The historical action drama OutlawKing might not immediately strike one as an Oscar hopeful. Yet it’s considered a bit of a thematic sequel to Braveheart, the Mel Gibson epic that also focused on the Scottish battle for independence. That film won Best Picture in 1995. This is also director David Mackenzie’s follow-up to HellorHighWater, which earned a Best Picture nod two years ago. And it was selected to open the Toronto Film Festival, which has kicked off today.
Even with that considerable pedigree, critical reaction suggests this won’t be a major player on the Oscar scene. Mackenzie reunites with Hell star Chris Pine with a supporting cast including Aaron Taylor-Johnson, Florence Pugh, and Stephen Dillane. Early reviews haven’t been too kind thus far, though they have praised its epic scope. Perhaps some down the line tech recognition is possible, but even that could be a reach.
Bottom line: don’t expect Academy voters to crown King with love.
The pic is slated to debut on Netflix on November 9. My Oscar Watch posts will continue…
A couple of days back on the blog, I speculated about what films in the 21st century would have been nominated for Best Picture prior to a rule change in 2009. As a refresher, nearly a decade ago, the Academy changed its Best Picture Nominees from a finite five to anywhere between five to ten. In that time frame, the magic number most years has been nine (it was actually a finite 10 for 2009 and 2010 before the fluctuation change). My recent post selected two pictures from 1990-2008 that I believe would have been nominated. You can find that post here:
Today comes the inverse of that column. What if the rule had never been altered? What if the last nine Oscar ceremonies honored just five features?
In making these picks, there’s obviously one extremely easy selection – the movie that won. In naming the other four, I’m looking at factors such as number of other nods it received. For instance, if a Director won that award for their work and the Picture went to something else, that director’s film is in.
So let’s get to it in this alternative Oscar universe. I’ll be reminding you all the pictures recognized and then showing my final five.
Not your traditional summer sequel involving superheroes, dinosaurs or animated characters, Sicario: Day of the Soldado arrives in theaters next weekend and hopes to serve as counter programming to said seasonal blockbusters. The pic is a follow-up to 2015’s Sicario, Denis Villeneuve’s critically acclaimed crime thriller that garnered three Oscar nominations. Benicio del Toro and Josh Brolin (this summer’s reigning sequel king) reprise their roles from the original, though Emily Blunt does not appear (she’s been busy with A Quiet Place and Mary Poppins Returns). New costars include Isabela Moner, Jeffrey Donovan, Catherine Keener, and Matthew Modine. As for Villeneuve, he’s moved onto Arrival and Blade Runner 2049 and Italian director Stefano Sollima is now on board. The original’s screenwriter, Taylor Sheridan (who also is responsible for Hell or High Water and Wind River), is back penning this sequel.
Sicario opened in the fall of 2015 and its first wide release weekend brought in $12.1 million with an eventual gross of over $46 million domestically (it earned $85 million total worldwide against a reported budget of $30 million). Soldado may manage to slightly outpace that debut number of part 1 and a sequel is apparently already in the works. That premiere could put it in a battle for third place with the weekend’s other newcomers (Uncle Drew) and behind Jurassic World: Fallen Kingdom and Incredibles 2.
Sicario: Day of the Soldado opening weekend prediction: $13.8 million
For his first directorial effort, Taylor Sheridan has taken cues based on his past acclaimed screenplays to effective order in Wind River. Like his written work the year prior in Hell or High Water, this picture concerns a group of citizens who feel invisible and cut off from society in many aspects. In High Water, it was West Texas dwellers in the hot desert sun who saw the American dream pass them by. In River, it’s the inhabitants residing in sub zero temperatures on an Indian reservation in Wyoming that bears the film’s title.
As Sheridan has brought the issue of crime into both Sicario and High Water, it’s a homicide that awakens the characters sense of injustice. Cory Lambert (Jeremy Renner) is a fish and wildlife officer who discovers the body of an 18-year-old girl in the frozen tundra. His job typically consists of hunting predators eating the livestock. This new discovery means he’ll assist in hunting a different form of predator. It’s young FBI agent Jane Banner (Elizabeth Olsen) who gets the call to provide federal assistance and she finds herself out of her element in the seemingly constant snowstorm elements.
Much like High Water, there are genre aspects that are familiar. What sets that movie apart and the same holds true here is a fascinating landscape to watch it in. Not every character that Lambert and Banner investigate is involved in the grisly crime, but they all seem bonded by the consequences of their far-off existence in this remote world.
It’s a pleasure to watch the talented Renner in a role that doesn’t involve assisting The Avengers or Ethan Hunt. His backstory is the emotionally charged one as his own young daughter suffered a similar fate to the victim here. There are moments where Renner reminds us of his significant dramatic abilities. Most of the other players exist to advance the plot (Olsen’s role is rather underwritten), but solid support is provided by Graham Greene as the sheriff and Gil Birmingham as the grieving father. Jon Bernthal turns up briefly as the victim’s boyfriend in a sequence that goes from sweet to horrific in a matter of seconds.
Wind River is a visually striking experience that easily proves Sheridan’s abilities behind the camera can match his writing. The West Texas residents of High Water may have been troubled and outraged by their lot in life, but they also had a sense of pride of where they came from. The people of Wind River feel the same. And our time spent with them is worthwhile.
Taylor Sheridan has been quite the hot screenwriter as of late with 2015’s Sicario and last year’s HellorHighWater, for which he received an Oscar nomination in Original Screenplay. His latest is WindRiver, a thriller involving a murder case at an Indian reservation. It also marks his directorial debut and its buzz from both the Sundance and Cannes Film Festivals could receive awards attention.
Jeremy Renner, Elizabeth Olsen, and Jon Bernthal headline River, which rolls in stateside in August. Reviews have been solid thus far and it stands at 85% on Rotten Tomatoes. I would say it stands a fair, but not overwhelming shot at being this year’s Hell or High Water – which scored four Academy nods including Best Picture.
WindRiver very likely won’t reach that number, but the possibility exists for a second straight Original Screenplay recognition for Mr. Sheridan.
Good Sunday all! 15 days from today, the Oscars will air and for the next three Sundays, I’ll be giving you my take on where I see each category standing. This means my winner prediction and each nominee listed in order of likelihood to take their prize.
My final predictions will post on Sunday, February 26 prior to the broadcast the next day. Let’s get to it, shall we?
The final major awards ceremony before Oscar takes place tonight on TBS and TNT as the 23rd Annual Screen Actors Guild Awards airs. These awards and winners are voted by fellow thespians, so the races are a bit different in the sense that there’s no Best Picture per se. Instead it’s Outstanding Performance by a Cast in a Motion Picture and the five nominated pictures contains one rather glaring omission: LaLaLand, even though it’s the front runner at the Academy Awards.
We do have the other acting races we’re accustomed to, as well as Outstanding Performance by a Stunt Ensemble in a Motion Picture. Let’s break each category down one by one with my predicted winners for this evening.
Outstanding Performance by a Cast in a Motion Picture
Analysis: The recipient here could solidify its status as Most Likely to Win Best Picture at the Oscars if LaLa doesn’t. I’ll predict the SAG voters give the edge to Barry Jenkins acclaimed drama over Kenneth Lonergan’s Manchester, just like the Globes did.
OutstandingPerformancebyaMaleActorinaLeadingRole
Nominees: Casey Affleck (ManchesterbytheSea), Andrew Garfield (HacksawRidge), Ryan Gosling (LaLaLand), Viggo Mortensen (CaptainFantastic), Denzel Washington (Fences)
Predicted Winner: Casey Affleck
Analysis: The five nominees match five for five with the Academy. Affleck has received the lions share of precursors thus far and I expect that to continue here. Washington is the only other possibility.
Nominees: Amy Adams (Arrival), Emily Blunt (TheGirlontheTrain), Natalie Portman (Jackie), Emma Stone (LaLaLand), Meryl Streep (FlorenceFosterJenkins)
Predicted Winner: Natalie Portman
Analysis: Yes, I’m going for the minor upset here as Stone is the likely front runner. Only the two of them and Streep match the Oscar nods, as SAG honored Adams and Blunt instead of Isabelle Huppert (Elle) and Ruth Negga (Loving).
Nominees: Mahershala Ali (Moonlight), Jeff Bridges (HellorHighWater), Hugh Grant (FlorenceFosterJenkins), Lucas Hedges (ManchesterbytheSea), Dev Patel (Lion)
Predicted Winner: Mahershala Ali
Analysis: A win by either Bridges or Patel wouldn’t surprise me, but Ali has picked up a lot of critics prizes. Aaron Taylor-Johnson, surprise Globe winner for NocturnalAnimals, isn’t present here.
Analysis: This is a tough one as either of the comic book flicks could win. Still, I’ll go with the only nominated Best Picture at the Oscars. By the way, why Nocturnal is present here baffles me.
