2022 Oscar Predictions: May 10th Edition

My second round of Oscar predictions in the six biggest races are before you. When I update them next, we’ll be in the midst of the Cannes Film Festival where some of these hopefuls are screening.

As for category placement changes, I’ve moved Jesse Plemons in Killers of the Flower Moon to Supporting Actor from lead. It remains to be seen which contest he’s placed in. If it is supporting, we shall see if it’s him or Robert De Niro that gets the buzz. I’m betting on the latter at press time.

Let’s get into it!

Best Picture

Predicted Nominees:

1. Babylon (Previous Ranking: 1) (E)

2. The Fabelmans (PR: 3) (+1)

3. Killers of the Flower Moon (PR: 2) (-1)

4. Women Talking (PR: 5) (+1)

5. The Son (PR: 4) (-1)

6. Everything Everywhere All at Once (PR: 8) (+2)

7. She Said (PR: 6) (-1)

8. Bardo (PR: 7) (-1)

9. The Whale (PR: 9) (E)

10. Rustin (PR: 10) (E)

Other Possibilities: 

11. Amsterdam (PR: 11) (E)

12. Decision to Leave (PR: Not Ranked)

13. White Noise (PR: 12) (-1)

14. Poor Things (PR: 13) (-1)

15. Avatar: The Way of Water (PR: 17) (+2)

16. Empire of Light (PR: 16) (E)

17. Tar (PR: 14) (-3)

18. Till (PR: 15) (-3)

19. Armageddon Time (PR: 25) (+6)

20. Elvis (PR: 22) (+2)

21. Thirteen Lives (PR: 20) (-1)

22. The Woman King (PR: 23) (+1)

23. Three Thousand Years of Longing (PR: 24) (+1)

24. Don’t Worry Darling (PR: 18) (-6)

25. Next Goal Wins (PR: 19) (-6)

Dropped Out:

The Banshees of Inisherin

Best Director

Predicted Nominees:

1. Damien Chazelle, Babylon (PR: 1) (E)

2. Steven Spielberg, The Fabelmans (PR: 3) (+1)

3. Martin Scorsese, Killers of the Flower Moon (PR: 2) (-1)

4. Sarah Polley, Women Talking (PR: 4) (E)

5. Alejandro Gonzalez Inarritu, Bardo (PR: 5) (E)

Other Possibilities:

6. Dan Kwan and Daniel Scheinert, Everything Everywhere All at Once (PR: 6) (E)

7. Florian Zeller, The Son (PR: 7) (E)

8. Maria Schrader, She Said (PR: 9) (+1)

9. Park Chan-wook, Decision to Leave (PR: Not Ranked)

10. Darren Aronofsky, The Whale (PR: 8) (-2)

11. George C. Wolfe, Rustin (PR: 10) (-1)

12. James Cameron, Avatar: The Way of Water (PR: 12) (E)

13. David O. Russell, Amsterdam (PR: 14) (+1)

14. Yorgos Lanthimos, Poor Things (PR: 11) (-3)

15. Sam Mendes, Empire of Light (PR: 15) (E)

Dropped Out:

Noah Baumbach, White Noise

Best Actress

Predicted Nominees:

1. Margot Robbie, Babylon (PR: 1) (E)

2. Regina King, Shirley (PR: 2) (E)

3. Carey Mulligan, She Said (PR: 4) (+1)

4. Michelle Yeoh, Everything Everywhere All at Once (PR: 3) (-1)

5. Danielle Deadwyler, Till (PR: 5) (E)

Other Possibilities: 

6. Cate Blanchett, Tar (PR: 6) (E)

7. Emma Stone, Poor Things (PR: 9) (+2)

8. Naomi Ackie, I Wanna Dance with Somebody (PR: 8) (E)

9. Olivia Colman, Empire of Light (PR: 7) (-2)

10. Viola Davis, The Woman King (PR: 11) (+1)

11. Laura Dern, The Son (PR: 10) (-1)

12. Florence Pugh, Don’t Worry Darling (PR: 14) (+2)

13. Saoirse Ronan, See How They Run (PR: 13) (E)

14. Ana de Armas, Blonde (PR: Not Ranked)

15. Tilda Swinton, Three Thousand Years of Longing (PR: 15) (E)

Dropped Out:

Greta Gerwig, White Noise 

Best Actor

1. Hugh Jackman, The Son (PR: 2) (+1)

2. Brendan Fraser, The Whale (PR: 1) (-1)

3. Colman Domingo, Rustin (PR: 4) (+1)

4. Leonardo DiCaprio, Killers of the Flower Moon (PR: 3) (-1)

5. Austin Butler, Elvis (PR: 8) (+3)

Other Possibilities:

6. Christian Bale, Amsterdam (PR: 5) (-1)

7. Diego Calva, Babylon (PR: 9) (+2)

8. Gabriel LaBelle, The Fabelmans (PR: 10) (+2)

9. Adam Driver, White Noise (PR: 7) (-2)

10. Daniel Gimenez Cacho, Bardo (PR: 11) (+1)

11. Viggo Mortensen, Thirteen Lives (PR: 12) (+1)

12. Michael Fassbender, Next Goal Wins (PR: 13) (+1)

13. Colin Farrell, The Banshees of Inisherin (PR: 14) (+1)

14. Joaquin Phoenix, Disappointment Blvd. (PR: Not Ranked)

15. Idris Elba, Three Thousand Years of Longing (PR: 15) (E)

Best Supporting Actress

Predicted Nominees:

1. Lily Gladstone, Killers of the Flower Moon (PR: 1) (E)

2. Michelle Williams, The Fabelmans (PR: 2) (E)

3. Zoe Kazan, She Said (PR: 3) (E)

4. Vanessa Kirby, The Son (PR: 4) (E)

5. Jessie Buckley, Women Talking (PR: 5) (E)

Other Possibilities:

6. Hong Chau, The Whale (PR: 6) (E)

7. Jean Smart, Babylon (PR: 7) (E)

8. Whoopi Goldberg, Till (PR: 8) (E)

9. Margot Robbie, Amsterdam (PR: 9) (E)

10. Stephanie Hsu, Everything Everywhere All at Once (PR: Not Ranked)

11. Rooney Mara, Women Talking (PR: Not Ranked)

12. Patricia Clarkson, She Said (PR: 12) (E)

13. Audra McDonald, Rustin (PR: 13) (E)

14. Margaret Qualley, Poor Things (PR: Not Ranked)

15. Thuso Mbedu, The Woman King (PR: 14) (-1)

Dropped Out:

Dakota Johnson, Cha Cha Real Smooth

Sadie Sink, The Whale

Frances McDormand, Women Talking 

Best Supporting Actor

Predicted Nominees:

1. Robert De Niro, Killers of the Flower Moon (PR: 1) (E)

2. Brad Pitt, Babylon (PR: 3) (+1)

3. Paul Dano, The Fabelmans (PR: 2) (-1)

4. Tom Hanks, Elvis (PR: 10) (+6)

5. John David Washington, Amsterdam (PR: 6) (+1)

Other Possibilities:

6. Ke Huy Quan, Everything Everywhere All at Once (PR: 4) (-2)

7. Willem Dafoe, Poor Things (PR: 7) (E)

8. Glynn Turman, Rustin (PR: 5) (-3)

9. Jesse Plemons, Killers of the Flower Moon (PR: Not Ranked – moved from lead Actor)

10. Mark Ruffalo, Poor Things (PR: 9) (-1)

11. Ben Whishaw, Women Talking (PR: 13) (+2)

12. Anthony Hopkins, The Son (PR: 11) (-1)

13. Frankie Faison, Till (PR: 12) (-1)

14. Seth Rogen, The Fabelmans (PR: 8) (-6)

15. Colin Firth, Empire of Light (PR: 15) (E)

Dropped Out:

Don Cheadle, White Noise 

2022 Oscar Predictions: April Edition (Best Actress)

For my first Oscar picks for the 95th Academy Awards, I’ve arrived at Best Actress. If you missed the posts covering the other three acting categories, you can access them here:

2022 Oscar Predictions: April Edition (Best Actor)

2022 Oscar Predictions: April Edition (Best Supporting Actress)

2022 Oscar Predictions: April Edition (Best Supporting Actor)

Obviously release dates and category placements can (and will) change, but I honestly had a tough time whittling this list down to 15 names. Leaving out Jennifer Lawrence (Red, White and Water) and Tilda Swinton (Three Thousand Years of Living) or Florence Pugh (Don’t Worry Darling) seems a bit risky. It’s a sign of how competitive Actress could be for 2022 – just as it was the past two years.

Like with the other derbies, here’s how I see the race playing out nearly a year ahead of time.

TODD’S APRIL 2022 OSCAR PREDICTIONS: BEST ACTRESS

Danielle Deadwyler, Till

Regina King, Shirley

Carey Mulligan, She Said

Margot Robbie, Babylon

Emma Stone, Poor Things

Other Possibilities: 

Naomi Ackie, I Wanna Dance with Somebody

Ana de Armas, Blonde

Cate Blanchett, TAR

Olivia Colman, Empire of Light 

Viola Davis, The Woman King

Laura Dern, The Son

Greta Gerwig, White Noise

Frances McDormand, Women Talking

Saoirse Ronan, See How They Run

Michelle Yeoh, Everything Everywhere All at Once

Best Director is up next!

Deep Water Review

After giving us well-regarded erotic thrillers in the 1980s (9 1/2 Weeks, Fatal Attraction), 90s (Indecent Proposal), and 00s (Unfaithful), Adrian Lyne is back in genre form after 22 years with Deep Water. Unfortunately it’s often as lifeless as the marriage it portrays and even when its central relationship gathers steam in the third act, I still found myself mostly unsatisfied.

Based on a 1957 by Patricia Highsmith (who wrote the novels that became Strangers on a Train and The Talented Mr. Ripley), Water is certainly a cinematic step-down from those pictures. Vic Van Allen (Ben Affleck) doesn’t have much to do in his sleepy small Louisiana town. He’s an early retiree after inventing a chip that powers drones. The political ramifications of his former occupation are glossed over though it seems like the screenwriters wanted to explore it further. He spends his days tending to his pet snails and his precocious daughter (adorably played by Grace Jenkins who gives the most memorable performance).

Her mom is Melinda (Ana de Armas), who is not content being a soccer mom. Vic and Melinda spend their evenings at endless gatherings of their well to do neighbors that include Lil Rel Howery and his muted comic relief and Don (Tracy Letts), a screenwriter looking for inspiration. He may have found it with the Van Allens. Melinda is not shy about flaunting her flirtations and likely sexual dalliances with a string of hunks like the surfer looking Joel (Brendan C. Miller) and ivory tickling Charlie (Jacob Elordi). A previous hookup turned up dead and the townspeople whisper about Vic’s possible involvement. The chatter intensifies when Melinda’s latest conquests follow similar fates.

There’s perhaps some deeper meaning to glean about the nature of suburban marriages and jealousy and my hunch is that it’s found in Highsmith’s source material. It generally isn’t on the screen (or stream in this case since it’s a Hulu release). Instead we get a film where’s little joy in the repetition. Deep Water never quite finds the balance of being a kooky guilty pleasure and an engrossing sexual nail-biter. Occasionally it comes close with the former as Vic bizarrely explains the nutritional dangers of those snails.

Part of the problem is that the leads aren’t given compelling characters to play. Affleck does portray his general malaise with the desired effect while de Armas is saddled with a one-note femme fatale. If she’s supposed to be sympathetic, the writers failed to accomplish that mission. There is a cute moment when their adorable offspring belts out Leo Sayer’s mid 70s tune “You Make Me Feel Like Dancing”. As for Deep Water, it made me feel wistful of an era when these types of exercises were better. Lyne made some of them and this recent proposal falls short of being a decent one.

** (out of four)

Oscar Predictions: Deep Water

Adrian Lyne’s erotic thriller Deep Water was supposed to surface in theaters way back in November 2020 before its COVID delays. It marks the director’s first feature in 20 years since Unfaithful. The multiplex release was scrapped and a year and a half later, it’s slated for a Hulu streaming debut on Friday. The cast includes former couple Ben Affleck and Ana de Armas along with Tracy Letts, Lil Rel Howery, Dash Mihok, Finn Wittrock, and Kristen Connolly.

The embargo is up. Some critics have called it a worthy throwback to 80s/90s era psychosexual dramas. Others aren’t as kind as evidenced by the 47% Rotten Tomatoes rating.

Lyne’s previous efforts have yielded awards attention. 1983’s Flashdance garnered 4 down the line nominations with a win for that title song. 1987’s Fatal Attraction nabbed six including Picture, Actress (Glenn Close), and Supporting Actress (Anne Archer). Diane Lane received a Best Actress mention for the aforementioned Unfaithful two decades back.

So it’s not unreasonable to think of Lyne’s work as Oscar bait. It just won’t happen here as Water‘s critical reaction won’t give this any oxygen. My Oscar Prediction posts will continue…

No Time to Die Review

The five film run of Daniel Craig as perhaps the world’s most famous cinematic character comes to a close in No Time to Die, the 25th feature in the nearly 60-year-old 007 franchise. It began 15 years ago with Casino Royale, which I list at #2 in the canon behind only From Russia with Love (Sean Connery’s second entry).

For those who think the dedicated team behind the series have no time for surprises, be prepared. Like the midsection poker sequence in Royale that stands as one of the finest in Bond history, there’s times where they go all in. There’s also moments that harken back to the Roger Moore days and, in this case, I mean it as a compliment. By the time we reached Craig’s third and deservedly praised Skyfall in 2012, the pics had achieved a level of seriousness that risked becoming too dour.

Despite its considerable flaws, 2015’s follow-up Spectre thankfully remembered that the action and plots in this cinematic universe can be silly. 007’s 25th adventure isn’t afraid to display that. The threat to the world here involves passing a weaponized virus only through that individual’s DNA and those related to them. It’s a little ridiculous and I once again mean that in a good way.

This is not quite the triumph that Casino Royale was. In fact, I’d also rank this a smidge behind Skyfall. The villain is not particularly memorable. Like all Craig films that followed the first, no romantic entanglement will rival the one he had with Eva Green’s Vesper Lynd. Yet Die achieves the unlikely feat of bringing those fun Moore elements dashed with Timothy Dalton’s more weighty tone. The result is that Craig’s time as the super spy (the longest in terms of actual time but not volume of titles) is easily the most satisfying since Sean Connery’s.

From the jump, we realize Die is going to be a little different. The pre-title sequence begins with a franchise first: an eerie and gorgeously rendered flashback that sheds light on the childhood of Madeleine Swann. As you may recall, she’s Bond’s love interest from Spectre played by Lea Seydoux. Her connections to that criminal enterprise led by Blofeld (Christoph Waltz) is expanded upon. In the present day, James and Madeleine are making a romantic go of it. A visit to Vesper’s tomb disrupts both their safety and Bond’s trust in his current relationship.

This all occurs in the lengthy prologue before we hear Billie Eilish’s title cut. Let’s dispense with that. Ms. Eilish has some quality tunes, but her contribution is forgettable and not the kind of Bond tune you’ll be humming leaving the theater or rushing to download for the ride back.

In the serialized fashion we’ve come to expect from Craig’s tenure (something unique only to his), we jump five years to Bond in retirement. And (gasp) he’s no longer 007. MI6 is still going strong but relations with their U.S. counterparts are strained. It’s not the new 007 (Lashana Lynch) or M (Ralph Fiennes) or even his beloved Moneypenny (Naomie Harris) or Q (Ben Whishaw) that convince Bond to emerge from his Jamaican R&R. Felix Leiter (Jeffrey Wright), along with a new eager associate (Billy Magnussen), recruit him for a mission that involves dismantling SPECTRE. Bond hooks up (not literally as Bond’s libido seems to be catching up with his age) with another agent (Ana de Armas) to do so. This culminates in a wonderfully fabulous and bizarre action set piece in Cuba.

All this activity soon puts James in the same space with Madeline again and with Blofeld. And we soon meet Safin (Rami Malek), the head baddie with his own troubled history with the criminal organization. I won’t wax rhapsodic about Safin as I mentioned he’s a pretty weak villain. On the other hand, No Time to Die is not really focused on his story. This Bond story, more than any other besides Skyfall, is really about Bond. That gives us one more opportunity to soak in Craig’s terrific performance that’s spanned this quintet. One could argue the series goes too far in making it all about him. With Craig in control, you’ll hear few complaints from me (heck even Quantum of Solace had some cool stuff in it).

No Time to Die has Cary Fukunaga taking over directorial duties from Sam Mendes, who helmed the previous two. He presides over some amazing looking chases and battles that rank right at the top of what we’ve seen previously. On a slightly contradictory note, there’s one during the climax that was a little too video game oriented for my taste. The screenwriters (with an assist from Phoebe Waller-Bridge) also remember to bring the humor. As much as Safin isn’t much of a memorable character, he does get a moment with a toddler that left me chuckling for a good minute or two after their interaction. The makers also don’t forget that these pictures can be quite weird in their production design. Safin’s Poison Garden is a glorious example.

Additionally, the team isn’t afraid to bring a rare level of emotion to the proceedings. However, it’s not that out of place for Craig’s service. We witnessed a love story in Casino Royale that went beyond his typical dalliances. His connection to Judi Dench’s M (particularly in Skyfall) went far deeper than the same character giving James his orders in the past. In No Time to Die, Mr. Craig’s mission involves the striking visuals that we’re used to. What’s different is that over the five adventures connected to each other, I felt like these missions developed a familial bond that shook the foundation of a franchise in a stirring fashion.

***1/2 (out of four)

Oscar Predictions: No Time to Die

The 15 year era of Daniel Craig as one of cinema’s most famous characters concludes with No Time to Die. James Bond will return… but not with arguably his best incarnation since Sean Connery. Prior to the October 8 stateside bow, the embargo lifted this evening and the results are encouraging.

007’s 25th adventure stands at 89% on Rotten Tomatoes (with 35 reviews out at press time). Many critics are calling it a surprisingly emotional swan song for Craig’s contribution to the British super spy series. There’s also hints that it resembles more of the Roger Moore era of the canon than one might expect (a direction it seemed to be taking with predecessor Spectre). Ana de Armas is drawing raves for her very short amount of screen time. The consensus on Rami Malek’s main villain seems a bit mixed. There’s some complaints about the length (a Bond high 163 minutes).

Yet no one seems to be arguing that it’s a rather fitting conclusion to Craig’s tenure in the part. So will Oscar take notice? Skyfall, the third pic in the actor’s five appearances, probably came close to a Best Picture nod. It did earn five nominations – winning Sound Editing and Original Song (Adele’s title track) with mentions in Sound Mixing, Score, and Cinematography. 2015’s follow-up Spectre (which had less laudatory reviews) managed a sole nomination in Song with Sam Smith’s “The Writing’s on the Wall” where it scored an upset victory.

I wouldn’t be shocked if an internet campaign is mounted for Craig to get a Best Actor slot (kind of as a tribute to the whole run). It’s highly unlikely to materialize. I do believe Die will make it three in a row for the songs with Billie Eilish’s title tune work. Whether she wins is a question mark (Beyonce has a ditty from King Richard that might serve as its main competition). Cinematography and Sound are two other feasible possibilities.

Bottom line: while I don’t foresee this factoring into the biggest races, tech and musical recognition could be coming its way. My Oscar Prediction posts for the films of 2021 will continue…

No Time to Die Box Office Prediction

***Blogger’s Note Part III (10/06): I have revised my No Time to Die prediction from $104.1 million down to $94.1 million, which would still set a COVID era record.

***Blogger’s Note Part II (10/03): With the news that Venom: Let There Be Carnage has grossed approximately $90 million out of the gate, it’s go big or go home for No Time to Die! I’m re-upping my estimate from $84.1 million to a COVID era best $104.1 million***

**Blogger’s Note (10/01): A week before its stateside premiere, I have decided to significantly increase my prediction (partly due to the apparent over performance of Venom: Let There Be Carnage). I’m going from $72.1 million to $84.1 million**

Ladies and gentlemen, the second frame of October finally marks the weekend for Daniel Craig’s swan song as 007 in No Time to Die. The 25th official entry in the James Bond franchise was gearing up for release in April of 2020 (Billie Eilish’s title track had already dropped) when COVID scuttled the plans. It experienced several more delays before at last settling on October 8. Craig is back for his fifth and final appearance along with series returnees Lea Seydoux, Ralph Fiennes, Naomie Harris, Ben Whishaw, Jeffrey Wright, Rory Kinnear, and Christoph Waltz. On the job for the first time are Rami Malek as the main villain, Lashana Lynch, Craig’s Knives Out costar Ana de Armas, and Billy Magnussen.

Anticipation is certainly present with the culmination of Mr. Craig’s service as the British super spy – one rivaled by only Sean Connery. He’s actually had the longest run as the character in terms of time, though not actual volume of pictures. It seems like eons since moviegoers have had their Bond fix. With the frequent pushbacks, the just shy of a six-year wait is the second lengthiest break between 007 adventures (beaten by the sabbatical of 1989’s Licence to Kill and 1995’s Goldeneye at nearly six and a half years).

Fifteen years ago, Craig defied expectations with the critically acclaimed Casino Royale. It made $40 million for its start but legged out very impressively. Sequel (and it was the first true Bond sequel) Quantum of Solace debuted two years later with $67 million. 2012’s Skyfall marked a high point at the box office as it grossed over a billion dollars worldwide. The premiere stateside is a series best $88 million. Three years later, Spectre kicked off with $70 million.

So where will this golden era of 007 culminate in terms of opening weekend? There’s certainly a range of possibilities. First things first: it will have no trouble eclipsing what Craig’s first foray achieved a decade and a half ago. I do believe the COVID times will prevent the record setting starting number of Skyfall managed (but you never know). It’s hard to totally factor in the excitement for its star’s last go-round. A video of Craig bidding adieu to his costars and crew has been widely circulated on social media in recent weeks.

My hunch is that a premiere in the range of Quantum and Spectre is most likely stateside (I’m sure its overseas haul will be massive). I’m tempted to say a low to mid 60s gross just under them could occur. However, I’ll err on the side of over performance and project low to mid 70s. (PER ABOVE: I have increased estimate from $72.1M to $84.1M to $104.1 million)

No Time to Die opening weekend prediction: $94.1 million

Early 2021 Oscar Predictions: Best Actress

Last year’s Best Actress race was one of the most unpredictable and competitive in ages. Five different performers took the Oscar, Golden Globes (since they split between Drama and Musical/Comedy), SAG, and Critics Choice Award.

And, while it’s very early, 2021 appears that it could be a humdinger of a contest yet again. This is the final acting derby I am doing projections on in these initial forecasts. By far, Best Actress was the hardest one to whittle down and there were even potential contenders beyond the 15 listed that I believe could easily get into the mix.

Speaking of those earlier posts, you can peruse them here if you didn’t catch  them:

Early 2021 Oscar Predictions: Best Actor

Early 2021 Oscar Predictions: Best Supporting Actress

Early 2021 Oscar Predictions: Best Supporting Actor

When I did my inaugural 2020 posts in Actress, I correctly identified 2 of the 5 eventual nominees: winner Frances McDormand (Nomadland) and Viola Davis (Ma Rainey’s Black Bottom). Carey Mulligan was named in Other Possibilities while I did not yet call out Andra Day (The United States vs. Billie Holiday) or Vanessa Kirby (Pieces of a Woman).

Let’s get to the hopefuls for 2021!

EARLY OSCAR PREDICTIONS: BEST ACTRESS

Penelope Cruz, Parallel Mothers

Ana de Armas, Blonde

Lady Gaga, House of Gucci

Jennifer Hudson, Respect

Frances McDormand, The Tragedy of Macbeth

Other Possibilities:

Jessica Chastain, The Eyes of Tammy Faye

Emilia Jones, CODA

Nicole Kidman, Being the Ricardos

Jennifer Lawrence, Don’t Look Up

Thomasin McKenzie, Last Night in Soho

Renate Reinsve, The Worst Person in the World

Margot Robbie, Canterbury Glass

Kristen Stewart, Spencer

Alicia Vikander, Blue Bayou

Rachel Zegler, West Side Story

Best Director is next up!

2019 Oscar Predictions: January 6th Edition

There are years when the Golden Globes don’t seem to have much of an impact on my Oscar predictions. That could still hold true at the end of the day, but last night’s ceremony did so and that especially applies to the Best Actor derby and my numeric rankings in general with other top races. Let us count the ways…

  • The surprising wins for 1917 as Best Drama and Sam Mendes as its director is a real story. The timing could not be more perfect as the World War I action drama opens wide this weekend. In Picture, it rises from 5th to 4th. For Mendes, he goes from 4th to 3rd and that’s at the expense of Martin Scorsese.
  • Joaquin Phoenix hits the #1 slot in the ultra competitive Best Actor competition over Adam Driver, who’s been first for many weeks. Perhaps more significantly, Taron Egerton’s victory over Leonardo DiCaprio and Eddie Murphy in the Musical/Comedy race at the Globes places in my predicted five for the first time (he goes from 10th to 5th!). I’ve also put Antonio Banderas back in and that means Robert De Niro and Jonathan Pryce are on the outside looking in.
  • In Original Screenplay, Quentin Tarantino vaults to #1 over Noah Baumbach.

And an important programming note… this is the last time you will see my weekly predictions for 2019 in this manner. With nominations out a week from today, I will have a FINAL predictions post up this weekend (likely Friday or perhaps Saturday). As of this moment, here’s how I have it all shaking out!

Best Picture

Predicted Nominees:

1. Once Upon a Time in Hollywood (Previous Ranking: 1)

2. Parasite (PR: 3)

3. The Irishman (PR: 2)

4. 1917 (PR: 5)

5. Marriage Story (PR: 4)

6. Joker (PR: 7)

7. Jojo Rabbit (PR: 6)

8. Ford v Ferrari (PR: 8)

9. Little Women (PR: 9)

Other Possibilities:

10. The Farewell (PR: 12)

11. Bombshell (PR: 11)

12. The Two Popes (PR: 10)

13. Knives Out (PR: 14)

14. Uncut Gems (PR: 15)

15. Pain and Glory (PR: 13)

Best Director

Predicted Nominees:

1. Bong Joon-Ho, Parasite (PR: 1)

2. Quentin Tarantino, Once Upon a Time in Hollywood (PR: 2)

3. Sam Mendes, 1917 (PR: 4)

4. Martin Scorsese, The Irishman (PR: 3)

5. Noah Baumbach, Marriage Story (PR: 5)

Other Possibilities:

6. Todd Phillips, Joker (PR: 6)

7. Greta Gerwig, Little Women (PR: 9)

8. James Mangold, Ford v Ferrari (PR: 7)

9. Taika Waititi, Jojo Rabbit (PR: 8)

10. Pedro Almodovar, Pain and Glory (PR: 10)

Best Actor

Predicted Nominees:

1. Joaquin Phoenix, Joker (PR: 2)

2. Adam Driver, Marriage Story (PR: 1)

3. Leonardo DiCaprio, Once Upon a Time in Hollywood (PR: 3)

4. Antonio Banderas, Pain and Glory (PR: 6)

5. Taron Egerton, Rocketman (PR: 10)

Other Possibilities:

6. Robert De Niro, The Irishman (PR: 4)

7. Jonathan Pryce, The Two Popes (PR: 5)

8. Christian Bale, Ford v Ferrari (PR: 7)

9. Adam Sandler, Uncut Gems (PR: 9)

10. Eddie Murphy, Dolemite Is My Name (PR: 8)

Best Actress

Predicted Nominees:

1. Renee Zellweger, Judy (PR: 1)

2. Scarlett Johansson, Marriage Story (PR: 2)

3. Charlize Theron, Bombshell (PR: 3)

4. Cynthia Erivo, Harriet (PR: 4)

5. Saoirse Ronan, Little Women (PR: 5)

Other Possibilities:

6. Awkwafina, The Farewell (PR: 6)

7. Lupita Nyong’o, Us (PR: 7)

8. Mary Kay Place, Diane (PR: 10)

9. Alfre Woodard, Clemency (PR: 8)

10. Ana de Armas, Knives Out (PR: 9)

Best Supporting Actor

Predicted Nominees:

1. Brad Pitt, Once Upon a Time in Hollywood (PR: 1)

2. Al Pacino, The Irishman (PR: 2)

3. Joe Pesci, The Irishman (PR: 3)

4. Tom Hanks, A Beautiful Day in the Neighborhood (PR: 4)

5. Anthony Hopkins, The Two Popes (PR: 5)

Other Possibilities:

6. Song Kang-Ho, Parasite (PR: 7)

7. Jamie Foxx, Just Mercy (PR: 6)

8. Willem Dafoe, The Lighthouse (PR: 8)

9. Alan Alda, Marriage Story (PR: 10)

10. Shia LaBeouf, Honey Boy (PR: 9)

Best Supporting Actress

Predicted Nominees:

1. Laura Dern, Marriage Story (PR: 1)

2. Jennifer Lopez, Hustlers (PR: 2)

3. Margot Robbie, Bombshell (PR: 3)

4. Scarlett Johansson, Jojo Rabbit (PR: 4)

5. Florence Pugh, Little Women (PR: 5)

Other Possibilities:

6. Nicole Kidman, Bombshell (PR: 6)

7. Shuzhen Zhao, The Farewell (PR: 7)

8. Annette Bening, The Report (PR: 8)

9. Kathy Bates, Richard Jewell (PR: 9)

10. Thomasin McKenzie, Jojo Rabbit (PR: 10)

Best Adapted Screenplay

Predicted Nominees:

1. The Irishman (PR: 1)

2. Jojo Rabbit (PR: 2)

3. Little Women (PR: 3)

4. Joker (PR: 5)

5. The Two Popes (PR: 4)

Other Possibilities:

6. A Beautiful Day in the Neighborhood (PR: 6)

7. Hustlers (PR: 7)

8. Just Mercy (PR: 8)

9. Dark Waters (PR: 10)

10. Richard Jewell (PR: 9)

Best Original Screenplay

Predicted Nominees:

1. Once Upon a Time in Hollywood (PR: 2)

2. Marriage Story (PR: 1)

3. Parasite (PR: 3)

4. The Farewell (PR: 4)

5. Knives Out (PR: 5)

Other Possibilities:

6. 1917 (PR: 7)

7. Uncut Gems (PR: Not Ranked)

8. Pain and Glory (PR: 6)

9. Ford v Ferrari (PR: 8)

10. Bombshell (PR: 9)

Dropped Out:

Dolemite Is My Name

Best International Feature Film

Predicted Nominees:

1. Parasite (PR: 1)

2. Pain and Glory (PR: 2)

3. Les Miserables (PR: 3)

4. Corpus Christi (PR: 6)

5. Atlantics (PR: 4)

Other Possibilities:

6. Beanpole (PR: 7)

7. Those Who Remained (PR: 9)

8. The Painted Bird (PR: 5)

9. Honeyland (PR: 8)

10. Truth and Justice (PR: 10)

Best Animated Feature Film

Predicted Nominees:

1. Toy Story 4 (PR: 1)

2. Frozen II (PR: 2)

3. How to Train Your Dragon: The Hidden World (PR: 3)

4. I Lost My Body (PR: 4)

5. Missing Link (PR: 5)

Other Possibilities:

6. Funan (PR: 9)

7. Klaus (PR: 6)

8. Weathering with You (PR: 8)

9. Abominable (PR: 7)

10. Bunuel in the Labyrinth of the Turtles (PR: 10)

Best Documentary Feature

Predicted Nominees:

1. American Factory (PR: 1)

2. For Sama (PR: 3)

3. Apollo 11 (PR: 2)

4. One Child Nation (PR: 4)

5. Honeyland (PR: 5)

Other Possibilities:

6. The Cave (PR: 6)

7. Midnight Family (PR: 9)

8. Maiden (PR: Not Ranked)

9. The Biggest Little Farm (PR: 7)

10. The Edge of Democracy (PR: 8)

Dropped Out:

Knock Down the House 

Best Cinematography

Predicted Nominees:

1. 1917 (PR: 1)

2. Once Upon a Time in Hollywood (PR: 2)

3. Joker (PR: 4)

4. The Irishman (PR: 3)

5. Portrait of a Lady on Fire (PR: 8)

Other Possibilities:

6. Ford v Ferrari (PR: 7)

7. The Lighthouse (PR: 6)

8. Parasite (PR: 5)

9. Little Women (PR: Not Ranked)

10. Marriage Story (PR: 9)

Dropped Out:

A Hidden Life 

Best Costume Design

Predicted Nominees:

1. Once Upon a Time in Hollywood (PR: 1)

2. Little Women (PR: 2)

3. Dolemite Is My Name (PR: 3)

4. Rocketman (PR: 4)

5. Downton Abbey (PR: 5)

Other Possibilities:

6. The Irishman (PR: 7)

7. Joker (PR: 8)

8. Jojo Rabbit (PR: 9)

9. Judy (PR: 6)

10. The Aeronauts (PR: 10)

Best Film Editing

Predicted Nominees:

1. Ford v Ferrari (PR: 1)

2. The Irishman (PR: 2)

3. Once Upon a Time in Hollywood (PR: 3)

4. Marriage Story (PR: 4)

5. Parasite (PR: 5)

Other Possibilities:

6. Joker (PR: 6)

7. 1917 (PR: 7)

8. Uncut Gems (PR: Not Ranked)

9. Jojo Rabbit (PR: 8)

10. Little Women (PR: Not Ranked)

Dropped Out:

Bombshell

Apollo 11

Best Makeup and Hairstyling

Predicted Nominees:

1. Bombshell (PR: 1)

2. Judy (PR: 3)

3. Joker (PR: 2)

4. Rocketman (PR: 5)

5. Once Upon a Time in Hollywood (PR: 4)

Other Possibilities:

6. Maleficent: Mistress of Evil (PR: 7)

7. Dolemite Is My Name (PR: 6)

8. 1917 (PR: 10)

9. Little Women (PR: 8)

10. Downton Abbey (PR: 9)

Best Original Score

Predicted Nominees:

1. 1917 (PR: 1)

2. Joker (PR: 2)

3. Marriage Story (PR: 4)

4. Little Women (PR: 3)

5. Star Wars: The Rise of Skywalker (PR: 6)

Other Possibilities:

6. Ford v Ferrari (PR: 5)

7. Motherless Brooklyn (PR: 7)

8. Jojo Rabbit (PR: 8)

9. The King (PR: Not Ranked)

10. Avengers: Endgame (PR: 9)

Dropped Out:

Pain and Glory

Best Original Song

Predicted Nominees:

1. “Into the Unknown” from Frozen II (PR: 1)

2. “(I’m Gonna) Love Me Again” from Rocketman (PR: 2)

3. “Glasgow” from Wild Rose (PR: 4)

4. “Spirit” from The Lion King (PR: 5)

5. “Stand Up” from Harriet (PR: 3)

Other Possibilities:

6. “A Glass of Soju” from Parasite (PR: 7)

7. “Daily Battles” from Motherless Brooklyn (PR: 6)

8. “Letter to My Godfather” from The Black Godfather (PR: Not Ranked)

9. “I’m Standing with You” from Breakthrough (PR: 9)

10. “I Can’t Let You Throw Yourself Away” from Toy Story 4 (PR: 8)

Dropped Out:

“Speechless” from Aladdin 

Best Production Design

Predicted Nominees:

1. Once Upon a Time in Hollywood (PR: 1)

2. The Irishman (PR: 2)

3. Little Women (PR: 3)

4. 1917 (PR: 5)

5. Jojo Rabbit (PR: 7)

Other Possibilities:

6. Parasite (PR: 4)

7. Joker (PR: 6)

8. The Two Popes (PR: 10)

9. Downton Abbey (PR: 8)

10. Knives Out (PR: Not Ranked)

Dropped Out:

Ford v Ferrari 

Best Sound Editing

Predicted Nominees:

1. 1917 (PR: 1)

2. Ford v Ferrari (PR: 2)

3. Star Wars: The Rise of Skywalker (PR: 3)

4. Avengers: Endgame (PR: 4)

5. Ad Astra (PR: 8)

Other Possibilities:

6. Rocketman (PR: 5)

7. Once Upon a Time in Hollywood (PR: 6)

8. Joker (PR: 7)

9. The Irishman (PR: 9)

10. Us (PR: 10)

Best Sound Mixing

Predicted Nominees:

1. 1917 (PR: 1)

2. Ford v Ferrari (PR: 2)

3. Rocketman (PR: 4)

4. Star Wars: The Rise of Skywalker (PR: 6)

5. Avengers: Endgame (PR: 3)

Other Possibilities:

6. Once Upon a Time in Hollywood (PR: 5)

7. Ad Astra (PR: 7)

8. Joker (PR: 8)

9. The Irishman (PR: 9)

10. Us (PR: 10)

Best Visual Effects

Predicted Nominees:

1. The Lion King (PR: 1)

2. Avengers: Endgame (PR: 2)

3. The Irishman (PR: 4)

4. Star Wars: The Rise of Skywalker (PR: 3)

5. 1917 (PR: 5)

Other Possibilities:

6. Gemini Man (PR: 7)

7. Alita: Battle Angel (PR: 6)

8. Terminator: Dark Fate (PR: 8)

9. Captain Marvel (PR: 9)

10. Cats (PR: 10)

And that equates to these pictures garnering the following numbers for nominations:

10 Nominations

Once Upon a Time in Hollywood

9 Nominations

The Irishman

8 Nominations

1917, Marriage Story

7 Nominations

Little Women

6 Nominations

Joker

5 Nominations

Parasite, Rocketman 

4 Nominations

Ford v Ferrari, Jojo Rabbit, Star Wars: The Rise of Skywalker

3 Nominations

Avengers: Endgame, Bombshell

2 Nominations

Frozen II, Harriet, Judy, The Lion King, Pain and Glory, The Two Popes

1 Nomination

A Beautiful Day in the Neighborhood, Ad Astra, American Factory, Apollo 11, Atlantics, Corpus Christi, Dolemite Is My Name, Downton Abbey, The Farewell, For Sama, Honeyland, How to Train Your Dragon: The Hidden World, Hustlers, I Lost My Body, Knives Out, Les Miserables, Missing Link, One Child Nation, Portrait of a Lady on Fire, Toy Story 4, Wild Rose

2019 Golden Globe Final Predictions – WINNERS

With the exception of two or three categories, the only thing that seems certain for Sunday night’s Golden Globe Awards is that host Ricky Gervais will say something to upset people. With questions about who and what will emerge victorious this awards season, there is plenty of drama to go with the music and comedy this weekend.

While I spend a lot of time prognosticating the Oscars on this blog, I only did one post estimating what the Hollywood Foreign Press gave us for consideration. And now it’s time to predict the winners.

First, a quick Globes 101. This ceremony splits the lead acting races and pictures into Drama and Musical or Comedy. They do not split screenplay into Adapted or Original like the Academy does. Furthermore, unlike the Oscars, foreign pictures are nominated only in that race and are not eligible for the two top Picture categories.

This creates a fascinating dynamic Sunday evening as Oscar’s likely top three potential Best Picture winners (The Irishman, Once Upon a Time in Hollywood, Parasite) are all in different races. Bottom line: the Globes could be more helpful in pointing out what direction Academy voters may go in the acting derbies. We shall see…

Here goes as I break down each competition with analysis and a winner pick:

Best Motion Picture – Drama

The Nominees: 1917, The Irishman, Joker, Marriage Story, The Two Popes

Analysis: Of the three motion picture races, this is the one I feel least confident about. In 2018, the HFPA went with a giant blockbuster and a surprise with Bohemian Rhapsody. If they go this route again, you can expect Joker to be the victor. After all, 1917 hasn’t even opened wide yet (it could sneak a win too) and the other three are Netflix releases. This ultimately serves as the first major test for The Irishman as it moves through awards season. I’ll give it the edge, but not my much.

PREDICTED WINNER – THE IRISHMAN

Alternate – Joker

Best Motion Picture – Musical or Comedy

The Nominees: Dolemite Is My Name, Jojo Rabbit, Knives Out, Once Upon a Time in Hollywood, Rocketman

Analysis: Some simple math here as Hollywood is the only nominee that also scored a nod for its director. That bodes well and this is the clear frontrunner.

PREDICTED WINNER – ONCE UPON A TIME IN HOLLYWOOD

Alternate – Rocketman

Best Director

The Nominees: Bong Joon-Ho (Parasite), Sam Mendes (1917), Todd Phillips (Joker), Martin Scorsese (The Irishman), Quentin Tarantino (Once Upon a Time in Hollywood)

Analysis: This could certainly come down to Scorsese vs. Tarantino. Yet Sunday could be the beginning of a huge run for Joon-Ho picking up directing honors. I think that’s what happens.

PREDICTED WINNER – BONG JOON-HO

Alternate – Quentin Tarantino

Best Actor – Drama

The Nominees: Christian Bale (Ford v Ferrari), Antonio Banderas (Pain and Glory), Adam Driver (Marriage Story), Joaquin Phoenix (Joker), Jonathan Pryce (The Two Popes)

Analysis: The Driver vs. Phoenix battle begins with the Globes. Joker did extremely well with Globes voters and this race probably represents its best chance for a victory. Driver is quite viable, but I’m going Phoenix.

PREDICTED WINNER – JOAQUIN PHOENIX

Alternate – Adam Driver

Best Actress – Drama

The Nominees: Cynthia Erivo (Harriet), Scarlett Johansson (Marriage Story), Saoirse Ronan (Little Women), Charlize Theron (Bombshell), Renee Zellweger (Judy)

Analysis: In what could absolutely be the Oscar final five, Zellweger’s work as the iconic Judy Garland seems like the type of performance HFPA will eat up. Johansson and Theron are threats, but this could be the first of a couple more Zellweger podium walks.

PREDICTED WINNER – RENEE ZELLWEGER

Alternate – Scarlett Johansson

Best Actor – Musical or Comedy

The Nominees: Daniel Craig (Knives Out), Roman Griffin Davis (Jojo Rabbit), Leonardo Dicaprio (Once Upon a Time in Hollywood), Taron Egerton (Rocketman), Eddie Murphy (Dolemite Is My Name)

Analysis: For Craig and Davis, it’s an honor to be nominated as this is a three person race. Both Egerton and DiCaprio should pick up significant votes and I’m awfully tempted to go Leo. However, Murphy’s acclaimed performance and his legendary status (especially coming so soon after his SNL return) could be irresistible to the HFPA.

PREDICTED WINNER – EDDIE MURPHY

Alternate – Leonardo DiCaprio

Best Actress – Musical or Comedy

The Nominees: Ana de Armas (Knives Out), Awkwafina (The Farewell), Cate Blanchett (Where’d You Go Bernadette), Beanie Feldstein (Booksmart), Emma Thompson (Late Night)

Analysis: Awkwafina is really the only player here with an Oscar shot so she’s a strong frontrunner. It’s pretty much that simple. I’d say de Armas is the only upset possibility and it’s rather slim.

PREDICTED WINNER – AWKWAFINA

Alternate – Ana de Armas

Best Supporting Actor

The Nominees: Tom Hanks (A Beautiful Day in the Neighborhood), Anthony Hopkins (The Two Popes), Al Pacino (The Irishman), Joe Pesci (The Irishman), Brad Pitt (Once Upon a Time in Hollywood)

Analysis: What a list of legends we have here as Pacino and Pesci may split votes and that paves the way for Pitt. Expect this to be a familiar refrain.

PREDICTED WINNER – BRAD PITT

Alternate – Joe Pesci

Best Supporting Actress

The Nominees: Kathy Bates (Richard Jewell), Annette Bening (The Report), Laura Dern (Marriage Story), Jennifer Lopez (Hustlers), Margot Robbie (Bombshell)

Analysis: The smart money is on Lopez, who’s had a remarkable comeback in 2019. I may regret this, but I’m going with a gut feeling that Dern takes it and that may represent the only win for Marriage Story of its six nods.

PREDICTED WINNER – LAURA DERN

Alternate – Jennifer Lopez

Best Screenplay

The Nominees: The Irishman, Marriage Story, Once Upon a Time in Hollywood, Parasite, The Two Popes

Analysis: The only entry here I don’t see with a fair shot of winning is Popes. This is a coin flip situation. Despite what I just said about Dern, Marriage could absolutely win. The Parasite love could extend here and same with Irishman. Tough one, but I’ll give Tarantino the edge (especially since I’m betting against him in Director).

PREDICTED WINNER – ONCE UPON A TIME IN HOLLYWOOD

Alternate – Marriage Story

Best Foreign Language Film

The Nominees: The Farewell, Les Miserables, Pain and Glory, Parasite, Portrait of a Lady on Fire

Analysis: All five pics have their ardent admirers, but here’s the deal. If Parasite doesn’t win, it would constitute the biggest upset of the evening. Not happening.

PREDICTED WINNER – PARASITE

Alternate – umm… let’s say Pain and Glory

Best Animated Feature Film

The Nominees: Frozen II, How to Train Your Dragon: The Hidden World, The Lion King, Missing Link, Toy Story 4

Analysis: Disney has 60% of the nominees here, including that rather shocking Lion King inclusion. I wouldn’t totally count out Dragon, but Pixar should get the glory.

PREDICTED WINNER – TOY STORY 4

Alternate – How to Train Your Dragon: The Hidden World

Best Orignal Score

The Nominees: 1917, Joker, Little Women, Marriage Story, Motherless Brooklyn

Analysis: This one isn’t easy as just Brooklyn seems unlikely to get it. I’ll give Thomas Newman (1917) a small advantage over cousin Randy (Marriage Story), Alexandre Desplat (Women), and Hildur Guonadottir (Joker).

PREDICTED WINNER – 1917

Alternate – Little Women

Best Original Song

The Nominees: “Beautiful Ghosts” from Cats, “(I’m Gonna) Love Me Again” from Rocketman, “Into the Unknown” from Frozen II, “Spirit” from The Lion King, “Stand Up” from Harriet

Analysis: Never count out Disney with the ballad from Frozen II, but the general consensus is it’s no “Let It Go”. There’s some serious heavy hitters here with Beyonce, Taylor Swift, and Elton John in the mix. HFPA might want to see Elton onstage.

PREDICTED WINNER – “(I’M GONNA) LOVE ME AGAIN” FROM ROCKETMAN

Alternate – “Into the Unknown” from Frozen II

So this means I’m predicting the Globes spread it around with the following winner counts:

3 Wins

Once Upon a Time in Hollywood

2 Wins

Parasite

1 Win

1917, Dolemite Is My Name, The Farewell, The Irishman, Joker, Judy, Marriage Story, Rocketman, Toy Story 4

I’ll have a recap of the show up Sunday night with my results!