Oscar Watch: Pieces of a Woman

Certain Netflix viewers know Vanessa Kirby best as Princess Margaret on the hit series The Crown. Action fans recognize her from her participation in two huge franchises with her roles in Mission: Impossible – Fallout and Hobbs & Shaw. Now Kirby may get on the radar of awards voters with Pieces of a Woman, which has screened at the Venice Film Festival.

The drama comes from Hungarian filmmaker Kornel Mundruczo, perhaps best known stateside for his 2014 feature White God. Kirby stars alongside Shia LaBeouf as an expectant couple whose joy turns to sorrow as a result of a home birth situation. Costars include Ellen Burstyn, Jimmie Fails, and Molly Parker. The most high profile name is its executive producer Martin Scorsese.

Critics have been careful not to let loose many spoilers in their reviews, but the Rotten Tomatoes score is a solid 88%. The write-ups seem to agree that this is a breakout role for Kirby. As to whether she can contend for a nod, questions abound. Will Woman pick up domestic distribution by the submission deadline? Is this subject matter too grim for this to pick up steam with the Academy? There’s also the matter of The World to Come. It also features the actress, screened at Venice, and is also picking up some chatter (it will be my next Oscar Watch post).

Bottom line: Kirby has entered the mix in Venice, but a lot of uncertainty surrounds her potential inclusion. I would also add that Burstyn could potentially get mentions in Supporting Actress though it’s feasible that Kirby will get the bulk of attention. Burstyn is, of course, a legendary performer who’s already won an Oscar (for 1974’s Alice Doesn’t Live Here Anymore) and received five other nominations. Her previous nod came 20 years ago for Requiem for a Dream. My Oscar Watch posts will continue…

Early 2020 Oscar Predictions: Best Director

My first round of Oscar predictions in this topsy turvy time known as 2020 arrives at Best Director. If you missed my initial take on the four acting races, you can find them all here:

https://toddmthatcher.com/2020/08/11/early-2020-oscar-predictions-best-actress/

https://toddmthatcher.com/2020/08/10/early-2020-oscar-predictions-best-actor/

https://toddmthatcher.com/2020/08/09/early-2020-oscar-predictions-best-supporting-actress/

https://toddmthatcher.com/2020/08/09/early-2020-oscar-predictions-best-supporting-actor/

I’ve already discussed the challenges of making these August projections and many of them are the same as any other year. Yet it’s even trickier now due to the COVID-19 pandemic and the ever shifting release dates that accompany it. This is why I’ve left off Wes Anderson and The French Dispatch as its premiere is especially in flux. If word comes out in the near future to its unveiling, he would almost certainly be in the top 15.

Some of the pictures and their makers listed here will (at least right now) be seen in the next few weeks at festivals. As for Tenet, the latest from Christopher Nolan is expected to be out in limited fashion stateside by month’s end.

2019 was a bit more stable and I correctly identified 4 of the eventual 5 nominees in my first late summer predictions. That includes winner Bong Joon-Ho (Parasite), Sam Mendes (1917), Martin Scorsese, (The Irishman), and Quentin Tarantino (Once Upon a Time in Hollywood). My only miss was Todd Phillips for Joker and I didn’t even have him in the 10 other possibilities.

Let’s get to it with my introductory look at the players vying for behind the camera accolades!

EARLY OSCAR PREDICTIONS: BEST DIRECTOR

David Fincher, Mank

Spike Lee, Da 5 Bloods

Aaron Sorkin, The Trial of the Chicago 7

Denis Villeneuve, Dune

Chloe Zhao, Nomadland

Other Possibilities:

Sofia Coppola, On the Rocks

Paul Greengrass, News of the World

Ron Howard, Hillbilly Elegy

Charlie Kaufman, I’m Thinking of Ending Things

Shaka King, Judas and the Black Messiah

Francis Lee, Ammonite

Tom McCarthy, Stillwater

Mike Mills, C’Mon C’Mon

Christopher Nolan, Tenet

Steven Spielberg, West Side Story

I’ll have the big daddy of them all – Best Picture – up in short order! Stay tuned…

Oscar History: 2013

Recapping the Oscar Season of 2013, a few things stick out. The big winners were 12 Years a Slave and Gravity, which cleaned up in the tech races. The big loser was American Hustle, which came away with zero victories despite 10 nominations (tying it for most nods with Gravity, which won 7 of them). Another take: it was a packed year for Best Actor with some deserving gents left out.

As I have done with previous years, let’s take a deeper dive in the 86th Academy Awards in the major races:

Steve McQueen’s 12 Years a Slave unsurprisingly came away with the Best Picture prize in a field that yielded eight other films. They were David O. Russell’s American Hustle, Paul Greengrass’s Captain Phillips, Jean-Marc Vallee’s Dallas Buyers Club, Alfonso Cuaron’s Gravity, Spike Jonze’s Her, Alexander Payne’s Nebraska, Philomena from Stephen Frears, and Martin Scorsese’s The Wolf of Wall Street. 

That’s a solid grouping of pictures and there’s probably no obvious omissions from my end in 2013.. That said, many young girls may protest Frozen not making the cut though it did win Best Animated Feature. And certainly Inside Llewyn Davis from the Coen Brothers had its ardent admirers.

There was a Picture/Director split with Cuaron emerging victorious for Gravity. The filmmaker would achieve the same feat five years later when he won for Roma but Green Book took Best Picture. Other nominees were McQueen, Payne, Russell, and Scorsese.I would argue that Greengrass and Jonze could have made the final five.

In the aforementioned crowded Best Actor derby, Matthew McConaughey took gold for his work in Dallas Buyers Club. The four other contenders were Christian Bale for Hustle, Bruce Dern in Nebraska, Leonardo DiCaprio for Wall Street, and Chiwetel Ejiofor in 12 Years a Slave. Note that all nominees came from Best Picture hopefuls.

Let’s start with Tom Hanks, who I absolutely feel should have gotten in for his remarkable performance in Captain Phillips. The clip I’ve included below proves it and then some. You could say the same for Joaquin Phoenix in Her. Others worth noting: Oscar Isaac in Inside Llewyn Davis, Hugh Jackman in Prisoners, and Robert Redford for All Is Lost. 

Cate Blanchett was the latest actress to be honored for her work in a Woody Allen picture as she took Best Actress for Blue Jasmine. The other nominees were Amy Adams (American Hustle), Sandra Bullock (Gravity), Judi Dench (Philomena), and the ever present Meryl Streep (August: Osage County).

I’ll mention three others left out worthy of consideration: Brie Larson in Short Term 12, Julia-Louis Dreyfus for Enough Said, and Emma Thompson in Saving Mr. Banks. For the latter, it was a bit unexpected that she was left out.

McConaughey’s Dallas Buyers costar Jared Leto won Supporting Actor over Barkhad Abdi (Captain Phillips), Bradley Cooper (American Hustle), Michael Fassbender (12 Years a Slave), and Jonah Hill (The Wolf of Wall Street). Again, all nominees stemmed from Picture contenders.

Some others that didn’t quite make it: Daniel Bruhl in Rush, Steve Coogan for Philomena, Paul Dano in Prisoners, and Will Forte in Nebraska.

Another big 12 Years victory was Lupita Nyong’o in Supporting Actress. She took the prize despite competition from Sally Hawkins (Blue Jasmine), Jennifer Lawrence (American Hustle), Julia Roberts (August: Osage County), and June Squibb (Nebraska).

Despite it being a voice only performance, I would say Scarlett Johansson in Her deserved a spot and the same could be said for Margot Robbie in Wall Street.

And there you have it, folks! My look back at the Oscar landscape in 2013. I’ll have 2014 up in due time…

FINAL 2019 Oscar Winner Predictions

And here we are! After one year plus of speculating about the Academy Awards ceremony that will air this Sunday evening, we arrive at my final prediction posts on the winners!

For all 21 races encompassing feature-length films, I am giving you my analysis with my pick and the runner-up in case I’m wrong (which is bound to occur). A broad overview includes these thoughts:

  • There are undeniable strong front-runners in all four acting categories – so much so that even picking a runner-up is a challenge. If anyone other than my quartet wins, it’ll constitute an upset.
  • This is not the case in the other major races and that includes Picture and Director and both screenplay categories.
  • Other matchups are practical coin tosses and that includes Animated Feature, Documentary Feature, Production Design, and Visual Effects.

I’m going to begin with the tech races and build up from there. So let’s get to it!

Best Cinematography

The Nominees: The Irishman, Joker, The Lighthouse, 1917, Once Upon a Time in Hollywood

Analysis: We start with a relatively easy one as the work of Roger Deakins in 1917 appears to have this in the bag. Anything else would be a surprise, but Hollywood could potentially challenge.

PREDICTED WINNER: 1917

Runner-Up: Once Upon a Time in Hollywood

Best Costume Design

The Nominees: The Irishman, Jojo Rabbit, Joker, Little Women, Once Upon a Time in Hollywood

Analysis: Here’s another one where Hollywood could get it, but I will predict voters go back a bit further to the stylings of Little Women (for what could definitely be its sole victory).

PREDICTED WINNER: LITTLE WOMEN

Runner-Up: Once Upon a Time in Hollywood

Best Film Editing

The Nominees: Ford v Ferrari, The Irishman, Jojo Rabbit, Joker, Parasite

Analysis: Both The Irishman and Parasite are possibilities here, but I believe Ferrari has the upper hand (for what could be its sole victory).

PREDICTED WINNER: FORD V FERRARI

Runner-Up: Parasite

Best Makeup and Hairstyling

The Nominees: Bombshell, Joker, Judy, Maleficent: Mistress of Evil, 1917

Analysis: Bombshell appears to be the sturdy favorite here. And like a broken record, this likely stands as its only win. Joker or Judy would be the upset contenders.

PREDICTED WINNER: BOMBSHELL

Runner-Up: Joker

Best Original Score

The Nominees: Joker, Little Women, Marriage Story, 1917, Star Wars: The Rise of Skywalker

Analysis: Thomas Newman (1917) has been nominated numerous times without a victory and the consensus for a while is that he would finally get his due. However, Joker has pretty much swept the precursors.

PREDICTED WINNER: JOKER

Runner-Up: 1917

Best Original Song

The Nominees: “I Can’t Let You Throw Yourself Away” from Toy Story 4, “I’m Gonna Love Me Again” from Rocketman, “I’m Standing with You” from Breakthrough, “Into the Unknown” from Frozen II, “Stand Up” from Harriet

Analysis: It was a bit of a shocker that this stands as the only nod for Rocketman, which was expected to garner attention in Makeup and Hairstyling and the sound races. Yet the Academy is probably poised to get Sir Elton John up to the stage.

PREDICTED WINNER: “I’M GONNA LOVE ME AGAIN” FROM ROCKETMAN

Runner-Up: “Into the Unknown” from Frozen II

Best Production Design

The Nominees: The Irishman, Jojo Rabbit, 1917, Once Upon a Time in Hollywood, Parasite

Analysis: Along with Supporting Actor and Original Screenplay, this race marks the best shot for Hollywood to nab an Oscar. Frankly, this is a fairly wide open category where there is a narrative for any of the nominees to take it. I’m going to pick Hollywood by a hair.

PREDICTED WINNER: ONCE UPON A TIME IN HOLLYWOOD

Runner-Up: Parasite

Best Sound Editing

The Nominees: Ford v Ferrari, Joker, 1917, Once Upon a Time in Hollywood, Star Wars: The Rise of Skywalker

Analysis: In both Sound races, I feel it comes down to Ford 1917. In each case, I’ll give it to 1917.

PREDICTED WINNER: 1917

Runner-Up: Ford v Ferrari

Best Sound Mixing

The Nominees: Ad Astra, Ford v Ferrari, Joker, 1917, Once Upon a Time in Hollywood

Analysis: See Sound Editing

PREDICTED WINNER: 1917

Runner-Up: Ford v Ferrari

Best Visual Effects

The Nominees: Avengers: Endgame, The Irishman, The Lion King, 1917, Star Wars: The Rise of Skywalker

Analysis: This is a tough one. Other than Skywalker, I feel any of the competitors could squeeze out a win. With 1917 picking up other tech races, I’ll give it the slight advantage. This wasn’t the case a month or two ago, but this might actually be the likeliest category for an Irishman Oscar.

PREDICTED WINNER: 1917

Runner-Up: The Irishman 

Best Animated Feature

The Nominees: How to Train Your Dragon: The Hidden World, I Lost My Body, Klaus, Missing Link, Toy Story 4

Analysis: This one has been all over the map. Klaus picked up some key precursors. Missing Link surprised everyone by taking the Golden Globe. The Academy could choose to honor the Dragon franchise as a whole. I Lost My Body has its ardent admirers. Ultimately I’m playing it safe and betting Pixar manages to top all of them, though I’m less confident than usual about that.

PREDICTED WINNER: TOY STORY 4

Runner-Up: Klaus

Best Documentary Feature

The Nominees: American Factory, The Cave, The Edge of Democracy, For Sama, Honeyland

Analysis: For Sama is a legit contender and Honeyland being nominated here and in International Feature Film (which it will not win) could mean something. American Factory, however, has held slight front runner status for some time. This is a coin flop, but we’ve seen surprises here before and I’ll lean towards that.

PREDICTED WINNER: FOR SAMA

Runner-Up: American Factory

Best International Feature Film

The Nominees: Corpus Christi, Honeyland, Les Miserables, Pain and Glory, Parasite

Analysis: Let’s not complicate this. It’s going to be Parasite. 

PREDICTED WINNER: PARASITE

Runner-Up: I guess… Pain and Glory?

Best Adapted Screenplay

The Nominees: The Irishman, Jojo Rabbit, Joker, Little Women, The Two Popes

Analysis: There is definitely a chance that Greta Gerwig for Little Women could take this, especially after her Oscar snub for directing. The precursor attention, on the other hand, has mainly gone to Jojo for what might be its solo award.

PREDICTED WINNER: JOJO RABBIT

Runner-Up: Little Women

Best Original Screenplay

The Nominees: Knives Out, Marriage Story, 1917, Once Upon a Time in Hollywood, Parasite

Analysis: Quentin could pick up his third statue here after Pulp Fiction and Django Unchained, but the Parasite love seems stronger.

PREDICTED WINNER: PARASITE

Runner-Up: Once Upon a Time in Hollywood

Best Supporting Actor

The Nominees: Tom Hanks (A Beautiful Day in the Neighborhood), Anthony Hopkins (The Two Popes), Al Pacino (The Irishman), Joe Pesci (The Irishman), Brad Pitt (Once Upon a Time in Hollywood)

Analysis: With the Irishmen splitting votes and Pitt taking every significant precursor, this is an easy one.

PREDICTED WINNER: BRAD PITT, ONCE UPON A TIME IN HOLLYWOOD

Runner-Up: Tom Hanks, A Beautiful Day in the Neighborhood

Best Supporting Actress

The Nominees: Kathy Bates (Richard Jewell). Laura Dern (Marriage Story), Scarlett Johansson (Jojo Rabbit), Florence Pugh (Little Women), Margot Robbie (Bombshell)

Analysis: Johansson being a double nominee is tough to ignore and I believe she’s got a slightly better shot here than in Actress. Her costar Dern, though, has swept the season.

PREDICTED WINNER: LAURA DERN, MARRIAGE STORY

Runner-Up: Scarlett Johansson, Jojo Rabbit

Best Actor

The Nominees: Antonio Banderas (Pain and Glory), Leonardo DiCaprio (Once Upon a Time in Hollywood), Adam Driver (Marriage Story), Joaquin Phoenix (Joker), Jonathan Pryce (The Two Popes)

Analysis: Here’s a race where there were about a dozen performances vying for five spots. At the end of the day, the competition was fun to witness but Phoenix has picked up all the hardware thus far and I don’t see that stopping on Sunday.

PREDICTED WINNER: JOAQUIN PHOENIX, JOKER

Runner-Up: Adam Driver, Marriage Story

Best Actress

The Nominees: Cynthia Erivo (Harriet), Scarlett Johansson (Marriage Story), Saoirse Ronan (Little Women), Charlize Theron (Bombshell), Renee Zellweger (Judy)

Analysis: Zellweger could the most vulnerable of the favored quartet with Theron or Johansson in the wings. It would be foolish to bet against her based on what’s already happened.

PREDICTED WINNER: RENEE ZELLWEGER, JUDY

Runner-Up: Charlize Theron, Bombshell

Best Director

The Nominees: Bong Joon-Ho (Parasite), Sam Mendes (1917), Todd Phillips (Joker), Martin Scorsese (The Irishman), Quentin Tarantino (Once Upon a Time in Hollywood)

Analysis: Even with heavyweights like Scorsese and Tarantino in the mix, this has come down to Joon-Ho vs. Mendes. And the latter has won the Golden Globe and the DGA (which has a steady track record of naming the winner here).

PREDICTED WINNER: SAM MENDES, 1917

Runner-Up: Bong Joon-Ho, Parasite

Best Picture

The Nominees: Ford v Ferrari, The Irishman, Jojo Rabbit, Joker, Little Women, Marriage Story, 1917, Once Upon a Time in Hollywood, Parasite

Analysis: Ugh… OK. Let’s begin with this: the smart money is on 1917. It won the Golden Globe for Best Drama and the Critics Choice Award. Mendes took the DGA and I have him picked to win Director.

On the contrary – in the 2010s, we have seen a Picture/Director split 5 out of 9 times. No foreign language film has ever won the biggest prize of all. Last year, I (along with many others) predicted Roma would be the first to do so and it lost to Green Book. 

That said, the affection for Parasite feels deeper than for Roma. I’ll make this pronouncement now… if Parasite loses Original Screenplay on Sunday night, you’ll pretty much know my prediction is wrong. Yet I’m rolling the dice here for a minor surprise and that’s why…

PREDICTED WINNER: PARASITE

Runner-Up: 1917

My predictions pan out to the following films winning these many Oscars:

5 Wins

1917

3 Wins

Parasite

2 Wins

Joker, Once Upon a Time in Hollywood

1 Win

American Factory, Bombshell, Ford v Ferrari, Jojo Rabbit, Judy, Little Women, Marriage Story, Rocketman, Toy Story 4

These calls also mean every nominated Best Picture player will win an Oscar with the exception of The Irishman, which I’m estimating will go 0 for 10.

And that does it, folks! The speculation has ended and the ceremony is two days away. I’ll have a recap post on how I did Sunday night…

Oscars 2019: The Case of Martin Scorsese

My Case of posts for Oscar nominees now focuses on the fourth director profiled – Martin Scorsese for The Irishman:

The Case for Martin Scorsese

One of the most acclaimed filmmakers in cinematic history, Scorsese’s epic Netflix gangster drama marks his ninth nomination for Best Director. Previous nods were for Raging Bull, The Last Temptation of Christ, GoodFellas, Gangs of New York, The Aviator, The Departed, Hugo, and The Wolf of Wall Street. If you’re wondering why Taxi Driver isn’t among the pictures included, so am I. His only victory came for The Departed and there’s  a feeling that Oscar voters have snubbed him in the past. The Irishman pulled in 10 nominations, which is tied for second with 1917 and Once Upon a Time in Hollywood. 

The Case Against Martin Scorsese

The Irishman has gone from a Best Picture front runner to a serious long shot. This is thanks mostly to 1917 and Parasite. Therefore the Best Director derby is now seen as a battle between Sam Mendes and Bong Joon-Ho.

The Verdict

Scorsese’s win total will almost certainly be 1/9 after Sunday night as his movie’s hopes have faded in this and other categories.

My Case of posts will continue with Brad Pitt for Once Upon a Time in Hollywood!

Oscars 2019: The Case of Joe Pesci

My Case of posts for the performers up for Oscars this Sunday arrives at Joe Pesci and his Supporting Actor work for Martin Scorsese’s The Irishman:

The Case for Joe Pesci

Well, it’s certainly a comeback role that garnered lots of attention. In 1990, Pesci won this category for GoodFellas, his second collaboration with Scorsese after Raging Bull. This kicked off a fruitful decade for the actor that included JFK, My Cousin Vinny, Casino, and, of course, the Home Alone franchise. Then he essentially disappeared. Pesci’s performance in The Irishman was not only a welcome sight since he’d be offscreen for so long, but it was surprising for the subtlety in which he played it.

The Case Against Joe Pesci

He will split votes with his costar Al Pacino, also nominated here. The film itself has seen its viability to win categories fall backwards in recent weeks based on precursors. And Brad Pitt in Once Upon a Time in Hollywood is the significant front runner.

The Verdict

It’s good to see Pesci back in the mix, but a second statue seems out of reach.

My Case of posts will continue with Florence Pugh in Little Women!

Oscars 2019: The Case of Bong Joon-Ho

My Case of posts outlining the pros and cons of the major Oscar nominees from 2019 brings us to the first entry for Best Director and that’s Bong Joon-Ho for Parasite.

The Case for Bong Joon-Ho

After years of being a critical darling with Memories of Murder, The Host, Snowpiercer, and Okja, the South Korean filmmaker broke through in the awards space in a massive way with the genre defying Parasite. The film won the Palme d’or at the Cannes Film Festival unanimously and is the best reviewed picture of the year. Supporters of Parasite are beyond passionate. In a somewhat surprising victory, the movie’s cast won Best Ensemble at the SAG Awards. Competing against a field of legends that includes Scorsese and Tarantino, Joon-Ho is the bright shiny object for voters.

The Case Against Bong Joon-Ho

Two words: Sam Mendes. In making the World War I epic 1917, Mendes has picked up the hardware in this category’s major indicators: the Golden Globes and, especially, the Directors Guild of America.

The Verdict

It appears Best Director has come down to Joon-Ho and Mendes. This race has split with Best Picture five out the past nine years. Parasite could win Best Picture with Mendes taking director and vice versa. The precursors favor Mendes, but the love for this is indeed a factor.

My Case of posts will continue with Joaquin Phoenix in Joker!

 

Oscars 2019: The Case of Al Pacino

Al Pacino’s work in Martin Scorsese’s The Irishman headlines my third Case of post for Oscar contenders in the Best Supporting Actor category.

The Case for Al Pacino 

His legendary cinematic career has spanned half a century and Pacino’s performance as Jimmy Hoffa has earned him his ninth Academy mention. It took his nod in 1992 for Scent of a Woman (he got double recognition that year for Glengarry Glen Ross) to finally reach the podium, despite previous nominations for the first two Godfather pics, Serpico, Dog Day Afternoon, …And Justice for All, and Dick Tracy. 27 year later, voters could feel obliged to give him his second podium walk.

The Case Against Al Pacino

Vote splitting with his Irishman costar Joe Pesci will likely occur. The film’s lead Robert De Niro couldn’t even make the cut in Best Actor and The Irishman has fallen back from potential Best Picture winner to long shot contender. Pacino also appeared in Quentin Tarantino’s Once Upon a Time in Hollywood and his costar Brad Pitt is running away with the precursor attention.

The Verdict

Pacino’s chances are on par with his film’s in Best Picture – slim.

My Case of posts will continue with Scarlett Johansson in Jojo Rabbit!

Oscars 2019: The Case of Adam Driver

My Case of posts for the acting contenders at this year’s Oscar brings us to the third performer in Best Actor… Adam Driver in Marriage Story. Here’s his story:

The Case for Adam Driver

2019 capped off an amazing decade for Driver. In addition to his high-profile role in the HBO series Girls, his filmography over the past few years has been remarkable. To give you an idea, here’s some of the directors he worked with in the 2010s: Clint Eastwood, the Coen Brothers, Martin Scorsese, Spike Lee, Steven Soderbergh, Jim Jarmusch, Steven Spielberg, J.J. Abrams, Rian Johnson, Terry Gilliam, and Spike Lee. The latter filmmaker helped Driver get his first Oscar nod last year in Supporting Actor for BlacKkKlansman. 2019 saw his best year yet with his final portrayal as Kylo Ren in Star Wars: The Rise of Skywalker and critical praise for the political drama The Report. Yet it’s his role as the divorcing husband to Scarlett Johansson in frequent collaborator Noah Baumbach’s Marriage Story that garnered his greatest reviews thus far.

The Case Against Adam Driver

He’s still young enough that there’s little overdue for a win sentiment happening. Marriage Story has fallen behind in numerous categories with the exception of Laura Dern in Supporting Actress. Joaquin Phoenix has swept the key precursors.

The Verdict

Driver will likely place second in the voting behind the rising of Phoenix over the past few weeks.

My Case of posts will continue with the third competitor in Best Actress… Saoirse Ronan in Little Women!

The Directors Go To 1917

When it comes to precursors correctly picking what the Academy voters will do on Oscar night, none is more reliable than the Directors Guild of America and their choice for Best Director. That’s why last night’s DGA ceremony was so anticipated among prognosticators like me. The narrative went like this: the 2019 nominees had become a showdown between Sam Mendes (1917) and Bong Joon-Ho (Parasite). It appeared unlikely that the three other nominees – Martin Scorsese (The Irishman), Quentin Tarantino (Once Upon a Time in Hollywood), and Taika Waititi (Jojo Rabbit) had much of a shot.

Sam Mendes took the award and this sets up the filmmaker for his second directorial Oscar two decades after he won for American Beauty. To give you some context as to how accurate DGA is – 17 of the 19 previous victors in the 21st century have gone on to win Oscar. The two that didn’t are Ang Lee for 2000’s Crouching Tiger, Hidden Dragon and Ben Affleck for 2012’s Argo. 

When it comes to that victorious director’s movie winning Best Picture, that’s happened on 13 out of 19 occasions. That’s where it gets interesting. There is no doubt that the Mendes DGA prize (he also won the Golden Globe) puts him in definite front runner status for Best Director two weeks from today. Yet the possibility of a Picture/Director split is still quite possible with Parasite and Hollywood as the strongest competitors. That said, 1917 is certainly picking up the right awards at the right time and has to be considered the soft favorite for the biggest prize.