Tag: Cannes Film Festival

99th Academy Awards Predictions: May 30th Edition

It’s been over three weeks since I’ve updated my Oscar predictions in the six major categories of Picture, Director, and the four acting races. A little thing called the Cannes Film Festival happened in between. In the past few cycles, you can usually count on 2-3 films screened in the French Riviera to eventually make the Best Picture cut at the Academy Awards.

Some features like Na Hong-jin’s Hope and James Gray’s Paper Tiger saw their fortunes take a hit. I would say there are four titles that standing the best chance at finding themselves in the Oscar mix: Cristian Mingiu’s Fjord (which won the Palme d’Or), Ryusuke Hamaguchi’s All of a Sudden, Fatherland from Pawel Pawlkowski, and especially The Black Ball from Javier Calvo and Javier Ambrossi. You can read my detailed prediction posts on the those Cannes titles and more on the blog from the past few days. There’s others that could gain momentum including Minotaur, Coward, and Club Kid.

Steven Spielberg’s Disclosure Day didn’t screen at Cannes, but is readying release on June 12th. Influencers who’ve seen it are highly positive. That said, it is a wise practice to wait until the real review embargo lapses to get a clear picture of its awards viability. For now, I have the movie, Spielberg, and Emily Blunt just on the outside looking in.

The horror flick Obsession drew rave critical reactions and fantastic box office numbers that are continuing to grow. This has truly opened the door for Inde Navarrette to snag an acting nod and, in a best case scenario, BP inclusion (still seems like a long shot but you never know). It’s a legit question as to whether Navarrette competes in lead Actress or Supporting Actress. For now, I’m slotting her as a possibility (though not yet a nominee) in the former. Focus Features will clear it up as some point though it might be a while.

You can read all the movement below and I’ll have the next update available in mid-June!

Best Picture

Predicted Nominees:

1. The Odyssey (Previous Ranking: 1) (Even)

2. Project Hail Mary (PR: 2) (E)

3. Digger (PR: 4) (+1)

4. Wild Horse Nine (PR: 3) (-1)

5. The Black Ball (PR: Not Ranked)

6. Fjord (PR: 5) (-1)

7. Dune: Part Three (PR: 8) (+1)

8. No One Cares (PR: 6) (-2)

9. The Social Reckoning (PR: 9) (E)

10. Cry to Heaven (PR: 12) (+2)

Other Possibilities:

11. Disclosure Day (PR: Not Ranked)

12. All of a Sudden (PR: 10) (-2)

13. Fatherland (PR: 7) (-6)

14. Sense and Sensibility (PR: 17) (+2)

15. A Place in Hell (PR: 13) (-2)

16. Werwulf (PR: 15) (-1)

17. The Adventures of Cliff Booth (PR: 25) (+8)

18. Jack of Spades (PR: 20) (+2)

19. Behemoth! (PR: 23) (+4)

20. Being Heumann (PR: 21) (+1)

21. The Entertainment System is Down (PR: 19) (-2)

22. Michael (PR: 24) (+2)

23. Josephine (PR: 17) (-6)

24. Saturn Return (PR: 18) (-6)

25. Obsession (PR: Not Ranked)

Dropped Out:

Hope

Paper Tiger

A Long Winter

Best Director

Predicted Nominees:

1. Christopher Nolan, The Odyssey (PR: 1) (E)

2. Alejandro G. Iñárritu, Digger (PR: 2) (E)

3. Martin McDonagh, Wild Horse Nine (PR: 3) (E)

4. Javier Calva and Javier Ambrossi, The Black Ball (PR: Not Ranked)

5. Phil Lord and Christopher Miller, Project Hail Mary (PR: 5) (E)

Other Possibilities:

6. Cristian Mingiu, Fjord (PR: 4) (-2)

7. Tom Ford, Cry to Heaven (PR: 11) (+4)

8. Denis Villeneuve, Dune: Part Three (PR: 8) (E)

9. Pawel Pawlikowski, Fatherland (PR: 6) (-3)

10. Steven Spielberg, Disclosure Day (PR: Not Ranked)

11. Ryusuke Hamaguchi, All of a Sudden (PR: 7) (-4)

12. Jesse Eisenberg, No One Cares (PR: 9) (-3)

13. Aaron Sorkin, The Social Reckoning (PR: 12) (-1)

14. Georgia Oakley, Sense and Sensibility (PR: Not Ranked)

15. Robert Eggers, Werwulf (PR: 13) (-2)

Dropped Out:

Na Hong-jin, Hope

James Gray, Paper Tiger

Greg Kwedar, Saturn Return

Best Actress

Predicted Nominees:

1. Renate Reinsve, Fjord (PR: 1) (E)

2. Julianne Moore, No One Cares (PR: 3) (+1)

3. Mikey Madison, The Social Reckoning (PR: 4) (+1)

4. Michelle Williams, A Place in Hell (PR: 5) (+1)

5. Virginie Efira, All of a Sudden (PR: 6) (+1)

Other Possibilities:

6. Sandra Hüller, Fatherland (PR: 2) (-4)

7. Emily Blunt, Disclosure Day (PR: Not Raked)

8. Cynthia Erivo, Prima Facie (PR: 7) (-1)

9. Inde Navarrette, Obsession (PR: Not Ranked)

10. Sandra Hüller, Rose (PR: 8) (-2)

11. Daisy Edgar-Jones, Sense and Sensibility (PR: 12) (+1)

12. Ruth Madeley, Being Heumann (PR: 9) (-3)

13. Sophie Okonedo, Clarissa (PR: 10) (-3)

14. Mason Reeves, Josephine (PR: 11) (-3)

15. Rachel Brosnahan, Saturn Return (PR: 13) (-2)

Dropped Out:

Penélope Cruz, Bunker

Lily Gladstone, The Memory Police

Best Actor

Predicted Nominees:

1. Tom Cruise, Digger (PR: 1) (E)

2. Ryan Gosling, Project Hail Mary (PR: 2) (E)

3. Sebastian Stan, Fjord (PR: 3) (E)

4. John Malkovich, Wild Horse Nine (PR: 4) (E)

5. Matt Damon, The Odyssey (PR: 6) (+1)

Other Possibilities:

6. Nicholas Hoult, Cry to Heaven (PR: 9) (+3)

7. Jaafar Jackson, Michael (PR: 8) (+1)

8. Dominic Sessa, Tony (PR: 7) (-1)

9. Pedro Pascal, Behemoth! (PR: Not Ranked)

10. Rami Malek, The Man I Love (PR: 14) (+4)

11. Robert Pattinson, Primetime (PR: Not Ranked)

12. Timothée Chalamet, Dune: Part Three (PR: 15) (+3)

13. John Turturro, The Only Living Pickpocket in New York City (PR: 10) (-3)

14. Hanns Zischler, Fatherland (PR: 5) (-9)

15. Javier Bardem, The Beloved (PR: Not Ranked)

Dropped Out:

Jeremy Allen White, The Social Reckoning

Adam Driver, Paper Tiger

Josh O’Connor, Jack of Spades

Best Supporting Actress

Predicted Nominees:

1. Mariana Di Girolamo, Wild Horse Nine (PR: 1) (E)

2. Sandra Hüller, Digger (PR: 2) (E)

3. Anne Hathaway, The Odyssey (PR: 7) (+4)

4. Tao Okamoto, All of a Sudden (PR: 6) (+2)

5. Penélope Cruz, The Black Ball (PR: Not Ranked)

Other Possibilities:

6. Parker Posey, Wild Horse Nine (PR: 3) (-3)

7. Sandra Hüller, Project Hail Mary (PR: 8) (+1)

8. Daisy Edgar-Jones, A Place in Hell (PR: 5) (-3)

9. Halle Bailey, No One Cares (PR: 4) (-5)

10. Esmé Creed-Miles, Sense and Sensibility (PR: 11) (+1)

11. Elizabeth Debicki, The Adventures of Cliff Booth (PR: Not Ranked)

12. Adele, Cry to Heaven (PR: Not Ranked)

13. Penélope Cruz, The Invite (PR: 14) (+1)

14. Lesley Manville, Jack of Spades (PR: 10) (-4)

15. Scarlett Johansson, Paper Tiger (PR: 9) (-6)

Dropped Out:

Kirsten Dunst, The Entertainment System is Down

Caitriona Balfe, A Long Winter

Gemma Chan, Josephine

Best Supporting Actor

Predicted Nominees:

1. Paul Giamatti, No One Cares (PR: 1) (E)

2. John Goodman, Digger (PR: 2) (E)

3. Sam Rockwell, Wild Horse Nine (PR: 3) (E)

4. Robert Pattinson, The Odyssey (PR: 5) (+1)

5. Steve Buscemi, Wild Horse Nine (PR: 4) (-1)

Other Possibilities:

6. Jeremy Strong, The Social Reckoning (PR: 6) (E)

7. Aaron Taylor-Johnson, Cry to Heaven (PR: 15) (+8)

8. Jesse Plemons, Digger (PR: 10) (+2)

9. Colman Domingo, Michael (PR: 7) (-2)

10. Tom Holland, The Odyssey (PR: 9) (-1)

11. Owen Cooper, Cry to Heaven (PR: Not Ranked)

12. Channing Tatum, Josephine (PR: 11) (-1)

13. Andrew Scott, A Place in Hell (PR: 8) (-5)

14. Mark Ruffalo. Being Heumann (PR: 12) (-2)

15. Antonio Banderas, Tony (PR: 14) (-1)

Dropped Out:

David Oyelowo, Clarissa

Oscar Predictions: Coward


Lukas Dhont’s Coward has drawn attention at the Cannes Film Festival. The World War I drama/love story saw its two leads Valentin Campagne and Emmanuel Macchia share a Best Actor prize. This is Dhont’s follow-up to 2022’s Close which was an Oscar nominee for International Feature Film, falling short to All Quiet on the Western Front.

The 100% Rotten Tomatoes score is more balanced by the 68 on Metacritic. Coward‘s most effusive reviews, however, indicate it has a major shot at inclusion in IFF when Belgium likely makes it the submission. An elevation to Best Picture is a reach for the Mubi distributed title. My Oscar Prediction posts will continue…

Oscar Predictions: The Man I Love

As a theater actor in the late 80s dying of the AIDS virus, Rami Malek headlines The Man I Love. It premiered at Cannes Film Festival and is the latest drama from Ira Sachs, maker of the Passages and Peter Hujar’s Day. Costars include Tom Sturridge, Luther Ford, Rebecca Hall, and Ebon Moss-Bachrach.

WME Independent is handling stateside distribution likely for this fall. Don’t be surprised if it pops up at future fests (especially New York’s). With 96% on Rotten Tomatoes and 78 on Metacritic, critics are appreciative. However, the buzz doesn’t cause me to believe Best Picture is in play and that it’ll be Sachs’s first major awards breakout.

That is with one possible exception. Malek is drawing particular praise in some write-ups saying it’s a career best performance. Eight years ago, he took home Best Actor as Freddie Mercury in the blockbuster Bohemian Rhapsody. Since then, he’s yet to have a follow-up role that the Academy would notice. If WME can run a worthwhile campaign and if competition isn’t too steep, he could be viable for one of the five spots. My Oscar Prediction posts will continue…

Oscar Predictions: Minotaur

This year’s Grand Prix prize at the Cannes Film Festival is the political drama Minotaur. Set against the backdrop of the Russo-Ukrainian war, Andrey Zvyagintsev’s latest looks to join previous features Leviathan (2014) and Loveless (2017) as an International Feature Film nominee at the Oscars. The cast includes Iris Lebedeva, Dmitriy Mazurov, Varvara Shmykova, and Juris Zagars.

The reviews are impressive with 96% on Rotten Tomatoes and 90 on Metacritic. Essentially marking second place at the French festival, two of the last three Grand Prix victors have scored Best Picture nominations (The Zone of Interest and Sentimental Value). Minotaur is a co-production between France, Latvia, and Germany and any of them could submit it for IFF. The filmmaker’s previously nominated pics were Russian submissions and that won’t be the case this time around. With Mubi handling distribution, I would expect a spirited campaign with a solid likelihood of inclusion in the final quintet for foreign feature. Best Picture is possible, but perhaps more of a reach unless this starts to be seen as a frontrunner to win the international race. My Oscar Prediction posts will continue…

Oscar Predictions: The Black Ball

A nearly 160 minute epic spanning decades of gay history in Spain, Javier Calva and Javier Ambrossi’s The Black Ball (or La bola negra in its home language) was greeted with an extended ovation at the Cannes Film Festival. Telling three stories interconnected over 85 years, the cast includes singer Guitarricadelafuente, Miguel Bernardeau, Carlos González, Milo Quifes, Lola Dueñas, Julio Torres, Glenn Close, and Penélope Cruz.

Based on an unfinished play by Federico Garcia Lorca, all eyes are on the Cannes jury to see if Ball picks up a major prize later this weekend. The melodrama is being highly praised with many critics calling it a festival standout. Rotten Tomatoes is at 88% with 85 on Metacritic.

This is exactly the type of ambitious project that the Academy could honor in numerous categories including Best Picture and Director (the filmmakers are collectively known as Los Javis). The buzz reminds me of Emilia Pérez when it was unburdened by the controversies that would eventually follow. We probably have our Spanish submission for International Feature Film where this has immediately become a surefire contender. The reaction also indicates this could play in several down-the-line races like Casting, Costume Design, Production Design, and Sound.

As for the actors, Casting could be seen as a way to honor them all. Quifes seems to be generating particular attention. With Penélope Cruz, her small but memorable part might be remembered in Supporting Actress where she may also be in contention for this summer’s The Invite. Close’s role sounds too minor.

Just this morning, Netflix won the bidding war for Ball‘s release. Expect them to go all out in their campaign. My Oscar Prediction posts will continue…

Oscar Predictions: Fjord

Nearly 20 years ago, Cristian Mungiu’s 4 Months, 3 Weeks and Days won the Palme d’Or at the Cannes Film Festival. For the 80th edition of the Academy Awards, it was a surprise when it wasn’t shortlisted in International Feature Film despite being the Romanian submission. Oscar voters have a chance to honor the filmmaker at the 99th ceremony with his latest Fjord. It received its first look at Cannes.

Renate Reinsve and Sebastian Stan star in the family drama and early word-of-mouth is strong if not overly effusive in some cases. Rotten Tomatoes is at 94% with 82 on Metacritic. Neon has picked up distribution rights and it looks to contend for IFF with a strong shot at making the cut.

Getting beyond that race is more of a question mark. Under a best case scenario, Best Picture, Director, and Original Screenplay could be in play for Mungiu. Same goes for the lead performances. Reinsve was nominated last year for Sentimental Value for the first time while Stan got his inaugural nod two years back via The Apprentice. I had Reinsve listed #1 in Best Actress in my early ranked posts with Stan third and the film ranked fifth. They could all still be projected next time around, but don’t be shocked if the numbers fall. My Oscar Prediction posts will continue…

Oscar Predictions: Paper Tiger


Writer/director James Gray is no stranger to the Cannes Film Festival as his latest Paper Tiger is the sixth effort to play the French Riviera. Others include We Own the Night, The Immigrant, and predecessor Armageddon Time. 80s set crime drama Tiger stars Adam Driver, Scarlett Johansson, and Miles Teller with support from Gavin Goudey, Roman Engel, and Victor Ptak.

Most reviews are of the thumbs up variety with 85% on Rotten Tomatoes and an 84 Metacritic. Gray has yet to have his awards breakout despite acclaim for titles including The Lost City of Z and Ad Astra in addition to some of the aforementioned.

Tiger‘s viability is a question mark. It appears to be getting enough critical acclaim, but it’ll be interesting to see how much distributor Neon pushes it. Driver and Johansson (who were both nominated in 2019 for Marriage Story) could contend in Actor and (probably) Supporting Actress as opposed to lead. Johansson’s performance is being singled out as the best and worst aspect of the cast depending on what you read. She’ll hope for enough of the former to grab her third nomination. It’s entirely possible that Paper Tiger fails to register with the Academy though Cannes reaction is giving it a shot. My Oscar Prediction posts will continue…

Oscar Predictions: Teenage Sex and Death at Camp Miasma

Teenage Sex and Death at Camp Miasma marks Jane Schoenbrun’s follow-up to their acclaimed 2024 effort I Saw the TV Glow. Serving as the premiere feature for the Un Certain Regard section at the Cannes Film Festival, the satirical sendup of 80s slashers is shaping up to be another critical darling. Hannah Einbinder (of Hacks fame) and Gillian Anderson star with a supporting cast including Amanda Fix, Sarah Sherman, Patrick Fischler, Dylan Baker, Jasmin Savoy Brown, Eva Victor, and Jack Haven.

Reviews are strong with 100% on Rotten Tomatoes and perhaps an even more notable 91 Metacritic. The mainstream appeal for Miasma could be limited, but distributor Mubi has shown their campaigning prowess previously through The Substance. Under a best case scenario, the Academy could notice Anderson’s lauded supporting work and/or the original screenplay. I think this is more likely to resonate with the Gotham Awards or Indie Spirits where Glow shined two years back. My Oscar Prediction posts will continue…

Oscar Predictions: All of a Sudden

Set in the world of the Parisian health care system, Ryusuke Hamaguchi’s latest is All of a Sudden with its generous 196 runtime (making Fatherland‘s 82 minutes seem like a YouTube ad). Virginie Efira and Tao Okamoto headline the talky drama with Kyozo Nagatsuka, Kodai Kurosaki, Jean-Charles Clichet, and Marie Bunel in support.

In 2021, Hamaguchi’s Drive My Car (a whole 17 minutes shorter than Sudden) premiered at Cannes to rapturous acclaim. It would end up with four major Oscar noms: Picture, Director, Adapted, and International Feature Film (which it won). 2023’s follow-up Evil Does Not Exist received positive reaction but did not register with the Academy.

Sudden has gone the Cannes route and critics are once again effusive in their praise. The Rotten Tomatoes score is 100%. This could pick up the same four nominations that greeted Car and I’m assuming Japan will pick it as their hopeful in IFF. Reviews indicate this is mostly a two-hander between Efira and Okamoto. Neon, who hold North American distribution rights, will have a decision to make. Efira will likely be in the mix for lead actress. Will Okamoto be campaigned in supporting or alongside her costar? You have to go back to 1991 (Geena Davis and Susan Sarandon in Thelma & Louise) to find the last time two women competed in that category from the same film. That leads to me to think the latter will go supporting and both could get in if Sudden is a BP contender. My Oscar Prediction posts will continue…

Oscar Predictions: Parallel Tales

Iranian filmmaker Asghar Farhadi is no stranger to awards success. 2011’s A Separation and 2016’s The Salesman both won the International Feature Film prize at the Oscars. 2021’s A Hero was shortlisted in the same competition and took the Grand Prix prize at Cannes. So it’s understandable that his follow-up Parallel Tales, screening at the French festival this week, would be looked at as something the Academy might be friendly to. The drama features Isabelle Huppert, Virginie Efira (costarring in the buzzy All of a Sudden at Cannes), Vincent Cassel, Pierre Niney, Adam Bessa, Catherine Deneuve, and India Hair.

So while its resume looks strong for their consideration, the screenings tell a different story. The vast majority of critics are calling this a major misfire. The Rotten Tomatoes score is 18%. No amount of salesmanship would put this in the mix for the top foreign category in a few months. My Oscar Prediction posts will continue…