Tag: Apple TV

Oscar Predictions: Misty Green

Misty Green is Chris Rock’s first directorial feature in a dozen years since his well-received Top Five. The A24 release has premiered in Toronto prior to its October 9th stateside release. Rosalind Eleazar, best known for her small screen work on Apple TV’s Slow Horses, plays the title role with a supporting cast including Adam Driver, Daniel Kaluuya, Anna Kendrick, Topher Grace, and Mr. Rock himself.

Initial reaction from TIFF is a mixed bag. The initial Metacritic score is 73. What’s not mixed is the praise for Eleazar in her portrayal of a fading Hollywood star. Critics are also being kind to Kaluuya, but the Supporting Actor winner for 2020’s Judas and the Black Messiah‘s role is likely too small for recognition.

Green‘s only Oscar play is for Eleazar. However, A24 could face a challenge in their campaign. Julianne Moore (The Debut) appears to be the frontrunner and Olivia Wilde (The Invite) has a strong shot at inclusion. Will A24 really get three performers in? I’m not so sure and that’s probably why Eleazar won’t be in my top five in my next update. My Oscar Prediction posts will continue…

Oscar Predictions: Being Heumann

Five years ago, Sian Heder’s Apple TV dramedy CODA achieved “little movie that could” status by winning all three Oscars it was nominated for – Best Picture, Supporting Actor (Troy Kotsur), and Adapted Screenplay. Focused on a teen growing up in a deaf family, the film beat out heavyweights including The Power of the Dog and Dune in the biggest race of all. Heder’s follow-up is Being Heumann and it serves as the opening night selection for the Toronto Film Festival. It has a theatrical release on November 6th before streaming on Apple the following week.

Ruth Madeley stars as activist Judith Heumann in the 1970s set true story about achieving rights for the disabled. The supporting cast includes Mark Ruffalo, Dylan O’Brien, Rob Delaney, and Ray Fisher. With a 90% on Rotten Tomatoes and 73 Metacritic, scores are actually similar to CODA‘s (94% RT, 72 MC). Yet I’m not convinced that Heder’s latest will be a contender in BP unless its crowdpleaser status gets it there. If so, another Adapted Screenplay nod could occur.

There are, however, some races where it has a better shot. Best Casting is a possibility. Many performers in the ensemble are part of the community whose rights are focused on. I could see it making the cut in Casting without any other noms.

In Best Actress, Julianne Moore (The Debut) and arguably Inde Navarrette (Obsession) and Olivia Wilde (The Invite) appear to be holding punched tickets. Madeley is generating great notices in the central role and I wouldn’t count her out. I’m not sure I’ll have her in the final five in my next update (out Sunday), but she might rank higher than 10th. That’s where I had her listed in my latest update at the end of August. On the other hand, Ruffalo has been listed as a possibility in my 15 Supporting Actor slots (last time in 13th position). Toronto WOM indicates he’ll be a non-factor. My Oscar Prediction posts will continue…

Oscar Predictions: Tender Loving Care

Legendary English auteur Mike Leigh has stated that Tender Loving Care is most likely his last feature film after a career of indie dramas. Several have garnered awards attention including seven personal mentions for his directing or screenwriting. Those nominations cover a quintet of pics: 1996’s Secrets & Lies, 1999’s Topsy-Turvy, Vera Drake from 2004, 2008’s Happy-Go-Lucky, and 2010’s Another Year. Leigh has yet to win.

Care stars Kate O’Flynn, Marion Bailey (Leigh’s real life partner), Paul Jesson, and Alice Bailey Johnson. Premiering at Telluride before moving to Toronto and New York, Bleecker Street is releasing it December 4th. Early reviews indicate this is a touching dramedy that would serve as a fine swan song to his career.

I’m not so sure the critical reaction is strong enough for this to be in the Best Picture conversation. O’Flynn and Bailey, in a best case scenario, could be chatted up in the Actress and Supporting Actress fields. The former is having a banner year with an acclaimed performance on Apple TV’s Widow’s Bay which could earn her an Emmy.

The likeliest scenario might be Leigh receiving his sixth and potentially final try in Original Screenplay and that being Care‘s sole nomination. My Oscar Prediction posts will continue…

In the Grey Box Office Prediction

The prolific Guy Ritchie’s latest action thriller is In the Grey. The Black Bear distributed production looks to make its mark at multiplexes on May 15th. Henry Cavill and Eiza González (who costarred in the filmmaker’s 2024 effort The Ministry of Ungentlemanly Warfare) headline here along with Guy Ritchie’s The Covenant lead Jake Gyllenhaal. The supporting cast also includes Kristopher Hivji, Fisher Stevens, and Rosamund Pike.

Those aforementioned earlier Ritchie pics (his last two titles to hit theaters) could be decent comps. Warfare slightly exceeded expectations with a $9 million start in 2024. In 2023, The Covenant performed in line with its anticipated range at just over $6 million. I don’t see anything from Grey‘s advertising that indicates it’ll break out. This could’ve easily been a streaming debut like Ritchie’s Apple TV adventure Fountain of Youth from last year.

I’ll project this fall slightly under what The Covenant achieved.

In the Grey opening weekend prediction: $5.9 million

For my Obsession prediction, click here:

Obsession Box Office Prediction

Oscar Predictions: Outcome

Outcome marks the second directorial feature from Jonah Hill. The dark comedy has premiered on Apple TV this weekend. Keanu Reeves headlines as an actor in hot water with Hill, Cameron Diaz, Matt Bomer, Cary Christopher, David Spade, Laverne Cox, Roy Wood Jr., Susan Lucci, and Martin Scorsese in the eclectic supporting cast.

Critical reaction indicates a sophomore slump for Hill. His behind the camera debut Mid90s (2018) received mostly positive notices. Rotten Tomatoes is 25% with a 37 on Metacritic. The fact that its review embargo didn’t lift until late this week now makes plenty of sense. We can be certain that awards chatter won’t be part of Outcome. My Oscar Prediction posts will continue…

Oscar Predictions: The Lost Bus

The Lost Bus found its way to the Toronto Film Festival prior to its September 19th limited theatrical release and October 3rd Apple TV streaming debut. The true life wildfire survival tale comes from Paul Greengrass (the Bourne franchise, United 93, Captain Phillips) with Matthew McConaughey and America Ferrara headlining. Yul Vazquez and Ashlie Atkinson costar.

The 100% Rotten Tomatoes rating is a little deceiving with the 66 on Metacritic more accurately reflecting the critical consensus. McConaughey (a 2013 Best Actor victor for Dallas Buyers Club) and Ferrera (a Supporting Actress nominee in 2023 for Barbie) are being appreciated for their performances, but not enough to anticipate their second tries at gold. Where Bus could be in sole contention is in Visual Effects. If it manages to make the shortlist, it might be a trendy pick for inclusion. My Oscar Prediction posts will continue…

Oscar Predictions: Come See Me in the Good Light

Come See Me in the Good Light premiered at Sundance back in January with Apple TV picking up distribution rights in the spring (a release date is yet TBD). Directed by Ryan White (best known for Good Night Oppy), Light focuses on the relationship between poets Andrea Gibson and Megan Falley after the former’s terminal cancer diagnosis. Gibson was in Park City for the unveiling of the documentary, but passed away two weeks ago.

Critical reaction has yielded 100% on Rotten Tomatoes. Sara Beirelles is an executive producer and she sings the track “Salt Then Sour Then Sweet”. It is cowritten by Brandi Carlile (another exec producer). Tig Notaro is another well-known artist on the production team. I would anticipate Apple and the well-known contributors to mount campaigns in Documentary Feature and Original Song. The amount of exposure this receives should determine its success in both categories. My Oscar Prediction posts will continue…

Oscar Predictions: Echo Valley

Julianne Moore is saddled with protecting her troubled daughter Sydney Sweeney in the crime thriller Echo Valley from director Michael Pearce. It begins showing on Apple TV+ tomorrow after a limited theatrical bow last weekend. Costars include Domhnall Gleeson, Kyle MacLachlan, and Fiona Shaw.

Critics are mostly not high on Valley with a 50% Rotten Tomatoes rating and 55 Metacritic. Despite the presence of five-time nominee and one-time Academy recipient Moore and the popular Ms. Sweeney, this is receiving scant buzz. Nevertheless it could do just fine via its streaming route, but this is not an awards pic. My Oscar Predictions posts will continue…

Oscar Predictions – Bono: Stories of Surrender

Bono: Stories of Surrender hits Apple TV on May 30th documenting the U2 frontman’s one-man NYC stage show in 2023. Those performances took their inspiration from the legendary singer and humanitarian’s memoir. He’s enlisted some heavy hitters to assist here including director Andrew Dominik (The Assassination of Jesse James by the Coward Robert Ford, Blonde) and Oscar-winning cinematographer Erik Messerschmidt (Mank).

These celeb centered docs rarely make their way to serious awards consideration. Surrender should fall into that classification with 75% on Rotten Tomatoes and a 58 Metacritic. That won’t get it done unless its streamer finds mysterious ways to entice voters. My Oscar Prediction posts will continue…

Oscar Predictions: Highest 2 Lowest

Spike Lee’s crime thriller Highest 2 Lowest has premiered at Cannes prior to A24’s theatrical release in August and Apple TV streaming bow in September. Updating Akira Kurosawa’s High and Low from 1963, Denzel Washington plays a music mogul caught up in a ransom plot. Costars include Ilfenesh Hadera, Jeffrey Wright, ASAP Rocky, and Ice Spice.

Critics are certainly higher than lower for the French unveiling. The Rotten Tomatoes score is 94% with Metacritic at 77. According to reviews, it’s a successful genre exercise. That means, from an awards perspective, it might be a non-player like Spike and Denzel’s previous collaboration Inside Man from 2006 (this marks the fifth time they’ve teamed up).

However, I wouldn’t completely discount Denzel’s chances in Best Actor. If he could make the cut for 2017’s Roman J. Israel, Esq., he could do the same here and nab his 10th overall nom. 2017 was arguably a weak year in that category and we don’t know how the competition this time around will shake out. Mr. Washington likely came close to his 10th mention in supporting last year for Gladiator II. He might be in the arena once again. My Oscar Prediction posts will continue…