Elvis Box Office Prediction

Blogger’s Update (06/23): On the eve of its premiere, I am revising my Elvis prediction from $42.6M to $35.6M. That still gives it the #1 slot over Top Gun: Maverick… barely.

Warner Bros is betting that Elvis will get moviegoers all shook up when it hits theaters on June 24th. The extravagant musical comes from Baz Luhrmann, maker of Moulin Rouge! and 2013’s The Great Gatsby. Austin Butler, in a performance garnering some awards chatter, plays The King with Tom Hanks as The Colonel. Costars include Helen Thomson, Richard Roxburgh, Olivia DeJonge, Luke Bracey, Natasha Bassett, Kelvin Harrison Jr., and Kodi Smit-McPhee.

While Butler’s work has been lauded across the board, reviews for the film are a bit more mixed. It received a warm welcome at the Cannes Film Festival and it could certainly be an audience pleaser. The Rotten Tomatoes score stands at 77%.

The studio would love for Elvis to approach the earnings of Bohemian Rhapsody from 2018 (and maybe win some of the same Oscars). The Freddie Mercury biopic took in $51 million for its start with an overall domestic haul of $216 million. Coincidentally that’s the same figure that Gatsby made for Luhrmann’s personal best. WB is  hoping for a better beginning than 2019’s Rocketman, the Elton John tale which debuted with $25 million (with a $96 million eventual tally).

Obviously Elvis Presley is one of music’s biggest sensations ever and that could propel this to a premiere on pace with Rhapsody. Older moviegoers have recently proven they’re willing to venture out thanks to Top Gun: Maverick. 

I’m tempted to project this hits $45-50 million, but I’ll hedge a bit and say it fall a little shy of that.

Elvis opening weekend prediction: $35.6 million

For my The Black Phone prediction, click here:

The Black Phone Box Office Prediction

Oscar Predictions: Close

In 2o18, Belgian director probably came close to seeing his feature Girl nab an International Feature Film nod. It came up short, but he’s got another shot this year with Close.

The coming-of-age drama re-teams him with Girl screenwriter Angelo Tijssens. While it didn’t win the top prize Palme D’Or at the French film festival, it did tie with Stars at Noon for the Grand Prix (essentially second place).

With a 94% Rotten Tomatoes rating, I would expect Belgium could make this their selection for the Academy’s derby. If it makes the shortlist, it certainly stands a decent chance at inclusion. My Oscar Prediction posts will continue…

Oscar Predictions: Triangle of Sadness

Five years after his satire The Square won the Palme d’Or at Cannes, Swedish filmmaker Ruben Ostlund has won the top prize for another satire. That picture is Triangle of Sadness which stars Harris Dickinson and Charibi Dean as models stranded on an island with a group of billionaires, including Woody Harrelson.

Sadness was a bit of a surprise honoree over pics that received stronger reviews such as Broker and Decision to Leave. The Rotten Tomatoes score is 71% with some raves and others calling it a disappointment.

Perhaps the buzz garnered by the Cannes victory could propel it to a Best Picture nod. However, that’s far from a guarantee. My Oscar Prediction posts will continue…

2022 Oscar Predictions: May 29th Edition

As May comes to a close and the Cannes Film Festival wraps up, I’m giving you a fresh update in the six major Oscar categories!

In Best Picture, I’m elevating Empire of Light from Sam Mendes into the top ten and that takes Rustin out. The Daniels from Everything Everywhere All at Once vault into Director to the detriment of Sarah Polley for Women Talking. 

Empire of Light also benefits in Best Actress with Olivia Colman in over Carey Mulligan from She Said. While Actor and Supporting Actress remain unchanged, there’s two alterations in Supporting Actor with Ke Huy Quan (Everything Everywhere…) and Jesse Plemons (Killers of the Flower Moon) in over John David Washington (Amsterdam) and Tom Hanks (Elvis).

You can peruse all the movement below!

Best Picture

Predicted Nominees:

1. Babylon (Previous Ranking: 1) (E)

2. The Fabelmans (PR: 2) (E)

3. Killers of the Flower Moon (PR: 3) (E)

4. Everything Everywhere All at Once (PR: 6) (+2)

5. The Son (PR: 5) (E)

6. Women Talking (PR: 4) (-2)

7. Bardo (PR: 8) (+1)

8. She Said (PR: 7) (-1)

9. Empire of Light (PR: 16) (+7)

10. The Whale (PR: 9) (-1)

Other Possibilities:

11. Rustin (PR: 10) (-1)

12. Broker (PR: Not Ranked)

13. Decision to Leave (PR: 12) (-1)

14. Amsterdam (PR: 11) (-3)

15. White Noise (PR: 13) (-2)

16. Thirteen Lives (PR: 21) (+5)

17. Elvis (PR: 20) (+3)

18. Poor Things (PR: 14) (-4)

19. Avatar: The Way of Water (PR: 15) (-4)

20. Top Gun: Maverick (PR: Not Ranked)

21. Armageddon Time (PR: 19) (-2)

22. Till (PR: 18) (-4)

23. Next Goal Wins (PR: 25) (+2)

24. Tar (PR: 17) (-7)

25. Aftersun (PR: Not Ranked)

Dropped Out:

The Woman King

Three Thousand Years of Longing 

Don’t Worry Darling 

Best Director

Predicted Nominees:

    1. Damien Chazelle, Babylon (PR: 1) (E)

2. Steven Spielberg, The Fabelmans (PR: 2) (E)

3. Martin Scorsese, Killers of the Flower Moon (PR: 3) (E)

4. Dan Kwan & Daniel Scheinert, Everything Everywhere All at Once (PR: 6) (+2)

5. Alejandro Gonzalez Inarritu, Bardo (PR: 5) (E)

Other Possibilities:

6. Sarah Polley, Women Talking (PR: 4) (-2)

7. Florian Zeller, The Son (PR: 7) (E)

8. Park Chan-wook, Decision to Leave (PR: 9) (+1)

9. Sam Mendes, Empire of Light (PR: 15) (+6)

10. Hirokazu Kore’eda, Broker (PR: Not Ranked)

11. Darren Aronofsky, The Whale (PR: 10) (-1)

12. Maria Schrader, She Said (PR: 8) (-4)

13. David O. Russell, Amsterdam (PR: 13) (E)

14. James Cameron, Avatar: The Way of Water (PR: 12) (-2)

15. Yorgos Lanthimos, Poor Things (PR: 14) (-1)

Dropped Out:

George C. Wolfe, Rustin 

Best Actress

Predicted Nominees:

1. Margot Robbie, Babylon (PR: 1) (E)

2. Regina King, Shirley (PR: 2) (E)

3. Michelle Yeoh, Everything Everywhere All at Once (PR: 4) (+1)

4. Olivia Colman, Empire of Light (PR: 9) (+5)

5. Danielle Deadwyler, Till (PR: 5) (E)

Other Possibilities: 

6. Carey Mulligan, She Said (PR: 3) (-3)

7. Cate Blanchett, Tar (PR: 6) (-1)

8. Naomi Ackie, I Wanna Dance with Somebody (PR: 8) (E)

9. Emma Stone, Poor Things (PR: 7) (-2)

10. Laura Dern, The Son (PR: 11) (+1)

11. Viola Davis, The Woman King (PR: 10) (-1)

12. Michelle Williams, Showing Up (PR: Not Ranked)

13. Helen Mirren, Golda (PR: Not Ranked)

14. Ana de Armas, Blonde (PR: 14) (E)

15. Saoirse Ronan, See How They Run (PR: 13) (-2)

Dropped Out:

Florence Pugh, Don’t Worry Darling

Tilda Swinton, Three Thousand Years of Longing 

Best Actor

Predicted Nominees:

1. Hugh Jackman, The Son (PR: 1) (E)

2. Brendan Fraser, The Whale (PR: 2) (E)

3. Leonardo DiCaprio, Killers of the Flower Moon (PR: 4) (+1)

4. Colman Domingo, Rustin (PR: 3) (-1)

5. Austin Butler, Elvis (PR: 5) (E)

Other Possibilities:

6. Song Kang-Ho, Broker (PR: Not Ranked)

7. Christian Bale, Amsterdam (PR: 6) (-1)

8. Adam Driver, White Noise (PR: 9) (+1)

9. Daniel Gimenez Cacho, Bardo (PR: 10) (+1)

10. Diego Calva, Babylon (PR: 7 (-3)

11. Michael Fassbender, Next Goal Wins (PR: 12) (+1)

12. Viggo Mortensen, Thirteen Lives (PR: 11) (-1)

13. Gabriel LaBelle, The Fabelmans (PR: 8) (-5)

14. Paul Mescal, Aftersun (PR: Not Ranked)

15. Colin Farrell, The Banshees of Inisherin (PR: 13) (-2)

Dropped Out:

Joaquin Phoenix, Disappointment Blvd.

Idris Elba, Three Thousand Years of Longing 

Best Supporting Actress

Predicted Nominees:

1. Michelle Williams, The Fabelmans (PR: 2) (+1)

2. Lily Gladstone, Killers of the Flower Moon (PR: 1) (-1)

3. Vanessa Kirby, The Son (PR: 4) (+1)

4. Jessie Buckley, Women Talking (PR: 5) (+1)

5. Zoe Kazan, She Said (PR: 3) (-2)

Other Possibilities: 

6. Hong Chau, The Whale (PR: 6) (E)

7. Jean Smart, Babylon (PR: 7) (E)

8. Audra McDonald, Rustin (PR: 13) (+5)

9. Stephanie Hsu, Everything Everywhere All at Once (PR: 10) (+1)

10. Patricia Clarkson, She Said (PR: 12) (+2)

11. Whoopi Goldberg, Till (PR: 8) (-3)

12. Margot Robbie, Amsterdam (PR: 9) (-3)

13. Dakota Johnson, Cha Cha Real Smooth (PR: Not Ranked)

14. Jamie Lee Curtis, Everything Everywhere All at Once (PR: Not Ranked)

15. Anne Hathaway, Armageddon Time (PR: Not Ranked)

Dropped Out:

Rooney Mara, Women Talking 

Margaret Qualley, Poor Things

Thuso Mbedu, The Woman King

Best Supporting Actor

Predicted Nominees:

1. Robert De Niro, Killers of the Flower Moon (PR: 1) (E)

2. Paul Dano, The Fabelmans (PR: 3) (+1)

3. Brad Pitt, Babylon (PR: 2) (-1)

4. Ke Huy Quan, Everything Everywhere All at Once (PR: 6) (+2)

5. Jesse Plemons, Killers of the Flower Moon (PR: 9) (+4)

Other Possibilities: 

6. Willem Dafoe, Poor Things (PR: 7) (+1)

7. Colin Firth, Empire of Light (PR: 15) (+8)

8. John David Washington, Amsterdam (PR: 5) (-3)

9. Glynn Turman, Rustin (PR: 8) (-1)

10. Ben Whishaw, Women Talking (PR: 11) (+1)

11. Andre Holland, Shirley (PR: Not Ranked)

12. Anthony Hopkins, Armageddon Time (PR: 12) (E)

13. Seth Rogen, The Fabelmans (PR: 14) (+1)

14. Tom Hanks, Elvis (PR: 4) (-10)

15. Mark Ruffalo, Poor Things (PR: 10) (-5)

Dropped Out:

Frankie Faison, Till 

Oscar Predictions: Showing Up

Kelly Reichardt is an acclaimed indie filmmaker behind the recent Certain Women and First Cow. Her latest, which premiered at Cannes, is Showing Up and it casts Michelle Williams as a sculptor in the family drama. Costars include Hong Chau, Judd Hirsch, John Magaro, Andre Benjamin, and James Le Gros.

Reviews say this is a lighter take on Reichardt’s material and the 100% Rotten Tomatoes indicates a winner. In what is becoming a common refrain in these posts, the distributor is A24. It will be a juggling act when it comes to their Oscar campaigns (Everything Everywhere All at Once, The Whale, and Aftersun are just three of their hopefuls).

Williams is drawing early raves. She’s seeking her fifth nomination after two lead nods for 2010’s Blue Valentine and 2011’s My Week with Marilyn and two supporting mentions for 2005’s Brokeback Mountain and 2016’s Manchester by the Sea. While she could draw attention here, there’s also Steven Spielberg’s upcoming The Fabelmans where she could make an appearance in supporting.

It’s important to remember that First Cow starting garnering some awards chatter that ended up petering out. That could happen here but the strong Cannes start helps its case. My Oscar Prediction posts will continue…

Oscar Predictions: Holy Spider

Ali Abbasi’s 2018 fantasy Border won plenty of acclaim and was Sweden’s designee for International Feature Film. It didn’t end up making the final cut, but it did score a nomination for Best Makeup and Hairstyling (coming up short to Vice).

The filmmaker’s latest is the crime thriller Holy Spider and its Cannes premiere is drawing plenty of solid critical attention. The Rotten Tomatoes rating is 88%. Zar Amir Ebrahimi is a reporter tracking Mehdi Bajestani’s serial killer. Said to be dark and gruesome, it would need a spirited Oscar campaign to contend for International Feature Film. My hunch is it ends up on the outside looking in like Border did. My Oscar Prediction posts will continue…

Oscar Predictions: Stars at Noon

From acclaimed French titles like 1999’s Beau Travail to the recent Robert Pattinson horror pic High Life, filmmaker Claire Denis has her ardent admirers. Based on the 1986 novel by Denis Johnson, her latest is Stars at Noon. It has made its premiere at Cannes.

The romantic thriller features Margaret Qualley and Joe Alwyn in the lead roles with Danny Ramirez, Benny Safdie, and John C. Reilly providing support. The reviews are decent though not overwhelmingly positive and the Rotten Tomatoes rating is 78%.

I suspect the stars won’t align for this to receive any sort of significant awards push in the coming months. My Oscar Prediction posts will continue…

Oscar Predictions: Broker

Had it not been for Roma in 2018, Hirokazu Kore’eda’s Shoplifters might have been the winner for the international competition at the Oscars. His latest is Broker and it has debuted at Cannes. Said to be a crowdpleaser, the drama focused on abandoned babies stars Song Kang-Ho of Parasite fame.

Early critical write-ups put this at 89% on Rotten Tomatoes. Some of the reviews say it isn’t quite  in Shoplifters territory. That said, if South Korea selects this as the hopeful in International Feature Film, it would stand an excellent shot at making the cut. However, that is a big if because the nation also has Park Chan-wook’s acclaimed Decision to Leave (also a Cannes player) in the mix.

At the moment, I’m giving Broker the slight edge to be the pick. If so, it’s one to remember come picking time (and perhaps in Original Screenplay too). My Oscar Prediction posts will continue…

Oscar Predictions: Elvis

Will Elvis be in the building when the Oscars air next year? The eagerly anticipated Baz Luhrmann biopic has debuted at Cannes prior to its June 24th stateside bow. The splashy musical casts Austin Butler as The King with Tom Hanks (in some apparently memorable makeup) as Colonel Parker. Costars include Helen Thomson, Richard Roxburgh, Kodi Smit-McPhee, Olivia DeJonge, and Kelvin Harrison, Jr.

Luhrmann’s movies can attract wildly divergent opinions. Elvis is currently at 88% on Rotten Tomatoes. Yet it’s worth noting that the negative reviews are quite negative and the positive ones point out plenty of flaws. It’s not often you’ll read this, but Hanks’s work is drawing mixed buzz. He’ll need some coattail action to be a factor in Supporting Actor.

On the flip side, Luhrmann’s pictures also generate Academy mentions. His last four have done so. 1996’s Romeo + Juliet was nominated for Art Direction. 2001’s Moulin Rouge! was his most acclaimed title with 8 nods including Picture (though not Director). It was victorious in Art Direction and Costume Design. His less regarded 2008 follow-up Australia received a Costume Design nod while 2013’s The Great Gatsby landed wins for Costume Design and Production Design.

We are talking about Elvis so you have to assume Costume Design is easily in play. So are Production Design, Makeup and Hairstyling, and Sound. And, yes, Best Picture is a possibility. Whether or not it hits at the box office could move the needle one way or the other on the big race. If he couldn’t do so for Rouge!, I doubt Luhrmann gets his first behind the camera recognition.

One consistent thread in most of the reaction thus far compliments the performance of Butler. He is absolutely in the mix for Best Actor. Butler’s best hope is to follow in the footsteps of Rami Malek, who took home the gold stature for 2018’s Bohemian Rhapsody as rock legend Freddie Mercury. Or he could end up like Taron Egerton, who surprisingly was left off the final five in 2019 as Elton John in Rocketman. 

Bottom line: despite some grumbling, Elvis has at least established itself as a mover and shaker for the awards season. My Oscar Prediction posts will continue…

Oscar Predictions: Aftersun

Irish thespian Paul Mescal has received an Emmy nod and plenty of critical praise for his role on Hulu’s Normal People and he recently made his cinematic debut in Netflix’s The Lost Daughter. 

More kudos are coming his way via Cannes for Aftersun, a family drama currently holding at 100% on Rotten Tomatoes. The first feature from Charlotte Wells and produced by Moonlight auteur Barry Jenkins, the A24 acquisition is potentially the type of project that could generate awards chatter with the right campaign.

The issue could be that A24 will have other pics to focus on and there’s only so much promotion to go around. Time will tell, but there’s no doubt Mescal is an actor on the upswing. My Oscar Prediction posts will continue…