Tag: Zoe Saldana

97th Academy Awards Predictions: May 5, 2024

Cinco de Mayo brings the second ranked post for the 97th Academy Awards in the six major races- Picture, Director, and the four acting derbies. Obviously we’re early in the process and, at the moment, a lot of speculation is simply on where certain performers will be placed (lead or supporting). Some examples: His Three Daughters from director Azazel Jacobs screened to impressive reviews at Toronto last fall and has been given a plum Netflix streaming start for this autumn. The title characters are played by Carrie Coon, Natasha Lyonne, and Elizabeth Olsen. The studio has a decision to make on which categories the trio are campaigned in. I am currently guesstimating that Lyonne will be lead with the other two in supporting. It is indeed a guesstimate. They could all go supporting. Coon could be an Actress play with the others in supporting. Obviously I’ll adjust as the weeks and months move along as updates are provided.

Then there’s Saoirse Ronan. The four-time nominee and no time winner has two 2024 shots. Her work in The Outrun premiered at Sundance, indicating a definite possibility for a lead Actress nod. She is also in Steve McQueen’s Blitz which sure looks like an awards hopeful on paper. Whether she’s lead or supporting in it remains to be seen. Apple TV might have better luck putting her in Supporting Actress and that’s where I have her. However, we don’t know if that’s workable at press time.

Beyond the thespians, we have head scratchers like Kevin Costner’s western epic Horizon: An American Saga. Make that Horizon: An American Saga – Chapter 1 (slated for late June) and Horizon: An American Saga – Chapter 2 (arriving mid-August). Could the Dances with Wolves maker have another chance at Oscar glory? If so, which chapter books its spot on the BP list? I’m speculating that the better chance lies with the second one.

Horizon will first be seen at Cannes and that fest kicks off May 14th. Some other pictures showing there include Kinds of Kindness, Megalopolis, The Apprentice, Bird, Furiosa: A Mad Max Saga, Emilia Perez, and Anora. When I publish my next update in a couple of weeks, some of them will have reviews and buzz.

Here’s how I have it shaking out now!

Best Picture

Predicted Nominees:

1. Blitz (Previous Ranking: 1) (Even)

2. Dune: Part Two (PR: 2) (E)

3. Conclave (PR: 3) (E)

4. Sing Sing (PR: 4) (E)

5. Queer (PR: 6) (+1)

6. The End (PR: 5) (-1)

7. The Fire Inside (PR: 7) (E)

8. Kinds of Kindness (PR: 9) (+1)

9. Bird (PR: 8) (-1)

10. His Three Daughters (PR: Not Ranked)

Other Possibilities:

11. Joker: Folie à Deux (PR: 11) (E)

12. Horizon: An American Saga – Chapter 2 (PR: 19) (+7)

13. The Apprentice (PR: 12) (-1)

14. Furiosa: A Mad Max Saga (PR: 14) (E)

15. The Piano Lesson (PR: 18) (+3)

16. Megalopolis (PR: 17) (+1)

17. Maria (PR: 16) (-1)

18. The Nickel Boys (PR: 22) (+4)

19. Civil War (PR: 15) (-4)

20. Hit Man (PR: Not Ranked)

21. A Real Pain (PR: 20) (-1)

22. The Supremes at Earl’s All-You-Can-Eat (PR: 13) (-9)

23. Dídi (PR: 10) (-13)

24. Hard Truths (PR: 23) (-1)

25. SNL 1975 (PR: Not Ranked)

Dropped Out:

Here

Wicked

Gladiator II

Best Director

Predicted Nominees:

1. Steve McQueen, Blitz (PR: 1) (E)

2. Denis Villeneuve, Dune: Part Two (PR: 2) (E)

3. Edward Berger, Conclave (PR: 3) (E)

4. Joshua Oppenheimer, The End (PR: 4) (E)

5. Andrea Arnold, Bird (PR: 9) (+4)

Other Possibilities:

6. Luca Guadagnino, Queer (PR: 6) (E)

7. Yorgos Lanthimos, Kinds of Kindness (PR: 8) (+1)

8. Rachel Morrison, The Fire Inside (PR: 5) (-3)

9. Todd Phillips, Joker: Folie à Deux (PR: 10) (+1)

10. Greg Kwedar, Sing Sing (PR: 7) (-3)

11. George Miller, Furiosa: A Mad Max Saga (PR: 11) (E)

12. Kevin Costner, Horizon: An American Saga – Chapter 2 (PR: Not Ranked)

13. Francis Ford Coppola, Megalopolis (PR: 14) (+1)

14. Ali Abbisi, The Apprentice (PR: 15) (+1)

15. Azazel Jacobs, His Three Daughters (PR: Not Ranked)

Dropped Out:

Sean Wang, Dídi

Alex Garland, Civil War

Best Actress

Predicted Nominees:

1. Angelina Jolie, Maria (PR: 1) (E)

2. Saoirse Ronan, The Outrun (PR: 10) (+8)

3. Natasha Lyonne, His Three Daughters (PR: Not Ranked) – moved from Supporting

4. Ryan Destiny, The Fire Inside (PR: 3) (-1)

5. Lady Gaga, Joker: Folie à Deux (PR: 4) (-1)

Other Possibilities:

6. Tilda Swinton, The End (PR: 5) (-1)

7. Amy Adams, Nightbitch (PR: 6) (-1)

8. Karla Sofia Gascón, Emilia Perez (PR: 9) (+1)

9. Marianne Jean-Baptiste, Hard Truths (PR: 7) (-2)

10. Zendaya, Challengers (PR: 13) (+3)

11. Jessica Lange, Long Day’s Journey Into Night (PR: 11) (E)

12. Florence Pugh, We Live in Time (PR: Not Ranked)

13. Anne Hathaway, Mother Mary (PR: 12) (-1)

14. Uzo Aduba, The Supremes at Earl’s All-You-Can-Eat (PR: 8) (-6)

15. Noemie Merlant, Emmanuelle (PR: 15) (E)

Dropped Out:

Saoirse Ronan, Blitz (moved to Supporting)

Cynthia Erivo, Wicked

Best Actor

Predicted Nominees:

1. Colman Domingo, Sing Sing (PR: 1) (E)

2. Ralph Fiennes, Conclave (PR: 2) (E)

3. Daniel Craig, Queer (PR: 4) (+1)

4. Barry Keoghan, Bird (PR: 3) (-1)

5. André Holland, The Actor (PR: 5) (E)

Other Possibilities:

6. Joaquin Phoenix, Joker: Folie à Deux (PR: 6) (E)

7. Glen Powell, Hit Man (PR: 9) (+2)

8. Sebastian Stan, The Apprentice (PR: 8) (E)

9. John David Washington, The Piano Lesson (PR: 10) (+1)

10. George MacKay, The End (PR: 7) (-3)

11. Sebastian Stan, A Different Man (PR: 13) (+2)

12. Paul Bettany, The Collaboration (PR: 14) (+2)

13. Andrew Garfield, We Live in Time (PR: Not Ranked)

14. Kingsley Ben-Adir, Bob Marley: One Love (PR: 15) (+1)

15. Kevin Costner, Horizon: An American Saga – Chapter 2 (PR: Not Ranked)

Dropped Out:

Timothée Chalamet, Dune: Part Two

Adam Driver, Megalopolis

Best Supporting Actress

Predicted Nominees:

1. Isabella Rossellini, Conclave (PR: 2) (+1)

2. Saoirse Ronan, Blitz (PR: Not Ranked) – moved from lead Actress

3. Joan Chen, Dídi (PR: 1) (-2)

4. Carrie Coon, His Three Daughters (PR: Not Ranked)

5. Aunjanue Ellis-Taylor, The Nickel Boys (PR: 8) (+3)

Other Possibilities:

6. Hong Chau, Kinds of Kindness (PR: 5) (-1)

7. Lesley Manville, Queer (PR: 4) (-3)

8. Danielle Deadwyler, The Piano Lesson (PR: 9) (+1)

9. Elizabeth Olsen, His Three Daughters (PR: Not Ranked)

10. Erin Kellyman, Blitz (PR: 3) (-7)

11. Jodie Comer, The Bikeriders (PR: 6) (-5)

12. Maria Bakalova, The Apprentice (PR: 7) (-5)

13. Toni Collette, Juror No. 2 (PR: Not Ranked)

14. Margaret Qualley, Kinds of Kindness (PR: 15) (+1)

15. Zoe Saldaña, Emilia Perez (PR: 11) (-4)

Dropped Out:

Natasha Lyonne, His Three Daughters (moved to lead Actress)

Aunjanue Ellis-Taylor, The Supremes at Earl’s All-You-Can-Eat

Cailee Spaeny, Civil War

Naomi Watts, Emmanuelle

Best Supporting Actor

Predicted Nominees:

1. Stanley Tucci, Conclave (PR: 1) (E)

2. Clarence Maclin, Sing Sing (PR: 2) (E)

3. Brian Tyree Henry, The Fire Inside (PR: 3) (E)

4. Kieran Culkin, A Real Pain (PR: 4) (E)

5. Samuel L. Jackson, The Piano Lesson (PR: 7) (+2)

Other Possibilities:

6. Drew Starkey, Queer (PR: 8) (+2)

7. Jeremy Strong, The Apprentice (PR: 6) (-1)

8. Franz Rogowski, Bird (PR: Not Ranked)

9. John Lithgow, Conclave (PR: 11) (+2)

10. Adam Pearson, A Different Man (PR: 10) (E)

11. Harris Dickinson, Blitz (PR: 9) (-2)

12. Leigh Gill, Blitz (PR: 5) (-7)

13. Jesse Plemons, Kinds of Kindness (PR: Not Ranked)

14. Stephen Graham, Blitz (PR: Not Ranked)

15. Javier Bardem, Dune: Part Two (PR: Not Ranked)

Dropped Out:

Forest Whitaker, Megalopolis

Paul Raci, Sing Sing

Austin Butler, Dune: Part Two

Edgar Ramirez, Emilia Perez

97th Academy Awards Predictions: April 21, 2024

A month and change after the 96th Academy Awards aired, it is time for my first ranked predictions for the next ceremony coming your way March 2, 2025.

Yes, it’s early. However, I posted my inaugural numbered forecasts for Best Picture, Director, and the four acting derbies around the same juncture a year ago. The results named the eventual winners in all six races. In BP, four of the 10 contenders were predicted (including Oppenheimer) while three others were listed in Other Possibilities. For Director, I correctly called 2 of the 5 filmmakers (including Christopher Nolan) with two others in Other Possibilities. Best Actress yielded just one, but it was statue recipient Emma Stone for Poor Things. Two others were listed in Other Possibilities. Best Actor also saw one with three of the others in Other Possibilities (including Oppenheimer himself, Cillian Murphy). For Supporting Actress, it was 1 and then 2 in Other Possibilities (including victor Da’Vine Joy Randolph for The Holdovers). Finally, in Supporting Actor, it was one in the projected quintet with three in Other Possibilities and that includes Robert Downey Jr. for Oppenheimer.

Let’s get those caveats out of the way. Some of the performers predicted in lead will end up in supporting and vice versa. That happened in 2023 when I had Lily Gladstone (Killers of the Flower Moon) at #1 in Supporting Actress and then she ended up being campaigned for and was nominated in Best Actress. Some of the movies will get pushed back to 2025. There’s a few from my first projections in April 2023 that were supposed to come out that year. You’ll find them listed below and that list includes heavy hitters like Dune: Part Two, Blitz, Challengers, The Nickel Boys, The Piano Lesson, Nightbitch, and The Fire Inside to name a few.

You can expect these predictions to be updated every couple of weeks before it turns into a weekly post starting in late summer/early fall when festival season goes into overdrive. A smattering of these titles will have reviews up when they premiere at Cannes less than a month from now. They include Bird, Kinds of Kindness, Megalopolis, Furiosa: A Mad Max Saga, The Apprentice, Emilia Perez, and Horizon: An American Saga.

With all that out of the way – here are those first ranked takes!

BEST PICTURE

Predicted Nominees:

1. Blitz

2. Dune: Part Two

3. Conclave

4. Sing Sing

5. The End

6. Queer

7. The Fire Inside

8. Bird

9. Kinds of Kindness

10. Dídi

Other Possibilities:

11. Joker: Folie à Deux

12. The Apprentice

13. The Supremes at Earl’s All-You-Can-Eat

14. Furiosa: A Mad Max Saga

15. Civil War

16. Maria

17. Megalopolis

18. The Piano Lesson

19. Horizon: An America Saga – Chapter 2

20. A Real Pain

21. Here

22. The Nickel Boys

23. Hard Truths

24. Wicked

25. Gladiator II

Best Director

Predicted Nominees:

1. Steve McQueen, Blitz

2. Denis Villeneuve, Dune: Part Two

3. Edward Berger, Conclave

4. Joshua Oppenheimer, The End

5. Rachel Morrison, The Fire Inside

Other Possibilities:

6. Luca Guadagnino, Queer

7. Greg Kwedar, Sing Sing

8. Yorgos Lanthimos, Kinds of Kindness

9. Andrea Arnold, Bird

10. Todd Phillips, Joker: Folie à Deux

11. George Miller, Furiosa: A Mad Max Saga

12. Sean Wang, Dídi

13. Alex Garland, Civil War

14. Francis Ford Coppola, Megalopolis

15. Ali Abbisi, The Apprentice

Best Actress

Predicted Nominees:

1. Angelina Jolie, Maria

2. Saoirse Ronan, Blitz

3. Ryan Destiny, The Fire Inside

4. Lady Gaga, Joker: Folie á Deux

5. Tilda Swinton, The End

Other Possibilities:

6. Amy Adams, Nightbitch

7. Marianne Jean-Baptiste, Hard Truths

8. Uzo Aduba, The Supremes at Earl’s All-You-Can-Eat

9. Karla Sofia Gascón, Emilia Perez

10. Saoirse Ronan, The Outrun

11. Jessica Lange, Long Day’s Journey Into Night

12. Anne Hathaway, Mother Mary

13. Zendaya, Challengers

14. Cynthia Erivo, Wicked

15. Noemie Merlant, Emmanuelle

Best Actor

Predicted Nominees:

1. Colman Domingo, Sing Sing

2. Ralph Fiennes, Conclave

3. Barry Keoghan, Bird

4. Daniel Craig, Queer

5. André Holland, The Actor

Other Possibilities:

6. Joaquin Phoenix, Joker: Folie à Deux

7. George MacKay, The End

8. Sebastian Stan, The Apprentice

9. Glen Powell, Hit Man

10. John David Washington, The Piano Lesson

11. Timothée Chalamet, Dune: Part Two

12. Adam Driver, Megalopolis

13. Sebastian Stan, A Different Man

14. Paul Bettany, The Collaboration

15. Kingsley Ben-Adir, Bob Marley: One Love

Best Supporting Actress

Predicted Nominees:

1. Joan Chen, Dídi

2. Isabella Rossellini, Conclave

3. Erin Kellyman, Blitz

4. Lesley Manville, Queer

5. Hong Chau, Kinds of Kindness

Other Possibilities:

6. Jodie Comer, The Bikeriders

7. Maria Bakalova, The Apprentice

8. Aunjanue Ellis-Taylor, The Nickel Boys

9. Danielle Deadwyler, The Piano Lesson

10. Aunjanue Ellis-Taylor, The Supremes at Earl’s All-You-Can-Eat

11. Zoe Saldana, Emilia Perez

12. Cailee Spaeny, Civil War

13. Naomi Watts, Emmanuelle

14. Natasha Lyonne, His Three Daughters

15. Margaret Qualley, Kinds of Kindness

Best Supporting Actor

Predicted Nominees:

1. Stanley Tucci, Conclave

2. Clarence Maclin, Sing Sing

3. Brian Tyree Henry, The Fire Inside

4. Kieran Culkin, A Real Pain

5. Leigh Gill, Blitz

Other Possibilities:

6. Jeremy Strong, The Apprentice

7. Samuel L. Jackson, The Piano Lesson

8. Drew Starkey, Queer

9. Harris Dickinson, Blitz

10. Adam Pearson, A Different Man

11. John Lithgow, Conclave

12. Forest Whitaker, Megalopolis

13. Paul Raci, Sing Sing

14. Austin Butler, Dune: Part Two

15. Edgar Ramirez, Emilia Perez

As always, keep an eye on the blog for future updates and Oscar Prediction posts focusing in various pictures as they screen!

Guardians of the Galaxy Vol. 3 Review

Guardians of the Galaxy Vol. 3 marches to the beat of the writer-director James Gunn’s carefully curated playlist of the mawkish blended with the macabre. The actual needle drops are plentiful from Radiohead to Florence and the Machine and Earth, Wind & Fire and Spacehog (there’s actually CG swine in space in case you were wondering). Storyline A inflicts enough grotesque violence on cute furry creatures that I anticipated Sarah McLachlan piping up with a syrupy ballad, but it isn’t to be.

Team captain Star-Lord (Chris Pratt) is far from over the death of Gamora (Zoe Saldaña) in Avengers: Infinity War as we begin. Since it’s the MCU, she didn’t perish in the traditional way. The character was back as a different version of herself and with amnesia of her primary franchise’s activities in Avengers: Endgame. Now the leader of the thieving Ravagers, Gamora reunites with the old gang when Rocket (voiced by Bradley Cooper) is attacked and left critically wounded. As a reminder, the team also consists of Gamora’s half sister Nebula (Karen Gillan), charmingly dense warrior Drax (Dave Bautista), empath Mantis (Pom Klementieff), and Bob Ross favorite Groot with Vin Diesel grumbling his limited dialogue.

The highly intelligent raccoon Rocket is given the full flashback origin treatment in the third volume. His demented creator is Orgocorp CEO High Evolutionary (a scenery devouring Chukwudi Iwuji) who specializes in developing hybrid creatures and discarding them if they don’t meet his standards. Spoiler: the vast majority do not. Rocket is one of his most prized subjects from his dozens of batches at Orgocorp. It is only at the corporate headquarters that his life can be saved so the Guardians set course.

Along the way there’s stops at other galaxies including the bizarro Counter-Earth with its populace of human/animal hybrids. That extended sequence is an example of Gunn at his best with the grimly comedic gumbo. It works well on that planet and in plenty of other moments. Rocket’s backstory does manage to pull the heartstrings fairly successfully.

All other subplots are given the short shrift. Drax and Mantis have a few humorous bits though they’re truly secondary characters this time (as is Groot). Even the presence of Gamora, while giving the gifted Saldaña basically a fresh character to play, takes a backseat to Rocket’s launch in the plot. I’ll note that it’s taken this long to mention Adam Warlock (Will Poulter). He was teased at the end of volume 2 as a nemesis to the title heroes. Adam is responsible for Rocket’s wounds and then the script doesn’t really know what the heck to do with him. He could’ve been written out the script entirely and it would’ve made zero difference. Pratt’s work as Peter Quill/Star-Lord is still a treat. It’s an MCU casting decision that ranks almost as high as Robert Downey Jr. as Tony Stark/Iron Man. He manages not to be overshadowed by his omnivorous costar.

Of the various sub-franchises in the Marvel Cinematic Universe containing three entries or more, Guardians is surprisingly the first where quality flows in order of release. That’s not to say the quality is missing. It’s that the mix has more lowlights than the previous two and definitely runs longer than necessary. Gunn still manages to make the sentimental and sometimes sadistic concoction worthwhile and it’s a cut above most MCU material post Endgame.

*** (out of four)

Oscar Predictions: Guardians of the Galaxy Vol. 3

Guardians of the Galaxy Vol. 3 touches down in multiplexes on May 5th to kick off the summer season. The 32nd feature in the Marvel Cinematic Universe arrives six years after the second Guardians. James Gunn is back in the director’s seat for the third time with Chris Pratt, Zoe Saldana, Dave Bautista, Karen Gillan, Vin Diesel, and Bradley Cooper among those reprising their roles in real and voiceover form.

This franchise in the MCU has caught the attention of awards voters. 2014’s original nabbed two nominations in Makeup and Hairstyling and Visual Effects. It lost to The Grand Budapest Hotel and Interstellar, respectively. 2017’s sequel made it in for Visual Effects and came up short to Blade Runner 2049.

Reviews for the third go-round are mostly positive (though several critics say it tries to pack in too much). The Rotten Tomatoes score is currently 80%. That’s behind the 92% achieved by part 1 and 85% of its follow-up. That said, Vol. 3 could certainly (and probably will) be the 3rd Guardians pic and 14th overall MCU title to get make the VE five. Makeup and Hairstyling is definitely on the table. If so and it would be the third MCU pic to contend there after the first Guardians and last year’s Black Panther: Wakanda Forever. Anything beyond inclusion in those two races would be a surprise. My Oscar Prediction posts will continue…

Guardians of the Galaxy Vol. 3 Box Office Prediction

Nearly three months after Ant-Man and the Wasp: Quantumania couldn’t quite match expectations at the box office, another MCU threequel hopes to exceed them. Guardians of the Galaxy Vol. 3 arrives six years after the second volume with James Gunn returning to direct (he has since moved to the DCEU as their head creative honcho). Back in physical and voiceover form are Chris Pratt, Zoe Saldana, Dave Bautista, Karen Gillan, Pom Klementieff, Vin Diesel, Bradley Cooper, Sean Gunn, Elizabeth Debcki, and Sylvester Stallone. Will Poulter, Chukwudi Iwuji, and Maria Bakalova are newbies to the franchise. This is the second entry in Marvel’s Phase Five and 32nd feature overall.

2014’s Guardians was a critical and commercial smash that made $94 million for its start with a $333 million eventual domestic take. The goodwill was evident when Vol. 2 kicked off summer 2017 with a $146 million premiere and $389 million overall.

Early buzz is that tracking for the third adventure has been underwhelming. It should certainly surpass the $106 million that Quantumania opened at. Matching the second Guardian‘s haul (or the $144 million that Thor: Love and Thunder made last July) might be more challenging.

If this fails to match what its predecessor accomplished, that would be considered a letdown. I am projecting it will by around $20 million and therefore continue the MCU’s shaky 2023.

Guardians of the Galaxy Vol. 3 opening weekend prediction: $125.3 million

For my Love Again prediction, click here:

Love Again Box Office Prediction

Oscars – The Case of Avatar: The Way of Water

My Case Of posts where I serve as the defense for and prosecution against the Best Picture, Director, and four acting competition hopefuls arrives at our second contender in the biggest race of all. That’s Avatar: The Way of Water, James Cameron’s long-in-development sequel to 2009’s 3D game changer.

The Case for Avatar: The Way of Water:

If the Academy wants to honor the highest grossing worldwide pic of the bunch, this is your movie. Cameron’s follow-up just surpassed $2 billion at the global box office and has ruled the domestic box office for seven weeks running.

The Case Against Avatar: The Way of Water:

If the Academy wants to honor the highest grossing domestic pic of the bunch, Top Gun: Maverick is their movie. It’s the sequel that had the best nominations haul on Oscar noms morning. Water‘s four overall mentions are less than half of the nine achieved by the original 13 years ago. It won three – Art Direction (now Production Design), Cinematography, and Visual Effects. This one seems destined for a sole victory. Cameron couldn’t make the final five for his direction (he did get a Globes nod) and editing is another significant omission.

Other Nominations:

Production Design, Sound, Visual Effects

The Verdict:

That likely win is in Visual Effects. With the aforementioned whiffs in direction and editing and the less than impressive haul (compared to part 1), Water was pretty fortunate to make the cut at all.

My Case Of posts will continue with The Banshees of Inisherin!

If you missed my posts covering the other BP contenders, click here:

Oscars: The Case of All Quiet on the Western Front
Oscars: The Case of The Banshees of Inisherin
Oscars: The Case of Elvis
Oscars: The Case of Everything Everywhere All at Once
Oscars: The Case of The Fabelmans
Oscars: The Case of Tár
Oscars – The Case of Top Gun: Maverick
Oscars: The Case of Triangle of Sadness

Avatar: The Way of Water Review

Avatar: The Way of Water is both visually sparkling and narratively flat. In that sense, James Cameron’s sequel is much like the 2009 original (which happens to be worldwide highest grosser in history). The effects thirteen years ago were revolutionary and kicked off a mostly unfortunate trend of tentpoles getting the three-dimensional treatment. That sense of wonder from Avatar is present occasionally below the surface in a few astounding underwater sequences. Many blockbusters have competed with this franchise in visual splendor and come up short and that includes some shoddy MCU battles. Cameron and his crew can still wow, but subpar writing and a lack of tight editing remains a problem. If you loved the forests of Pandora in part 1 and didn’t want to leave, you’ll likely love lounging in the aquatic action of this follow-up. If your feelings were mixed like mine were, expect a similar reaction.

Former Marine Jake Sully (Sam Worthington) and Na’vi spiritual leader in waiting Neytiri (Zoe Saldana) are married with four kids as Water begins (it’s set a decade and a half plus post Avatar). Adopted teenage daughter Kiri (voiced by Sigourney Weaver) is miraculously spawned from Sigourney’s scientist in the original. We suspect she might have special powers if she can get over her Jan Brady lot in life. Older brother Neteyam (Jamie Flatters) is the responsible one while second born boy Lo’ak (Britain Dalton) is the rebel. Youngest girl Tuk (Trinity Jo-Li Bliss) is eight and precocious. The Sully tribe are living a peaceful existence until those mean corporate Earthlings return to Pandora. On their list of plays is total colonization as the home planet is dying.

Due to a memory implant system, Stephen Lang’s villainous Colonel is leading the charge in the guise of a Na’vi big blue boy. He has revenge on his mind since it was Neytiri who arrowed him to death years ago. There’s also a son he left behind that the Sully’s are raising who goes by Spider (Jack Champion). Clad in a loincloth, his character comes off as a cartoonish plot device. He’s got about as much depth as Bam Bam Rubble. The dynamic between Spider and his father is one of a few daddy issues happening. I half expected a sky complected Maury Povich to interrupt and start moderating.

Since Jake is being targeted for his skill in fighting off the Sky People, he relocates his brood to the tropical island of At’wa Attu. They feel out of place among the residents who spend much of their day submerged. The chief of their clan known as the Metkayina is Tonwari (Cliff Curtis). He and his pregnant wife Ronal (Kate Winslet) are skeptical about harboring their guests. It’s in and around the island where some memorable moments happen. The Metkayina share a spiritual connection with the giant mammals swimming below. Lo’ak befriends one of them and it’s a subplot that clicks.

Part 2 relegates Jake and Neytiri to the sidelines for much of its three hours and 12 minutes. A larger focus is on their offspring and how they feel like fish out of water. The filmmaker’s own well-documented fascination with the deep comes in handy with the whale tale portions and beyond. The bulk of its themes, on the other hand, are heavily borrowed from before. Cameron and his tech wizards can enthrall us and exasperate us in this new habitat that questions our humanity.

*** (out of four)

Oscar Predictions – Avatar: The Way of Water

Avatar: The Way of Water surfaces on your 3D and IMAX screens this Friday. It is, of course, James Cameron’s follow-up to 2009’s original which still stands as the biggest worldwide grosser of all time (and third overall domestically). The social media embargo lifted last week and the common refrain was “don’t bet against James Cameron”. I held off on my Oscar speculation until the official review embargo lapsed. That happened today.

Currently at 85% on Rotten Tomatoes (part 1 ended up at 82%), many critics are claiming this is an improvement over the first. Some of the same gripes remain including that it is overlong (3 hours and 12 minutes) and underdeveloped in its screenplay. Praise for its technical work is more universal.

In 2009, Avatar made an Oscar splash with nine nominations: Picture, Director, Art Direction (now Production Design), Cinematography, Film Editing, Original Score, Sound Editing, Sound Mixing (the Sound races are now combined), and Visual Effects. It won 3 – Art Direction, Cinematography, and Visual Effects.

Water has a chance of receiving the same number of nods. On Monday, the Golden Globes put it in their five for Picture (Drama) and Director. I already believe the Academy will make room for this in BP. It should be the second massive international blockbuster (alongside Top Gun: Maverick) in the mix. Cameron showing up in the directing quintet is not as automatic.

Let’s dispense with the easiest items. This is going to win Visual Effects just like its predecessor. That’s one of the slam dunk categories you can cross off already. Production Design and Cinematography and Sound are all probable inclusions. I’m less certain about the score and editing. Then there’s the Weeknd, who contributed the song “Nothing Is Lost (You Give Me Strength)”. I’m not so sure about its strength in that competition. He needs to overcome other superstars such as Lady Gaga, Rihanna, Taylor Swift, and Billie Eilish and that could be a tall order.

You’ll notice I haven’t discussed the performances or the screenplay. While there’s kudos for returnees like Zoe Saldana and Sigourney Weaver (in a different role than in 2009), don’t expect the acting to capture the attention of voters. Given that the writing is the most faulted aspect, don’t hold your breath expecting Cameron and cowriters Rick Jaffa and Amanda Silver to contend.

Bottom line: Avatar: The Way of Water looks to be Cameron’s third movie in a row (after Titanic and Avatar) to be in the BP race. Look for its nomination total to be at least 4-5 and maybe more. In other words, to borrow a phrase from most of Twitter last week, don’t bet against James Cameron. My Oscar Prediction posts will continue…

Avatar: The Way of Water Box Office Prediction

Hollywood looks to be awoken from its box office slumber when Avatar: The Way of Water surfaces on December 16th. After plenty of delays in the release date, James Cameron’s sequel to his 2009 record breaking phenomenon comes with a reported budget in the neighborhood of $400 million. Clocking in at 3 hours and 12 minutes, the 3D sci-fi epic is the only newcomer on the pre-Christmas weekend and it should dominate the marketplace. Sam Worthington, Zoe Saldana, Stephen Lang, Joel David Moore, CCH Pounder, Giovanni Ribisi, Dileep Rao, and Matt Gerald reprise their roles from part 1. Joining the Pandora universe for the first time are Kate Winslet, Cliff Curtis, Edie Falco, Jermaine Clement, and Brandon Cowell. Sigourney Weaver appears in a different part from 13 years ago.

It’s dangerous to underestimate Cameron. This is only his third feature in a quarter century. 1997’s Titanic withstood shaky buzz during its filming and became the highest grossing film of all time. That record stood for 12 years until it was broken by (you guessed it) Avatar, which also had troubling word-of-mouth until it didn’t. With $785 million domestically (which includes a September re-release which did impressive business), Avatar still ranks fourth all-time stateside behind Star Wars: The Force Awakens, Avengers: Endgame, and Spider-Man: No Way Home. The international tally is $2.1 billion and that ranks as #1.

There are legitimate questions as to the sequel’s potency. 13 years is a long time between entries. Are younger viewers excited for a trip back to the planet with all the blue people? Disney and 20th Century Studios need this to make a splash as a third Avatar arrives in two years with fourth and fifth (and possibly more) editions planned.

One number is easy to know. The Way of Water will have no problem dwarfing the $77 million that Avatar made for its debut before it became the must-see picture for months. It was #1 for 7 weeks. The sequel is expected to take in double that figure with $160 million generally being considered the floor. The ceiling could be $200 million (and perhaps higher) though its length could hinder that possibility. There’s also some older moviegoers who may not feel the need to rush out opening weekend to view it.

I believe $175-185 million is likely for the Sully family as they land in theaters once again. My projection gives it the 14th biggest domestic premiere of all time between Iron Man 3 and Harry Potter and the Deathly Hallows Part 2. That’s also the 3rd largest opening haul of 2022 behind Doctor Strange in the Multiverse of Madness and Black Panther: Wakanda Forever.

Avatar: The Way of Water opening weekend prediction: $173.1 million

Amsterdam Review

David O. Russell’s Amsterdam exasperates more than it fascinates. Opening with the tagline “A lot of this actually happened”, the brief explorations of American history between the World Wars hint at a compelling narrative. Wanting to go down a Wikipedia rabbit hole afterwards doesn’t necessarily make for a gratifying experience.

Dr. Burt Berendsen (Christian Bale) is a member of New York high society through marriage. His snooty in-laws and high maintenance wife (Andrea Riseborough) ship him off to what will become World War I in 1918. Under the command of the kindly Bill Meekins (Ed Begley Jr.), the good doc practices his skills for an all black regiment. They must wear French uniforms since the American forces aren’t integrated. That’s a part that actually happened. Burt makes fast friends with Harold Woodsman (John David Washington). They fight together and are seriously wounded together. Burt is given a glass eye that’s often used for screwball comedy effect. Their injuries introduce them to peculiar nurse Valerie (Margot Robbie), who takes the soldier’s battle scars (such as the metal embedded in their flesh) and turns it into surrealistic art. Burt, Harold, and Valerie form a close bond including the romantic sort for the latter two. The trio live a joyous existence in the title city until Burt returns to the Big Apple. Harold eventually follows suit to become an attorney. The men stay friends and colleagues while Valerie’s whereabouts are unknown.

Fifteen years later, the U.S. is in a depression. Our two New Yorkers have an even more pressing issue. Former war commander Meekins (now a Senator) turns up dead and mysteriously so. His daughter Elizabeth (Taylor Swift, in a performance that will surely generate memes) enlists dad’s former soldiers to investigate. This snooping leads to a vast government conspiracy – some of which falls under the actually happened headline. The case additionally leads them back to Valerie and an all-star cast beyond Bale, Washington, and Robbie.

Chris Rock is a member of the French uniformed clad force. Michael Shannon and Mike Myers are intelligence officers amusingly masquerading as bird experts. Zoe Saldana, in the picture’s most underdeveloped role, helps perform autopsy work and is a potential love interest for Burt. The most intriguing character is General Gill Dillenbeck (Robert De Niro), a combat hero being recruited for fascist propagandist purposes. Russell’s screenplay gives De Niro a noteworthy role to play with (this is the fourth collaboration between them). The legendary actor has done some of his finest 21st century work with the filmmaker.

The political potboiler aspects kick into gear when Dillenbeck pops up for the second half. That’s when Amsterdam improves. The first half feels like Russell’s attempt to do a Wes Anderson or Coen Bros type whimsical comedy and he fails the test. There’s a lot of characters crowding the scene. Rami Malek is an affluent textile magnet with connections to Valerie. Anya Taylor-Joy is his wife, who has a funny fangirl crush on Dillenbeck. Alessandro Nivola and Matthias Schoenaerts are detectives assigned to track the lead trio.

Once Russell gets to what Amsterdam is really about (with some unmistakable current events overtones), I realized lots of these famous faces and subplots could’ve been jettisoned for a more focused approach. Of all the names, Bale (always committed) and De Niro come out best. The director’s eye for the solid material keeps getting dislodged – like Burt’s fake one. This makes it questionable as to whether it’s worth seeing. More of the stuff that actually happened and not the forced whimsy would have been a reasonable start.

**1/2 (out of four)