Thor: Love and Thunder Box Office Prediction

Each Thor pic has outdone the last and Disney hopes that trend continues when Thor: Love and Thunder hits theaters on July 8th. The sixth MCU entry in the past 14 months, the franchise shows no signs of slowing down as this follows juggernauts Spider-Man: No Way Home and Doctor Strange in the Multiverse of Madness. 

This particular series is only the second to have a fourth feature (the other being Avengers). Taika Waititi, who made 2017’s predecessor Ragnarok, returns behind the camera with Chris Hemsworth once again hammering away as the title character. Natalie Portman’s Jane is back after sitting out part 3 and other familiar faces include Tessa Thompson, Jaimie Alexander, and Jeff Goldblum. The Guardians of the Galaxy are also in the mix. Newcomers to the fold are Christian Bale as main villain Gorr the God Butcher and Russell Crowe as Zeus. Expect plenty of cameos as well.

The first Thor (only the 4th of now 29 MCU flicks) grossed $65 million out of the gate with an overall gross of $181 million. Two and a half years later, The Dark World improved upon that with $85 and $206 million, respectively. Ragnarok easily surpassed that with $122 million and $315 million eventually.

Love and Thunder should continue the trend. Since the character’s last stand-alone effort, Thor was prominently placed in the massive Avengers sagas Infinity War and Endgame. That said, Multiverse from early May was a direct benefactor of following No Way Home when it premiered with $187 million. Its Spidey predecessor swung the second largest domestic opening of all time behind Endgame. 

I don’t believe Thunder will reach the stratosphere of Multiverse. Somewhere between $140-$160 million seems doable. If buzz continues to grow louder in the coming days, I reserve the right to revise up. My current take puts it in the range of Guardians of the Galaxy Vol. 2 ($146 million) and Captain Marvel ($153 million). I’ll put it slightly over both.

Thor: Love and Thunder opening weekend prediction: $155.7 million

Doctor Strange in the Multiverse of Madness Review

Sam Raimi’s horror sense and gory sensibilities (Evil Dead style) permeates Doctor Strange in the Multiverse of Madness. On paper this is a sequel to 2016’s predecessor which introduced Benedict Cumberbatch as the cocky mythical surgeon Stephen Strange. As with most sagas in the MCU, his character has been in plenty of other adventures in the interim (most notably the gargantuan Avengers: Infinity War and Endgame). The fifth word is the most key in the title. As Spider-Man: No Way Home (with its understandably audience pleasing cameos) showed just a few months back, this cinematic universe is now comprised of scores of them. Multiverse has a limited amount of fun with this development that’s far less memorable.

Instead this sequel often serves as a continuation of Disney Plus’s first Marvel streaming series WandaVision with Elizabeth Olsen. If you didn’t watch that, you’re going to be a little lost. Olsen’s Wanda, on the TV show, created an idyllic home life with Vision (Paul Bettany) and two cute kids with superhero powers. The problem – it was a completely invented reality and Wanda was causing harm to others by continuing the charade. She comes to her senses eventually. Multiverse finds Wanda being taken over by her alter ego the Scarlet Witch after acquiring a book of magic spells. Her character motivations stretch credibility with the same elasticity as a certain cameo where she battles familiar MCUers with some different faces.

Wanda/Scarlet’s plans to reunite with her made up kiddos jeopardize life in plenty of multiverses. None of them involve her wanting to reunite with the love of her life Vision (there’s that credibility issue). It does involve Doctor Strange teaming up with America Chavez (Xochitl Gomez). I’m sure her persona will be fleshed out in future installments. For now she’s a teen with the ability to jump multiverses who possesses powers she’s just beginning to harness. Strange first makes her acquaintance while attending the wedding of his former flame Christine (Rachel McAdams). A CG monster interrupts the reception on the streets outside and an eye popping (literally) battle ensues. The Scarlet Witch wants America for her own nefarious purposes so the Doc must protect her across multiple dimensions.

Actually… only a couple of dimensions as Multiverse never gets much screen time to explore the possibilities other than a brief and very cool sequence. Therein lies part of the problem. While I know we’re dealing with intergalactic mayhem that can mean all sorts of unanticipated cameos and landscapes, Madness can feel surprisingly low stakes. It doesn’t help with the aforementioned matters of Scarlet’s clunky story treatment.

What does occasionally assist in the entertainment value is Raimi being in the director’s chair. Taking over for Scott Derrickson, the veteran filmmaker doesn’t shy away from jump scares and his unique brand made notable four decades ago in Evil Dead. There are unquestionably some impressive and spellbinding visuals. There’s also a pop-in by Bruce Campbell that is more satisfying than higher profile cameos. Unfortunately this suffers from a malady similar to Raimi’s Spider-Man 3 with villainous plots that don’t quite ultimately work. Chiwetel Ejiofor unceremoniously returns as a version of Mordo, Strange’s former ally turned foe.

All this Strange magic while Stephen pines for Christine makes for a middle of the universe to lower tier universe experience. I appreciate Kevin Feige and the team allowing Raimi so much creative control. However, while previous confrontations were fought in fewer dimensions, I felt they covered more meaningful ground. As the MCU moves forward across all these galaxies (sometimes with inspiration and sometimes trudging on shaky foundations), we’ll have lots of opportunities to see how the mix turns out. I still have guarded optimism.

**1/2 (out of four)

June 17-19 Box Office Predictions

Blogger’s Note (06/16): On the eve of its premiere, I’m revising my Lightyear estimate down again – from $95.5M to $85.5M

Blogger’s Note (06/15): Revising my Lightyear estimate down from $101.8M to $95.5M

Disney/Pixar looks to take its usual spot atop the charts with their first theatrical only release since Onward when Lightyear opens this weekend. It’s the only new product debuting as the Toy Story origin tale hopes to be the latest summer offering to top $100 million out of the gate. You can peruse my detailed prediction post on it here:

Lightyear Box Office Prediction

I’m projecting it will gross just under nine figures and that’s slightly less than the third and fourth editions of the franchise it’s spawned from.

That should easily put it in first position with Jurassic World: Dominion falling to second. After a pretty solid start, I imagine it should suffer an approximate 60% decline like its 2018 predecessor Fallen Kingdom. 

Top Gun: Maverick should cruise to another meager decline for a third place showing in the $30 million range with Doctor Strange in the Multiverse of Madness and The Bad Guys filling the rest of the top five.

Here’s how I see it:

1. Lightyear

Predicted Gross: $85.5 million

2. Jurassic World: Dominion

Predicted Gross: $54.8 million

3. Top Gun: Maverick

Predicted Gross: $36 million

4. Doctor Strange in the Multiverse of Madness

Predicted Gross: $3.4 million

5. The Bad Guys

Predicted Gross: $1.5 million

Box Office Results (June 10-12)

Jurassic World: Dominion couldn’t quite match what Fallen Kingdom accomplished four summers ago. The sixth entry in the nearly three decade old franchise earned $145 million, falling short of my $155.3 million expectation. Middling reviews (it has the worst Tomatoes score of the flock) probably pushed it a little lower than initially forecasted, but it’s still a respectable start.

Top Gun: Maverick dropped to second after two soaring frames at #1 with $51.8 million. I went a touch higher at $58.8 million and the three week take is an amazing $395 million. The total is good for the 10th largest third weekend in domestic history.

Doctor Strange in the Multiverse of Madness was third with $5.2 million. My projection? $5.2 million! The MCU juggernaut has amassed $398 million.

The Bad Guys was fourth with $2.5 million (I said $2.4 million) to bring its earnings close to nine figures with $91 million.

The Bob’s Burgers Movie rounded out the top five at $2.4 million compared to my $2.2 million prediction. It’s made $27 million.

And that does it for now, folks! Until next time…

May 27-30 Box Office Predictions

***And a final update for Top Gun: Maverick as my prediction rises again to $113.4 million for the three-day and $138 million for the four-day. That it gives it the #2 all-time Memorial Day for both frames.

***Blogger’s Note: Another day, another significant update raising my Top Gun: Maverick prediction. Now at $103.7M for the three-day and $124.4M for the four-day.

**Blogger’s Note (05/24): My Top Gun: Maverick prediction has risen from a $75.6M and $98.8M three and four-day start to $86.6M and $104.9M

Tom Cruise is poised to land his largest debut of all time over this Memorial Day weekend with the long in development sequel Top Gun: Maverick as the animated The Bob’s Burgers Movie is also served up. You can peruse my detailed prediction posts on the pair here:

Top Gun: Maverick Box Office Prediction

The Bob’s Burgers Movie Box Office Prediction

Arriving 36 years after the first entry made Cruise a superstar, Maverick is generating terrific buzz. For the three-day portion of the holiday frame, it needs to surpass the $64 million earned by 2005’s War of the Worlds in order to set a personal best start. I have it achieving that feat with over $10 million to spare with a gross just shy of $100 million for the Friday to Monday haul.

As for Burgers, it could find itself locked in a race with Downton Abbey: A New Era for third.

After a three-week reign atop the charts, Doctor Strange in the Multiverse of Madness will drop to second with The Bad Guys likely rounding out the top five.

Here’s how I see for the four-day frame and I’m throwing in the three-day projections for the newbies:

1. Top Gun: Maverick

Predicted Gross: $138 million (Friday to Monday); **$113.4 million (Friday to Sunday)

2. Doctor Strange in the Multiverse of Madness

Predicted Gross: $22.1 million

3. The Bob’s Burgers Movie

Predicted Gross: $11.6 million (Friday to Monday); **$9.2 million (Friday to Sunday)

4. Downton Abbey: A New Era

Predicted Gross: $9.5 million

5. The Bad Guys

Predicted Gross: $6.2 million

Box Office Results (May 20-22)

The good doctor held off competition for the third week as Multiverse took in $32.3 million, ahead of my $27.8 million projection. The MCU juggernaut is up to $342 million thus far.

Downton Abbey: A New Era settled for second with $16 million, a bit shy of my $18.4 million take. That’s on the lower end of expectations and significantly under the $31 million that its 2019 predecessor earned out of the gate.

The Bad Guys was third with $6.1 million, in range with my $5.7 million prediction for $74 million overall.

Sonic the Hedgehog 2 took fourth with $4 million (I said $3.5 million) to bring its impressive tally to $181 million.

Alex Garland’s Men failed to attract an audience with $3.2 million for fifth. I was a little more generous at $4.1 million. Despite some decent reviews, the Cinemascore grade was a putrid D+.

Everything Everywhere All at Once was sixth with $3.1 million compared to my $2.7 million guesstimate. With $52 million in the bank, it is now A24’s highest domestic earner.

And that does it for now, folks! Until next time…

May 13-15 Box Office Predictions

Blogger’s Update (05/12): Revising Firestarter down to $6.5 million

A different caped crusader set the 2022 opening weekend record with Doctor Strange in the Multiverse of Madness dominating the charts. It will reign supreme in its sophomore frame as only the Stephen King adapted horror reboot Firestarter debuts this weekend. You can peruse my detailed prediction post on it here:

Firestarter Box Office Prediction

I’m giving Firestarter (also available via Peacock) the benefit of the doubt by putting it in double digits considering its genre often over performs. That should easily give it the #2 slot behind MCU’s mystical doc.

Look for The Bad Guys and Sonic the Hedgehog 2 to slide a spot to 3rd and 4th. The five spot could be close between Fantastic Beasts: The Secrets of Dumbledore and Everything Everywhere All at Once. 

The real question is how far Multiverse drops in its sophomore outing. The Strange sequel received mixed critical reaction that has carried over a bit with audiences. The B+ Cinemascore grade is among the lowest of the franchise. Only Eternals (B) was below it while 2011’s original Thor also received the B+ designation. Due to that factor, I could foresee a low to potentially high 60s range fall.

Here’s how I see the top 6 playing out:

1. Doctor Strange in the Multiverse of Madness

Predicted Gross: $66.8 million

2. The Bad Guys

Predicted Gross: $7.1 million

3. Firestarter 

Predicted Gross: $6.5 million

4. Sonic the Hedgehog 2

Predicted Gross: $4.3 million

5. Everything Everywhere All at Once

Predicted Gross: $3.1 million

6. Fantastic Beasts: The Secrets of Dumbledore

Predicted Gross: $2.7 million

Box Office Results (May 6-8) 

Doctor Strange in the Multiverse of Madness had the #11 largest domestic debut in history, positioning itself between fellow Disney sequels Avengers: Age of Ultron and Incredibles 2. Coming on the heels of Spider-Man: No Way Home, the MCU property amassed $187.4 million. While that didn’t get into top 10 all-time territory like I projected at $208.5 million, it’s still a marvelous haul (especially considering the 2016 original began with $85 million). For the reasons stated above, I do expect a larger than normal MCU decline in the mid 60s.

The Bad Guys, after two weeks in first, was second with $9.5 million. That’s in line with my $10 million estimate as the DreamWorks title has taken in $57 million thus far.

Sonic the Hedgehog 2 was third with $6 million, a bit under my expected $7.1 million. Overall gross is a sturdy $169 million.

Fantastic Beasts: The Secrets of Dumbledore continued its underwhelming run with $4.2 million. I was on target as I said $4.3 million. Total is $86 million as it’s hoping to at least eek out $100 million.

Everything Everywhere All at Once rounded out the top five with $3.5 million. I projected a little higher with $4.4 million, but its pleasing tally is up to $41 million.

And that does it for now, folks! Until next time…

Oscar Predictions: Doctor Strange in the Multiverse of Madness

Last year, The Power of the Dog scored the most Oscar nominations including Best Actor for Benedict Cumberbatch. His return as Marvel’s superhero in Doctor Strange in the Multiverse of Madness hopes to land at least one mention in a category where the MCU has received plenty.

The review embargo lifted today ahead of its Friday premiere and the Rotten Tomatoes score is currently 79% (that’s a match with last summer’s Black Widow). Sam Raimi’s directorial contribution to the world’s biggest franchise, based on some critics and their reservations, really only has a shot at Best Visual Effects.

That’s where 12 previous movies starting with Iron Man and ending with 2021’s Shang-Chi and the Legend of the Ten Rings and Spider-Man: No Way Home have made the final five. Somewhat shockingly, none have won. In the middle of that pack is predecessor Doctor Strange from 2016 (it lost to The Jungle Book).

Considering the original Strange made the cut, Madness could absolutely be in line to follow suit. It’ll need to do so over two forthcoming MCU adventures (Thor: Love and Thunder and Black Panther: Wakanda Forever). None of the Thor pics managed a VE nod and neither did the first Panther. Therefore it strands to reason that this could be the best MCU bet for inclusion in 2022. Like the others, I don’t believe it has a shot to win. My Oscar Prediction posts will continue…

May 6-8 Box Office Predictions

The summer box office season officially kicks off in the manner it has many times lately… with an expected Marvel Cinematic Universe juggernaut. Doctor Strange in the Multiverse of Madness looks to accomplish some records after previous franchise entry Spider-Man: No Way Home set plenty of its own. You can peruse my detailed prediction post on Benedict Cumberbatch’s return as the mystical doc here:

Doctor Strange in the Multiverse of Madness Box Office Prediction

My estimate would give Multiverse the 7th largest domestic premiere of all time and the highest ever for the month of May (topping The Avengers). It would be #4 in terms of MCU entries – behind Avengers: Endgame, No Way Home, and Avengers: Infinity War. 

No other film is daring to open against this and family friendly entries The Bad Guys (after two weeks on top) and Sonic the Hedgehog 2 should slide a spot. Everything Everywhere All at Once is holding extremely well from week to week and it could rise to fourth over Fantastic Beasts: The Secrets of Dumbledore. 

Here’s how I think the top 5 will look:

1. Doctor Strange in the Multiverse of Madness

Predicted Gross: $208.5 million

2. The Bad Guys

Predicted Gross: $10 million

3. Sonic the Hedgehog 2

Predicted Gross: $7.1 million

4. Everything Everywhere All at Once

Predicted Gross: $4.4 million

5. Fantastic Beasts: The Secrets of Dumbledore 

Predicted Gross: $4.3 million

Box Office Results (April 29-May 1)

Before Marvel begins its domination, it was a pretty quiet weekend with The Bad Guys repeating in first. The DreamWorks Animation effort made $16.2 million, topping my $14.4 million projection for $44 million in 10 days.

Most holdovers managed to slightly exceed my expectations. Sonic the Hedgehog 2 stayed in second at $11.5 million compared to my $10.8 million call. Total is $161 million.

Fantastic Beasts: The Secrets of Dumbledore continued its ho-hum run in third with $8.3 million, just above my $7.7 million take. The three-week tally is a disappointing $79 million.

The Northman was fourth in its sophomore outing with $6.3 million. I went with $5.6 million and it’s at $22 million.

Everything Everywhere All at Once actually had a 2% increase with $5.5 million to round out the top five (I said $4.2 million). The A24 Oscar hopeful has made an impressive $35 million.

The Unbearable Weight of Massive Talent was sixth with $3.8 million (I predicted $3.5 million) for $13 million in two weeks.

Finally, Liam Neeson’s streak of low grosses stayed intact as Memory opened in 8th with $3.1 million. That’s in line with his recent (non) earners and just below my $3.3 million projection.

And that does it for now, folks! Until next time…

Doctor Strange in the Multiverse of Madness Box Office Prediction

In what Hollywood is hoping looks more like a traditional summer season, it’s the MCU kicking it off with Doctor Strange in the Multiverse of Madness. The 28th feature in the biggest franchise of all is technically the follow-up to 2016’s Doctor Strange with Benedict Cumberbatch in the title role. It is, however, the character’s sixth appearance overall in the cinematic universe with the most recent being December’s massive Spider-Man: No Way Home. 

Speaking of Spidey, Sam Raimi, maker of Tobey Maguire’s 2002-2007 trilogy, directs (taking over from Scott Derrickson). Costars back in the mix are Elizabeth Olsen, Chiwetel Ejiofor, Benedict Wong, Michael Stuhlbarg, and Rachel McAdams. Newcomers to the MCU include Xochitl Gomez and Patrick Stewart (in an undisclosed role that could turn out to be quite familiar).

Madness has the big advantage of following a juggernaut in No Way Home. That has served as an advantage to other MCU properties. For instance, Captain Marvel in 2019 was the follow-up to Avengers: Endgame and it made $153 million out of the gate. That was slightly better than the Guardians of the Galaxy sequel from two years earlier. Assisting Multiverse is that the good Doctor had a sizable part in the previous Spidey adventure.

Five and a half years ago, the first Strange took in $85 million for its start with an eventual domestic haul of $232 million. In the MCU world, it’s way more normal for sequels to outdo their predecessors and that will certainly apply here. It should have no trouble achieving the largest premiere for 2022 – currently held by The Batman at $134 million.

No one is really thinking this will approach the $260 million weekend of No Way Home, but $200 million is definitely feasible. Underestimating the MCU is usually not wise so I’ll say it hits that mark. My projection would get it the 7th largest domestic debut of all time (right behind Jurassic World and just ahead of The Avengers).

Doctor Strange in the Multiverse of Madness opening weekend prediction: $208.5 million

Spider-Man: No Way Home Review

Spider-Man’s neighborhood grows exponentially in No Way Home, our third iteration of Tom Holland’s web slinger adventures with Jon Watts back directing. Not all the visitors he encounters are of the friendly sort. As you may recall, the conclusion of predecessor Far From Home had the scheming Mysterio (Jake Gyllenhaal) reveal Peter Parker’s identity to the masses. That has serious repercussions as Peter/Spidey’s anonymity is gone and the Daily Bugle and others paint him as a bad guy.

It might be easier to erase that divulgence so Peter visits his old avenging buddy Doctor Strange (Benedict Cumberbatch) to cast a spell to accomplish that. It doesn’t go as planned and it opens to a portal to a multiverse of characters who knew of Spider-Man’s alter ego. THIS IS WHERE WE GO INTO SPOILERS SO CONSIDER YOURSELF WARNED.

Crashing into this trilogy are the antagonists from Spider-tales of old. As in the Tobey Maguire and Andrew Garfield entries that we witnessed from 2002-2014. The sinister company consists of the Green Goblin (Willem Dafoe), Doc Ock (Alfred Molina), Electro (Jamie Foxx), Lizard (Rhys Ifans), and Sandman (Thomas Haden Church).

With the great power of the Marvel Cinematic Universe comes a responsibility to tap into our nostalgic leanings and No Way Home does it in heavy doses. Seeing Dafoe’s maniacal Goblin and Molina’s Doc from the first two Maguire installments is a kick. As for the rest, they came from lesser pics (Maguire’s last and both Garfield excursions). That said, Foxx’s characterization is a lot more fun than what we saw in The Amazing Spider-Man 2.

My reviews of Homecoming and Far From Home concentrated on the best moments being the most grounded. Holland (the most effective Spidey in my view) and his interactions with love interest MJ (Zendaya), Aunt May (Marisa Tomei), and bestie Ned (Jacob Batalon) were highlights. That holds true here, but No Way Home is anything but grounded. The third go-round is bigger in every sense.

In many ways, it’s the most satisfying since Maguire’s original double feature. Is it gimmicky? Absolutely and there’s an overload of exposition to plow through in the first act. Yet it also reminds us how unique Spider-Man is in the realm of superheroes. It’s also a plus that the villains in this series are complicated ones (for the genre at least) whose motivations are varied and often understandable.

I could go even further down spoiler territory and it’s fair to say the most amazing moments are ones I won’t delve into. No Way Home does provide humorous retribution for one hero in particular (you’ll know when you see it). This is grand entertainment that occasionally approaches the scale of the wars and endgame of Spider-Man’s former team. He’s got a fresh troupe of buddies to collaborate with to save humanity in this trilogy capper. The teamwork provide multiple thrills.

*** (out of four)

January 28-30 Box Office Predictions

January should close out very quietly at the box office as we await more high profiles releases in February. There’s no newcomers this weekend as the trio of S sequels – Spider-Man: No Way Home, Scream, Sing 2 – should easily maintain the 1-2-3 positions. In fact, the top 5 is likely to remain unaltered with Redeeming Love in fourth and The King’s Man rounding out the top five.

I’m projecting drops in the 20s for Spidey, Sing and King’s while Scream and Love could lose around half of their previous haul.

Quite simply, not a whole lot to ponder this time around and here’s how I see the top 5 shaking out:

1. Spider-Man: No Way Home

Predicted Gross: $10.3 million

2. Scream

Predicted Gross: $5.5 million

3. Sing 2

Predicted Gross: $4.2 million

4. Redeeming Love

Predicted Gross: $1.8 million

5. The King’s Man

Predicted Gross: $1.3 million

Box Office Results (January 21-23)

Two newcomers couldn’t make a dent in multiplexes as MCU’s behemoth took back the top spot from Ghostface. No Way Home made $14 million in its sixth frame, ending out my $13 million estimate. It’s up to $720 million and perched 4th all-time domestically.

Scream dropped to second with $12.2 million (in line with my $12.7 million projection) for $51 million in its two weeks. The 59% fall is similar to Scream 4‘s 62% sophomore dip.

Sing 2 was third with $5.7 million (I said $5.3 million) for a five-week tally of $128 million.

The historical romance Redeeming Love premiered in fourth with $3.5 million. That’s certainly unimpressive, but it did manage to exceed my $2.4 million prediction.

The King’s Man rounded out the top five with $1.7 million (I went with $1.6 million) for $31 million overall.

Last and least, the long delayed The King’s Daughter (featuring Pierce Brosnan and a mermaid) should have stayed on the shelf. The fantasy adventure debuted in 8th with $750,000. I thought it might make $1 million and my generosity clearly got the best of me.

And that does it for now, folks! Until next time…