What are the awards possibilities for Lee Chanh-dong’s Possible Love now that it has premiered in Venice? The South Korean drama is the filmmaker’s follow-up to 2018’s Burning which was selected by its nation as their International Feature Film pick but failed to make the final cut. Jeon Do-yeon, Sul Kyung-gu, Zo In-sung, and Cho Yeo-jeong star with a stateside release for October 23rd and a Netflix streaming bow on November 6th.
Early reviews are impressive with 100% on Rotten Tomatoes and a perhaps more notable 96% on Metacritic. Even with that rapturous reaction, one wonders how much room for international product could make up the 10 Best Picture nominees. Love will need to compete with The Black Ball (which has likely punched its ticket) and potentially the Cannes winner Fjord and All of a Sudden. It is a legit question whether Netflix will throw most of the campaigning behind Ball.
If Love were to take the top prize at Venice, chances in the big dance would immediately rise. However, as of now, I think International Feature Film is perhaps the sole nomination with an outside shot at Original Screenplay. My Oscar Prediction posts will continue…
14th century set action drama The Uprising hits theaters on September 11th from Bourne franchise director Paul Greengrass. Andrew Garfield headlines a cast including Jamie Bell, Stephen Dillane, Tom Hollander, Cosmo Jarvis, Thomasin McKenzie, Jonny Lee Miller, Woody Norman, and Katherine Waterston.
The Focus Features release has recently changed its marketing to reveal itself as a Robin Hood origin tale. I’m not so sure that’ll get it any more box office bucks. Recent iterations like 2018’s Robin Hood with Taron Egerton and this year’s The Death of Robin Hood with Hugh Jackman have flopped.
I haven’t detected any momentum for The Uprising and I’m projecting mid single digits at best considering the reported 1500 screen count.
The Uprising opening weekend prediction: $4.2 million
Musical comedy The Debut is Jesse Eisenberg’s follow-up to 2024’s A Real Pain which was nominated for Best Original Screenplay and earned Kieran Culkin a Best Supporting Actor victory. It probably came awfully close to a Best Picture spot. Based on its Telluride premiere before its December 11th stateside release, The Debut‘s Oscar haul should be more substantial. Julianne Moore stars as a bored New Jersey housewife cast in a community theater production with Paul Giamatti as her challenging director. The supporting cast includes Eisenberg, Halle Bailey, Havana Rose Liu, and Bernadette Peters.
Distributed by A24 (who will have a busy season with The Invite and Primetime as well), early WOM is electric. Metacritic stands at 90 while the 8 RT write-ups are all fresh. Don’t be surprised if this is the studio’s most viable contender in several races. This is also the type of subject matter that should hold major appeal to the Academy.
That is especially true in Actress and Supporting Actor. Before the Telluride bow, I had Moore and Giamatti listed 1st in their respective derbies. Frankly, I felt more confident about Giamatti’s placement. There is an overdue factor with the veteran actor and this seemed like a perfect vehicle for recognition. He was likely close to win status in supporting for 2005’s Cinderella Man and lead for 2023’s The Holdovers. He could certainly maintain his pole position status in my next update.
Yet it’s Moore who is generating career best notices. She is going for her sixth nom from the Academy. After being up in supporting for 1997’s Boogie Nights, lead for The End of the Affair (1999) and Far from Heaven (2002), and supporting for 2002’s The Hours, Moore was a Best Actress winner for Still Alice in 2014. I basically had her as a placeholder in lead for The Debut, but Telluride buzz has shown her as a huge threat to make a second trip to the podium a few months down the line.
Eisenberg appears poised for another Original Screenplay shot while his inclusion in Best Director is more of a question mark. I do feel The Debut‘s reaction sets it up for a Best Picture slot. Editing, Casting, Original Score, and Original Song are also on the table. A24 is expected to tout a track titled “This City May Have Chewed Me Up (But It Hasn’t Spit Me Out)” sung by Moore and Peters. Eisenberg, Moore, and Giamatti are going to be busy on the awards circuit for the 99th ceremony and my Oscar Prediction posts will continue…
Simon Stone’s Elsinore has premiered at Telluride prior to its Focus Features release on November 20th. Andrew Scott stars as actor Ian Charleston (best known for Best Picture winner Chariots of Fire from 1981) as he prepares to play Hamlet while suffering from AIDS. Olivia Colman plays his doctor with Billie Piper, Johnny Flynn, and Luke Thompson providing support.
The early RT rating is 90% with 79 on Metacritic. Scott is an Emmy, SAG Actor, and Golden Globe nominee who has yet to get a mention from the Academy. That could very well change with Elsinore. I’ve had him in my Best Actor quintet for a few weeks and don’t plan on dropping him. I recently put Colman in Supporting Actress. She could still make the cut though I’m less convinced she ends up with a spot.
Scott might be the sole nomination here as Original Screenplay seems iffy. Focus hopes that Scott’s momentum means recognition elsewhere (including BP) but I suspect I’ll only predict him in my next update. My Oscar Prediction posts will continue…
Ahead of its September 25th theatrical bow, Lance Oppenheim’s Primetime has screened at Venice. Is it ready for Oscar attention? Depends on the high profile category. Robert Pattinson stars as To Catch a Predator host Chris Hansen with a supporting cast including Merritt Wever, Skyler Gisondo, Phoebe Bridgers, Bokeem Woodbine, Anna Faris, and Alex Winter.
Critics are praising the grimy look covering dark subject matter in the thriller. It sports a 92% on Rotten Tomatoes with a clearer picture Metacritic rating of 74. Pattinson is having himself a year with acclaimed roles in The Drama and The Odyssey. His turn as the potentially dangerously driven Hansen could be his strongest shot at a Best Actor nom. He could definitely make the quintet though I’d feel even more confident if I felt Primetime had a better chance in BP.
Most of the focus has been trained on Pattinson before reviews came out. Yet it’s worth noting that Wever and Gisondo are getting MVP shoutouts in write-ups. If Primetime exceeds expectations, either or both could come along for the ride. Adapted Screenplay and Cinematography and maybe Casting are also doable. Don’t be shocked, however, if only Pattinson is represented at the primetime ceremony and that’s a question mark. My Oscar Prediction posts will continue…
Legendary English auteur Mike Leigh has stated that Tender Loving Care is most likely his last feature film after a career of indie dramas. Several have garnered awards attention including seven personal mentions for his directing or screenwriting. Those nominations cover a quintet of pics: 1996’s Secrets & Lies, 1999’s Topsy-Turvy, Vera Drake from 2004, 2008’s Happy-Go-Lucky, and 2010’s Another Year. Leigh has yet to win.
Care stars Kate O’Flynn, Marion Bailey (Leigh’s real life partner), Paul Jesson, and Alice Bailey Johnson. Premiering at Telluride before moving to Toronto and New York, Bleecker Street is releasing it December 4th. Early reviews indicate this is a touching dramedy that would serve as a fine swan song to his career.
I’m not so sure the critical reaction is strong enough for this to be in the Best Picture conversation. O’Flynn and Bailey, in a best case scenario, could be chatted up in the Actress and Supporting Actress fields. The former is having a banner year with an acclaimed performance on Apple TV’s Widow’s Bay which could earn her an Emmy.
The likeliest scenario might be Leigh receiving his sixth and potentially final try in Original Screenplay and that being Care‘s sole nomination. My Oscar Prediction posts will continue…
New octogenarian Paul Schrader’s has been prolific over the past few years pumping out his dark morality tales and his latest is The Basics of Philosophy. It premiered out of competition at Venice while it awaits U.S. distribution. Jack Huston, Sofia Boutella, Daniel Zovatto, Bill Pullman, and Dana Delany (who costarred in Schrader’s 1992 Light Sleeper) are among the cast members.
Schrader received his one and only Oscar nomination for penning 2018’s First Reformed. This is pretty shocking considering the Academy didn’t recognize for screenwriting contributions for Taxi Driver, Raging Bull, or Affliction. Since Reformed, he’s written and directed The Card Counter, Master Gardener, and Oh, Canada and none of them have resonated with voters. Early WOM for Basics is mixed enough that it won’t enter the awards conversation either. My Oscar Prediction posts will continue…
Na Hong-jin’s South Korean action sci-fi spectacle Hope looks to post impressive domestic grosses when it debuts September 9th. Reportedly the widest stateside release from its nation since 2019’s Parasite, the film originally premiered at Cannes before hitting South Korean venues in July. Hwang Jung-min, Zo In-sung, and Hoyean lead the cast along with Taylor Russell, Cameron Britton, Alicia Vikander, and Michael Fassbender.
Hope drew passionate reactions at Cannes with many reviews lauding the filmmaker’s directorial flourishes while being more critical of other aspects. Rotten Tomatoes is at 77% with a 68 Metacritic. Neon is handling North American distribution. With a Wednesday start, I could see its grosses being front-loaded and I think the five-day could approach low double digits or even low teens.
Hope opening weekend prediction: $7.9 million (Friday to Sunday); $12.7 million (Wednesday to Sunday)
In 1998, Sandra Bullock and Nicole Kidman headlined the witchy fantasy Practical Magic and it grossed a solid $46 million domestically ($94 million in today’s bucks). It has since gained a significant cult following and the two stars return for Practical Magic 2 on September 11th. Dianne Wiest and Stockard Channing reprise their roles from the original. Susanne Bier takes over directorial duties from Griffin Dunne. New cast members include Joey King, Lee Pace, Maisie Williams, Xolo Maridueña, and Solly McLeod.
At the least, this should be the movie that finally dislodges Spider-Man: Brand New Day from the #1 spot after six weeks. The floor for this is probably $35 million. A sizable female audience should turn up and even some younger viewers who have caught part 1 on streaming or cable. Nostalgia should be a powerful spell for plenty of paying customers.
A best case scenario could be Magic earning more in its first weekend than Magic‘s entire stateside run. My hunch is to take the slight over for what would be a great opening for Warner Bros.
Practical Magic 2 opening weekend prediction: $48.2 million
Filmmaker Werner Herzog has been known more for his documentaries in recent years than fictional features. Yet he’s back in Venice (and then Telluride and Toronto) with the latter via Bucking Fastard. Real life sisters Rooney and Kate Mara headline as two siblings in the oddball drama where their characters share a rare emotional connection. Orlando Bloom and Domhnall Gleeson costar.
Herzog is known for eccentric tales and Fastard (with an eccentric title to boot) appears to fit that description. Critics are appreciating the work of the two leads while most reviews are more mixed on the picture itself. The Rotten Tomatoes rating is 68% with Metacritic at 58. This was never seen as much of an awards contender and reaction from Italy prove its chances are, well, bucked. My Oscar Prediction posts will continue…
All My Life... I Wanted To Be A Blogster 