99th Academy Awards Predictions: May 30th Edition

It’s been over three weeks since I’ve updated my Oscar predictions in the six major categories of Picture, Director, and the four acting races. A little thing called the Cannes Film Festival happened in between. In the past few cycles, you can usually count on 2-3 films screened in the French Riviera to eventually make the Best Picture cut at the Academy Awards.

Some features like Na Hong-jin’s Hope and James Gray’s Paper Tiger saw their fortunes take a hit. I would say there are four titles that standing the best chance at finding themselves in the Oscar mix: Cristian Mingiu’s Fjord (which won the Palme d’Or), Ryusuke Hamaguchi’s All of a Sudden, Fatherland from Pawel Pawlkowski, and especially The Black Ball from Javier Calvo and Javier Ambrossi. You can read my detailed prediction posts on the those Cannes titles and more on the blog from the past few days. There’s others that could gain momentum including Minotaur, Coward, and Club Kid.

Steven Spielberg’s Disclosure Day didn’t screen at Cannes, but is readying release on June 12th. Influencers who’ve seen it are highly positive. That said, it is a wise practice to wait until the real review embargo lapses to get a clear picture of its awards viability. For now, I have the movie, Spielberg, and Emily Blunt just on the outside looking in.

The horror flick Obsession drew rave critical reactions and fantastic box office numbers that are continuing to grow. This has truly opened the door for Inde Navarrette to snag an acting nod and, in a best case scenario, BP inclusion (still seems like a long shot but you never know). It’s a legit question as to whether Navarrette competes in lead Actress or Supporting Actress. For now, I’m slotting her as a possibility (though not yet a nominee) in the former. Focus Features will clear it up as some point though it might be a while.

You can read all the movement below and I’ll have the next update available in mid-June!

Best Picture

Predicted Nominees:

1. The Odyssey (Previous Ranking: 1) (Even)

2. Project Hail Mary (PR: 2) (E)

3. Digger (PR: 4) (+1)

4. Wild Horse Nine (PR: 3) (-1)

5. The Black Ball (PR: Not Ranked)

6. Fjord (PR: 5) (-1)

7. Dune: Part Three (PR: 8) (+1)

8. No One Cares (PR: 6) (-2)

9. The Social Reckoning (PR: 9) (E)

10. Cry to Heaven (PR: 12) (+2)

Other Possibilities:

11. Disclosure Day (PR: Not Ranked)

12. All of a Sudden (PR: 10) (-2)

13. Fatherland (PR: 7) (-6)

14. Sense and Sensibility (PR: 17) (+2)

15. A Place in Hell (PR: 13) (-2)

16. Werwulf (PR: 15) (-1)

17. The Adventures of Cliff Booth (PR: 25) (+8)

18. Jack of Spades (PR: 20) (+2)

19. Behemoth! (PR: 23) (+4)

20. Being Heumann (PR: 21) (+1)

21. The Entertainment System is Down (PR: 19) (-2)

22. Michael (PR: 24) (+2)

23. Josephine (PR: 17) (-6)

24. Saturn Return (PR: 18) (-6)

25. Obsession (PR: Not Ranked)

Dropped Out:

Hope

Paper Tiger

A Long Winter

Best Director

Predicted Nominees:

1. Christopher Nolan, The Odyssey (PR: 1) (E)

2. Alejandro G. Iñárritu, Digger (PR: 2) (E)

3. Martin McDonagh, Wild Horse Nine (PR: 3) (E)

4. Javier Calva and Javier Ambrossi, The Black Ball (PR: Not Ranked)

5. Phil Lord and Christopher Miller, Project Hail Mary (PR: 5) (E)

Other Possibilities:

6. Cristian Mingiu, Fjord (PR: 4) (-2)

7. Tom Ford, Cry to Heaven (PR: 11) (+4)

8. Denis Villeneuve, Dune: Part Three (PR: 8) (E)

9. Pawel Pawlikowski, Fatherland (PR: 6) (-3)

10. Steven Spielberg, Disclosure Day (PR: Not Ranked)

11. Ryusuke Hamaguchi, All of a Sudden (PR: 7) (-4)

12. Jesse Eisenberg, No One Cares (PR: 9) (-3)

13. Aaron Sorkin, The Social Reckoning (PR: 12) (-1)

14. Georgia Oakley, Sense and Sensibility (PR: Not Ranked)

15. Robert Eggers, Werwulf (PR: 13) (-2)

Dropped Out:

Na Hong-jin, Hope

James Gray, Paper Tiger

Greg Kwedar, Saturn Return

Best Actress

Predicted Nominees:

1. Renate Reinsve, Fjord (PR: 1) (E)

2. Julianne Moore, No One Cares (PR: 3) (+1)

3. Mikey Madison, The Social Reckoning (PR: 4) (+1)

4. Michelle Williams, A Place in Hell (PR: 5) (+1)

5. Virginie Efira, All of a Sudden (PR: 6) (+1)

Other Possibilities:

6. Sandra Hüller, Fatherland (PR: 2) (-4)

7. Emily Blunt, Disclosure Day (PR: Not Raked)

8. Cynthia Erivo, Prima Facie (PR: 7) (-1)

9. Inde Navarrette, Obsession (PR: Not Ranked)

10. Sandra Hüller, Rose (PR: 8) (-2)

11. Daisy Edgar-Jones, Sense and Sensibility (PR: 12) (+1)

12. Ruth Madeley, Being Heumann (PR: 9) (-3)

13. Sophie Okonedo, Clarissa (PR: 10) (-3)

14. Mason Reeves, Josephine (PR: 11) (-3)

15. Rachel Brosnahan, Saturn Return (PR: 13) (-2)

Dropped Out:

Penélope Cruz, Bunker

Lily Gladstone, The Memory Police

Best Actor

Predicted Nominees:

1. Tom Cruise, Digger (PR: 1) (E)

2. Ryan Gosling, Project Hail Mary (PR: 2) (E)

3. Sebastian Stan, Fjord (PR: 3) (E)

4. John Malkovich, Wild Horse Nine (PR: 4) (E)

5. Matt Damon, The Odyssey (PR: 6) (+1)

Other Possibilities:

6. Nicholas Hoult, Cry to Heaven (PR: 9) (+3)

7. Jaafar Jackson, Michael (PR: 8) (+1)

8. Dominic Sessa, Tony (PR: 7) (-1)

9. Pedro Pascal, Behemoth! (PR: Not Ranked)

10. Rami Malek, The Man I Love (PR: 14) (+4)

11. Robert Pattinson, Primetime (PR: Not Ranked)

12. Timothée Chalamet, Dune: Part Three (PR: 15) (+3)

13. John Turturro, The Only Living Pickpocket in New York City (PR: 10) (-3)

14. Hanns Zischler, Fatherland (PR: 5) (-9)

15. Javier Bardem, The Beloved (PR: Not Ranked)

Dropped Out:

Jeremy Allen White, The Social Reckoning

Adam Driver, Paper Tiger

Josh O’Connor, Jack of Spades

Best Supporting Actress

Predicted Nominees:

1. Mariana Di Girolamo, Wild Horse Nine (PR: 1) (E)

2. Sandra Hüller, Digger (PR: 2) (E)

3. Anne Hathaway, The Odyssey (PR: 7) (+4)

4. Tao Okamoto, All of a Sudden (PR: 6) (+2)

5. Penélope Cruz, The Black Ball (PR: Not Ranked)

Other Possibilities:

6. Parker Posey, Wild Horse Nine (PR: 3) (-3)

7. Sandra Hüller, Project Hail Mary (PR: 8) (+1)

8. Daisy Edgar-Jones, A Place in Hell (PR: 5) (-3)

9. Halle Bailey, No One Cares (PR: 4) (-5)

10. Esmé Creed-Miles, Sense and Sensibility (PR: 11) (+1)

11. Elizabeth Debicki, The Adventures of Cliff Booth (PR: Not Ranked)

12. Adele, Cry to Heaven (PR: Not Ranked)

13. Penélope Cruz, The Invite (PR: 14) (+1)

14. Lesley Manville, Jack of Spades (PR: 10) (-4)

15. Scarlett Johansson, Paper Tiger (PR: 9) (-6)

Dropped Out:

Kirsten Dunst, The Entertainment System is Down

Caitriona Balfe, A Long Winter

Gemma Chan, Josephine

Best Supporting Actor

Predicted Nominees:

1. Paul Giamatti, No One Cares (PR: 1) (E)

2. John Goodman, Digger (PR: 2) (E)

3. Sam Rockwell, Wild Horse Nine (PR: 3) (E)

4. Robert Pattinson, The Odyssey (PR: 5) (+1)

5. Steve Buscemi, Wild Horse Nine (PR: 4) (-1)

Other Possibilities:

6. Jeremy Strong, The Social Reckoning (PR: 6) (E)

7. Aaron Taylor-Johnson, Cry to Heaven (PR: 15) (+8)

8. Jesse Plemons, Digger (PR: 10) (+2)

9. Colman Domingo, Michael (PR: 7) (-2)

10. Tom Holland, The Odyssey (PR: 9) (-1)

11. Owen Cooper, Cry to Heaven (PR: Not Ranked)

12. Channing Tatum, Josephine (PR: 11) (-1)

13. Andrew Scott, A Place in Hell (PR: 8) (-5)

14. Mark Ruffalo. Being Heumann (PR: 12) (-2)

15. Antonio Banderas, Tony (PR: 14) (-1)

Dropped Out:

David Oyelowo, Clarissa

Masters of the Universe Box Office Prediction

Bringing IP to the screen that’s been dormant for nearly 40 years, Masters of the Universe hopes to kickstart a new franchise when it debuts June 5th. Adapting the toy line and Saturday morning cartoon franchise that began in the early 80s, Travis Knight (Bumblebee) directs with Nicholas Galitzine as hero Adam/He-Man and Jared Leto as the villainous Skeletor. The supporting cast includes Camila Mendes, Alison Brie, James Purefoy, Morena Baccarin, Jóhannes Haukur Jóhannesson, and Idris Elba. Kristin Wiig provides voiceover work.

While the film has been in development for many years, you have to go back to 1987 to find the first (and last) time these characters appeared in theaters. That was with Dolph Lundgren as He-Man, Frank Langella as Skeletor, and Courteney Cox in the middle of the action. It was a critical and financial dud and the new Masters hopes to avoid the same fate.

There are challenges. First and foremost, younger viewers may not be as familiar with the source material. Older viewers who did watch the animated series decades ago might not be clamoring for the update. The studio is banking on parents and their kids turning out.

Knight exceeded expectations with Bumblebee and Amazon MGM looks for buzz to increase with his latest. I’m still skeptical this meets its somewhat meager expectations in the mid 30s. I’m taking the under for a rocky beginning.

Masters of the Universe opening weekend prediction: $30.8 million

For my Scary Movie prediction, click here:

Scary Movie Box Office Prediction

Scary Movie Box Office Prediction

As scary movies are doing blockbuster business at the box office lately, the franchise spoofing them is back in multiplexes after a lengthy break. Scary Movie, the sixth installment in the series that began in 2000, premieres June 5th with some familiar faces from past entries. This includes the Wayans family’s involvement for the first time since #2 in 2001 with Marlon and Shawn starring and Keenan Ivory cowriting and coproducing. Damon Wayans Jr. and Kim Wayans join as do Anna Faris, Regina Hall, Kenan Thompson, Dave Sheridan, Lochlyn Munro, Cheri Oteri, Chris Elliot, and Heidi Gardner. Michael Tiddes, maker of A Haunted House and its sequel with the Wayans brothers, directs.

Twenty six years ago, Scary Movie was primarily a sendup of the Scream flicks and it was a massive hit with a $42 million opening and $157 million overall domestic haul (still the best of the previous quintet). The all-time strongest debut belongs to 2003’s Scary Movie 3 at $48 million. By 2013, the franchise had run out of steam with Scary Movie V posting $14 million out of the gate and $32 million total (both lows).

Paramount hopes the 13-year pause breeds nostalgia. The notion could pan out. There are plenty of newer horror titles to parody including Weapons, Sinners, The Substance, and the recent Scream tales. A best case scenario is an overperformance and series best kickoff at $50 million or more. I think it’ll open similarly to the original (not adjusted for inflation).

Scary Movie opening weekend prediction: $41.5 million

For my Masters of the Universe prediction, click here:

Masters of the Universe Box Office Prediction

Oscar Predictions: Backrooms

Marking the directorial debut of Kane Parsons and based on his viral creepypasta phenomenon, horror pic Backrooms is expected to dominate the box office charts this weekend. Chiwetel Ejiofor, Renate Reinsve, Mark Duplass, Finn Bennett, and Lukita Maxwell fill out the cast.

With 86% on Rotten Tomatoes and a 76 Metacritic, reviews are generally being kind. Unlike other recent genre titles (hello unexpected box office juggernaut and critical darling Obsession), this is not expected to be talked about for major awards. On the other hand, the plot revolves around the sets and that’s where Academy voters could consider this for a Production Design nomination. My Oscar Prediction posts will continue…

Oscar Predictions: Pressure

Recounting the meteorological challenges leading up to the D-Day invasion, Pressure arrives in multiplexes this weekend from director Anthony Maras. Andrew Scott stars as Scottish Captain James Stagg with Brendan Fraser portraying General Dwight D. Eisenhower. Kerry Condon, Chris Messina, and Damian Lewis also provide support.

The film’s footprint is fairly small for a summer feature with a reported theater count of around 1500. Plenty of reviews say it’s worth the watch with 85% on Rotten Tomatoes and a more subdued 68 on Metacritic. This is the type of project that might normally hit the festival circuit or be a fall release. The fact that it’s neither is a signal that StudioCanal is unlikely to push this in an awards campaign. Despite some nice notices for Scott (and others saying Fraser is miscast), don’t forecast it for the Academy’s radar. My Oscar Prediction posts will continue…

May 29-31 Box Office Predictions

Blogger’s Update (05/28): Some revisions as weekday numbers for Obsession now have me thinking it will gain from its sophomore frame and place second with Mandalorian now dipping to third. Additionally, my projection for Backrooms continues to rise and I’m now putting it at $57 million, up from $54 million.

Horror flick Backrooms looks to open at the front of the charts while Nate Bargatze’s comedy The Breadwinner and World War II drama Pressure with Andrew Scott and Brendan Fraser seek impressive earnings. You can peruse my detailed prediction posts on the trio of newcomers here:

Backrooms Box Office Prediction
The Breadwinner Box Office Prediction
Pressure Box Office Prediction

Based on a popular YouTube web series, Backrooms from Kane Parsons has a wide range of possibility. A worst case scenario could put it in second place behind the second frame of The Mandalorian and Grogu. There’s also the potential for an overperformance topping approaching $60 million. My mid 50s projection puts it in first with ease.

That’s because The Mandalorian got off to a so-so start (more on that below) and I suspect it’s headed for a precipitous fall in the high 60s.

Obsession, after a remarkable sophomore weekend hold, may only slide slightly for a third place showing. That could leave The Breadwinner well behind in fourth in the low teens though Bargatze’s fanbase may turn out enough for a better than anticipated premiere. Comedies are tricky. It might also struggle to make $10 million.

As for Pressure, with a reported theater count of around 1800, my $4.9 million forecast would put it outside of the top five.

Here’s how I have that high five shaking out:

1. Backrooms

Predicted Gross: $57 million

2. Obsession

Predicted Gross: $29.5 million

3. The Mandalorian and Grogu

Predicted Gross: $25.6 million

4. Michael

Predicted Gross: $13 million

5. The Breadwinner

Predicted Gross: $12.1 million

Box Office Results (May 22-25)

The Mandalorian and Grogu never appeared to have the excitement that greets Star Wars series entries and the numbers proved that over Memorial Day weekend. The continuation of the Disney+ show landed with the lowest opening of any franchise pic since the Mouse House took over distribution beginning in 2015 with Star Wars: The Force Awakens. Opening slightly under 2018’s Solo: A Star Wars Story, the Friday to Sunday three-day take was $81.6 million, just over my $80.3 million prediction. When counting Monday, it grew to $98 million and that managed to top my $94.7 million take. While those grosses would be pleasing for most summer titles, that’s simply not the case here.

Obsession was arguably a bigger story this weekend as it grew 39% over its first frame. This is pretty much unheard of for any picture and especially in the horror genre. The Friday to Sunday earnings of $23.9 million and $31.9 million over the four-day easily surpassed my respective projections of $17.5 million and $22.9 million and the two-week total rose to $62 million.

Michael went from to 1st to 3rd with $20.6 million (three-day) and $27.1 million (four-day), ahead of my $18.8 million and $23.9 million guesstimates. The music biopic has now amassed $321 million in five weeks.

The Devil Wears Prada 2 was fourth with $12.7 million over the traditional weekend and $16.2 million with Monday added. The comedy sequel took in more than my $9.7 million and $12.6 million estimates and it has $199 million in the bank after four weeks,.

The Sheep Detectives held impressively in fifth with $9.2 million from Friday to Sunday (I said $7 million) and $12.3 million counting Monday (I went with $8.9 million). The three-week gross is $46 million for the summer sleeper.

Scary movie Passenger managed to outdo my predictions with $8.7 million (Fri-Sun) and $10.3 million (Fri-Mon). While I went lower respectively with $6.3 million and $7.3 million, the 6th place newcomer was overshadowed by Obsession. Unlike that movie, a hefty sophomore drop is probably coming.

Mortal Kombat II was seventh with $6 million over the three-day. My guess? $6 million! Its $7.6 million four-day slightly edged my $7.2 million call and the three-week total is $74 million.

Finally, absurdist comedy I Love Boosters from Boots Riley kicked off in 8th with $3.7 million from Friday to Sunday. My guess? $3.7 million! Like Kombat, the $4.7 million four-day barely exceeded my $4.5 million prediction.

And that does it for now, folks! Until next time…

Oscar Predictions: Coward


Lukas Dhont’s Coward has drawn attention at the Cannes Film Festival. The World War I drama/love story saw its two leads Valentin Campagne and Emmanuel Macchia share a Best Actor prize. This is Dhont’s follow-up to 2022’s Close which was an Oscar nominee for International Feature Film, falling short to All Quiet on the Western Front.

The 100% Rotten Tomatoes score is more balanced by the 68 on Metacritic. Coward‘s most effusive reviews, however, indicate it has a major shot at inclusion in IFF when Belgium likely makes it the submission. An elevation to Best Picture is a reach for the Mubi distributed title. My Oscar Prediction posts will continue…

Oscar Predictions: The Man I Love

As a theater actor in the late 80s dying of the AIDS virus, Rami Malek headlines The Man I Love. It premiered at Cannes Film Festival and is the latest drama from Ira Sachs, maker of the Passages and Peter Hujar’s Day. Costars include Tom Sturridge, Luther Ford, Rebecca Hall, and Ebon Moss-Bachrach.

WME Independent is handling stateside distribution likely for this fall. Don’t be surprised if it pops up at future fests (especially New York’s). With 96% on Rotten Tomatoes and 78 on Metacritic, critics are appreciative. However, the buzz doesn’t cause me to believe Best Picture is in play and that it’ll be Sachs’s first major awards breakout.

That is with one possible exception. Malek is drawing particular praise in some write-ups saying it’s a career best performance. Eight years ago, he took home Best Actor as Freddie Mercury in the blockbuster Bohemian Rhapsody. Since then, he’s yet to have a follow-up role that the Academy would notice. If WME can run a worthwhile campaign and if competition isn’t too steep, he could be viable for one of the five spots. My Oscar Prediction posts will continue…

Oscar Predictions: Minotaur

This year’s Grand Prix prize at the Cannes Film Festival is the political drama Minotaur. Set against the backdrop of the Russo-Ukrainian war, Andrey Zvyagintsev’s latest looks to join previous features Leviathan (2014) and Loveless (2017) as an International Feature Film nominee at the Oscars. The cast includes Iris Lebedeva, Dmitriy Mazurov, Varvara Shmykova, and Juris Zagars.

The reviews are impressive with 96% on Rotten Tomatoes and 90 on Metacritic. Essentially marking second place at the French festival, two of the last three Grand Prix victors have scored Best Picture nominations (The Zone of Interest and Sentimental Value). Minotaur is a co-production between France, Latvia, and Germany and any of them could submit it for IFF. The filmmaker’s previously nominated pics were Russian submissions and that won’t be the case this time around. With Mubi handling distribution, I would expect a spirited campaign with a solid likelihood of inclusion in the final quintet for foreign feature. Best Picture is possible, but perhaps more of a reach unless this starts to be seen as a frontrunner to win the international race. My Oscar Prediction posts will continue…

Pressure Box Office Prediction

StudioCanal’s Pressure hopes to serve as counterprogramming for adult filmgoers when it lands in theaters May 29th. Focused on the lead-up to D-Day, the World War II drama stars Andrew Scott as Captain James Stagg and Brendan Fraser as then General Dwight D. Eisenhower. The supporting cast includes Kerry Condon, Chris Messina, and Damian Lewis.

I’m a little surprised the distributor didn’t opt to open this over the Memorial Day weekend. Perhaps they thought competition was too much. It is reported that the screen count is approximately 1800 next weekend and that’s low for a summer release.

Last year’s Nuremberg debuted on around 1800 and made just shy of $4 million out of the gate. That might be Pressure‘s initial frame is pointed and I’ll give it a bit over.

Pressure opening weekend prediction: $4.9 million

For my Backrooms prediction, click here:

Backrooms Box Office Prediction

For my The Breadwinner prediction, click here:

The Breadwinner Box Office Prediction