Oscar Predictions: Obsession

Curry Barker’s Obsession is out this weekend and exceeding expectations at the box office along with its glowing reviews. The horror flick about a granted wish gone horribly awry stands at 94% on Rotten Tomatoes with a 77 Metacritic. Michael Johnston and Inde Navarrette headline with Cooper Tomlinson, Megan Lawless, and Andy Richter in the supporting cast.

This is not a genre that has historically performed well with awards voters. However, the Academy has shown a willingness to embrace it under the right circumstances. Obsession sports an A- Cinemascore grade. That’s very high for a scary movie and the first to do so since Zach Cregger’s Weapons. I bring it up because that movie ended up being Amy Madigan’s Oscar-winning Supporting Actress turn just two months ago. I suspect it also came close to an Original Screenplay nomination.

If Focus Features mounts a genuine campaign, I wouldn’t totally discount Navarrette’s chances in Best Actress. Her fatally attracted performance is receiving plenty of kudos as is Barker’s original screenplay. Obsession will not reach the financial heights of Cregger’s work even if it plays well throughout the summer. I wouldn’t count on it ultimately being an awards contender, but Weapons proved it’s a possibility at the previous ceremony. My Oscar Prediction posts will continue…

Oscar Predictions: All of a Sudden

Set in the world of the Parisian health care system, Ryusuke Hamaguchi’s latest is All of a Sudden with its generous 196 runtime (making Fatherland‘s 82 minutes seem like a YouTube ad). Virginie Efira and Tao Okamoto headline the talky drama with Kyozo Nagatsuka, Kodai Kurosaki, Jean-Charles Clichet, and Marie Bunel in support.

In 2021, Hamaguchi’s Drive My Car (a whole 17 minutes shorter than Sudden) premiered at Cannes to rapturous acclaim. It would end up with four major Oscar noms: Picture, Director, Adapted, and International Feature Film (which it won). 2023’s follow-up Evil Does Not Exist received positive reaction but did not register with the Academy.

Sudden has gone the Cannes route and critics are once again effusive in their praise. The Rotten Tomatoes score is 100%. This could pick up the same four nominations that greeted Car and I’m assuming Japan will pick it as their hopeful in IFF. Reviews indicate this is mostly a two-hander between Efira and Okamoto. Neon, who hold North American distribution rights, will have a decision to make. Efira will likely be in the mix for lead actress. Will Okamoto be campaigned in supporting or alongside her costar? You have to go back to 1991 (Geena Davis and Susan Sarandon in Thelma & Louise) to find the last time two women competed in that category from the same film. That leads to me to think the latter will go supporting and both could get in if Sudden is a BP contender. My Oscar Prediction posts will continue…

Passenger Box Office Prediction

Paramount hopes audiences are in the mood for a scary story to watch in the dark when Passenger arrives in multiplexes on May 22nd. André Øvredal, who directed Scary Stories to Tell in the Dark, is behind the camera with Jacob Scipio, Lou Llobell, and Melissa Leo in the cast.

The fright fest boasts an effective trailer and genre fans could turn out over the Memorial Day weekend. However, horror fans have had some options lately and Obsession could still be performing well in its sophomore frame based on word-of-mouth.

A gross above $10 million over the four-day is certainly feasible for its ceiling, but I’m going under.

Passenger opening weekend prediction: $6.3 million (Friday to Sunday); $7.3 million (Friday to Monday)

For my The Mandalorian and Grogu prediction, click here:

The Mandalorian and Grogu Box Office Prediction

Oscar Predictions: Parallel Tales

Iranian filmmaker Asghar Farhadi is no stranger to awards success. 2011’s A Separation and 2016’s The Salesman both won the International Feature Film prize at the Oscars. 2021’s A Hero was shortlisted in the same competition and took the Grand Prix prize at Cannes. So it’s understandable that his follow-up Parallel Tales, screening at the French festival this week, would be looked at as something the Academy might be friendly to. The drama features Isabelle Huppert, Virginie Efira (costarring in the buzzy All of a Sudden at Cannes), Vincent Cassel, Pierre Niney, Adam Bessa, Catherine Deneuve, and India Hair.

So while its resume looks strong for their consideration, the screenings tell a different story. The vast majority of critics are calling this a major misfire. The Rotten Tomatoes score is 18%. No amount of salesmanship would put this in the mix for the top foreign category in a few months. My Oscar Prediction posts will continue…

The Mandalorian and Grogu Box Office Prediction

Following a nearly six and a half year break between big screen releases, the Star Wars franchise blasts back into theaters over the Memorial Day holiday with The Mandalorian and Grogu. Building upon the Disney+ series The Mandalorian that aired from 2019 to 2023, Pedro Pascal returns in the title role with Jeremy Allen White voicing Rotta the Hutt and Sigourney Weaver in the human cast. Jon Favreau, who created the TV series, directs.

After Disney prioritized streaming content in the 2020s, this looks to kickstart multiplex studio efforts with Star Wars: Starfighter slated to open next Memorial Day weekend. Grogu is a real test for Star Wars fan loyalty. It can be argued that this would have fared better when the Disney+ show was fresher in the minds of viewers. The last two theatrical efforts -2018’s Solo: A Star Wars Story and 2019’s Star Wars: The Rise of Skywalker, were considered letdowns critically and commercially.

The best comp is Solo which debuted over the same holiday frame with $84 million from Friday to Sunday and $103 million when factoring Monday. Disney is surely hoping for nine figure bragging rights. I’m putting it under that for what would be considered a so-so start.

The Mandalorian and Grogu opening weekend prediction: $80.3 million (Friday to Sunday); $94.7 million (Friday to Monday)

For my Passenger prediction, click here:

Passenger Box Office Prediction

Oscar Predictions: Fatherland

Pawel Pawlikowski’s Fatherland is one of the most anticipated titles playing Cannes and its French screening today indicates it lives up the hype. Set post-WWII, the black & white historical drama casts Sandra Hüller as novelist Erika Mann on a road trip with renowned father Thomas (Hanns Zischler). Costars include August Diehl, David Striesow, and Anna Madeley.

This is the Polish filmmaker’s first feature since 2018’s Cold War which picked up Academy nods for Best Director, International Feature Film, and Łukasz Żal’s cinematography. Prior to that, 2014’s Ida was the International Feature Film winner and also made cut in cinematography for Żal.

Reviews for the Mubi distributed title (which runs a brisk 82 minutes) stand at 100% on Rotten Tomatoes with 92 on Metacritic. Those numbers solidify its awards viability. Assuming Poland submits it as their horse in IFF (and it’s safe to assume that), this should mark the auteur’s third shot in that race in a row. Żal’s camerawork is also being singled out and he could make the quintet there.

While Ida and Cold War didn’t get into the BP ten, Fatherland certainly is a possibility and Pawlikowski is once again a contender for his direction and his original screenplay with Hendrik Handloegten. As far as the leads, Hüller is generating raves. Her inclusion in Best Actress is high. Due to a fresh Academy rules change, she might even compete against herself when factoring her heralded turn in Rose (where she took top prize at the Berlin fest). Zischler is more of a question mark. His costar could overshadow the campaign. On paper, Best Actor looks awfully crowded. However, momentum for the pic could sweep him in under a best case scenario. My Oscar Prediction posts will continue…

Oscar Predictions: Is God Is

Adapting her own critically heralded play, Aleshea Harris’s cinematic directorial debut Is God Is arrives in multiplexes this weekend. The grindhouse tale stars Kara Young and Mallori Johnson as sisters seeking revenge stemming from a family tragedy. The supporting cast includes Sterling K. Brown, Vivica A. Fox, Janelle Monáe, Erika Alexander, Mykelti Williamson, and Josiah Cross.

The Orion release is generating some of the best reviews of 2026 with 97% on Rotten Tomatoes and an 88 Metacritic. That said, Academy love could be hard to come by given the genre. Adapted Screenplay is worth mentioning and Makeup and Hairstyling is an even better possibility.

Where Is God Is could really shine is at the Indie Spirit Awards, especially for Harris with Best First Feature. I could also see it doing well at the Gothams. My Oscar Prediction posts will continue…

May 15-17 Box Office Predictions

Critically hailed horror flick Obsession and Guy Ritchie’s action thriller In the Grey hope for breakout performances as holdovers look to rule the charts. You can peruse my detailed prediction posts on the newcomers here:

Obsession Box Office Prediction
In the Grey Box Office Prediction

Obsession is a genuine question mark with solid reviews on its side and a chance to exceed expectations. I’m playing it safe and putting it just under double digits and that likely would mean a fifth place showing. However, a best case scenario could be a debut in third.

I don’t see In the Grey outdoing estimates and my mid single digits projection leaves Henry Cavill and Jake Gyllenhaal’s latest in sixth.

Mother’s Day weekend saw The Devil Wears Prada 2 hold up better than I assumed (more on that below). This weekend, I think Michael has a terrific shot at jumping from third to first. The musical biopic may only ease in the low 30s while Prada should decline over 40%.

Mortal Kombat II‘s plummet should be more severe in the mid 60s while The Sheep Detectives could experience a meager dip with family audiences catching up in its sophomore frame.

Here’s how I see the top 6 shaking out:

1. Michael

Predicted Gross: $25.8 million

2. The Devil Wears Prada 2

Predicted Gross: $23 million

3. Mortal Kombat II

Predicted Gross: $13.4 million

4. The Sheep Detectives

Predicted Gross: $10.2 million

5. Obsession

Predicted Gross: $9.6 million

6. In the Grey

Predicted Gross: $5.9 million

Box Office Results (May 8-10)

The Devil Wears Prada 2 took advantage of the Mother’s Day frame with a second weekend in 1st at $41.6 million. The sequel bested my $36 million prediction for a commendable two-week total of $143 million. It has already (not adjusted for inflation) topped the 2006 original’s $124 million domestic haul.

Mortal Kombat II kicked off at the lower end of prognoses with $38.5 million in the runner-up spot, not matching my kinder $43.1 million call. While the martial arts action sequel’s performance surpassed the $23 million that its 2021 predecessor debuted with, COVID complications and a simultaneous HBO Max release make that comparison tricky.

Michael was third in weekend #3 with $37.9 million, on target with my $37.6 million take. The record-setter for its genre grew to $241 million stateside.

The Sheep Detectives was fourth with $15 million, in line with my $14.6 million forecast. While parents and kiddos didn’t exactly (apologies) flock to it, the road ahead looks bright with encouraging word-of-mouth.

James Cameron’s concert doc Billie Eilish – Hit Me Hard and Soft: The Tour (Live in 3D) rounded out the top five at $7 million, not quite reaching my $8.3 million projection.

And that does it for now, folks! Until next time…

In the Grey Box Office Prediction

The prolific Guy Ritchie’s latest action thriller is In the Grey. The Black Bear distributed production looks to make its mark at multiplexes on May 15th. Henry Cavill and Eiza González (who costarred in the filmmaker’s 2024 effort The Ministry of Ungentlemanly Warfare) headline here along with Guy Ritchie’s The Covenant lead Jake Gyllenhaal. The supporting cast also includes Kristopher Hivji, Fisher Stevens, and Rosamund Pike.

Those aforementioned earlier Ritchie pics (his last two titles to hit theaters) could be decent comps. Warfare slightly exceeded expectations with a $9 million start in 2024. In 2023, The Covenant performed in line with its anticipated range at just over $6 million. I don’t see anything from Grey‘s advertising that indicates it’ll break out. This could’ve easily been a streaming debut like Ritchie’s Apple TV adventure Fountain of Youth from last year.

I’ll project this fall slightly under what The Covenant achieved.

In the Grey opening weekend prediction: $5.9 million

For my Obsession prediction, click here:

Obsession Box Office Prediction

Obsession Box Office Prediction

Focus Features looks for genre fans to lock in on Obsession when it debuts May 15th. From writer/director Curry Barker, who will soon be taking over The Texas Chainsaw Massacre franchise, the horror flick originally premiered last fall at the Toronto Film Festival. Michael Johnston, Inde Navarrette, Cooper Tomlinson, Megan Lawless, and Andy Richter lead the cast.

With a teensy budget of around $1 million, Obsession captured the attention of patrons at TIFF during midnight showings. The Rotten Tomatoes score is 96% with 78 on Metacritic. Focus reportedly bought the rights for $15 million with hopes of a sleeper hit.

The optimistic projections have this managing $10 million to low teens. I’m not sure the awareness factor will allow for that so I’ll go just under double digits.

Obsession opening weekend prediction: $9.6 million

For my In the Grey prediction, click here:

In the Grey Box Office Prediction