This fall’s American Hustle, directed by David O. Russell, may be the definition of a surefire Oscar contender.
The six well-known stars of the picture – Christian Bale, Amy Adams, Bradley Cooper, Jennifer Lawrence, Jeremy Renner, Robert De Niro – have a combined seventeen Oscar nominations and four wins. Of the six, five of them received nominations in films directed by David O. Russell:
Bale won Supporting Actor for The Fighter
Adams was nominated for Supporting Actress for The Fighter
Cooper was nominated for Actor for Silver Linings Playbook
Lawrence won Actress for Silver Linings Playbook
De Niro was nominated for Supporting Actor for Silver Linings Playbook
By the way, Russell’s last two pics (The Fighter and Silver Linings Playbook) were nominated for Best Picture. Russell himself got Best Director nominations for both titles. Beyond his American Hustle actors, it’s also worth noting that Russell directed Melissa Leo to a Supporting Actress win for The Fighter and Jacki Weaver to a Supporting Actress nomination for Silver Linings Playbook. That’s an incredible seven acting nominations in Russell’s last two pics.
Here is the plot outline from the studio:
The Untitled David O. Russell Project is based on the true story of a notorious financial con artist (Bale) and his mistress/partner in crime (Adams), who were forced to work with an out of control federal agent (Cooper) to turn the tables on other con artists, mobsters, and politicians. At the epicenter of the entire tale, is the passionate and volatile leader of the New Jersey state assembly (Renner) who is also the local hero and mayor of impoverished Camden.
And just today, the trailer for the film was released. Bottom line: it looks terrific.
If Russell stays on his winning streak and the top-notch cast delivers, you could see all of them in the mix for potential Oscar nominations. Clearly, its December release hints that the studio feels that way too. Furthermore, this appears to be the type of film that may not only compete for a Best Picture nomination, but be talked about as a likely Best Picture winner. Stay tuned!
Well, there are couple of things significant about July 30th:
1) It’s my birthday!
2) Today will mark the 300th blog post since I started this little adventure last October.
Therefore, it felt appropriate to track July 30th in Movie History and reveal some pictures that were released on this historic (my birth) day, as well as those in the movie industry that are probably telling their friends and family that they share a b-day with yours truly.
My birthday seems to have something going on with Richard Gere as 1982’s hit romance An Officer and a Gentleman was released:
As was Runaway Bride in 1999, a.k.a. the other movie with Richard Gere and Julia Roberts:
In 2004, M. Night Shyamalan began his decade long slide with The Village, a pic that received lukewarm reviews (I actually kinda liked it):
Also on that date in 2004 came the well-received stoner comedy Harold and Kumar Go to White Castle:
As for comedies that weren’t well-received, there’s 1993’s Mel Brooks disappointment Robin Hood: Men in Tights –
As for contributors to the film industry that share their day of birth with me, how about Mr. Arnold Schwarzenegger?!?!?!
When it comes to directors, there’s Christopher Nolan! You know, the guy that reinvigorated the Batman franchise?
In the character actors category, it’s Jean Reno. You’ll recognize him from a lot of movies, but his starring role in 1994’s Leon: The Professional is one of his most noteworthy.
There’s Vivica A. Fox, who played Will Smith’s stripper significant other in Independence Day and had a memorable fight with Uma Thurman in Kill Bill: Volume 1:
And Tom Green, who headlined one of the most critically reviled comedies ever, Freddy Got Fingered:
So there’s some July 30th Movie History for you! However, I think we can all agree on the biggest event that happened on this date. You’re reading him. Oh, who am I fooling? It’s this guy:
And on that note, I want to truly thank you for reading my blog as it reaches 300 entries so far! I look forward to the next 300 and beyond.
This weekend sees the release of two new pictures as the Denzel Washington/Mark Wahlberg action flick 2 Guns opens against The Smurfs 2. This could be a real battle for top spot and you can find my predictions for both movies below:
If both titles don’t measure up to my predictions, there’s a small chance last weekend’s champ The Wolverine could retain the top spot. The pic had the lowest opening of any of the six X-Men titles in the franchise so far. Earning $53 million, The Wolverine was in the same ballpark as 2011’s X-Men: First Class, which debuted with $55 million. That pic then dropped 56% in its sophomore frame and I look for the new Logan adventure to drop roughly the same.
Rounding out the top five, I look for audience and critical favorite The Conjuring to continue to hold nicely (especially for a horror flick) and Despicable Me 2 to continue its terrific run.
Since Smurfs 2 opens on Wednesday, I believe that will allow 2 Guns to nab the #1 spot for the weekend, even though Papa Smurf and friends should have a solid debut, based on my projections.
And with that, my predictions for the weekend’s top five:
1. 2 Guns
Predicted Gross: $28.9 million
2. The Smurfs 2
Predicted Gross: $25.7 million ($38.2 million projected five-day gross)
3. The Wolverine
Predicted Gross: $24 million (representing a drop of 54%)
4. The Conjuring
Predicted Gross: $12.4 million (representing a drop of 45%)
5. Despicable Me 2
Predicted Gross: $10.3 million (representing a drop of 38%)
That’s all for now, folks! Don’t forget to go to http://www.boxofficeace.com to play along with me and make your own predictions! I’ll have updates on the Facebook page throughout the weekend with final results Sunday.
Denzel Washington and Mark Wahlberg headline the action flick 2 Guns opening Friday. The pic will attempt to continue the trend of solid performing genre titles for Mr. Washington and also try to reverse a rather disappointing 2013 for Mr. Wahlberg so far.
As for Denzel, let’s take a look at the opening weekends for his last four action pics, shall we?
Safe House: $40.1 million
Unstoppable: $22.6 million
The Book of Eli: $32.7 million
The Taking of Pelham 1 2 3: $23.3 million
You can see that 2 Guns is most likely to perform somewhere between $20-$40 million. The biggest opener, Safe House, debuted better than expectations last year and that’s certainly a possibility here. However, it also wouldn’t shock me to see 2 Guns open in the same range as Unstoppable and Pelham (low to mid 20s).
As for Wahlberg, he has followed up last summer’s smash comedy Ted with a pair of lackluster 2013 titles: Broken City and Pain and Gain. His teaming with Washington certainly marks the best opportunity for a hit this year.
Honestly, this is a tough one. Adult audiences might be primed for an action title with dependable stars that isn’t based on a comic book. I believe 2 Guns performing somewhere in the high 20s to low 30s is the most likely scenario.
2 Guns opening weekend prediction: $28.9 million
For my prediction on this week’s other newcomer, The Smurfs 2, click here:
The Smurfs make their return to the multiplex this Wednesday in Smurf 2: Smurf Harder, the eagerly awaited sequel to the 2011 hit. OK, it’s just called The Smurfs 2.
The original from two summers ago, based on the popular animated series, grossed $35.6 million in its opening three-day weekend and went on to earn an impressive $142 million domestically. This time around, Sony has decided to open the pic on a Wednesday, banking on a solid five-day gross. This strategy didn’t work out so great for the summer’s last kids flick, Turbo, which has posted fairly lackluster numbers.
The only question here is: did family audiences like the original enough for the sequel to receive robust business? The answer is probably yes. A five-day gross of over $40 million would not be surprising, but I’ll predict it goes just a bit below that. Still, The Smurfs 2 should earn enough dough for the inevitable sequel, Smurf Hard with a Vengeance.
The Smurfs 2 opening weekend prediction: $25.7 million (Friday to Sunday) and $38.2 million for the five-day opening
For my prediction on this week’s other newcomer, 2 Guns with Denzel Washington and Mark Wahlberg, click here:
Logan (a.k.a. Wolverine) has run into a bit of trouble at the box office this weekend as The Wolverine, the sixth installment in the franchise, had a less than expected opening. The pic earned an estimated $55 million opening, quite a bit less than my $67.4M projection. This puts The Wolverine‘s opening right in the same range as 2011’s X-Men: First Class, which debuted to $55.1M in the summer of 2011. Frankly, it’s safe to assume 20th Century Fox expected more. We’ll see how it holds up next weekend, but this debut will be looked at as a disappointment.
Last weekend’s #1, The Conjuring, held up very well (especially for a horror flick). It dropped to second with $22.1 million. My projection? $22.1 million! Gold star for Todd!
Animated features populated the third and fourth slots. Despicable Me 2 was #3 with $16 million (I projected $14.6M) and Turbo was #4 with $13.3 million (I projected $13.8M). Grown Ups 2 rounded out the top five with $11.5 million, a bit higher than my $10.2M estimate.
The critically acclaimed indie drama Fruitvale Station expanded to over 1000 screens and posted a decent $4.6 million, lower than my generous $6.7M projection. Meanwhile, a couple of indie comedies expanded over the weekend as well. The Way, Way Back with Steve Carell grossed an OK $3.3 million, higher than my $2.7M projection. The To-Do List underwhelmed with $1.5 million, lower than my $2M projection.
And there’s your results! Be sure to check the blog later today for my projections for next weekend’s new entries: the Denzel Washington-Mark Wahlberg action pic 2 Guns and the sequel we’ve all been waiting for, The Smurfs 2!
In the fall of 2011 came a picture that I liked a lot when I saw it in the theater and have since grown to love. That would be Nicolas Winding Refn’s Drive starring Ryan Gosling, Carey Mulligan, and Albert Brooks. The unconventional action thriller has a strangely wonderful hypnotic feel that I responded very positively to. Its occasional bursts of graphic violence and its absolutely terrific musical score accentuated an entirely unique film watching experience. It’s among my favorite pictures of the 21st century.
Needless to say, when I heard about director Refn and star Gosling reuniting for Only God Forgives, the pic immediately became one of my most anticipated titles of 2013. The film has had a rather bizarre journey to audiences since then. Currently it’s playing in the arthouse circuit on a limited number of movie screens. However, the decision was also made to simultaneously release it on Video On Demand and services like Vudu. I watched it through Vudu in the company of my own home. Just a month or so ago, I would have definitely told you I’d see it theatrically. The fact that Only God Forgives is not getting much of a wide release at the multiplex indicates a lot of skepticism from the studio. While Drive posted decent box office numbers, audiences didn’t respond well to it. It’s easy to understand why. Drive is not a mainstream picture (though its got quite a cult following).
And Only God Forgives is even less mainstream. Furthermore, it’s receiving mostly negative reviews and was booed a couple of months ago at the Cannes Film Festival (reports also suggest some attendees awarded it a standing ovation).
Shot on location and taking place in Bangkok, the pic actually has a pretty straightforward plot. Gosling plays Julian, a drug dealer who also runs a boxing club with his brother Billy. When Billy brutally murders an underage prostitute, a badass police lieutenant (Vithaya Pansringarm) allows the murdered victim’s father to exact revenge on Billy. When Julian is presented with this information, he chooses not to retaliate because of his late brother’s despicable actions. That is, at least, until Julian and Billy’s crime lord mother Crystal (Kristin Scott Thomas) rolls into Bangkok determined to hold all those responsible for her first-born son’s demise accountable. Along the way, we find out some rather disturbing details about the family dynamic between Julian, Billy, and their violent mother. To say Julian has Mommy (and Daddy) issues would be quite an understatement.
For those who have seen Drive, though, you know that plot is really secondary compared to Refn’s use of visual images, bursts of violence and placement of musical score. That holds true for Only God Forgives as well. First, the score by Cliff Martinez is absolutely stunning (he also scored Drive). The cinematography by Larry Smith is dreamlike and effective (he worked with Kubrick on Barry Lyndon, The Shining, and Eyes Wide Shut in various capacities). Like Drive, the violence comes often unexpectedly and is quite graphic (be warned).
What’s the main difference between Drive and Only God Forgives? To me, Drive felt like it had a soul due to the relationship between Gosling and Mulligan’s characters. Forgives does not. Julian’s character does have an underwritten connection with a prostitute Mai (Rhatha Phongam), but it goes nowhere other than a rather memorable scene where the couple go to dinner with Mama Crystal.
Only God Forgives basically just feels like an exercise in style with little to no substance. Gosling barely speaks in the picture (it makes his Drive character seem like a blabbermouth) and while his performance is serviceable, he doesn’t have much to do work with. Scott Thomas has by far the most colorful character and she mostly succeeds in not going too far over the top.
From a technical point of view, there is much to be admired about the film and I still will anticipate future Refn projects to a high degree. That said, Only God Forgives is a bit of a disappointment. If you didn’t respond well to Drive, don’t even bother with this. For those who did, you may feel let down like I did but still consider it a worthwhile experience watching a talented director display his individual and often exciting style.
It has taken nearly seven months, but it appears this weekend brings us the first very legitimate contender to earn an acting nomination at the 2013 Oscars. That would be Cate Blanchett in the lead role of Woody Allen’s latest, Blue Jasmine.
The picture has earned solid reviews so far (81% on Rotten Tomatoes, an “A” grade from Entertainment Weekly today), but the word on Blanchett’s performance is rapturous.
An Oscar nomination for Blanchett is hardly rare. She received her first nomination for Best Actress in 1998 for Elizabeth, losing out to Gwyneth Paltrow in Shakespeare in Love. In 2004, she won the Supporting Actress category for her portrayal of Katherine Hepburn in Martin Scorsese’s The Aviator. Since then, Blanchett has been nominated three more times: for Supporting Actress in 2006 for Notes on a Scandal (lost to Jennifer Hudson in Dreamgirls), for Actress in 2007 for Elizabeth: The Golden Age (lost to Marion Cotillard for La Vie en Rose), and also in 2007 for Supporting Actress in I’m Not There (lost to Tilda Swinton in Michael Clayton). A nod for Blue Jasmine would mark Cate’s sixth nomination.
An actor or actress being nominated for their work in a Woody Allen picture is also a common occurrence. There have been an astonishing 16 performers whose acting has been recognized by the Academy for their participation in an Allen film. Of those 16 nominations, we’ve seen six winners. They are:
Diane Keaton in Annie Hall (1977) – Actress category
Michael Caine in Hannah and Her Sisters (1986) – Supporting Actor category
Dianne Wiest in Hannah and Her Sisters (1986) – Supporting Actress category
Dianne Wiest in Bullets Over Broadway (1994) – Supporting Actress category
Mira Sorvino in Mighty Aphrodite (1995) – Supporting Actress category
Penelope Cruz in Vicky Cristina Barcelona (2008) – Supporting Actress category
It’s worth noting that five of the six Allen directed winners are female and 11 of the 16 nominees total are women. Bottom line: Woody Allen knows how to write and direct roles for actresses to get nominated. Furthermore, he’s a master at casting.
Combine the high-level acting talent of Blanchett with the words of Mr. Allen and I would say this performance stands the greatest chance of any this year to get Oscar recognition for 2013 so far.
After an onslaught of four new pictures last weekend, there’s only one major wide release coming to theaters this Friday: The Wolverine, the sixth entry in the profitable X-Men franchise. I wrote an extensive post regarding its opening on Sunday. You can find it here:
Hugh Jackman should easily rule the weekend, but it will be interesting to see how last weekend’s champ The Conjuring holds up. It debuted to a strong $41.9 million last weekend. Horror flicks usually suffer a huge drop in their sophomore frames. However, this may not be case here. The Conjuring is a critical hit that audiences seem to dig as well. It earned a solid A- Cinemascore grade. In comparison, earlier 2013 horror hits Mama only got a B- and The Purge earned a weak C grade. If Conjuring fell more than 50% this weekend, it wouldn’t be surprise but I’m not sure it falls quite that far.
Despicable Me 2 should fall in the low-40s range (just as last week), but Turbo may not fall quite that much. It had a weak debut last weekend ($21.3 million over the regular weekend), but it earned an A Cinemascore grade and some family audiences could catch up to it this weekend.
Rounding out the top five, Grown Ups 2 is likely to lose roughly half its audience again. The indie comedy The Way, Way Back with Steve Carell and Toni Collette expands to 650 theaters. I’ll predict it opens towards with $2.7 million, well outside the top five. The same fate is likely to befall the romantic comedy The To-Do List, opening in nearly 600 theaters. I’ll predict a $2 million opening for it. The indie picture expanding in the most theaters this weekend is Fruitvale Station, which has received critical acclaim and Oscar buzz. The drama expands to just over 1000 theaters and I’ll actually predict it does quite well with $6.7 million.
And now… my top five predictions for the weekend:
1. The Wolverine
Predicted Gross: $67.4 million
2. The Conjuring
Predicted Gross: $22.1 million (representing a drop of 47%)
3. Despicable Me 2
Predicted Gross: $14.6 million (representing a drop of 41%)
Predicted Gross: $13.8 million (representing a drop of 35%)
5. Grown Ups 2
Predicted Gross: $10.2 million (representing a drop of 49%)
As always, I’ll post updates throughout the weekend on the Facebook page with final results on the blog Sunday!
You’ve likely heard of him. For 40 years, Spielberg has reshaped the landscape of American cinema from Jaws to Indiana Jones to E.T. and beyond. In this century, Spielberg has continued his impressive resume with Minority Report, Munich, War of the Worlds, and Lincoln.
4. Christopher Nolan
Nolan made a huge splash in 2001 with Memento. Since then, he’s directed effective twisty thrillers from Insomnia to The Prestige to Inception. Oh… and that other thing! That would be directing the Dark Knight trilogy, which will surely go down in cinema history of the gold standard of superhero flicks.
3. Martin Scorsese
Another director who’s been at it for four decades, “Marty” has two pics in my all-time Top Ten (Taxi Driver and GoodFellas), not to mention 20th century classics Mean Streets, Raging Bull, Cape Fear, and Casino. His 21st century catalog has been amazing as well: Gangs of New York, The Aviator, The Departed, Shutter Island, and Hugo. This fall’s Wolf of Wall Street with his frequent collaborator Leonardo DiCaprio is my most anticipated film of the year.
2. David Fincher
After his poorly received first feature Alien 3 (which, by the way, I feel is underrated), Fincher’s second pic Seven is a genre classic and brilliant film making. The brilliance hasn’t stopped since: The Game, Fight Club, Panic Room, Zodiac, The Curious Case of Benjamin Button, The Social Network, The Girl with the Dragon Tattoo. Amazing.
1. Quentin Tarantino
For those who follow my blog, this should be no surprise. I have literally loved everything QT has directed. The love started with his first feature Reservoir Dogs and it’s never let up. Pulp Fiction ranks #3 on my all-time greatest movies. Jackie Brown. The Kill Bill flicks. Grindhouse. Inglorious Basterds. Django Unchained. Tarantino is the most important filmmaker of the last two decades and he has yet to rest of his considerable laurels.
And there you have it, my friends! Hope you enjoyed my list of the 25 directors who I feel represent the best in cinema today!