For about a decade starting in the early 80s, the films of Barry Levinson were a magnet for awards nominations. 1988’s Rain Man won Best Picture and Levinson took directing honors. 1991’s Bugsy scored numerous nods including the aforementioned big races. The Natural and Good Morning, Vietnam earned acting mentions. Levinson received screenplay nominations for Diner and Avalon.
Over the past decade or so, the filmmaker’s most acclaimed titles have come on the small screen with several HBO movies. His previous big screen offering was the panned 2015 Bill Murray vehicle Rock the Kasbah.
Those fortunes could change with The Survivor, which has screened in Toronto. The black and white Holocaust drama tells the true life story of Harry Haft (Ben Foster). During his captivity at Auschwitz, he was forced to box fellow prisoners in order to survive. Costars include Billy Magnussen, Danny DeVito, Vicky Krieps, Peter Sarsgaard, and John Leguizamo.
Reviews from our neighbor up north have resulted in an 88% Rotten Tomatoes score. Not all the generally positive reaction are raves, but there’s one consistency. Foster is being heralded for his role. Despite praised performances in Hell or High Water and Leave No Trace, Foster has yet to capture the attention of Oscar voters. The actor reportedly lost a tremendous amount of weight for the part. That has been a recipe for making the ballot for plenty of winners and contenders including Matthew McConaughey (Dallas Buyers Club) and Joaquin Phoenix (Joker) to name just two. The Best Actor race probably has two slots filled already with Will Smith (King Richard) and Benedict Cumberbatch (The Power of the Dog). Hopefuls are waiting in the wings like Denzel Washington (The Tragedy of Macbeth), Bradley Cooper (Nightmare Alley), and Leonardo DiCaprio (Don’t Look Up). There’s other performances from the fest circuit such as Phoenix (C’Mon C’Mon), Peter Dinklage (Cyrano), and Clifton Collins Jr. (Jockey) in the mix.
First things first. The Survivor needs to find a distributor and a 2021 release date to qualify. It will likely do so. The next question is how hard its eventual studio/streamer pushes for Foster. The Survivor is also a possibility in Cinematography, Makeup and Hairstyling, and maybe even Picture and Director if its gets the right push.
Bottom line: I’ve yet to even mention The Survivor in my weekly Oscar predictions. I doubt I’ll be projecting it yet for inclusion in the aforementioned categories, but I do suspect it will bubble up for the first time in other possibilities. My Oscar Prediction posts for the films of 2021 will continue…
Taylor Sheridan’s Those Who Wish Me Dead is the second recent Warner Bros/HBO Max venture that would have felt more common as a mid 90s release. Take an Oscar winner/nominee and put them in a generic thriller where you’re saving a kid from generic assassins or solving the crimes of a demented mass murderer. Let the guilty pleasures commerce. In the serial killer genre, we saw it early this year with Denzel Washington and The Little Things. This one reminds me of titles like The Client with Susan Sarandon or The River Wild with Meryl Streep (the latter especially since it deals with forces of nature).
I’ll confess that I’ve developed a soft spot for material like this. It takes me back to a simpler time a quarter century ago where blockbusters didn’t primarily involve CG spectacles. And, yes, when movies like this took up whole shelves at Blockbuster and were rated R for non-gimmicky reasons.
Hannah (Angelina Jolie) is a smokejumper in Montana assigned to desk duty due to a wildfire that ended in tragedy. That demotion places her in a lookout tower with gorgeous natural settings that clash with her unnatural hair extensions. The monotony of her assignment takes a turn when she comes across Connor (Finn Little). The preteen is on the run from assassins (Nicholas Hoult and Aiden Gillen) who offed his forensic accountant dad. Why did his father meet his demise? The screenplay doesn’t much delve into that, but you might be interested to know that Tyler Perry has something to do with the dirty deed.
As Hannah attempts to bond with Connor, the killers frantically try to find them. Jon Bernthal is Ethan, a local sheriff with ties to the boy and he happens to be Hannah’s ex-boyfriend. He helps run a survivalist school with his expectant wife Allison (Medina Senghore) and they make it tricky for the bad guys to complete their business. This is an example of where Sheridan’s screenplay (with Michael Kortya and Charles Leavitt) hints at more compelling directions it might have gone in. When Allison gets to show her abilities while in danger and quite pregnant and on horseback, I couldn’t help but think a script about her handling these thugs would have been more rewarding.
With Jolie, she doesn’t have much of a character to work with. Her backstory involving past career missteps is thin. Her rapport with Little (in a solid performance) does have some highlights. Sheridan has created far more memorable moments in his previous written and directed works like Sicario and Hell or High Water. He’s continually shown an ability to make his scouted locations a gripping participant. That holds true with the Montana wilderness and the fire that eventually rips through it.
With Those Who Wish Me Dead, this is where words like serviceable get overused. It is, however, accurate. I found myself reasonably entertained during its brisk 100 minutes and the 90s throwback feeling makes it easier to forgive lapses in logic. This is hardly a towering achievement, but the inferno didn’t bore.
Continuing with my series showcasing the voluminous amount of Oscar nominees and winners that have appeared in the 25 Marvel Cinematic Universe pictures (including the upcoming Black Widow and The Eternals), we arrive at Best Supporting Actor.
If you missed my previous posts covering the lead performers in Actor and Actress, you can find them here:
Supporting Actor, of the four acting categories, contains the most nominees at 36. However, there are only 4 wins represented. As a reminder, the MCU has given us 110 total nominees and 20 golden recipients.
Let’s start with the four gentlemen who made a trip to the podium:
Sam Rockwell, who costarred in Iron Man 2, took gold in 2017 for Three Billboards Outside Ebbing Missouri
Tommy Lee Jones, who appeared in Captain America: First Avenger, emerged victorious in 1993 for The Fugitive
Benicio del Toro, who memorably appeared in Guardians of the Galaxy, won in 2000 for Traffic
J.K. Simmons, who popped up in Spider-Man: Far From Home reprising his role as J. Jonah Jameson from the original Spidey trilogy, won in 2014 for Whiplash
And now the 29 additional performers who received nods:
Tony Stark himself, Robert Downey Jr., received a nomination in 2008 for Tropic Thunder
Jeff Bridges, the Iron Man villain, is a four-time nominee for 1971’s The Last Picture Show, 1974’s Thunderbolt and Lightfoot, 2000’s The Contender, and Hell or High Water in 2016
Samuel L. Jackson, who has played Nick Fury in numerous MCU entries, got a nod in 1994 for Pulp Fiction
Edward Norton, who was the Hulk before Mark Ruffalo, is a two-time nominee for 1996’s Primal Fear and 2014’s Birdman
Tim Roth, bad guy in Norton’s The Incredible Hulk, for 1995’s Rob Roy
William Hurt, whose MCU appearances also began in The Incredible Hulk, for 2005’s A History of Violence
Sam Rockwell was nominated a year after his Billboards win in 2018 for Vice
Anthony Hopkins, Thor’s dad, for 1997’s Amistad and last year’s The Two Popes
Stanley Tucci, also of Captain America: First Avenger, in 2010 for The Lovely Bones
Mark Ruffalo is a three-time nominee: 2010’s The Kids Are All Right, 2014’s Foxcatcher, and in 2015 for Spotlight
Jeremy Renner, aka Hawkeye, in 2010’s The Town
Ben Kingsley, from Iron Man 3, is a two-time mention for 1991’s Bugsy and 2001’s Sexy Beast
Benicio del Toro also received a nomination for 2003’s 21 Grams
Bradley Cooper, Rocket from Guardians of the Galaxy, for 2013’s American Hustle
Djimon Hounsou, who first appeared in Guardians, for both 2003’s In America and 2006’s Blood Diamond
John C. Reilly, another Guardians performer, for 2002’s Chicago
Josh Brolin, aka Thanos, for 2008’s Milk
Sylvester Stallone, who appeared in the Guardians sequel, for 2015’s Creed
Matt Damon, who had a cameo in Thor: Ragnarok, for Invictus in 2009
Jude Law, from Captain Marvel, received a nomination 20 years earlier for The Talented Mr. Ripley
Jake Gyllenhaal, villain for Spider-Man: Far From Home, for 2005’s Brokeback Mountain
And that does it for now, folks! I’ll have Supporting Actress up in short order…
The historical action drama OutlawKing might not immediately strike one as an Oscar hopeful. Yet it’s considered a bit of a thematic sequel to Braveheart, the Mel Gibson epic that also focused on the Scottish battle for independence. That film won Best Picture in 1995. This is also director David Mackenzie’s follow-up to HellorHighWater, which earned a Best Picture nod two years ago. And it was selected to open the Toronto Film Festival, which has kicked off today.
Even with that considerable pedigree, critical reaction suggests this won’t be a major player on the Oscar scene. Mackenzie reunites with Hell star Chris Pine with a supporting cast including Aaron Taylor-Johnson, Florence Pugh, and Stephen Dillane. Early reviews haven’t been too kind thus far, though they have praised its epic scope. Perhaps some down the line tech recognition is possible, but even that could be a reach.
Bottom line: don’t expect Academy voters to crown King with love.
The pic is slated to debut on Netflix on November 9. My Oscar Watch posts will continue…
Not your traditional summer sequel involving superheroes, dinosaurs or animated characters, Sicario: Day of the Soldado arrives in theaters next weekend and hopes to serve as counter programming to said seasonal blockbusters. The pic is a follow-up to 2015’s Sicario, Denis Villeneuve’s critically acclaimed crime thriller that garnered three Oscar nominations. Benicio del Toro and Josh Brolin (this summer’s reigning sequel king) reprise their roles from the original, though Emily Blunt does not appear (she’s been busy with A Quiet Place and Mary Poppins Returns). New costars include Isabela Moner, Jeffrey Donovan, Catherine Keener, and Matthew Modine. As for Villeneuve, he’s moved onto Arrival and Blade Runner 2049 and Italian director Stefano Sollima is now on board. The original’s screenwriter, Taylor Sheridan (who also is responsible for Hell or High Water and Wind River), is back penning this sequel.
Sicario opened in the fall of 2015 and its first wide release weekend brought in $12.1 million with an eventual gross of over $46 million domestically (it earned $85 million total worldwide against a reported budget of $30 million). Soldado may manage to slightly outpace that debut number of part 1 and a sequel is apparently already in the works. That premiere could put it in a battle for third place with the weekend’s other newcomers (Uncle Drew) and behind Jurassic World: Fallen Kingdom and Incredibles 2.
Sicario: Day of the Soldado opening weekend prediction: $13.8 million
For his first directorial effort, Taylor Sheridan has taken cues based on his past acclaimed screenplays to effective order in Wind River. Like his written work the year prior in Hell or High Water, this picture concerns a group of citizens who feel invisible and cut off from society in many aspects. In High Water, it was West Texas dwellers in the hot desert sun who saw the American dream pass them by. In River, it’s the inhabitants residing in sub zero temperatures on an Indian reservation in Wyoming that bears the film’s title.
As Sheridan has brought the issue of crime into both Sicario and High Water, it’s a homicide that awakens the characters sense of injustice. Cory Lambert (Jeremy Renner) is a fish and wildlife officer who discovers the body of an 18-year-old girl in the frozen tundra. His job typically consists of hunting predators eating the livestock. This new discovery means he’ll assist in hunting a different form of predator. It’s young FBI agent Jane Banner (Elizabeth Olsen) who gets the call to provide federal assistance and she finds herself out of her element in the seemingly constant snowstorm elements.
Much like High Water, there are genre aspects that are familiar. What sets that movie apart and the same holds true here is a fascinating landscape to watch it in. Not every character that Lambert and Banner investigate is involved in the grisly crime, but they all seem bonded by the consequences of their far-off existence in this remote world.
It’s a pleasure to watch the talented Renner in a role that doesn’t involve assisting The Avengers or Ethan Hunt. His backstory is the emotionally charged one as his own young daughter suffered a similar fate to the victim here. There are moments where Renner reminds us of his significant dramatic abilities. Most of the other players exist to advance the plot (Olsen’s role is rather underwritten), but solid support is provided by Graham Greene as the sheriff and Gil Birmingham as the grieving father. Jon Bernthal turns up briefly as the victim’s boyfriend in a sequence that goes from sweet to horrific in a matter of seconds.
Wind River is a visually striking experience that easily proves Sheridan’s abilities behind the camera can match his writing. The West Texas residents of High Water may have been troubled and outraged by their lot in life, but they also had a sense of pride of where they came from. The people of Wind River feel the same. And our time spent with them is worthwhile.
Taylor Sheridan has been quite the hot screenwriter as of late with 2015’s Sicario and last year’s HellorHighWater, for which he received an Oscar nomination in Original Screenplay. His latest is WindRiver, a thriller involving a murder case at an Indian reservation. It also marks his directorial debut and its buzz from both the Sundance and Cannes Film Festivals could receive awards attention.
Jeremy Renner, Elizabeth Olsen, and Jon Bernthal headline River, which rolls in stateside in August. Reviews have been solid thus far and it stands at 85% on Rotten Tomatoes. I would say it stands a fair, but not overwhelming shot at being this year’s Hell or High Water – which scored four Academy nods including Best Picture.
WindRiver very likely won’t reach that number, but the possibility exists for a second straight Original Screenplay recognition for Mr. Sheridan.
Good Sunday all! 15 days from today, the Oscars will air and for the next three Sundays, I’ll be giving you my take on where I see each category standing. This means my winner prediction and each nominee listed in order of likelihood to take their prize.
My final predictions will post on Sunday, February 26 prior to the broadcast the next day. Let’s get to it, shall we?
The final major awards ceremony before Oscar takes place tonight on TBS and TNT as the 23rd Annual Screen Actors Guild Awards airs. These awards and winners are voted by fellow thespians, so the races are a bit different in the sense that there’s no Best Picture per se. Instead it’s Outstanding Performance by a Cast in a Motion Picture and the five nominated pictures contains one rather glaring omission: LaLaLand, even though it’s the front runner at the Academy Awards.
We do have the other acting races we’re accustomed to, as well as Outstanding Performance by a Stunt Ensemble in a Motion Picture. Let’s break each category down one by one with my predicted winners for this evening.
Outstanding Performance by a Cast in a Motion Picture
Analysis: The recipient here could solidify its status as Most Likely to Win Best Picture at the Oscars if LaLa doesn’t. I’ll predict the SAG voters give the edge to Barry Jenkins acclaimed drama over Kenneth Lonergan’s Manchester, just like the Globes did.
OutstandingPerformancebyaMaleActorinaLeadingRole
Nominees: Casey Affleck (ManchesterbytheSea), Andrew Garfield (HacksawRidge), Ryan Gosling (LaLaLand), Viggo Mortensen (CaptainFantastic), Denzel Washington (Fences)
Predicted Winner: Casey Affleck
Analysis: The five nominees match five for five with the Academy. Affleck has received the lions share of precursors thus far and I expect that to continue here. Washington is the only other possibility.
Nominees: Amy Adams (Arrival), Emily Blunt (TheGirlontheTrain), Natalie Portman (Jackie), Emma Stone (LaLaLand), Meryl Streep (FlorenceFosterJenkins)
Predicted Winner: Natalie Portman
Analysis: Yes, I’m going for the minor upset here as Stone is the likely front runner. Only the two of them and Streep match the Oscar nods, as SAG honored Adams and Blunt instead of Isabelle Huppert (Elle) and Ruth Negga (Loving).
Nominees: Mahershala Ali (Moonlight), Jeff Bridges (HellorHighWater), Hugh Grant (FlorenceFosterJenkins), Lucas Hedges (ManchesterbytheSea), Dev Patel (Lion)
Predicted Winner: Mahershala Ali
Analysis: A win by either Bridges or Patel wouldn’t surprise me, but Ali has picked up a lot of critics prizes. Aaron Taylor-Johnson, surprise Globe winner for NocturnalAnimals, isn’t present here.
Analysis: This is a tough one as either of the comic book flicks could win. Still, I’ll go with the only nominated Best Picture at the Oscars. By the way, why Nocturnal is present here baffles me.
And… they’re out! After months of predictions and Oscar Watch posts, the 2016 Oscar nominations were announced this morning. Save for a couple of the technical categories, I must say I’m pretty pleased with my results! Per usual, there were a couple of surprising inclusions and omissions.
Let’s go race by race and see how I did, shall we? I am also including my commentary with each category and, for the first time (!) giving my first predictions on who and what will win…
Best Picture
Todd’s Performance: 9/9 (!)
Analysis: Since the Oscars went to the format where 5-10 Pictures can be nominated, 9 has mostly been the magic number and that held true this time around. There were no surprises here, as evidenced by my perfect score with the biggest race of all. The nominees are: Arrival, Fences, Hacksaw Ridge, Hell or High Water, Hidden Figures, La La Land, Lion, Manchester by the Sea, and Moonlight.
Winner Prediction: La La Land
There are 3 films that stand a chance – La La, Manchester, and Moonlight. Yet there’s no denying that Damien Chazelle’s musical is the front runner, as it tied the record of 14 nominations today along with All About Eve and Titanic.
Best Director
Todd’s Performance: 4/5
Analysis: There were four easy picks to make and they were all honored: Chazelle (La La), Barry Jenkins (Moonlight), Kenneth Lonergan (Manchester), and Denis Villeneuve (Arrival). The fifth slot has consistently been the tricky one in recent weeks and I went with DGA nominee Garth Davis (Lion). The Academy instead brought previous winner Mel Gibson back into their good graces once again for Hacksaw Ridge.
Winner Prediction: Damien Chazelle, La La Land
This one is tougher than Picture. Barry Jenkins has emerged victorious in a number of precursors. Ultimately I’m forecasting that Picture and Director will match in honoring Chazelle’s return to the Hollywood musical.
Best Actor
Todd’s Performance: 5/5 (!)
Analysis: The five performers recognized today have been the most likely to get in for about a month, at least. They are: Casey Affleck (Manchester), Andrew Garfield (Hacksaw), Ryan Gosling (La La), Viggo Mortensen (Captain Fantastic), and Denzel Washington (Fences). It played out as such.
Winner Prediction: Casey Affleck, Manchester by the Sea
Actor is essentially a two man race between Affleck and Denzel, but the Manchester lead has racked up the lions share of other awards show and I feel Oscar will follow.
Best Actress
Todd’s Performance: 4/5
Analysis: Let’s get the four women I got right out of the way: Isabelle Huppert (Elle), Natalie Portman (Jackie), Emma Stone (La La), and Meryl Streep (Florence Foster Jenkins). No surprises there, but what was a bit startling was the omission of Amy Adams in Arrival. I had her ranked third out of five possibilities. Then – my sixth (Annette Bening, 20th Century Women) and seventh (Emily Blunt, The Girl on the Train) place alternate picks didn’t make it in. That slot was filled with #8 – Ruth Negga in Loving. Not a huge shock as Actress has been packed for some time, but I thought Negga getting it would replace either Huppert or Streep. Not so.
Winner Prediction: Emma Stone, La La Land
I could see Stone, Portman, and maybe even Huppert taking the statue, but I’ll give Stone the gold.
Best Supporting Actor
Todd’s Performance 5/5 (!)
Analysis: I’ll give myself a hearty pat on the back for this as Supporting Actor was a tough race to wrap your head around this year. The nominees: Mahershala Ali (Moonlight), Jeff Bridges (Hell or High Water), Lucas Hedges (Manchester), Dev Patel (Lion), and Michael Shannon (Nocturnal Animals).
Winner Prediction: Mahershala Ali, Moonlight
Ali has won the bulk of precursors and this is the safe pick. That said, this is often a race where upsets happen and I could see Bridges, Patel, and possibly Shannon standing a chance.
Best Supporting Actress
Todd’s Performance: 5/5 (!)
Analysis: I’ll give myself a softer pat on the back with this one as the five expected nominees held court. They are: Viola Davis (Fences), Naomie Harris (Moonlight), Nicole Kidman (Lion), Octavia Spencer (Hidden Figures), and Michelle Williams (Manchester).
Winner Prediction: Viola Davis, Fences
Of all the acting races, this is the easiest to project as Davis has been the front runner for months and remains so.
Best Adapted Screenplay
Todd’s Performance: 4/5
Analysis: As expected – Arrival, Fences (which some had on the fence), Lion, and Moonlight are in. I had Nocturnal Animals getting a nod, but the writers chose Hidden Figures instead.
Winner Prediction: Moonlight
The Barry Jenkins picture is a heavy, heavy favorite here.
Best Original Screenplay
Todd’s Performance: 3/5
Analysis: I correctly predicted Hell or High Water, La La Land, and Manchester by the Sea. I was a bit surprised to see Captain Fantastic left off, not as much so for dark horse pick I, Daniel Blake. In their place: The Lobster and 20th Century Women.
Winner Prediction: Manchester by the Sea
Kenneth Lonergan’s script is the favorite, but don’t discount a La La sweep factoring in here. Hell or High Water is a potential upset pick.
Best Animated Feature
Todd’s Performance: 4/5
Analysis: I went with a bit of an upset pick with Pixar’s Finding Dory… and you usually don’t associate this category not including that studio’s work. Instead, The Red Turtle got in along with predicted nominees Kubo and the Two Strings, Moana, My Life as a Zucchini, and Zootopia.
Winner Prediction: Zootopia
Disney is likely to see their blockbuster take the prize, though Kubo could be lurking.
Best Documentary Feature
Todd’s Performance: 4/5
Analysis: I Am Not Your Negro, Life, Animated, O.J.: Made in America, and 13th were correct estimates while Fire at Sea nabbed a nod instead of Cameraperson.
Winner Prediction: I Am Not Your Negro
This is a tough one as O.J. and 13th also stand decent chances.
Best Foreign Language Film
Todd’s Performance: 4/5
Analysis: Tanna got in instead of predicted The King’s Choice. Other nominees: Land of Mine, A Man Called Ove, The Salesman, and Toni Erdmann.
Winner Prediction: The Salesman
The safe money could be on German comedy Erdmann, but I’m leaning toward Iranian drama The Salesman. I could switch back before showtime.
Best Cinematography
Todd’s Performance: 4/5
Analysis: My Nocturnal Animals love bore no fruit again as my first alternate Lion was nominated. Other nominees: Arrival, La La Land, Moonlight, and Silence.
Winner Prediction: La La Land
I’ll go with the probable Best Picture winner, but Moonlight and Arrival are possibilities.
Best Costume Design
Todd’s Performance: 5/5 (!)
Analysis: I guess I know my costumes as I correctly predicted Allied, Fantastic Beasts and Where to Find Them, Florence Foster Jenkins, Jackie, and La La Land.
Winner Prediction: Jackie
The La La love could extend here and possibly even Colleen Atwood’s work for Fantastic Beasts, but I’ll go Jackie.
Best Editing
Todd’s Performance: 4/5
Analysis: Hell or High Water got in as opposed to Manchester. Other nominees: Arrival, Hacksaw Ridge, La La Land, and Moonlight.
Winner Prediction: La La Land
This category often matches Picture and it should here, too. Hacksaw and Arrival have shots.
Best Makeup and Hairstyling
Todd’s Performance: 1/3
Analysis: Not so good… There were seven possibilities out of three nominees and I only was able to get Star Trek Beyond right. In place of Deadpool and Florence Foster Jenkins are A Man Called Ove and Suicide Squad.
Winner Prediction: Star Trek Beyond
I guess I’ll go with it since it’s the only one I named correctly. This could change…
Best Original Score
Todd’s Performance: 3/5
Analysis: Jackie and a legitimately unforeseen Passengers got in instead of Florence Foster Jenkins and Nocturnal Animals, along with La La Land, Lion, and Moonlight.
Winner Prediction: La La Land
The musical should win here, but Lion could possibly be an upset winner. Not likely though.
Best Original Song
Todd’s Performance: 4/5
Analysis: Expected nominees got in like the two from La La (“Audition” and “City of Stars”), Moana‘s “How Far I’ll Go”, and Justin Timberlake’s Trolls chart topper “Can’t Stop the Feeling!”. I went with “Drive It Like You Stole It” from Sing Street but the voters surprisingly chose “”The Empty Chair” from Jim: The James Foley Story, a tune that was never even on my radar.
Winner Prediction: “City of Stars” from La La Land
It’s won the Golden Globe and should take this one.
Best Production Design
Todd’s Performance: 2/5
Analysis: Damn production designers! This one threw me for a loop as I only got Arrival and La La Land right. I whiffed on Jackie (which I was certain would get in), Nocturnal Animals (again), and Silence. In their place: Fantastic Beasts and Where to Find Them, Hail, Caesar!, and those darn Passengers.
Winner Prediction: La La Land
La La should have this wrapped up over the competitors.
Best Sound Editing
Todd’s Performance: 4/5
Analysis: Sully got in here instead of Rogue One: A Star Wars Story, along with Arrival, Deepwater Horizon, Hacksaw Ridge, and La La Land.
Winner Prediction: Hacksaw Ridge
Could be La La, Arrival, or even Deepwater, but I’ll give this to Hacksaw for its lone win.
Best Sound Mixing
Todd’s Performance: 4/5
Surprise nod here for 13 Hours: Secret Soldiers of Benghazi. I had Sully picked. Other nominees: Arrival, Hacksaw Ridge, La La Land, and Rogue One.
Winner Prediction: La La Land
Hard to imagine La La not taking this one.
Best Visual Effects
Todd’s Performance: 3/5
Deepwater Horizon and Kubo and the Two Strings made it in as opposed to Arrival (bit surprised there) and Fantastic Beasts (not as much so). Other nominees: Disney trio Doctor Strange, The Jungle Book, and Rogue One.
Winner Prediction: The Jungle Book
This could be a close one with Rogue, but I’ll predict Mowgli and his amazing CG animals pals.
That leaves this official breakdown of nominations:
14 Nominations
La La Land
8 Nominations
Arrival, Moonlight
6 Nominations
Hacksaw Ridge, Lion, Manchester by the Sea
4 Nominations
Fences, Hell or High Water
3 Nominations
Hidden Figures, Jackie
2 Nominations
Deepwater Horizon, Fantastic Beasts and Where to Find Them, Florence Foster Jenkins, Kubo and the Two Strings, A Man Called Ove, Moana, Passengers, Rogue One: A Star Wars Story
1 Nomination
Allied, Captain Fantastic, Doctor Strange, Elle, Fire at Sea, Hail, Caesar!, I Am Not Your Negro, Jim: The James Foley Story, The Jungle Book, Land of Mine, Life, Animated, The Lobster, Loving, My Life as a Zucchini, Nocturnal Animals, O.J.: Made in America, The Red Turtle, The Salesman, Silence, Star Trek Beyond, Suicide Squad, Sully, Tanna, 13th, 13 Hours: The Secret Soldiers of Benghazi, Toni Erdmann, Trolls, 20th Century Women, Zootopia
And HERE is my current WINNER breakdown:
9 Wins
La La Land
2 Wins
Manchester by the Sea, Moonlight
1 Win
Fences, Hacksaw Ridge, I Am Not Your Negro, Jackie, The Jungle Book, The Salesman, Star Trek Beyond, Zootopia
And that (whew) does it for now! You can rest assure I’ll be back shortly before the big ceremony to make final winner picks. Until then…
All My Life... I Wanted To Be A Blogster 