Oscar Predictions: Misty Green

Misty Green is Chris Rock’s first directorial feature in a dozen years since his well-received Top Five. The A24 release has premiered in Toronto prior to its October 9th stateside release. Rosalind Eleazar, best known for her small screen work on Apple TV’s Slow Horses, plays the title role with a supporting cast including Adam Driver, Daniel Kaluuya, Anna Kendrick, Topher Grace, and Mr. Rock himself.

Initial reaction from TIFF is a mixed bag. The initial Metacritic score is 73. What’s not mixed is the praise for Eleazar in her portrayal of a fading Hollywood star. Critics are also being kind to Kaluuya, but the Supporting Actor winner for 2020’s Judas and the Black Messiah‘s role is likely too small for recognition.

Green‘s only Oscar play is for Eleazar. However, A24 could face a challenge in their campaign. Julianne Moore (The Debut) appears to be the frontrunner and Olivia Wilde (The Invite) has a strong shot at inclusion. Will A24 really get three performers in? I’m not so sure and that’s probably why Eleazar won’t be in my top five in my next update. My Oscar Prediction posts will continue…

Oscar Predictions: I Play Rocky

50 years after parlaying its “little movie that could” status to a Best Picture Oscar victory over heavyweights like All the President’s Men, Network, and Taxi Driver, a movie about its making looks to punch its own ticket with awards voters. Peter Farrelley’s I Play Rocky has debuted at the Toronto Film Festival prior to a November release with Anthony Ippolito as Rocky star and writer Sylvester Stallone. Costars include AnnaSophia Robb, Toby Kebbell, P.J. Byrne, Stephan James, Jay Duplass, Tracy Letts, and Matt Dillon.

Word-of-mouth from our northern neighbor indicates that this Rocky recounting, like the source material, is quite the crowdpleaser. Critics are more mixed. The early RT score is 60%. Eight years ago, Farrelly’s Green Book premiered in Toronto, ended up taking the coveted audience prize, and eventually took home Best Picture at the 91st Academy Awards. It is a BP win that is now considered one of the weaker results in recent ceremonies.

I Play Rocky is a fascinating case study for prognosticators. The reviews aren’t overly strong. However, if this can nab the same TIFF hardware that Farrelly’s earlier title did, all bets are off and this could materialize in BP. An impressive box office run could assist and that’s certainly a possibility.

I’m skeptical that it makes the cut right now. If it does, Adapted Screenplay or Casting nods could follow. Where Rocky may have its best shot is Best Actor where Ippolito’s work is said to rise far above just an impersonation. He would face off against a seemingly crowded ring of competitors. I doubt I’ll have this predicted in BP or Actor in my imminent next update though it’ll be ranked higher in both than any time before. My Oscar Prediction posts will continue…

Oscar Predictions: Your Mother Your Mother Your Mother

Director Bassam Tariq and two-time Oscar winner Mahershala Ali were supposed to team up for the MCU’s Blade reboot but the project never materialized. They did end up collaborating on Your Mother Your Mother Your Mother which has premiered at the Toronto Film Festival before its September 25th stateside bow.

The action thriller features Ali as a hitman in a tale of faith and grief with a supporting cast including John Cho, Giancarlo Esposito, Abubakr Ali, Tramell Tillman, Tiffany Boone, and Laith Nakli. Early reviews are positive with 100% on Rotten Tomatoes and 82 on Metacritic.

Ali is receiving kudos for his headlining role. A decade ago, he took home Best Supporting Actor for Moonlight and followed that up two years later with a victory in the same category for Green Book. Despite praise for this leading man part, I don’t believe the Amazon MGM production is one that awards voters will take note of. That’s unless critics groups really get behind the performance of its lead. My Oscar Prediction posts will continue…

Oscar Predictions: Tangles

Based on Sarah Leavitt’s graphic novel about her mother’s battle with Alzheimer’s, the animated drama Tangles premiered at Cannes and has now played Toronto to fresh reviews. Said to be a major tearjerker, Leah Nelson directs with a voice cast including Julia Louis-Dreyfus, Abbi Jacobson, Bryan Cranston, Samira Wiley, Beanie Feldstein, Seth Rogen, Pamela Adlon, Sarah Silverman, Bowen Yang, and Wanda Sykes. Among the film’s producers are its cast mates Louis-Dreyfus and Rogen.

IFC has acquired distribution rights with a planned Oscar qualifying release by year’s end. It might pan out. The Rotten Tomatoes score is 100%. If this gets enough exposure with the animation branch, I could see it nabbing one of the five slots and I’ve had it doing so in my projections for some time. Competition in the coming weeks will be key to see whether it stays there. My Oscar Prediction posts will continue…

Venice Goes for the Unknown

The jury at the Venice Film Festival have been an unpredictable group over the last few years and the deciders at the 2026 edition have followed suit. As the event draws to a close today, May el-Toukhy’s post-WWII drama Woman Unknown has taken the Golden Lion (the fest’s top prize) with lead Mathilde Arcel as Best Actress. This was not a pic that prognosticators were selecting.

The Dutch production isn’t slated to release in its home country until February 2027. It will be interesting to see of those plans are altered or if a stateside launch comes prior to this year’s end. If so, Unknown is at least a possibility for International Feature Film. However, four of the past five Lion recipients haven’t made it into the BP derby at the Oscars with the exception being 2023’s Poor Things. Unknown probably makes it five of six.

Lee Chang-dong’s Possible Love is the Silver Lion victor (second place). One of the best reviewed features out of Italy, the South Korean drama (already announced as their IFF competitor) and Netflix acquisition is a real threat to make the cut in that race.

Set in a Soviet research facility across five decades, Ilya Khrzhanosky is the Best Director for DAU which could be picked up by a number of countries as their IFF hopeful.

There was some love for domestic product as John Malkovich is Best Actor for Martin McDonagh’s acclaimed Wild Horse Nine. There’s not a strong history between this award at Venice and taking home gold at Oscar. In fact, it has somehow never happened in the 82 previous years. The last Venice recipient to get an Academy nom was Colin Farrell for 2022’s The Banshees of Inisherin. Prior to that, it was Willem Dafoe for At Eternity’s Gate. Malkovich has a real shot at being the first to win both based on WOM from the fest.

Keep clicking on the blog for more Oscar insight and festival reactions!

Oscar Predictions: Being Heumann

Five years ago, Sian Heder’s Apple TV dramedy CODA achieved “little movie that could” status by winning all three Oscars it was nominated for – Best Picture, Supporting Actor (Troy Kotsur), and Adapted Screenplay. Focused on a teen growing up in a deaf family, the film beat out heavyweights including The Power of the Dog and Dune in the biggest race of all. Heder’s follow-up is Being Heumann and it serves as the opening night selection for the Toronto Film Festival. It has a theatrical release on November 6th before streaming on Apple the following week.

Ruth Madeley stars as activist Judith Heumann in the 1970s set true story about achieving rights for the disabled. The supporting cast includes Mark Ruffalo, Dylan O’Brien, Rob Delaney, and Ray Fisher. With a 90% on Rotten Tomatoes and 73 Metacritic, scores are actually similar to CODA‘s (94% RT, 72 MC). Yet I’m not convinced that Heder’s latest will be a contender in BP unless its crowdpleaser status gets it there. If so, another Adapted Screenplay nod could occur.

There are, however, some races where it has a better shot. Best Casting is a possibility. Many performers in the ensemble are part of the community whose rights are focused on. I could see it making the cut in Casting without any other noms.

In Best Actress, Julianne Moore (The Debut) and arguably Inde Navarrette (Obsession) and Olivia Wilde (The Invite) appear to be holding punched tickets. Madeley is generating great notices in the central role and I wouldn’t count her out. I’m not sure I’ll have her in the final five in my next update (out Sunday), but she might rank higher than 10th. That’s where I had her listed in my latest update at the end of August. On the other hand, Ruffalo has been listed as a possibility in my 15 Supporting Actor slots (last time in 13th position). Toronto WOM indicates he’ll be a non-factor. My Oscar Prediction posts will continue…

Oscar Predictions: NAZA

Two years after No Other Land won Best Documentary Feature at the Oscars, filmmakers Yuval Abraham and Rachel Szor could be in contention again for NAZA. Shot in Tel Aviv during the ongoing Gaza war, it premiered in Venice and will also play the New York Film Festival.

While I normally don’t mention the length of standing ovations at screenings, it’s worth noting that NAZA appears to have the longest one in Venice’s history at 24 minutes. Critical acclaim is high with 100% on Rotten Tomatoes and a 96 Metacritic. NAZA joins Once Upon a Time in Harlem, American Doctor, and You Can See Everything as the likeliest docs to make the Academy’s cut and a threat to win. I’ll also note that the doc branch is capable of shocking omissions in past years but NAZA seems like a title that won’t miss. My Oscar Prediction posts will continue…

Oscar Predictions – Oasis: Don’t Look Back in Anger

Oasis: Don’t Look Back in Anger is out in theaters after premiering at the Venice Film Festival. The documentary from Will Lovelace and Dylan Southern takes us behind the scenes for the reunion and tour of brothers Noel and Liam Gallagher’s legendary band (a reunion considered by most to be unfathomable before it happened).

Anger is slated to be available on Hulu/Disney+ later in the year. Critics are being kind with 97% on Rotten Tomatoes and 79 on Metacritic. As I’ve written about many times on the blog, celeb focused docs face an uphill battle for the Academy’s recognition. Don’t count on the documentary branch to look back on this and include it in their five contenders. My Oscar Prediction posts will continue…

Resident Evil Box Office Prediction

Adapted from the video games that kicked off 30 years ago, Resident Evil is rebooted for the second time on the big screen starting September 18th. It has the advantage of being directed by Zach Cregger. His Barbarian was a critical favorite in 2022 followed by the massive box office success ($150 million) of Weapons last year. Austin Abrams (who memorably appeared in Weapons) stars alongside Zach Cherry, Kali Reis, and Paul Walter Hauser.

Starting in 2002, Milla Jovovich headlined six Evil entries. The top opener was #4, Resident Evil: Afterlife and it took in $26 million for starters. Three others (parts 2, 3, 5) managed $20M+ out of the gate. However, audiences weren’t checking in by part 6 (The Final Chapter) which premiered with $13 million.

2021’s reboot Resident Evil: Welcome to Raccoon City brought the pics to new lows with a debut just north of $5 million and $17 million overall stateside (both easy franchise lows). The tide should turn here in major fashion for the action horror series.

In a best case scenario, Cregger’s participation and a hunger from genre fans for fresh product could not only set an Evil best for opening weekends. That shouldn’t be an issue. This has the possibility of grossing $60M+ from Friday to Sunday and that would be more in three days than any Evil movie has made domestically in total. I think mid 50s is where it lands but don’t be too afraid to consider the over.

Resident Evil opening weekend prediction: $55.8 million

Oscar Predictions: A Long Winter

Andrew Haigh has been a critics darling over the past decade plus with 45 Years, Lean on Pete, and All of Us Strangers. He’s yet to have a major Oscar breakout (though Charlotte Rampling was up in Actress for 45 Years). His latest is the coming-of-age drama A Long Winter which premiered at Telluride and soon moves to the Toronto and New York fests. Fred Hechinger, Kit Connor, Ebon Moss-Bachrach, Caitriona Balfe, and D’Pharaoh Woon-A-Tai make up the ensemble.

With Metacritic at 79, reviews are respectful but I don’t think they go far enough for this to contend in Best Picture. Hechinger and Balfe are receiving decent notices. However, Winter‘s only shot seems to be in Cinematography and I’m not convinced a major campaign will be mounted for it to sneak in. My Oscar Prediction posts will continue…