Focus Features looks for genre fans to lock in on Obsession when it debuts May 15th. From writer/director Curry Barker, who will soon be taking over The Texas Chainsaw Massacre franchise, the horror flick originally premiered last fall at the Toronto Film Festival. Michael Johnston, Inde Navarrette, Cooper Tomlinson, Megan Lawless, and Andy Richter lead the cast.
With a teensy budget of around $1 million, Obsession captured the attention of patrons at TIFF during midnight showings. The Rotten Tomatoes score is 96% with 78 on Metacritic. Focus reportedly bought the rights for $15 million with hopes of a sleeper hit.
The optimistic projections have this managing $10 million to low teens. I’m not sure the awareness factor will allow for that so I’ll go just under double digits.
Obsession opening weekend prediction: $9.6 million
My second helping of ranked Oscar predictions for next year’s 99th ceremony can be called the pre-Cannes estimates. That festival in the French Riviera kicks off May 12th and runs through May 23rd. It will be our first look at several potential contenders: Ryusuke Hamaguchi’s All of a Sudden, Pawel Pawlikowski’s Fatherland, Cristian Mungiu’s Fjord, Na Hong-jin’s Hope, James Gray’s Paper Tiger, and The Man I Love from Ira Sachs to name a few. Keep an eye on the blog for my individual posts exploring the viability of the screening pictures.
The Academy made some news of its own by announcing rule changes. The most significant is that actors can be nominated twice in the same category. There’s been recent examples of when this could have resulted in a performer getting two nods. I would say most recently that Sebastian Stan could have benefited. He was nominated in lead Actor for The Apprentice and a double shot was possible via A Different Man. Going back a ways, Kate Winslet won Best Actress in 2008 for The Reader and might have seen her name pop again for Revolutionary Road. In 2006, Kate’s Titanic mate Leonardo DiCaprio was in contention for Blood Diamond. He could have easily landed another shot via The Departed.
In International Feature Film, the criteria has always been that a submitting nation can choose just one entrant for consideration. While that rule holds, the Academy has added another path to get in. If a picture wins a qualifying international festival (such as Cannes, Berlin, Toronto, Sundance, Venice), it is now a contender. This would have helped Anatomy of a Fall in 2023 since France did not choose it as their representative picture, but it emerged victorious for the Palme d’Or at Cannes.
Since my last update in mid-April, Michael opened to gigantic box office and mediocre reviews. While the audience score on Rotten Tomatoes is high, critical griping could cripple its viability at the Oscars. However, I wouldn’t completely rule out the acclaimed work of Jaafar Jackson and Colman Domingo. Best Picture? Probably a bridge too far despite the gaudy numbers.
The Devil Wears Prada 2 also hit multiplexes. While Meryl Streep was a Best Actress nominee 20 years ago for the original, a second at-bat seems like a reach. The sequel could materialize, however, in Costume Design and/or Original Song where Lady Gaga has a track. Those categories won’t be forecasted until a few weeks down the line.
We also learned that Narnia: The Magician’s Nephew from Greta Gerwig will not be out (on Netflix) until 2027. I had it on the outside looking in at #11. It drops from contention this time around.
You can read all the speculation below and my next update will arrive as Cannes concludes!
Best Picture
Predicted Nominees:
1. The Odyssey (Previous Ranking: 1) (Even)
2. Project Hail Mary (PR: 2) (E)
3. Wild Horse Nine (PR: 3) (E)
4. Digger (PR: 5) (E)
5. Fjord (PR: 6) (E)
6. No One Cares (PR: 6) (E)
7. Fatherland (PR: 8) (+1)
8. Dune: Part Three (PR: 10) (+2)
9. The Social Reckoning (PR: 9) (E)
10. All of a Sudden (PR: 7) (-3)
Other Possibilities:
11. Hope (PR: Not Ranked)
12. Cry to Heaven (PR: 16) (+4)
13. A Place in Hell (PR: 12) (-1)
14. Paper Tiger (PR: 21) (+7)
15. Werwulf (PR: 18) (+3)
16. Sense and Sensibility (PR: 23) (+7)
17. Josephine (PR: 17) (E)
18. Saturn Return (PR: 22) (+4)
19. The Entertainment System is Down (PR: 14) (-5)
Sophy Romvari directs the semi-autobiographical family drama Blue Heron which became a festival darling prior to its Canadian debut this month. The cast includes Eylul Guven, Amy Zimmer, Ádám Tompa, and Iringó Réti. At last year’s Toronto Film Festival, Heron picked up a Best Canadian Discovery prize. That same city’s critics association bestowed their Best First Feature award to Romvari’s feature-length debut.
As more reviews have come in, the Rotten Tomatoes score has stayed at 100% with Metacritic at a noticeable 93. Janus Films is handling stateside distribution. Canada and Hungary are the two countries that handled financial backing. If either one of them select this as their candidate for International Feature Film at the Oscars, it could certainly be in the mix.
Don’t be surprised if our neighbor to the north does so. 2003’s The Barbarian Invasions is the only Canadian title to win IFF. Four other pics from that nation have made the quintet in the 21st century with 2012’s War Witch as the last nominee.
The Hungarians also have a track record with 2015’s Son of Saul as their sole 21st century winner while 2017’s On Body and Soul was nominated. Either nation could have a genuine contender with Blue Heron and this is one to keep on your list for consideration. My Oscar Prediction posts will continue…
And we are off to the races with my first Oscar predictions for the 99th Academy Awards.
We are not a month removed from the 98th ceremony so let us begin some ridiculously early speculation! These are my inaugural glimpses at the four acting derbies, Director, and Picture. They have been unfolding on the blog over the last few days. I already posted my takes for the acting races and director and they can be accessed here:
That brings us to the biggest race of all – Best Picture. When I did my first projections for BP for the 98th ceremony back in April of 2025, I correctly named 80% of the eventual contenders among the five nominated pics or in other possibilities. Hamnet, Marty Supreme, and Sentimental Value were rightly projected to make the cut. Eventual winner One Battle After Another along with Bugonia, F1, Frankenstein, and Sinners were listed in other possibilities. The Secret Agent and Train Dreams were not mentioned at that early juncture.
Let’s get some caveats out of the way… it’s early. Some movies listed are likely to be pushed back or simply not turn out to be awards contenders. Others will rise up through the festival system at Cannes, Telluride, Toronto, and Venice.
This premiere post assumes that one pic already in release has reserved a spot and that’s box office juggernaut Project Hail Mary. It could be joined by another likely mega earner in Christopher Nolan’s The Odyssey. Foreign fare such as All of a Sudden, Fatherland, and Fjord (all premiering at Cannes) are also on my radar.
My initial ranked predictions in the six major races (as well as the screenplay competitions) will be posted soon. In the meantime, here’s the first glimpse at BP.
TODD’S FIRST OSCAR PREDICTIONS FOR BEST PICTURE AT THE 99TH ACADEMY AWARDS
After premiering last fall at the Telluride and Toronto Film Festivals, the latest cinematic version of Hamlet hits stateside venues this weekend. Aneil Karia helms a contemporary retelling of William Shakespeare’s tragedy with Riz Ahmed in the title role. Costars include Morfydd Clark, Joe Alwyn, Sheeba Chaddra, Art Malik, and Timothy Spall.
Critical reaction is varied with a 73% Rotten Tomatoes rating and 59 on Metacritic. A 2020 Best Actor nominee for Sound of Metal, Ahmed is getting some solid ink. However, the high likelihood is that awards chatter for this Hamnet is not to be. My Oscar Prediction posts will continue…
The prolific Steven Soderbergh’s latest is comedic thriller The Christophers and it’s out in limited fashion this weekend after originally premiering at the Toronto Film Festival last fall. Distributed by Neon, Ian McKellen and Michaela Coel (who will also be seen this month in Mother Mary) headline with Jessica Gunning and James Corden providing support.
Reviews are on the fresh side with 96% on Rotten Tomatoes and a 73 Metacritic. There have been plenty of critically appreciated efforts from the director in the 21st century including last year’s Black Bag. However, you have to go back to 2000 and Soderbergh’s one-two punch of Erin Brockovich and Traffic to find his last major Oscar players. I don’t anticipate that will change with The Christophers. My Oscar Prediction posts will continue…
It might be Oscar weekend, but it’s also time for South by Southwest which is premiering numerous movies and TV shows. The Austin fest isn’t really a breeding ground for eventual Academy fare though 2022’s BP winner Everything Everywhere All at Once did kick off there.
SXSW is known more for showcasing odder and independent spirited movies. The Oscar bait usually saves itself for Venice, Telluride, and Toronto. Nevertheless Boots Riley’s I Love Boosters is an eagerly awaited title that served as opening selection.
This is the rapper and political activist turned filmmaker’s sophomore feature after his acclaimed 2018 debut Sorry to Bother You. The satire centers on a group of shoplifters boasts an eclectic cast including Keke Palmer, Naomi Ackie, Taylour Paige, Poppy Liu, Eiza González, LaKeith Stanfield, Will Poulter, Don Cheadle, and Demi Moore.
Early buzz indicates Riley has another critical hit with 100% on Rotten Tomatoes and a 75 Metacritic. Reviews also infer that it’s far out there similar to Bother. Perhaps Original Screenplay could be in play at the Oscars, but this might be more tailored to the Independent Spirit Awards or the Gothams (two ceremonies where Riley’s inaugural effort showed up). My Oscar Prediction posts will continue…
Nigerian family drama My Father’s Shadow has been playing the festival circuit for months beginning at Cannes and continuing to Toronto. It marks the directorial debut of Akinola Davies Jr. and stars Sope Dirisu with Godwin Chiemerie Egbo and Chibuike Marvellous Egbo as his sons. The United Kingdom has submitted it as the hopeful for Best International Feature Film.
The Brits may have chosen wisely. Shadow is receiving early kudos from other awards bodies. It was given a special award for its first-time filmmaker at Cannes. At the British Independent Film Awards, it was up in 12 categories and won Best Director. And tonight at the Gothams, it went 2 for 2 with Breakthrough Director and a surprise victory for Dirisu for Outstanding Lead Performance.
After a streak in which none of their 21st century submitted features made the cut in the international race, the UK took top honors two years ago for The Zone of Interest. Last year, Santosh made the shortlist but not the final quintet. With 97% on Rotten Tomatoes and an 85 Metacritic, Shadow could be gathering buzz at the right time.
Some key caveats as the aforementioned ceremonies aren’t exactly reliable Oscar precursors. There’s also the matter of IFF being quite crowded with more high-profile titles including Sentimental Value, It Was Just an Accident (which also received some Gotham love), The Secret Agent, and No Other Choice. However, if Shadow makes this year’s shortlist, it could be a trendy pick. My Oscar Prediction posts will continue…
Palestine 36 is in limited release after playing the festival circuit and it hopes to become the nation’s third submission nominated for Best International Feature Film. The historical epic with ties to current events is from writer/director Annemarie Jacir with a cast including Hiam Abbass, Kamel El Basha, Yasmine Al Massri, Robert Aramayo, Liam Cunningham, and Jeremy Irons.
The film debuted at the Toronto Film Festival where it received a prolonged ovation and traveled to the Tokyo International fest where it took the top prize. With a 100% rating on Rotten Tomatoes, the aforementioned resume would point to a possible nomination. It would join 2005’s Paradise Now and 2013’s Omar as Palestine’s other contenders (last year’s From Ground Zero was shortlisted but didn’t make the quintet).
Yet while all reviews are fresh, the 61 Metacritic score is more telling and this is a year where IFF is packed with hopefuls. I have yet to list this in my top 10 for possibilities and I don’t see that changing unless precursors change the dynamic. My Oscar Prediction posts will continue…
Blogger’s Update (11/25): It appears Eternity is opening on approximately 1500 screens which is lower than I assumed. Therefore my three-day estimate is declining from $4.3 million to $3 million and five-day from $6.1 million to $4.4 million.
The afterlife set rom com Eternity premieres over Thanksgiving after screening at the Toronto Film Festival in September. David Freyne directs with Miles Teller, Elizabeth Olsen, and Callum Turner making up a love triangle. Costars include John Early, Olga Merediz, and Da’Vine Joy Randolph.
A rare comic relief genre title from A24, word-of-mouth from the north of the border festival was decent if not overwhelmingly positive. The Rotten Tomatoes meter is at 83% with Metacritic at 65. Despite the presence of Teller and Olsen (who’ve had their share of high profile titles), this should struggle for eyeballs over the five-day holiday frame. Some of its intended audience could be catching up on Wicked: For Good, taking the kids to Zootopia 2, or simply waiting this out for streaming.
I’ll say mid single digits from Friday to Sunday with a couple million added when factoring Wednesday and Thursday.
Eternity opening weekend prediction: $3 million (Friday to Sunday); $4.4 million (Wednesday to Sunday)
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