Avengers: Endgame Box Office Prediction

This current massively successful phase of the Marvel Cinematic Universe draws to a close next weekend with the release of Avengers: Endgame. There’s an excellent chance that it achieves the largest opening weekend gross of all time with the grand finale. Endgame follows up directly with last summer’s Avengers: Infinity War, which is the current record holder with $257 million.

Anthony and Joe Russo return in the directors chairs with a core group of familiar heroes battling Josh Brolin’s Thanos. They include Robert Downey Jr.’s Iron Man, Chris Evans as Captain America, Chris Hemsworth’s Thor, Scarlett Johansson’s Black Widow, Brie Larson as Captain Marvel, Mark Ruffalo’s Hulk, Paul Rudd’s Ant-Man, and Jeremy Renner’s Hawkeye. That’s just scratching the surface, by the way. The events (spoiler alert if you’ve been in a year-long coma) of Infinity War dissolved numerous other beloved characters into dust including Chadwick Boseman’s Black Panther, Tom Holland’s Spider-Man, Benedict Cumberbatch’s Doctor Strange and the majority of the Guardians of the Galaxy (Chris Pratt, Zoe Saldana, Dave Bautista) save for Bradley Cooper voicing Rocket. It’s quite likely you’ll see them again. And also in the roles we’ve seen them in before… there’s Gwyneth Paltrow, Karen Gillan, Danai Gurira, Tessa Thompson, Don Cheadle, Jon Favreau, Anthony Mackie, Elizabeth Olsen, Paul Bettany, and Evangeline Lilly. Oh… and Letitia Wright and Sebastian Stan and Tom Hiddleston.

Whew. Back to the numbers crunching. When early tickets went on sale a couple of weeks ago, Endgame smashed every record in sight. Its YouTube trailer views are off the charts. Audiences know this is the culmination of what we’ve paid billions of dollars for over the past decade plus. Yes, there’s a three-hour runtime which is unprecedented for the MCU.

I have a feeling that won’t matter when it comes to reaching a premiere level we’ve yet to witness. No other movie is daring to compete against it and most holdovers will be earning $10 million and less. In other words, multiplexes will clear a ton of real estate for this.

Initial estimates put Endgame around $250 million, but the buzz has this inching upwards. I believe that’s a correct assumption. While I don’t believe this will hit $300 million (as the rosiest projections suggest), a gross just north of $275 million seems feasible. If it achieves that mark, the endgame here will indeed set records.

Avengers: Endgame opening weekend prediction: $279.6 million

April 19-21 Box Office Predictions

It’s Easter weekend at the box office and we have three new pictures opening. There’s The Darkness (The Curse of La Llorona), The Light (Breakthrough), and The Penguins (Penguins). Two of them will attempt to dislodge Shazam! from its two-week perch in the top spot. Yet this holiday frame will likely be known as “the one before Avengers: Endgame opened”. You can peruse my detailed prediction posts on the newcomers here:

https://toddmthatcher.com/2019/04/09/the-curse-of-la-llorona-box-office-prediction/

https://toddmthatcher.com/2019/04/09/breakthrough-box-office-prediction/

https://toddmthatcher.com/2019/04/10/penguins-box-office-prediction/

The Curse of La Llorona takes place in the Conjuring Cinematic Universe, but it hasn’t really been marketed heavily as such. Therefore I believe it will easily have the lowest debut of the franchise, but still manage to top the charts.

Breakthrough has the potential to do just that with faith-based crowds. I do question whether it can manage to achieve what Heaven Is for Real accomplished five Easter’s ago ($29 million for its five-day gross). Debuting on Wednesday, I’ll say mid teens for the traditional weekend and low 20s when factoring in the extra days.

Penguins is the latest DisneyNature venture. The latest efforts in the series have earned between $4-$5 million for their starts. This opens on Wednesday as well, so I’ll put it a touch under. My $3.5 million Friday to Sunday projection ($5 million five-day) puts this outside my top five.

Shazam! should slide to third after two weeks in first position with Little coming in fourth. As for the five-spot, I’m saying Captain Marvel. It should experience a smaller percentage decline than Hellboy and Dumbo. That could be good enough to take it from sixth to fifth before she joins her superhero pals next weekend in Endgame.

And with that, my take on the holiday weekend:

1. The Curse of La Llorona

Predicted Gross: $20.1 million

2. Breakthrough

Predicted Gross: $16.9 million (Friday to Sunday); $22 million (Wednesday to Sunday)

3. Shazam!

Predicted Gross: $14 million

4. Little

Predicted Gross: $7.8 million

5. Captain Marvel

Predicted Gross: $6 million

Box Office Results (April 1214)

As expected, Shazam! retained its perch on top with $24.4 million, a bit lower than my $28.2 million prediction. The DC tale is sniffing the century mark after ten days with $94 million.

The Regina Hall comedy Little led four newcomers in second with $15.4 million, managing to exceed my $14 million projection.

The story of the weekend was the pitiful performance of Hellboy. The comic book based reboot bombed with just $12 million in third, under my $17.4 million take. This potential franchise pretty much ended before it began.

Pet Sematary was fourth in its sophomore outing with $9.7 million (I said $10.5 million). Total is $40 million.

I incorrectly had Dumbo outside the top five and it made $9.4 million to bring its tally to $90 million.

College romance After was eighth and topped most estimates with $6 million. I was much lower at $3.7 million.

Finally, Laika Animation has its worst opening by a lot. Missing Link, despite positive reviews, couldn’t find an audience. It took in just $5.9 million for ninth. I was considerably higher at $11.7 million.

And that does it for now, folks! Until next time…

The Depths of Hellboy

Over the past year and change, the superhero genre has been flush with massive successes such as Black Panther, Avengers: Infinity War, Aquaman, Captain Marvel, and current box office champ Shazam!, which has dutifully met expectations. The upcoming Avengers: Endgame is looking to set the all time opening record in two weeks. Something was bound to eventually get lost in the shuffle and that turned out to be Hellboy this weekend.

The film rebooted the Dark Horse Comics franchise that debuted in 2004 with Guillermo del Toro behind the camera and Ron Perlman as the horn clad anti-hero. A 2008 sequel, Hellboy II: The Golden Army, built on the grosses of its predecessor.

Neil Marshall took over directorial duties for the new Hellboy with David Harbour of “Stranger Things” cast as the title character. All along the way, the marketing campaign seemed curiously muted. It was as if Lionsgate might have known they had a dog on their hands. And they did. The review embargo didn’t lift until late this week. Rotten Tomatoes has been ripe with bad critical reaction with a 15% score. CinemaScore audiences haven’t been kind either with a lowly C rating.

On Sunday, the initial results have Hellboy in third place with just $12 million. Not only is that behind the second frame of Shazam!, it’s after the debut of the Regina Hall comedy Little. To put that in perspective, the 2004 Hellboy made $23 million out of the gate. The Golden Army took in $34 million. For both of those films, the opening weekends represented a hefty chunk of the overall earnings. In the case of the second installment, it fell hard in its sophomore frame due to another comic boom sequel premiering called The Dark Knight. With its toxic word of mouth, I expect this version to tumble at least 60% in weekend #2 and probably more.

If there’s any silver lining for the studio, it’s that the reboot cost a reported $50 million. That’s certainly low on the scale for this genre. Yet we can be sure this iteration of the character is a one-off. And we’ve found out what the depths of Hellboy are on a financial level and it’s not pretty.

Penguins Box Office Prediction

The DisneyNature brand marches into theaters next week with the release of Penguins. It continues the franchise’s environmentally conscious documentaries timed for release just prior to Earth Day. As the title suggests, this Antarctic set coming of age tale focuses on a young penguin finding his way in the frozen tundra. Ed Helms narrates with Alastair Fothergill (who co-directed 2014’s Bears) and Jeff Wilson sharing filming duties.

Over the past decade, opening weekend grosses for DisneyNature has been quite consistent. The aforementioned Bears took in $4.7 million. The following year’s Monkey Kingdom made $4.5 million. In 2017, Born in China earned $4.7 million. That’s well under the studio’s high mark in 2012 achieved by Chimpanzee at $10.6 million.

Penguins is the first in the series since 2010’s Oceans to premiere on a Wednesday. Based on recent performances, that could mean it makes less than $4 million over the traditional weekend since it gets a two-day jump-start. I’ll predict that happens.

Penguins opening weekend prediction: $3.5 million (Friday to Sunday); $5 million (Wednesday to Sunday)

For my The Curse of La Llorona prediction, click here:

https://toddmthatcher.com/2019/04/09/the-curse-of-la-llorona-box-office-prediction/

For my Breakthrough prediction, click here:

https://toddmthatcher.com/2019/04/09/breakthrough-box-office-prediction/

The Curse of La Llorona Box Office Prediction

Next weekend could provide an interesting answer to a question not posed before – how much can a Conjuring series picture gross if a lot of moviegoers may not be aware it’s actually part of the franchise? I give you The Curse of La Llorona, the sixth entry in this scary supernatural cinematic universe. The 1970s set ghost tale is directed by Michael Chaves in his feature-length debut (he’s slated to be behind the camera for the third official Conjuring flick next year). Linda Cardellini headlines a cast that includes Raymond Cruz, Patricia Velásquez, Tony Amendola (reprising his Annabelle role), and Sean Patrick Thomas.

Llorona premiered last month at the South by Southwest Festival. Early reviews are mixed to negative with a current 44% Rotten Tomatoes score. At the time of its unveiling, it was a bit of a surprise that this even existed in the billion dollar worldwide franchise. It’s a legitimate question as to whether the marketing campaign has had enough time to establish that fact.

In my view, that almost certainly means this will experience the lowest debut of the series so far. Horror fans have certainly had options lately with Us and Pet Sematary. That said, it’s a risky group of films to bet against. Just last fall, The Nun unexpectedly set the franchise opening weekend high mark at $53 million. The lowest start belongs to Annabelle: Creation at a still impressive $35 million. That creepy doll, by the way, is back this June with Annabelle Comes Home.

Tracking currently has this at $20 million and that sounds about right.

The Curse of La Llorona opening weekend prediction: $20.1 million

For my Breakthrough prediction, click here:

https://toddmthatcher.com/2019/04/09/breakthrough-box-office-prediction/

For my Penguins prediction, click here:

https://toddmthatcher.com/2019/04/10/penguins-box-office-prediction/

Breakthrough Box Office Prediction

Disney is putting their faith over the Easter weekend in Breakthrough, a Christian drama based on the 2017 novel The Impossible. Based on true events, the pic tells the story of a teenager who slips into a frozen lake and his miraculous recovery. Directed by Roxann Dawson in her feature debut, Breakthrough stars Chrissy Metz (of TV’s “This Is Us” fame), Josh Lucas, Topher Grace, Marcel Ruiz, and Dennis Haysbert. NBA champion Stephen Curry has an exec producer credit.

This is actually the first 20th Century Fox production that its new owner Disney is distributing. That well publicized partnership could get off to a solid start if faith-based audiences turn out. The holiday timing should certainly work to its advantage.

An obvious comp is Heaven Is for Real from five Easter’s ago. Like Breakthrough, it also premiered on Wednesday. Taking in $22.5 million over the traditional weekend and $29.5 million over the five-day span, Heaven eventually soared to $91 million overall.

I’ll say this falls a bit lower with the caveat that it could achieve similar numbers. My five-day projection puts it a touch below the three-day of Heaven. That could put this at #2 behind The Curse of La Llorona, which deals with religious themes in a drastically different manner.

Breakthrough opening weekend prediction: $16.9 million (Friday to Sunday), $22 million (Wednesday to Sunday)

For my The Curse of La Llorona prediction, click here:

https://toddmthatcher.com/2019/04/09/the-curse-of-la-llorona-box-office-prediction/

For my Penguins prediction, click here:

https://toddmthatcher.com/2019/04/10/penguins-box-office-prediction/

April 12-14 Box Office Predictions

A quartet of new titles attempt to knock critically acclaimed superhero Shaza! out of the top spot this weekend, but that looks to be a tall order. We have comic book franchise reboot Hellboy, Laika Animation’s Missing Link, Regina Hall comedy Little, and college set romance After. You can peruse my detailed prediction posts on each of them here:

https://toddmthatcher.com/2019/04/03/hellboy-box-office-prediction/

https://toddmthatcher.com/2019/04/05/missing-link-box-office-prediction/

https://toddmthatcher.com/2019/04/06/little-box-office-prediction/

https://toddmthatcher.com/2019/04/07/after-box-office-prediction/

There is a great deal of uncertainty with how the newbies will perform this weekend. It seems highly likely, on the other hand, that DC’s newest crime fighter will retain the top spot. After premiering right in line with expectations, I have Shaza! dipping in the mid to high 40s and comfortably staying first,

Hellboy is a known brand, but it’s been a decade since the character was onscreen. Buzz seems very muted, but I’ll still say a high teens opening should be enough to nab it the runner-up spot. I’m shaky on it though.

Little has breakout potential, but I’m not willing yet to predict high teens. My lower teens estimate puts it in third and that’s just ahead of Missing Link, which I’m projecting will hit the lower debut end of other material from its studio.

After is a real head scratcher. The novel it’s based on has its fans. It opens on the smallest number of screens for the debuts (about 2000). I’m going pretty low with $3.7 million and that’s well outside the top 5. Yet the potential for it to surprise is real.

Pet Sematary could fall from second to fifth in its sophomore frame with about a 50% dip. That’s pretty normal for horror pics.

And with that, my take on the weekend ahead:

1. Shazam!

Predicted Gross: $28.2 million

2. Hellboy

Predicted Gross: $17.4 million

3. Little

Predicted Gross: $14 million

4. Missing Link

Predicted Gross: $11.7 million

5. Pet Sematary

Predicted Gross: $10.5 million

Box Office Results (April 57)

As mentioned, DC had a nice weekend as Shazamhit its mark with $53.5 million, just ahead of my $52.5 million take. Sporting solid reviews, it should make a sizable chunk of change before The Avengers roll in at month’s end.

Pet Sematary posted a decent start in second with $24.5 million. It also had critical stamp of approval. The Stephen King adaptation fell quite a bit shy of my generous $34.7 million prediction.

The middling news for Dumbo continued. After a lackluster start, the elephant tale was third in weekend #2 with $18.2 million. My estimate flew higher at $22.3 million. The two-week tally sits at $76 million.

Us was fourth with $13.7 million in its third outing, falling behind my expectation of $16.6 million. However, the $20 million horror pic has amassed $152 million thus far.

Captain Marvel rounded out the top five with $12.4 million (I said $12.2 million) for $373 million overall.

Finally, the civil rights drama The Best of Enemies underwhelmed in sixth with just $4.4 million compared to my $5.9 million forecast.

And that does it for now, folks! Until next time…