Recounting the meteorological challenges leading up to the D-Day invasion, Pressure arrives in multiplexes this weekend from director Anthony Maras. Andrew Scott stars as Scottish Captain James Stagg with Brendan Fraser portraying General Dwight D. Eisenhower. Kerry Condon, Chris Messina, and Damian Lewis also provide support.
The film’s footprint is fairly small for a summer feature with a reported theater count of around 1500. Plenty of reviews say it’s worth the watch with 85% on Rotten Tomatoes and a more subdued 68 on Metacritic. This is the type of project that might normally hit the festival circuit or be a fall release. The fact that it’s neither is a signal that StudioCanal is unlikely to push this in an awards campaign. Despite some nice notices for Scott (and others saying Fraser is miscast), don’t forecast it for the Academy’s radar. My Oscar Prediction posts will continue…
Blogger’s Update (05/28): Some revisions asweekday numbers for Obsession now have me thinking it will gain from its sophomore frame and place second with Mandalorian now dipping to third. Additionally, my projection for Backrooms continues to rise and I’m now putting it at $57 million, up from $54 million.
Horror flick Backrooms looks to open at the front of the charts while Nate Bargatze’s comedy The Breadwinner and World War II drama Pressure with Andrew Scott and Brendan Fraser seek impressive earnings. You can peruse my detailed prediction posts on the trio of newcomers here:
Based on a popular YouTube web series, Backrooms from Kane Parsons has a wide range of possibility. A worst case scenario could put it in second place behind the second frame of The Mandalorian and Grogu. There’s also the potential for an overperformance topping approaching $60 million. My mid 50s projection puts it in first with ease.
That’s because The Mandalorian got off to a so-so start (more on that below) and I suspect it’s headed for a precipitous fall in the high 60s.
Obsession, after a remarkable sophomore weekend hold, may only slide slightly for a third place showing. That could leave The Breadwinner well behind in fourth in the low teens though Bargatze’s fanbase may turn out enough for a better than anticipated premiere. Comedies are tricky. It might also struggle to make $10 million.
As for Pressure, with a reported theater count of around 1800, my $4.9 million forecast would put it outside of the top five.
Here’s how I have that high five shaking out:
1. Backrooms
Predicted Gross: $57 million
2. Obsession
Predicted Gross: $29.5 million
3. The Mandalorian and Grogu
Predicted Gross: $25.6 million
4. Michael
Predicted Gross: $13 million
5. The Breadwinner
Predicted Gross: $12.1 million
Box Office Results (May 22-25)
The Mandalorian and Grogu never appeared to have the excitement that greets Star Wars series entries and the numbers proved that over Memorial Day weekend. The continuation of the Disney+ show landed with the lowest opening of any franchise pic since the Mouse House took over distribution beginning in 2015 with Star Wars: The Force Awakens. Opening slightly under 2018’s Solo: A Star Wars Story, the Friday to Sunday three-day take was $81.6 million, just over my $80.3 million prediction. When counting Monday, it grew to $98 million and that managed to top my $94.7 million take. While those grosses would be pleasing for most summer titles, that’s simply not the case here.
Obsession was arguably a bigger story this weekend as it grew 39% over its first frame. This is pretty much unheard of for any picture and especially in the horror genre. The Friday to Sunday earnings of $23.9 million and $31.9 million over the four-day easily surpassed my respective projections of $17.5 million and $22.9 million and the two-week total rose to $62 million.
Michael went from to 1st to 3rd with $20.6 million (three-day) and $27.1 million (four-day), ahead of my $18.8 million and $23.9 million guesstimates. The music biopic has now amassed $321 million in five weeks.
The Devil Wears Prada 2 was fourth with $12.7 million over the traditional weekend and $16.2 million with Monday added. The comedy sequel took in more than my $9.7 million and $12.6 million estimates and it has $199 million in the bank after four weeks,.
The Sheep Detectives held impressively in fifth with $9.2 million from Friday to Sunday (I said $7 million) and $12.3 million counting Monday (I went with $8.9 million). The three-week gross is $46 million for the summer sleeper.
Scary movie Passenger managed to outdo my predictions with $8.7 million (Fri-Sun) and $10.3 million (Fri-Mon). While I went lower respectively with $6.3 million and $7.3 million, the 6th place newcomer was overshadowed by Obsession. Unlike that movie, a hefty sophomore drop is probably coming.
Mortal Kombat II was seventh with $6 million over the three-day. My guess? $6 million! Its $7.6 million four-day slightly edged my $7.2 million call and the three-week total is $74 million.
Finally, absurdist comedy I Love Boosters from Boots Riley kicked off in 8th with $3.7 million from Friday to Sunday. My guess? $3.7 million! Like Kombat, the $4.7 million four-day barely exceeded my $4.5 million prediction.
StudioCanal’s Pressure hopes to serve as counterprogramming for adult filmgoers when it lands in theaters May 29th. Focused on the lead-up to D-Day, the World War II drama stars Andrew Scott as Captain James Stagg and Brendan Fraser as then General Dwight D. Eisenhower. The supporting cast includes Kerry Condon, Chris Messina, and Damian Lewis.
I’m a little surprised the distributor didn’t opt to open this over the Memorial Day weekend. Perhaps they thought competition was too much. It is reported that the screen count is approximately 1800 next weekend and that’s low for a summer release.
Last year’s Nuremberg debuted on around 1800 and made just shy of $4 million out of the gate. That might be Pressure‘s initial frame is pointed and I’ll give it a bit over.
Lee Cronin’s The Mummy is unwrapped this weekend in theaters with Warner Bros. looking to turn out horror fans for the franchise reboot. From Evil Dead Rise director Cronin, the cast includes Jack Reynor, Laia Costa, May Calamawy, Natalie Grace, and Verónica Falcón.
This is the third take on the series in just over a quarter century. We had the three Brendan Fraser flicks that began in 1999 and the poorly received reimagining with Tom Cruise in 2017. Reviews for this gorier interpretation of the material are so-so reviews with 54% on Rotten Tomatoes and a 46 Metacritic.
Only the first Fraser adventure got the Academy’s attention with a Best Sound nod. There’s one race where Cronin’s pic has a fair shot and that’s Makeup and Hairstyling. That branch of voters showed genre love last year to winner Frankenstein as well as Sinners and (mostly surprisingly) The Ugly Stepsister. If WB mounts a campaign, it’s at least a possibility to make the shortlist and perhaps make the eventual quintet. My Oscar Prediction posts will continue…
Lee Cronin’s The Mummy looks to wrap up an impressive debut when it drops April 17th. While the Brendan Fraser and Tom Cruise versions of The Mummy saga concentrated more on adventure, Evil Dead Rise director Cronin is bringing the horror to this James Wan/Jason Blum coproduction. Jack Reynor headlines the cast which includes Laia Costa, May Calamawy, Natalie Grace, and Verónica Falcón.
This is the second reboot of this franchise in the 21st century. The 2017 Tom Cruise one was a box office and critical failure (confession: i think it’s kinda fun). Warner Bros would love to see a repeat of the $24.5 million that greeted Evil Dead Rise over the same April time frame three years ago.
That is probably a best case scenario and I suspect it won’t reach those levels. Estimates have this is in the low to mid teens. I’ll say it manages to land on the higher end of that range.
Lee Cronin’s The Mummy opening weekend prediction: $17.2 million
Nominations for the 83rd Golden Globe Awards were unveiled this morning with some surprises and other categories generally going as planned. As expected and as I projected, One Battle After Another (the unquestionable Oscar frontrunner for Best Picture) led the nominations count with 9 followed by Sentimental Value with 8, Sinners with 7, and Hamnet with 6. All of those pics have likely punched their Academy BP ticket.
While it was a good day for them, you can’t say the same for Wicked: For Good, Jay Kelly, and some others. Overall I went 78 for 92 in my predictions (about par for the course). Let’s walk through each category with the nominees and how I did with some quick commentary.
Motion Picture – Drama
Nominees: Frankenstein, Hamnet, It Was Just an Accident, The Secret Agent, Sentimental Value, Sinners
How I Did: 6/6 (!)
The expected six with an international flavor as three of the nominees are surefire hopefuls for Best International Feature at the Oscars (Accident, Agent, Value). The winner, however, should come down to Hamnet or Sinners.
Motion Picture – Musical or Comedy
Nominees: Blue Moon, Bugonia, Marty Supreme, No Other Choice, Nouvelle Vague, One Battle After Another
How I Did: 3/6
First things first – Battle is likely going to emerge victorious. As far as the contenders, Jay Kelly missing was a legit shocker and the same could be said for Wicked: For Good. I had them in along with The Testament of Ann Lee instead of Choice and the one-two directorial combo of Blue Moon and Nouvelle Vague from Richard Linklater.
Director
Nominees: Paul Thomas Anderson (One Battle After Another), Ryan Coogler (Sinners), Guillermo del Toro (Frankenstein), Jafar Panahi (It Was Just an Accident), Joachim Trier (Sentimental Value), Chloé Zhao (Hamnet)
How I Did: 5/6
Mr. del Toro makes the sextet instead of Josh Safdie, whose Marty Supreme had a less than anticipated showing with 3 nods. Anderson is the favorite though I wouldn’t discount Coogler or Panahi.
Actress – Drama
Nominees: Jessie Buckley (Hamnet), Jennifer Lawrence (Die, My Love), Renate Reinsve (Sentimental Value), Julia Roberts (After the Hunt), Tessa Thompson (Hedda), Eva Victor (Sorry, Baby)
How I Did: 5/6
Victor is in over my somewhat upset pick of Jodie Foster in A Private Life. This is one of the easiest to predict with Buckley.
Actor – Drama
Nominees: Joel Edgerton (Train Dreams), Oscar Isaac (Frankenstein), Dwayne Johnson (The Smashing Machine), Michael B. Jordan (Sinners), Wagner Moura (The Secret Agent), Jeremy Allen White (Springsteen: Deliver Me from Nowhere)
How I Did: 6/6 (!)
Not as easy to predict as Actress (Drama) with the Oscar heavy hitters in Actor slotted in Musical or Comedy. This could be a close one between Jordan and Moura.
Actress – Musical or Comedy
Nominees: Rose Byrne (If I Had Legs I’d Kick You), Cynthia Erivo (Wicked: For Good), Kate Hudson (Song Sung Blue), Chase Infiniti (One Battle After Another), Amanda Seyfried (The Testament of Ann Lee), Emma Stone (Bugonia)
How I Did: 6/6 (!)
The expected six, but this is a tough one to call. Precursors may help with my eventual prediction though I’d say everyone but Hudson at least has a chance here. Byrne is perhaps the soft frontrunner.
Actor – Musical or Comedy
Nominees: Lee Byung-hun (No Other Choice), Timothée Chalamet (Marty Supreme), George Clooney (Jay Kelly), Leonardo DiCaprio (One Battle After Another), Ethan Hawke (Blue Moon), Jesse Plemons (Bugonia)
How I Did: 5/6
My alternate Byung-hun over Brendan Fraser (Rental Family). Like the Oscars, this could be a supreme battle between Chalamet and DiCaprio with Hawke as potential spoiler.
Supporting Actress
Nominees: Emily Blunt (The Smashing Machine), Elle Fanning (Sentimental Value), Ariana Grande (Wicked: For Good), Inga Ibsdotter Lilleass (Sentimental Value), Amy Madigan (Weapons), Teyana Taylor (One Battle After Another)
How I Did: 5/6
Blunt is one of the genuine shockers as she’s in instead of Supreme‘s Gwyneth Paltrow. This is a tricky category to pinpoint and we’re going to need precursors to help sort it out.
Supporting Actor
Nominees: Benicio del Toro (One Battle After Another), Jacob Elordi (Frankenstein), Paul Mescal (Hamnet), Sean Penn (One Battle After Another), Adam Sandler (Jay Kelly), Stellan Skarsgård (Sentimental Value)
How I Did: 6/6 (!)
This seems like a race where Value could pick up a trophy with Skarsgård, but both Battle actors are viable.
Best Screenplay
Nominees: Hamnet, It Was Just an Accident, Marty Supreme, One Battle After Another, Sentimental Value, Sinners
How I Did: 6/6 (!)
Another competition where Value is possible though Battle and Sinners might have the edge in that order. I wouldn’t rule out Accident either.
Motion Picture – Non-English Language
Nominees: It Was Just an Accident, No Other Choice, The Secret Agent, Sentimental Value, Sirât, The Voice of Hind Rajab
How I Did: 5/6
Rajab gets the call over Sound of Falling as Value could have the best shot, but Accident is a real threat as is Agent.
Motion Picture – Animated
Nominees: Arco, Demon Slayer: Kimetsu no Yaiba – The Movie: Infinity Castle, Elio, KPop Demon Hunters, Little Amélie or the Character of Rain, Zootopia 2
How I Did: 5/6
Demon Slayer instead of Ne Zha 2 (which I also incorrectly predicted for Critics Choice). The voters could go with phenom KPop though Rain and Zootopia are in the hunt.
Cinematic and Box Office Achievement
Nominees: Avatar: Fire and Ash, F1, KPop Demon Hunters, Mission: Impossible – The Final Reckoning, Sinners, Weapons, Wicked: For Good, Zootopia 2
How I Did: 7/8
This silly little three-year-old category is something the Globes should jettison. After all, Avatar hasn’t even opened and it’s being nominated for its box office achievement? Perhaps Sinners, a truly unanticipated smash hit, takes this. I had Superman up instead of Reckoning.
Original Score
Nominees: F1, Frankenstein, Hamnet, One Battle After Another, Sinners, Sirât
How I Did: 4/6
F1 (which also got a CCA mention) and Sirât contend over my picks of Bugonia and Marty Supreme. I think Sinners is out front with OBAA threatening.
Original Song
Nominees: “Dream As One” from Avatar: Fire and Ash; “Golden” from KPop Demon Hunters; “I Lied to You” from Sinners; “Train Dreams” from Train Dreams; “No Place Like Home” from Wicked: For Good; “The Girl in the Bubble” from Wicked: For Good
How I Did: 4/6
Well, at least Wicked got two songs nominated, eh? “No Place Like Home” and “Train Dreams” are balloted instead of “Drive” from F1 and “Last Time (I Seen the Sun)” from Sinners. “Golden” could be just that on Globes night.
And that, ladies and gentlemen, adds up to these movies generating numbers of nominations:
9 Nominations
One Battle After Another
8 Nominations
Sentimental Value
7 Nominations
Sinners
6 Nominations
Hamnet
5 Nominations
Frankenstein, Wicked: For Good
4 Nominations
It Was Just an Accident
3 Nominations
Bugonia, KPop Demon Hunters, Marty Supreme, No Other Choice, The Secret Agent
2 Nominations
Avatar: Fire and Ash, Blue Moon, F1, Jay Kelly, Sirât, The Smashing Machine, Train Dreams, Weapons, Zootopia 2
1 Nomination
After the Hunt, Arco, Demon Slayer: Kimetsu no Yaiba – The Movie: Infinity Castle, Die, My Love, Elio, Hedda, If I Had Legs I’d Kick You, Little Amélie or the Character of Rain, Mission: Impossible – The Final Reckoning, Nouvelle Vague, Song Sung Blue, Sorry, Baby, Springsteen: Deliver Me from Nowhere, The Testament of Ann Lee, The Voice of Hind Rajab
I”ll have predictions up for the show shortly before the January 11th telecast and keep an eye on the blog for updated Oscar projections!
Nominations for the 83rd Golden Globe Awards are out Monday prior to the January 11th ceremony hosted by Nikki Glaser. The highest profile Oscar precursor divides its six nominees for Picture and the lead acting races into Drama and Musical/Comedy designations. Between the 12 hopefuls for BP in those categories in 2024, it showcased 9 of the 10 eventual Academy BP contenders (the one exception being I’m Still Here). All five Best Actor Oscar nominees could be found among the six in the Drama race for the Globes (that will not be the case this year as heavyweights like Timothée Chalamet and Leonardo DiCaprio are in Musical/Comedy). It was a different story for Best Actress as four of the eventual Oscar players were found in Musical/Comedy with Drama victor Fernanda Torres (from I’m Still Here) rounding out the Academy quintet. You could find the five Supporting Actor nominees at the 97th Academy Awards in the Globe six and four of the Oscar Supporting Actresses (the exception being Monica Barbaro in A Complete Unknown).
In other words, it is smart to include the vast majority of movies and actors that you believe will be honored by the Academy into your Globe forecast if the math works. Two observations – this is where it would be helpful for Jafar Panahi’s It Was Just an Accident to have a strong showing after a disappointing one at the Critics’ Choice Awards noms. I’m predicting that it will. This is also where Wake Up Dead Man: A Knives Out Mystery could rebound after being blanked by CCA. I’m predicting that it won’t.
Let’s walk through eace race with my picks and an alternate!
Best Motion Picture – Drama
Frankenstein
Hamnet
It Was Just an Accident
The Secret Agent
Sentimental Value
Sinners
Alternate – Train Dreams
Best Motion Picture – Musical or Comedy
Bugonia
Jay Kelly
Marty Supreme
One Battle After Another
The Testament of Ann Lee
Wicked: For Good
Alternate – No Other Choice
Best Director
Paul Thomas Anderson, One Battle After Another
Ryan Coogler, Sinners
Jafar Panahi, It Was Just an Accident
Josh Safdie, Marty Supreme
Joachim Trier, Sentimental Value
Chloé Zhao, Hamnet
Alternate – Guillermo del Toro, Frankenstein
Best Actress in a Motion Picture – Drama
Jessie Buckley, Hamnet
Jodie Foster, A Private Life
Jennifer Lawrence, Die, My Love
Renate Reinsve, Sentimental Value
Julia Roberts, After the Hunt
Tessa Thompson, Hedda
Alternate – Laura Dern, Is This Thing On?
Best Actor in a Motion Picture – Drama
Joel Edgerton, Train Dreams
Oscar Isaac, Frankenstein
Dwayne Johnson, The Smashing Machine
Michael B. Jordan, Sinners
Wagner Moura, The Secret Agent
Jeremy Allen White, Springsteen: Deliver Me from Nowhere
Alternate – Will Arnett, Is This Thing On?
Best Actress in a Motion Picture – Musical or Comedy
Rose Byrne, If I I Had Legs I’d Kick You
Cynthia Erivo, Wicked: For Good
Kate Hudson, Song Sung Blue
Chase Infiniti, One Battle After Another
Amanda Seyfried, The Testament of Ann Lee
Emma Stone, Bugonia
Alternate – Eva Victor, Sorry, Baby
Best Actor in a Motion Picture – Musical or Comedy
Timothée Chalamet, Marty Supreme
George Clooney, Jay Kelly
Leonardo DiCaprio, One Battle After Another
Ethan Hawke, Blue Moon
Brendan Fraser, Rental Family
Jesse Plemons, Bugonia
Alternate – Lee Byung-hun, No Other Choice
Best Supporting Actress
Elle Fanning, Sentimental Value
Ariana Grande, Wicked: For Good
Inga Ibsdotter Lilleass, Sentimental Value
Amy Madigan, Weapons
Gwyneth Paltrow, Marty Supreme
Teyana Taylor, One Battle After Another
Alternate – Jennifer Lopez, Kiss of the Spider Woman
Best Supporting Actor
Benicio Del Toro, One Battle After Another
Jacob Elordi, Frankenstein
Paul Mescal, Hamnet
Sean Penn, One Battle After Another
Adam Sandler, Jay Kelly
Stellan Skarsgård, Sentimental Value
Alternate – Delroy Lindo, Sinners
Best Film Screenplay
Hamnet
It Was Just an Accident
Marty Supreme
One Battle After Another
Sentimental Value
Sinners
Alternate – The Secret Agent
Best Non-English Language Film
It Was Just an Accident
No Other Choice
The Secret Agent
Sentimental Value
Sirât
Sound of Falling
Alternate – The Voice of Hind Rajab
Best Animated Feature
Arco
Elio
KPop Demon Hunters
Little Amélie or the Character of Rain
Ne Zha 2
Zootopia 2
Alternate – Scarlet
Best Original Score
Bugonia
Frankenstein
Hamnet
Marty Supreme
One Battle After Another
Sinners
Alternate – Jay Kelly
Best Original Song
“Dream As One” from Avatar: Fire and Ash
“Drive” from F1
“Golden” from KPop Demon Hunters
“I Lied to You” from Sinners
“Last Time (I Seen the Sun)” from Sinners
“The Girl in the Bubble” from Wicked: For Good
Alternate – “No Place Like Home” from Wicked: For Good
Best Cinematic and Box Office Achievement
Avatar: Fire and Ash
F1
KPop Demon Hunters
Sinners
Superman
Weapons
Wicked: For Good
Zootopia 2
Alternate – AMinecraft Movie
That works out to these movies getting these numbers of nominations:
9 Nominations
One Battle After Another
8 Nominations
Sentimental Value, Sinners
6 Nominations
Hamnet, Marty Supreme
5 Nominations
Wicked: For Good
4 Nominations
Bugonia, Frankenstein, It Was Just an Accident
3 Nominations
Jay Kelly, KPop Demon Hunters, The Secret Agent
2 Nominations
Avatar: Fire and Ash, F1, The Testament of Ann Lee, Weapons, Zootopia 2
1 Nomination
After the Hunt, A Private Life, Arco, Blue Moon, Die, My Love, Elio, Hedda, If I Had Legs I’d Kick You, Little Amélie or the Character of Rain, Ne Zha 2, No Other Choice, Rental Family, Sirât, The Smashing Machine, Song Sung Blue, Sound of Falling, Springsteen: Deliver Me from Nowhere, Superman, Train Dreams
Zootopia 2 seeks to rule the Thanksgiving box office while rom com Eternity opens and will just try and make the top 5. You can peruse my detailed prediction posts on the newcomers here:
Disney’s sequel to their 2016 Oscar-winning animated feature should easily the eclipse the $75 million debut of what came nine years ago. Zootopia 2 appears on track for the second highest Turkey frame behind the Mouse House’s own Moana 2 from last year.
As for Eternity, the heaven set pic with Miles Teller and Elizabeth Olsen may struggle out of the (pearly) gates on approximately 1500 screens. My projection leaves it outside the top five.
Speaking of the high five, I’m doing not doing an official estimate for Wake Up Dead Man: A Knives Out Mystery. The third entry in Rian Johnson’s murder mystery series with Daniel Craig, it is slated for selected theaters prior to its December 12th Netflix bow. Three years ago, predecessor Glass Onion kicked off over the same holiday frame in nearly 700 venues. Though Netflix doesn’t officially report its numbers, figures of just over $9 million (three-day) and $13 million (five-day) were unofficially given for that rollout prior to its streaming start. Because hard figures aren’t revealed (and due to uncertainty about Wake‘s actual screen count), I’m not projecting it. That said, don’t be surprised if the unofficial tally reveals a third place showing with similar grosses to Onion. Got all that?
Moving to the holdovers, Wicked: For Good flew high with 2025’s second largest opening (more on that below). The first Wicked premiered in the same weekend in 2024 and dropped a mere 28% over Thanksgiving. The likelihood is that For Good is more front loaded and it may ease in the low to mid 40s for what would essentially be the same numbers for its sophomore play.
Now You See Me: Now You Don’t, Predator: Badlands, and The Running Man should all move down a slot and here’s how I see it playing out:
1. Zootopia 2
Predicted Gross: $112.4 million (Friday to Sunday); $184.3 million (Wednesday to Sunday)
2. Wicked: For Good
Predicted Gross: $82 million
3. Now You See Me: Now You Don’t
Predicted Gross: $6.2 million
4. Predator: Badlands
Predicted Gross: $4.6 million
5. The Running Man
Predicted Gross: $3.4 million
6. Eternity
Predicted Gross: $3 million (Friday to Sunday); $4.4 million (Wednesday to Sunday)
Box Office Results (November 21-23)
Wicked: For Good may not have completely defied prognostications, but its $147 million debut is second only to A Minecraft Movie for the year. Part 2 of the witchy and wizardly saga didn’t match my $158.1 million call though it managed to outshine the $112.5 million achieved by part 1.
Now You See Me: Now You Don’t dropped to second with $8.9 million, in line with my $9.4 million prediction. The magic themed threequel has made off with $36 million.
Predator: Badlands was third in week 3 with $6.5 million compared to my $5.9 million take. It is up to $76 million overall.
In fourth position, The Running Man stumbled a steep 65% in weekend 2 with $5.7 million (I said $6.7 million) for just $26 million thus far.
Rental Family with Brendan Fraser, despite appreciative reviews and word-of-mouth, was fifth with a ho-hum $3.3 million. That is slightly above my $2.9 million estimate.
Finally, Finnish action sequel Sisu: Road to Revenge was sixth with an unimpressive $2.4 million. I gave it more credit at $4 million.
Wicked: For Good sweeps in to rule the box office and it could compete for 2025’s biggest domestic opening. We also have Finnish action sequel Sisu: Road to Revenge and Japan set dramedy Rental Family making their debuts and you can peruse my detailed prediction posts on the newcomers here:
The second part of Wicked is expected to easily swoosh past the $112 million opening of part 1 last year. The real question is whether it eclipses the $162 million start of A Minecraft Movie which currently holds the record for the year. I have falling just behind.
Sisu: Road to Revenge should manage to top the $3.3 million out of the gate that its predecessor achieved in 2023, but perhaps not by much. My mid single digits projection puts it in fifth.
Rental Family with Oscar winner Brendan Fraser hasn’t been able to generate much buzz despite mostly solid reviews. I have it struggling in sixth place.
Holdovers should populate slots 2-4. Now You See Me: Now You Don’t scored a surprise #1 showing (more on that below). If it drops in range with Now You See Me 2 from nine years ago, it could fall below $10 million for the runner-up spot. The second weekend of The Running Man and third frame of Predator: Badlands could see similar numbers battling for third.
Here’s how I have it shaking out:
1. Wicked: For Good
Predicted Gross: $158.1 million
2. Now You See Me: Now You Don’t
Predicted Gross: $9.4 million
3. The Running Man
Predicted Gross: $6.7 million
4. Predator: Badlands
Predicted Gross: $5.9 million
5. Sisu: Road to Revenge
Predicted Gross: $4 million
6. Rental Family
Predicted Gross: $2.9 million
Box Office Results (November 14-16)
As mentioned, threequel Now You See Me: Now You Don’t easily ruled the charts with a better than anticipated $21 million compared to my $17.1 million prediction. While it’s the lowest opening of the franchise (falling under the original’s $29 million and part two’s $22 million), the #1 posting was an unexpected development.
That’s because many prognosticators, including me, figured The Running Man with Glen Powell might manage bragging rights. Yet the sci-fi remake took in only $16.4 million for second, under my $19.6 million estimate.
Another projection I missed is that I thought Predator: Badlands wouldn’t experience the hefty sophomore decline of other pics in the franchise. However, it plummeted 68% to $12.7 million. I was far more generous at $18.2 million. The two-week tally is still an impressive $66 million.
Regretting You was fourth with $3.7 million and I was higher at $5 million. The four-week take is $44 million.
Black Phone 2 rounded out the top five and I incorrectly didn’t have it there. In its fifth week, it earned $2.6 million to bring its total to $74 million.
Keeper from Osgood Perkins was right behind in sixth with $2.5 million (I said $3.2 million). The horror flick couldn’t attract its intended audience.
Three years after a comeback role in The Whale that won him an Oscar, Brendan Fraser headlines the dramedy Rental Family on November 21st. Hikari directs the apparent crowdpleaser that played the Toronto Film Festival in September. Costars include Takehiro Hira, Mari Yamamoto, Shannon Mahina Gorman, and Akira Emoto.
The Japan set Searchlight release sits at 96% on Rotten Tomatoes. The 66 on Metacritic is a bit more telling. Family was seen by prognosticators as a potential Oscar contender. Its festival debut tamped down those expectations. Awards buzz might’ve helped its box office prospects.
Premiering on approximately 1600 screens, Rental may only see low single digits for starters and hope that word-of-mouth keeps its declines low in subsequent weekends.
Rental Family opening weekend prediction: $2.9 million
All My Life... I Wanted To Be A Blogster 