscar nomination morning including the omission of her costar Paul Mescal in Supporting Actor. Sentimental Value did slightly better than expected and its potential momentum could benefit Renate Reinsve.
The Verdict:
Of the four acting competitions, a Buckley win might be the easiest to call. Four years ago, she was a surprise nominee in supporting for The Lost Daughter. A loss for her first shot in lead would also be surprising unless there’s an upset at SAG or BAFTA.
My Case Of posts will continue with the first hopeful in Best Actor and that’s Timothée Chalamet in Marty Supreme…
Thor, Storm, Hulk, and Joan Baez populate the cast of Bart Layton’s thriller Crime 101 out February 13th. Looking to serve as counterprogramming to Wuthering Heights and Goat during the Valentine’s/President’s Day long weekend, the Amazon MGM production stars Chris Hemsworth, Mark Ruffalo, Barry Keoghan, Monica Barbaro, Corey Hawkins, Jennifer Jason Leigh, Nick Nolte, and Halle Berry.
Originally slated for release last year, 101 is the type of project that just as easily could’ve premiered via streaming. A worst case scenario would be a debut below $10 million. However, movies tend to exceed expectations and not underwhelm during this particular weekend.
I am taking the over and projecting a three-day in the low teens with a couple million extra when counting Monday.
Crime 101 opening weekend prediction: $13.3 million (Friday to Sunday); $15.2 million (Friday to Monday)
As we do every year on the blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It begins with the ten Best Picture contenders and then alternates alphabetically between the hopefuls in the other five races. We have arrived at the final film in BP and that’s Clint Bentley’s Train Dreams. If you missed my posts covering the previous nominees, you can find them here:
Since premiering at Sundance over a year ago, the period drama has been seen an awards player. In addition to the BP nod, it’s up for Adapted Screenplay, Cinematography, and Original Song. Precursor BP nominations for the Netflix release include the Globes and PGA.
The Case Against Train Dreams:
Note the noms it didn’t get including directing and or any mentions for its cast (Joel Edgerton, Felicity Jones, or William H. Macy). BAFTA almost completely ignored it where it received a sole cinematography nom and it was blanked at SAG Actor.
The Verdict:
Of the two Netflix entries up in the biggest race, Dreams is below Frankenstein as far as victory chances and Frankenstein is definitely not going to win.
My Case Of posts will continue with the first Best Actress write-up and that’s Jessie Buckley in Hamnet…
The 78th Directors Guild of America (DGA) Awards occur on Saturday evening and there’s some genuine intrigue in the biggest race of all. Their honoree for Feature Film has correlated with the Academy’s Best Director recipient 22 out of 25 times in the 21st century. The exceptions are 2002 when the DGA victor was Rob Marshall (Chicago) and the Oscar winner was Roman Polanski (The Pianist), 2012 – Ben Affleck, Argo (DGA) and Ang Lee, Life of Pi (Oscar), and 2019 – Sam Mendes, 1917 (DGA) and Bong Joon-ho (Parasite).
Why the drama? This DGA ceremony could provide a major clue as to what will be taking Best Picture in a few weeks. There are three film related competitions at DGA. Let’s walk through them one by one with a winner projection and a runner-up.
Feature Film
Nominees: Paul Thomas Anderson (One Battle After Another), Ryan Coogler (Sinners), Guillermo del Toro (Frankenstein), Josh Safdie (Marty Supreme), Chloé Zhao (Hamnet)
Per usual, 4 of the 5 DGA hopefuls are included the Oscar quintet. The Academy nominated Joachim Trier (Sentimental Value) over del Toro. This is a two-man showdown between Anderson and Coogler. The thought process for some time is that Battle is a safe(ish) bet for Best Picture. However, the record shattering 16 nods that Sinners nabbed has shifted the narrative and it is seen as a legit possibility. That momentum could be kicked into a higher gear if Coogler emerges at DGA. It’s tempting to pick him. Yet Sinners has another shot at precursor love via the SAG Actor Awards where a Best Ensemble win seems even more realistic. I’m still going with the Directors Guild favoring PTA – not just for Battle but for a highly celebrated body of work over the past three decades. The Golden Globes and Critics Choice did the same. That said, if Coogler achieves the upset, Sinners will immediately become the frontrunner for BP at the Oscars.
Predicted Winner: Paul Thomas Anderson, One Battle After Another
Runner-Up: Ryan Coogler, Sinners
Documentary Film
Nominees: Mstyslav Chernov (2000 Meters to Andrivka), Geeta Gandbhir (The Perfect Neighbor), Sara Khaki and Mohammadreza Eyni (Cutting Through Rocks), Elizabeth Lo (Mistress Dispeller), Laura Poitras and Mark Obenhaus (Cover-Up)
While I wouldn’t totally discount Chernov or the team behind Cover-Up, The Perfect Neighbor is the most visible of the five docs thanks to widespread Netflix exposure. That should be enough for the W. It is worthy of mention that the DGA’s recipient often doesn’t match the Academy Documentary Feature Film awardee so this is more of a question mark than Feature Film.
Predicted Winner: Geeta Ghandbhir, The Perfect Neighbor
Runner-Up: Mstyslav Chernov (2000 Meters to Andrivka)
First-Time Feature Film
Nominees: Hasan Hadi (The President’s Cake), Harry Lighton (Pillion), Charlie Polinger (The Plague), Alex Russell (Lurker), Eva Victor (Sorry, Baby)
None of the pics here received any Academy attention though Sorry, Baby probably came closest. Many had it pegged for an Original Screenplay nom. While Lighton and Polinger are viable, I’d stick with Sorry.
Luc Besson’s take on Bram Stoker’s famed bloodsucking novel Dracula has been out in France since last summer, but it’s finally sinking into domestic venues this weekend. The gothic tale stars Caleb Landry Jones in the title role with Christoph Waltz, Zoë Bleu, and Matilda De Angelis providing support.
This version is not expected to make much box office impact stateside. Reviews are rather blasé with 52% on Rotten Tomatoes and a 45 Metacritic. Despite praise for Danny Elfman’s score and Jones in the lead, this is not wired to get awards attention like Guillermo del Toro’s Frankenstein.
In a best case scenario, awards voters might consider the Makeup and Hairstyling or Production Design categories. A likelier result is that Dracula is forgotten several months down the line. My Oscar Prediction posts will continue…
Sony Pictures Animation hopes for Goat to be golden when it opens over President’s Day weekend. The sports comedy is directed by Tyree Dillihay with Stranger Things star Caleb McLaughlin voicing the title creature who dreams of playing pro ball. Other performers providing behind the mic contributions include Gabrielle Union, real life ball champ Stephen Curry, Nicola Coughlan, David Harbour, Jenifer Lewis, Aaron Pierre, Andrew Santino, Jelly Roll, and Jennifer Hudson.
Goat takes place over the NBA All-Star weekend and it has been promoted heavily on ESPN during games. The studio is hoping parents take their kiddos before the nighttime activities. It could be a decent marketing move considering it’s the sole pic seeking families in a weekend with new material catering to grown-ups.
I’m thinking that means a Friday to Sunday gross in the mid 20s with around $30 million over the four-day.
Goat opening weekend prediction: $26.7 million (Friday to Sunday); $30.4 million (Friday to Monday)
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