Summer 1990: The Top 10 Hits and More

In what has become tradition on this here blog, I use the summertime months to reflect on the cinematic seasons that came 30, 20, and 10 years prior. So while we wait for features to hit theaters in the summer of 2020 (something that is looking less and less certain), let’s take a gander at the hits, misses, and other significant product from the past.

The format is as follows: a rundown of the top ten hits as well as other noteworthy titles and some of the flops. We begin with 1990… a summer where we all got ghosted.

10. Flatliners

Domestic Gross: $61 million

Fresh off her star making role that spring in Pretty Woman, Julia Roberts teamed with then boyfriend Kiefer Sutherland in this psychological thriller from the late director Joel Schumacher. A far less successful 2017 remake would follow.

9. Bird on a Wire

Domestic Gross: $70 million

Despite mostly poor reviews, the drawing power of Mel Gibson and Goldie Hawn compelled this action comedy to a #1 debut and solid returns. Mr. Gibson wouldn’t fare as well later that summer when Air America with Robert Downey Jr. grossed less than half of Bird‘s earnings.

8. Another 48 Hrs.

Domestic Gross: $80 million

The re-teaming of Eddie Murphy and Nick Nolte from their 1982 hit might have earned more than the predecessor, but $80 million was considered a bit of a letdown compared to expectations. The quality left a bit to be desired as well.

7. Days of Thunder

Domestic Gross: $82 million

Another high profile reunification is this racing pic with Tom Cruise and his Top Gun maker Tony Scott back together. While it wasn’t as successful as that blockbuster, it did just fine and it cast a mostly unknown actress named Nicole Kidman alongside her future (and eventually former) husband.

6. Presumed Innocent

Domestic Gross: $86 million

Harrison Ford has had plenty of summer hits, but this adaptation of Scott Turow’s novel was a considerably more adult project that earned mostly rave reviews. The courtroom drama was a sizable earner considering its meager $20 million budget.

5. Back to the Future Part III

Domestic Gross: $87 million

The Western themed threequel arrived just six months after Part II. While it received better critical reaction, its gross of $87 million couldn’t match the $118 million of what preceded it.

4. Dick Tracy

Domestic Gross: $103 million

Warren Beatty’s long in development version of the 1930s comic strip was a visual sight to behold. However, critical reaction was mixed. It managed to just outdo its reported $100 million budget stateside. Tracy provided a showcase for Beatty’s then flame Madonna and earned Al Pacino a Best Supporting Actor nod.

3. Die Hard 2

Domestic Gross: $117 million

The goodwill brought forth by the 1988 original allowed this decent sequel to outgross its predecessor and permit Bruce Willis to return in his signature role three more times. This would be the last Die Hard pic with the Christmas Eve theme as it scorched the summer charts.

2. Total Recall

Domestic Gross: $119 million

One year before he would rule the summer of 1991, Arnold Schwarzenegger had a massive hit with this sci-fi rendering of the Philip K. Dick short story. Recall also provided the first juicy role for Sharon Stone, who would become a sensation two years later in Basic Instinct. 

1. Ghost

Domestic Gross: $217 million

At the start of the new decade, no one would have pegged Ghost to rule the summer frame. Made for $22 million, the supernatural romance ended up making over half a billion worldwide. A pottery themed love scene between stars Patrick Swayze and Demi Moore would become iconic, Whoopi Goldberg would win Best Supporting Actress for her psychic role, and it was nominated for Best Picture.

And now for some noteworthy titles from the season:

Problem Child

Domestic Gross: $53 million

Just outside the top 10 at 11, John Ritter headlined this tale of a rambunctious kid who just needs a family. Budgeted at a measly $10 million, it was a surprise performer that spawned two sequels.

Arachnophobia

Domestic Gross: $53 million

Doubling its budget, this black comedy about deadly black spiders received mostly praise from critics and had a nice showcase role for John Goodman as an exterminator.

Darkman

Domestic Gross: $33 million

Sam Raimi would eventually direct Spider-Man over a decade later and break box office records. Yet this original story (made for only $16 million) was a cult hit that introduced a lot of filmgoers to Liam Neeson. Two direct to video sequels would follow (minus Raimi behind the camera and Neeson in front of it).

Mo’ Better Blues

Domestic Gross: $16 million

This jazz infused dramedy was Spike Lee’s follow-up to his groundbreaking Do the Right Thing one year prior. Blues received solid reviews, but is best remembered as the director’s first collaboration with Denzel Washington.

And now for some pictures that didn’t match expectations either financially or critically or both (including a host of underwhelming sequels):

Robocop 2

Domestic Gross: $45 million

Irvin Kerschner made one of the greatest part two’s ever with The Empire Strikes Back. He wasn’t so lucky here. It made slightly less than its 1987 predecessor and reviews weren’t nearly as positive.

Gremlins 2: The New Batch

Domestic Gross: $41 million

It’s become a cult favorite since its release, but The New Batch grossed over $100 million less than the 1984 smash success.

The Exorcist III

Domestic Gross: $26 million

Following 17 years after the phenomenon that was the original, part 3 simply didn’t land with audiences or critics. This is another example of a sequel that would pick up more fans in subsequent years.

Ghost Dad

Domestic Gross: $24 million

Sidney Poitier directed this supernatural comedy starring Bill Cosby. At the time, he had a smash TV comedy named after him. Yet audiences didn’t follow him to the multiplex for this critically drubbed effort.

The Freshman

Domestic Gross: $21 million

Marlon Brando seemed to have a fun time parodying his iconic Godfather role here alongside Matthew Broderick. It wasn’t a hit, but its reputation has grown since.

The Adventures of Ford Fairlane

Domestic Gross: $21 million

Andrew Dice Clay was one of the most popular and controversial stand up comics of this era, but his anticipated breakout to the silver screen landed with a thud.

Wild at Heart

Domestic Gross: $14 million

David Lynch’s follow-up to his heralded Blue Velvet starred Nicolas Cage and Laura Dern. It garnered decidedly more mixed reaction from critics.

The Two Jakes

Domestic Gross: $10 million

Jack Nicholson went behind the camera and reprised his acclaimed role as Jake Gittes from 1974’s Chinatown. This was a year following the star’s turn as The Joker in Batman, which dominated that summer. Audiences (and many critics) simply turned a blind eye to this long gestating sequel.

And that’ll do it for now folks! I’ll have the summer of 2000 up shortly.

Best Picture: A Look Back

A few weeks ago, I posted look backs at major categories at the Oscars from 1990 to the present. I’ve covered all four acting races and if you missed it, you can peruse them here:

https://toddmthatcher.com/2018/11/04/best-actor-a-look-back/

https://toddmthatcher.com/2018/10/31/best-actress-a-look-back/

https://toddmthatcher.com/2018/10/25/best-supporting-actor-a-look-back/

https://toddmthatcher.com/2018/10/20/best-supporting-actress-a-look-back/

In each post, I review what I’d classify as the three least surprising winners, as well as the three biggest upsets. And I select what I believe are the strongest and weakest overall fields.

Today on the blog, we arrive at the Big Daddy – Best Picture. It’s important to remember that hindsight doesn’t come into play here. For instance, Forrest Gump won the top prize in 1994. Since then, many believe fellow nominees Pulp Fiction or The Shawshank Redemption should have won. Yet the Gump victory was not an upset at the time. Same goes for 1990 when Dances with Wolves bested GoodFellas.

Let’s begin with a reminder of each winner since 1990:

1990 – Dances with Wolves

1991 – The Silence of the Lambs

1992 – Unforgiven

1993 – Schindler’s List

1994 – Forrest Gump

1995 – Braveheart

1996 – The English Patient

1997 – Titanic

1998 – Shakespeare in Love

1999 – American Beauty

2000 – Gladiator

2001 – A Beautiful Mind

2002 – Chicago

2003 – Lord of the Rings: Return of the King

2004 – Million Dollar Baby

2005 – Crash

2006 – The Departed

2007 – No Country for Old Men

2008 – Slumdog Millionaire

2009 – The Hurt Locker

2010 – The King’s Speech

2011 – The Artist

2012 – Argo

2013 – 12 Years a Slave

2014 – Birdman

2015 – Spotlight

2016 – Moonlight

2017 – The Shape of Water

We start with my three least surprising winners:

3. Lord of the Rings: Return of the King (2003)

Peter Jackson’s final entry in the acclaimed trilogy seemed due for a win after the first two installments were nominated, but lost to A Beautiful Mind and Chicago. This was as much a recognition for the entire franchise and by 2003, it was obvious the Academy would move in that direction.

2. Titanic (1997)

James Cameron’s epic was plagued with rumors of a troubled shoot and the possibility seemed real that it could be a costly flop. The opposite occurred as Titanic became the highest grossing motion picture of all time upon its release. It seemed clear that Oscar love would follow.

1. Schindler’s List (1993)

Capping an amazing year which saw Steven Spielberg direct Jurassic Park over the summer, his Holocaust feature Schindler’s List became the undeniable front-runner at its end of year release. Winning all significant precursors, this was a shoo-in selection.

Now to the upsets. In my view, there were four very real ones and I had to leave one out. That would be 1995 when Braveheart emerged victorious over the favored Apollo 13 and Sense and Sensibility. Yet there’s 3 others that I feel top it.

3. Moonlight (2016)

La La Land appeared ready to pick up the gold after its filmmaker Damien Chazelle and lead actress Emma Stone had already won. And it looked like the script was being followed when Warren Beatty and Faye Dunaway actually announced the musical as Best Picture. Perhaps Oscar’s largest controversy followed as the wrong envelope was given and the Barry Jenkins effort Moonlight had actually won. Correct envelopes or not, the Moonlight victory was still unexpected given the La La momentum.

2. Shakespeare in Love (1998)

All eyes were on Spielberg’s World War II epic Saving Private Ryan to win as Spielberg had already picked up his second statue for directing. Shakespeare rewrote that script and few saw it coming.

1. Crash (2005)

Here is perhaps the most surprising BP winner in history. Ang Lee’s Brokeback Mountain was the strong favorite when the Paul Haggis race relations drama took it. Even presenter Jack Nicholson looked shocked when he read the envelope.

And now the fields. That’s a bit tough because just under a decade ago, the Academy switched from five finite nominees to anywhere between five and ten (nine being the most common). For weakest, I’m going with 2011 when there were 9. While there’s some quality picks like The Artist, The Descendants, Hugo, Midnight in Paris, Moneyball, and The Tree of Life – I feel even some of them might have missed the cut in stronger years. And I think that certainly applies to Extremely Loud & Incredibly Close, The Help, and War Horse.

For strongest, I will go with the aforementioned 1994. Pulp Fiction and Shawshank are indeed two of the most impressive cinematic contributions in recent times. Winner Gump and other nominees Quiz Show and Four Weddings and a Funeral filled out the slate.

And that does it, folks! Hope you enjoyed my look back at Best Picture in modern times.

The Non-Sequel Actors

Next weekend sees the release of two high-profile sequels: The Equalizer 2 and Mamma Mia! Here We Go Again. The pair of part II’s have something rather interesting in common: they serve as the first sequels that their stars Denzel Washington and Meryl Streep have ever appeared in. Pretty surprising huh? Both have been mega-stars for decades and have never followed up on a character until now.

This got me thinking: what other major actors have never been in a sequel? And it’s not an easy list to cobble together.

Some actors are known for their cases of sequelitis. We know Samuel L. Jackson has appeared in a multitude of them, including Marvel Cinematic Universe pics and franchises ranging from Star Wars to xXx to Incredibles. He was John McClane’s sidekick in Die Hard with a Vengeance. And looking early in his filmography, 1990 saw him appearing in The Exorcist III and The Return of Superfly. There’s also Patriot Games from 1992 and Kill Bill: Vol. 2 from 2004. Son of Shaft will be out next year. Dude loves his m****f***ing sequels!

Sylvester Stallone has made a career of out of them. Creed II will mark his 15th sequel by my count. There’s the Rocky, Rambo, and Expendables series and there’s also Staying Alive (which he directed and had a cameo in), Spy Kids 3-D: Game Over, Guardians of the Galaxy Vol. 2, and the just released Escape Plan 2: Hades.

Eddie Murphy has returned in the following series: 48 Hrs., Beverly Hills Cop, The Nutty Professor, Dr. Dolittle, and Shrek. There could be a part II of Coming to America on the horizon.

Harrison Ford has the famous series like Star Wars, Indiana Jones, and the Jack Ryan pictures. There’s also More American Graffiti, Anchorman 2: The Legend Continues, and last year’s Blade Runner 2049.

OK, back to thespians who don’t constantly appear in sequels. Leonardo DiCaprio? Well, who can forget one of his first roles as Josh in 1991’s Critters 3? 

Matthew McConaughey has a similar situation. Since he’s become known, no sequels (not even returning in Magic Mike XXL). Yet one of his first roles was in Texas Chainsaw Massacre: The Next Generation. 

Unlike his 80s comedic counterparts Bill Murray, Chevy Chase, Dan Aykroyd, and Steve Martin (all in plenty of them), I couldn’t immediately think of any sequel that John Candy did. Yet he provided a voice-over in the 1990 Disney animated follow-up The Rescuers Down Under. 

With Marlon Brando, I guess it depends on how you look at it. He refused to come back for a flashback cameo in The Godfather Part II. Yet he did appear in 2006’s Superman Returns… with a caveat. That footage was culled completely from his work nearly three decades earlier in Superman and it happened two years after his death.

So here’s the deal… it is really tough to come up with performers in the modern age who haven’t appeared in at least one sequel. However, here’s five of them and feel free to list others in the comments!

Warren Beatty

He’s famously picky about his projects and he’s never played the same man twice. There were rumors that he wanted to do another Dick Tracy, but it never materialized.

Annette Bening

Beatty’s wife has had a long and distinguished career free of sequels. She was originally cast as Catwoman in 1992’s Batman Returns but dropped out due to pregnancy.

Russell Crowe

The Oscar winner has yet to return to a role, though I’d certainly sign up for The Nice Guys II. P.S. – I do not count Man of Steel as a sequel.

Jodie Foster

She declined to return as Clarice Starling in 2001’s Hannibal after an Oscar-winning turn in The Silence of the Lambs ten years earlier. That was her biggest chance at a sequel and there are none before or after.

Jake Gyllenhaal

His first role was as Billy Crystal’s son in City Slickers, but he was nowhere to be found for part II or any other sequel. However, that long streak ends next summer with Spider-Man: Far From Home.

And there you go! As I said, feel free to chime in with your own non-sequel actors…

The Shape of Oscar 2017

Well, the 90th Annual Academy Awards have come and – after 220 minutes of ceremony – gone. This is my annual wrap up of the show and (of course most importantly) how I did with my predictions!

In short, not too shabby…

I went 19/21 on my predictions – missing out on just Best Original Song (“Remember Me” from Coco won over my upset pick “Stand Up for Something” from Marshall and A Fantastic Woman took Foreign Film over The Insult). Neither were a surprise.

In fact, the night was rather predictable as far as winners. The Shape of Water was the big victor, taking Picture, Director (Guillermo del Toro), Production Design, and Original Score. The acting winners (Gary Oldman for Darkest Hour, Frances McDormand and Sam Rockwell for Three Billboards Outside Ebbing, Missouri, Allison Janney in I, Tonya) were the wise ones to have in the pool. Get Out got its recognition via Jordan Peele’s Original Screenplay. Legends like James Ivory (for his Call Me by Your Name Adapted Screenplay) and cinematographer Roger Deakins (for his Blade Runner 2049 work) finally won gold statues.

Some other quick observations:

  • Jimmy Kimmel, as he was last year, is a solid host for the show. I would have no problem with him essentially being the new Billy Crystal and hosting every year or every other year. That said, it sure would be interesting to see what a Tiffany Haddish or Dave Chappelle could do with it.
  • That 90 years in movies Oscar montage could have gone on another half hour and I would have been fine with it.
  • I hope the Phantom Thread costume designer is enjoying his jet ski today.
  • And, of course, no Best Picture screw up! Warren Beatty and Faye Dunaway can relax today.

And there you have it, folks! That’s my shape of Oscar 2017.

 

Rules Don’t Apply Movie Review

A film focusing on a meticulous and eccentric legend who’s bedded scores of women would seem to be right up Warren Beatty’s alley, but Rules Don’t Apply is a rather big letdown for the director’s first effort in nearly two decades. It’s a passion project for Mr. Beatty that partially focuses on the life of reclusive aviation and movie making billionaire Howard Hughes. Unlike the Martin Scorsese/Leonardo DiCaprio biopic The Aviator, however, Rules isn’t nearly as concerned with historical accuracy and is as much an old-fashioned Hollywood romance.

Beatty plays Hughes circa 1958-1964, a time where his OCD and reliance on pharmaceutical relief had reached massive levels. He’s still running RKO Pictures and flying girls in from all over the country for screen tests. One such prospect is Marla (Lily Collins), a devout Baptist from Virginia who flies into La La Land with her equally proper mother (Beatty’s spouse Annette Bening). She’s never had a drink, never “gone all the way” (as is the common term in this screenplay), and certainly never met a character like Mr. Hughes. Frank (Alden Ehrenreich) is one of Hughes’s many chauffeurs who’s actually yet to meet the man himself. He’s tasked with driving Marla around and they soon begin a courtship, even though Frank is engaged to his childhood sweetheart.

Further complications arise when Hughes (who strictly forbids such interaction between his many employees) gets to know Marla better. The screenplay (by Beatty and his longtime collaborator Bo Goldman) juggles the romance with some of Howard’s business and government dealings as his abnormal behavior continues to increase. We do not see the grotesque and totally shut off character that DiCaprio showed us a dozen years ago in his Oscar nominated role. Rules is much lighter stuff and feels considerably less consequential.

Some welcome comedic hey is made of the many people who wait on Hughes hand and foot, including Matthew Broderick’s assistant and Candice Bergen’s secretary. There’s many familiar faces who pop up in smaller roles (most of them likely just wanted to work with Beatty) and they include Alec Baldwin, Ed Harris, Martin Sheen, and Oliver Platt.

Part of the problem is that while Collins and Ehrenreich are perfectly fine in their performances, their chemistry is adequate at best. A bigger issue is that Rules feels a bit all over the map in plot and tone. The arc of Howard’s disintegration into madness is an odd mix of humor and drama that never gels despite Beatty’s best efforts. It’s also hard to ignore that he’s about 20 years older than Hughes at this particular point in his life, but if anyone can pull that off…

For a director who’s known to be incredibly particular, this one contains only fleeting moments that you’ll remember. The rest, sadly, don’t apply.

** (out of four)

Summer 1987: The Top 10 Hits and More

As we begin the month of August and the dog days of summer, I’ll be traveling back 30, 20, and 10 years ago to seasons past giving you the top ten hits and more of that particular time frame. Today we are going all the way to 1987.

It was a simpler time back then. There were very few sequels and franchises and reboots and a good portion of the highest grossing flicks dealt with law enforcement in action type settings. Only one picture grossed over $100 million dollars. Yes, the times have changed, but what a hoot to look back at what was burning up the box office charts three decades ago. This post will also discuss some other notable flicks outside the top ten and some big ole flops.

Let’s get to it!

10. The Living Daylights

Domestic Gross: $51 million

The 15th James Bond picture kicked off the brief two picture reign of Timothy Dalton, who took over the iconic role after the late Roger Moore’s 12 year long portrayal of 007. It’s $51M gross would just surpass the $50M earnings of Moore’s swan song, 1985’s A View to a Kill. Two summers later, Dalton would star in his swan song Licence to Kill before Pierce Brosnan donned the tuxedo six years later.

9. Robocop

Domestic Gross: $53 million

Paul Verhoeven’s futuristic sci-fi action thriller nearly received the dreaded X rating upon its release. It also received critical acclaim and spawned two sequels and a 2014 remake.

8. La Bamba

Domestic Gross: $54 million

This biopic of singer Ritchie Valens starring Lou Diamond Phillips was a major summer sleeper and even earned a Golden Globe nod for Best Picture (Drama). It also featured the Los Lobos cover of the title song that was in the top ten summer songs of 1987.

7. Dragnet

Domestic Gross: $57 million

A few years before Tom Hanks was earning back to back Best Actor Oscars, he was costarring in silly remakes of 1950s cop dramas. Dragnet managed to perform well and it’s a guilty pleasure, especially Dan Aykroyd’s take on Sgt. Joe Friday (a role made famous by Jack Webb).

6. Predator

Domestic Gross: $59 million

One of Arnold Schwarzenegger’s finest action pics, Predator also kicked off an impressive three picture directorial run by John McTiernan that was followed up by Die Hard and The Hunt for Red October. This franchise is still going strong today, but nothing beats the hard edged original.

5. Dirty Dancing

Domestic Gross: $63 million

The biggest sleeper hit of the summer vaulted Patrick Swayze into super stardom and won the Oscar for Best Original Song for Bill Medley and Jennifer Warnes’s “(I’ve Had) The Time of My Life”.

4. The Witches of Eastwick

Domestic Gross: $63 million

Mad Max maker George Miller went Hollywood with this critically appreciated comedic fantasy with an all-star cast of Jack Nicholson, Cher, Susan Sarandon, and Michelle Pfeiffer.

3. Stakeout

Domestic Gross: $65 million

This was the height of the buddy cop era and it propelled this one starring Richard Dreyfuss and Emilio Estevez to big grosses. A less regarded sequel costarring Rosie O’Donnell would follow six years later.

2. The Untouchables

Domestic Gross: $76 million

Brian De Palma’s take on the classic TV series was a big-budget and highly entertaining affair headlined by Kevin Costner, Robert De Niro, Andy Garcia, and Sean Connery (who won a Supporting Actor Oscar for his work).

1. Beverly Hills Cop II

Domestic Gross: $153 million

Eddie Murphy was just about the biggest movie star in the world in summer 1987 and that’s shown here by the enormous gross of the sequel to his 1984 classic, directed by Tony Scott. A much less successful third entry would follow seven summers later after Murphy’s box office potency had waned.

And now – here’s some other notable pictures from the season:

Full Metal Jacket

Domestic Gross: $46 million

Legendary director Stanley Kubrick’s first film in seven years (since The Shining) is now considered a modern classic, especially for its unforgettable first half featuring R. Lee Ermey’s Vietnam drill sergeant.

Spaceballs

Domestic Gross: $38 million

This Mel Brooks spoof of Star Wars may not be in Blazing Saddles or Young Frankenstein territory, but it’s certainly earned quite a cult status through the last 30 years.

Adventures in Babysitting

Domestic Gross: $34 million

The directorial debut of Chris Columbus (who would go on to make Home Alone, Mrs. Doubtfire and the first two Harry Potter pics), Babysitting has also achieved cult cred in addition to its decent box office showing at the time.

The Lost Boys

Domestic Gross: $32 million

Another flick with a rabid fan base, the teen pic cast Kiefer Sutherland, Jason Patric, and Corey Feldman in a California town overrun by vampires.

And now for a couple of 1987 summer box office bombs:

Jaws IV: The Revenge

Domestic Gross: $20 million

12 summers prior, Steven Spielberg’s original was a landmark motion picture. By the time the fourth entry came around, the series had gotten terrible. It still has a 0% score on Rotten Tomatoes and Michael Caine actually missed picking up his Oscar for Hannah and Her Sisters because he was shooting this turkey.

Superman IV: The Quest for Peace

Domestic Gross: $15 million

Not a solid summer for four-quels. This served as a bad ending to a series started nine years earlier. There was a moratorium on Supes pic for the next 19 years.

Ishtar

Domestic Gross: $14 million

Considered one of the largest bombs in film history at the time, this comedy with Warren Beatty and Dustin Hoffman was a punchline for years. Its reputation has grown a bit since.

And that’s my recap folks! I’ll be back recounting summer 1997 very soon…

2016 Oscars Reaction

Well… then! Who expected that ending at the Oscars?? One that involved Bonnie and Clyde, Leonardo DiCaprio, wrong envelopes, and a mild Best Picture upset! Yes, the jokes about that already infamous finale to the 89th Annual Academy Awards deserves the endless tweets about M. Night Shyamalan coming up with it and Steve Harvey being off the hook for his Miss Universe gaffe.

All in all, it was a fairly unpredictable night even up until that wild conclusion. My predictions went 14 for 21. Expect for Picture, I did get all the high-profiles race right: Damien Chazelle (La La Land) for Director, Casey Affleck (Manchester by the Sea) for Actor, Emma Stone (La La) for Actress, Mahershala Ali (Moonlight) for Supporting Actor, Viola Davis (Fences) for Supporting Actress, Moonlight for Adapted Screenplay, and Manchester for Original Screenplay. Animated Feature Zootopia and Foreign Language Film The Salesman were also rightly called. Down the line categories that I got right: Original Score and Song (La La and “City of Stars” from that film), Production Design and Cinematography (La La), and Visual Effects (The Jungle Book).

I whiffed on Documentary – O.J.: Made in America was the front runner and won over my upset pick I Am Not Your Negro. Others: Sound Editing (Arrival instead of Hacksaw Ridge), Sound Mixing (Hacksaw instead of La La), Makeup and Hairstyling (Suicide Squad over Star Trek Beyond), Costume Design (Fantastic Beasts and Where to Find Them over Jackie), and Editing (Hacksaw over La La).

And, of course, Best Picture, where La La Land won for about two minutes before the Academy’s producers pointed out a mistake and that Moonlight actually won.

The evening started on a happy note with Justin Timberlake dancing his way into the auditorium to his hit “Can’t Stop the Feeling!” from Trolls. Jimmy Kimmel did a decent job hosting for the most part. Some bits worked better than others. I enjoyed the group of tourists unknowingly being brought to the theater and his endless ribbing of Matt Damon. The candy and cookies falling down to the audience felt a little old hat. The In Memorium package was a little tough with the legends lost this year and props to Jennifer Aniston for mentioning the passing of Bill Paxton as news had just broke that morning.

Did the show feel long? Of course. It always does, but for those that stuck around… yowza! That was an Oscar ending that will not soon be forgotten.

2016 Golden Globe Nominations Reaction

Well, the Golden Globe nominations are out and there are some genuine surprises to be had.

Not surprising? Damien Chazelle’s La La Land (the current front runner in the Oscar Best Picture derby) leading all nominees with seven with Barry Jenkins’s Moonlight close behind with six.

Surprising? A total shut-out for Martin Scorsese’s Silence and a better than expected showing for Tom Ford’s Nocturnal Animals. 

All in all, my performance guessing the nominees was pretty weak. 64% total in the ten major categories predicted.

Let’s break them down one by one, shall we?

Best Picture (Drama)

My Performance 2/5

Analysis: Ouch. This race threw me for a loop as only Manchester by the Sea and Moonlight were nominated among my five. The three that weren’t: the aforementioned Silence, Arrival, and Fences. In their place: Mel Gibson’s Hacksaw Ridge, Garth Davis’s Lion, and David Mackenzie’s Hell or High Water. Truthfully, none of their inclusions are entirely surprising. Having said that, if I thought I’d get three picks wrong, I probably would have thought Pablo Larrain’s Jackie would get in. This race now appears to be between Manchester and Moonlight.

Best Picture (Musical or Comedy)

My Performance: 3/5

Well… a little better. The three I correctly predicted were La La Land, Florence Foster Jenkins, and 20th Century Women. Warren Beatty’s Rules Don’t Apply and The Lobster didn’t make it in in favor of Deadpool (!) and Sing Street. Bottom line here? La La is going to win this category.

Best Director

My Performance: 3/5

Chazelle, Jenkins, and Lonergan were got in as I said they would, but Martin Scorsese and Denis Villeneuve (Arrival) did not. In their place are Mel Gibson for Hacksaw and the rather surprising inclusion of Tom Ford for Nocturnal Animals, especially considering the movie wasn’t nominated in Drama.

Best Actor (Drama)

My Performance: 4/5

The only incorrect estimate here is that Viggo Mortensen got in for Captain Fantastic instead of Tom Hanks for Sully. Ironically, I did predict Viggo would be nominated in Musical/Comedy here (I thought Fantastic would fall under that genre). The other nominees that I did get: Casey Affleck (Manchester by the Sea), Joel Edgerton (Loving), Andrew Garfield (Hacksaw Ridge), and Denzel Washington (Fences).

Best Actress (Drama)

My Performance: 5/5

Hey, the one and only race where I went 100%! The nominees: Amy Adams (Arrival), Jessica Chastain (Miss Sloane), Isabelle Huppert (Elle), Ruth Negga (Loving), and Natalie Portman (Jackie).

Best Actor (Musical or Comedy)

My Performance: 3/5

To me, the surprise is that the Hollywood Foreign Press didn’t nominate the legendary Warren Beatty for Rules Don’t Apply. As mentioned before, I put Mortensen in here, but he ended up getting nominated for Drama. The three I got right: Colin Farrell (The Lobster), Ryan Gosling (La La Land), and Hugh Grant (Florence Foster Jenkins). The two I didn’t: the pretty shocking nod for Jonah Hill in War Dogs and much deserved love for Ryan Reynolds in Deadpool.

Best Actress (Musical or Comedy)

My Performance: 3/5

Annette Bening (20th Century Women), Emma Stone (La La Land), and Meryl Streep (Florence Foster Jenkins) were all very easy picks to make and they got in. The other two were tougher. I went with Kate Beckinsale in Love & Friendship and Susan Sarandon in The Meddler, but it was Lily Collins (Rules Don’t Apply) and Hailee Steinfeld (The Edge of Seventeen) who made the cut.

Best Supporting Actor

My Performance: 2/5

Ouch again. When it comes to Oscar predictin’, this has been the most unpredictable category of them all and that showed with my GG’s performance here. I correctly named Mahershala Ali (Moonlight) and Dev Patel in Lion. My picks of Lucas Hedges (Manchester), Issey Ogata (the totally ignored Silence), and Michael Shannon (Nocturnal Animals) didn’t come to fruition. Instead, we got the surprise nod for Shannon’s Nocturnal costar Aaron Taylor-Johnson along with Jeff Bridges (Hell or High Water) and Simon Helberg (Florence Foster Jenkins).

Best Supporting Actress

My Performance: 4/5

Correct picks were Viola Davis in Fences, Naomie Harris for Moonlight, Nicole Kidman in Lion, and Michelle Williams for Manchester. It was Octavia Spencer in Hidden Figures that I didn’t get (I said Greta Gerwig in 20th Century Women instead). Spencer’s inclusion is a small surprise, as some of the Oscar chatter has had Janelle Monae more likely to get in for Figures than her costar.

Best Screenplay

My Performance: 3/5

La La Land, Manchester, and Moonlight are in as predicted. No love for Arrival and Silence. In their place? Hell or High Water and Nocturnal Animals.

And there you have it! I’ll have a post up with final predictions on the winners shortly before Jimmy Fallon hosts the proceedings in January…

2016 Golden Globe Predictions

The most visible Oscar precursor is unveiled tomorrow when the Golden Globe nominations come out. Unlike the Academy Awards, the Hollywood Foreign Press Association divides its Picture and lead acting races into two categories: Drama and Musical/Comedy. Additionally, it doesn’t split the screenplay race into Adapted and Original like the Oscars do.

Tonight on the blog, I am giving you my estimates for what and who will be nominated at the Globes, along with picking an alternate and a potential surprise in these races.

Let’s get to it!

BEST PICTURE (DRAMA)

Predicted Nominees

Arrival

Fences

Manchester by the Sea

Moonlight

Silence

Alternate: Jackie

Potential Surprise: Fences not getting a nod, allowing Jackie or Lion or Hacksaw Ridge to get in.

BEST PICTURE (MUSICAL OR COMEDY)

Predicted Nominees

Florence Foster Jenkins

La La Land

The Lobster

Rules Don’t Apply

20th Century Women

Alternate: Hail, Caesar!

Potential Surprise: Captain Fantastic managing to get recognized.

BEST DIRECTOR

Predicted Nominees

Damien Chazelle, La La Land

Barry Jenkins, Moonlight

Kenneth Lonergan, Manchester by the Sea

Martin Scorsese, Silence

Denis Villeneuve, Arrival

Alternate: Denzel Washington, Fences

Potential Surprise: Pablo Larrain getting a nod for Jackie.

BEST ACTOR (DRAMA)

Predicted Nominees

Casey Affleck, Manchester by the Sea

Joel Edgerton, Loving

Andrew Garfield, Hacksaw Ridge

Tom Hanks, Sully

Denzel Washington, Fences

Alternate: Andrew Garfield, Silence – will be interesting to see which pic he’s nominated for.

Potential Surprise: Michael Keaton landing a nom for The Founder, which could significantly boost his Oscar talk.

BEST ACTOR (MUSICAL OR COMEDY)

Predicted Nominees

Warren Beatty, Rules Don’t Apply

Colin Farrell, The Lobster

Ryan Gosling, La La Land

Hugh Grant, Florence Foster Jenkins

Viggo Mortensen, Captain Fantastic

Alternate: Adam Driver, Paterson

Potential Surprise: Grant not being nominated, which would essentially kill his slimming chances for a Supporting Actor Oscar nod.

BEST ACTRESS (DRAMA)

Predicted Nominees

Amy Adams, Arrival

Jessica Chastain, Miss Sloane

Isabelle Huppert, Elle

Ruth Negga, Loving

Natalie Portman, Jackie

Alternate: Rachel Weisz, Denial

Potential Surprise: Hearing Rebecca Hall’s name called for the little seen Christine.

BEST ACTRESS (MUSICAL OR COMEDY)

Predicted Nominees

Kate Beckinsale, Love & Friendship

Annette Bening, 20th Century Women

Susan Sarandon, The Meddler

Emma Stone, La La Land

Meryl Streep, Florence Foster Jenkins

Alternate: Sally Field, My Name is Doris

Potential Surprise: Hailee Steinfeld sneaking in for the critically lauded The Edge of Seventeen.

BEST SUPPORTING ACTOR

Predicted Nominees

Mahershala Ali, Moonlight

Lucas Hedges, Manchester by the Sea

Issey Ogata, Silence

Dev Patel, Lion

Michael Shannon, Nocturnal Animals

Alternate: Mykelti Williamson, Fences

Potential Surprise: There could be a lot in this race, but let’s go with Aaron Eckhart getting recognized for Sully or Bleed for This.

BEST SUPPORTING ACTRESS

Predicted Nominees

Viola Davis, Fences

Greta Gerwig, 20th Century Women

Naomie Harris, Moonlight

Nicole Kidman, Lion

Michelle Williams, Manchester by the Sea

Alternate: Helen Mirren, Eye in the Sky

Potential Surprise: Molly Shannon’s small indie work in Other People making the cut.

BEST SCREENPLAY

Predicted Nominees

Arrival

La La Land

Manchester by the Sea

Moonlight

Silence

Alternate: Fences

Potential Surprise: Well, predicting Fences gets left off is a bit of a surprise, so let’s go with that.

I’ll have a post up tomorrow recounting how I did with these predictions. Until then…

 

Todd’s Weekly Oscar Predictions: December 1st Edition

Hello all! Welcome to December and welcome to my weekly Thursday Oscar predictions!

It’s been seven days since my last Turkey Day estimates in the eight major categories. A lot can change in a week and there’s been significant developments since we were all couch bound after our Thanksgiving feasts.

Let us count them…

1) Martin Scorsese’s Silence finally held some screenings, meaning buzz is out. Official reviews are embargoed until December 10, but the first reactions indicate that the director’s latest could be a force in the Oscar race. My predictions reflect that. Furthermore, initial word makes one wonder whether it’ll be Liam Neeson or Adam Driver that get the lion’s share of attention in Supporting Actor.

2) A number of awards precursors have rolled out their winners and nominations. We begin with the National Board of Review. Yesterday, the NBR bestowed their winners upon us. They are: Manchester by the Sea (Best Film), Barry Jenkins for Moonlight (Director), Casey Affleck in Manchester by the Sea (Actor), Amy Adams in Arrival (Actress), Jeff Bridges in Hell or High Water (Supporting Actor), Naomie Harris in Moonlight (Supporting Actor), Manchester by the Sea (Original Screenplay), and Silence (Adapted Screenplay). The critics organization also lists ten other pictures on the year’s best list and they are: Arrival, Hacksaw Ridge, Hail Caesar!, Hell or High Water, Hidden Figures, La La Land, Moonlight, Patriots Day, Silence, and Sully. Now – the NBR’s list of films have not and will not match what the Academy does. For instance, Hail Caesar! is not going to nab a Best Picture nod (it’s never been in my top 20 list of possibles and still isn’t). All the others, however, are at least feasible. The most notable snub is Fences, though I’d say it’s still near the top for Academy recognition. Lion is another notable omission.

3) The Critics Choice Awards came out today with their nominations. An important caveat: Silence (and Passengers and Rogue One: A Star Wars Story) weren’t screened in time for consideration. The CCA nominates 10 pictures and they are: Arrival, Fences, Hacksaw Ridge, Hell or High Water, La La Land, Lion, Loving, Manchester by the Sea, Moonlight, and Sully. Another note: the upcoming Jackie got no Picture love from the NBR or CCA.

There are seven nominees for Best Director and six each in the acting and screenplay races. They are:

Director: Damien Chazelle (La La Land), Mel Gibson (Hacksaw Ridge), Barry Jenkins (Moonlight), Kenneth Lonergan (Manchester by the Sea), David Mackenzie (Hell or High Water), Denis Villeneueve (Arrival), and Denzel Washington (Fences). Gibson’s nod is a fascinating one and he may have slightly increased his chances at Oscar attention. That said, it’s important to remember that Scorsese (who’s almost sure to get a nomination) was ineligible.

Actor: Casey Affleck (Manchester), Joel Edgerton (Loving), Andrew Garfield (Hacksaw Ridge), Ryan Gosling (La La Land), Tom Hanks (Sully), and Denzel Washington (Fences). Nothing out of the ordinary here, though Garfield seems more likely to get Acting attention for Silence via the Academy.

Actress: Amy Adams (Arrival), Annette Bening (20th Century Women), Isabelle Huppert (Elle), Ruth Negga (Loving), Natalie Portman (Jackie), and Emma Stone (La La Land). Note: No nod for either Meryl Streep (Florence Foster Jenkins) or Jessica Chastain (Miss Sloane).

Supporting Actor: Mahershala Ali (Moonlight), Jeff Bridges (Hell or High Water), Ben Foster (Hell or High Water), Lucas Hedges (Manchester by the Sea), Dev Patel (Lion), and Michael Shannon (Nocturnal Animals). Note: While some awards prognosticators have listed Hugh Grant in Florence Foster Jenkins as a possibility, his fortunes seem to be dwindling. Also, no Mykelti Williams or Stephen Henderson for Fences. 

Supporting Actress: Viola Davis (Fences), Greta Gerwig (20th Century Women), Naomie Harris (Moonlight), Nicole Kidman (Lion), Janelle Monae (Hidden Figures), and Michelle Williams (Manchester by the Sea). No real surprises here.

Original Screenplay: Hell or High Water, La La Land, The Lobster, Loving, Manchester by the Sea, Moonlight. Again, no shocks though the ignoring of Jackie continues here.

Adapted Screenplay: Arrival, Fences, Hidden Figures, Lion, Nocturnal Animals, Sully. With Hacksaw getting Pic and Director and Actor attention, a bit surprising it didn’t land a nod here.

4) The New York Film Critics Circle named their winners today. La La Land (the current front runner for Best Picture) was victorious. However, Director went to Barry Jenkins yet again for his work in Moonlight. Casey Affleck took another Actor prize with Isabelle Huppert in Elle helping her case out with an Actress win. Mahershala Ali (Moonlight) and Michelle Williams (for both Manchester and Certain Women) won their Supporting categories. The NYFCC combines screenplay into one and Manchester took top honors there.

Whew. Lots of information, I know, with plenty to digest! Taking all that into account and knowing there’s a bunch more precursors to come – here’s where I have the eight major races standing at this moment:

Best Picture

Predicted Nominees

1. La La Land (Previous Ranking: 1)

2. Silence (PR: 4)

3. Moonlight (PR: 3)

4. Manchester by the Sea (PR: 6)

5. Fences (PR: 2)

6. Lion (PR: 5)

7. Arrival (PR: 8)

8. Hidden Figures (PR: 10)

9. Loving (PR: 7)

Other Possibilities:

10. Hell or High Water (PR: 11)

11. Jackie (PR: 9)

12. Hacksaw Ridge (PR: 16)

13. Sully (PR: 15)

14. Patriots Day (PR: 13)

15. 20th Century Women (PR: 12)

16. Nocturnal Animals (PR: 17)

17. Live by Night (PR: 14)

18. Passengers (PR: Not Ranked)

19. The Jungle Book (PR: 18)

20. The Founder (PR: 19)

Dropped Out:

Gold

Best Director

Predicted Nominees

1. Damien Chazelle, La La Land (PR: 1)

2. Martin Scorsese, Silence (PR: 2)

3. Barry Jenkins, Moonlight (PR: 4)

4. Denzel Washington, Fences (PR: 3)

5. Kenneth Lonergan, Manchester by the Sea (PR: 5)

Other Possibilities

6. Denis Villeneuve, Arrival (PR: 6)

7. Garth Davis, Lion (PR: 7)

8. Mel Gibson, Hacksaw Ridge (PR: Not Ranked)

9. Jeff Nichols, Loving (PR: 8)

10. Theodore Melfi, Hidden Figures (PR: 10)

Dropped Out:

Pablo Larrain, Jackie

Best Actor

1. Denzel Washington, Fences (PR: 1)

2. Casey Affleck, Manchester by the Sea (PR: 2)

3. Tom Hanks, Sully (PR: 4)

4. Ryan Gosling, La La Land (PR: 5)

5. Andrew Garfield, Silence (PR: 9)

Other Possibilities

6. Joel Edgerton, Loving (PR: 3)

7. Viggo Mortensen, Captain Fantastic (PR: 7)

8. Michael Keaton, The Founder (PR: 6)

9. Andrew Garfield, Hacksaw Ridge (PR: Not Ranked)

10. Matthew McConaughey, Gold (PR: 10)

Dropped Out:

Warren Beatty, Rules Don’t Apply

Best Actress

Predicted Nominees

1. Emma Stone, La La Land (PR: 1)

2. Natalie Portman, Jackie (PR: 2)

3. Annette Bening, 20th Century Women (PR: 3)

4. Ruth Negga, Loving (PR: 4)

5. Amy Adams, Arrival (PR: 6)

Other Possibilities

6. Isabelle Huppert, Elle (PR: 8)

7. Jessica Chastain, Miss Sloane (PR: 5)

8. Meryl Streep, Florence Foster Jenkins (PR: 7)

9. Taraji P. Henson, Hidden Figures (PR: 10)

10. Rebecca Hall, Christine (PR: 9)

Best Supporting Actor

Predicted Nominees

1. Mahershala Ali, Moonlight (PR: 1)

2. Michael Shannon, Nocturnal Animals (PR: 3)

3. Dev Patel, Lion (PR: 2)

4. Lucas Hedges, Manchester by the Sea (PR: 5)

5. Mykelti Williamson, Fences (PR: 4)

Other Possibilities

6. Jeff Bridges, Hell or High Water (PR: 6)

7. Adam Driver, Silence (PR: Not Ranked)

8. Liam Neeson, Silence (PR: 8)

9. Stephen Henderson, Fences (PR: 7)

10. Kevin Costner, Hidden Figures (PR: Not Ranked)

Dropped Out:

Hugh Grant, Florence Foster Jenkins

Peter Sarsgaard, Jackie

Best Supporting Actress

Predicted Nominees

1. Viola Davis, Fences (PR: 1)

2. Naomie Harris, Moonlight (PR: 2)

3. Michelle Williams, Manchester by the Sea (PR: 3)

4. Nicole Kidman, Lion (PR: 4)

5. Greta Gerwig, 20th Century Women (PR: 5)

Other Possibilities

6. Janelle Monae, Hidden Figures (PR: 6)

7. Octavia Spencer, Hidden Figures (PR: 7)

8. Molly Shannon, Other People (PR: 8)

9. Helen Mirren, Eye in the Sky (PR: 9)

10. Bryce Dallas Howard, Gold (PR: Not Ranked)

Dropped Out:

Felicity Jones, A Monster Calls

Best Original Screenplay

Predicted Nominees

1. Manchester by the Sea (PR: 2)

2. Moonlight (PR: 1)

3. La La Land (PR: 3)

4. Hell or High Water (PR: 4)

5. Loving (PR: 6)

Other Possibilities

6. 20th Century Women (PR: 5)

7. The Lobster (PR: 8)

8. Jackie (PR: 7)

9. Patriots Day (PR: Not Ranked)

10. Captain Fantastic (PR: 9)

Dropped Out:

Gold

Best Adapted Screenplay

Predicted Nominees

1. Fences (PR: 1)

2. Silence (PR: 3)

3. Lion (PR: 2)

4. Arrival (PR: 5)

5. Hidden Figures (PR: 6)

Other Possibilties

6. Nocturnal Animals (PR: 4)

7. Hacksaw Ridge (PR: 8)

8. Sully (PR: 10)

9. Elle (PR: 9)

10. Indignation (PR: Not Ranked)

Dropped Out:

Live by Night

Whew! And there you have it…

Let’s see what transpires over the next 7 days until my next round! Until then…