Best Picture 2016: The Final Five


We have reached 2016 in my posts speculating on a specific piece of Oscar history. As awards followers are aware, 2009 saw the Academy expand the Best Picture category from five movies to ten. That lasted for two years and in 2011, it switched to anywhere from 5-10 with 8 or 9 as the magic numbers for several years. In 2021, the number reverted back to a set ten.

What if that hadn’t happened? What if the BP derby had stayed at a quintet? What pictures would have made the cut? If you missed my write-ups centered on 2009-15, you can peruse them here:

We know one thing for sure – Moonlight from Barry Jenkins is in. As you may recall, it had to wait a tad longer to win Best Picture when an envelope mishap caused Warren Beatty and Faye Dunaway to wrongly proclaim La La Land as the voters choice.

As for the 8 other hopefuls (including La La), here’s my take on which half of them would have made the dance.

Arrival

Denis Villeneuve’s sci-fi drama tied Moonlight for the second most nods at 8. In addition to BP, the director and adapted screenplay were nominated along with tech mentions in Sound Editing (where it won), Sound Mixing, Production Design, Cinematography, and Editing. On the flip side, star Amy Adams was omitted in Best Actress. It stands as one of the most surprising acting snubs of the past decade.

Does It Make the Final Five?

No, but I’ll admit I went back and forth here. There’s certainly an argument to be made that it gets in due to the high number of nominations. However, the Actress snub and it not making the Golden Globe five for Drama make me more comfortable leaving it out. **As a side note – I didn’t let my personal take on it interfere as it’s probably my favorite picture of 2016.

Fences

Denzel Washington starred and directed this adaptation of the August Wilson play. Washington landed an Actor nom while costar Viola Davis won Supporting Actress. The Adapted Screenplay was also up.

Does It Make the Final Five?

No. Had it materialized in Director, I might think twice but this was probably 7th at best of the nine contenders.

Hacksaw Ridge

Mel Gibson made a filmmaking comeback in the World War II drama. He was up for his direction and Andrew Garfield earned a Best Actor spot. It won Sound Mixing and Film Editing and was up for Sound Editing.

Does It Make the Final Five?

Yes. Despite its screenplay not being mentioned, the Editing victory puts it in for me. In the 21st century, the winner of the race has missed BP exactly once (2011’s The Girl with the Dragon Tattoo).

Hell or High Water

Taylor Sheridan is best known these days for co-creating TV’s hit Yellowstone. He earned an Original Screenplay nod for this neo-Western that was also up for Supporting Actor (Jeff Bridges) and Film Editing.

Does It Make the Final Five?

No. Director David Mackenzie wasn’t up and the 0 for 4 showing is a sign the final five wasn’t reachable.

Hidden Figures

Theodore Melfi’s true life look at African-American female mathematicians at NASA during the 1960s was a gigantic hit – blasting off to $170 million domestically. Besides BP, Octavia Spencer was up for Supporting Actress as was the Adapted Screenplay.

Does It Make the Final Five?

No in spite of its box office. Of the nine nominees, it got the smallest number of noms and took home zero. It was also missed the Golden Globe and Critics Choice lists.

La La Land

Damien Chazelle won Best Director for his musical and Emma Stone was crowned Best Actress. The total number of nominations was 14 – which tied All About Eve and Titanic for the most ever. Other victories were Score, Song, Cinematography, and Production Design. The other mentions were Actor (Ryan Gosling), Original Screenplay, Sound Editing, Sound Mixing, Costume Design, and Film Editing.

Does It Make the Final Five?

A big and obvious yes. When Dunaway accidentally proclaimed it BP, no one was surprised since it was the frontrunner. It was very likely the runner-up in votes.

Lion

Garth Davis’s drama finds Dev Patel searching for his birth parents and it found its way to five other nods for Patel in Supporting Actor, Nicole Kidman for Supporting Actress, Adapted Screenplay, Score, and Cinematography. It did not win any of them.

Does It Make the Final Five?

Yes. I will admit that this could be a stretch and Arrival might be the pick of others. I just think that there would have been enough sentiment for this one to make the final cut even without directing and editing mentions.

Manchster by the Sea

Kenneth Lonergan got a directing nod for this grief filled drama and Casey Affleck won Best Actor. Lucas Hedges and Michelle Williams were up for the supporting derbies while Lonergan won Original Screenplay.

Does It Make the Final Five?

Yes. The screenplay and Actor wins solidify this and it was probably third of the five behind Moonlight and La La Land.

Therefore my projected 2016 five is:

Hacksaw Ridge

La La Land

Lion

Manchester by the Sea

Moonlight

2017 is next!

2022 Oscar Predictions: The State of the Best Actor Race

My detailed look at six of the top Oscar categories – Picture, Director, and the four acting derbies – arrives at Best Actor. If you missed the posts covering the supporting races, you can find them here:

At this late October/early November stage of forecasting in the previous three years, my picks in the lead acting competitions have been more accurate than the supporting ones.

In 2019 at this juncture, I managed to correctly identify four of the five eventual nominees: winner Joaquin Phoenix (Joker), Leonardo DiCaprio (Once Upon a Time in Hollywood), Adam Driver (Marriage Story), and Jonathan Pryce (The Two Popes). The fifth was Antonio Banderas in Pain and Glory and he was listed in Other Possibilities.

Three of five was the story in 2020 and 2021. Two years ago, I had The Father‘s Anthony Hopkins (who won), Chadwick Boseman in Ma Rainey’s Black Bottom, and Gary Oldman (Mank) pegged with Riz Ahmed (Sound of Metal) and Steven Yeun (Minari) as possibles.

You may remember that Will Smith took gold last year for King Richard. I had him correctly called with two months remaining on the calendar. Same with Benedict Cumberbatch in The Power of the Dog and Denzel Washington for The Tragedy of Macbeth. Andrew Garfield (Tick, Tick… Boom!) was mentioned in Other Possibilities. Javier Bardem (Being the Ricardos) had yet to enter my top ten.

Had a certain slap heard around the world not occurred, it’s totally possible that Will Smith (Emancipation) might be listed in my top 5. However, with his current ban from attending the ceremony, I question whether he could make a return to the ballot so quickly after the controversy. Therefore he’s not in my top 10. We’ll see if the reviews (coming soon) change the dynamic.

We do have a frontrunner and that’s Brendan Fraser in The Whale. Since its Venice and Toronto fest bows, he’s drawn raves. This is also a comeback narrative that the Academy should fall for. I’ve had Fraser listed in 1st for several weeks and I see no reason to change that.

There are two viable runners-up in Colin Farrell (The Banshees of Inisherin) and Austin Butler (Elvis). I’ve been switching them in 2nd and 3rd place over the past few posts. Farrell is 2nd because I think Banshees stands a better shot at a BP nod. You have to go back to 2009 and Jeff Bridges (Crazy Heart) where the Best Actor recipient’s movie didn’t achieve BP inclusion. If Elvis makes the big dance – an argument could be made that Butler is Fraser’s most serious competition to shake the race up.

After those three names, it could be a free for all for the final two slots. The only other performer I had listed in 1st place other than Fraser was Hugh Jackman for The Son. This was before it premiered at the festivals and garnered middling reviews. Now the question is whether Jackman gets in at all.

Someone who has fared well on the fest circuit is Bill Nighy for Living. Sony Pictures will need to mount a spirited campaign, but they’re good at that kinda thing. I’m starting to feel better about Nighy than Jackman.

Diego Calva is the biggest remaining question mark for Babylon. Screenings coming up in two weeks should help answer his viability. There’s a pair of indie performances that could bubble up if critics groups assist – Paul Mescal for Aftersun and Jeremy Pope in The Inspection. One possible hindrance for both of them is their movies are both A24 and that studio could be distracted with crowning Fraser. We could see foreign film leads Song Kang-ho (Broker) and Park Hae-il (Decision to Leave) make a play.

Netflix is apparently going in on a spirited campaign for Adam Sandler in Hustle. I have a hard time seeing that pan out (especially since he couldn’t get in for Uncut Gems). The streamer could also focus on Christian Bale (The Pale Blue Eye) or Adam Driver (White Noise). Bale also has Amsterdam, but it failed with critics and audiences.

Finally… there’s Tom Cruise. A three-time nominee, it’s been 23 years since he was in the mix. And a little pic called Top Gun: Maverick was easily the largest blockbuster of his career and the runaway hit of 2022. I’m not ready to put him in my five. I wouldn’t be shocked if he ends up there.

Here’s my current state of this race:

1 . Brendan Fraser, The Whale (Previous Ranking: 1) (Even)

2. Colin Farrell, The Banshees of Inisherin (PR: 2) (E)

3. Austin Butler, Elvis (PR: 3) (E)

4. Bill Nighy, Living (PR: 4) (E)

5. Hugh Jackman, The Son (PR: 5) (E)

Other Possibilities:

6. Diego Calva, Babylon (PR: 6) (E)

7. Tom Cruise, Top Gun: Maverick (PR: 7) (E)

8. Jeremy Pope, The Inspection (PR: 8) (E)

9. Adam Driver, White Noise (PR: 9) (E)

10. Paul Mescal, Aftersun (PR: Not Ranked)

Dropped Out:

Song Kang-ho, Broker

Best Actress is up next!

Spider-Man: No Way Home – The More Fun Stuff Edition Box Office Prediction

After amassing over $800 million at the box office and becoming the third highest domestic grosser of all time, Disney and Marvel are looking to spin more bucks for Spidey on Labor Day weekend. That’s in the form of Spider-Man: No Way Home – The More Fun Stuff Edition. The revamped version contains 11 minutes of additional footage including more of Tobey Maguire and Andrew Garfield donning the spandex alongside Tom Holland.

Over Labor Day 2021, the MCU made a killing when Shang-Chi and the Legend of the Ten Rings took in $94 million over the Monday to Friday frame. In 2022, Hollywood seems to be taking the holiday off. This could allow Marvel to hit #1 again with our webbed heroes. Fun is out on approximately 3000 screens and that wide release could allow for a seventh non-consecutive weekend atop the charts.

That said, I don’t expect this to top $10 million. The, um, less fun (?) iteration is already streaming and has been for some time. I don’t imagine a large audience will turn out for 11 extra minutes.

Spider-Man: No Way Home – The More Fun Stuff Edition opening weekend prediction: $7 million (Friday to Monday estimate)

For my Honk for Jesus. Save Your Soul. prediction, click here:

Honk for Jesus. Save Your Soul. Box Office Prediction

For my Jaws prediction, click here:

Jaws Box Office Prediction

Summer 2012: The Top 10 Hits and More

My look back at the cinematic summers of 30, 20, and 10 years ago culminates with 2012. A decade ago, the Marvel Cinematic Universe went from a successful franchise to the phenomenal juggernaut that it remains today. That’s due to the release of a little something called The Avengers. On a side note, it’s worth mentioning that the biggest grosser 30 years ago (Batman Returns), two decades ago (Spider-Man), and in this post all share comic book roots.

Before we get to Iron Man and company, I’ll recount the other features in the top ten moneymakers before covering additional notable titles and some flops. If you missed my write-ups about the seasons of 1992 and 2002, you can find them here:

Summer 1992: The Top 10 Hits and More

Summer 2002: The Top 10 Hits and More

10. Prometheus

Domestic Gross: $126 million

Some three decades after Alien terrified audiences, Ridley Scott returned to the franchise. However, this was more of a mixed bag in terms of critical and audience reaction. The production design and Michael Fassbender’s performance were praised while the script drew its share of critics. Nevertheless Scott would be back in the mix five years later with Alien: Covenant. 

9. Snow White and the Huntsman 

Domestic Gross: $155 million

Hot off the Twilight franchise and hot off playing Thor in The Avengers, Kristen Stewart and Chris Hemsworth battled Prometheus costar Charlize Theron’s evil stepmom in this fantasy adventure. Reviews were so-so but it performed well enough to warrant a less appreciated prequel The Huntsman: Winter’s War in 2016.

8. Ice Age: Continental Drift 

Domestic Gross: $161 million

The fourth entry in the animated franchise featuring the vocal stylings of Ray Romano and John Leguizamo kept the grosses hot. Sequel Collision Course would follow four years later.

7. Men in Black 3

Domestic Gross: $179 million

The third teaming of Will Smith and Tommy Lee Jones (with Josh Brolin playing a convincing younger version of him) earned $11 million less than 2002’s part II. That sequel made less than the 1997 original. The series was revamped in 2019 with Men in Black: International with none other than Chris Hemsworth, but audiences tuned out.

6. Madagascar 3: Europe’s Most Wanted

Domestic Gross: $216 million

Ben Stiller and Chris Rock returned for the third time voicing their respective lion and zebra. Spin-off Penguins of Madagascar came out two years later while a proper fourth entry never materialized from DreamWorks.

5. Ted

Domestic Gross: $218 million

Moving from Fox’s hugely successful animated sitcom Family Guy the big screen, Seth MacFarlane’s story of Mark Wahlberg and his crude talking bear Ted was the breakout comedy of the season. Follow-ups A Million Ways to Die in the West and the Ted sequel were not as well received.

4. Brave

Domestic Gross: $237 million

The first Pixar film led by a female hero is also the inaugural studio entry (co)directed by a woman. It would go on to win Best Animated Feature at the Oscars.

3. The Amazing Spider-Man

Domestic Gross: $262 million

After not moving forward with a fourth title directed by Sam Raimi and starring Tobey Maguire, the Spidey franchise was rebooted with Marc Webb behind the camera and Andrew Garfield donning the red. The dollars followed although reviews were mixed and a 2014 sequel was widely considered a disappointment.

2. The Dark Knight Rises

Domestic Gross: $448 million

While perhaps not quite reaching the heights of 2008’s The Dark Knight, the culmination to Christopher Nolan’s trilogy sent Christian Bale’s Caped Crusader off in stirring fashion and with hugely profitable earnings.

1. The Avengers

Domestic Gross: $623 million

Setting record after record upon release, the melding of Iron Man, Thor, Captain America, Hulk, Black Widow, and Hawkeye transfixed filmgoers. It’s been Marvel’s world and we’ve been living in it ever since.

And now for some other pics worthy of discussion:

Magic Mike

Domestic Gross: $113 million

Steven Soderbergh’s saga of male exotic dancers was based loosely on Channing Tatum’s real life experiences. It turned him into a superstar while giving Matthew McConaughey a memorable showcase. The micro budgeted pic (a reported $7 million) spawned a 2015 sequel and there’s a third scheduled to hit HBO Max next year.

The Bourne Legacy

Domestic Gross: $113 million

Audiences weren’t clamoring for Jeremy Renner to replace Matt Damon in this franchise, but the stateside and overseas grosses were still pretty acceptable. That said, Renner’s tenure lasted this pic and this pic only.

The Best Exotic Marigold Hotel

Domestic Gross: $46 million

While it performed even better overseas, this British import with Judi Dench  was a sleeper hit stateside that begat a 2015 sequel.

Moonrise Kingdom 

Domestic Gross: $45 million

Wes Anderson scored with critics and crowds with this coming-of-age dramedy that premiered at Cannes and then found an audience in the weeks that followed.

Beasts of the Southern Wild

Domestic Gross: $12 million

This indie drama from Benh Zeitlin was truly a little movie that could. Shot for under $2 million, it eventually nabbed Oscar nods for Picture, Director, Actress (Quvanzhane Wallis at age 9), and Adapted Screenplay.

They’re not all winners so let’s get into some critical and/or commercial failures from the period:

Dark Shadows

Domestic Gross: $79 million

Johnny Depp’s box office happy days were beginning to fade as his 8th collaboration with Tim Burton was perhaps the least memorable. This horror comedy failed to enlighten viewers.

Battleship

Domestic Gross: $65 million

Action fans weren’t taken with this Peter Berg directed board game adaptation starring Liam Neeson and Rihanna with a bloated budget of over $200 million.

Total Recall

Domestic Gross: $58 million

And your action sci-fi fans weren’t signing up for Colin Farrell taking over for Arnold Schwarzenegger in this unneeded remake.

Rock of Ages

Domestic Gross: $38 million

Based on the Broadway musical, there was a deaf ear turned to this adaptation despite Tom Cruise getting solid notices for his performance. Lucky for him, he’d rule this current summer with Top Gun: Maverick. 

That’s My Boy

Domestic Gross: $36 million

Adam Sandler and Andy Samberg’s comedic partnership drew a 20% Tomatoes meter and ambivalence from usually devoted Sandler fans.

The Watch

Domestic Gross: $35 million

That wasn’t the only high-profile comedic flop as this sci-fi mashup with Ben Stiller, Vince Vaughn, and Jonah Hill fared even worse in numbers and rotten reviews (17% RT).

And that’ll close it out, ladies and gents! It’s been a pleasure revising these cinematic seasons of days past.

Summer 2002: The Top 10 Hits and More

In the turbulent months that followed the terrorist attacks of 9/11, domestic audiences needed some escapism at the box office. In the Christmas season of 2001, they found it with Harry Potter and the Sorcerer’s Stone and Lord of the Rings: The Fellowship of the Ring. 

By summer 2002, moviegoers turned out in record-setting droves for the first big screen treatment of an iconic superhero.

20 years later, that’s one thing that hasn’t changed as Spidey continues to dominate the charts. It all started with a memorable upside down kiss. Before we go there, there’s plenty more to discuss for the cinematic summer of two decades past.

As I do every season on the blog, I’m recounting the top 10 hits, other notable features, and flops from 30, 20, and 10 years ago. If you missed my post covering 1992, it’s right here:

Summer 1992: The Top 10 Hits and More

Let’s begin with that top 10!

10. Mr. Deeds

Domestic Gross: $126 million

When Adam Sandler remade Frank Capra, the result was another blockbuster for the star and a needed one after his previous pic Little Nicky was a rare commercial flop.

9. Minority Report

Domestic Gross: $132 million

The first and still only collaboration between Tom Cruise and Steven Spielberg is a prescient sci-fi tale and its reputation has grown since its release. It’s my personal favorite film of 2002.

8. xXx

Domestic Gross: 142 million

Riding high off the success of the previous summer’s The Fast and the Furious, Rob Cohen and Vin Diesel reunited for this over the top action flick. A sequel would follow three years later without Diesel’s involvement (Ice Cube starred instead), but Vin would return to the role in 2017.

7. Lilo & Stitch

Domestic Gross: $145 million

This Disney animated effort performed just fine (if not in the stratosphere of some 90s gems) and spawned numerous direct-to-video follow-ups. A live-action version is being planned.

6. Scooby-Doo

Domestic Gross: $153 million

Critics might have thought it was a dog, but crowds lapped up this live-action/animated hybrid based on the very 1970s cartoon. Scoob and the gang would return two years later for part 2. Fun fact: James Gunn of Guardians of the Galaxy fame wrote the script.

5. Men in Black II

Domestic Gross: $190 million

Will Smith and Tommy Lee Jones teamed up again for the sci-fi comedic spectacle from Barry Sonnenfeld. This fell short of the original’s $250 million domestic haul and the reviewers weren’t impressed, but that didn’t prevent a third offering that will be discussed in my summer of 2012 post.

4. Austin Powers in Goldmember

Domestic Gross: $213 million

Mike Myers continued to flex his box office mojo alongside Beyonce, Michael Caine, and Mini-Me in this threequel that I believe surpassed the quality of predecessor The Spy Who Shagged Me. 

3. Signs

Domestic Gross: $227 million

After the more mixed reaction that Unbreakable garnered, M. Night Shyamalan’s Signs with Mel Gibson and Joaquin Phoenix was more of a return to crowd favorite status. What followed was several pics from him that drew considerably more ambivalent to negative vibes.

2. Star Wars: Episode II – Attack of the Clones

Domestic Gross: $302 million

$302 million is just dandy for nearly any movie, but this second prequel from George Lucas fell well short of the $431 million achieved by The Phantom Menace three summers prior. Many consider this the worst of the nine officials episodes. I’m one of them.

    1. Spider-Man

Domestic Gross: $403 million

When Sam Raimi’s spin on the webslinger kicked off the summer, it did so with the largest opening weekend of all time at $114 million (breaking a record that had just been set by the first Potter). Two sequels followed for the Tobey Maguire/Kirsten Dunst trilogy and, as we all know, the character has never left us. Spider-Man: No Way Home recently brought all 3 Spideys (Maguire, Andrew Garfield, Tom Holland) into its MCU Multiverse.

Now let’s move to some other notable titles from the season:

The Bourne Identity 

Domestic Gross: $121 million

While outside the top ten, Paul Greengrass’s action thriller with Matt Damon as an amnesiac spy is more influential than the bulk of the flicks above it. Damon would return to the role three times.

The Sum of All Fears

Domestic Gross: $118 million

Right behind Damon is his buddy Ben Affleck who took over the role of Jack Ryan (previously played by Alec Baldwin and Harrison Ford) in the Tom Clancy adapted hit.

Road to Perdition

Domestic Gross: $104 million

His follow-up to Best Picture winner American Beauty, the Depression era crime drama from Sam Mendes cast Tom Hanks against type as a hitman with Paul Newman as his underworld boss. This only nabbed a Cinematography Oscar, but reviews were mostly strong. It also provides a juicy role for pre-007 Daniel Craig.

Insomnia

Domestic Gross: $67 million

Hanks wasn’t the only legend stretching in a villainous turn. Robin Williams memorably did the same as he was pitted against Al Pacino’s detective in this chilly thriller from Christopher Nolan (three years before Batman Begins).

Unfaithful

Domestic Gross: $52 million

Adrian Lyne made a movie about another fatal attraction and Unfaithful earned Diane Lane an Oscar nomination as the cheating wife of Richard Gere.

And now for some movies that didn’t perform so well…

Reign of Fire

Domestic Gross: $43 million

This dragon centered fantasy arrived before Matthew McConaughey and Christian Bale would be Oscar winners a few years later. Critics weren’t kind and the box office failed to generate much fire.

Windtalkers

Domestic Gross: $40 million

John Woo’s financial win streak blew over with this World War II action drama headlined by Nicolas Cage that only managed 32% on Rotten Tomatoes.

K-19: The Widowmaker 

Domestic Gross: $35 million

Seven years before her Oscar winning The Hurt Locker, Kathryn Bigelow’s 1960s set submarine thriller with Harrison Ford was a pricey disappointment.

Halloween: Resurrection

Domestic Gross: $30 million

Michael Myers and Jamie Lee Curtis’s Laurie Strode are about to team up for the final (?) time in Halloween Ends in October. In 2002, this was the sequel to the successful Halloween H20 from 1998. This one was not so successful and it’s considered by many aficionados as the weakest of the whole franchise.

Bad Company

Domestic Gross: $30 million

One is a double Oscar winner and the other is one of greatest stand-ups of all time, but this cinematic pairing of Anthony Hopkins and Chris Rock in Joel Schumacher’s action comedy was met with a shrug.

Blood Work 

Domestic Gross: $26 million

Ten years after Unforgiven won Best Picture after its summer release, Clint Eastwood’s mystery didn’t work for critics or crowds.

The Adventures of Pluto Nash

Domestic Gross: $4 million

Speaking of legendary stand-ups, Eddie Murphy reached a career low point as sci-fi comedy Nash stands as one of cinema’s most notorious flops. Its budget was a reported $100 million and that’s not a misprint above… it made an embarrassing $4 million.

2012 is up next!

2021 Oscars: FINAL Winner Predictions

And it’s come to this! After seven months of endless speculation, predictions, and posts – the 94th Academy Awards (with your hosts Wanda Sykes, Amy Schumer, and Regina Hall) airs this Sunday evening.

These are my final picks for the races covering feature films. Will the Best Picture be CODA?

Or The Power of the Dog?

We have ourselves some real intrigue as both are strong possibilities. Either way, a steamer (either Netflix or Apple TV) should pick up its inaugural Best Pic victory.

Will there be upsets in any of the acting derbies where there seems to be a consensus four based on precursors? And just what will occur in the screenplay races which look unpredictable?

For each race, I’ll give you a bit of commentary along with my projected victor and the runner-up.

Let’s get to it! On Sunday evening, you will see a recap with how I performed…

Best Picture

Nominees:

Belfast

CODA

Don’t Look Up

Drive My Car

Dune

King Richard

Licorice Pizza

Nightmare Alley

The Power of the Dog

West Side Story

Commentary:

Well, the big daddy of them all has certainly become fascinating. CODA, the little Sundance pic that could, has surged in the past few days. In addition to winning the SAG Ensemble prize, it captured the Producers Guild top honor and was a BAFTA selection for Adapted Screenplay. These designations (PGA especially) are significant precursors. A strong argument could be made that it has the momentum as voting closed yesterday. In fact, I’ve seen more prognosticators picking it this week than not…

However, The Power of the Dog is still quite viable. It took the Golden Globe Best Drama trophy as well as Critics Choice and BAFTA. Until CODA‘s rise, it was the heavy favorite.

We’ve got a real coin flip, folks! That definitely makes the end of Oscar night more suspenseful than last year when Nomadland seemed unbeatable and indeed was.

I don’t believe any of the other eight pictures have a chance. As for the two that do, I’ve gone back and forth constantly all week. There’s a time to stop speculating and make a final pick and I still believe there’s enough power for the Dog to edge out CODA. That said, I wouldn’t be the least bit surprised if it turns out the other way.

PREDICTED WINNER:

The Power of the Dog

Runner-Up:

CODA

Best Director

Nominees:

Paul Thomas Anderson, Licorice Pizza

Kenneth Branagh, Belfast

Jane Campion, The Power of the Dog

Ryusuke Hamaguchi, Drive My Car

Steven Spielberg, West Side Story

Commentary:

This is far easier than Picture. With CODA maker Sian Heder absent, Jane Campion is in line to become the third female (and second in a row) to make a podium trip. She’s won all the key precursors – DGA, Globes, Critics Choice. It’s even a challenge to name a runner-up (I guess I’ll say Spielberg because he’s Spielberg). Make no mistake – this is one of the simplest checkmarks on the ballot.

PREDICTED WINNER:

Jane Campion, The Power of the Dog

Runner-Up:

Steven Spielberg, West Side Story

Best Actress

Nominees:

Jessicas Chastain, The Eyes of Tammy Faye

Olivia Colman, The Lost Daughter

Penelope Cruz, Parallel Mothers

Nicole Kidman, Being the Ricardos

Kristen Stewart, Spencer

Commentary:

Kidman garnered the initial heat after a surprise Globe win, but that’s stalled as no other awards programs followed suit. Instead it’s been Chastain on the minor streak with SAG and Critics Choice. If there’s an upset in any acting derby, this is probably where it happens. Stewart’s road to Oscar looked shaky after some snubs. Academy voters could reward her and there’s some chatter about Cruz being viable. Yet I’m sticking with the safest best and that’s Chastain taking her first gold.

PREDICTED WINNER:

Jessica Chastain, The Eyes of Tammy Faye

Riunner-Up:

Kristen Stewart, Spencer

Best Actor

Nominees:

Javier Bardem, Being the Ricardos

Benedict Cumberbatch, The Power of the Dog

Andrew Garfield, tick, tick… Boom!

Will Smith, King Richard

Denzel Washington, The Tragedy of Macbeth

Commentary:

During the fall, I was thinking there could be a barnburner between Smith and Cumberbatch (with Garfield as potential spoiler). That’s not how it’s played out as the Fresh Prince has been crowned the king in all preceding shows. I expect the sweep to continue.

PREDICTED WINNER:

Will Smith, King Richard

Runner-Up:

Benedict Cumberbatch, The Power of the Dog

Best Supporting Actress

Nominees:

Jessie Buckley, The Lost Daughter

Ariana DeBose, West Side Story

Judi Dench, Belfast

Kirsten Dunst, The Power of the Dog

Aunjanue Ellis, King Richard

Commentary:

Buckley and Dench were surprising inclusions, but there won’t be any shocks with the winner. DeBose has run the table and she should represent Story‘s lone victory.

PREDICTED WINNER:

Ariana DeBose, West Side Story

Runner-Up:

Kirsten Dunst, The Power of the Dog

Best Supporting Actor

Nominees:

Ciaran Hinds, Belfast

Troy Kotsur, CODA

Jesse Plemons, The Power of the Dog

J.K. Simmons, Being the Ricardos

Kodi Smit-McPhee, The Power of the Dog

Commentary: 

Despite its quartet of performers getting nominations, Dog is likely to produce Oscars for none of them. Smit-McPhee received the Golden Globe but it’s been all Kotsur since. This is the race where I’m most confident of a CODA moment.

PREDICTED WINNER:

Troy Kotsur, CODA

Runner-Up:

Kodi Smit-McPhee, The Power of the Dog 

Best Original Screenplay

Nominees:

Belfast

Don’t Look Up

King Richard

Licorice Pizza

The Worst Person in the World

Commentary:

Good luck with this one! The Writer’s Guild threw everyone for a loop last weekend when Don’t Look Up won over Licorice Pizza (Belfast was not eligible). I just don’t envision the Academy honoring Up. With a Belfast or Pizza victory, they would bestowing first ever Oscars to Kenneth Branagh and Paul Thomas Anderson respectively. With the Globe and Critics Choice going to Belfast, it has my vote (though it’s close).

PREDICTED WINNER:

Belfast

Runner-Up:

Licorice Pizza

Best Adapted Screenplay

Nominees

CODA

Drive My Car

Dune

The Lost Daughter

The Power of the Dog 

Commentary:

CODA‘s BAFTA win kickstarted its momentum. Even if Dog is Best Picture, CODA could still take this. On the other hand, I think there’s a better chance Best Pic and Adapted Screenplay match so I’m rolling with the Dog with no degree of confidence whatsoever.

PREDICTED WINNER:

The Power of the Dog

Runner-Up:

CODA

Best Animated Feature

Nominees:

Encanto

Flee

Luca

The Mitchells vs. the Machines

Raya and the Last Dragon

Commentary:

I’m tempted to pick a Mitchells upset, but it’s dangerous to pick against Disney and Encanto is the frontrunner.

PREDICTED WINNER:

Encanto

Runner-Up:

The Mitchells vs. the Machines

Best International Feature Film

Nominees:

Drive My Car

Flee

The Hand of God

Lunana: A Yak in the Classroom

The Worst Person in the World

Commentary:

This is unquestionably one of the no brainer picks as Drive My Car has dominated the precursors and is the only nominee to also nab a Best Picture nod.

PREDICTED WINNER:

Drive My Car

Runner-Up:

The Worst Person in the World

Best Documentary Feature

Nominees:

Ascension

Attica

Flee

Summer of Soul

Writing with Fire

Commentary:

With nominations in Animated Feature, International Feature, and Doc – it sure seems like Flee should win one of them. It might stand the best chance in this competition, but Summer of Soul has been impressive in precursors and should continue the streak.

PREDICTED WINNER:

Summer of Soul

Runner-Up:

Flee

Best Cinematography

Nominees:

Dune

Nightmare Alley

The Power of the Dog

The Tragedy of Macbeth

West Side Story

Commentary: 

This might be the tech race where Dog is successful. I’m not predicting it though and (get used to hearing this) think Dune emerges.

PREDICTED WINNER:

Dune

Runner-Up:

The Power of the Dog

Best Costume Design

Nominees:

Cruella

Cyrano

Dune

Nightmare Alley

West Side Story

Commentary:

Cruella has killed it the preceding competitions. Dune, if it crushes all techs, could take it but I’m going with the former.

PREDICTED WINNER:

Cruella

Runner-Up:

Dune

Best Film Editing

Nominees:

Don’t Look Up

Dune

King Richard

The Power of the Dog

tick, tick… Boom!

Commentary:

Don’t sleep on King Richard which was bestowed the EDDIE award. I still think this is Dune‘s to lose.

PREDICTED WINNER:

Dune

Runner-Up:

King Richard

Best Makeup and Hairstyling

Nominees:

Coming 2 America

Cruella

Dune

The Eyes of Tammy Faye

House of Gucci

Commentary:

Gucci could fashion a 1 for 1 victory but Tammy Faye has taken some precursors.

PREDICTED WINNER:

The Eyes of Tammy Faye

Runner-Up:

House of Gucci

Best Original Score

Nominees:

Don’t Look Up

Dune

Encanto

Parallel Mothers

The Power of the Dog

Commentary:

Like Cinematography, this is between Dog and Dune. Like Cinematography, I’m choosing the latter.

PREDICTED WINNER:

Dune

Runner-Up:

The Power of the Dog

Best Original Song

Nominees:

“Be Alive” from King Richard

“Dos Oruguitas” from Encanto

“Down to Joy” from Belfast

“No Time to Die” from No Time to Die

“Somehow You Do” from Four Good Days

Commentary:

Diane Warren gets her 13th nomination with “Somehow” and somehow she’s never won. That will continue. The smart money is on the 007 theme song from Billie Eilish. Yet I’m going with a minor upset with the Disney tune.

PREDICTED WINNER:

“Dos Oruguitas” from Encanto

Runner-Up:

“No Time to Die” from No Time to Die

Best Production Design

Nominees:

Dune

Nightmare Alley

The Power of the Dog

The Tragedy of Macbeth

West Side Story

Commentary:

For the last three categories, I could just say Dune and be done with it. In fact, I think I will…

PREDICTED WINNER:

Dune

Runner-Up:

West Side Story

Best Sound

Nominees:

Belfast

Dune

No Time to Die

The Power of the Dog

West Side Story

Commentary:

See Production Design

PREDICTED WINNER:

Dune

Runner-Up:

West Side Story

Best Visual Effects

Nominees:

Dune

Free Guy

No Time to Die

Shang-Chi and the Legend of the Ten Rings

Spider-Man: No Way Home

Commentary:

See Production Design

PREDICTED WINNER:

Dune

Runner-Up:

There isn’t one… that’s how I’m confident I am that Dune takes it.

And so, ladies and gents, that means I’m predicting that these movies win these numbers of Oscars:

6 Wins

Dune

3 Wins

The Power of the Dog

2 Wins

Encanto, The Eyes of Tammy Faye

1 Win

Belfast, CODA, Cruella, Drive My Car, King Richard, Summer of Soul, West Side Story

Make sure to check out the blog post ceremony!

2021 Critics Choice Awards WINNER Predictions

The 27th Critics Choice Awards air this Sunday evening and they’re another often reliable indicator for who and what may win on Oscar night. As I have with SAG and the Golden Globes, I am giving you my winner predictions along with the runner-up pick.

Let’s get to it and I’ll have a recap up either Sunday evening or Monday!

Best Picture

Nominees:

Belfast

CODA

Don’t Look Up

Dune

King Richard

Licorice Pizza

Nightmare Alley

The Power of the Dog

tick, tick… Boom!

West Side Story

Predicted Winner:

The Power of the Dog

Runner-Up:

Dune

Best Director

Nominees:

Paul Thomas Anderson, Licorice Pizza

Kenneth Branagh, Belfast

Jane Campion, The Power of the Dog

Guillermo del Toro, Nightmare Alley

Steven Spielberg, West Side Story

Denis Villeneuve, Dune

Predicted Winner:

Jane Campion, The Power of the Dog

Runner-Up:

Denis Villeneuve, Dune

Best Actress

Nominees:

Jessica Chastain, The Eyes of Tammy Faye

Olivia Colman, The Lost Daughter

Lady Gaga, House of Gucci

Alana Haim, Licorice Pizza

Nicole Kidman, Being the Ricardos

Kristen Stewart, Spencer

Predicted Winner:

Kristen Stewart, Spencer

Runner-Up:

Jessica Chastain, The Eyes of Tammy Faye

Best Actor

Nominees:

Nicolas Cage, Pig

Benedict Cumberbatch, The Power of the Dog

Peter Dinklage, Cyrano

Andrew Garfield, tick, tick… Boom!

Will Smith, King Richard

Denzel Washington, The Tragedy of Macbeth

Predicted Winner:

Will Smith, King Richard

Runner-Up:

Benedict Cumberbatch, The Power of the Dog

Best Supporting Actress

Nominees:

Caitríona Balfe, Belfast

Ariana DeBose, West Side Story

Ann Dowd, Mass

Kirsten Dunst, The Power of the Dog

Aunjanue Ellis, King Richard

Rita Moreno, West Side Story

Predicted Winner:

Ariana DeBose, West Side Story

Runner-Up:

Kirsten Dunst, The Power of the Dog

Best Supporting Actor

Nominees:

Jamie Dornan, Belfast

Ciaran Hinds, Belfast

Troy Kotsur, CODA

Jared Leto, House of Gucci

J.K. Simmons, Being the Ricardos

Kodi Smit-McPhee, The Power of the Dog

Predicted Winner:

Kodi Smit-McPhee, The Power of the Dog

Runner-Up:

Troy Kotsur, CODA

Best Original Screenplay

Nominees:

Being the Ricardos

Belfast

Don’t Look Up

King Richard

Licorice Pizza

Predicted Winner:

Licorice Pizza

Runner-Up:

Belfast

Best Adapted Screenplay

Nominees:

CODA

Dune

The Lost Daughter

The Power of the Dog

West Side Story

Predicted Winner:

The Power of the Dog

Runner-Up:

CODA

Best Animated Feature

Nominees:

Encanto

Flee

Luca

The Mitchells vs. the Machines

Raya and the Last Dragon

Predicted Winner:

Encanto

Runner-Up:

The Mitchells vs. the Machines

Best Comedy

Nominees:

Barb and Star Go To Vista Del Mar

Don’t Look Up

Free Guy

The French Dispatch

Licorice Pizza

Predicted Winner:

The French Dispatch

Runner-Up:

Licorice Pizza

Best Foreign Language Film

Nominees:

Drive My Car

Flee

The Hand of God

A Hero

The Worst Person in the World

Predicted Winner:

Drive My Car

Runner-Up:

The Worst Person in the World

Best Young Actor/Actress

Nominees:

Jude Hill, Belfast

Cooper Hoffman, Licorice Pizza

Emilia Jones, CODA

Woody Norman, C’Mon C’Mon

Saniyya Sidney, King Richard

Rachel Zegler, West Side Story

Predicted Winner:

Rachel Zegler, West Side Story

Runner-Up:

Emilia Jones, CODA

Best Acting Ensemble

Nominees:

Belfast

Don’t Look Up

The Harder They Fall

Licorice Pizza

The Power of the Dog

West Side Story

Predicted Winner:

The Power of the Dog

Runner-Up:

Belfast

Best Cinematography

Nominees:

Belfast

Dune

Nightmare Alley

The Power of the Dog

The Tragedy of Macbeth

West Side Story

Predicted Winner:

The Power of the Dog

Runner-Up:

Dune

Best Costume Design

Nominees:

Cruella

Dune

House of Gucci

Nightmare Alley

West Side Story

Predicted Winner:

Cruella

Runner-Up:

Dune

Best Editing

Nominees:

Belfast

Dune

Licorice Pizza

The Power of the Dog

West Side Story

Predicted Winner:

Dune

Runner-Up:

West Side Story

Best Hair and Makeup

Nominees:

Cruella

Dune

The Eyes of Tammy Faye

House of Gucci

Nightmare Alley

Predicted Winner:

House of Gucci

Runner-Up:

The Eyes of Tammy Faye

Best Production Design

Nominees:

Belfast

Dune

The French Dispatch

Nightmare Alley

West Side Story

Predicted Winner:

Nightmare Alley

Runner-Up:

Dune

Best Score

Nominees:

Don’t Look Up

Dune

Nightmare Alley

The Power of the Dog

Spencer

Predicted Winner:

Dune

Runner-Up:

The Power of the Dog

Best Song

“Just Look Up” from Don’t Look Up

“Dos Oruguitas” from Encanto

“Guns Go Bang” from The Harder They Fall

“Be Alive” from King Richard

“No Time to Die” from No Time to Die

Predicted Winner:

“Just Look Up” from Don’t Look Up 

Runner-Up:

“Dos Oruguitas” from Encanto

Best Visual Effects

Nominees:

Dune

The Matrix Resurrections

Nightmare Alley

No Time to Die

Shang-Chi and the Legend of the Ten Rings

Predicted Winner:

Dune

Runner-Up:

No Time to Die

That equates to the following pictures garnering these numbers for wins:

6 Wins

The Power of the Dog

3 Wins

Dune

2 Wins

West Side Story

1 Win

Cruella, Don’t Look Up, Drive My Car, Encanto, The French Dispatch, House of Gucci, King Richard, Licorice Pizza, Nightmare Alley, Spencer

Oscars 2021: The Case of Denzel Washington

Denzel Washington title performance in Joel Coen’s The Tragedy of Macbeth is the fifth and final Case Of post for the Best Actor nominees. If you missed the other ones, they’re right here:

Oscars 2021: The Case of Javier Bardem

Oscars 2021: The Case of Benedict Cumberbatch

Oscars 2021: The Case of Andrew Garfield

Oscars 2021: The Case of Will Smith

The Case for Denzel Washington:

He’s certainly achieved the most nominations of the quintet and this marks his third in lead actor in the past six years. Washington’s Shakespearian turn landed him mentions at the Globes, SAG, and Critics Choice.

The Case Against Denzel Washington:

Macbeth underwhelmed on Oscar nomination morning with just two additional nods (Cinematography and Production Design). He’s lost the Globe and SAG to Will Smith (King Richard), who stands as the favorite.

Previous Nominations: 8

Cry Freedom (Supporting Actor – 1987); Glory (Supporting Actor – 1989, WON)Malcolm X (Actor – 1992); The Hurricane (Actor – 1999); Training Day (Actor – 2001, WON)Flight (Actor – 2012); Fences (Actor – 2016); Roman J. Israel, Esq. (Actor – 2017)

The Verdict: 

20 years ago, Washington’s Best Actor victory for Training Day prevented a Will Smith win for Ali. Two decades later, it’s likely the Fresh Prince keeping Mr. Washington from Oscar statue #3. I’d also say he’s behind Benedict Cumberbatch (The Power of the Dog) and Andrew Garfield (Tick, Tick… Boom!).

My Case Of posts will continue with the final Supporting Actress hopeful – Aunjanue Ellis for King Richard

Oscars 2021: The Case of Andrew Garfield

Andrew Garfield’s acclaimed performance as Rent playwright Jonathan Larson in Tick, Tick… Boom! is next up in my Case Of posts for this year’s Best Actor contenders. If you missed the first two, you can peruse them here:

Oscars 2021: The Case of Javier Bardem

Oscars 2021: The Case of Benedict Cumberbatch

The Case for Andrew Garfield:

Garfield received some career best notices for Lin-Manuel Miranda’s Netflix musical drama. It also helps that the actor had a banner 2021. In addition to Boom!, critics lauded his work as Jim Bakker alongside Oscar nominated Jessica Chastain in The Eyes of Tammy Faye and he reprised his web slinger role in the box office behemoth Spider-Man: No Way Home. At the Golden Globes, he took the gold for Best Actor in Musical/Comedy.

The Case Against Andrew Garfield:

The Globes divide their lead races into Drama and Musical/Comedy. Will Smith received the Drama trophy for King Richard and he also just won the SAG Award. In other words, Garfield is definitely behind Smith and likely third in line after Benedict Cumberbatch for The Power of the Dog. 

Previous Nominations: 1

Hacksaw Ridge (2016 – Actor)

The Verdict:

Mr. Garfield probably has a better shot in 2021 than he did five years ago for Hacksaw Ridge, but he’s still in the middle of the pack and has yet to have a signature victory that proves he’s a threat to the frontrunners.

My Case Of posts will continue with the Supporting Actress hopefuls and Judi Dench in Belfast

2021 SAG Awards Winner Predictions

The SAG Awards air this Sunday night and I’m here to give you my take. For some context, I went 4/5 in my projections from 2017-2019 and 3/5 last year. The winners here will certainly help themselves if they’re nominated for Oscars (as you’ll see – not all are).

Let’s get to it!

Outstanding Performance by a Cast in a Motion Picture

Nominees:

Belfast

CODA

Don’t Look Up

House of Gucci

King Richard

Commentary:

I could offer an argument for anything but Gucci (partly because The Birdcage from 1996 is the only winner that wasn’t nominated for BP at the Oscars). The rest of the pics are BP players with the Academy. Belfast is the most likely to win (notice frontrunner The Power of the Dog isn’t here). Even though I’m not projecting its lone nominee (Balfe) to take the SAG and it was a surprise that Ciaran Hinds didn’t make it, I’ll say the cast is ultimately honored as a whole. CODA is right on its heels.

Predicted Winner: Belfast

Runner-Up: CODA

Outstanding Performance by a Female Actor in a Leading Role

Nominees:

Jessica Chastain, The Eyes of Tammy Faye

Olivia Colman, The Lost Daughter

Lady Gaga, House of Gucci

Jennifer Hudson, Respect

Nicole Kidman, Being the Ricardos

Commentary: 

Welcome to the confounding world of Best Actress in the 2021 awards season and this is easily the trickiest race to figure out. The Oscar/SAG match is 3/5. Gaga and Hudson didn’t make the Acadeny’s cut in favor of Penelope Cruz (Parallel Mothers) and Kristen Stewart (Spencer).

Let’s start with Gaga. The SAG winner in this race has never not been nominated for an Oscar so the superstar would certainly make history if she takes this. That stat discourages me from calling her name, but who knows? All hopefuls here would be first-time winners in this category (Hudson took Supporting Actress 15 years back in Dreamgirls). She seems least likely to win. So we’re down to Chastain, Colman, and Kidman. All could prevail. Kidman took the Golden Globe and a podium trip could solidify her status as the Oscar frontrunner. Chastain’s showy role could be honored and it’s a bit of a coin flip for me. I’ll give Kidman an ever so slight edge.

Predicted Winner: Nicole Kidman

Runner-Up: Jessica Chastain

Outstanding Performance by a Male Actor in a Leading Role

Nominees:

Javier Bardem, Being the Ricardos

Benedict Cumberbatch, The Power of the Dog

Andrew Garfield, Tick Tick… Boom!

Will Smith, King Richard

Denzel Washington, The Tragedy of Macbeth

Commentary:

Not complicated like Actress as there’s a 5 for 5 lineup with the Academy’s nominees. Unlike the Oscars, I do buy into the theory that Garfield might be more of a spoiler than Cumberbatch to Smith. The SAG folks could reward Garfield’s showy role. That said, I’m not betting against Smith.

Predicted Winner: Will Smith

Runner-Up: Andrew Garfield

Outstanding Performance by a Female Actor in a Supporting Role

Nominees:

Caitriona Balfe, Belfast

Cate Blanchett, Nightmare Alley

Ariana DeBose, West Side Story

Kirsten Dunst, The Power of the Dog

Ruth Negga, Passing

Commentary: 

There’s only a 2 for 5 symmetry with the big show and that’s DeBose and Dunst. Balfe, Blanchett, and Negga are in over Academy picks Jessie Buckley (The Lost Daughter), Judi Dench (Belfast), and Aunjanue Ellis (King Richard). I do think it’s between the Oscar contestants. Dunst is a threat though I’m going with DeBose sweeping until I see different.

Predicted Winner: Ariana DeBose

Runner-Up: Kirsten Dunst

Outstanding Performance by a Male Actor in a Supporting Role

Nominees:

Ben Affleck, The Tender Bar

Bradley Cooper, Licorice Pizza

Troy Kotsur, CODA

Jared Leto, House of Gucci

Kodi Smit-McPhee, The Power of the Dog

Commentary:

Like Supporting Actress, just a 2 for 5 (Kotsur, Smit-McPhee) match. Affleck, Cooper, and Leto got SAG love instead of Oscar selections Ciaran Hinds (Belfast), Jesse Plemons (The Power of the Dog), and J.K. Simmons (Being the Ricardos). And I’ll also say it’s between the two Academy players. This is difficult because I could easily see Smit-McPhee sweeping (he won the Globe). Yet I have a sneaking suspicion the thespians may go for Kotsur. With little confidence, I’ll pick that.

Predicted Winner: Troy Kotsur

Runner-Up: Kodi Smit-McPhee

I’ll have reaction up on the ceremony Sunday night!