Oscar Watch: A Midyear 2020 Report

It might be hard to fathom, but we are at the midpoint of this experience we call 2020. As COVID-19 and social issues dominate the landscape, the cinematic world has necessarily taken a backseat to the times. The Academy recently announced that the Oscars will be delayed until April 2021 and that movies premiering in January and February of that year will be eligible for consideration. This is in addition to previous notice that streaming pictures that forgo a theatrical release will also be able to nab nominations at that ceremony.

Since theaters have essentially been shuttered since March and with several festivals (the normal breeding grounds for awards hopefuls) either canceled or significantly modified, a midyear report on Oscar contenders is, to put it mildly, challenging.

Yet… here goes! As awards followers already know, the bulk of serious contenders aren’t  typically released until fall anyway. In fact, the earliest release of the nine Best Picture nominees last year was Once Upon a Time in Hollywood, which came out in late July. The remaining 8 had autumn and winter dates.

The Sundance Film Festival from January did give us some potential contenders. Florian Zeller’s The Father was acclaimed and it could score nods for previous winners Anthony Hopkins in lead actor and Olivia Colman in Supporting Actress. The biographical tale of feminist icon Gloria Steinem finds several actresses playing her at different ages. Julianne Moore and Alicia Vikander (they also both have gold statues) are among them and could be potential nominees. Previous nominee Carey Mulligan garnered solid reviews for Promising Young Woman. 

And there’s Minari. The South Korean family drama starring Steven Yeun won the Jury Prize and Audience Award at Sundance. I wouldn’t sleep on its chances with the right marketing push from its studio A24. That same studio has the 19th century set indie First Cow, which also has its ardent admirers. They would need to make a major push in order for Oscar to notice it.

For movies that have actually come out, the Jane Austen inspired Emma saw positive notices for lead Anya-Taylor Joy. Ben Affleck got some of the best reviews of his career with the basketball drama The Way Back. Pete Davidson’s starring debut in The King of Staten Island drew mostly praise. And Elisabeth Moss starred in the hit The Invisible Man and it’s a possibility she could be recognized even though acting nominations in horror flicks are rare. Neither Toni Collette (Hereditary) in 2018 or Lupita Nyong’o (Us) last year could pull it off. Moss could also be recognized for Shirley, a drama that debuted at Sundance and is already available via streaming.

Then there’s Netflix’s Da 5 Bloods from Spike Lee. The director saw his last picture, BlacKkKlansman, receive numerous nominations and win Adapted Screenplay. I would posit that Bloods stands the best chance at multiple nods including possibly Picture and Director. Delroy Lindo (though it’s not clear whether he’d be campaigned for in lead or supporting) seems highly likely to be recognized. And if he’s campaigned for in Best Actor (which he probably should be), it could open the door for Clarke Peters or Jonathan Majors to make the cut in supporting.

In other races – Pixar’s Onward could compete in Animated Feature, though Disney could save their muscle for the upcoming Soul. Look for Emma to nab a Costume Design nod.

And we shall leave it there for now, folks! As readers of the blog know, expect more Oscar Watch posts to come your way as titles screen. Typically it’s late August when I start my weekly predictions and hopefully that’s a tradition that can be kept in this crazy thing we call 2020…

Da 5 Bloods Movie Review

Spike Lee’s Da 5 Bloods shows the filmmaker in peak form with a sprawling and powerful story of war and the residual results on its soldiers. The title characters are a quartet of African-American Vietnam vets and one who didn’t make it out of the jungle. This is a mix of numerous genres – traditional war movie, treasure hunt, and exploration of racial themes to name three. Throughout his career spanning five decades, Lee has never lacked in grand ambition. When he’s in his element, the end product is something to behold. For the majority of the running time here, that holds true.

Following a prologue showing significant moments in the civil rights Vietnam eras, we meet the four soldiers reuniting in Ho Chi Minh City half a century later. They are Paul (Delroy Lindo), Otis (Clarke Peters), Melvin (Isiah Whitlock Jr.), and Eddie (Norm Lewis). The reasoning for the reunion is two-fold. Norman (played in flashback by Chadwick Boseman) was their squad leader who perished in battle. He was not just their leader in rank, but a mentor who tremendously shaped their overseas experience and beyond. The four remaining Bloods are there to retrieve his remains, but they are also looking to gather a large quantity of gold buried with him.

Da 5 Bloods is in many ways a concentration about what the group left behind. For Otis, this includes a girlfriend and child. For Paul, it’s no less than his sanity. His PTSD is severe and his character is quite a creation. Sporting a MAGA hat and a host of unresolved issues, his son David (Jonathan Majors) unexpectedly makes the trek to the former Saigon to join his unpredictable dad. The part of Paul is a well-constructed character. Yet much credit is due to Lindo, a veteran actor in the role of his career. Lindo delivers a couple of direct to camera monologues as the gold hunt takes unanticipated turns that are potent and riveting. Those moments will likely garner awards buzz for the performer and it’s deserved.

The supporting cast is impressive with Peters and Majors getting the most fleshed out characters behind Lindo’s. Jean Reno turns up as a Frenchman getting his cut of the gold and Melanie Thierry plays an activist dedicated to ridding the Vietnamese landscape of decades old landmines.

As mentioned, the use of flashback is employed and Lee makes a fascinating narrative decision here. While Norm is shown as his younger self, the four other actors are shown as is in the callbacks to wartime. This is a bit jarring at first, but it turns out to be a wise choice. As the story unfolds, we realize that it’s through the lens of their recollections of their hero Norm. The utilization of Irishman style de-aging or younger actors isn’t necessary.

Lee’s previous pic BlacKkKlansman told a tale from decades ago that resonates in 2020 (perhaps slightly more effectively). Same goes for Da 5 Bloods. Lee is an urgent director and we feel it throughout. With a commanding lead performance from Lindo, a fine score from Terence Blanchard, and a fresh take on the genre (s), Bloods is a vital watch.

***1/2 (out of four)

Top 25 SNL Alumni Performances: Numbers 5-1

The list of my personal top 25 cinematic performances from the many alumni at Saturday Night Live reaches the top 5 today! If you missed my previous entries covering numbers 25-6, you can find them all at the following links:

https://toddmthatcher.com/2020/06/21/top-25-snl-alumni-movie-performances-numbers-25-21/

https://toddmthatcher.com/2020/06/22/top-25-snl-alumni-movie-performances-numbers-20-16/

https://toddmthatcher.com/2020/06/24/top-25-snl-alumni-performances-numbers-15-11/

https://toddmthatcher.com/2020/06/25/top-25-snl-alumni-performances-numbers-10-6/

Let’s get to my overall favorites, shall we?

5. Chevy Chase, National Lampoon’s Vacation (1983)

Chase’s finest and funniest work belongs to his doofus dad role as Clark Griswold in this classic that spawned three sequels, including the cherished Christmas Vacation. This is one of the pictures that can be rewatched endlessly and much of that is due to Chase’s signature performance.

4. Mike Myers, Austin Powers: International Man of Mystery (1997)

Myers successfully translated his SNL character Wayne Campbell to the silver screen in 1992’s blockbuster Wayne’s World alongside his costar Dana Carvey (who nearly made the list for his work in that film). Yet the most hilarious work from Myers comes here as both the title character and (especially) nemesis Dr. Evil. Two sequels would give Myers an opportunity to play even more deliriously over the top parts.

3. Will Ferrell, Anchorman: The Legend of Ron Burgundy (2004)

After the back to back hits of Old School and Elf, Ferrell developed his most iconic character with his arrogant and clueless news anchor. Anchorman has deservedly became an all-time comedy classic.

2. Eddie Murphy, Coming to America (1988)

Let’s face it – this list could have been dominated by Eddie. I had Trading Places and The Nutty Professor in the top 25, but could have included 48 Hrs., Beverly Hills Cop, Bowfinger, Shrek, Dreamgirls, or Dolemite Is My Name as well. However, my personal favorite is this 1988 humorous fairy tale when Murphy was at the peak of his power. This is the first pic that gave him the opportunity to portray multiple characters and he certainly makes the most of it.

1. Bill Murray, Groundhog Day (1993)

Just as with Murphy, many movies from Murray could have made the cut. You already saw Ghostbusters and Lost in Translation on here and other contenders included Caddyshack, Scrooged, What About Bob?, Kingpin, Rushmore, and Zombieland. Overall, I go with Groundhog Day as his finest hour and #1 on the whole list. Simply put, I find Groundhog Day to be perfection and the quintessential vehicle for its versatile star.

And there you have it, folks! It’s been fun putting together the list and I hope you enjoyed reading it…

Oscar Watch: Irresistible

With his consistently Emmy winning work as host of The Daily Show, Jon Stewart became synonymous with biting political satire for a generation of viewers. Toward the end of his run hosting the program, he took a hiatus to helm his directorial debut Rosewater, a political drama that failed to gain much of an audience. It was released in 2014 and despite mostly positive reviews, it came and went with zero awards buzz. As a side note, the break that Stewart took allowed John Oliver to gain exposure and nab his own currently running acclaimed HBO show.

Stewart is back in the director’s chair again with Irresistible, a political satire focused on a small town mayoral race. The pic stars Steve Carell, who first entered the mainstream on the show Stewart hosted with a supporting cast including Rose Byrne, Chris Cooper, Topher Grace, and Natasha Lyonne. It hits a small number of theaters and the VOD circuit today after its original May release was postponed due to the COVID-19 pandemic.

While some reviews are quite positive (including Rolling Stone), many critics are saying Irresistible is quite resistible. The Rotten Tomatoes score stands at just 40%. So while Mr. Stewart picked up many awards for his television work, don’t look for his second feature behind the camera to follow suit. My Oscar Watch posts will continue…

Top 25 SNL Alumni Performances: Numbers 10-6

We have reached the top ten in my personal favorite performances from the dozens of Saturday Night Live alumni. Today’s list covers numbers 10-6 and if you missed my previous editions, you may find them here:

https://toddmthatcher.com/2020/06/21/top-25-snl-alumni-movie-performances-numbers-25-21/

https://toddmthatcher.com/2020/06/22/top-25-snl-alumni-movie-performances-numbers-20-16/

https://toddmthatcher.com/2020/06/24/top-25-snl-alumni-performances-numbers-15-11/

Let’s get to it!

10. Randy Quaid, National Lampoon’s Christmas Vacation (1989)

Ahhh, Cousin Eddie. One of the funniest supporting characters in film history with Quaid’s performance as the black sheep of the Griswald family. He was great in Vacation as well, but his work in the Yuletide classic gets the nod. Quaid only appeared in one ill-fated season of the show from 1985-86.

9. Kristin Wiig, Bridesmaids (2011)

Wiig is one of the greatest SNL performers period and her first starring role was a blockbuster showcase for her immense talents. Her costar Maya Rudolph deserves a shout out for her performance as well.

8. Eddie Murphy, The Nutty Professor (1996)

Beyond his terrific work as Sherman Klump and Buddy Love, this update of the Jerry Lewis tale also finds the versatile star hilariously playing nearly every member of the Klump clan under Rick Baker’s amazing makeup work. This was deservedly a major comeback vehicle for Murphy.

7. Robert Downey Jr., Iron Man (2008)

People tend to forget that Downey was a cast member in the forgettable 1985-86 season that Quaid was a part of. There’s other performances that I could have included here (including other Avengers work), but I’ll give his first appearance in his signature role the attention it warrants.

6. John Belushi, National Lampoon’s Animal House (1978)

This is the first breakout role for a SNL cast member and it’s absolutely one of the best with Belushi’s iconic performance as John Blutarsky (or Bluto). You can still find his photo chugging Jack Daniels in many a college dorm across the country.

We will reach the top 5 in short order! Stat tuned…

Top 25 SNL Alumni Performances: Numbers 15-11

My top 25 personal favorite cinematic performances by the alumni of Saturday Night Live continues with part 3 covering numbers 15-11! If you missed the first two posts, you can find them right here:

https://toddmthatcher.com/2020/06/21/top-25-snl-alumni-movie-performances-numbers-25-21/

https://toddmthatcher.com/2020/06/22/top-25-snl-alumni-movie-performances-numbers-20-16/

Let’s get to it!

15. Dan Aykroyd & John Belushi, The Blues Brothers (1980)

This is the first spin-off movie from the show and it’s certainly one of the best. Aykroyd and Belushi sold out stadiums with their musical act and their car chase friendly comedy was a major box office success as they embarked on their mission from God.

14. Adam Sandler, Uncut Gems (2019)

Now is the time to address what many might consider to be oversights on the list. This is the only Sandler entry. That’s right – no Billy Madison or Happy Gilmore or The Wedding Singer or any of his other blockbusters. While I certainly admire some of his work in those features, my Sandler preferences lie with his rare dramatic work. I could have given the nod to 2002’s Punch-Drunk Love, but last year’s Gems absolutely floored me and I believe it represents his best performance yet on the big screen.

13. Bill Murray, Lost in Translation (2003)

Speaking of comedic actors doing less humorous work, Murray nabbed his only Oscar nomination here. The Sofia Coppola directed critically acclaimed pic perfectly pairs its star with Scarlett Johansson and is further evidence of just how versatile Murray is. And he’s not done on this list…

12. Chevy Chase, Caddyshack (1980)

Be the ball.

At his best, no one pulls off smarmy charm better than Mr. Chase. I could have gone with Fletch as the selection, but he’s at his smarmy peak in this now revered classic.

11. Christopher Guest, Waiting for Guffman (1997)

Guest was only on SNL for one season alongside Billy Crystal and Martin Short. He had already starred in the fantastic mockumentary This is Spinal Tap, which set the standard for that type of film. Guest would go on to direct his own treasured pics in the genre including Best in Show and A Mighty Wind. As far as his own performances, my favorite is his dedicated community theater director Corky St. Clair.

We’ll get to the top ten in short order! Until then…

Top 25 SNL Alumni Movie Performances: Numbers 20-16

My list of the top 25 personal favorite big screen performances by Saturday Night Live alumni brings us to the second post encompassing numbers 20-16. If you missed part one of the series, you can find it right here:

https://toddmthatcher.com/2020/06/21/top-25-snl-alumni-movie-performances-numbers-25-21/

Today’s list brings us three performers that we will see again in future editions as we move up the chart as well as a versatile and twice Oscar nominated actress and a star that we lost just as his film career was blossoming.

Let’s get to it!

20. Chris Farley, Tommy Boy (1995)

The boundless energy of Mr. Farley was certainly best encapsulated in his first major starring role alongside fellow cast member David Spade. His follow-up comedies Black Sheep, Beverly Hills Ninja, and Almost Heroes didn’t nearly match the quality of what we witnessed here. Farley’s 1997 death will always leave us wondering how his cinematic trajectory would have gone.

19. Joan Cusack, School of Rock (2003)

Cusack only was on SNL for one highly forgettable season (1985-86). However, her career has been a triumph of mostly supporting roles since. She earned Oscar nods for both Working Girl and In & Out, but my personal favorite is the uptight principal trying to reign in Jack Black’s substitute teacher here.

18. Bill Murray, Ghostbusters (1984)

Murray’s first appearance on the list is from this quintessential 80s landmark feature that shows him at his smarmy and often charming best. Ghostbusters solidified his leading man status and was a preview of more amazing work to come.

17. Will Ferrell, Elf (2003)

Ferrell has perfected portraying both the lovable doofus and the arrogant doofus. His performance as Buddy the Elf is the former and probably the best example in this already beloved Christmas classic.

16. Eddie Murphy, Trading Places (1983)

It it hard to name a more amazing one-two-three start to a movie career than Murphy’s with 48 Hrs., Trading Places, and Beverly Hills Cop. I could have chosen any of them , but Places has always been my slight favorite in the trio. Spoiler alert: Eddie is not done on this list.

And there you have it! I’ll be back with numbers 15-11 in short order…

Top 25 SNL Alumni Movie Performances: Numbers 25-21

It’s time for another list on this here blog of mine and Saturday Night Live has been on the mind lately. With The King of Staten Island garnering solid reviews and serving as a launching pad for the film career of current cast member Pete Davidson, I’ve decided to compile my own personal list of top 25 performances from the 45 years of SNL alumni.

And this is sure to be a list where many moviegoers would have their own choices that do not reflect my own. Obviously SNL has a rich history of performers that have made the transition to the big screen and there are lots of notable comedic (and some dramatic) highlights.

A couple of notes before we start with numbers 25-21:

  • There are couple well-known actors that I chose to leave on the cutting room floor due to their very brief tenures on the show. Ben Stiller was a cast member for only 4 episodes and Laurie Metcalf was a not ready for prime time player for exactly 1 show. That didn’t seem like enough to include them. In short, if you lasted a season or more on SNL, you are eligible.
  • This list is undeniably dominated by men. That’s just a fact. On the other hand, if I did a list that included TV (which I may after this), you would certainly see a more substantial presence of former female performers. Think Tina Fey, Amy Poehler, Julia Louis-Dreyfus, and their acclaimed small screen work.
  • We have a couple of cinematic legends like Eddie Murphy and Bill Murray and I could have chosen plenty of their roles for inclusion. I tried to limit that, but you will see them make quite an impact in the top 25.

And with that, let’s get to the list!

25. Jan Hooks, Pee Wee’s Big Adventure (1985)

OK, maybe this is cheating a little bit since Ms. Hooks (who was brilliant on SNL) gets about three minutes of screen time in Tim Burton’s team-up with Paul Reubens for his iconic character. Yet her work as the cheery tour guide with the southern drawl is so memorable that I couldn’t leave it off. Six words: “There’s no basement at the Alamo!”

24. Bill Hader, It Chapter Two (2019)

Hader has been one of the most versatile cast members in recent times and has had memorable film roles in Superbad and Trainwreck, among others. I include this horror sequel because he was the undeniable bright spot in an otherwise inferior sequel.

23. Will Forte, MacGruber (2010)

Count me in as one of the ardent defenders of this SNL spin-off featuring Forte doing a feature length version of his idiotic MacGyver like role. MacGruber was a box office flop upon release but has since turned into a deserved cult classic (with a rumored sequel happening).

22. Tina Fey, Mean Girls (2004)

Before her fantastic work on 30 Rock, Fey wrote this hit comedy that has spawned a massive following and a Broadway musical. Her work as a teacher here served as a springboard to an impressive TV and movie career.

21. Billy Crystal, When Harry Met Sally… (1989)

Crystal has certainly had his share of hits, but I’ll give the nod to his romantic leading man role opposite Meg Ryan in Rob Reiner’s blockbuster.

That does it for now, folks! I’ll continue the list with numbers 20-16 in short order…

Batman Forever Ago: A Quarter Century Box Office Report

Earlier this week (on Tuesday), Batman Forever celebrated its 25th anniversary of release. For those who may not recall, this was when Joel Schumacher took over the franchise from Tim Burton and Val Kilmer replaced Michael Keaton as the Caped Crusader. Tommy Lee Jones (coming off an Oscar for The Fugitive) and Jim Carrey (the hottest comedic star in America after the one-two-three punch of Ace Ventura: Pet Detective, The Mask, and Dumb and Dumber) costarred as villains Two-Face and The Riddler, respectively. Nicole Kidman was in the mix as Bruce Wayne/Batman’s love interest and Chris O’Donnell was introduced as Robin. Sounds like a recipe for a box office bonanza right? Indeed it was.

In mid June 1995, Forever scored the best opening weekend of all time and was the first feature to make over $50 million in its first three days. The $52.7 million tally topped the previous record holder from two summers before (a little something called Jurassic Park). Forever would hold the title for two years before being toppled by… The Lost World: Jurassic Park. 

The all-time premiere record has since changed 11 times, including in 2008 with another Batflick The Dark Knight at $158 million. The current holder is Avengers: Endgame at $357 million. And that right there shows how much times have changed. In a quarter century, the first frame of Endgame made 7x that of Forever. Higher ticket prices are certainly a factor. Yet in 25 years, Val Kilmer’s grapples with Jim Carrey went from a highest ever start to now 225th. By the way, 224th place belongs to… The Lego Batman Movie! And now, Forever lags behind such forgettable material as The Nun, The Karate Kid remake, Valentine’s Day, and DC’s own hugely disappointing Green Lantern.

Speaking of disappointing, I’m certainly of the opinion that Forever was just that as far as quality. It’s not nearly as bad at what followed with Schumacher’s sequel Batman & Robin. However, it was a big letdown from what Burton accomplished before and what Christopher Nolan achieved a decade later with the start of The Dark Knight trilogy. What remains is an interesting snapshot in time when a $50 million debut was new territory and it took the Bat Signal (even a rather mediocre one) to get there.

The Invisible Man Movie Review

Finding its source material from the H.G. Wells novel that spawned a classic from the heyday of the Universal Monsters movies, Leigh Whannell’s take on the subject matter spins a 21st century play to the mix. While the title character wreaks his havoc, it’s the central woman in the story who is truly invisible. This is a horror tale in the #MeToo era and an often potent one at that.

We open with Cecilia (Elisabeth Moss) trying to escape her abusive marriage in the middle of the night without being seen. Her husband Adrian (Oliver Jackson-Cohen), we discover later, is a controlling and dangerous figure. He’s also a mega rich tech genius (think Tony Stark with far more personal demons). Cecilia manages to flee and stay with an old friend who’s also a detective (Aldis Hodge) and his teen daughter (Storm Reid). Afraid to even walk outside, her fears subside when Adrian is found dead of apparent suicide. The relief is short-lived when an unseen force starts stalking Cecilia yet again and all signs point to the apparently departed husband.

Whannell has been an integral player in the scares genre with his involvement in the Saw and Insidious franchises. He is a stylish filmmaker who knows how to construct a suspenseful setup. We have grown rather wearily accustomed to the jump scares that permeate these genre exercises. They are here, but I will say a couple of them really land the jab. There’s a scene in an upscale restaurant where still or sparkling water becomes an afterthought due to a genuinely surprising moment.

That scene and many others are tremendously assisted by the convincing and freaked out to the max performance of Moss. She conveys her fear of Adrian with wide eyed terror and, eventually, a resolve to change the power dynamic. The screenplay (from the director) smartly doesn’t employ flashback sequences to show her cycle of abuse. Her fear says enough. The two-hour running time is a bit out of the ordinary for this type of material and the final third is somewhat of a letdown when the plot becomes more literal with its explanations. However, with Moss’s work fully in control of her out of control situation, The Invisible Man is a creative modern rendering of a familiar monster.

*** (out of four)