Adele Kim, best known for cowriting 2018’s smash surprise hit Crazy Rich Asians, makes her directorial debut with Joy Ride on July 7th. The raunchy comedy, which premiered at South by Southwest to impressive reviews, stars Ashley Park, Sherry Cola, recent Oscar nominee Stephanie Hsu from Everything Everywhere All at Once, Sabrina Wu, Ronny Chieng, Annie Mumolo, David Denman, and Lori Tan Chinn.
The road trip pic is another hard R laugher in a genre underrepresented in recent years. There’s been a bit of a comeback this summer as it follows No Hard Feelings by two weeks and precedes August’s Strays.
With a 100% Rotten Tomatoes rating, this could manage to ride its festival buzz to a debut above $10 million. I’m going say it falls just short.
Joy Ride opening weekend prediction: $8.4 million
For my Insidious: The Red Door prediction, click here:
Sony hopes for happy horror returns when Insidious: The Red Door opens on July 7th. The fifth feature in the franchise that began in 2010, costar Patrick Wilson takes over the directorial reins. Joining him in the cast are Ty Simpkins, Rose Byrne, Andrew Astor, and Lin Shaye.
The PG-13 supernatural saga is the first Insidious entry in five and a half years. It is said to serve to serve as a direct sequel to parts 1 and 2. 2013’s second chapter was the financial zenith with a $40 million premiere and $83 million eventual domestic take. Chapter 3 in 2015 did $22 million out of the gate and $52 million overall. 2018’s Insidious: The Last Key improved on its predecessor with $29 million in its initial weekend and $67 million total.
Door could be helped with the lack of genre fare in the marketplace (its TV teaser spot with Wilson getting a frightening MRI is pretty effective too). I don’t think it’ll quite reach the near $30 million of Key, but mid 20s sounds like the correct prognosis.
Insidious: The Red Door opening weekend prediction: $25.2 million
The coming-of-age fantasy Ruby Gillman, Teenage Kraken joins a crowded animated marketplace when it debuts this weekend. The DreamWorks project may come in behind holdovers Spider-Man: Across the Spider-Verse and Pixar’s Elemental on the charts. Awards prospects for Kirk DeMicco’s latest directorial effort may also find it playing catch up with those titles.
Reviews for Kraken are at 78% on Rotten Tomatoes though the positive notices aren’t exactly gushing. DeMicco has been in the Animated Feature mix before with 2013’s The Croods. His follow-up, 2021’s Vivo, had a better RT score than Ruby and failed to make that year’s quintet in the competition.
We know Spidey will be a force to reckon with for the 96th Academy Awards. It’s easily the frontrunner and that may not change. Elemental is likely to grab a spot. We are awaiting potential heavy hitters like July’s How Do You Live? from Hayao Miyazaki and Disney’s Wish this fall.
If those pics and others don’t pan out, perhaps Kraken could nab the fifth slot. I wouldn’t bet on it. My Oscar Prediction posts will continue…
Blogger’s Update (06/29): I have my estimate for Ruby Gillman from to $10.8M to $7.8M, which puts it in fifth instead of fourth.
Harrison Ford hopes to retire his iconic character with boffo box office returns as Indiana Jones and the Dial of Destiny whips into theaters. We also have DreamWorks Animation’s Ruby Gillman, Teenage Kraken seeking success amid serious competition. My detailed prediction posts on the newcomers can be perused here:
Disney might not have done itself any favors when it screened Destiny last month at the Cannes Film Festival. The critical reaction was rather weak as it sits with 62% on Rotten Tomatoes. The fifth entry in the franchise’s much maligned 2008 predecessor Kingdom of the Crystal Skull managed 77%. I suspect that expectations should be tempered and I have it hitting mid 60s for what would be considered a significantly disappointing beginning.
Slots 2-4 should be quite animated with Spider-Man: Across the Spider-Verse and Elemental losing around 30-35%. That could put both of them ahead of Ruby. The fact that it’s not based on known IP won’t help and neither will the level of competition. I have it barely topping $10 million for a fourth place start.
No Hard Feelings should round out the top five with a 40% range decline in its sophomore frame.
Here’s how I see it shaking out:
1. Indiana Jones and the Dial of Destiny
Predicted Gross: $65.3 million
2. Spider-Man: Across the Spider-Verse
Predicted Gross: $13.4 million
3. Elemental
Predicted Gross: $12.7 million
4. No Hard Feelings
Predicted Gross: $8.9 million
5. Ruby Gillman, Teenage Kraken
Predicted Gross: $7.8 million
Box Office Results (June 23-25)
Thanks to the disastrous performance of The Flash (we’ll get there shortly), Spider-Man: Across the Spider-Verse swung back into 1st place in week #4. The acclaimed animated sequel took in $19 million. I was right on target with $18.9 million and it’s up to a terrific $316 million with $400 million in its sights.
Pixar’s Elemental, after a poor premiere, was on less shaky ground in its follow-up outing. The A Cinemascore grade probably helped as it dropped a commendable 38% at $18.4 million (I went lower with $16.8 million). That’s the smallest Pixar sophomore frame downslide since Up 14 years ago. The total is $65 million in ten days.
The Flash… wow. After a shockingly low $55 million opening, the DCEU debacle plunged 72% and landed in third with only $15.1 million. I was more generous at $17.5 million. The ten-day take is $87 million and it should be out of the top five in only its third go-round. Embarrassing.
Jennifer Lawrence’s raunchy comedy No Hard Feelings debuted in fourth with $15 million, exceeding my call of $11.7 million. For its genre, that’s a pretty solid haul as comedies have struggled in recent years. It should manage to hold up decently in subsequent weekends.
Transformers: Rise of the Beasts rounded out the top five with $11.7 million, rising above my $9.3 million projection. The three-week gross is $123 million.
Wes Anderson’s Asteroid City expanded nationwide and nabbed the highest per theater average on the chart. The star-studded tale made an impressive $9 million and went above my $7.6 million guesstimate. It’s at $10.2 million when factoring its limited release dollars from the previous weekend.
Finally, The Little Mermaid was seventh with $8.5 million (I said $7 million) to bring its earnings to $270 million in five weeks.
For my last forecast for the month of June, not a lot has changed in my predictions for the 96th Academy Awards. Viola Davis (Air) is back in Supporting Actress over Julianne Moore (May December). In the screenplay contests, I’ve elevated Anatomy of a Fall over May December in the original derby. For Adapted Screenplay, Oppenheimer jumps into the top five over Poor Things. It is worth noting that while I don’t have animated box office behemoth Spider-Man: Across the Spider-Verse in my BP ten, it does jump seven positions to number 12.
When I do my initial July projections in a couple of weeks, we might have some buzz for potential heavy hitters Oppenheimer and Barbie as they each ready their debuts on July 21st.
We have seen our first peeks at fall contenders such as Challengers, Priscilla, Drive-Away Dolls, and Dumb Money over the past few days via their trailers. Truth be told, this is a slow time for awards prognosticating. This will change before we know it with festival season around the corner.
Best Picture
Predicted Nominees:
1. Killers of the Flower Moon (Previous Ranking: 1) (Even)
2. Past Lives (PR: 2) (E)
3. The Color Purple (PR: 3) (E)
4. Dune: Part Two (PR: 4) (E)
5. Oppenheimer (PR: 6) (+1)
6. The Zone of Interest (PR: 5) (-1)
7. Saltburn (PR: 9) (+2)
8. The Holdovers (PR: 10) (+2)
9. Air (PR: 8) (-1)
10. Poor Things (PR: 7) (-3)
Other Possibilities:
11. Maestro (PR: 11) (E)
12. Spider-Man: Across the Spider-Verse (PR: 19) (+7)
13. Anatomy of a Fall (PR: 14) (+1)
14. Barbie (PR: 15) (+1)
15. May December (PR: 12) (-3)
16. Asteroid City (PR: 17) (+1)
17. Challengers (PR: 13) (-4)
18. Napoleon (PR: 15) (-3)
19. Bob Marley: One Love (PR: 23) (+4)
20. Rustin (PR: 22) (+2)
21. The Killer (PR: 20) (-1)
22. The Nickel Boys (PR: 24) (+2)
23. The Book of Clarence (PR: 18) (-5)
24. Ferrari (PR: 25) (+1)
25. How Do You Live? (PR: Not Ranked)
Dropped Out:
Flint Strong (moved to 2024)
Best Director
Predicted Nominees:
1. Martin Scorsese, Killers of the Flower Moon (PR: 1) (E)
2. Denis Villeneuve, Dune: Part Two (PR: 3) (+1)
3. Celine Song, Past Lives (PR: 2) (-1)
4. Blitz Bazawule, The Color Purple (PR: 4) (E)
5. Jonathan Glazer, The Zone of Interest (PR: 5) (E()
Other Possibilities:
6. Christopher Nolan, Oppenheimer (PR: 6) (E)
7. Emerald Fennell, Saltburn (PR: 8) (+1)
8. Alexander Payne, The Holdovers (PR: 10) (+2)
9. Yorgos Lanthimos, Poor Things (PR: 7) (-2)
10. Bradley Cooper, Maestro (PR: 12) (+2)
11. Justine Triet, Anatomy of a Fall (PR: 9) (-2)
12. Greta Gerwig, Barbie (PR: 13) (+1)
13. Ben Affleck, Air (PR: 11) (-2)
14. Ridley Scott, Napoleon (PR: 15) (+1)
15. David Fincher, The Killer (PR: Not Ranked)
Dropped Out:
Todd Haynes, May December
Best Actress
Predicted Nominees:
1. Fantasia Barrino, The Color Purple (PR: 1) (E)
2. Greta Lee, Past Lives (PR: 2) (E)
3. Sandra Hüller, Anatomy of a Fall (PR: 3) (E)
4. Emma Stone, Poor Things (PR: 4) (E)
5. Natalie Portman, May December (PR: 5) (E)
Other Possibilities:
6. Jessica Lange, Long Day’s Journey Into Night (PR: 6) (E)
7. Margot Robbie, Barbie (PR: 7) (E)
8. Zendaya, Challengers (PR: 8) (E)
9. Carey Mulligan, Maestro (PR: 10) (+1)
10. Annette Bening, Nyad (PR: 9) (-1)
11. Kate Winslet, Lee (PR: 11) (E)
12. Regina King, Shirley (PR: 12 )(E)
13. Cailee Spaeny, Priscilla (PR: Not Ranked)
14. Teyana Taylor, A Thousand and One (PR: Not Ranked)
15. Judy Greer, Eric Larue (PR: 15) (E)
Dropped Out:
Sandra Hüller, The Zone of Interest
Ryan Destiny, Flint Strong
Best Actor
Predicted Nominees:
1. Colman Domingo, Rustin (PR: 1) (E)
2. Leonardo DiCaprio, Killers of the Flower Moon (PR: 2) (E)
3. Barry Keoghan, Saltburn (PR: 4) (+1)
4. Bradley Cooper, Maestro (PR: 5) (+1)
5. Paul Giamatti, The Holdovers (PR: 3) (-2)
Other Possibilities:
6. Kingsley Ben-Adir, Bob Marley: One Love (PR: 7) (+1)
7. Cillian Murphy, Oppenheimer (PR: 8) (+1)
8. Anthony Hopkins, Freud’s Last Session (PR: 6) (-2)
9. Teo Yoo, Past Lives (PR: 9) (E)
10. Matt Damon, Air (PR: 10) (E)
11. David Strathairn, A Little Prayer (PR: 13) (+2)
12. Joaquin Phoenix, Napoleon (PR: 11) (-1)
13. Koji Yakusho, Perfect Days (PR: Not Ranked)
14. Ed Harris, Long Day’s Journey Into Night (PR: 15) (+1)
15. Andre Holland, The Actor (PR: 14) (-1)
Dropped Out:
Mike Faist, Challengers (moved to Supporting Actor)
Best Supporting Actress
Predicted Nominees:
1. Lily Gladstone, Killers of the Flower Moon (PR: 1) (E)
2. Danielle Brooks, The Color Purple (PR: 2) (E)
3. Taraji P. Henson, The Color Purple (PR: 3) (E)
4. Da’Vine Joy Randolph, The Holdovers (PR: 4) (E)
5. Viola Davis, Air (PR: 6) (+1)
Other Possibilities:
6. Julianne Moore, May December (PR: 5) (-1)
7. Rosamund Pike, Saltburn (PR: 7) (E)
8. Aunjanue Ellis, The Nickel Boys (PR: 9) (+1)
9. Audra McDonald, Rustin (PR: 8) (-1)
10. Lashana Lynch, Bob Marley: One Love (PR: 10) (E)
11. Jodie Foster, Nyad (PR: 13) (+2)
12. Tilda Swinton, The Killer (PR: 11) (-1)
13. Halle Bailey, The Color Purple (PR: 12) (-1)
14. Vanessa Kirby, Napoleon (PR: Not Ranked)
15. Claire Foy, Strangers (PR: 14) (-1)
Dropped Out:
Jodie Comer, The Bikeriders
Best Supporting Actor
Predicted Nominees:
1. Robert De Niro, Killers of the Flower Moon (PR: 1) (E)
2. John Magaro, Past Lives (PR: 4) (+2)
3. Colman Domingo, The Color Purple (PR: 3) (E)
4. Willem Dafoe, Poor Things (PR: 2) (-2)
5. Charles Melton, May December (PR: 5) (E)
Other Possibilities:
6. Ryan Gosling, Barbie (PR: 7) (+1)
7. Ben Affleck, Air (PR: 6) (-1)
8. Mark Ruffalo, Poor Things (PR: 9) (+1)
9. Dominic Sessa, The Holdovers (PR: Not Ranked)
10. Richard E. Grant, Saltburn (PR: 8) (-2)
11. Jesse Plemons, Killers of the Flower Moon (PR: 12) (+1)
12. Mike Faist, Challengers (PR: Not Ranked – moved from lead)
13. Glynn Turman, Rustin (PR: 13) (E)
14. Josh O’Connor, Challengers (PR: 15) (+1)
15. Corey Hawkins, The Color Purple (PR: 11) (-4)
Dropped Out:
Brian Tyree Henry, Flint Strong
Ben Foster, Long Day’s Journey Into Night
Best Original Screenplay
Predicted Nominees:
1. Past Lives (PR: 1) (E)
2. The Holdovers (PR: 3) (+1)
3. Saltburn (PR: 4) (+1)
4. Air (PR: 2) (-2)
5. Anatomy of a Fall (PR: 9) (+4)
Other Possibilities:
6. May December (PR: 5) (-1)
7. Asteroid City (PR: 6) (-1)
8. Maestro (PR: 8) (E)
9. Barbie (PR: Not Ranked – moved from Adapted)
10. Challengers (PR: 7) (-3)
11. Drive-Away Dolls (PR: 2) (+1)
12. Rustin (PR: 11) (-1)
13. The Book of Clarence (PR: 10) (-3)
14. Bob Marley: One Love (PR: 14) (E)
15. Napoleon (PR: 13) (-2)
Dropped Out:
Monster
Best Adapted Screenplay
Predicted Nominees:
1. Killers of the Flower Moon (PR: 1) (E)
2. The Zone of Interest (PR: 4) (+2)
3. The Color Purple (PR: 3) (E)
4. Dune: Part Two (PR: 5) (+1)
5. Oppenheimer (PR: 6) (+1)
Other Possibilities:
6. Poor Things (PR: 2) (-4)
7. Spider-Man: Across the Spider-Verse (PR: 7) (E)
8. The Nickel Boys (PR: 9) (+1)
9. Freud’s Last Session (PR: 11) (+2)
10. Long Day’s Journey Into Night (PR: Not Ranked)
There’s a grounded Unbreakable vibe that permeates parts of Gina Prince-Bythewood’s The Old Guard. In a cinematic universe where comic book adaptations are hurled at us every couple of months, this R-rated Netflix pic manages to frequently feel fresh and captivating. There’s a less is more spirit as the screenplay (from Greg Rucka based on his own graphic novel) sets the table for inevitable sequels. That’s not to say there aren’t a fair share of shoot-em-up video game style battles. There are and they’re a cut above some others.
Andy (Charlize Theron) leads a group of fighters as we open on their assignment to rescue abducted young girls in Sudan. Her teams consists of Booker (Matthias Schoenaerts) and Joe (Marwan Kenzari) and Nicky (Luca Marinelli), who are also a couple. Their assigner is CIA contact Copley (Chiwetel Ejiofor). If Danny Glover’s Roger Murtaugh complained about being too old for his job (he put it another way), he should’ve met this squad. The quartet is immortal. Andy can’t even remember her age (we’re talking thousands of years) while the others mark their existence in centuries. They’re not famous like The Avengers and the modern world makes it trickier for them to stay inconspicuous. The group can be riddled with machine gun fire and bounce back within a few seconds. That makes them, of course, lethal weapons.
Their latest gig turns out to be a double cross involving pharmaceutical company CEO Steven Merrick (Harry Melling). We know he’s bad because his company logo is often ominously panned to before he lays out his plans. They involve capturing the immortals to study their priceless DNA. Merrick only has profit on his mind even if that means locking up his subjects with his private army guarding them. His associate Copley’s reasonings are a bit more noble.
The eternal foursome becomes a quintet with American soldier Nile (KiKi Layne). After her tour of duty ends violently, she miraculously recovers and confounds her coworkers. Andy and team come to the rescue as they must explain her new undying circumstances (she’s the first new member of the exclusive club in over 200 years). With Merrick attempting to prescribe their captures, the well-choreographed action sequences commence.
Rucka’s script weaves in occasional flashbacks of Andy’s past that reveal other associates. It turns out nothing may last forever even though our main warrior probably fought alongside Alexander the Great and Genghis Khan and partied with Keith Richards. These callbacks to history succeed in elevating anticipation for future installments.
If there’s as flaw in The Old Guard, it’s the most common of its sort. Melling’s villain isn’t exactly fleshed out. We’ve become used to the antagonists being a weak link. The preachy tone about the industry he works for can sometimes come across as clumsy and there’s the lingering knowledge that these heroes have likely fought far more interesting foes.
Yet I welcomed the approach of letting the vast backstory of the main characters have gradual reveals that are surely still formulating. Some origin stories play like the duller forward to more enticing chapters. That’s not the case here and with the talented Theron leading the charge, The Old Guard could turn out to be an enduring title in the 21st century’s preeminent genre.
Blogger’s Update (06/29): I have revised my prediction from $10.8 million down to $7.8 million
DreamWorks is banking on young girls and their parents depositing their money and time into Ruby Gillman, Teenage Kraken when it debuts June 30th. The animated coming-of-age fantasy is directed by Kirk DeMicco, who helmed blockbuster The Croods for the studio a decade ago. Lana Condor voices the high school sophomore title character. Other performers mic’d up include Toni Collette, Annie Murphy, Sam Richardson, Colman Domingo, Will Forte, Liza Koshy, and Jane Fonda.
The studio just had a sizable hit with Puss in Boots: The Last Wish over the holidays and they have future entries in the Trolls and Kung Fu Panda series on deck. Kraken has the disadvantage of not being based on known IP and following Spider-Man: Across the Spider-Verse and Pixar’s Elemental.
There doesn’t seem to be much chatter for this one. If Elemental couldn’t hit $30 million out of the gate, I question whether Gillman can reach half of that number. I’ll project that it falls short for an underwhelming premiere.
Ruby Gillman, Teenage Kraken opening weekend prediction: $7.8 million
For my Indiana Jones and the Dial of Destiny prediction, click here:
There are times when these Oscar Predictions posts quickly morph into Golden Globe Predictions entries. Such is the case for No Hard Feelings. The raunchy comedy hits theaters this Friday with Jennifer Lawrence starring. Good Boys director Gene Stupnitsky is behind the camera and the supporting cast includes Andrew Barth Feldman, Laura Benanti, Natalie Morales, and Matthew Broderick.
The hard R-rated flick is generating mixed notices with a 61% Rotten Tomatoes score. The Sony Release isn’t meant to be an awards player. However, even the bulk of negative reviews have kind words for Lawrence. In her first theatrical headlining role since 2018’s Red Sparrow, J-Law has been with a fixture at the Globes. She’s a five-time nominee and three of them were for Best Actress in a Musical/Comedy. Two were victories for 2012’s Silver Linings Playbook and 2015’s Joy. She also made the cut for 2021’s Don’t Look Up.
A sixth GG nod is not out of the question, but it will depend on how stacked the race is. That remains to be seen. My Oscar (Globe) Prediction posts will continue…
Ahh, the 80s. It’s a decade where filmmakers (many of whom came of age at the time) are constantly prodding our nostalgic sensibilities. That’s when the Spielberg/Lucas collaborative trilogy of Raiders of the Lost Ark, Indiana Jones and the Temple of Doom, and Indiana Jones and the Last Crusade gave Harrison Ford another iconic role and moviegoers another classic franchise. In 2008, Ford donned the fedora again to more mixed results with Indiana Jones and the Kingdom of the Crystal Skull. The 80s now describes the lead’s own age (he became an octogenarian last summer). Indy is back as James Mangold takes over directorial duties with Indiana Jones and the Dial of Destiny, the time travel adventure that marks the fifth and last entry in the series. The Logan and Ford v Ferrari maker also has Karen Allen and John Rhys-Davies reprising their roles. Other supporting players include Phoebe Waller-Bridge, Mads Mikkelsen, Antonio Banderas, Toby Jones, Boyd Holbrook, and Ethann Isidore.
With a whopping budget reportedly approaching $300 million, Disney is banking on crowds of all ages making the multiplex trek. That’s not a sure thing as we all just witnessed The Flash go belly up. Destiny attempted to generate solid buzz when it premiered last month at the Cannes Film Festival. It might’ve had the opposite effect. Reviews were middling and it currently stands at just 59% on Rotten Tomatoes (the oft maligned Skull sits at 77%). Another factor is that younger viewers may not have the sentimentality for Indy that older ones hold.
Fifteen summers ago, Skull premiered on Thursday ahead of a long Memorial Day holiday weekend. It amassed over $150 million for the five-day haul. A three-day take of $100 million would be welcome news for the Mouse Factory. I’m skeptical if that’s achievable. In fact, I’m questioning whether it reaches the figure that shares Ford’s age. Anything under $80 million would certainly be considered a disappointment and that’s where I have this landing. In fact, I’m only going mid-6os for what would be considered a massive letdown.
Indiana Jones and the Dial of Destiny opening weekend prediction: $65.3 million
For my Ruby Gillman, Teenage Kraken prediction, click here:
Following a weekend in which two high profile pictures opened far under what their respective studios hoped for, a pair of comedies debut wide attempting to find an audience. They are Jennifer Lawrence’s raunchy comedy No Hard Feelings and Wes Anderson’s Asteroid City. You can peruse my detailed prediction posts on them here:
Feelings marks Lawrence’s first headlining role in theaters since Red Sparrow over five years ago. This isn’t a genre she’s known for and comedies in general struggle to break out these days in multiplexes. It could be lucky to top $10 million and that should put it in fourth position for a soft start.
Asteroid City performed impressively in its limited NY/LA six theater engagement. Branching out to middle America is another ballgame and my estimate puts it in sixth.
As for the #1 spot… well, it gets interesting. Before The Flash premiered, the assumption was it would have two weeks to itself atop the charts. However, the Ezra Miller led DCEU adventure opened way below expectations (more on that below). With a weak B Cinemascore grade, a drop in the mid 60s could occur. If Spider-Man: Across the Spider-Verse sees a small decline in the 30% range, Spidey may return to the top spot over his superhero competitor. I’m guessing that will be the case.
The Flash wasn’t the only bomb as Pixar’s Elemental, for all intents and purposes, had the weakest wide release in the studio’s near 30 year history. It had an A Cinemascore grade so it may only dip in the mid to high 40s for third place.
I have Transformers: Rise of the Beasts falling around 55-60% in its third frame for fifth place with The Little Mermaid right behind Asteroid City in seventh.
Here’s how I see it playing out:
1. Spider-Man: Across the Spider-Verse
Predicted Gross: $18.9 million
2. The Flash
Predicted Gross: $17.5 million
3. Elemental
Predicted Gross: $16.8 million
4. No Hard Feelings
Predicted Gross: $11.7 million
5. Transformers: Rise of the Beasts
Predicted Gross: $9.3 million
6. Asteroid City
Predicted Gross: $7.6 million
7. The Little Mermaid
Predicted Gross: $7 million
Box Office Results (June 16-18)
You can read a whole slew of think pieces as to why The Flash failed so badly in its debut. I had it making $83.2 million. It… um… didn’t. The DCEU title earned an unthinkable $55 million marking a sizable disappointment for Warner Bros. Here’s a figure I can’t stop thinking about. Twelve summers ago, notorious dud Green Lantern rolled out with $53 million. Adjusted for inflation, that’s better than The Flash. Ouch.
If it weren’t for the paragraph above, there would likely be more think pieces about Elemental not connecting with audiences. The Pixar animated feature was second with just $29.6 million. I was on target with a $30.6 million prediction. On the heels of Lightyear flopping last summer, this is two under performers in a row for the Disney property.
Spider-Man: Across the Spider-Verse was third with $27 million, in range with my $27.6 million call. The three-week tally is $279 million and, per above, I see it leaping to first yet again.
Transformers: Rise of the Beasts tumbled 66% in weekend #2 with $20.6 million (I said $21.8 million). The ten-day take is $101 million.
The Little Mermaid rounded out the top five with $11 million, falling below my $13.8 million forecast. The Disney live-action remake has made $253 million thus far in its four weeks.
Finally, horror spoof The Blackening couldn’t translate positive reviews to brisk business. It was sixth with $6 million compared to my $7.7 million projection.
All My Life... I Wanted To Be A Blogster 