Each Thor pic has outdone the last and Disney hopes that trend continues when Thor: Love and Thunder hits theaters on July 8th. The sixth MCU entry in the past 14 months, the franchise shows no signs of slowing down as this follows juggernauts Spider-Man: No Way Home and Doctor Strange in the Multiverse of Madness.
This particular series is only the second to have a fourth feature (the other being Avengers). Taika Waititi, who made 2017’s predecessor Ragnarok, returns behind the camera with Chris Hemsworth once again hammering away as the title character. Natalie Portman’s Jane is back after sitting out part 3 and other familiar faces include Tessa Thompson, Jaimie Alexander, and Jeff Goldblum. The Guardians of the Galaxy are also in the mix. Newcomers to the fold are Christian Bale as main villain Gorr the God Butcher and Russell Crowe as Zeus. Expect plenty of cameos as well.
The first Thor (only the 4th of now 29 MCU flicks) grossed $65 million out of the gate with an overall gross of $181 million. Two and a half years later, The Dark World improved upon that with $85 and $206 million, respectively. Ragnarok easily surpassed that with $122 million and $315 million eventually.
Love and Thunder should continue the trend. Since the character’s last stand-alone effort, Thor was prominently placed in the massive Avengers sagas Infinity War and Endgame. That said, Multiverse from early May was a direct benefactor of following No Way Home when it premiered with $187 million. Its Spidey predecessor swung the second largest domestic opening of all time behind Endgame.
I don’t believe Thunder will reach the stratosphere of Multiverse. Somewhere between $140-$160 million seems doable. If buzz continues to grow louder in the coming days, I reserve the right to revise up. My current take puts it in the range of Guardians of the Galaxy Vol. 2 ($146 million) and Captain Marvel ($153 million). I’ll put it slightly over both.
Thor: Love and Thunder opening weekend prediction: $155.7 million
Mixing satire with crime thriller elements, John Michael McDonagh’s The Forgiven is out in limited fashion this Friday, July 1st. It features the reigning Best Actress Jessica Chastain, who took gold last year as Tammy Faye Bakker in The Eyes of Tammy Faye. Her main costar is two-time nominee Ralph Fiennes in addition to Matt Smith, Ismael Kanater, Caleb Landry Jones, Abbey Lee, and Christopher Abbott.
The film first saw exposure last fall at the Toronto Film Festival. Reviews were decent, but many were far from gushing. That’s reflected in the current 73% Rotten Tomatoes score.
The Forgiven has been flying under the radar since its premiere up north and I don’t see this garnering any awards buzz. Chastain still has a shot for a second nomination in a row with her forthcoming Netflix crime thriller The Good Nurse later this year. My Oscar Prediction posts will continue…
And now for a new category on my blog that will update itself yearly after 13 initial posts covering 2009-21. It’s a simple concept. In 2009 – the Academy shifted their rules from a set amount of five Best Picture nominees to 10. That lasted for 2 years. In 2011, the number could fluctuate anywhere from 5-10. In most years, the magic number was 8 or 9 (it was never less than 8). Last year, the big race reverted back to a definite 10.
So… what if it hadn’t? What if 5 nominees was never altered? Well, Oscar speculators like yours truly would have to write posts predicting what would’ve been the final five. So that’s what this is all about.
Naturally it begins with 2009. Before that, something from 2008 might’ve contributed to the shift when The Dark Knight famously missed BP even though it was a critical darling and box office smash. A shift to 10 allowed popcorn favorites and smaller titles to make the cut. And they did.
When it comes to whittling down from 10 (or later 8 or 9) to five, there’s plenty of factors in play. What else did the movie get nominated for or win? Some races are more important than others like Director and Editing or the Screenplay derbies.
Yet it’s far from an exact science. This is educated guesswork based on Oscar history. I’ll walk through each title and give an ultimate Yes or No on whether it makes the five. The first is automatic and that’s whatever won. In 2009 that honor belonged to…
The Hurt Locker
Does It Make the Final Five?
Yes because it won Best Picture.
The other 9? That’s where it gets interesting. Let’s take them alphabetically, shall we?
Avatar
When Oscar nominations rolled out near the beginning of 2010, James Cameron’s 3D sensation was basking in the glow of becoming the biggest movie ever. That meant he was breaking his own record from 13 years earlier with Titanic. Cameron was nominated for Director – losing to ex-wife Kathryn Bigelow for Locker. The film also didn’t manage a Screenplay nod though Cameron is known more for his technical prowess than writing skills. On the tech side it managed 7 nods and won three (Art Direction, Cinematography, Visual Effects). So…
Does It Make the Final Five?
Yes. Though it lost a number of its nods to Locker, the gargantuan grosses would’ve been enough for it to advance.
The Blind Side
Sandra Bullock’s crowd pleasing football drama made her an Oscar winner. Yet those are the only two nominations it received as it couldn’t make the Adapted Screenplay shortlist. In fact, Avatar and this are the only two BP nominees not to see their scripts mentioned.
Does It Make the Final Five?
No. This is a perfect example of a blockbuster getting in due to the expansion that wouldn’t have with just five.
District 9
Neill Blomkamp’s acclaimed sci-fi tale was a surprise summer hit and he’s yet to replicate its mix of audience and critical appreciation. It was nominated in three other races – Adapted Screenplay, Visual Effects, and Film Editing. No wins.
Does It Make the Final Five?
This one is actually close for me. The screenplay and editing nods certainly make it doable. If it had landed Director, I’d probably say yes. A bit of a coin flip, but I’ll land on No.
An Education
The coming-of-age pic scored Carey Mulligan an Actress nod as well as Adapted Screenplay.
Does It Make the Final Five?
It’s not totally out of the realm of possibility that it could’ve snuck in, but gotta go No. It missed a Golden Globe nod for example and a lot of the focus was on Mulligan’s work.
Inglourious Basterds
Quentin Tarantino’s WWII opus was his return to significant awards attention 15 years following Pulp Fiction. In addition to the Pic nod, he was nominated for his direction and screenplay (losing both to Locker). Other nominations: Sound Editing, Sound Mixing, Cinematography, Film Editing, and a Supporting Actor victory for Christoph Waltz.
Does It Make the Final Five?
Yes. The 8 nominations are enough to indicate as much.
Precious
The breakthrough drama from Lee Daniels scored five other mentions for Directing, Gabourey Sidibe in Actress, Mo’Nique in Supporting Actress (a victory), Adapted Screenplay (another win), and Editing.
Does It Make the Final Five?
Yes. The screenplay win puts it over the top.
A Serious Man
The Coen Brothers dark comedy received just one other nod for their screenplay with acclaimed lead Michael Stuhlbarg missing the Best Actor cut.
Does It Make the Final Five?
Even with the love for its brotherly makers – No.
Up
As far as I’m concerned, the Pixar masterpiece’s first few minutes should win Best Picture every year. The tearjerker was a rare animated Best Picture contender and it contended for four others. It obviously won Animated Feature as well as Original Score in addition to mentions in Original Screenplay and Sound Editing.
Does It Make the Final Five?
I’m saying No, but I’m not sure of that. I’d probably put it sixth.
Up in the Air
Our other Up contender is Jason Reitman’s workplace dramedy which received six nods. The others were Director, Actor (George Clooney), Supporting Actress (both Vera Farmiga and Anna Kendrick), and Adapted Screenplay.
Does It Make the Final Five?
Yes. While it retrieved no statues, I think it would’ve just edged other hopefuls such as Up or District 9.
So that means if 2009 had just five Best Picture nominees, I believe they would’ve been:
The Hurt Locker (winner)
Avatar
Inglourious Basterds
Precious
Up in the Air
An important note – the movies here match the five Best Director nominees. That’s rare and that will be rare in subsequent postings on years that follow. From 2000-2008 that only occurred twice (2005 and 2008). So don’t get used to it.
I shall return soon with my rumblings and final five for 2010!
Blogger’s Note (06/30): On the eve of its premiere, upping my Minions estimate from $78.4M to $86.4M
Coming off a weekend where four pictures posted grosses north of $20 million (a first since 2018!), Minions: The Rise of Gru looks to set box office fireworks and rule the holiday weekend. You can peruse my detailed prediction post on it here:
The five-year wait between entries for the Despicable Me/Minions franchise could limit its potential a bit. However, my projected four-day haul approaching $80 million will easily give it the gold.
As for holdovers, Elvis and Top Gun: Maverick should duke it out for second position. While the former edged Maverick for a #1 debut (more on that below), look for Tom Cruise and company to have a better hold and likely maintain runner-up status. It’s also important to remember that overall declines for most pics should be smaller than normal considering that July 4th falls on Monday.
Jurassic World: Dominion and The Black Phone should slide spots to 4th and 5th. There’s a slight chance Phone could experience a hefty slide (due to its being in the horror genre) and Lightyear stays fifth. However, given the Pixar pic’s underperformance and hefty sophomore dip, I don’t anticipate that being the case. Plus Phone nabbed a B+ Cinemascore grade which is just fine for that genre.
With that – let’s make it a top 6 forecast and remember these are projections for Friday to Monday given the Independence Day frame:
1. Minions: The Rise of Gru
Predicted Gross: $86.4 million
2. Top Gun: Maverick
Predicted Gross: $29.8 million
3. Elvis
Predicted Gross: $23.2 million
4. Jurassic World: Dominion
Predicted Gross: $17.3 million
5. The Black Phone
Predicted Gross: $14.5 million
6. Lightyear
Predicted Gross: $10.2 million
Box Office Results (June 24-26)
In one of the closest finishes in recent box office times, Baz Luhrmann’s Elvis was crowned king with $31.2 million. While not quite matching my $35.6 million prediction, it’s a solid number for an adult skewering musical biopic.
Top Gun: Maverick continued its epic run in second with $29.6 million. Like with Elvis, I was a little high at $34.8 million. In five weeks of release, the spectacularly performing sequel has amassed $520 million. That’s the third all-time #5 frame behind Avatar and Titanic.
Jurassic World: Dominion fell to third after two weeks on top with $26.7 million, just under my $28.3 million take. The dino saga stands at a sturdy $303 million.
Critically appreciated fright fest The Black Phone opened in fourth with $23.6 million – ringing up a more impressive number than my $18.6 million projection. Considering its budget is only a reported $18 million, this will be yet another profitable venture for Blumhouse.
Finally, Lightyear slid from second to fifth. Crashing harder than anticipated in its second orbit after an unimpressive start, the Pixar spinoff made $18.1 million (I said $23.2 million). The two-week tally is a muted $89 million after ten days. For comparison sake, I had it making $85 million in its first three days.
Sam Raimi’s horror sense and gory sensibilities (Evil Dead style) permeates Doctor Strange in the Multiverse of Madness. On paper this is a sequel to 2016’s predecessor which introduced Benedict Cumberbatch as the cocky mythical surgeon Stephen Strange. As with most sagas in the MCU, his character has been in plenty of other adventures in the interim (most notably the gargantuan Avengers: Infinity War and Endgame). The fifth word is the most key in the title. As Spider-Man: No Way Home (with its understandably audience pleasing cameos) showed just a few months back, this cinematic universe is now comprised of scores of them. Multiverse has a limited amount of fun with this development that’s far less memorable.
Instead this sequel often serves as a continuation of Disney Plus’s first Marvel streaming series WandaVision with Elizabeth Olsen. If you didn’t watch that, you’re going to be a little lost. Olsen’s Wanda, on the TV show, created an idyllic home life with Vision (Paul Bettany) and two cute kids with superhero powers. The problem – it was a completely invented reality and Wanda was causing harm to others by continuing the charade. She comes to her senses eventually. Multiverse finds Wanda being taken over by her alter ego the Scarlet Witch after acquiring a book of magic spells. Her character motivations stretch credibility with the same elasticity as a certain cameo where she battles familiar MCUers with some different faces.
Wanda/Scarlet’s plans to reunite with her made up kiddos jeopardize life in plenty of multiverses. None of them involve her wanting to reunite with the love of her life Vision (there’s that credibility issue). It does involve Doctor Strange teaming up with America Chavez (Xochitl Gomez). I’m sure her persona will be fleshed out in future installments. For now she’s a teen with the ability to jump multiverses who possesses powers she’s just beginning to harness. Strange first makes her acquaintance while attending the wedding of his former flame Christine (Rachel McAdams). A CG monster interrupts the reception on the streets outside and an eye popping (literally) battle ensues. The Scarlet Witch wants America for her own nefarious purposes so the Doc must protect her across multiple dimensions.
Actually… only a couple of dimensions as Multiverse never gets much screen time to explore the possibilities other than a brief and very cool sequence. Therein lies part of the problem. While I know we’re dealing with intergalactic mayhem that can mean all sorts of unanticipated cameos and landscapes, Madness can feel surprisingly low stakes. It doesn’t help with the aforementioned matters of Scarlet’s clunky story treatment.
What does occasionally assist in the entertainment value is Raimi being in the director’s chair. Taking over for Scott Derrickson, the veteran filmmaker doesn’t shy away from jump scares and his unique brand made notable four decades ago in Evil Dead. There are unquestionably some impressive and spellbinding visuals. There’s also a pop-in by Bruce Campbell that is more satisfying than higher profile cameos. Unfortunately this suffers from a malady similar to Raimi’s Spider-Man 3 with villainous plots that don’t quite ultimately work. Chiwetel Ejiofor unceremoniously returns as a version of Mordo, Strange’s former ally turned foe.
All this Strange magic while Stephen pines for Christine makes for a middle of the universe to lower tier universe experience. I appreciate Kevin Feige and the team allowing Raimi so much creative control. However, while previous confrontations were fought in fewer dimensions, I felt they covered more meaningful ground. As the MCU moves forward across all these galaxies (sometimes with inspiration and sometimes trudging on shaky foundations), we’ll have lots of opportunities to see how the mix turns out. I still have guarded optimism.
Illumination Entertainment will rule the Fourth of July weekend at the box office when Minions: The Rise of Gru hits theaters on July 1st. This is the fifth entry in the franchise that began a dozen summers back with Despicable Me and the first in five years.
Some early reviews are out and they’re mostly indicating it’s a decent if unspectacular chapter of the series. With 67% on Rotten Tomatoes, that’s higher than the two previous pics – 2015’s Minions (55%) and 2017’s Despicable Me 3 (59%). Of course, Gru‘s number will soon rise or fall as more critics weigh in.
2010’s Despicable Me (81%) and its 2013 sequel (75%) fared better, but only part two received awards attention. It was nominated for Best Animated Feature and Original Song with Pharrell’s inescapable “Happy”. Due to Disney’s Frozen and the equally omnipresent “Let It Go”, it lost both.
Based on early buzz, I see no path for Gru to find its way to the Animated Feature derby. My Oscar Prediction posts will continue…
My final Oscar predictions for the month of June comes with some news out today that Yorgos Lanthimos’s Poor Things is likely delayed until 2023. While I didn’t have it being nominated in any of the major races, it was listed in other possibilities in Picture, Director, Actress (Emma Stone), Supporting Actor (for Willem Dafoe and Mark Ruffalo), and Adapted Screenplay.
As for other shifts, I’m putting Empire of Light back in the 10 BP nominees and that’s to the detriment of She Said. In Supporting Actress, I’m dropping Zoe Kazan in She Said from the high five in favor of Rustin‘s Audra McDonald.
I’ll additionally note that Top Gun: Maverick continues to rise as it flies to the #12 slot. Its continued box office domination increases the chances for BP inclusion. Time will tell if it breaks the top 10 or eventually falls out of favor. However, I have no doubt now that Paramount will mount a robust campaign considering its phenomenon status.
In Best Actor, the #1 position is back to Hugh Jackman (The Son) over Brendan Fraser in The Whale. Speaking of the former pic, I’ve moved Laura Dern’s work to supporting instead of lead.
You can peruse all the movement below!
Best Picture
Predicted Nominees:
1. Babylon (Previous Ranking: 1) (E)
2. The Fabelmans (PR: 2) (E)
3. Killers of the Flower Moon (PR: 3) (E)
4. Everything Everywhere All at Once (PR: 4) (E)
5. Women Talking (PR: 6) (+1)
6. The Son (PR: 5) (-1)
7. Bardo (PR: 7) (E)
8. Empire of Light (PR: 11) (+3)
9. The Whale (PR: 9) (E)
10. Rustin (PR: 10) (E)
Other Possibilities:
11. She Said (PR: 8) (-3)
12. Top Gun: Maverick (PR: 18) (+6)
13. White Noise (PR: 12) (-1)
14. Broker (PR: 13) (-1)
15. Amsterdam (PR: 14) (-1)
16. Avatar: The Way of Water (PR: 17) (+1)
17. Tar (PR: 19) (+2)
18. Elvis (PR: 20) (+2)
19. Decision to Leave (PR: 16) (-3)
20. Next Goal Wins (PR: 21) (+1)
21. Thirteen Lives (PR: 22) (+1)
22. Triangle of Sadness (PR: Not Ranked)
23. The Banshees of Inisherin (PR: 24) (+1)
24. Till (PR: 25) (+1)
25. The Killer (PR: Not Ranked)
Dropped Out:
Poor Things
Armageddon Time
Best Director
Predicted Nominees:
1. Damien Chazelle, Babylon (PR: 1) (E)
2. Steven Spielberg, The Fabelmans (PR: 2) (E)
3. Martin Scorsese, Killers of the Flower Moon (PR: 3) (E)
4. Daniels, Everything Everywhere All at Once (PR: 4) (E)
5. Alejandro Gonzalez Inarritu, Bardo (PR: 5) (E)
Other Possibilities:
6. Sarah Polley, Women Talking (PR: 6) (E)
7. Sam Mendes, Empire of Light (PR: 11) (+4)
8. Florian Zeller, The Son (PR: 7) (-1)
9. Darren Aronofsky, The Whale (PR: 8) (-1)
10. Hirokazu Kore-ada, Broker (PR: 10) (E)
11. James Cameron, Avatar: The Way of Water (PR: 14) (+3)
12. Noah Baumbach, White Noise (PR: 12) (E)
13. Park Chan-wook, Decision to Leave (PR: 9) (-4)
14. Maria Schrader, She Said (PR: 15) (+1)
15. Todd Field, Tar (PR: Not Ranked)
Dropped Out:
Yorgos Lanthimos, Poor Things
Best Actress
Predicted Nominees:
1. Margot Robbie, Babylon (PR: 1) (E)
2. Michelle Yeoh, Everything Everywhere All at Once (PR: 2) (E)
3. Olivia Colman, Empire of Light (PR: 4) (+1)
4. Regina King, Shirley (PR: 3) (-1)
5. Danielle Deadwyler, Till (PR: 5) (E)
Other Possibilities:
6. Cate Blanchett, Tar (PR: 6) (E)
7. Naomi Ackie, I Wanna Dance with Somebody (PR: 8) (+1)
8. Carey Mulligan, She Said (PR: 9) (+1)
9. Viola Davis, The Woman King (PR: 13) (+4)
10. Ana de Armas, Blonde (PR: 12) (+2)
11. Helen Mirren, Golda (PR: 11) (E)
12. Jessica Chastain, The Good Nurse (PR: Not Ranked)
13. Florence Pugh, Don’t Worry Darling (PR: Not Ranked)
14. Michelle Williams, Showing Up (PR: 14) (E)
15. Saoirse Ronan, See How They Run (PR: 15) (E)
Dropped Out:
Emma Stone, Poor Things
Laura Dern, The Son (moved to Supporting Actress)
Best Actor
Predicted Nominees:
1. Hugh Jackman, The Son (PR: 2) (+1)
2. Brendan Fraser, The Whale (PR: 1) (-1)
3. Colman Domingo, Rustin (PR: 4) (+1)
4. Leonardo DiCaprio, Killers of the Flower Moon (PR: 3) (-1)
5. Austin Butler, Elvis (PR: 5) (E)
Other Possibilities:
6. Adam Driver, White Noise (PR: 6) (E)
7. Daniel Gimenez Cacho, Bardo (PR: 10) (+3)
8. Diego Calva, Babylon (PR: 9) (+1)
9. Christian Bale, Amsterdam (PR: 7) (-2)
10. Michael Fassbender, Next Goal Wins (PR: 11) (+1)
11. Song Kang-ho, Broker (PR: 8) (-3)
12. Colin Farrell, The Banshees of Inisherin (PR: 13) (+1)
13. Tom Cruise, Top Gun: Maverick (PR: 14) (+1)
14. Gabriel LaBelle, The Fabelmans (PR: 12) (-2)
15. Viggo Mortensen, Thirteen Lives (PR: 15) (E)
Best Supporting Actress
Predicted Nominees:
1. Michelle Williams, The Fabelmans (PR: 1) (E)
2. Lily Gladstone, Killers of the Flower Moon (PR: 2) (E)
3. Jessie Buckley, Women Talking (PR: 3) (E)
4. Hong Chau, The Whale (PR: 5) (+1)
5. Audra McDonald, Rustin (PR: 8) (+3)
Other Possibilities:
6. Laura Dern, The Son (PR: Not Ranked – moved from Actress)
7. Zoe Kazan, She Said (PR: 4) (-3)
8. Vanessa Kirby, The Son (PR: 6) (-2)
9. Jean Smart, Babylon (PR: 7) (-2)
10. Patricia Clarkson, She Said (PR: 9) (-1)
11. Dakota Johnson, Cha Cha Real Smooth (PR: 10) (-1)
12. Sadie Sink, The Whale (PR: 13) (+1)
13. Stephanie Hsu, Everything Everywhere All at Once (PR: 11) (-2)
14. Margot Robbie, Amsterdam (PR: 14) (E)
15. Nina Hoss, Tar (PR: 15) (E)
Dropped Out:
Anne Hathaway, Armageddon Time
Best Supporting Actor
Predicted Nominees:
1. Robert De Niro, Killers of the Flower Moon (PR: 1) (E)
2. Paul Dano, The Fabelmans (PR: 2) (E)
3. Ke Huy Quan, Everything Everywhere All at Once (PR: 4) (+1)
4. Brad Pitt, Babylon (PR: 3) (-1)
5. Jesse Plemons, Killers of the Flower Moon (PR: 5) (E)
Other Possibilities:
6. Glynn Turman, Rustin (PR: 7) (+1)
7. Colin Firth, Empire of Light (PR: 8) (+1)
8. Ben Whishaw, Women Talking (PR: 10) (+2)
9. Anthony Hopkins, Armageddon Time (PR: 9) (E)
10. Seth Rogen, The Fabelmans (PR: 11) (+1)
11. Brendan Gleeson, The Banshees of Inisherin (PR: 13) (+2)
12. Russell Crowe, The Greatest Beer Run Ever (PR: Not Ranked)
13. John David Washington, Amsterdam (PR: 12) (-1)
14. Don Cheadle, White Noise (PR: Not Ranked)
15. Tom Hanks, Elvis (PR: 15) (E)
Dropped Out:
Willem Dafoe, Poor Things
Mark Ruffalo, Poor Things
Best Original Screenplay
Predicted Nominees:
1. Everything Everywhere All at Once (PR: 1) (E)
2. The Fabelmans (PR: 3) (+1)
3. Babylon (PR: 2) (-1)
4. Empire of Light (PR: 9) (+5)
5. Triangle of Sadness (PR: 11) (+6)
Other Possibilities:
6. Bardo (PR: 4) (-2)
7. Rustin (PR: 6) (-1)
8. Broker (PR: 5) (-3)
9. The Banshees of Inisherin (PR: Not Ranked – moved from Adapted)
10. Tar (PR: 10) (E)
11. Amsterdam (PR: 7) (-4)
12. Decision to Leave (PR: 8) (-4)
13. Cha Cha Real Smooth (PR: Not Ranked)
14. Don’t Worry Darling (PR: Not Ranked)
15. Bros (PR: Not Ranked)
Dropped Out:
Aftersun
Armageddon Time
Glass Onion: A Knives Out Story
Nope
Best Adapted Screenplay
Predicted Nominees:
1. Killers of the Flower Moon (PR: 1) (E)
2. The Son (PR: 2) (E)
3. Women Talking (PR: 4) (+1)
4. The Whale (PR: 3) (-1)
5. White Noise (PR: 5) (E)
Other Possibilities:
6. She Said (PR: 6) (E)
7. Next Goal Wins (PR: 9) (+2)
8. Till (PR: 10) (+2)
9. Bones & All (PR: 12) (+3)
10. The Greatest Beer Run Ever (PR: 15) (+5)
11. The Killer (PR: Not Ranked)
12. The Good Nurse (PR: Not Ranked)
13. Top Gun: Maverick (PR: 13) (E)
14. Thirteen Lives (PR: 11) (-3)
15. Avatar: The Way of Water (PR: 14) (-1)
Dropped Out:
Poor Things
The Banshees of Inisherin (moved to Original Screenplay)
Blogger’s Note (06/30): On the eve of its premiere, upping my Minions estimate from $78.4M to $86.4M
Illumination and Universal Pictures should light up the Fourth of July weekend at the box office with Minions: The Rise of Gru. The sequel to the 2015 spinoff prequel and the fifth overall entry in the Despicable Me franchise, Kyle Balda directs with Steve Carell returning to voice the title character. Other performers in the booth include Pierre Coffin, Taraji P. Henson, Michelle Yeoh, RZA, Jean-Claude Van Damme, Lucy Lawless, Dolph Lundgren, Danny Trejo, Russell Brand, Julie Andrews, and Alan Arkin. How’s that for eclectic? I’m pretty sure this marks the first collaboration between Van Damme and Andrews.
This series has proved to be a financial windfall for its studio. All four previous pics have made over $250 million domestically. Minions took in $115 million out of the gate seven summers back with $336 million overall. Immediate predecessor Despicable Me 3 from 2017, while still a hit, wasn’t as high. It premiered with $72 million and ended up with $264 million.
Three years was previously the longest wait between films. The five year gap is a bit risky as some of its fans are simply older. We’ve also seen a very recent example of an animated disappointment with Pixar’s Lightyear.
That said, I suspect Gru will rise to the occasion with a four-day holiday haul in the $75-85 million range. I’m starting out on the lower end of that scale, but my estimate could go up in the days ahead.
Minions: The Rise of Gru opening weekend prediction: $86.4 million (Friday to Monday estimate)
Adapting her own 2009 novel, Suzanne Allain scripts the period piece dramedy Mr. Malcolm’s List. Out July 1st and apparently borrowing influence from Jane Austen, Emma Holly Jones makes her directorial debut. The cast includes Freida Pinto (from 2008’s Best Picture winner Slumdog Millionaire), Sope Dirisu, Oliver Jackson-Cohen, Ashley Park, Zawe Ashton, and Theo James.
Early reviews are decent at 89% on Rotten Tomatoes with the bulk calling it a pleasant diversion. That’s hardly enough for it to contend for any major awards prizes. Furthermore, distributor Bleecker Street has a sketchy track record getting their films noticed (ask the ensemble from Mass last year).
There’s always the possibility of Costume Design, but I suspect heavier hitters are arriving in the fall. My Oscar Prediction posts will continue…
Blogger’s Update (06/23): On the eve of its premiere, I am revising my Elvis prediction from $42.6M to $35.6M. That still gives it the #1 slot over Top Gun: Maverick… barely.
In what should be an intriguing and potentially unpredictable weekend to close out the June box office, Baz Luhrmann’s musical biopic Elvis and critically lauded horror pic The Black Phone debut. You can peruse my detailed prediction posts on both of them here:
There’s plenty of possibilities for how the top 5 will look. While there’s no doubt about which quintet will populate the list, the order is up for grabs. I believe Elvis will open closer to the $51 million of Bohemian Rhapsody than the $25 million of Rocketman. That should be enough to earn it the title of Box Office King.
However, if it does premiere in the mid to late 20s range, the chances of a #1 start are considerably lower. We could legitimately see Top Gun: Maverick rise from 3rd to 1st. With a projected dip in the low to mid 20s, it should at least rise to 2nd place. That’s assuming current two-week champ Jurassic World: Dominion loses more than half its audience in its third go-round and Lightyear also sees a sophomore fall of around 55%. I’m assuming both.
And there’s the wild card that is The Black Phone. Horror titles often outdo expectations and with its aforementioned solid reviews, that could apply here. I’m sticking with a debut of just under $20 million and that would likely mean a fifth place reception.
Here’s how I envision perhaps the most fascinating box office weekend so far in the pandemic era looking:
1. Elvis
Predicted Gross: $35.6 million
2. Top Gun: Maverick
Predicted Gross: $34.8 million
3. Jurassic World: Dominion
Predicted Gross: $28.3 million
4. Lightyear
Predicted Gross: $23.2 million
5. The Black Phone
Predicted Gross: $18.6 million
Box Office Results (June 17-19)
In a major upset, Jurassic World: Dominion remained #1 for the second frame with $59.1 million. That’s stronger than my $54.8 million estimate as the threequel is up to $250 million in its first ten days. That’s $15 million under where predecessor was at four summers ago.
Jurassic‘s reign was unexpected because Disney/Pixar’s Toy Story spinoff Lightyear was widely anticipated to rule the charts. Instead it grossed $50.5 million for second place. That’s, ahem, $35 million under my projection of $85.5 million and less than half of what Toy Story 3 and Toy Story 4 made out of the gate. There’s plenty of think pieces out there for why Lightyear was a disappointment. It includes theories about politics, Disney Plus being the same day distributor for recent Pixar material, and the absence of Tim Allen as the voice of the title character. Any way you slice it, it’s a shocker.
Top Gun: Maverick continued its amazing run in third with $44.6 million – dropping a scant 14%. I was lower at $36 million. The biggest hit of the year (and of Tom Cruise’s career by far) is flying at $466 million as its domestic haul will reach $500 million shortly. As mentioned, if Elvis doesn’t reach my projection, it could see a return to the top spot. I wrote more about Maverick‘s unreal performance yesterday on the blog and it’s here:
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