2021 Oscar Predictions: December 1st Edition

As December dawns, the story of my latest Oscar predictions is West Side Story. Steven Spielberg’s remake of the musical has been in my ten Best Picture nominees for some time. However, the solid buzz emanating from screenings gives it a bump from #8 to #4. Additionally, Spielberg is now in my five for Director and that takes out Guillermo del Toro for Nightmare Alley. 

Speaking of Alley, we will have a far better idea of its viability later today when it gets its first look from critics and the social embargo is lifted. It’s fair to say that Alley is the final major contender to be unveiled and that makes an even clearer picture will be available for my next round.

In other developments:

    • While my five Best Actress picks remain the same, Rachel Zegler’s performance in West Side Story jumps from 10th to 6th.
    • The five slot in Best Actor shifts once again from Joaquin Phoenix (C’Mon C’Mon) to Peter Dinklage in Cyrano. 
    • Rita Moreno’s work in West Side Story puts her in the five for the first time (and top ten for that matter). If my prediction comes true, she could join costar Ariana DeBose (who plays the role for which Moreno won her Oscar sixty years ago). It would also make her the oldest nominee in Academy history. Ann Dowd (Mass) falls out of the 5.
    • The wide open Supporting Actor derby sees Jamie Dornan (Belfast) in and Jason Isaacs (Mass) out.
    • King Richard returns to Original Screenplay over C’Mon C’Mon, which goes from 3 estimated nods in my previous post to zero.
    • West Side Story makes the cut for Adapted Screenplay to the detriment of The Humans.
    • Flee drops from the #1 spot in Animated Feature with Encanto in. Yet it rises to first in Documentary Feature over The Rescue.

You can read all the developments below and I’ll be back at it next week!

Best Picture

Predicted Nominees:

1. Belfast (Previous Ranking: 1) (E)

2. The Power of the Dog (PR: 2) (E)

3. Licorice Pizza (PR: 3) (E)

4. West Side Story (PR: 8) (+4)

5. Dune (PR: 4) (-1)

6. King Richard (PR: 5) (-1)

7. Don’t Look Up (PR: 7) (E)

8. Nightmare Alley (PR: 6) (-2)

9. Being the Ricardos (PR: 9) (E)

10. The Tragedy of Macbeth (PR: 11) (+1)

Other Possibilities:

11. CODA (PR: 12) (+1)

12. C’Mon C’Mon (PR: 10) (-2)

13. Tick Tick… Boom! (PR: Not Ranked)

14. The Lost Daughter (PR: Not Ranked)

15. House of Gucci (PR: Not Ranked)

Dropped Out:




Best Director

Predicted Nominees:

1. Jane Campion, The Power of the Dog (PR: 1) (E)

2. Kenneth Branagh, Belfast (PR: 2) (E)

3. Denis Villeneuve, Dune (PR: 3) (E)

4. Paul Thomas Anderson, Licorice Pizza (PR: 4) (E)

5. Steven Spielberg, West Side Story (PR: 7) (+2)

Other Possibilities:

6. Guillermo del Toro, Nightmare Alley (PR: 5) (-1)

7. Adam McKay, Don’t Look Up (PR: 6) (-1)

8. Joel Coen, The Tragedy of Macbeth (PR: 10) (+2)

9. Pablo Larrain, Spencer (PR: Not Ranked)

10. Asghar Farhadi, A Hero (PR: 9) (-1)

Dropped Out:

Jonas Poher Rasmussen, Flee

Best Actress

Predicted Nominees:

1. Kristen Stewart, Spencer (PR: 1) (E)

2. Nicole Kidman, Being the Ricardos (PR: 2) (E)

3. Olivia Colman, The Lost Daughter (PR: 3) (E)

4. Jessica Chastain, The Eyes of Tammy Faye (PR: 4) (E)

5. Jennifer Hudson, Respect (PR: 5) (E)

Other Possibilities:

6. Rachel Zegler, West Side Story (PR: 10) (+4)

7. Lady Gaga, House of Gucci (PR: 6) (-1)

8. Penelope Cruz, Parallel Mothers (PR: 7) (-1)

9. Alana Haim, Licorice Pizza (PR: 8) (-1)

10. Frances McDormand, The Tragedy of Macbeth (PR: 9) (-1)

Best Actor

Predicted Nominees:

1. Will Smith, King Richard (PR: 1) (E)

2. Benedict Cumberbatch, The Power of the Dog (PR: 2) (E)

3. Andrew Garfield, Tick Tick… Boom! (PR: 4) (+1)

4. Denzel Washington, The Tragedy of Macbeth (PR: 3) (-1)

5. Peter Dinklage, Cyrano (PR: 6) (+1)

Other Possibilities:

6. Joaquin Phoenix, C’Mon C’Mon (PR: 5) (-1)

7. Leonardo DiCaprio, Don’t Look Up (PR: 7) (E)

8. Nicolas Cage, Pig (PR: 10) (+2)

9. Javier Bardem, Being the Ricardos (PR: 8) (-1)

10. Bradley Cooper, Nightmare Alley (PR: 9) (-1)

Best Supporting Actress

Predicted Nominees:

1. Caitriona Balfe, Belfast (PR: 1) (E)

2. Kirsten Dunst, The Power of the Dog (PR: 2) (E)

3. Aunjanue Ellis, King Richard (PR: 3) (E)

4. Ariana DeBose, West Side Story (PR: 5) (+1)

5. Rita Moreno, West Side Story (PR: Not Ranked)

Other Possibilities:

6. Ann Dowd, Mass (PR: 4) (-2)

7. Ruth Negga, Passing (PR: 6) (-1)

8. Judi Dench, Belfast (PR: 8) (E)

9. Marlee Matlin, CODA (PR: 10) (+1)

10. Meryl Streep, Don’t Look Up (PR: 9) (-1)

Dropped Out:

Nina Arianda, Being the Ricardos

Best Supporting Actor

Predicted Nominees:

1. Kodi Smit-McPhee, The Power of the Dog (PR: 1) (E)

2. Ciaran Hinds, Belfast (PR: 5) (+3)

3. Bradley Cooper, Licorice Pizza (PR: 3) (E)

4. Jamie Dornan, Belfast (PR: 6) (+2)

5. Richard Jenkins, The Humans (PR: 2) (-3)

Other Possibilities:

6. Jared Leto, House of Gucci (PR: 7) (+1)

7. Troy Kotsur, CODA (PR: 10) (+3)

8. Jason Isaacs, Mass (PR: 4) (-4)

9. Jon Bernthal, King Richard (PR: 9) (E)

10. J.K. Simmons, Being the Ricardos (PR: 8) (-2)

Best Original Screenplay

Predicted Nominees:

1. Licorice Pizza (PR: 1) (E)

2. Belfast (PR: 2) (E)

3. Being the Ricardos (PR: 3) (E)

4. Don’t Look Up (PR: 4) (E)

5. King Richard (PR: 6) (+1)

Other Possibilities: 

6. C’Mon C’Mon (PR: 5) (-1)

7. Mass (PR: 7) (E)

8. The Worst Person in the World (PR: 9) (+1)

9. A Hero (PR: 8) (-1)

10. Parallel Mothers (PR: Not Ranked)

Dropped Out:


Best Adapted Screenplay

Predicted Nominees:

1. The Power of the Dog (PR: 1) (E)

2. The Lost Daughter (PR: 3) (+1)

3. Nightmare Alley (PR: 2) (-1)

4. West Side Story (PR: 7) (+3)

5. Dune (PR: 5) (E)

Other Possibilities:

6. CODA (PR: 8) (+2)

7. The Tragedy of Macbeth (PR: 6) (-1)

8. The Humans (PR: 4) (-4)

9. Passing (PR: 9) (E)

10. Tick Tick… Boom! (PR: Not Ranked)

Dropped Out:

The Last Duel 

Best Animated Feature

Predicted Nominees:

1. Encanto (PR: 2) (+1)

2. Flee (PR: 1) (-1)

3. The Mitchells vs. the Machines (PR: 3) (E)

4. Luca (PR: 4) (E)

5. Belle (PR: 5) (E)

Other Possibilities:

6. The Summit of the Gods (PR: 7) (+1)

7. Raya and the Last Dragon (PR: 6) (-1)

8. Ron’s Gone Wrong (PR: 8) (E)

9. Where Is Anne Frank (PR: 9) (E)

10. Vivo (PR: Not Ranked)

Dropped Out:


Best International Feature Film

Predicted Nominees:

1. A Hero (PR: 1) (E)

2. The Worst Person in the World (PR: 2) (E)

3. Drive My Car (PR: 4) (+1)

4. Flee (PR: 3) (-1)

5. The Hand of God (PR: 5) (E)

Other Possibilities:

6. Titane (PR: 6) (E)

7. I’m Your Man (PR: 7) (E)

8. Compartment No. 6 (PR: 8) (E)

9. Prayers for the Stolen (PR: 9) (E)

10. The Good Boss (PR: Not Ranked)

Dropped Out:


Best Documentary Feature

Predicted Nominees:

1. Flee (PR: 2) (+1)

2. The Rescue (PR: 1) (-1)

3. Summer of Soul (PR: 3) (E)

4. Procession (PR: 6) (+2)

5. The Lost Leonardo (PR: 5) (E)

Other Possibilities:

6. Attica (PR: 4) (-2)

7. The First Wave (PR: 8) (+1)

8. President (PR: 7) (-1)

9. Ascension (PR: Not Ranked)

10. Becoming Cousteau (PR: 9) (-1)

Dropped Out:


Best Cinematography

Predicted Nominees:

1. Dune (PR: 1) (E)

2. The Tragedy of Macbeth (PR: 3) (+1)

3. The Power of the Dog (PR: 2) (-1)

4. Belfast (PR: 4) (E)

5. Nightmare Alley (PR: 5) (E)

Other Possibilities:

6. West Side Story (PR: 7) (+1)

7. Spencer (PR: 10) (+3)

8. The French Dispatch (PR: 8) (E)

9. Licorice Pizza (PR: 9) (E)

10. Cyrano (PR: Not Ranked)

Dropped Out:

C’Mon C’Mon

Best Costume Design

Predicted Nominees:

1. Cruella (PR: 1) (E)

2. House of Gucci (PR: 4) (+2)

3. Spencer (PR: 2) (-1)

4. Dune (PR: 3) (-1)

5. West Side Story (PR: 6) (+1)

Other Possibilities:

6. Nightmare Alley (PR: 5) (-1)

7. Cyrano (PR: 8) (+1)

8. Licorice Pizza (PR: 9) (+1)

9. The French Dispatch (PR: 7) (-2)

10. Being the Ricardos (PR: Not Ranked)

Dropped Out:

The Eyes of Tammy Faye 

Best Film Editing

Predicted Nominees:

1. Dune (PR: 1) (E)

2. Belfast (PR: 2) (E)

3. West Side Story (PR: 4) (+1)

4. Don’t Look Up (PR: 3) (-1)

5. Licorice Pizza (PR: 5) (E)

Other Possibilities:

6. The Power of the Dog (PR: 7) (+1)

7. Nightmare Alley (PR: 8) (+1)

8. King Richard (PR: 6) (-2)

9. Tick, Tick… Boom! (PR: 10) (+1)

10. House of Gucci (PR: Not Ranked)

Dropped Out:

Being the Ricardos

Best Makeup and Hairstyling

Predicted Nominees:

1. House of Gucci (PR: 1) (E)

2. Dune (PR: 2) (E)

3. The Eyes of Tammy Faye (PR: 4) (+1)

4. Spencer (PR: 4) (+1)

5. Cruella (PR: 3) (-2)

Other Possibilities:

6. Nightmare Alley (PR: 6) (E)

7. West Side Story (PR: Not Ranked)

8. The Suicide Squad (PR: 8) (E)

9. Being the Ricardos (PR: 7) (-2)

10. Licorice Pizza (PR: 9) (-1)

Dropped Out:

The Green Knight

Best Original Score

Predicted Nominees:

1. Dune (PR: 1) (E)

2. The Power of the Dog (PR: 2) (E)

3. Spencer (PR: 3) (E)

4. The Tragedy of Macbeth (PR: 6) (+2)

5. Nightmare Alley (PR: 4) (-1)

Other Possibilities:

6. The French Dispatch (PR: 7) (+1)

7. Don’t Look Up (PR: 5) (-2)

8. King Richard (PR: 9) (+1)

9. Cyrano (PR: 8) (-1)

10. Being the Ricardos (PR: 10) (E)

Best Original Song

Predicted Nominees:

1. “Be Alive” from King Richard (PR: 1) (E)

2. “No Time to Die” from No Time to Die (PR: 2) (E)

3. “Down to Joy” from Belfast (PR: 3) (E)

4. “Every Letter” from Cyrano (PR: 7) (+3)

5. “Just Look Up” from Don’t Look Up (PR: 5) (E)

Other Possibilities:

6. “Dos Oruguitas” from Encanto (PR: 4) (-2)

7. “So May We Start” from Annette (PR: 6) (-1)

8. “Here I Am” from Respect (PR: 8) (E)

9. “Believe” from The Rescue (PR: 9) (E)

10. “The Anonymous Ones” from Dear Evan Hansen (PR: Not Ranked)

Dropped Out:

“Guns Go Bang” from The Harder They Fall

Best Production Design

Predicted Nominees:

1. Dune (PR: 1) (E)

2. Nightmare Alley (PR: 2) (E)

3. West Side Story (PR: 3) (E)

4. The French Dispatch (PR: 4) (E)

5. The Tragedy of Macbeth (PR: 5) (E)

Other Possibilities:

6. Belfast (PR: 7) (+1)

7. Cyrano (PR: 8) (+1)

8. Spencer (PR: 6) (-2)

9. The Power of the Dog (PR: 9) (E)

10. House of Gucci (PR: 10) (E)

Best Sound

Predicted Nominees:

1. Dune (PR: 1) (E)

2. West Side Story (PR: 2) (E)

3. Belfast (PR: 3) (E)

4. Nightmare Alley (PR: 4) (E)

5. The Tragedy of Macbeth (PR: Not Ranked)

Other Possibilities:

6. No Time to Die (PR: 5) (-1)

7. Don’t Look Up (PR: 6) (-1)

8. The Last Duel (PR: Not Ranked)

9. A Quiet Place Part II (PR: 9) (E)

10. King Richard (PR: 8) (-2)

Dropped Out:

Tick Tick… Boom!

The Matrix Resurrections 

Best Visual Effects

Predicted Nominees:

1. Dune (PR: 1) (E)

2. The Matrix Resurrections (PR: 2) (E)

3. Eternals (PR: 4) (+1)

4. Don’t Look Up (PR: 3) (-1)

5. Godzilla vs. Kong (PR: 5) (E)

Other Possibilities:

6. Shang-Chi and the Legend of the Ten Rings (PR: 6) (E)

7. Spider-Man: No Way Home (PR: 8) (+1)

8. Free Guy (PR: 7) (-1)

9. Nightmare Alley (PR: Not Ranked)

10. Finch (PR: 9) (-1)

Dropped Out:

The Suicide Squad

And that equates to these pictures generating these numbers of nominations:

11 Nominations


10 Nominations


9 Nominations

West Side Story

8 Nominations

The Power of the Dog

6 Nominations

Nightmare Alley, The Tragedy of Macbeth

5 Nominations

Don’t Look Up, King Richard, Licorice Pizza

4 Nominations


3 Nominations

Being the Ricardos, Flee

2 Nominations

Cruella, Cyrano, The Eyes of Tammy Faye, House of Gucci, The Lost Daughter

1 Nomination

Belle, Drive My Car, Encanto, Eternals, The French Dispatch, Godzilla vs. Kong, The Hand of God, A Hero, The Humans, The Lost Leonardo, Luca, The Matrix Resurrections, The Mitchells vs. the Machines, No Time to Die, Procession, The Rescue, Respect, Summer of Soul, Tick Tick… Boom!, The Worst Person in the World

Oscar Watch: Benedetta

From Robocop to Total Recall to Basic Instinct to Showgirls to Starship Troopers, director Paul Verhoeven isn’t known for subtlety when it comes to showing sex and violence onscreen. And at the Cannes Film Festival, his latest French feature is said to feature plenty of both and in a 17th century Italian convent to boot! Welcome to the polarized reaction that is sure to greet Benedetta. 

Based on a true story and adapted from a 1986 novel titled Immodest Acts: The Life of a Lesbian Nun in Renaissance Italy, Verhoeven’s pic has tongues wagging in the Riviera. Could its buzz translate to Oscar attention?

Five years ago, the filmmaker premiered his thriller Elle at Cannes and it garnered some of the strongest reviews of his career. With a 91% Rotten Tomatoes rating, Elle won the Golden Globes for Best Foreign Language Film. However, it did not score a nomination with the Academy. The acclaim for its star Isabelle Huppert was more widespread with nods at the Oscars, Globes, and Critics Choice Awards (though not SAG).

This brings us back to Benedetta. It remains to be seen whether France will pick this as its hopeful in the International Feature Film competition. If so, I do question whether it’s too controversial for inclusion. Its Tomatoes meter is currently at 67%. Yet critics have been quick to focus on the performance of Virginie Efria as the title character. The Belgian actress, I suspect, will be talked about as a contender in the coming months. Competition could complicate her inclusion in the final five, but I wouldn’t rule out the possibility. My Oscar Watch posts will continue…

The Friends Zone: A Movie History

Friends: The Reunion premieres today on HBO Max and millions of the show’s fans can rejoice in seeing the six main characters from the NBC sitcom together on the couch once again. Running from 1994 to 2004, the show was an instant smash that continues to gain new followers through streaming services.

I was a viewer going back to the mid 90s. Due to Friends becoming so gigantic at the outset, Hollywood studios quickly tried make the main cast immediate movie stars. This resulted in varying degrees of success.

So in honor of the reunion, let’s take a look back in movie history at this iconic sextet and I’ll rank each actor from 1-6 on their cinematic output!

Jennifer Aniston (Rachel Green)

The Friends Zone Cinematic Ranking: 1

Before her casting as Rachel, Aniston’s only significant big screen credit was as a lead in the cult slasher Leprechaun. Yet her filmography during and after Friends easily puts her atop these rankings. She garnered critical raves in the indie dramas The Good Girl and Cake, was the love interest in the now beloved Office Space, and has plenty of comedic hits like Bruce Almighty, Horrible Bosses, We’re the Millers, and Murder Mystery. 

Courteney Cox (Monica Geller)

The Friends Zone Cinematic Ranking: 3

Cox is really the only Friendster with notable movie appearances before the show. Just a few months before the Friends premiere, she starred alongside Jim Carrey in the surprise hit Ace Ventura: Pet Detective. Years before that, she acted alongside He-Man and Skeletor in Masters of the Universe. During Friends, she appeared in the horror blockbuster Scream and she’s about to turn up early next year in its fourth sequel. The rest of her filmography is pretty scant, but she’s the only one with a well established franchise.

Lisa Kudrow (Phoebe Buffay)

The Friends Zone Cinematic Ranking: 2

Many might call 1997’s cult favorite Romy and Michele’s High School Reunion her finest contribution to the silver screen. Kudrow has also appeared in several supporting roles over the years from The Opposite of Sex to Analyze This and its sequel to Easy A to Booksmart. There’s certainly been some clunkers (Hanging Up and Lucky Numbers), but the voluminous output is enough to rank Kudrow in second.


Matt LeBlanc (Joey Tribbiani)

The Friends Zone Cinematic Ranking: 6

He found further TV success post Friends (though it took some time after the ill-fated spin-off Joey). LeBlanc’s big screen career never really launched. The 1996 starring vehicle Ed paired him with a primate and was a critical and commercial disaster. To put it another way, the monkey business with Marcel on the TV show was far more profitable. Two years later, his participation in the Lost in Space pic was met with shrugs.

Matthew Perry (Chandler Bing)

The Friends Zone Cinematic Ranking: 4

Perry ranks first among the boys as he had solid performers alongside Bruce Willis in The Whole Nine Yards and Zac Efron in 17 Again. There were, on the other hand, some duds like his pairing with Chris Farley in Almost Heroes and in the Yards sequel. He’s about to appear in his most high profile entry in years with Don’t Look Up from Adam McKay which stars Leonardo DiCaprio and Jennifer Lawrence.

David Schwimmer (Ross Geller)

The Friends Zone Cinematic Ranking: 5

The Pallbearer found Schwimmer in a rom com with Gwyneth Paltrow in 1996. It wasn’t quite the loud flop that Ed was, but it certainly came and went with little fanfare. His filmography is rather low-key with supporting appearances in Six Days, Seven Nights and Apt Pupil. His greatest successes can be found in voiceover work as Melman in the Madagascar franchise and on the small screen in the heralded limited series The People v. O.J. Simpson.

And there’s your trip down Friends memory lane, folks! For the real thing, watch the team reunion on HBO Max.

May 7-9 Box Office Predictions

The first full weekend of May at the box office brings us the Guy Ritchie directed action thriller Wrath of Man starring Jason Statham and Billy Crystal’s comedy Here Today with Tiffany Haddish. You can peruse my detailed prediction posts on both of them here:



Considering the precipitous drops that Demon Slayer and Mortal Kombat experienced in their sophomore frames (more on that below), Statham’s latest should have no trouble topping the charts in the $8-9 million range. The 1000 theater count for Here Today should limit its potential, but I do have it managing to round out the top five.

Slayer and Kombat are unlikely to see the 70+ percentage falls in their third weekends and place 2-3 with Godzilla vs. Kong at fourth. And with that – here’s how I see the top 5 playing out:

1. Wrath of Man

Predicted Gross: $8.3 million

2. Demon Slayer

Predicted Gross: $2.9 million

3. Mortal Kombat

Predicted Gross: $2.7 million

4. Godzilla vs. Kong

Predicted Gross: $2 million

5. Here Today

Predicted Gross: $1.5 million

Box Office Results (April 30-May 2)

As mentioned, both Mortal Kombat and Demon Slayer fell hard after their $20 million plus premieres the previous weekend. Demon Slayer vaulted to first with $6.4 million compared to my $6.2 million estimate for a $34 million ten day total.

Kombat dipped to 2nd with $6.2 million (well under my $9.1 million projection) and it also stands at $34 million.

Godzilla vs. Kong was third at $2.8 million (I said $2.9 million) for a five-week tally of $90 million. It could still manage to hit the century club and it would become the first COVID release to do so.

The critically drubbed horror pic Separation opened in fourth with $1.8 million, a bit below my $2.3 million take.

Disney’s Raya and the Last Dragon was fifth with $1.3 million (I went with $1.6 million). Total is $41 million.

And that does it for now, folks! Until next time…

Connery. Sean Connery.

It is, quite simply, the greatest screen introduction of all time. Nearly 60 years ago, the suave tuxedoed super agent lighting his cigarette in the posh casino and uttering three words that changed cinematic history.

“Bond. James Bond.”

They were, of course, spoken by Sean Connery. And that line of dialogue, flawlessly delivered, kicked off the franchise of all franchises. The role of 007 was followed by George Lazenby, Roger Moore, Timothy Dalton, Pierce Brosnan, and Daniel Craig. Yet to most lovers of the art form – Connery is Bond. He perfected Ian Fleming’s British hero from the start in Dr. No and continued to do so in the seminole pictures from the series including From Russia with Love and Goldfinger. 

When a performer passes on, as Connery has at age 90, it’s easy to delve into hyperbole. That doesn’t apply here. The man truly was and is an icon. Just being the best and original Bond would be enough to cement that legacy.

However, there’s plenty more. His Oscar winning turn as the tough and gruff Malone in Brian De Palma’s The Untouchables. His role as the father to Indiana Jones in The Last Crusade. Being Alfred Hitchcock’s leading man in Marnie. His Soviet captain in The Hunt for Red October. The escape artist opposite Nicolas Cage in The Rock. His shining star among other legends in Murder on the Orient Express.

The man who will always be Bond and much more may be gone, but that famous introduction and hours of additional first rate entertainment will be there for us to appreciate. And nobody looked cooler providing it to us.

Sean Connery. Icon. August 25, 1930-October 31, 2020.

No Time to Dune

If you felt obligated to write out a 2020 movie release schedule in pencil lately, it would be decimated with cross outs and erasure marks. Quite frankly, it’s tough to keep up with for movie lovers. In the past few days, it’s become even more pronounced and it’s more evidence that theaters simply aren’t ready for tentpole releases.

This was evident in July when Christopher Nolan’s Tenet wildly underperformed stateside. It served as a signal to studios that it’s better to wait and most of the delays have moved into 2021. Dune, the eagerly awaited latest effort from Denis Villeneuve, is the latest push. Originally scheduled for November and then delayed to December, Warner Bros. (who put out Tenet) has now slated it for October 2021.

The Dune activity occurs just after the new 007 pic No Time to Die announced a new Easter 2021 date. It was originally meant to hit theaters in February of this year. This follows Black Widow moving to May 2021 (original date was May 2020) and that meant the MCU’s Eternals traveled from February 2021 to November 2021. And that was around the time Steven Spielberg’s West Side Story received a year long delay to Christmastime ’21.

Still following? Yeah, I know. So what’s left for 2020? In short, nothing soon except for cinematic table scraps like The War with Grandpa with Robert De Niro (this Friday) and Honest Thief with Liam Neeson (next Friday).

Pixar is scheduled to unveil Soul in November. We shall see if they decide not to go the Disney+ route like they did with Mulan and other titles. The Croods: A New Age is supposed to come out over the Thanksgiving holiday. And December still has heavy hitters like Wonder Woman 1984, Death on the Nile, Free Guy, and Coming 2 America. 

The bottom line – who knows? Everything is tentative in these uncertain days. Streaming options will continue to increase. I wouldn’t be surprised if Tenet is available for a high price on such services in short order. For 007 fans and those awaiting Dune, there’s more time to anticipate.

Mulan Gets a Plus

Disney surprised a lot of box office commentators like myself to begin the week with major news about Mulan. The live-action adaptation of their 1998 animated feature, directed by Niki Caro, was intended to hit theaters on a worldwide scale on March 27th. This was, of course, just a couple of weeks after the COVID-19 pandemic forced closures of chains across the country.

Since delayed three more times, the Mouse Factory announced this afternoon that the tentpole feature will instead debut on the Disney+ streaming service on September 4. This allows lots of kids and their parents to view it over Labor Day weekend… at a cost of $30. While we have seen numerous pictures go the route of streaming as opposed to theatrical release in the past few months, Mulan is by far the most high profile.

The top brass at Disney made it clear that this is a one-off pattern. There was certainly no further announcement that their Black Widow (delayed from May) would follow suit. The news makes for a fascinating holiday weekend to monitor as Christopher Nolan’s Tenet is currently scheduled for select cities in cinemas at the same time.

Depending on how well Mulan performs on the small screen (and it certainly could), one must wonder what that means for other big pics that were supposed to be released by now. To name a few – there’s No Time to Die, A Quiet Place Part II, Top Gun: Maverick, and Wonder Woman 1984.

It may not change anything, but Disney’s Monday bombshell feels like a potential sign of more unexpected pattens to follow. After all, the idea that Mulan would be a streaming debut would have sounded unfathomable pre-COVID. Time will tell, but those anticipating Mulan won’t have to wait long if they’re willing to fork over a premium price.

Paramount Changes

And the release dates keep shifting due to the COVID-19 pandemic. Earlier today, Disney announced sweeping changes to their future slate of projects (affecting Mulan and the Star Wars and Avatar franchises) and I covered it here:


That follows word from Warner Bros. on their shifting of Tenet, which I covered here:


Now it’s Paramount’s turn. There were a number of changes announced this evening, but I’ll cover the two most significant. Tom Cruise’s return to one of his signature roles was originally slated for July 12th of this year. If you think about it, it would almost surely be the #1 or #2 movie in America right now in an alternate universe. The long gestating sequel was then pushed back to December 23rd. And now its release has been delayed nearly a full year with an expected date of July 2, 2021.

A Quiet Place II was right around the corner when COVID hit with a March 18th premiere. The virus changed that plan to a Labor Day rollout. This sequel is now scheduled for April 23, 2021 – postponing its release by over a year from its intended landing.

It’s fair to say that this week has seen the most heavy hitters fall back. And as we’ve learned in 2020, expect plenty more changes and adjustments ahead.

Mickey Mouse Blinks

Today marked even more release shifting in the wake of the ongoing COVID-19 pandemic and it’s a lot of news of Disney. The Mouse Factory, to no one’s surprise, has moved their live-action remake of Mulan from August 21st to that date we’re all growing accustomed to… (say it together now) TBD.

That’s not all. Two of the studio’s biggest franchises saw their anticipated sequels, spin-offs, and reboots pushed back one year. The as yet untitled next episodes of Star Wars will not begin until December 2023 (with follow-up pics now slated for 2025 and 2027).

James Cameron’s four (yes, four) sequels to Avatar are delayed yet again. Part two is now pegged for December 2022 with parts 3, 4, and 5 now planned for December 2024, 2026, and 2028.

And… that’s not all. Kenneth Branagh’s Death on the Nile (his follow-up to Murder on the Orient Express) has been pushed back two weeks from October 9th to October 23rd of this year (we’ll see it that holds). Mr. Branagh has already seen a COVID change a few weeks back when his critically reviled Artemis Fowl scrapped its theatrical bow in favor of a Disney+ debut.

Some other developments: Ridley Scott’s The Last Duel changed from Christmas 2020 to October 2021. Wes Anderson’s eagerly awaited (and potential Oscar contender) The French Dispatch saw its October 2020 premiere altered to… (say it again) TBD.

This follows the announcement from Warner Bros. earlier this week that Christopher Nolan’s Tenet (long seen as the first real COVID test for theaters) is now a TBD property after its hoped for August rollout. After the Tenet news, the ball was passed to Mulan. Not anymore.

Now the paradigm shifts again… to Disney. One could say that the MCU’s Black Widow is now the first massive blockbuster scheduled to debut on November 6th. Let’s see if it stays that way in our new cinematic universe.

Tenet Falls Back

As I’ve stated in any COVID-19 related post on this blog, the release of movies in theaters is far from the most pressing concern as it relates to the pandemic. However, this site covers the world of film and a significant development occurred today when it comes to that future.

Christopher Nolan’s Tenet has long been seen as the first real test of financial viability for theaters. For several months now, it has been the tentpole release pegged to be out of the gate before all others. With its $200 million budget and with one of the few directors behind it that guarantees an audience, a direct to streaming output has never been an option. Many other smaller budget features have already gone that route and it’s been covered here. Tenet was originally scheduled for a global bow last Friday (July 17) before shifting to July 31 and then August 12. Hours ago, Warner Bros. made an announcement that many have been anticipating. The thriller starring John David Washington and Robert Pattinson has now moved to a familiar release date… TBD.

The studio’s press release still indicates a desire for a 2020 rollout. The announcement goes on to say that Tenet may not receive a traditional release. Reading between the lines – this means it could be out in foreign markets before it hits screens stateside. This is in no doubt related to the recent surge of COVID cases in North America vs. other parts of the world.

Why is this announcement on one movie so big? Because a domino effect is sure to follow and it has already started. Rom com The Broken Hearts Gallery from Sony Pictures shifted its August 7th date to TBD shortly after. The Russell Crowe pic Unhinged is still slated to open next weekend (July 31). We will see if that holds (it could be a prime candidate for streaming).

Disney’s Mulan is currently scheduled for August 21. I would not be surprised if this changes and quickly. You may recall that it was originally supposed to come out in March when the pandemic began shutting down sectors of the economy.

Warner Bros. also revealed that The Conjuring 3 (part of their flagship horror franchise) is now moved to summer of 2021. One must wonder what other studios will do with some of their high profile product scheduled for September and October (August is pretty much wiped out at this juncture save for Mulan at the moment). That list includes A Quiet Place II (already delayed from spring) and Wonder Woman 1984 (already delayed from summer).

Bottom line: the fall back of Tenet greatly increases the probability of November being the real start of major product in the multiplexes. That’s when already delayed projects like Black Widow, No Time to Die, and Soul are scheduled. And that is, of course, tentative as well in this new cinematic reality.