Lee Cronin’s The Mummy is unwrapped this weekend in theaters with Warner Bros. looking to turn out horror fans for the franchise reboot. From Evil Dead Rise director Cronin, the cast includes Jack Reynor, Laia Costa, May Calamawy, Natalie Grace, and Verónica Falcón.
This is the third take on the series in just over a quarter century. We had the three Brendan Fraser flicks that began in 1999 and the poorly received reimagining with Tom Cruise in 2017. Reviews for this gorier interpretation of the material are so-so reviews with 54% on Rotten Tomatoes and a 46 Metacritic.
Only the first Fraser adventure got the Academy’s attention with a Best Sound nod. There’s one race where Cronin’s pic has a fair shot and that’s Makeup and Hairstyling. That branch of voters showed genre love last year to winner Frankenstein as well as Sinners and (mostly surprisingly) The Ugly Stepsister. If WB mounts a campaign, it’s at least a possibility to make the shortlist and perhaps make the eventual quintet. My Oscar Prediction posts will continue…
Lionsgate looks for Michael to pop with a large audience when it debuts April 24th. Antoine Fuqua moves away from Equalizer franchise flicks to helm the biopic of Michael Jackson. The legend’s nephew Jafaar Jackson is in the title role. Costars include Colman Domingo and Nia Long as MJ’s parents as well as Laura Harrier, Juliano Krue Valdi (playing the singer as a boy), and Miles Teller.
This genre has been flooded with titles in the last decade or so. Massive successes include Bohemian Rhapsody and Elvis. Others like Rocketman and Bob Marley: One Love performed admirably while Whitney Houston: I Wanna Dance with Somebody and Springsteen: Deliver Me from Nowhere had their struggles.
Centered on one of music’s most beloved and controversial performers, expectations are understandably lofty for Michael. This should appeal to multiple demographic groups. There are records in the musical biopic classification that appear likely to be broken. Bohemian has the largest overall stateside earnings at $216 million. Straight Outta Compton boasts the best opening at $60 million. This could cause both of those high marks to bite the dust.
Anything below Compton‘s $60 million would be considered underwhelming. My hunch is to put this at the top end of its range and that’s in the mid 80s. I wouldn’t even be shocked to see it surpass that.
David Lowery’s latest is the psychological drama Mother Mary with Anne Hathaway portraying a pop singer and Michaela Cole as a fashion designer. Hunter Schafer and FKA Twigs are in the supporting cast though most write-ups are describing this as a two-hander. Out this weekend in limited release, the A24 title expands wide April 24th. The writer/director can sometimes be a critical darling with varied projects including Ain’t Them Bodies Saints, A Ghost Story, Pete’s Dragon, and The Green Knight.
Early reviews are as diverse as Lowery’s filmography. The 76% Rotten Tomatoes rating and 60 Metacritic hint at that spectrum. Some critics are claiming it’s among the auteur’s finest works while others are calling it a dud. Hathaway and Cole’s acting is being praised, but awards possibilities are likely limited to their character’s professions: music and costume design. Jack Antonoff and Charli XCX supplied original songs sung by Hathaway. Perhaps lead single “Burial” could be in contention as well as the threads worn throughout. Above the line attention is a long shot at best. My Oscar Prediction posts will continue…
Lee Cronin’s The Mummy will attempt to scare up decent business as the weekend’s major new wide release, but The Super Mario Galaxy Movie looks to rule the charts for a third frame. You can peruse my detailed rap on the reboot of The Mummy franchise here:
My projection for the newcomer likely puts it in a battle for second place with the fifth weekend of Project Hail Mary. I’m looking for both to land in the mid to higher teens and I’ll give the latter a slight edge for a third weekend in the runner-up position. Warner Bros. would love for Cronin’s horror version of The Mummy to hit $20M+, but I’m skeptical.
As for Mario, it should have no trouble scoring the trifecta atop the box office mountain with earnings between $35-40 million. Its streak in the top spot should end in weekend #4 with musical biopic Michael slated to beat it.
Holdovers romances The Drama and You, Me & Tuscany should fill out the rest of the top five and here’s how I envision it shaking out:
1. The Super Mario Galaxy Movie
Predicted Gross: $38.4 million
2. Project Hail Mary
Predicted Gross: $17.9 million
3. Lee Cronin’s The Mummy
Predicted Gross: $17.2 million
4. The Drama
Predicted Gross: $6 million
5. You, Me & Tuscany
Predicted Gross: $4.5 million
Box Office Results(April 10-12)
The Super Mario Galaxy Movie didn’t hold as well as 2023 predecessor The Super Mario Bros. Movie, but its 48% decline was still commendable. The Illumination Entertainment sequel took in $68 million, falling below my generous $79.1 million prediction. In two weeks, the total has soared to $307 million.
Project Hail Mary eased only 24% in second with $24.1 million, ahead of my $20.6 million forecast. The sci-fi blockbuster stands at $256 million after four weeks.
The Drama with Zendaya and Robert Pattinson was third, with a solid 39% dip to $8.7 million. That’s on track with my $8.5 million call resulting in a two-week take of $30 million.
You, Me & Tuscany was fourth as the romantic comedy with Halle Bailey and Regé-Jean Page stalled with $7.7 million. I had it making more at $11.2 million.
Finally, Hoppers was fifth with $4.1 million (I said $3.6 million) as the Pixar effort jumped to $157 million after six weeks.
Outcome marks the second directorial feature from Jonah Hill. The dark comedy has premiered on Apple TV this weekend. Keanu Reeves headlines as an actor in hot water with Hill, Cameron Diaz, Matt Bomer, Cary Christopher, David Spade, Laverne Cox, Roy Wood Jr., Susan Lucci, and Martin Scorsese in the eclectic supporting cast.
Critical reaction indicates a sophomore slump for Hill. His behind the camera debut Mid90s (2018) received mostly positive notices. Rotten Tomatoes is 25% with a 37 on Metacritic. The fact that its review embargo didn’t lift until late this week now makes plenty of sense. We can be certain that awards chatter won’t be part of Outcome. My Oscar Prediction posts will continue…
Lee Cronin’s The Mummy looks to wrap up an impressive debut when it drops April 17th. While the Brendan Fraser and Tom Cruise versions of The Mummy saga concentrated more on adventure, Evil Dead Rise director Cronin is bringing the horror to this James Wan/Jason Blum coproduction. Jack Reynor headlines the cast which includes Laia Costa, May Calamawy, Natalie Grace, and Verónica Falcón.
This is the second reboot of this franchise in the 21st century. The 2017 Tom Cruise one was a box office and critical failure (confession: i think it’s kinda fun). Warner Bros would love to see a repeat of the $24.5 million that greeted Evil Dead Rise over the same April time frame three years ago.
That is probably a best case scenario and I suspect it won’t reach those levels. Estimates have this is in the low to mid teens. I’ll say it manages to land on the higher end of that range.
Lee Cronin’s The Mummy opening weekend prediction: $17.2 million
And we are off to the races with my first Oscar predictions for the 99th Academy Awards.
We are not a month removed from the 98th ceremony so let us begin some ridiculously early speculation! These are my inaugural glimpses at the four acting derbies, Director, and Picture. They have been unfolding on the blog over the last few days. I already posted my takes for the acting races and director and they can be accessed here:
That brings us to the biggest race of all – Best Picture. When I did my first projections for BP for the 98th ceremony back in April of 2025, I correctly named 80% of the eventual contenders among the five nominated pics or in other possibilities. Hamnet, Marty Supreme, and Sentimental Value were rightly projected to make the cut. Eventual winner One Battle After Another along with Bugonia, F1, Frankenstein, and Sinners were listed in other possibilities. The Secret Agent and Train Dreams were not mentioned at that early juncture.
Let’s get some caveats out of the way… it’s early. Some movies listed are likely to be pushed back or simply not turn out to be awards contenders. Others will rise up through the festival system at Cannes, Telluride, Toronto, and Venice.
This premiere post assumes that one pic already in release has reserved a spot and that’s box office juggernaut Project Hail Mary. It could be joined by another likely mega earner in Christopher Nolan’s The Odyssey. Foreign fare such as All of a Sudden, Fatherland, and Fjord (all premiering at Cannes) are also on my radar.
My initial ranked predictions in the six major races (as well as the screenplay competitions) will be posted soon. In the meantime, here’s the first glimpse at BP.
TODD’S FIRST OSCAR PREDICTIONS FOR BEST PICTURE AT THE 99TH ACADEMY AWARDS
After premiering last fall at the Telluride and Toronto Film Festivals, the latest cinematic version of Hamlet hits stateside venues this weekend. Aneil Karia helms a contemporary retelling of William Shakespeare’s tragedy with Riz Ahmed in the title role. Costars include Morfydd Clark, Joe Alwyn, Sheeba Chaddra, Art Malik, and Timothy Spall.
Critical reaction is varied with a 73% Rotten Tomatoes rating and 59 on Metacritic. A 2020 Best Actor nominee for Sound of Metal, Ahmed is getting some solid ink. However, the high likelihood is that awards chatter for this Hamnet is not to be. My Oscar Prediction posts will continue…
And we are off to the races with my first Oscar predictions for the 99th Academy Awards.
We are not quite a month removed from the 98th ceremony so let us begin some ridiculously early speculation! These are my inaugural glimpses at the four acting derbies, Director, and Picture. I already posted my take in the acting fields and they can be found here:
That brings us to Best Director. When I did my first forecast in this race for the 98th ceremony, my projections yielded two of the eventual nominees: Josh Safdie (Marty Supreme) and Chloé Zhao (Hamnet). Eventual winner Paul Thomas Anderson (One Battle After Another) and Joachim Trier (Sentimental Value) were named in Other Possibilities. I had yet to mention Ryan Coogler (Sinners).
Let’s get some caveats out of the way… it’s early. Some movies listed are likely to be pushed back or simply not turn out to be awards contenders. Others will rise up through the festival system where the lineup for Cannes was revealed today.
This premiere post has Christopher Nolan back in the lineup three years after Oppenheimer dominated the 96th Academy Awards. His competitors include newcomers and former nominees like Martin McDonagh and Ryusuke Hamaguchi.
Here’s the first snapshot with Best Picture up next!
TODD’S FIRST OSCAR PREDICTIONS FOR DIRECTOR AT THE 99TH ACADEMY AWARDS
Ryusuke Hamaguchi, All of a Sudden
Phil Lord and Christopher Miller, Project Hail Mary
The prolific Steven Soderbergh’s latest is comedic thriller The Christophers and it’s out in limited fashion this weekend after originally premiering at the Toronto Film Festival last fall. Distributed by Neon, Ian McKellen and Michaela Coel (who will also be seen this month in Mother Mary) headline with Jessica Gunning and James Corden providing support.
Reviews are on the fresh side with 96% on Rotten Tomatoes and a 73 Metacritic. There have been plenty of critically appreciated efforts from the director in the 21st century including last year’s Black Bag. However, you have to go back to 2000 and Soderbergh’s one-two punch of Erin Brockovich and Traffic to find his last major Oscar players. I don’t anticipate that will change with The Christophers. My Oscar Prediction posts will continue…
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