Warner Bros is counting on moviegoers to walk down multiplex aisles when The Bride! opens March 6th. Maggie Gyllenhaal directs the gothic thriller based on The Bride of Frankenstein. Jessie Buckley and Christian Bale headline the odd romance. Costars include Peter Sarsgaard (Maggie’s husband), Annette Bening, Jake Gyllenhaal (Maggie’s brother), and Penélope Cruz.
With a reported $80 million budget, the studio is seeking lots of RSVPs. Buckley is likely on the precipice of an Oscar win for Hamnet with Bale as the monstrous “Frank”. I’m not convinced their star power equals an impressive gross. The Bride! faces challenges. Scream 7 will be in its sophomore weekend and still posting solid figures. I question the mainstream appeal of this based on trailers and TV spots. Most importantly, plenty of potential viewers might feel like they got their Frankenstein fix via Guillermo del Toro’s Best Picture nominated Netflix version just four months ago.
Familiarity with the source material could still propel this to a premiere in the low to mid teen. My gut says to take the under and that means a disappointing result just over $10 million.
The Bride! opening weekend prediction: $10.3 million
On March 6th, Hoppers looks to jumpstart Disney/Pixar’s fortunes after the underwhelming Elio and before the anticipated summer juggernaut Toy Story 5. The animated sci-fi comedy marks the feature-length directorial debut from Daniel Chong. Voiceover contributors include Piper Curda, Bobby Moynihan, Jon Hamm, Kathy Najimy, Dave Franco, Eduardo Franco, Aparna Nancherla, Sam Richardson, Melissa Villaseñor, Isiah Whitlock Jr., Ego Nwodim, Vanessa Bayer, and Meryl Streep.
Two of the last three Pixar big screen offerings failed to reach $30 million in their opening weekends. While 2024’s Inside Out 2 surpassed $150 million in its premiere, original material struggled. 2023’s Elemental kicked off with $29 million though it legged out impressively with $154 million domestically overall. That was not the case with last summer’s Elio. It only earned $20 million initially and $72 million when all was said and done stateside.
Projections for Hoopers are all over the place. Depending on who you read, it could fail to launch in the low 20s or get to $50 million. With decent word-of-mouth, I am forecasting it gets to mid 30s.
As we do every year on the blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It began with the ten Best Picture contenders and now alternates alphabetically between the hopefuls in the other five races. The BP posts are readily available for your perusing pleasure. Our fourth performer in Best Actress is Renate Reinsve for Sentimental Value. If you missed my posts covering the previous three contenders, you can access them here:
Following her acclaimed performance in 2021’s The Worst Person in the World from Joachim Trier, the Norwegian actress became a major awards player. Their follow-up premiered at Cannes last summer in which she won Best Actress. Nominations at the BAFTAs, Critics Choice, and the Golden Globes have followed.
The Case Against Renate Reinsve:
Simply put – Jessie Buckley in Hamnet. She’s taken home all the aforementioned precursors and appears poised to be the only acting competition sweeper. Along with her Oscar nominated costars Stellan Skarsgård, Elle Fanning, and Inga Ibsdotter Lilleass, the SAG Actor branch completely ignored the Value cast.
The Verdict:
In this Best Actress quintet, Reinsve will be a bridesmaid and not the bride.
My Oscar Prediction posts will continue with the next hopeful in Best Actor – Michael B. Jordan for Sinners…
As we do every year on the blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It began with the ten Best Picture contenders and now alternates alphabetically between the hopefuls in the other five races. The BP posts are readily available for your perusing pleasure. The third director for discussion is Josh Safdie for Marty Supreme. If you missed my posts covering Paul Thomas Anderson (One Battle After Another) and Ryan Coogler (Sinners), you can access them here:
We went into 2025 wondering which Safdie brother would get the Oscar attention. Brother Benny put out The Smashing Machine in the fall and it generated only a Makeup and Hairstyling nod. Josh’s Marty Supreme nabbed nine mentions including Best Picture. For his direction, precursors noms have come at DGA, Critics Choice, and BAFTA.
The Case Against Josh Safdie:
Paul Thomas Anderson has taken all 3 of those precursors and Ryan Coogler is generally seen as the runner-up. Safdie missed the cut at the Golden Globes.
The Verdict:
Safdie’s first solo work in 17 years could see Timothée Chalamet crowned as Best Actor. That is Supreme‘s best and likely only shot at gold.
My Case Of posts will continue with the fourth entrant in Best Actress – Renate Reinsve for Sentimental Value…
The ceremony formerly known as the SAG Awards is now the Actor Awards and the 32nd edition of the ceremony airs Sunday, March 1st. Kristen Bell returns to host a show that is tough to predict, especially in the supporting fields where no frontrunner has emerged via the precursors. Will the Screen Actors Guild help make it clearer or muddy it up even more?
Let’s walk through the six movie races with my thoughts and a winner and runner-up projection. I’ll have a recap up Sunday evening with initial thoughts and how I did.
Outstanding Performance by a Cast in a Motion Picture
Frankenstein, Hamnet, Marty Supreme, One Battle After Another, Sinners
Over the past 10 years, this ensemble award has matched the Academy’s Best Picture half the time (Spotlight, Parasite, CODA, Everything Everywhere All at Once, Oppenheimer). I would definitely say the two pics with a shot to win are Battle and Sinners, the two BP favorites. While the former may have an edge with the Academy, my hunch is that SAG goes with Ryan Coogler’s sprawling cast.
WINNER: Sinners
Runner-Up: One Battle After Another
Outstanding Performance by a Female Actor in a Leading Role
Jessie Buckley (Hamnet), Rose Byrne (If I Had Legs I’d Kick You), Kate Hudson (Song Sung Blue), Chase Infiniti (One Battle After Another), Emma Stone (Bugonia)
This category has matched Oscar 6 out the last 10 years. Actress is the only competition where the possibility of a sweep is still open. Jessie Buckley has triumphed everywhere else and I see no compelling reason why this guild would change that.
WINNER: Jessie Buckley, Hamnet
Runner-Up: Rose Byrne, If I Had Legs I’d Kick You
Outstanding Performance by a Male Actor in a Leading Role
Timothée Chalamet (Marty Supreme), Leonardo DiCaprio (One Battle After Another), Ethan Hawke (Blue Moon), Michael B. Jordan (Sinners), Jesse Plemons (Bugonia)
The idea of a Chalamet sweep was halted when BAFTA unexpectedly rolled with Robert Aramayo in I Swear (who isn’t nominated here or at the Oscars). My hesitation to pick Chalamet has less to do with that and more to do with the fact he won SAG Actor last year for A Complete Unknown. I could see Hawke taking this prize for his showy role or the voters selecting Jordan. Ultimately I’m not pulling the trigger on the upset, but don’t discount the possibility. There is a 7 for 10 Actor/Oscar match over the past decade.
WINNER: Timothée Chalamet, Marty Supreme
Runner-Up: Ethan Hawke, Blue Moon
Outstanding Performance by a Female Actor in a Supporting Role
Odessa A’Zion (Marty Supreme), Ariana Grande (Wicked: For Good), Amy Madigan (Weapons), Wumni Mosaku (Sinners), Teyana Taylor (One Battle After Another)
Ugh… this is a tough one. There is no consistency among the precursors – Critics Choice went with Madigan, the Globes honored Taylor, and BAFTA picked Mosaku. One could certainly argue that Mosaku has the momentum and that if Sinners takes Best Ensemble, it increases the chances of a solo acting victory. Taylor could solidify her status as Oscar favorite with this award. This is essentially a three-way coin flip. Madigan could certainly emerge as this branch has shown the ability to honor the horror genre in a way the Academy doesn’t (see Demi Moore last year for The Substance). My gut says Sinners gets that one solo prize though I cannot stress enough that I almost went with Taylor. There is a 9 for 10 match with this branch and Oscar since 2015.
WINNER: Wunmi Mosaku, Sinners
Runner-Up: Teyana Taylor, One Battle After Another
Outstanding Performance by a Male Actor in a Supporting Role
Miles Caton (Sinners), Benicio del Toro (One Battle After Another), Jacob Elordi (Frankenstein), Paul Mescal (Hamnet), Sean Penn (One Battle After Another)
There’s a 9 for 10 match here as well and this is just as wide open as Supporting Actress. Critics Choice called Elordi as their winner, Globes picked Stellan Skarsgård in Sentimental Value (not nominated here), and BAFTA went with Sean Penn. In this case, I am going with the BAFTA momentum though his costar del Toro might pose the realest threat.
WINNER: Sean Penn, One Battle After Another
Runner-Up: Benicio del Toro, One Battle After Another
Outstanding Action Performance by a Stunt Ensemble in a Motion Picture
F1, Frankenstein, Mission: Impossible – The Final Reckoning, One Battle After Another, Sinners
Tom Cruise’s franchise is known for stunts so I wouldn’t bet against it.
The 37th Producers Guild of America (PGA) Awards take place this Saturday and their best of prize has become a rather reliable bellwether for the Academy’s Best Picture. The two have matched 7 out of the last 8 years with 2019 being the exception when PGA chose 1917 and Oscar went with Parasite.
PGA also honors documentaries and animated features. Let’s walk through each race with a winner and runner-up selection.
Daryl F. Zanuck Award for Outstanding Producer of Theatrical Motion Pictures
Bugonia, F1, Frankenstein, Hamnet, Marty Supreme, One Battle After Another, Sentimental Value, Sinners, Train Dreams, Weapons
PGA and the Academy have a 9 for 10 match this year. Weapons makes the cut on this list with The Secret Agent replacing it at the Oscars. This is expected to come down to Warner Bros offerings One Battle and Sinners. While I am predicting the latter to get Best Ensemble at Sunday’s Actor Awards, I still see Battle as the Oscar frontrunner and therefore am picking it here. That said, if Sinners gets this, the momentum will have shifted.
WINNER: One Battle After Another
Runner-Up: Sinners
Outstanding Producer of Documentary Theatrical Motion Pictures
The Alabama Solution, Cover-Up, Mr. Nobody Against Putin, My Mom Jayne, Ocean with David Attenborough, The Perfect Neighbor, The Tale of Silyan
At BAFTA over the weekend, Nobody rose above favored The Perfect Neighbor. In this doc derby, PGA has often shown a lean toward the most high profile project and that would be Neighbor. I’ll go with it with the caveat that this category can be unpredictable.
WINNER: The Perfect Neighbor
Runner-Up: The Alabama Solution
Outstanding Producer of Animated Theatrical Motion Pictures
The Bad Guys 2, Demon Slayer: Kimetsu no Yaiba – The Movie: Infinity Castle, Elio, KPop Demon Hunters, Zootopia 2
I find myself tempted to go with Zootopia 2 in an upset, but I can’t bet against juggernaut KPop.
Scream 7 looks to easily slash all competitors as the only wide release this weekend. The horror pic will attempt to set a franchise best start and you can peruse my detailed prediction posts on it here:
In order to reach that milestone, 7 will need to build upon the $44 million earned by VI back in 2023. I’m estimating that it will indeed do so.
The rest of the top 5 is poised to be filled with holdovers. Goat and Wuthering Heights should each slip a spot to 2nd and 3rd in their third frames.
I Can Only Imagine 2 came in with far less than I imagined (more on that below). Even with an A+ Cinemascore grade, it might still decline in the mid to high 40s for a fourth place showing. Send Help could stay in fifth with a smaller percentage drop than current #4 Crime 101.
Here’s how I envision the top 5 shaking out:
1. Scream 7
Predicted Gross: $47.6 million
2. Goat
Predicted Gross: $10.8 million
3. Wuthering Heights
Predicted Gross: $6.9 million
4. I Can Only Imagine 2
Predicted Gross: $4 million
5. Send Help
Predicted Gross: $2.6 million
Box Office Results (February 20-22)
Animated Goat rose from 2nd to 1st in its sophomore outing with $16.8 million, a smidge past my $15.6 million prediction. The Sony sports tale has taken in $58 million thus far.
Wuthering Heights was second with $14 million, in range with my $13.2 million call. Falling a considerable 57%, Emerald Fennell’s doomed romance sits at $59 million after two weeks.
As mentioned, I Can Only Imagine 2 failed to bring in many fans of the 2018 original. It made $7.7 million, well below my generous $17.8 million forecast. That is less than half of what its predecessor made out of the gate.
Crime 101 plummeted 61% in weekend #2 with $5.5 million compared to my $7.1 million take. It has made $24 million overall.
Send Help rounded out the top 5 with $4.4 million (I said $4.8 million) for a four-week total of $55 million.
As we do every year on the blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It began with the ten Best Picture contenders and now alternates alphabetically between the hopefuls in the other five races. The BP posts are readily available for your perusing pleasure. Delroy Lindo is our third possibility in Supporting Actor for Sinners. If you missed my posts covering the first two, they can be accessed here:
As Delta Slim in Ryan Coogler’s blockbuster, Lindo is a well-respected veteran in a movie that could win Best Picture. There is also a feeling that he was snubbed in 2020 for his lead work in Spike Lee’s Da 5 Bloods. Supporting Actor is wide open this year with different winners at the Globes (Stellan Skasgård in Sentimental Value), Critics Choice (Jacob Elordi for Frankenstein), and BAFTA (Sean Penn in One Battle After Another).
The Case Against Delroy Lindo:
Notice you don’t see his name as a recipient anywhere. In fact, you won’t because Lindo missed out on nominations at SAG, the Globes, Critics Choice, and BAFTA. It is extremely rare for someone to nominated (let alone win) without being up at any of those precursors. You have to go back to Marcia Gay Harden in Pollock 25 years ago to find the last one. The voters can honor the Sinners cast elsewhere via Michael B. Jordan and especially BAFTA winner Wunmi Mosaku.
The Verdict:
With the absence of noms everywhere else, logic would dictate that Lindo isn’t a threat to take gold. However, this Supporting Actor derby is unpredictable enough that I wouldn’t completely discount it. The chances increase if Sinners can pry BP away from One Battle.
My Case Of posts will continue with the third filmmaker contending for Best Director, Josh Safdie for Marty Supreme…
I didn’t anticipate mentioning the 2000 feature Billy Elliot in my BAFTA recap covering 2025 pictures, but these voters are dancing to the beat of a different drum so here we are! That’s one surprise of several that developed at the British equivalent of the Academy Awards. It was not surprising that Paul Thomas Anderson’s One Battle After Another led the way and (yes) won one BAFTA after another. However, the outcome of the acting races provided legit unexpected results and might have a hand in reshaping what happens at the 98th Oscars.
As far as results, I went 14 for 23 in my projections and 1 for 4 in the acting derbies. I correctly forecasted Best Film and Director BAFTAs for One Battle After Another and its maker Anderson. Same goes for its victories in Adapted Screenplay and Cinematography. It also took the Editing prize where I had F1.
In Supporting Actor, Battle‘s Sean Penn emerged in a field where I picked Stellan Skasgård as the winner and had Penn’s costar Benicio del Toro as the runner-up. We now have 3 different Supporting Actor victors in the three highest profiles precursors – Penn at BAFTA, Skarsgård at the Globes, and Jacob Elordi (Frankenstein) at Critics Choice. Let’s see what SAG Actor does next weekend as this race is wide open.
Battle did nothing but help its status as BP Oscar frontrunner. Yet Sinners didn’t take a significant hit. It won Original Screenplay and I went with Sentimental Value. I correctly picked it for Original Score.
In Supporting Actress, it represented a One Battle miss and a Sinners pickup. I went with Teyana Taylor, but Wunmi Mosaku lodged her first major recognition. Like Supporting Actor, we now have a trio of recipients among the precursors – Mosaku at BAFTA, Taylor at the Globes, and Amy Madigan (Weapons) at Critics Choice. Once again, SAG Actor will be closely viewed in another wide open acting derby. Simply put, I can’t remember the last time both supporting fields were this unpredictable.
That’s not the case in Actress where Jessie Buckley (Hamnet) predictably did a podium walk as her chances at a seasonal sweep are looking strong.
We will not be seeing a Timothée Chalamet (Marty Supreme) sweep. I had him taking Actor with Ethan Hawke (Blue Moon) as runner-up. BAFTA went their own way with Robert Aramayo (I Swear). He was additionally named the BAFTA Rising Star. Aramayo is not nominated at Oscar. The last time a BAFTA Best Actor wasn’t among the Academy’s quintet? That would be Jamie Bell in the title role of… you guessed it (!) Billy Elliot.
Here’s where I managed to get it right – Hamnet for Outstanding British Film and Sentimental Value having a subpar day with its sole win for Film Not in the English Language. I was correct in calling Zootopia 2 as Best Animated Film. Same goes for Frankenstein with the trio of Costume Design, Makeup & Hair, and Production Design and F1 in Sound and Avatar: Fire and Ash in Special Visual Effects.
Here’s where I whiffed. I will pat myself on the back for predicting The Perfect Neighbor would not be the documentary that BAFTA selected. Unfortunately I went with 2000 Meters to Andrivka and not Mr. Nobody Against Putin. Could it emerge as a spoiler to a Neighbor Oscar prize?
Pillion looked like the pick for Outstanding British Debut by a Writer, Director or Producer, but BAFTA chose My Father’s Shadow. Same with Children’s & Family Film where Zootopia 2 looked probable, but Boong was listed in the envelope. In Casting (always a tough race to project), I Swear emerged over Sentimental Value and my runner-up One Battle.
So what’s the biggest takeaway? I’d say the chaos occurring in the supporting competitions and that Battle vs. Sinners appears to still be a battle.
Today’s ceremony bestowed these numbers of wins for these movies:
6 Wins
One Battle After Another
3 Wins
Frankenstein, Sinners
2 Wins
Hamnet, I Swear
1 Win
Avatar: Fire and Ash, Boong, F1, Mr. Nobody Against Putin, My Father’s Shadow, Sentimental Value, Zootopia 2
I’ll have winner predictions up for SAG Actor (happening a week from today) on the blog soon!
As we do every year on the blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It began with the ten Best Picture contenders and now alternates alphabetically between the hopefuls in the other five races. The BP posts are readily available for your perusing pleasure. Our third contender among the Supporting Actress nominees is Amy Madigan for Weapons. If you missed the first two write-ups covering the performers from Sentimental Value, you can access them here:
1985 – Best Supporting Actress (Twice in a Lifetime) – lost to Anjelica Huston for Prizzi’s Honor
The Case for Amy Madigan:
The only thespian in the race who’s not a first-time nominee, Madigan’s work as the supremely creepy Aunt Gladys in Zach Cregger’s horror pic arrives 40 years after her initial nod for Twice in a Lifetime. She won the Critics Choice prize and has been nominated at the Globes and SAG Actor. If they bestowed the trophy based on number of Halloween costumed inspired by her role, Madigan would take this in a landslide.
The Case Against Amy Madigan:
Madigan was snubbed at BAFTA. You have to go back to 2018 and Regina King (If Beale Street Could Talk) to find the last Oscar recipient who didn’t make the cut there. Prior to that, it was Marcia Gay Harden (Pollock) in 2000. Teyana Taylor (One Battle After Another) took the Globe as we await SAG. This genre doesn’t produce a lot of acting winners and Weapons missed all other categories including Original Screenplay and Makeup and Hairstyling. Penélope Cruz (Vicky Christina Barcelona) is the last Supporting Actress honoree whose movie only got one nomination and that was in 2008.
The Verdict:
A SAG victory would elevate Madigan’s stock and she is probably runner-up in the race at the moment behind Taylor.
My Case Of posts will continue with third entrant in Supporting Actor – Delroy Lindo for Sinners…
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