Whodunits aren’t an omnipresent genre on the silver screen these days and rare recent ones like Kenneth Branagh’s Murder on the Orient Express have had a bit of an unnecessary regurgitated vibe to it. Not so with Rian Johnson’s Knives Out, which displays the writer/director’s enthusiasm for playing in this murderous sandbox to satisfactory effect. Like the 1974 version of Orient Express, we have a 007 involved. 45 years ago, it was Sean Connery and now it’s Daniel Craig. There’s a Marvel superhero (Chris Evans) playing decidedly against type. A captain of the American crime novel industry meets his demise in a stately manner that’s a triumph of production design. Craig and Evans are having a good time here, as is the rest of the cast. Some get better opportunities to shine than others. One of the standouts even has her crowd pleasing moments that involves regurgitation.
The Thrombey family is celebrating the 85th birthday of their patriarch Harlan (Christopher Plummer), a wealthy novelist who won’t allow his capers to be adapted into films or TV specials. This is a source of frustration for son Walt (Michael Shannon), who cares for his publishing empire. The family drama doesn’t stop there. Harlan is prepared to expose family secrets or cut off the gravy train for eldest daughter Linda (Jamie Lee Curtis) and her philandering husband (Don Johnson) and daughter-in-law and would-be life coaching guru Joni (Toni Collette). Evans is the black sheep grandson in a clan where that’s saying something. Everyone has a reason to get rid of Harlan. His most healthy relationship is with a non-family member – caretaker Marta (Ana de Armas). She’s from another country and it could be Brazil or Ecuador and one ending with “guay”. Don’t ask the Thrombeys as they express an admiration for her, but hilariously have no clue where she came from. This is all part of Johnson’s integration of the immigration debate into a screenplay that manages to occasionally weave current events into the foul play happenings.
That foul play means Harlan’s celebration is short-lived. Enter private detective Benoit Blanc as played by Craig and his work is a far cry from James Bond. Adopting a thick Southern drawl and a patient attitude to finding the killer, Blanc nevertheless seems a step ahead of the other policemen investigating. They want to believe Harlan might have committed suicide as the evidence suggests. Yet no whodunit script could make it that simple, could it?
Knives Out clues the audience in on some revelations before they enter Blanc’s consciousness from time to time. Johnson probably could have held some back for stronger pacing results. And some of the performers never quite have the running time to develop their roles. These turn out to be minor criticisms in the grand scheme. De Armas and Evans form the yin and yang of the case and are afforded the most clock time in the game along with Craig. The frequent twists and turns experienced are a hoot as we anticipate what Johnson will throw up on the screen next.
The post Thanksgiving box office weekend is usually a sluggish frame when studios avoid releasing hoped for hits. 2019 is no different as Playmobil: The Movie is the only new wide entry out. The animated comedic adventure is based on the line of German toys and it’s already been delayed from January to April to August to now. Not a positive sign. Neither is the 24% Rotten Tomatoes score.
Lino DiSalvo makes his directorial debut and he’s best known for his involvement in Disney’s Frozen. That film’s sequel should be making 10-15 times more in its third weekend than this will in its rollout. There are some recognizable faces providing voiceover work including Anya-Taylor Joy, Jim Gaffigan, Gabriel Bateman, Adam Lambert, Kenan Thompson, Meghan Trainor, and Daniel Radcliffe.
There simply seems to be no discernible buzz going for this. As mentioned, there’s a much higher profile kids flick that should be raking in the bucks as Playmobil searches for young eyeballs. I believe it won’t get them and that even $5 million is probably out of reach.
Playmobil: The Movie opening weekend prediction: $2.8 million
Two key screenings took place over the week with significant Oscar implications and there’s some movement in major categories to discuss:
1917, the World War I epic from Sam Mendes, finally availed itself to critics and the feedback is extremely positive. While I’d had it projected for Picture and Director for some time, its numbers (3 and 2 respectively) are the highest yet.
Clint Eastwood’s Richard Jewell screened at AFI Fest. Some reviews indicate it’s a contender in Picture, but I’m not quite there. It does vault back in the 15 possibilities at 13 and both Paul Walter Hauser in Actor and Kathy Bates in Supporting Actress are now in the mix, but not projected in the top five.
Bombshell is back in my ten projected Picture nominees over Ford v Ferrari.
Zhao Shuzhen finally makes the cut in Supporting Actress, displacing Scarlett Johansson in Jojo Rabbit.
Tom Hanks slides to fifth in Supporting Actor after the so-so box office performance of A Beautiful Day in the Neighborhood. I suspect he could fall out with Joe Pesci (The Irishman) and Shia LaBeouf (Honey Boy) hot on his heels.
While my five Best Actor contenders remain the same, this is the most packed field in ages. I could legitimately see any of my ten listed thespians getting in, as well as Christian Bale (who falls to 11th).
Let’s get to it!
Best Picture
Predicted Nominees:
1. The Irishman (Previous Ranking: 1)
2. Once Upon a Time in Hollywood (PR: 2)
3. 1917 (PR: 6)
4. Marriage Story (PR: 4)
5. Parasite (PR: 3)
6. Jojo Rabbit (PR: 5)
7. Little Women (PR: 7)
8. Joker (PR: 8)
9. The Two Popes (PR: 9)
10. Bombshell (PR: 11)
Other Possibilities:
11. Ford v Ferrari (PR: 10)
12. The Farewell (PR: 12)
13. Richard Jewell (PR: Not Ranked)
14. A Beautiful Day in the Neighborhood (PR: 13)
15. Rocketman (PR: 14)
Dropped Out:
Waves
Best Director
Predicted Nominees:
1. Martin Scorsese, The Irishman (PR: 1)
2. Sam Mendes, 1917 (PR: 5)
3. Bong Joon-Ho, Parasite (PR: 3)
4. Quentin Tarantino, Once Upon a Time in Hollywood (PR: 2)
5. Noah Baumbach, Marriage Story (PR: 4)
Other Possibilities:
6. Greta Gerwig, Little Women (PR: 6)
7. Todd Phillips, Joker (PR: 9)
8. Taika Waititi, Jojo Rabbit (PR: 8)
9. James Mangold, Ford v Ferrari (PR: 7)
10. Fernando Meirelles, The Two Popes (PR: 10)
Best Actor
Predicted Nominees:
1. Adam Driver, Marriage Story (PR: 1)
2. Joaquin Phoenix, Joker (PR: 2)
3. Robert De Niro, The Irishman (PR: 3)
4. Leonardo DiCaprio, Once Upon a Time in Hollywood (PR: 5)
5. Jonathan Pryce, The Two Popes (PR: 4)
Other Possibilities:
6. Antonio Banderas, Pain and Glory (PR: 6)
7. Eddie Murphy, Dolemite Is My Name (PR: 8)
8. Taron Egerton, Rocketman (PR: 7)
9. Paul Walter Hauser, Richard Jewell (PR: Not Ranked)
10. Adam Sandler, Uncut Gems (PR: 10)
Dropped Out:
Christian Bale, Ford v Ferrari
Best Actress
Predicted Nominees:
1. Renee Zellweger, Judy (PR: 1)
2. Scarlett Johansson, Marriage Story (PR: 2)
3. Charlize Theron, Bombshell (PR: 3)
4. Saoirse Ronan, Little Women (PR: 4)
5. Cynthia Erivo, Harriet (PR: 5)
Other Possibilities:
6. Awkwafina, The Farewell (PR: 6)
7. Alfre Woodard, Clemency (PR: 8)
8. Lupita Nyong’o, Us (PR: 7)
9. Elisabeth Moss, Her Smell (PR: 9)
10. Mary Kay Place, Diane (PR: Not Ranked)
Dropped Out:
Jodie Turner-Smith, Queen and Slim
Best Supporting Actress
Predicted Nominees:
1. Laura Dern, Marriage Story (PR: 1)
2. Jennifer Lopez, Hustlers (PR: 3)
3. Margot Robbie, Bombshell (PR: 2)
4. Zhao Shuzhen, The Farewell (PR: 6)
5. Florence Pugh, Little Women (PR: 4)
Other Possibilities:
6. Scarlett Johansson, Jojo Rabbit (PR: 5)
7. Annette Bening, The Report (PR: 7)
8. Kathy Bates, Richard Jewell (PR: Not Ranked)
9. Maggie Smith, Downton Abbey (PR: 8)
10. Margot Robbie, Once Upon a Time in Hollywood (PR: 10)
Dropped Out:
Thomasin McKenzie, Jojo Rabbit
Best Supporting Actor
Predicted Nominees:
1. Brad Pitt, Once Upon a Time in Hollywood (PR: 1)
2. Al Pacino, The Irishman (PR: 2)
3. Anthony Hopkins, The Two Popes (PR: 5)
4. Willem Dafoe, The Lighthouse (PR: 3)
5. Tom Hanks, A Beautiful Day in the Neighborhood (PR: 4)
Other Possibilities:
6. Joe Pesci, The Irishman (PR: 7)
7. Shia LaBeouf, Honey Boy (PR: 6)
8. Sterling K. Brown, Waves (PR: 9)
9. Song Kang-Ho, Parasite (PR: 8)
10. John Lithgow, Bombshell (PR: Not Ranked)
Dropped Out:
Jamie Foxx, Just Mercy
Best Original Screenplay
Predicted Nominees:
1. Once Upon a Time in Hollywood (PR: 2)
2. Marriage Story (PR: 1)
3. Parasite (PR: 3)
4. The Farewell (PR: 4)
5. Pain and Glory (PR: 5)
Other Possibilities:
6. Bombshell (PR: 6)
7. 1917 (PR: Not Ranked)
8. Knives Out (PR: 7)
9. Honey Boy (PR: Not Ranked)
10. Ford v Ferrari (PR: 9)
Dropped Out:
Booksmart
Waves
Best Adapted Screenplay
Predicted Nominees:
1. The Irishman (PR: 1)
2. Jojo Rabbit (PR: 2)
3. The Two Popes (PR: 4)
4. Little Women (PR: 3)
5. Joker (PR: 5)
Other Possibilities:
6. A Beautiful Day in the Neighborhood (PR: 6)
7. Hustlers (PR: 9)
8. Richard Jewell (PR: 8)
9. Just Mercy (PR: 7)
10. Dark Waters (PR: Not Ranked)
Dropped Out:
Downton Abbey
Best International Feature Film
Predicted Nominees:
1. Parasite (PR: 1)
2. Pain and Glory (PR: 2)
3. Les Miserables (PR: 3)
4. Monos (PR: 8)
5. And Then We Danced (PR: 4)
Other Possibilities:
6. Invisible Life (PR: 6)
7. Atlantics (PR: 7)
8. Beanpole (PR: 5)
9. Those Who Remained (PR: 9)
10. A White, White Day (PR: 10)
Best Animated Feature
Predicted Nominees:
1. Toy Story 4 (PR: 1)
2. Frozen II (PR: 2)
3. How to Train Your Dragon: The Hidden World (PR: 3)
4. I Lost My Body (PR: 4)
5. Weathering with You (PR: 5)
Other Possibilities:
6. Klaus (PR: 8)
7. Abominable (PR: 6)
8. Missing Link (PR: 7)
9. Bunuel in the Labyrinth of the Turtles (PR: 9)
10. Funan (PR: 10)
Best Documentary Feature
Predicted Nominees:
1. American Factory (PR: 1)
2. One Child Nation (PR: 2)
3. Maiden (PR: 6)
4. Apollo 11 (PR: 5)
5. For Sama (PR: Not Ranked)
Other Possibilities:
6. The Cave (PR: 3)
7. The Biggest Little Farm (PR: 7)
8. Honeyland (PR: 4)
9. Sea of Shadows (PR: 8)
10. The Kingmaker (PR: Not Ranked)
Dropped Out:
The Edge of Democracy
Knock Down the House
Best Cinematography
Predicted Nominees:
1. 1917 (PR: 1)
2. Once Upon a Time in Hollywood (PR: 2)
3. The Irishman (PR: 3)
4. The Lighthouse (PR: 4)
5. Joker (PR: 5)
Other Possibilities:
6. Parasite (PR: 9)
7. A Hidden Life (PR: 7)
8. Ford v Ferrari (PR: 8)
9. Little Women (PR: 10)
10. Ad Astra (PR: 6)
Best Costume Design
Predicted Nominees:
1. Little Women (PR: 2)
2. Once Upon a Time in Hollywood (PR: 1)
3. Dolemite Is My Name (PR: 4)
4. Rocketman (PR: 5)
5. Downton Abbey (PR: 3)
Other Possibilities:
6. The Irishman (PR: 6)
7. Judy (PR: 10)
8. The Aeronauts (PR: 7)
9. Cats (PR: 9)
10. Aladdin (PR: Not Ranked)
Dropped Out:
Jojo Rabbit
Best Film Editing
Predicted Nominees:
1. The Irishman (PR: 1)
2. Once Upon a Time in Hollywood (PR: 3)
3. 1917 (PR: 4)
4. Ford v Ferrari (PR: 2)
5. Parasite (PR: 5)
Other Possibilities:
6. Marriage Story (PR: 6)
7. Joker (PR: 9)
8. Jojo Rabbit (PR: 7)
9. Bombshell (PR: 8)
10. The Two Popes (PR: Not Ranked)
Dropped Out:
Rocketman
Best Makeup and Hairstyling
Predicted Nominees:
1. Bombshell (PR: 1)
2. The Irishman (PR: 2)
3. Judy (PR: 3)
4. Dolemite Is My Name (PR: 5)
5. Us (PR: 7)
Other Possibilities:
6. Once Upon a Time in Hollywood (PR: 4)
7. Joker (PR: 6)
8. Rocketman (PR: Not Ranked)
9. Star Wars: The Rise of Skywalker (PR: 9)
10. Cats (PR: 10)
Dropped Out:
The Aeronauts
Best Production Design
Predicted Nominees:
1. Once Upon a Time in Hollywood (PR: 1)
2. Little Women (PR: 2)
3. 1917 (PR: 5)
4. The Irishman (PR: 3)
5. Jojo Rabbit (PR: 4)
Other Possibilities:
6. Parasite (PR: 6)
7. Joker (PR: 7)
8. The Two Popes (PR: 10)
9. Cats (PR: 8)
10. Downton Abbey (PR: 9)
Best Original Score
Predicted Nominees:
1. 1917 (PR: 1)
2. Little Women (PR: 2)
3. Star Wars: The Rise of Skywalker (PR: 3)
4. Marriage Story (PR: 5)
5. Joker (PR: 4)
Other Possibilities:
6. Ford v Ferrari (PR: 8)
7. A Hidden Life (PR: 7)
8. Jojo Rabbit (PR: 6)
9. Waves (PR: Not Ranked)
10. Ad Astra (PR: 10)
Dropped Out:
The Aeronauts
Best Original Song
Predicted Nominees:
1. “Into the Unknown” from Frozen II (PR: 1)
2. “(I’m Gonna) Love Me Again” from Rocketman (PR: 2)
3. “Stand Up” from Harriet (PR: 4)
4. “Beautiful Ghosts” from Cats (PR: 3)
5. “Speechless” from Aladdin (PR: 7)
Other Possibilities:
6. “Spirit” from The Lion King (PR: 5)
7. “I Can’t Let You Throw Yourself Away” from Toy Story 4 (PR: 10)
8. “Daily Battles” from Motherless Brooklyn (PR: 6)
9. “Glasgow” from Wild Rose (PR: Not Ranked)
10. “Together From Afar” from How to Train Your Dragon: The Hidden World (PR: 9)
Dropped Out:
“Show Yourself” from Frozen II
Best Sound Editing
Predicted Nominees:
1. 1917 (PR: 2)
2. Ford v Ferrari (PR: 1)
3. Star Wars: The Rise of Skywalker (PR: 3)
4. Avengers: Endgame (PR: 5)
5. Ad Astra (PR: 4)
Other Possibilities:
6. Rocketman (PR: 6)
7. The Irishman (PR: 7)
8. Joker (PR: Not Ranked)
9. Once Upon a Time in Hollywood (PR: 8)
10. Cats (PR: 9)
Dropped Out:
The Aeronauts
Best Sound Mixing
Predicted Nominees:
1. 1917 (PR: 1)
2. Ford v Ferrari (PR: 2)
3. Star Wars: The Rise of Skywalker (PR: 3)
4. Avengers: Endgame (PR: 6)
5. Rocketman (PR: 4)
Other Possibilities:
6. Ad Astra (PR: 5)
7. Once Upon a Time in Hollywood (PR: 7)
8. Cats (PR: 8)
9. The Irishman (PR: Not Ranked)
10. Joker (PR: 9)
Dropped Out:
Judy
Best Visual Effects
Predicted Nominees:
1. The Irishman (PR: 1)
2. Star Wars: The Rise of Skywalker (PR: 2)
3. Avengers: Endgame (PR: 3)
4. The Lion King (PR: 4)
5. The Aeronauts (PR: 5)
Other Possibilities:
6. Ad Astra (PR: 6)
7. 1917 (PR: 10)
8. Alita: Battle Angel (PR: 8)
9. Gemini Man (PR: 7)
10. Aladdin (PR: 9)
And this all equates to these pictures nabbing the following numbers of nods:
10 Nominations
The Irishman
9 Nominations
Once Upon a Time in Hollywood
8 Nominations
1917
7 Nominations
Little Women, Marriage Story
5 Nominations
Joker, Parasite
4 Nominations
Bombshell, Star Wars: The Rise of Skywalker, The Two Popes
3 Nominations
Avengers: Endgame, Ford v Ferrari, Jojo Rabbit, Rocketman
2 Nominations
Dolemite Is My Name, The Farewell, Frozen II, Harriet, Judy, The Lighthouse, Pain and Glory
1 Nomination
A Beautiful Day in the Neighborhood, Ad Astra, The Aeronauts, Aladdin, American Factory, And Then We Danced, Apollo 11, Cats, Downton Abbey, For Sama, How to Train Your Dragon: The Hidden World, Hustlers, I Lost My Body, Les Miserables, The Lion King, Maiden, Monos, One Child Nation, Toy Story 4, Us, Weathering with You
Turkey Day weekend is upon us at the box office with two new pictures attempting to harvest some cash while Frozen II should gobble up the bulk of the bucks. We have Rian Johnson’s comedic murder mystery Knives Out and the romantic crime thriller Queen & Slim both rolling out on Wednesday. You can peruse my detailed prediction posts on each of them here:
Knives is aiming for a second place showing behind the Disney juggernaut and it should get there. With solid reviews in its corner, I could foresee this topping my high teens Friday to Sunday and mid to high 20s five-day estimate. However, I believe it’s just as likely that this legs out well in subsequent weekends.
As for Queen, it too has critics in its corner. However, a lack of awards chatter and a smallish theater count of around 1500 could mean low double digits for its Wednesday through Sunday tally. That should mean a #5 premiere.
Holdovers Ford v Ferrari and A Beautiful Day in the Neighborhood appear poised for the kind of minor declines we often find over this holiday frame. That is especially welcome news for Neighborhood, which came in at the low end of its anticipated range this past weekend. I’m calling for mid teens drops for each.
Frozen II is a toughie. There simply aren’t many comps for how this should perform in its sophomore weekend. Most November blockbusters from the Mouse Factory open over Thanksgiving and not the weekend before. I’ll project a mid 30s dip for the Friday to Sunday portion. In all honesty, this is a bit of guesswork.
Here’s how I foresee the weekend playing out:
1. Frozen II
Predicted Gross: $84.4 million
2. Knives Out
Predicted Gross: $18.5 million (Friday to Sunday); $27.7 million (Wednesday to Sunday)
3. Ford v Ferrari
Predicted Gross: $12.8 million
4. A Beautiful Day in the Neighborhood
Predicted Gross: $11 million
5. Queen & Slim
Predicted Gross: $6.9 million (Friday to Sunday); $10.1 million (Wednesday to Sunday)
Box Office Results (November 22-24)
Frozen II provided the scorching earnings that the month of November desperately needed. In doing so, it achieved the best traditionally animated (read: not Pixar) Disney start ever and highest ever November animated haul. The sequel took in $130.2 million, just over my $126.7 million projection.
Ford v Ferrari slid to second with $15.7 million with a larger than expected 50% drop. I predicted $18.2 million. It’s at $57 million through 10 days.
As mentioned, A Beautiful Day in the Neighborhood was third with a so-so beginning at $13.2 million, well under my $18.6 million forecast. Its A Cinemscore rating should keep it humming for the next few weeks, however.
The Chadwick Boseman action thriller 21 Bridges underwhelmed with $9.2 million in fourth, on pace with my take of $9.8 million. It could hold decently over the holiday, but it should fade quickly after that.
Midway rounded out the top five and I incorrectly had it on the outside. The World War II pic made $4.6 million for $43 million overall.
Playing with Fire was sixth with $4.5 million (I said $4.9 million) for $31 million at press time.
The name Luce (sounds like loose) was given to its title character after being adopted from the war-torn nation of Eritrea at the age of ten. As he tells it, his adoptive mother Amy (Naomi Watts) couldn’t pronounce his birth name – unable to master the various syllables involved. Like Amy, we never do learn it. So Luce it is, which means light. In the context of the film Luce, this strikes me as a not insignificant detail. From the moment he comes to the United States, he’s accustomed to others defining him and believing what they see. In their eyes, there is no darkness. Only light.
Luce (Kelvin Harrison Jr.) is a high school senior, raised by upper class Amy and Peter (Tim Roth). He is looked at as the model student. An all-star athlete and debate club standout, Luce can apparently do no wrong. When history teacher Harriet Wilson (Octavia Spencer) begins poking holes at his impenetrable facade, his status is challenged. As is her reputation.
What unfolds is a tale of race relations and, more significantly, racial expectations. No one in Luce is all that innocent. The picture often plays like a thriller where you expect a core player to snap. You’re just not sure who it will be. I’ll add that the tightly wound score from Geoff Barrow and Ben Salisbury is a contributor to the feeling.
Harrison Jr. has a complicated character to portray and he succeeds in keeping the audience off-kilter. He’s charming, but there’s no doubt that another layer is bubbling not far under the surface. Spencer may have the trickiest role as Harriet navigates the repercussions of her discoveries about Luce. As always, she’s up to the challenge.
Julius Onah directed and co-wrote with JC Lee and Luce is an exercise clearly meant to spark discussion. The screenplay often allows the viewer to draw their own conclusions about who to root for and against or perhaps feel ambivalent about. There’s also the odd sensation of some themes being redundant. If you’re searching for a pat ending to fill in every blank, ambivalence may be your overarching reaction. The overall thesis to this story, like Luce’s original name, is unpronounced or at least left for speculation. I found Luce, for the most part, successful in creating a sense of tension before the conversations start after fade out.
Twenty years ago, Sam Mendes made American Beauty and it dominated the 1999 Oscars, with the filmmaker taking Best Director and the movie being named Best Picture. Lately, Mendes has been known more as the Bond director behind past two installments Skyfall and Spectre.
His World War I epic 1917 has held its initial screenings prior to its Christmas release. Early word of mouth suggests the saga about The Great War is a great picture and that Oscar is likely to pay attention. Most of the buzz thus far has centered on its making as a one camera take experience. Before today’s reviews, this seemed like a probable contender for multiple tech awards already. That includes Cinematography, Editing, Production Design, and both Sound races. All of that still holds true. The legendary Roger Deakins is responsible for the cinematography. After many nominations, he won his first gold statue just two years back for Blade Runner 2049. He could pick up a second here.
Similarly, composer Thomas Newman (a frequent Mendes collaborator) has heard his name called 14 times by Oscar, but has yet to be the victor. That, too, could change as the score is getting numerous mentions.
The cast includes George McKay, Mark Strong, Colin Firth, and Benedict Cumberbatch, but I don’t expect any acting nods due to the packed nature of those categories. However, I do expect Picture and Director (and maybe Original Screenplay) attention. I’ve had the film itself and Mendes in my guesstimates for some time. When my weekly predictions come Monday, I anticipate both will be ranked higher than ever before. My Oscar Watch posts will continue…
In what’s being called a current take on Bonnie and Clyde, Universal is hoping that moviegoers take a trip with Queen & Slim over the long Thanksgiving weekend. The romantic thriller stars Daniel Kaluuya (of Get Out and Black Panther fame) and newcomer Jodie Turner-Smith as a new couple on the run after a minor traffic stop goes wrong. Melina Matsoukas, who’s won Grammys and MTV Video Music Awards for her work with Beyonce and Rihanna, makes her feature film debut. Costars include Bokeem Woodbine, Chloe Sevigny, and Flea of the Red Hot Chili Peppers.
The pic debuted last week at the AFI Fest to very positive reviews. Yet despite the current 100% Rotten Tomatoes rating, this has yet to achieve any significant awards chatter. That could hinder its box office potential. Queen is already being called a potential cult hit. However, cult hits often take some time to achieve that status.
Opening on Wednesday, I believe this will have a five-day take in the high single digits to low double digits as it hopes for word of mouth to carry it along.
Queen & Slim opening weekend prediction: $6.9 million (Friday to Sunday); $10.1 million (Wednesday to Sunday)
Few directors have made two Best Picture Oscar winners, but Clint Eastwood did that with 1992’s Unforgiven and 2004’s Million Dollar Baby. The latter came along late in the year and shifted the conversation 15 years ago. So anytime Mr. Eastwood screens a potential contender in time for Academy consideration, it’s time to take notice. The AFI Film Festival premiered Richard Jewell last night and the biographical drama centers on the title character who was falsely accused of the 1996 Olympic Park bombing in Atlanta.
So what’s the verdict? Jewell is sporting an 89% Rotten Tomatoes score thus far, but critical reaction brings a question mark as to its viability. While some reviews indicate it could very well contend, others are a little more mixed.
Eastwood filmed his last nominee five years back with the massive hit American Sniper. Since then, his filmography of Sully, The 15:17 to Paris, and The Mule has garnered scant awards attention (save for a Sound Editing nod for Sully).
Chatter has focused on three performances. Paul Walter Hauser, memorable in supporting roles in I, Tonya and BlacKkKlansman, is garnering raves. Yet Best Actor is fiercely competitive in 2019. In my weekly predictions, he hasn’t been in the top ten as I’ve waited for reaction to come. I honestly feel all ten of my current possibilities could get in. Hauser will really need to gather momentum for any shot. It’s doable, but I feel it would be more doable in a different year.
The same can be said for Sam Rockwell as Jewell’s lawyer. Two years ago, the actor won Supporting Actor for Three Billboards Outside Ebbing, Missouri. Last year, he was nominated again as George W. Bush in Vice. It would be a quite a story for him to get nods three years in a row. Like Hauser’s category, Supporting Actor is also chock full of contenders. I’m a bit skeptical he makes it as he might also split his own votes for his work in Jojo Rabbit.
It could be Kathy Bates that manages to get in playing Jewell’s mother. That’s because Supporting Actress is not quite as packed as the races of her costars. Nearly three decades have passed since she won Best Actress for Misery. Bates has received two Supporting Actress recognitions since in 1998’s Primary Colors and 2002’s About Schmidt.
So… how about the film itself and Eastwood? It’s certainly feasible that it nabs a Picture nomination, but it’s definitely an on the bubble candidate. Due to that, I’m not sure Eastwood can make the final five. He’ll just have to rest on his already considerable mantelpiece.
Bottom line: Richard Jewell put itself in the mix at AFI, but there’s also a chance it comes up empty handed. My Oscar Watch posts will continue…
This afternoon, the nominations for the 35th Independent Spirit Awards were released as we prepare for the onslaught of Oscar precursors to follow. And make no mistake – the Indie Spirits are indeed a precursor. In this decade from 2010-2018, five of the nine Best Feature winners emerged victorious with the Academy for Best Picture: 2011’s The Artist, 2013’s 12 Years a Slave, 2014’s Birdman, 2015’s Spotlight, and 2016’s Moonlight. Some of these years have three or four of the five nominees get Oscar nods in the big race.
However, 2018 marked the first year of this decade when none of the five nominated pictures at the Indies garnered any Academy love. I don’t expect that to occur for a second year in a row.
In this post, I’ll break down Feature, Director, and the four acting races and what it might mean for Oscar:
Best Feature
Nominees: A Hidden Life, Clemency, The Farewell, Marriage Story, Uncut Gems
First things first: Marriage Story is going to get a Best Picture nomination and probably wins here. And it might be the only one here that does. The Farewell has a decent shot and Uncut Gems is a potential sleeper (though I wouldn’t bet on it).
That said, Gems did tie The Lighthouse for most Indie mentions (5). And that brings us back to Marriage Story. The voters here chose to give it a special Robert Altman award honoring the team behind it. That includes cast members Adam Driver, Scarlett Johansson, Laura Dern, and Alan Alda. They all probably would’ve heard their names here had that not occurred and same goes for director Noah Baumbach. If that seems like a bit of a cheat (taking out probable winners like Driver and Baumbach), I wouldn’t argue. The silver lining is that it does make some of these categories more interesting.
Best Director
Nominees: Robert Eggers (The Lighthouse), Alma Hor’el (Honey Boy), Julius Onah (Luce), Ben and Josh Safdie (Uncut Gems), Lorene Scafaria (Hustlers)
Like Best Feature, 2018 saw no directors recognized get Academy attention. With Baumbach getting his Altman award and out of the running, that could certainly happen again as I don’t even have any of these directors in my top ten Oscar possibilities. Perhaps this could help spur chatter for the Safdies or Scafaria. Again… I wouldn’t bet on it.
Best Female Lead
Nominees: Karen Allen (Colewell), Hong Chau (Driveways), Elisabeth Moss (Her Smell), Mary Kay Place (Diane), Alfre Woodard (Clemency), Renee Zellweger (Judy)
Six out of nine winners here from 2010-2018 went onto win the Best Actress statue: Natalie Portman (Black Swan), Jennifer Lawrence (Silver Linings Playbook), Cate Blanchett (Blue Jasmine), Julianne Moore (Still Alice), Brie Larson (Room), and Frances McDormand (Three Billboards Outside Ebbing, Missouri).
Even with Johansson not included, it could be 7/10 as Zellweger is my current Oscar front runner. Woodard and Moss stand shots at nods. The other three need not shop for red carpet dresses.
One noticeable omission is Awkwafina in The Farewell, who many are predicting for Oscar attention. I currently had her on the outside looking in at sixth. That could slide when I update my estimates on Monday.
Best Male Lead
Nominees: Chris Galust (Give Me Liberty), Kelvin Harrison, Jr. (Luce), Robert Pattinson (The Lighthouse), Adam Sandler (Uncut Gems), Matthias Schoenarts (The Mustang)
Jean Dujardin (The Artist), Matthew McConaughey (Dallas Buyers Club), and Casey Affleck (Manchester by the Sea) are the three Indie/Oscar recipients. Only in 2015 and (yes) 2018 did no nominees get Oscar nods…
I expect that to occur again. I believe only Sandler stands a chance, but it’s a reach based on severe competition.
Best Supporting Female
Nominees: Jennifer Lopez (Hustlers), Taylor Russell (Waves), Lauren Spencer (Give Me Liberty), Octavia Spencer (Luce), Shuzhen Zhou (The Farewell)
Four winners here have picked up Academy trophies – Lupita Nyong’o (12 Years a Slave), Patricia Arquette (Boyhood), and the past two winners Allison Janney (I, Tonya) and Regina King (If Beale Street Could Talk).
With soft front runner Laura Dern in the Marriage Story special category thing, we could still see a third year in a row match with Lopez. Zhou and Spencer (to a lesser degree) may also find themselves in the Oscar mix.
And with Taylor Russell’s nod here, it’s a good time to mention that Waves really came up short with the Indies today. That doesn’t help its Oscar viability.
Best Supporting Male
Nominees: Willem Dafoe (The Lighthouse), Noah Jupe (Honey Boy), Shia LaBeouf (Honey Boy), Jonathan Majors (The Last Black Man in San Francisco), Wendell Pierce (Burning Cane)
This category is another ultra crowded one for Oscar attention, but Dafoe and LaBeouf are legit contenders for nods. Not so with the other three. The omission of Sterling K. Brown in Waves is a surprise.
There have been four Indie/Oscar victors this decade: Christopher Plummer (Beginners), Jared Leto (Dallas Buyers Club), J.K. Simmons (Whiplash), and Sam Rockwell (Three Billboards Outside Ebbing, Missouri). With Brad Pitt (Once Upon a Time in Hollywood) and Al Pacino (The Irishman) as likely favorites for the Academy, I wouldn’t expect a fifth match.
And there you have it, folks! My take on the Indies and which Oscar gems they could produce…
The AFI Film Festival is ongoing and it serves as the final opportunity for releases to stake their claim for Oscar consideration in the fest format. George Nolfi’s The Banker had been selected to close the proceedings tomorrow evening. Not only was this a chance for it to enter into awards chatter, but it’s also among the first feature films that will be shown on Apple TV’s new streaming service. In other words, while Netflix looks to have a banner 2019 when it comes to various contenders like The Irishman, Marriage Story, The Two Popes, and Dolemite Is My Name – this picture marks a way for Apple TV to get into the game.
However, the surprise announcement came this afternoon that AFI organizers are pulling its gala screening. Details are rather scarce as reports indicate there’s potential allegations surfacing about a member of the family played by Anthony Mackie’s character. Expect those details to be fleshed out in short order. Mackie and Samuel L. Jackson star in this true tale of two African American businessmen in the 1960s. Costars include Nicholas Hoult, Nia Long, Jessie Usher, and Colm Meaney.
The Banker is scheduled for a December 6th theatrical release prior to Apple’s streaming rollout early next year. That early December slot put in contention for nominations and now its release at this juncture now appears to be in doubt. I was planning to do an Oscar Watch post on it by the end of the week, but it looks like that’s in the vault for the foreseeable future. My Oscar Watch posts will continue…
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