My impossibly early and speculative first Oscar predictions for the 96th Academy Awards arrives at Best Supporting Actress! If you missed my post regarding the Supporting Actor hopefuls, you can find it here:
Before you know it, I’ll moving to my weekly (or every two weeks) forecasts for the main races. When I did these inaugural picks in this category last year, it correctly identified one eventual nominee (Michelle Williams in The Fabelmans) that made the quintet. However, she did so in lead Actress. Another (Hong Chau for The Whale) was listed in Other Possibilities.
Let’s get to it and Best Actor is up tomorrow!
TODD’S MARCH 2023 OSCAR PREDICTIONS: BEST SUPPORTING ACTRESS
Five days ahead of the Academy Awards nominations, our friends across the pond have revealed their picks. The BAFTAs (Great Britain’s Oscars equivalent) take place March 13th with Richard E. Grant hosting.
After the long lists of potential contenders were revealed, it was an impressive showing for Edward Berger’s WWI epic All Quiet on the Western Front. Today’s nods solidified its status as a favorite of this branch with a terrific 14 nominations. In short, it showed up everywhere it could’ve with the exception of Best Actor.
While Quiet made noise, it was the opposite for Women Talking and Glass Onion: A Knives Out Mystery. Both were blanked. In particular, each were expected to contend in Adapted Screenplay (Talking is seen as a potential winner at Oscar). The Fabelmans only managed one mention. I projected that though not in the race where it materialized.
I went 83/119 on my forecasts. Let’s walk through each category with some quick takes.
Best Film
All Quiet on the Western Front, The Banshees of Inisherin, Elvis, Everything Everywhere All at Once, Tár
How I Did: 4/5
No shockers here as Elvis got in over Triangle of Sadness. Given the performance by Quiet today, it may battle it out with Banshees (which did well this morning) and Everything for the grand prize.
Director
Edward Berger (All Quiet on the Western Front), Park Chan-wook (Decision to Leave), Daniels (Everything Everywhere All at Once), Todd Field (Tár), Martin McDonagh (The Banshees of Inisherin), Gina Prince-Bythewood (The Woman King)
How I Did: 4/6
My runner-up Chan-wook making the cut was not a surprise. Prince-Bythewood getting in is. They’re in over Alice Diop (Saint Omer) who was my own surprise pick and Charlotte Wells (Aftersun). It’s worth noting that Aftersun had a rather subpar day. We already knew Steven Spielberg (The Fabelmans) was out since he didn’t make the long list. This might be Berger v. Daniels.
Actressk
Cate Blanchett (Tár), Viola Davis (The Woman King), Danielle Deadwyler (Till), Ana de Armas (Blonde), Emma Thompson (Good Luck to You, Leo Grande), Michelle Yeoh (Everything Everywhere All at Once)
How I Did: 5/6
Deadwyler over Lesley Manville in Mrs. Harris Goes to Paris. As projected, this is another high profile omission for Michelle Williams in The Fabelmans. Her Oscar hopes are shakier by the minute.
Actor
Austin Butler (Elvis), Colin Farrell (The Banshees of Inisherin), Brendan Fraser (The Whale), Daryl McCormack (Good Luck to You, Leo Grande), Paul Mescal (Aftersun), Bill Nighy (Living)
How I Did: 5/6
McCormack unexpectedly pops up instead of Felix Kammerer – the one miss for All Quiet. Noteworthy that Tom Cruise couldn’t land here for Top Gun: Maverick (with a so-so haul of 4 tech nods).
Supporting Actress
Angela Bassett (Black Panther: Wakanda Forever), Hong Chau (The Whale), Kerry Condon (The Banshees of Inisherin), Jamie Lee Curtis (Everything Everywhere All at Once), Dolly De Leon (Triangle of Sadness), Carey Mulligan (She Said)
How I Did: 4/6
The question here is whether Bassett keeps the victory streak alive or whether Condon, De Leon, or one of the others can disrupt a sweep. Curtis and Mulligan surface over my projected picks of Lashana Lynch (The Woman King) and Janelle Monáe (Glass Onion).
Supporting Actor
Brendan Gleeson (The Banshees of Inisherin), Barry Keoghan (The Banshees of Inisherin), Ke Huy Quan (Everything Everywhere All at Once), Eddie Redmayne (The Good Nurse), Albrecht Schuch (All Quiet on the Western Front), Micheal Ward (Empire of Light)
How I Did: 4/6
Another call for Redmayne. He and Schuch join this sextet instead of Woody Harrelson (Triangle of Sadness) and Brad Pitt (Babylon). Quan is the favorite.
Original Screenplay
The Banshees of Inisherin, Everything Everywhere All at Once, The Fabelmans, Tár, Triangle of Sadness
How I Did: 4/5
The sole nod for The Fabelmans is here and I thought Aftersun would be in the quintet instead. Will Banshees or Everything emerge?
Adapted Screenplay
All Quiet on the Western Front, Living, The Quiet Girl, She Said, The Whale
How I Did: 2/5
Ouch. As mentioned, no Glass Onion or Women Talking and I also had Guillermo del Toro’s Pinocchio listed. All Quiet, The Quiet Girl, and The Quiet Whale, errr just The Whale, were the trio I wasn’t counting on. Good luck selecting a winner here. I’m thinking Living at the moment.
Outstanding British Film
Aftersun, The Banshees of Inisherin, Brian and Charles, Empire of Light, Good Luck to You, Leo Grande, Living, Roald Dahl’s Matilda the Musical, See How They Run, The Swimmers, The Wonder
How I Did: 8/10
The only race with 10 contenders, one would think Banshees (as the only Best Film nominee) is out front. I had Blue Jean and Mrs. Harris Goes to Paris and not See How They Run or The Swimmers.
Outstanding Debut a British Writer, Director, or Producer
Aftersun, Blue Jean, Electric Malady, Good Luck to You, Leo Grande, Rebellion
How I Did: 3/5
Malady and Rebellion over Emily and Wayfinder. Before this morning, I would’ve thought Aftersun was a slam dunk. It likely still takes this, but Grande could threaten given its over performance.
Film Not in the English Language
All Quiet on the Western Front, Argentina, 1985, Corsage, Decision to Leave, The Quiet Girl
How I Did: 4/5
Had EO and not Corsage. The only way All Quiet doesn’t take this in a blowout is if it wins Best Film and the voters want to choose something else. That probably won’t occur, but if so, Decision to Leave is viable considering the directing nod.
Animated Film
Guillermo del Toro’s Pinocchio, Marcel the Shell with Shoes On, Puss in Boots: The Last Wish, Turning Red
How I Did: 4/4
I won’t pat myself too hard on the back since the only category with a quartet wasn’t much of a challenge. Picking a recipient isn’t either as Pinocchio should prevail.
Documentary
All That Breathes, All the Beauty and the Bloodshed, Fire of Love, Moonage Daydream, Navalny
How I Did: 3/5
I admittedly went with a couple spoilers in Hallelujah: Leonard Cohen, a Journey, a Song and The Ghost of Richard Harris. Fire and Navalny are present instead for what could be a preview of the Oscar five (or at least 4/5).
Casting
Aftersun, All Quiet on the Western Front, Elvis, Everything Everywhere All at Once, Triangle of Sadness
How I Did: 3/5
Chose Banshees and Fabelmans and not All Quiet (get used to hearing that) or Elvis.
Cinematography
All Quiet on the Western Front, The Batman, Elvis, Empire of Light, Top Gun: Maverick
How I Did: 3/5
Had Athena and Tár as opposed to The Batman and Elvis.
Costume Design
All Quiet on the Western Front, Amsterdam, Babylon, Elvis, Mrs. Harris Goes to Paris
How I Did: 3/5
All Quiet and Amsterdam are suited for competition instead of Black Panther: Wakanda Forever (a notable snub) and Roald Dahl’s Matilda the Musical.
Editing
All Quiet on the Western Front, The Banshees of Inisherin, Elvis, Everything Everywhere All at Once, Top Gun: Maverick
How I Did: 4/5
Thought the Brits might select Moonage Daydream but it’s Banshees instead.
Make Up and Hair
All Quiet on the Western Front, The Batman, Elvis, Roald Dahl’s Matilda the Musical, The Whale
Didn’t have All Quiet or Matilda. Did have Amsterdam and Babylon.
Original Score
All Quiet on the Western Front, Babylon, The Banshees of Inisherin, Everything Everywhere All at Once, Guillermo del Toro’s Pinocchio
Two of the year’s most acclaimed scores (Empire of Light, Women Talking) fall out with All Quiet and Everything in.
Production Design
All Quiet on the Western Front, Babylon, The Batman, Elvis, Guillermo del Toro’s Pinocchio
How I Did: 2/5
Ouch Part II. Only correctly called Babylon and Elvis (the duo most likely to win). Incorrectly had Avatar: The Way of Water, Banshees, and Empire of Light.
Sound
All Quiet on the Western Front, Avatar: The Way of Water, Elvis, Tár, Top Gun: Maverick
How I Did: 4/5
Tár in, The Batman out.
Special Visual Effects
All Quiet on the Western Front, Avatar: The Way of Water, The Batman, Everything Everywhere All at Once, Top Gun: Maverick
All Quiet in over Fantastic Beasts: The Secrets of Dumbledore. Despite a meager haul for Avatar, it should manage a victory in this race.
For those keeping score, that means these pictures garnered these numbers of nominations:
14 Nominations
All Quiet on the Western Front
10 Nominations
The Banshees of Inisherin, Everything Everywhere All at Once
9 Nominations
Elvis
5 Nominations
Tár
4 Nominations
Aftersun, The Batman, Good Luck to You, Leo Grande, Top Gun: Maverick, The Whale
3 Nominations
Babylon, Empire of Light, Guillermo del Toro’s Pinocchio, Living, Triangle of Sadness
2 Nominations
Avatar: The Way of Water, Decision to Leave, The Quiet Girl, Roald Dahl’s Matilda the Musical, She Said, The Woman King
1 Nomination
All That Breathes, All the Beauty and the Bloodshed, Amsterdam, Argentina, 1985, Black Panther: Wakanda Forever, Blonde, Blue Jean, Brian and Charles, Corsage, Electric Malady, The Fabelmans, Fire of Love, The Good Nurse, Marcel the Shell with Shoes On, Moonage Daydream, Mrs. Harris Goes to Paris, Navalny, Puss in Boots: The Last Wish, Rebellion, See How They Run, The Swimmers, Till, Turning Red, The Wonder
I’ll have final predictions up shortly before the ceremony’s airdate!
Arriving five days before Oscar nominations are the British Academy Film Awards – commonly known as the BAFTAs. On January 6th, the long lists in each category were revealed. There were major surprises like Avatar: The Way of Water not being in the list of 10 for Best Film consideration (same goes for its maker James Cameron in Director). Perhaps the biggest shock was Steven Spielberg being omitted from the Directing race. That’s partly why I have The Fabelmans generating a grand total of 1 nomination.
This is a show that isn’t afraid to go their own way. In 2021, while all 5 Best Film contenders were also BP contenders with the Academy, none of the six Best Actress hopefuls scored an Oscar nod (I doubt that happens again). Only two of the six Actor nominees got the Academy’s consideration.
You know the drill. For each competition, I’m giving you my picks (nominees can be between 4 and 10 and mostly 5 and 6 depending on the race) and a runner-up. Let’s go!
Best Film
All Quiet on the Western Front, The Banshees of Inisherin, Everything Everywhere All at Once, Tár, Triangle of Sadness
Runner-Up: Top Gun: Maverick
Director
Edward Berger (All Quiet on the Western Front), Daniels (Everything Everywhere All at Once), Alice Diop (Saint Omer), Todd Field (Tár), Martin McDonagh (The Banshees of Inisherin), Charlotte Wells (Aftersun)
Runner-Up: Park Chan-wook, Decision to Leave
Actress
Cate Blanchett (Tár), Viola Davis (The Woman King), Ana de Armas (Blonde), Lesley Manville (Mrs. Harris Goes to Paris), Emma Thompson (Good Luck to You, Leo Grande), Michelle Yeoh (Everything Everywhere All at Once)
Runner-Up: Michelle Williams, The Fabelmans
Actor
Austin Butler (Elvis), Colin Farrell (The Banshees of Inisherin), Brendan Fraser (The Whale), Felix Kammerer (All Quiet on the Western Front), Paul Mescal (Aftersun), Bill Nighy (Living)
Runner-Up: Tom Cruise, Top Gun: Maverick
Supporting Actress
Angela Bassett (Black Panther: Wakanda Forever), Hong Chau (The Whale), Kerry Condon (The Banshees of Inisherin), Dolly De Leon (Triangle of Sadness), Lashana Lynch (The Woman King), Janelle Monáe (Glass Onion: A Knives Out Mystery)
Runner-Up: Jamie Lee Curtis, Everything Everywhere All at Once
Supporting Actor
Brendan Gleeson (The Banshees of Inisherin), Woody Harrelson (Triangle of Sadness), Barry Keoghan (The Banshees of Inisherin), Brad Pitt (Babylon), Ke Huy Quan (Everything Everywhere All at Once), Micheal Ward (Empire of Light)
Runner-Up: Ben Whishaw, Women Talking
Original Screenplay
Aftersun, The Banshees of Inisherin, Everything Everywhere All at Once, Tár, Triangle of Sadness
Runner-Up: The Fabelmans
Adapted Screenplay
Glass Onion: A Knives Out Mystery, Guillermo del Toro’s Pinocchio, Living, She Said, Women Talking
Runner-Up: The Whale
Outstanding British Film
Aftersun, The Banshees of Inisherin, Blue Jean, Brian and Charles, Empire of Light, Good Luck to You, Leo Grande, Living, Mrs. Harris Goes to Paris, Roald Dahl’s Matilda the Musical, The Wonder
Runner-Up: Lady Chatterley’s Lover
Outstanding Debut a British Writer, Director, or Producer
Aftersun, Blue Jean, Emily, Good Luck to You, Leo Grande, Wayfinder
Runner-Up: Donna
Film Not in the English Language
All Quiet on the Western Front, Argentina, 1985, Decision to Leave, EO, The Quiet Girl
Runner-Up: RRR
Animated Film
Guillermo del Toro’s Pinocchio, Marcel the Shell with Shoes On, Puss in Boots: The Last Wish, Turning Red
Documentary
All That Breathes, All the Beauty and the Bloodshed, The Ghost of Richard Harris, Hallelujah: Leonard Cohen, a Journey, a Song, Moonage Daydream
Runner-Up: Navalny
Casting
Aftersun, The Banshees of Inisherin, Everything Everywhere All at Once, The Fabelmans, Triangle of Sadness
Runner-Up: All Quiet on the Western Front
Cinematography
All Quiet on the Western Front, Athena, Empire of Light, Tár, Top Gun: Maverick
Runner-Up: The Banshees of Inisherin
Costume Design
Babylon, Black Panther: Wakanda Forever, Elvis, Mrs. Harris Goes to Paris, Roald Dahl’s Matilda the Musical
Runner-Up: Glass Onion: A Knives Out Mystery
Editing
All Quiet on the Western Front, Elvis, Everything Everywhere All at Once, Moonage Daydream, Top Gun: Maverick
Runner-Up: Aftersun
Make Up and Hair
Amsterdam, Babylon, The Batman, Elvis, The Whale
Runner-Up: All Quiet on the Western Front
Original Score
Babylon, The Banshees of Inisherin, Empire of Light, Guillermo del Toro’s Pinocchio, Women Talking
Runner-Up: The Batman
Production Design
Avatar: The Way of Water, Babylon, The Banshees of Inisherin, Elvis, Empire of Light
Runner-Up: All Quiet on the Western Front
Sound
All Quiet on the Western Front, Avatar: The Way of Water, The Batman, Elvis, Top Gun: Maverick
Runner-Up: Thirteen Lives
Special Visual Effects
Avatar: The Way of Water, The Batman, Everything Everywhere All at Once, Fantastic Beasts: The Secrets of Dumbledore, Top Gun: Maverick
Runner-Up: Black Panther: Wakanda Forever
That equates to these movies garnering these numbers in nominations:
11 Nominations
The Banshees of Inisherin
8 Nominations
Everything Everywhere All at Once
7 Nominations
All Quiet on the Western Front
6 Nominations
Aftersun, Elvis
5 Nominations
Babylon, Empire of Light, Tár, Triangle of Sadness
4 Nominations
Top Gun: Maverick
3 Nominations
Avatar: The Way of Water, The Batman, Good Luck to You, Leo Grande, Guillermo del Toro’s Pinocchio, Living, Mrs. Harris Goes to Paris, The Whale
2 Nominations
Black Panther: Wakanda Forever, Blue Jean, Glass Onion: A Knives Out Mystery, Moonage Daydream, Roald Dahl’s Matilda the Musical, The Woman King, Women Talking
1 Nomination
All That Breathes, All the Beauty and the Bloodshed, Amsterdam, Argentina, 1985, Athena, Blonde, Brian and Charles, Decision to Leave, Emily, EO, The Fabelmans (!), Fantastic Beasts: The Secrets of Dumbledore, The Ghost of Richard Harris, Hallelujah: Leonard Cohen, a Journey, a Song, Marcel the Shell with Shoes On, Puss in Boots: The Last Wish, The Quiet Girl, Saint Omer, She Said, Turning Red, Wayfinder, The Wonder
Edward Berger’s All Quiet on the Western Front made an unexpected amount of noise when the British Academy of Film and Television Art (BAFTA) announced their shortlists prior to the final nominations on January 19th. The long lists can vary in size and so can the numbers of eventual nominees coming in two weeks.
It’s a little confusing and hard to keep track of, but one thing is certain. World War I epic Quiet is eligible for the most races with 15 followed by The Banshees of Inisherin at 14. The superb performance from the former only helps its recent surge in the Oscar race (where I elevated it to my 10 for BP contenders on Monday).
Not all pictures had good showings from our British colleagues. This is especially true for The Fabelmans (with a shockingly subpar showing) and Women Talking.
Let’s go through each feature length shortlist with some general comments. Predictions for the nominees will come shortly before the 19th when I’ll delve a bit deeper.
Best Film
Aftersun
All Quiet on the Western Front
The Banshees of Inisherin
Elvis
Everything Everywhere All at Once
The Fabelmans
Living
Tár
Top Gun: Maverick
Triangle of Sadness
Half of these features will make the cut and it’s hard to imagine All Quiet not doing so considering its haul. Same for Banshees would could be a soft frontrunner. It’s also worth noting Everything did just fine. Key pics you won’t find here: Avatar: The Way of Water, Babylon, Glass Onion: A Knives Out Mystery, and Women Talking.
Outstanding British Film
Aftersun
The Banshees of Inisherin
Blue Jean
Brian and Charles
Emily
Good Luck to You, Leo Grande
Lady Chatterley’s Lover
Living
The Lost King
Mrs. Harris Goes to Paris
Roald Dahl’s Matilda the Musical
See How They Run
The Swimmers
The Wonder
Plenty of British titles here that aren’t expected to make a dent with the Academy’s voters. Only three of these hopefuls made Best Film and Banshees should have a leg up on Aftersun (which performed splendidly with BAFTA) and Living.
Outstanding Debut by a British Writer, Director or Producer
Aftersun
Blue Jean
Donna
Electric Malady
Emily
Good Luck to You, Leo Grande
Nothing Compares
Rebellion
See How They Run
Wayfinder
This one should be Aftersun all the way considering it’s the only entry vying for the top prize.
Film Not in the English Language
All Quiet on the Western Front
Argentina, 1985
Bardo
Close
Corsage
Decision to Leave
EO
Holy Spider
The Quiet Girl
RRR
While Saint Omer made the director cut, its miss is notable here. Bardo got in, but popped up nowhere else. Even more surprisingly – same goes for RRR. This should be an All Quiet win.
Documentary
All That Breathes
All the Beauty and the Bloodshed
A Bunch of Amateurs
Fire of Love
The Ghost of Richard Harris
Hallelujah: Leonard Cohen, A Journey, A Song
Louis Armstrong’s Black & Blues
McEnroe
Moonage Daydream
Navalny
Like the Academy, Good Night Oppy couldn’t make the shortlist while Descendant is another high profile snub.
Animated Film
The Amazing Maurice
The Bad Guys
Guillermo del Toro’s Pinocchio
Lightyear
Marcel the Shell with Shoes On
Minions: The Rise of Gru
Puss in Boots: The Last Wish
Turning Red
4 of 8 go through. While Pinocchio is out front – don’t sleep on Marcel.
Director
Colm Bairéad, The Quiet Girl
Edward Berger, All Quiet on the Western Front
Park Chan-wook, Decision to Leave
Chinonye Chukwu, Till
Daniels, Everything Everywhere All at Once
Alice Diop, Saint Omer
Sara Dosa, Fire of Love
Todd Field, Tár
Joseph Kosinski, Top Gun: Maverick
Marie Kreutzer, Corsage
Baz Luhrmann, Elvis
Martin McDonagh, The Banshees of Inisherin
Sarah Polley, Women Talking
Gina Prince-Bythewood, The Woman King
Maria Schrader, She Said
Charlotte Wells, Aftersun
BAFTA puts up 8 male and 8 female filmmakers on the shortlist before it shrinks to 6 (three of each gender). I’ll have more on who I think gets in later, but how about who didn’t!?!? There’s James Cameron for Avatar (which had a mediocre performance overall). The giant shocker was not seeing Steven Spielberg for The Fabelmans. And this one feels like it could have Oscar implications. I’ve had him listed #1 in Director for months. That placement is in serious jeopardy. I think he still gets makes the Academy’s quintet, but I suspect his #1 status will take a hit when I update in a couple of days.
Leading Actress
Naomi Ackie, Whitney Houston: I Wanna Dance with Somebody
Ana de Armas, Blonde
Cate Blanchett, Tár
Jessica Chastain, The Good Nurse
Viola Davis, The Woman King
Danielle Deadwyler, Till
Lesley Manville, Mrs. Harris Goes to Paris
Emma Thompson, Good Luck to You, Leo Grande
Michelle Williams, The Fabelmans
Michelle Yeoh, Everything Everywhere All at Once
It’s a bit unexpected seeing Ackie and Chastain over some picks BAFTA might’ve gone for like Vicky Krieps in Corsage and Florence Pugh in The Wonder. Same goes (sort of) for Olivia Colman in Empire of Light. However, it’s worth pointing out that BAFTA also ignored her for The Father and The Lost Daughter (the Academy didn’t). And you won’t see Babylon‘s Margot Robbie in the mix either.
Leading Actor
Austin Butler, Elvis
Tom Cruise, Top Gun: Maverick
Harris Dickinson, Triangle of Sadness
Colin Farrell, The Banshees of Inisherin
Brendan Fraser, The Whale
Daniel Kaluuya, Nope
Felix Kammerer, All Quiet on the Western Front
Daryl McCormack, Good Luck to You, Leo Grande
Paul Mescal, Aftersun
Bill Nighy, Living
I have a feeling the six eventual nominees may not include Dickinson, Kaluuya, Kammerer, and McCormack but that’s not a final call. Notable names out include Diego Calva (Babylon), Ralph Fiennes (The Menu), Hugh Jackman (The Son, which was blanked) and Jeremy Pope (The Inspection).
Supporting Actress
Angela Bassett, Black Panther: Wakanda Forever
Hong Chau, The Whale
Kerry Condon, The Banshees of Inisherin
Jamie Lee Curtis, Everything Everywhere All at Once
Dolly De Leon, Triangle of Sadness
Lashana Lynch, The Woman King
Janelle Monae, Glass Onion: A Knives Out Mystery
Carey Mulligan, She Said
Emma Thompson, Roald Dahl’s Matilda the Musical
Aimee Lou Wood, Living
Ms. Thompson scored an unanticipated double nod thanks to this one as this 2022 hard to figure out Supporting Actress derby stayed that way. Like the Globes, no Jessie Buckley or Claire Foy from Women Talking.
Supporting Actor
Brendan Gleeson, The Banshees of Inisherin
Tom Hanks, Elvis
Woody Harrelson, Triangle of Sadness
Barry Keoghan, The Banshees of Inisherin
Brad Pitt, Babylon
Ke Huy Quan, Everything Everywhere All at Once
Eddie Redmayne, The Good Nurse
Albrecht Schuch, All Quiet on the Western Front
Micheal Ward, Empire of Light
Ben Whishaw, Women Talking
Whishaw being the only acting nominee for Women Talking kinda came out of nowhere. So did familiar faces like Hanks and Harrelson over either of the Fabelmans contenders – Paul Dano and Judd Hirsch. Pitt at last lands Babylon an above the line nom.
Original Screenplay
Aftersun
The Banshees of Inisherin
Decision to Leave
Elvis
Everything Everywhere All at Once
The Fabelmans
Good Luck to You, Leo Grande
The Menu
Tár
Triangle of Sadness
Dare I say there’s no real surprises in this race.
Adapted Screenplay
All Quiet on the Western Front
Glass Onion: A Knives Out Mystery
Guillermo del Toro’s Pinocchio
Living
The Quiet Girl
She Said
Top Gun: Maverick
The Whale
Women Talking
The Wonder
This could’ve been where White Noise got a lone nod, but nope. Considering the so-so performance of Women Talking, I wouldn’t automatically think it wins. But… what does?
***For the rest of these races, I’m listing just the shortlisted pics. Forecasted nominees are coming soon enough! I will say The Fabelmans is MIA in places where it was expected to be (especially Cinematography and Score).
Casting
Aftersun
All Quiet on the Western Front
The Banshees of Inisherin
Elvis
Everything Everywhere All at Once
The Fabelmans
Living
Roald Dahl’s Matilda the Musical
Tár
Triangle of Sadness
Cinematography
All Quiet on the Western Front
Amsterdam
Athena
Babylon
The Banshees of Inisherin
The Batman
Elvis
Empire of Light
Tár
Top Gun: Maverick
Costume Design
All Quiet on the Western Front
Amsterdam
Babylon
The Banshees of Inisherin
Black Panther: Wakanda Forever
Corsage
Elvis
Glass Onion: A Knives Out Mystery
Mrs. Harris Goes to Paris
Roald Dahl’s Matilda the Musical
Editing
Aftersun
All Quiet on the Western Front
Babylon
The Banshees of Inisherin
Decision to Leave
Elvis
Everything Everywhere All at Once
Moonage Daydream
Top Gun: Maverick
Triangle of Sadness
Make Up & Hair
All Quiet on the Western Front
Amsterdam
Babylon
The Batman
Black Panther: Wakanda Forever
Blonde
Elvis
Emancipation
Roald Dahl’s Matilda the Musical
The Whale
Original Score
All Quiet on the Western Front
Babylon
The Banshees of Inisherin
The Batman
Empire of Light
Everything Everywhere All at Once
Glass Onion: A Knives Out Mystery
Guillermo del Toro’s Pinocchio
Tár
Women Talking
The Wonder
Production Design
All Quiet on the Western Front
Avatar: The Way of Water
Babylon
The Banshees of Inisherin
The Batman
Elvis
Empire of Light
Everything Everywhere All at Once
The Fabelmans
Guillermo del Toro’s Pinocchio
Special Visual Effects
All Quiet on the Western Front
Avatar: The Way of Water
The Batman
Black Panther: Wakanda Forever
Doctor Strange in the Multiverse of Madness
Everything Everywhere All at Once
Fantastic Beasts: The Secrets of Dumbledore
Guillermo del Toro’s Pinocchio
Jurassic World: Dominion
Top Gun: Maverick
Sound
All Quiet on the Western Front
Avatar: The Way of Water
Babylon
The Batman
Elvis
Everything Everywhere All at Once
Guillermo del Toro’s Pinocchio
Tár
Thirteen Lives
Top Gun: Maverick
Keep an eye out for BAFTA final predictions from these shortlists and the same for the Golden Globes and Critics Choice!
Based on the 1988 Roald Dahl book as well as the musical stage show that followed years later, the cinematic rendering of Matilda the Musical streams on Netflix December 9th. That’s about two weeks after the UK rollout. It already made its festival debut in London to harmonious praise and a 100% rating on Rotten Tomatoes.
Matthew Warchus is behind the camera, adapting from his own onstage direction in England and on Broadway (where Olivier and Tony Awards abounded). This is the second reworking of the Dahl book behind 1996’s version helmed by Danny DeVito. Alisha Weir plays the title character with a supporting cast including Lashana Lynch, Emma Thompson, Andrea Riseborough, and Stephen Graham.
Despite the praise, it’s a stretch to consider this an Academy contender. That is with the possible exception of Best Original Song where there are reported to be tunes separate from the stage version that could be eligible for consideration.
I wouldn’t sleep on Matilda‘s chances at the Golden Globes. The Musical/Comedy category could have room for a couple of surprises and this would fit the bill. Of the actors, Thompson is getting lots of love. However, I suspect Globes voters may honor her in lead Actress in Musical/Comedy for Good Luck to You, Leo Grande (which premiered earlier this year). My Oscar (and Globe) Prediction posts will continue…
Viola Davis is the most nominated actress in history with four to her credit and one victory for 2016’s Fences. In The Woman King, the EOT recipient (missing that Grammy!) is in action heroine mode in this historical epic set in 19th century West Africa. Gina Prince-Bythewood directs with a supporting cast including Thuso Mbedu, Lashana Lynch, Sheila Atim, and John Boyega.
Prior to its September 16th premiere, King has debuted at the Toronto Film Festival and there’s not a negative review to be found. The Rotten Tomatoes meter is a clean 100%. Per usual, plenty of praise is going to Davis and it’s certainly possible she could join the five-timers club. I don’t believe that’s automatic as competition could be as fierce as the warrior she portrays.
A lot of King‘s feasibility for Oscar noms could come down to whether this hits at the box office. That remains to be seen. If so, we could see Davis in lead and either Mbedu or Lynch in supporting (both are being talked up for their contributions). I’m not so sure the critical reaction is strong enough for Best Picture to be a realistic nod. Tech nods are doable regardless like Costume Design and Production Design. It’s also just as possible that this is a solid genre flick that won’t catch the Academy’s attention. My Oscar Prediction posts will continue…
Viola Davis headlines the 19th century set African action epic The Woman King on September 16th. It comes from director Gina Prince-Bythewood, who recently helmed the Charlize Theron Netflix flick The Old Guard. Based on a story co-written by actress Maria Bello, the supporting cast includes Thuso Mbedu, Lashana Lynch, Sheila Atim, and John Boyega.
With a reported midsize budget of roughly $50 million, King premieres at the Toronto Film Festival over the weekend. That’s where buzz will begin to circulate and that could help or hinder its domestic box office prospects. With the barren landscape of new material out there, this should easily premiere in first place. However, I’m skeptical this reaches the higher end of its range ($20 million). A lower teens start seems more feasible unless the chatter picks up considerably.
The Woman King opening weekend prediction: $14.7 million
It’s been an entire week since The Slap… check that, the 94th Academy Awards where CODA parlayed its Sundance buzz from January 2021 all the way to a Best Picture victory.
That also means I’ve managed to wait a whole week without speculation for the next Academy Awards which will hopefully be a slap free zone. So what are some titles that could be vying for attention?
On May 27th and after numerous delays, Top Gun: Maverick will find Tom Cruise returning to his iconic role some 36 years after the original. There’s a decent chance it could be up for similar prizes that its predecessor landed like Sound, Film Editing, and Song (courtesy of Lady Gaga apparently). Visual Effects is a possibility as well.
My weekly Oscar prediction posts won’t begin until mid to late August. In the meantime, you’ll get individualized write-ups for pics that open or screen at festivals.
Yet for today – I feel the need. The need to identify 21 other 2022 titles that might end up on the Academy’s radar. Enjoy!
Armageddon Time
Despite acclaimed movies like The Lost City of Z and Ad Astra, James Gray has yet to connect with awards voters. This drama, rumored to be centered on his Queens upbringing, is the next hopeful and features a stellar cast including Anne Hathaway, Anthony Hopkins, and Jeremy Strong. Release Date: TBD
Avatar 2
The 2009 original amassed nine nominations and won took home three. The first sequel (there’s three more on the way) arrives in December from James Cameron. Will it capture the critical and box office magic of part one? That’s impossible to know at this juncture, but one can safely assume it’ll be up for some tech categories like Sound and Visual Effects. Release Date: December 16th
Babylon
Damien Chazelle is no stranger to the big dance. Whiplash was a BP nominee and J.K. Simmons won Supporting Actor. Chazelle took Director for his follow-up La La Land along with Emma Stone’s Actress victory and it almost famously took BP. First Man nabbed four nominations, but missed the top of the line races. Babylon is a period drama focused on Hollywood’s Golden Age and should be right up the Academy’s alley. The cast includes Brad Pitt, Margot Robbie, and Tobey Maguire. Release Date: December 25th
Canterbury Glass
Robbie also turns up in David O. Russell’s latest ensemble piece. Anytime he’s behind the camera, Oscar nods typically follow (think The Fighter, Silver Linings Playbook, American Hustle). Slated for November, the dramedy also features Christian Bale, John David Washington, Rami Malek, Zoe Saldana, Robert De Niro, Mike Myers, and… Chris Rock. Release Date: November 4th
Elvis
Arriving in June but with a Cannes unveiling in May, Baz Luhrmann’s musical bio of The King stars Austin Butler in the title role and Tom Hanks as The Colonel. If this doesn’t contend for the major awards, I would still anticipate potential tech recognition (Production Design, Sound, etc…). Release Date: June 24th
Empire of Light
Sam Mendes was likely in the runner-up position in 2019 for Picture and Director (behind Parasite) with 1917. His follow-up is an English set romance starring Olivia Colman (who would be going for her fourth nomination in five years), Michael Ward, and Colin Firth. Release Date: TBD
Everything Everywhere All at Once
From two filmmakers known collectively as Daniels, Once is already out in limited release with spectacular reviews (97% on RT). The sci-fi action comedy might be too bizarre for the Academy, but I wouldn’t count it out as its admirers are vocal. Picture, Director, Actress (Michelle Yeoh), and Original Screenplay are all on the table. Release Date: out in limited release, opens wide April 8th
The Fabelmans
Steven Spielberg directs a semi-autobiographical tale and cowrites with his Lincoln and West Side Story scribe Tony Kushner. The cast includes Michelle Williams, Seth Rogen, and Paul Dano. Needless to say, this is a major contender on paper. Release Date: November 23rd
Killers of the Flower Moon
Alongside The Fabelmans, this might be the most obvious nominee from a personnel standpoint. Martin Scorsese helms this western crime drama featuring Jesse Plemons, Lily Gladstone, and his two frequent collaborators Leonardo DiCaprio and Robert De Niro. Apple TV just became the first streamer to get a BP victory with CODA. This could be the second in a row. Release Date: November
Poor Things
In 2018, The Favourite scored a whopping ten nominations. Based on an acclaimed 1992 novel, Poor Things is Yorgos Lanthimos’s follow-up and it reunites him with Emma Stone along with Willem Dafoe, Ramy Youssef, and Mark Ruffalo. The plot sounds bizarre but it could also be an Oscar bait role for Stone and others. Release Date: TBD
Rustin
One of Netflix’s contenders is George C. Wolfe’s profile of gay civil rights activist Bayard Rustin (played by Colman Domingo). In 2020, Wolfe directed Viola Davis and Chadwick Boseman to nods for Ma Rainey’s Black Bottom. Look for Domingo to be a competitor and the supporting cast includes Chris Rock (maybe he will be back at the show), Glynn Turman, and Audra McDonald. Release Date: TBD
See How They Run
The 1950s set murder mystery could provide 27-year-old Saoirse Ronan with an opportunity to land her fifth nomination. Sam Rockwell, David Oyelowo, Adrien Brody, and Ruth Wilson are among the supporting players. Tom George directs. Release Date: TBD
She Said
Five years after the scandal rocked Hollywood, She Said from Maria Schrader recounts the New York Times sexual misconduct investigation into Harvey Weinstein. Zoe Kazan, Carey Mulligan, and Patricia Clarkson lead the cast. Release Date: November 18th
The Son
Florian Zeller won Best Adapted Screenplay in 2020 for The Father along with Anthony Hopkins taking Best Actor. This follow-up (based on the director’s play) finds Hopkins reprising his Oscar-winning part in supporting fashion. Other cast members seeking awards attention include Hugh Jackman, Laura Dern, and Vanessa Kirby. Release Date: TBD
TAR
It’s been a while since we’ve seen Todd Field behind the camera. Previous efforts In the Bedroom and Little Children received 8 nominations between them. A decade and a half following Children comes this Berlin set drama with Cate Blanchett, Noemie Merlant, and Mark Strong. Release Date: October 7th
Three Thousand Years of Longing
Scheduled for a Cannes bow in May, Longing is a fantasy romance from the legendary mind of George Miller (who last made Mad Max: Fury Road which won six tech Oscars). Idris Elba and Tilda Swinton star. Release Date: TBD
The Whale
Darren Aronofsky directed Mickey Rourke to a comeback narrative nod for 2008’s The Wrestler. Two years later, his follow-up Black Swan earned Natalie Portman a statue. Brendan Fraser is hoping for the same treatment with The Whale as he plays a 600 pound man attempting to reconnect with his daughter. Costars include Sadie Sink, Hong Chau, and Samantha Morton. I’d expect Makeup and Hairstyling could also be in play with this. Release Date: TBD
White Noise
Not a remake of the Michael Keaton supernatural thriller from 2005, this is Noah Baumbach’s follow-up to Marriage Story. Based on a 1985 novel, it’s the filmmaker’s first picture based on other source material. Marriage landed three acting nods (with Laura Dern winning Supporting Actress). The cast here includes frequent Baumbach collaborator Adam Driver, real-life partner Greta Gerwig, Raffey Cassidy, Andre Benjamin, Alessandro Nivola, and Don Cheadle. This could be Netflix’s strongest contender. Release Date: TBD
The Woman King
Expect this West Afrian set historical epic from Gina Prince-Bythewood to be heavily touted by Sony with awards bait roles for leads Viola Davis and Thuso Mbedu. The supporting cast includes John Boyega and Lashana Lynch. Release Date: September 16th
Women Talking
Based on a 2018 novel, Sarah Polley writes and directs this drama focused on eight Mennonite women and their story of abuse. The sterling cast includes Frances McDormand, Jessie Buckley, Ben Whishaw, Claire Foy, and Rooney Mara. Release Date: TBD
And that’s just a small preview of the features that could materialize for the 95th Academy Awards! As always, the speculation on this site will continue throughout the year and into the next. Stay tuned…
The five film run of Daniel Craig as perhaps the world’s most famous cinematic character comes to a close in No Time to Die, the 25th feature in the nearly 60-year-old 007 franchise. It began 15 years ago with Casino Royale, which I list at #2 in the canon behind only From Russia with Love (Sean Connery’s second entry).
For those who think the dedicated team behind the series have no time for surprises, be prepared. Like the midsection poker sequence in Royale that stands as one of the finest in Bond history, there’s times where they go all in. There’s also moments that harken back to the Roger Moore days and, in this case, I mean it as a compliment. By the time we reached Craig’s third and deservedly praised Skyfall in 2012, the pics had achieved a level of seriousness that risked becoming too dour.
Despite its considerable flaws, 2015’s follow-up Spectre thankfully remembered that the action and plots in this cinematic universe can be silly. 007’s 25th adventure isn’t afraid to display that. The threat to the world here involves passing a weaponized virus only through that individual’s DNA and those related to them. It’s a little ridiculous and I once again mean that in a good way.
This is not quite the triumph that Casino Royale was. In fact, I’d also rank this a smidge behind Skyfall. The villain is not particularly memorable. Like all Craig films that followed the first, no romantic entanglement will rival the one he had with Eva Green’s Vesper Lynd. Yet Die achieves the unlikely feat of bringing those fun Moore elements dashed with Timothy Dalton’s more weighty tone. The result is that Craig’s time as the super spy (the longest in terms of actual time but not volume of titles) is easily the most satisfying since Sean Connery’s.
From the jump, we realize Die is going to be a little different. The pre-title sequence begins with a franchise first: an eerie and gorgeously rendered flashback that sheds light on the childhood of Madeleine Swann. As you may recall, she’s Bond’s love interest from Spectre played by Lea Seydoux. Her connections to that criminal enterprise led by Blofeld (Christoph Waltz) is expanded upon. In the present day, James and Madeleine are making a romantic go of it. A visit to Vesper’s tomb disrupts both their safety and Bond’s trust in his current relationship.
This all occurs in the lengthy prologue before we hear Billie Eilish’s title cut. Let’s dispense with that. Ms. Eilish has some quality tunes, but her contribution is forgettable and not the kind of Bond tune you’ll be humming leaving the theater or rushing to download for the ride back.
In the serialized fashion we’ve come to expect from Craig’s tenure (something unique only to his), we jump five years to Bond in retirement. And (gasp) he’s no longer 007. MI6 is still going strong but relations with their U.S. counterparts are strained. It’s not the new 007 (Lashana Lynch) or M (Ralph Fiennes) or even his beloved Moneypenny (Naomie Harris) or Q (Ben Whishaw) that convince Bond to emerge from his Jamaican R&R. Felix Leiter (Jeffrey Wright), along with a new eager associate (Billy Magnussen), recruit him for a mission that involves dismantling SPECTRE. Bond hooks up (not literally as Bond’s libido seems to be catching up with his age) with another agent (Ana de Armas) to do so. This culminates in a wonderfully fabulous and bizarre action set piece in Cuba.
All this activity soon puts James in the same space with Madeline again and with Blofeld. And we soon meet Safin (Rami Malek), the head baddie with his own troubled history with the criminal organization. I won’t wax rhapsodic about Safin as I mentioned he’s a pretty weak villain. On the other hand, No Time to Die is not really focused on his story. This Bond story, more than any other besides Skyfall, is really about Bond. That gives us one more opportunity to soak in Craig’s terrific performance that’s spanned this quintet. One could argue the series goes too far in making it all about him. With Craig in control, you’ll hear few complaints from me (heck even Quantum of Solace had some cool stuff in it).
No Time to Die has Cary Fukunaga taking over directorial duties from Sam Mendes, who helmed the previous two. He presides over some amazing looking chases and battles that rank right at the top of what we’ve seen previously. On a slightly contradictory note, there’s one during the climax that was a little too video game oriented for my taste. The screenwriters (with an assist from Phoebe Waller-Bridge) also remember to bring the humor. As much as Safin isn’t much of a memorable character, he does get a moment with a toddler that left me chuckling for a good minute or two after their interaction. The makers also don’t forget that these pictures can be quite weird in their production design. Safin’s Poison Garden is a glorious example.
Additionally, the team isn’t afraid to bring a rare level of emotion to the proceedings. However, it’s not that out of place for Craig’s service. We witnessed a love story in Casino Royale that went beyond his typical dalliances. His connection to Judi Dench’s M (particularly in Skyfall) went far deeper than the same character giving James his orders in the past. In No Time to Die, Mr. Craig’s mission involves the striking visuals that we’re used to. What’s different is that over the five adventures connected to each other, I felt like these missions developed a familial bond that shook the foundation of a franchise in a stirring fashion.
The 15 year era of Daniel Craig as one of cinema’s most famous characters concludes with No Time to Die. James Bond will return… but not with arguably his best incarnation since Sean Connery. Prior to the October 8 stateside bow, the embargo lifted this evening and the results are encouraging.
007’s 25th adventure stands at 89% on Rotten Tomatoes (with 35 reviews out at press time). Many critics are calling it a surprisingly emotional swan song for Craig’s contribution to the British super spy series. There’s also hints that it resembles more of the Roger Moore era of the canon than one might expect (a direction it seemed to be taking with predecessor Spectre). Ana de Armas is drawing raves for her very short amount of screen time. The consensus on Rami Malek’s main villain seems a bit mixed. There’s some complaints about the length (a Bond high 163 minutes).
Yet no one seems to be arguing that it’s a rather fitting conclusion to Craig’s tenure in the part. So will Oscar take notice? Skyfall, the third pic in the actor’s five appearances, probably came close to a Best Picture nod. It did earn five nominations – winning Sound Editing and Original Song (Adele’s title track) with mentions in Sound Mixing, Score, and Cinematography. 2015’s follow-up Spectre (which had less laudatory reviews) managed a sole nomination in Song with Sam Smith’s “The Writing’s on the Wall” where it scored an upset victory.
I wouldn’t be shocked if an internet campaign is mounted for Craig to get a Best Actor slot (kind of as a tribute to the whole run). It’s highly unlikely to materialize. I do believe Die will make it three in a row for the songs with Billie Eilish’s title tune work. Whether she wins is a question mark (Beyonce has a ditty from King Richard that might serve as its main competition). Cinematography and Sound are two other feasible possibilities.
Bottom line: while I don’t foresee this factoring into the biggest races, tech and musical recognition could be coming its way. My Oscar Prediction posts for the films of 2021 will continue…
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