Tag: Paul Bettany

97th Academy Awards Predictions: May 5, 2024

Cinco de Mayo brings the second ranked post for the 97th Academy Awards in the six major races- Picture, Director, and the four acting derbies. Obviously we’re early in the process and, at the moment, a lot of speculation is simply on where certain performers will be placed (lead or supporting). Some examples: His Three Daughters from director Azazel Jacobs screened to impressive reviews at Toronto last fall and has been given a plum Netflix streaming start for this autumn. The title characters are played by Carrie Coon, Natasha Lyonne, and Elizabeth Olsen. The studio has a decision to make on which categories the trio are campaigned in. I am currently guesstimating that Lyonne will be lead with the other two in supporting. It is indeed a guesstimate. They could all go supporting. Coon could be an Actress play with the others in supporting. Obviously I’ll adjust as the weeks and months move along as updates are provided.

Then there’s Saoirse Ronan. The four-time nominee and no time winner has two 2024 shots. Her work in The Outrun premiered at Sundance, indicating a definite possibility for a lead Actress nod. She is also in Steve McQueen’s Blitz which sure looks like an awards hopeful on paper. Whether she’s lead or supporting in it remains to be seen. Apple TV might have better luck putting her in Supporting Actress and that’s where I have her. However, we don’t know if that’s workable at press time.

Beyond the thespians, we have head scratchers like Kevin Costner’s western epic Horizon: An American Saga. Make that Horizon: An American Saga – Chapter 1 (slated for late June) and Horizon: An American Saga – Chapter 2 (arriving mid-August). Could the Dances with Wolves maker have another chance at Oscar glory? If so, which chapter books its spot on the BP list? I’m speculating that the better chance lies with the second one.

Horizon will first be seen at Cannes and that fest kicks off May 14th. Some other pictures showing there include Kinds of Kindness, Megalopolis, The Apprentice, Bird, Furiosa: A Mad Max Saga, Emilia Perez, and Anora. When I publish my next update in a couple of weeks, some of them will have reviews and buzz.

Here’s how I have it shaking out now!

Best Picture

Predicted Nominees:

1. Blitz (Previous Ranking: 1) (Even)

2. Dune: Part Two (PR: 2) (E)

3. Conclave (PR: 3) (E)

4. Sing Sing (PR: 4) (E)

5. Queer (PR: 6) (+1)

6. The End (PR: 5) (-1)

7. The Fire Inside (PR: 7) (E)

8. Kinds of Kindness (PR: 9) (+1)

9. Bird (PR: 8) (-1)

10. His Three Daughters (PR: Not Ranked)

Other Possibilities:

11. Joker: Folie à Deux (PR: 11) (E)

12. Horizon: An American Saga – Chapter 2 (PR: 19) (+7)

13. The Apprentice (PR: 12) (-1)

14. Furiosa: A Mad Max Saga (PR: 14) (E)

15. The Piano Lesson (PR: 18) (+3)

16. Megalopolis (PR: 17) (+1)

17. Maria (PR: 16) (-1)

18. The Nickel Boys (PR: 22) (+4)

19. Civil War (PR: 15) (-4)

20. Hit Man (PR: Not Ranked)

21. A Real Pain (PR: 20) (-1)

22. The Supremes at Earl’s All-You-Can-Eat (PR: 13) (-9)

23. Dídi (PR: 10) (-13)

24. Hard Truths (PR: 23) (-1)

25. SNL 1975 (PR: Not Ranked)

Dropped Out:

Here

Wicked

Gladiator II

Best Director

Predicted Nominees:

1. Steve McQueen, Blitz (PR: 1) (E)

2. Denis Villeneuve, Dune: Part Two (PR: 2) (E)

3. Edward Berger, Conclave (PR: 3) (E)

4. Joshua Oppenheimer, The End (PR: 4) (E)

5. Andrea Arnold, Bird (PR: 9) (+4)

Other Possibilities:

6. Luca Guadagnino, Queer (PR: 6) (E)

7. Yorgos Lanthimos, Kinds of Kindness (PR: 8) (+1)

8. Rachel Morrison, The Fire Inside (PR: 5) (-3)

9. Todd Phillips, Joker: Folie à Deux (PR: 10) (+1)

10. Greg Kwedar, Sing Sing (PR: 7) (-3)

11. George Miller, Furiosa: A Mad Max Saga (PR: 11) (E)

12. Kevin Costner, Horizon: An American Saga – Chapter 2 (PR: Not Ranked)

13. Francis Ford Coppola, Megalopolis (PR: 14) (+1)

14. Ali Abbisi, The Apprentice (PR: 15) (+1)

15. Azazel Jacobs, His Three Daughters (PR: Not Ranked)

Dropped Out:

Sean Wang, Dídi

Alex Garland, Civil War

Best Actress

Predicted Nominees:

1. Angelina Jolie, Maria (PR: 1) (E)

2. Saoirse Ronan, The Outrun (PR: 10) (+8)

3. Natasha Lyonne, His Three Daughters (PR: Not Ranked) – moved from Supporting

4. Ryan Destiny, The Fire Inside (PR: 3) (-1)

5. Lady Gaga, Joker: Folie à Deux (PR: 4) (-1)

Other Possibilities:

6. Tilda Swinton, The End (PR: 5) (-1)

7. Amy Adams, Nightbitch (PR: 6) (-1)

8. Karla Sofia Gascón, Emilia Perez (PR: 9) (+1)

9. Marianne Jean-Baptiste, Hard Truths (PR: 7) (-2)

10. Zendaya, Challengers (PR: 13) (+3)

11. Jessica Lange, Long Day’s Journey Into Night (PR: 11) (E)

12. Florence Pugh, We Live in Time (PR: Not Ranked)

13. Anne Hathaway, Mother Mary (PR: 12) (-1)

14. Uzo Aduba, The Supremes at Earl’s All-You-Can-Eat (PR: 8) (-6)

15. Noemie Merlant, Emmanuelle (PR: 15) (E)

Dropped Out:

Saoirse Ronan, Blitz (moved to Supporting)

Cynthia Erivo, Wicked

Best Actor

Predicted Nominees:

1. Colman Domingo, Sing Sing (PR: 1) (E)

2. Ralph Fiennes, Conclave (PR: 2) (E)

3. Daniel Craig, Queer (PR: 4) (+1)

4. Barry Keoghan, Bird (PR: 3) (-1)

5. André Holland, The Actor (PR: 5) (E)

Other Possibilities:

6. Joaquin Phoenix, Joker: Folie à Deux (PR: 6) (E)

7. Glen Powell, Hit Man (PR: 9) (+2)

8. Sebastian Stan, The Apprentice (PR: 8) (E)

9. John David Washington, The Piano Lesson (PR: 10) (+1)

10. George MacKay, The End (PR: 7) (-3)

11. Sebastian Stan, A Different Man (PR: 13) (+2)

12. Paul Bettany, The Collaboration (PR: 14) (+2)

13. Andrew Garfield, We Live in Time (PR: Not Ranked)

14. Kingsley Ben-Adir, Bob Marley: One Love (PR: 15) (+1)

15. Kevin Costner, Horizon: An American Saga – Chapter 2 (PR: Not Ranked)

Dropped Out:

Timothée Chalamet, Dune: Part Two

Adam Driver, Megalopolis

Best Supporting Actress

Predicted Nominees:

1. Isabella Rossellini, Conclave (PR: 2) (+1)

2. Saoirse Ronan, Blitz (PR: Not Ranked) – moved from lead Actress

3. Joan Chen, Dídi (PR: 1) (-2)

4. Carrie Coon, His Three Daughters (PR: Not Ranked)

5. Aunjanue Ellis-Taylor, The Nickel Boys (PR: 8) (+3)

Other Possibilities:

6. Hong Chau, Kinds of Kindness (PR: 5) (-1)

7. Lesley Manville, Queer (PR: 4) (-3)

8. Danielle Deadwyler, The Piano Lesson (PR: 9) (+1)

9. Elizabeth Olsen, His Three Daughters (PR: Not Ranked)

10. Erin Kellyman, Blitz (PR: 3) (-7)

11. Jodie Comer, The Bikeriders (PR: 6) (-5)

12. Maria Bakalova, The Apprentice (PR: 7) (-5)

13. Toni Collette, Juror No. 2 (PR: Not Ranked)

14. Margaret Qualley, Kinds of Kindness (PR: 15) (+1)

15. Zoe Saldaña, Emilia Perez (PR: 11) (-4)

Dropped Out:

Natasha Lyonne, His Three Daughters (moved to lead Actress)

Aunjanue Ellis-Taylor, The Supremes at Earl’s All-You-Can-Eat

Cailee Spaeny, Civil War

Naomi Watts, Emmanuelle

Best Supporting Actor

Predicted Nominees:

1. Stanley Tucci, Conclave (PR: 1) (E)

2. Clarence Maclin, Sing Sing (PR: 2) (E)

3. Brian Tyree Henry, The Fire Inside (PR: 3) (E)

4. Kieran Culkin, A Real Pain (PR: 4) (E)

5. Samuel L. Jackson, The Piano Lesson (PR: 7) (+2)

Other Possibilities:

6. Drew Starkey, Queer (PR: 8) (+2)

7. Jeremy Strong, The Apprentice (PR: 6) (-1)

8. Franz Rogowski, Bird (PR: Not Ranked)

9. John Lithgow, Conclave (PR: 11) (+2)

10. Adam Pearson, A Different Man (PR: 10) (E)

11. Harris Dickinson, Blitz (PR: 9) (-2)

12. Leigh Gill, Blitz (PR: 5) (-7)

13. Jesse Plemons, Kinds of Kindness (PR: Not Ranked)

14. Stephen Graham, Blitz (PR: Not Ranked)

15. Javier Bardem, Dune: Part Two (PR: Not Ranked)

Dropped Out:

Forest Whitaker, Megalopolis

Paul Raci, Sing Sing

Austin Butler, Dune: Part Two

Edgar Ramirez, Emilia Perez

97th Academy Awards Predictions: April 21, 2024

A month and change after the 96th Academy Awards aired, it is time for my first ranked predictions for the next ceremony coming your way March 2, 2025.

Yes, it’s early. However, I posted my inaugural numbered forecasts for Best Picture, Director, and the four acting derbies around the same juncture a year ago. The results named the eventual winners in all six races. In BP, four of the 10 contenders were predicted (including Oppenheimer) while three others were listed in Other Possibilities. For Director, I correctly called 2 of the 5 filmmakers (including Christopher Nolan) with two others in Other Possibilities. Best Actress yielded just one, but it was statue recipient Emma Stone for Poor Things. Two others were listed in Other Possibilities. Best Actor also saw one with three of the others in Other Possibilities (including Oppenheimer himself, Cillian Murphy). For Supporting Actress, it was 1 and then 2 in Other Possibilities (including victor Da’Vine Joy Randolph for The Holdovers). Finally, in Supporting Actor, it was one in the projected quintet with three in Other Possibilities and that includes Robert Downey Jr. for Oppenheimer.

Let’s get those caveats out of the way. Some of the performers predicted in lead will end up in supporting and vice versa. That happened in 2023 when I had Lily Gladstone (Killers of the Flower Moon) at #1 in Supporting Actress and then she ended up being campaigned for and was nominated in Best Actress. Some of the movies will get pushed back to 2025. There’s a few from my first projections in April 2023 that were supposed to come out that year. You’ll find them listed below and that list includes heavy hitters like Dune: Part Two, Blitz, Challengers, The Nickel Boys, The Piano Lesson, Nightbitch, and The Fire Inside to name a few.

You can expect these predictions to be updated every couple of weeks before it turns into a weekly post starting in late summer/early fall when festival season goes into overdrive. A smattering of these titles will have reviews up when they premiere at Cannes less than a month from now. They include Bird, Kinds of Kindness, Megalopolis, Furiosa: A Mad Max Saga, The Apprentice, Emilia Perez, and Horizon: An American Saga.

With all that out of the way – here are those first ranked takes!

BEST PICTURE

Predicted Nominees:

1. Blitz

2. Dune: Part Two

3. Conclave

4. Sing Sing

5. The End

6. Queer

7. The Fire Inside

8. Bird

9. Kinds of Kindness

10. Dídi

Other Possibilities:

11. Joker: Folie à Deux

12. The Apprentice

13. The Supremes at Earl’s All-You-Can-Eat

14. Furiosa: A Mad Max Saga

15. Civil War

16. Maria

17. Megalopolis

18. The Piano Lesson

19. Horizon: An America Saga – Chapter 2

20. A Real Pain

21. Here

22. The Nickel Boys

23. Hard Truths

24. Wicked

25. Gladiator II

Best Director

Predicted Nominees:

1. Steve McQueen, Blitz

2. Denis Villeneuve, Dune: Part Two

3. Edward Berger, Conclave

4. Joshua Oppenheimer, The End

5. Rachel Morrison, The Fire Inside

Other Possibilities:

6. Luca Guadagnino, Queer

7. Greg Kwedar, Sing Sing

8. Yorgos Lanthimos, Kinds of Kindness

9. Andrea Arnold, Bird

10. Todd Phillips, Joker: Folie à Deux

11. George Miller, Furiosa: A Mad Max Saga

12. Sean Wang, Dídi

13. Alex Garland, Civil War

14. Francis Ford Coppola, Megalopolis

15. Ali Abbisi, The Apprentice

Best Actress

Predicted Nominees:

1. Angelina Jolie, Maria

2. Saoirse Ronan, Blitz

3. Ryan Destiny, The Fire Inside

4. Lady Gaga, Joker: Folie á Deux

5. Tilda Swinton, The End

Other Possibilities:

6. Amy Adams, Nightbitch

7. Marianne Jean-Baptiste, Hard Truths

8. Uzo Aduba, The Supremes at Earl’s All-You-Can-Eat

9. Karla Sofia Gascón, Emilia Perez

10. Saoirse Ronan, The Outrun

11. Jessica Lange, Long Day’s Journey Into Night

12. Anne Hathaway, Mother Mary

13. Zendaya, Challengers

14. Cynthia Erivo, Wicked

15. Noemie Merlant, Emmanuelle

Best Actor

Predicted Nominees:

1. Colman Domingo, Sing Sing

2. Ralph Fiennes, Conclave

3. Barry Keoghan, Bird

4. Daniel Craig, Queer

5. André Holland, The Actor

Other Possibilities:

6. Joaquin Phoenix, Joker: Folie à Deux

7. George MacKay, The End

8. Sebastian Stan, The Apprentice

9. Glen Powell, Hit Man

10. John David Washington, The Piano Lesson

11. Timothée Chalamet, Dune: Part Two

12. Adam Driver, Megalopolis

13. Sebastian Stan, A Different Man

14. Paul Bettany, The Collaboration

15. Kingsley Ben-Adir, Bob Marley: One Love

Best Supporting Actress

Predicted Nominees:

1. Joan Chen, Dídi

2. Isabella Rossellini, Conclave

3. Erin Kellyman, Blitz

4. Lesley Manville, Queer

5. Hong Chau, Kinds of Kindness

Other Possibilities:

6. Jodie Comer, The Bikeriders

7. Maria Bakalova, The Apprentice

8. Aunjanue Ellis-Taylor, The Nickel Boys

9. Danielle Deadwyler, The Piano Lesson

10. Aunjanue Ellis-Taylor, The Supremes at Earl’s All-You-Can-Eat

11. Zoe Saldana, Emilia Perez

12. Cailee Spaeny, Civil War

13. Naomi Watts, Emmanuelle

14. Natasha Lyonne, His Three Daughters

15. Margaret Qualley, Kinds of Kindness

Best Supporting Actor

Predicted Nominees:

1. Stanley Tucci, Conclave

2. Clarence Maclin, Sing Sing

3. Brian Tyree Henry, The Fire Inside

4. Kieran Culkin, A Real Pain

5. Leigh Gill, Blitz

Other Possibilities:

6. Jeremy Strong, The Apprentice

7. Samuel L. Jackson, The Piano Lesson

8. Drew Starkey, Queer

9. Harris Dickinson, Blitz

10. Adam Pearson, A Different Man

11. John Lithgow, Conclave

12. Forest Whitaker, Megalopolis

13. Paul Raci, Sing Sing

14. Austin Butler, Dune: Part Two

15. Edgar Ramirez, Emilia Perez

As always, keep an eye on the blog for future updates and Oscar Prediction posts focusing in various pictures as they screen!

Doctor Strange in the Multiverse of Madness Review

Sam Raimi’s horror sense and gory sensibilities (Evil Dead style) permeates Doctor Strange in the Multiverse of Madness. On paper this is a sequel to 2016’s predecessor which introduced Benedict Cumberbatch as the cocky mythical surgeon Stephen Strange. As with most sagas in the MCU, his character has been in plenty of other adventures in the interim (most notably the gargantuan Avengers: Infinity War and Endgame). The fifth word is the most key in the title. As Spider-Man: No Way Home (with its understandably audience pleasing cameos) showed just a few months back, this cinematic universe is now comprised of scores of them. Multiverse has a limited amount of fun with this development that’s far less memorable.

Instead this sequel often serves as a continuation of Disney Plus’s first Marvel streaming series WandaVision with Elizabeth Olsen. If you didn’t watch that, you’re going to be a little lost. Olsen’s Wanda, on the TV show, created an idyllic home life with Vision (Paul Bettany) and two cute kids with superhero powers. The problem – it was a completely invented reality and Wanda was causing harm to others by continuing the charade. She comes to her senses eventually. Multiverse finds Wanda being taken over by her alter ego the Scarlet Witch after acquiring a book of magic spells. Her character motivations stretch credibility with the same elasticity as a certain cameo where she battles familiar MCUers with some different faces.

Wanda/Scarlet’s plans to reunite with her made up kiddos jeopardize life in plenty of multiverses. None of them involve her wanting to reunite with the love of her life Vision (there’s that credibility issue). It does involve Doctor Strange teaming up with America Chavez (Xochitl Gomez). I’m sure her persona will be fleshed out in future installments. For now she’s a teen with the ability to jump multiverses who possesses powers she’s just beginning to harness. Strange first makes her acquaintance while attending the wedding of his former flame Christine (Rachel McAdams). A CG monster interrupts the reception on the streets outside and an eye popping (literally) battle ensues. The Scarlet Witch wants America for her own nefarious purposes so the Doc must protect her across multiple dimensions.

Actually… only a couple of dimensions as Multiverse never gets much screen time to explore the possibilities other than a brief and very cool sequence. Therein lies part of the problem. While I know we’re dealing with intergalactic mayhem that can mean all sorts of unanticipated cameos and landscapes, Madness can feel surprisingly low stakes. It doesn’t help with the aforementioned matters of Scarlet’s clunky story treatment.

What does occasionally assist in the entertainment value is Raimi being in the director’s chair. Taking over for Scott Derrickson, the veteran filmmaker doesn’t shy away from jump scares and his unique brand made notable four decades ago in Evil Dead. There are unquestionably some impressive and spellbinding visuals. There’s also a pop-in by Bruce Campbell that is more satisfying than higher profile cameos. Unfortunately this suffers from a malady similar to Raimi’s Spider-Man 3 with villainous plots that don’t quite ultimately work. Chiwetel Ejiofor unceremoniously returns as a version of Mordo, Strange’s former ally turned foe.

All this Strange magic while Stephen pines for Christine makes for a middle of the universe to lower tier universe experience. I appreciate Kevin Feige and the team allowing Raimi so much creative control. However, while previous confrontations were fought in fewer dimensions, I felt they covered more meaningful ground. As the MCU moves forward across all these galaxies (sometimes with inspiration and sometimes trudging on shaky foundations), we’ll have lots of opportunities to see how the mix turns out. I still have guarded optimism.

**1/2 (out of four)

Oscar Watch – Avengers: Endgame

Last year, Marvel’s Black Panther became the first comic book pic to score a Best Picture nomination. While it didn’t win, it took home three gold trophies from its seven nods. This weekend, box office records are highly likely to break with the release of Avengers: Endgame. The 22nd MCU title had its review embargo lift hours ago… try to your best to avoid spoilers.

The verdict? A 98% Rotten Tomatoes score thus far. Some critics are going as far as saying it’s the best overall entry in the massive franchise. Others write ups, while positive, don’t go that far. One thing seems certain as Endgame is classified as an epic experience.

Could lightning strike two years in a row for Marvel with Academy voters? Here’s the advantage: this fourth Avengers saga is seen as the culmination of not just its three predecessors, but also the many other pictures MCU blockbusters over the past 11 years. That lifts its chances for recognition as Oscar could see this as an “atta boy” for the whole series.

That said, I’m doubtful. The first three Avengers flicks garnered a grand total of two nominations. The 2012 original and last year’s Infinity War both received Visual Effects nods. Neither won. The middle child (2015’s Age of Ultron) got no love. Last year, Disney was undoubtedly more focused on getting Black Panther recognition and they succeeded. In 2019, they could put together a more robust campaign for Endgame.

A third calling in Visual Effects is probably inevitable, but anything else from the Academy is questionable and maybe even doubtful. Yet I wouldn’t totally count out some Disney marketing campaign magic. My Oscar Watch posts will continue…

Avengers: Endgame Box Office Prediction

This current massively successful phase of the Marvel Cinematic Universe draws to a close next weekend with the release of Avengers: Endgame. There’s an excellent chance that it achieves the largest opening weekend gross of all time with the grand finale. Endgame follows up directly with last summer’s Avengers: Infinity War, which is the current record holder with $257 million.

Anthony and Joe Russo return in the directors chairs with a core group of familiar heroes battling Josh Brolin’s Thanos. They include Robert Downey Jr.’s Iron Man, Chris Evans as Captain America, Chris Hemsworth’s Thor, Scarlett Johansson’s Black Widow, Brie Larson as Captain Marvel, Mark Ruffalo’s Hulk, Paul Rudd’s Ant-Man, and Jeremy Renner’s Hawkeye. That’s just scratching the surface, by the way. The events (spoiler alert if you’ve been in a year-long coma) of Infinity War dissolved numerous other beloved characters into dust including Chadwick Boseman’s Black Panther, Tom Holland’s Spider-Man, Benedict Cumberbatch’s Doctor Strange and the majority of the Guardians of the Galaxy (Chris Pratt, Zoe Saldana, Dave Bautista) save for Bradley Cooper voicing Rocket. It’s quite likely you’ll see them again. And also in the roles we’ve seen them in before… there’s Gwyneth Paltrow, Karen Gillan, Danai Gurira, Tessa Thompson, Don Cheadle, Jon Favreau, Anthony Mackie, Elizabeth Olsen, Paul Bettany, and Evangeline Lilly. Oh… and Letitia Wright and Sebastian Stan and Tom Hiddleston.

Whew. Back to the numbers crunching. When early tickets went on sale a couple of weeks ago, Endgame smashed every record in sight. Its YouTube trailer views are off the charts. Audiences know this is the culmination of what we’ve paid billions of dollars for over the past decade plus. Yes, there’s a three-hour runtime which is unprecedented for the MCU.

I have a feeling that won’t matter when it comes to reaching a premiere level we’ve yet to witness. No other movie is daring to compete against it and most holdovers will be earning $10 million and less. In other words, multiplexes will clear a ton of real estate for this.

Initial estimates put Endgame around $250 million, but the buzz has this inching upwards. I believe that’s a correct assumption. While I don’t believe this will hit $300 million (as the rosiest projections suggest), a gross just north of $285 million seems feasible. If it achieves that mark, the endgame here will indeed set records.

Avengers: Endgame opening weekend prediction: $289.6 million

Solo: A Star Wars Story Movie Review

I have an ambivalent feeling about this. And there I am with Solo: A Star Wars Story, which is competently directed and acted, has the impressive battle scenes you expect in this franchise, and manages to be underwhelming at the same time. It is the first occurrence of Disney’s resurgence of the forty-year plus series seeming inconsequential, a feeling that didn’t permeate Rogue One (2016’s first stand-alone entry in the galaxy far far away).

Here is a franchise, more than any other, that elicits strong emotions from its legions of fans both positively and negatively. After all, the original episodes IV-VI trilogy has inspired generations of filmmakers and other blockbusters. Episode I-III sparked a backlash where its multitude of detractors still foam at the mouth speaking of it. Even last year’s The Last Jedi had vigorous supporters and naysayers extolling its virtues or pitfalls.

Solo shouldn’t be picked apart in that manner. Oh, it probably will. Yet my reaction is it doesn’t really deserve that much scrutiny. This is basically a breezy heist flick transplanted into a familiar cinematic universe. The backlash of casting a younger actor to fill the shoes of a role Harrison Ford made iconic? It’s not a disaster by any means, but Alden Ehrenreich isn’t memorable either. No surprise but when you hear the words Han Solo after viewing this, you’ll think of the older one with fondness.

The picture shows us a youthful Han wishing to become a pilot and willing to team up with unsavory characters to do so. He has an insubordinate streak that naturally rejects the evil ways of the Empire, but he hardly considers himself a hero. We know better. The love of his current life is Qi’ra (Emilia Clarke), who he’s separated from and makes a vow to rescue from Imperial servitude from villainous Dryden Vos (Paul Bettany). Han needs a ship to make that happen and that costs money. His mission leads him to partner with thief Tobias Beckett (Woody Harrelson) and his crew. Oh and there’s a notable Wookie involved and a swagger filled Lando Calrissian (Donald Glover). And that ship he finds… like you don’t know…

Han’s journeys take him to multiple galaxies with a second half that feels like one continuous action sequence. There are, of course, nods to the franchise lore. Solo, though, feels the most removed from everything we’ve seen before. If it often has the vibe of a cash grab to fill time between traditional episodes, that’s because it kind of is. Ron Howard took over the behind the camera duties after the well-publicized removal of Christopher Miller and Phil Lord months into production. I didn’t have a strange sense of competing visions while viewing it. If anything, Howard certainly seems like the filmmaker here with its workmanlike sensibilities and lack of genuine style.

The cast is filled with familiar faces putting in serviceable performances. Glover gets a couple of moments to shine, but my favorite supporting work came from the more unfamiliar Phoebe Waller-Bridge as the voice of sassy droid L3. Bettany is a decent villain in a series with previous monumental ones. As mentioned, the conventions of the heist genre are all present with double crosses aplenty.

The Star Wars series is one in which the fans rarely forget a detail. Solo: A Star Wars Story is ultimately rather forgettable. Sure it’s an easy watch, but focusing deeply on it seems like giving it too much credit.

**1/2 (out of four)

Oscar Watch – Solo: A Star Wars Story

Since Disney took over the Star Wars franchise, the three released pictures have combined for 11 Oscar nominations in the past three ceremonies. Let’s break them down, shall we?

Star Wars: The Force Awakens (2015)

Nominations: Original Score, Sound Editing, Sound Mixing, Film Editing, Visual Effects

Rogue One: A Star Wars Story (2016)

Nominations: Sound Mixing, Visual Effects

Star Wars: The Last Jedi (2017)

Nominations: Original Score, Sound Editing, Sound Mixing, Visual Effects

You will note 11 nods, but no wins for the multi-billion dollar series and that all recognition has been in technical races. This Memorial Day weekend, Solo: A Star Wars Story flies into theaters. So the question must be asked: will it manage to score some Academy love as well?

Solo has the lowest Rotten Tomatoes rating (71%) of the bunch. That could serve as a hindrance for even tech nods, especially with MCU heavy hitters like Black Panther and Avengers: Infinity War in the mix, among others.

Perhaps it could play in the Sound races and perhaps Visual Effects, but competition could potentially leave Solo as the solo entry in the franchise with no Oscar attention.

My Oscar Watch posts will continue…

Solo: A Star Wars Story Box Office Prediction

The second stand-alone feature set in a galaxy far, far away – Solo: A Star Wars Story roars into multiplexes this Memorial Day Weekend. Alden Ehrenreich takes over the role of a young Han Solo in the part made iconic by Harrison Ford. Costars include Woody Harrelson, Emilia Clarke, Donald Glover as Lando, Thandie Newton, Paul Bettany, and, of course, Chewbacca. Ron Howard serves behind the camera in a move that garnered much press attention when he took over from Phil Lord and Christopher Miller. They exited the project after creative differences with Disney after months on the job.

Reviews out today are mostly positive with 73% currently on Rotten Tomatoes. That said, that’s the lowest meter of the four entries since the vaunted franchise came back in 2015. Our first spin-off, 2016’s Rogue One, debuted with $155 million one year after the record-breaking grosses of Star Wars: The Force Awakens. These offshoots are not expected to reach the heights of the traditional “episodes”. Solo does certainly have the added bonus of returning a beloved character, even with the natural speculation and some cynicism about another actor playing him.

One thing seems fairly certain: Solo should have no trouble breaking the current Memorial Day record held by 2007’s Pirates of the Caribbean: At World’s End which made $139.8 million for its start. Given the extra day of grosses, Han and Chewie could exceed that by over $10 million.

Solo: A Star Wars Story opening weekend prediction: $151.3 million (Friday to Monday estimate)

Avengers: Infinity War Movie Review

A decade into its multi-billion dollar cinematic universe, Avengers: Infinity War invites viewers to marvel at its gathering of superhero titans to fight another – a villain from planet Titan who reverses  one frequent MCU debit (a weak villain). It’s an experience that yields many positive results packed with the action and humor we’ve come to anticipate from the best of this franchise. This movie is massive and it feels that way. The 19th entry in the MCU that started with 2008’s Iron Man, here we have nearly all the significant characters from its catalog banding together. If you ever wondered how Thor (Chris Hemsworth) would get along with the Guardians of the Galaxy, the answer is humorously provided. How do the egos of Tony Stark/Iron Man (Robert Downey Jr.) and Doctor Stephen Strange (Benedict Cumberbatch) and Star-Lord (Chris Pratt) meld? You’re about to find out. What happens when the original Avengers and others pick up their weapons alongside Black Panther (Chadwick Boseman) in Wakanda? Giddyup!

All of this runs the risk of Infinity War coming off as gimmicky, but it mostly doesn’t. That’s because directors Anthony and Joe Russo and screenwriters Christopher Markus and Stephen McFeely do a remarkable job sticking these giants into the blender and creating something that goes down smooth. This is not necessarily a sequel to 2015’s Avengers: Age of Ultron or 2016’s Captain America: Civil War (essentially the third Avengers flick). Rather it’s a follow-up to almost every MCU title. It’s important to know what happened in the actual Avengers pics and Civil War, but I’d suggest having knowledge of the Guardians, Panther, and so on. Lucky for Disney and Marvel Studios, you probably do. The gathering of these comic book and box office behemoths leads Infinity War to often feel like the continuation of a long running TV serial – albeit one with huge stars and an unlimited budget.

What brings all the characters together is Thanos (Josh Brolin). He has the proportions of the Hulk (Mark Ruffalo) and a similar sized ambitions of world destruction. Thanos is hell-bent on collecting the Infinity Stones, six potent gems that would render him all-powerful and capable of wiping out populations of many galaxies. After the breakup of the Avengers in Civil War two years ago, it’s Thanos that causes Mr. Stark and Captain America (Chris Evans) to put their differences aside. Thus begins the jigsaw puzzle of matching up Guardians and Asgardian gods with Wakanda kings and mystical doctors and your friendly neighborhood Spider-Man (Tom Holland).

As you may recall, Thanos has history with one particular character – Gamora (Zoe Saldana). She’s his adopted daughter after he decimated her home planet when she was a little girl. For those who might have assumed the Guardians of the Galaxy would have a glorified cameo in this universe, that is certainly not the case. It’s Gamora’s backstory with Thanos that puts meat on his character’s bones and assists in making him one of the franchise’s best villains. Brolin, for his part, gives the performance his menacing all in crafting him.

Delving too far into what happens in Infinity War would feel like cheating in any review. Part of the fun here is discovering just how these dozens of heroes and villains coexist. Some general observations: Thor alongside Groot and Rocket is a joy, as is witnessing Groot as a bratty teen with its attention rooted to a video game device. The return to Wakanda and its whip smart inhabitants feels welcome just weeks after Panther’s stand-alone effort. And after 10 years of Tony Stark onscreen in numerous MCU titles, Downey Jr.’s portrayal of him is still as strong as ever. There’s never been a moment in the decade where it felt like Downey was slumming it. He’s the heart of this franchise.

The conclusion of Infinity War leaves a lot open for the sequel that will arrive next year. When the credits roll before the inevitable post-credits sequence, we witness something both powerful and perhaps not as powerful as it seems after careful thought (saying more would be a spoiler). There’s no doubt, however, that this comic book all-star game is a winner.

***1/2 (out of four)

Oscar Watch – Avengers: Infinity War

This weekend is all about Avengers: Infinity War at the box office as it barrels toward a potentially record-setting debut. The film looks, at the least, poised to set the all-time opening weekend record for the Marvel Cinematic Universe. This is the 19th picture in the MCU as the multi-billion dollar franchise is about to hit its ten-year anniversary. 

Infinity will certainly make its mark financially, but could Academy voters take notice? In short – probably not. The pic stands at 85% currently on Rotten Tomatoes. That’s a bit below the original Avengers from 2012 (92%) and a bit above 2015 sequel Age of Ultron (75%). No MCU title or any comic book adaptation has managed a Best Picture nomination and I see no reason to think this will.

Having said that, the Marvel folks stand their best opportunity yet to score a nod in the biggest category of them all. And that would be Black Panther, which was released in February. It stands a real shot. Looking through the Oscar history with this franchise, The Avengers scored a Best Visual Effects nomination in 2012 and lost to Life of Pi. No nominations were given to Ultron.

Bottom line: Infinity War could find itself in the mix for Visual Effects and possibly even the Sound categories. Yet any real MCU love from voters will go to King T’Challa.