2022 Oscar Predictions: The State of the Best Actor Race

My detailed look at six of the top Oscar categories – Picture, Director, and the four acting derbies – arrives at Best Actor. If you missed the posts covering the supporting races, you can find them here:

At this late October/early November stage of forecasting in the previous three years, my picks in the lead acting competitions have been more accurate than the supporting ones.

In 2019 at this juncture, I managed to correctly identify four of the five eventual nominees: winner Joaquin Phoenix (Joker), Leonardo DiCaprio (Once Upon a Time in Hollywood), Adam Driver (Marriage Story), and Jonathan Pryce (The Two Popes). The fifth was Antonio Banderas in Pain and Glory and he was listed in Other Possibilities.

Three of five was the story in 2020 and 2021. Two years ago, I had The Father‘s Anthony Hopkins (who won), Chadwick Boseman in Ma Rainey’s Black Bottom, and Gary Oldman (Mank) pegged with Riz Ahmed (Sound of Metal) and Steven Yeun (Minari) as possibles.

You may remember that Will Smith took gold last year for King Richard. I had him correctly called with two months remaining on the calendar. Same with Benedict Cumberbatch in The Power of the Dog and Denzel Washington for The Tragedy of Macbeth. Andrew Garfield (Tick, Tick… Boom!) was mentioned in Other Possibilities. Javier Bardem (Being the Ricardos) had yet to enter my top ten.

Had a certain slap heard around the world not occurred, it’s totally possible that Will Smith (Emancipation) might be listed in my top 5. However, with his current ban from attending the ceremony, I question whether he could make a return to the ballot so quickly after the controversy. Therefore he’s not in my top 10. We’ll see if the reviews (coming soon) change the dynamic.

We do have a frontrunner and that’s Brendan Fraser in The Whale. Since its Venice and Toronto fest bows, he’s drawn raves. This is also a comeback narrative that the Academy should fall for. I’ve had Fraser listed in 1st for several weeks and I see no reason to change that.

There are two viable runners-up in Colin Farrell (The Banshees of Inisherin) and Austin Butler (Elvis). I’ve been switching them in 2nd and 3rd place over the past few posts. Farrell is 2nd because I think Banshees stands a better shot at a BP nod. You have to go back to 2009 and Jeff Bridges (Crazy Heart) where the Best Actor recipient’s movie didn’t achieve BP inclusion. If Elvis makes the big dance – an argument could be made that Butler is Fraser’s most serious competition to shake the race up.

After those three names, it could be a free for all for the final two slots. The only other performer I had listed in 1st place other than Fraser was Hugh Jackman for The Son. This was before it premiered at the festivals and garnered middling reviews. Now the question is whether Jackman gets in at all.

Someone who has fared well on the fest circuit is Bill Nighy for Living. Sony Pictures will need to mount a spirited campaign, but they’re good at that kinda thing. I’m starting to feel better about Nighy than Jackman.

Diego Calva is the biggest remaining question mark for Babylon. Screenings coming up in two weeks should help answer his viability. There’s a pair of indie performances that could bubble up if critics groups assist – Paul Mescal for Aftersun and Jeremy Pope in The Inspection. One possible hindrance for both of them is their movies are both A24 and that studio could be distracted with crowning Fraser. We could see foreign film leads Song Kang-ho (Broker) and Park Hae-il (Decision to Leave) make a play.

Netflix is apparently going in on a spirited campaign for Adam Sandler in Hustle. I have a hard time seeing that pan out (especially since he couldn’t get in for Uncut Gems). The streamer could also focus on Christian Bale (The Pale Blue Eye) or Adam Driver (White Noise). Bale also has Amsterdam, but it failed with critics and audiences.

Finally… there’s Tom Cruise. A three-time nominee, it’s been 23 years since he was in the mix. And a little pic called Top Gun: Maverick was easily the largest blockbuster of his career and the runaway hit of 2022. I’m not ready to put him in my five. I wouldn’t be shocked if he ends up there.

Here’s my current state of this race:

1 . Brendan Fraser, The Whale (Previous Ranking: 1) (Even)

2. Colin Farrell, The Banshees of Inisherin (PR: 2) (E)

3. Austin Butler, Elvis (PR: 3) (E)

4. Bill Nighy, Living (PR: 4) (E)

5. Hugh Jackman, The Son (PR: 5) (E)

Other Possibilities:

6. Diego Calva, Babylon (PR: 6) (E)

7. Tom Cruise, Top Gun: Maverick (PR: 7) (E)

8. Jeremy Pope, The Inspection (PR: 8) (E)

9. Adam Driver, White Noise (PR: 9) (E)

10. Paul Mescal, Aftersun (PR: Not Ranked)

Dropped Out:

Song Kang-ho, Broker

Best Actress is up next!

Dune Review

Denis Villeneuve’s Dune arrives nearly three decades after David Lynch’s oft criticized version of Frank Herbert’s mid 60s sci-fi novel. It is source material that I’m frankly not familiar with so take that for what it’s worth. With the director of Arrival and Blade Runner 2049 at the controls, this is a technically masterful and consistently stunning looking experience. I also must admit that I didn’t get swept up in it no matter how amazing the desert landscapes appear (and do they ever).

Set 10,000 years in the future, the dense plot (as in often hard to follow) introduces us to the royal family of Caladan. Duke Leto (Oscar Isaac) is the leader of House Atreides, a land with a plentiful supply of water and bagpipes. His concubine is Lady Jessica (Rebecca Ferguson) who possesses the powers of Bene Gesserit, a sisterhood of mystical beings thought to bear children with God-like abilities. Their offspring is Paul (Timothee Chalamet). One problem: the Lady was supposed to have a girl who eventually delivers this story’s version of The One, but she skipped a step.

The Atreides are ordered by Empirical decree to take over Arrakis, a planet with hardly any water (I’m uncertain about bagpipes). However, it is the only land with spice and that substances serves many purposes. First, it gets you high and gives one visions that might play into the plot later. Most importantly, it fuels interstellar travel and is therefore an extraordinarily valuable commodity. It’s what Gollum would be droning on endlessly about if this were another epic adventure. House Harkonnen and their rotund ruler (Stellan Skarsgard), the current Arrakis deed holders, are not going to give up those property rights without a fight.

We sense where all this is heading due to Paul’s visions of Chani (Zendaya). She’s a native of Arrakis and their citizens called the Fremen have learned to use their planet’s sandy and almost unlivable terrain to their advantage. They will need to accept Paul as their captain and that development… will or won’t happen in part two. Yes, part one is a subtitle here. Like some Marvel products that preceded this, you may find yourself realizing that not a lot really happens in this origin tale by the time two and a half hours has lapsed.

I recognize this may sound like sacrilege to the book’s devotees. There is plenty to praise in this immensely gifted director’s adaptation. The cast is uniformly top notch from Chalamet on down (FYI – Zendaya is a part II kinda thing because her participation is limited). Ferguson is perhaps the standout in a sprawling ensemble that includes Josh Brolin (as a trusted Atreides warrior), Javier Bardem (as a Fremen warrior), and Charlotte Rampling as a Reverend Mother of the Bene Gesserit.

Dune worshipers forgive me. While I spent time marveling at the look and anticipating the unearthing of giant sandworms, I would put this behind Arrival and the Blade Runner follow-up without hesitation. Saying it feels like half a movie is easy criticism. That doesn’t mean it’s not true. It is tempting to recommend Dune based on spectacular work of composer Hans Zimmer and cinematographer Greig Fraser and the sound and visual effects artists. Yet I often found myself a bit shocked by my lack of awe in the story itself.

**1/2 (out of four)

Oscar Predictions: Lyle, Lyle, Crocodile

Before you call me crazy for penning this Oscar Predictions post, I’m not saying Lyle, Lyle, Crocodile will crawl into Best Picture consideration. And I’m not forecasting a Javier Bardem Supporting Actor nomination 15 years after he won for No Country for Old Men. I don’t need a coin to make those calls, friendo.

Yet the live-action/animated musical comedy for the kids could contend in one race. Shawn Mendes (the pop superstar who voices the title croc) has contributed some tunes to the soundtrack. One in particular called “Heartbeat” just debuted.

At present, unless your name is Lady Gaga with her ballad “Holy My Hand” from Top Gun: Maverick, the remaining four slots for Original Song are wide open. If the Academy wants another recognizable face crooning material… well, they might look to Taylor Swift with “Carolina” from Where the Crawdads Sing. Or who knows? Maybe this could pop up. My Oscar Prediction posts will continue…

Lyle, Lyle, Crocodile Box Office Prediction

Blogger’s Update (10/05): I am revising my Crocodile estimate from $21.6 million down to $17.6 million

Lyle, Lyle, Crocodile hopes to be the Citizen Kane of attic dwelling crooning semiaquatic reptile films when it debuts October 7th. Sony Pictures is also banking on it catering to a family audience that’s been underserved at multiplexes lately.

Will Speck and Josh Gordon, who made Blades of Glory and Office Christmas Party, direct with pop star Shawn Mendes providing the voice of the CG title character. Live-action actors appearing include Javier Bardem, Constance Wu, Winslow Fegley, Scoot McNairy, and Brett Gelman.

Based on the nearly 60-year-old children’s book by Bernard Waber, I’m not sure there’s really a clamoring for the cinematic rendering. However, as mentioned, you have to go back to DC League of Super-Pets two months ago since there’s been a high profile new release catering to kiddos.

That might help Lyle crawl to a $20-24 million start and that should be good for 1st place.

Lyle, Lyle, Crocodile opening weekend prediction: $17.6 million

For my Amsterdam prediction, click here:

Amsterdam Box Office Prediction

Oscar Predictions: Bardo

If you had asked me to guess the Rotten Tomatoes score for Alejandro Gonzalez Inarritu’s Bardo, False Chronicle of a Handful of Truths before its Venice debut today, I probably would’ve needed 55 guesses before I said 45%. Yet that’s where the acclaimed filmmaker’s seventh feature currently stands.

Simply put, that is shocking. Beginning with his debut Amores perros and its nomination for best foreign language pic in 2000, every Inarritu effort has attracted the attention of the Academy. His 2003 English debut 21 Grams landed acting nods for Naomi Watts and Benicio del Toro. 2006’s Babel received seven nominations including Picture and Director. 2010’s Biutiful got mentions in the foreign race and for Javier Bardem in Best Actor. 2014’s Birdman was the biggest breakthrough with nine nods and wins for Picture, Director, and Original Screenplay among others. One year later, Inarritu would win Best Director again for The Revenant, which also finally brought Leonardo DiCaprio to the podium in its total of 12 nominations.

So… to put it mildly, anything Inarritu makes is subject to massive awards speculation. Bardo is a return to his native Mexico for a three hour Fellini inspired dramedy. A November 18th theatrical run is planned before a Netflix streaming start on December 16th. It’s said to be based on the auteur’s real life experiences and initial reaction (as evidenced by the early RT rating) is troubling. Indulgent is a common word thus far.

The festival season beginning in Venice and with Telluride and Toronto on deck is just two days old. Bardo buzz is guaranteed to be one of the biggest surprises. In my predictions last week, I had the movie, Inarritu’s direction, and Daniel Gimenez Cacho in Best Actor all ranked 4th. Griselda Sicillani was fifth in Supporting Actress and there’s where I had this for Original Screenplay. It is very possible that it could fall out of contention altogether in each race mentioned when I publish my next update on Labor Day. I am confident I won’t be predicting nominations for any of the above. The largest benefactor to a Bardo collapse could be Park Chan-wook’s Decision to Leave. The heralded Japanese mystery could find itself as the international frontrunner now and more of an option in the BP derby.

A slight word of caution: this is just one festival. Bardo screens in Telluride this weekend and maybe the negative chatter will turn to the positive and it won’t be the non-factor that I suspect it’s become. Even the disappointed critics are singling out Darius Khondji’s cinematography so it could continue Inarritu’s streak of every picture getting some Oscar love. Let there be no doubt, however, as that streak is in serious danger. My Oscar Prediction posts will continue…

Oscar Predictions: Lucy and Desi

At last weekend’s Oscars, Nicole Kidman and Javier Bardem were both nominated as Lucy (as in Lucille Ball) and Desi (as in Arnaz) for Being the Ricardos. We could see the couple/sitcom stars represented at next year’s ceremony in documentary form.

Lucy and Desi premiered at the Sundance Film Festival in January and is now available for streaming on Amazon Prime. It was directed by another famed TV comedienne – Amy Poehler. Reviews stand at 93% on Rotten Tomatoes.

Docs about notable entertainment subjects often fail to garner the attention of Academy voters. Recent omissions from the five nominees in the race include Won’t You Be My Neighbor? (Mister Rogers) and Julia (2021’s feature about Julia Child). Despite the pleasing critical reaction, I suspect Lucy and Desi could suffer the same fate. My Oscar Prediction posts will continue…

2021 Oscars: FINAL Winner Predictions

And it’s come to this! After seven months of endless speculation, predictions, and posts – the 94th Academy Awards (with your hosts Wanda Sykes, Amy Schumer, and Regina Hall) airs this Sunday evening.

These are my final picks for the races covering feature films. Will the Best Picture be CODA?

Or The Power of the Dog?

We have ourselves some real intrigue as both are strong possibilities. Either way, a steamer (either Netflix or Apple TV) should pick up its inaugural Best Pic victory.

Will there be upsets in any of the acting derbies where there seems to be a consensus four based on precursors? And just what will occur in the screenplay races which look unpredictable?

For each race, I’ll give you a bit of commentary along with my projected victor and the runner-up.

Let’s get to it! On Sunday evening, you will see a recap with how I performed…

Best Picture

Nominees:

Belfast

CODA

Don’t Look Up

Drive My Car

Dune

King Richard

Licorice Pizza

Nightmare Alley

The Power of the Dog

West Side Story

Commentary:

Well, the big daddy of them all has certainly become fascinating. CODA, the little Sundance pic that could, has surged in the past few days. In addition to winning the SAG Ensemble prize, it captured the Producers Guild top honor and was a BAFTA selection for Adapted Screenplay. These designations (PGA especially) are significant precursors. A strong argument could be made that it has the momentum as voting closed yesterday. In fact, I’ve seen more prognosticators picking it this week than not…

However, The Power of the Dog is still quite viable. It took the Golden Globe Best Drama trophy as well as Critics Choice and BAFTA. Until CODA‘s rise, it was the heavy favorite.

We’ve got a real coin flip, folks! That definitely makes the end of Oscar night more suspenseful than last year when Nomadland seemed unbeatable and indeed was.

I don’t believe any of the other eight pictures have a chance. As for the two that do, I’ve gone back and forth constantly all week. There’s a time to stop speculating and make a final pick and I still believe there’s enough power for the Dog to edge out CODA. That said, I wouldn’t be the least bit surprised if it turns out the other way.

PREDICTED WINNER:

The Power of the Dog

Runner-Up:

CODA

Best Director

Nominees:

Paul Thomas Anderson, Licorice Pizza

Kenneth Branagh, Belfast

Jane Campion, The Power of the Dog

Ryusuke Hamaguchi, Drive My Car

Steven Spielberg, West Side Story

Commentary:

This is far easier than Picture. With CODA maker Sian Heder absent, Jane Campion is in line to become the third female (and second in a row) to make a podium trip. She’s won all the key precursors – DGA, Globes, Critics Choice. It’s even a challenge to name a runner-up (I guess I’ll say Spielberg because he’s Spielberg). Make no mistake – this is one of the simplest checkmarks on the ballot.

PREDICTED WINNER:

Jane Campion, The Power of the Dog

Runner-Up:

Steven Spielberg, West Side Story

Best Actress

Nominees:

Jessicas Chastain, The Eyes of Tammy Faye

Olivia Colman, The Lost Daughter

Penelope Cruz, Parallel Mothers

Nicole Kidman, Being the Ricardos

Kristen Stewart, Spencer

Commentary:

Kidman garnered the initial heat after a surprise Globe win, but that’s stalled as no other awards programs followed suit. Instead it’s been Chastain on the minor streak with SAG and Critics Choice. If there’s an upset in any acting derby, this is probably where it happens. Stewart’s road to Oscar looked shaky after some snubs. Academy voters could reward her and there’s some chatter about Cruz being viable. Yet I’m sticking with the safest best and that’s Chastain taking her first gold.

PREDICTED WINNER:

Jessica Chastain, The Eyes of Tammy Faye

Riunner-Up:

Kristen Stewart, Spencer

Best Actor

Nominees:

Javier Bardem, Being the Ricardos

Benedict Cumberbatch, The Power of the Dog

Andrew Garfield, tick, tick… Boom!

Will Smith, King Richard

Denzel Washington, The Tragedy of Macbeth

Commentary:

During the fall, I was thinking there could be a barnburner between Smith and Cumberbatch (with Garfield as potential spoiler). That’s not how it’s played out as the Fresh Prince has been crowned the king in all preceding shows. I expect the sweep to continue.

PREDICTED WINNER:

Will Smith, King Richard

Runner-Up:

Benedict Cumberbatch, The Power of the Dog

Best Supporting Actress

Nominees:

Jessie Buckley, The Lost Daughter

Ariana DeBose, West Side Story

Judi Dench, Belfast

Kirsten Dunst, The Power of the Dog

Aunjanue Ellis, King Richard

Commentary:

Buckley and Dench were surprising inclusions, but there won’t be any shocks with the winner. DeBose has run the table and she should represent Story‘s lone victory.

PREDICTED WINNER:

Ariana DeBose, West Side Story

Runner-Up:

Kirsten Dunst, The Power of the Dog

Best Supporting Actor

Nominees:

Ciaran Hinds, Belfast

Troy Kotsur, CODA

Jesse Plemons, The Power of the Dog

J.K. Simmons, Being the Ricardos

Kodi Smit-McPhee, The Power of the Dog

Commentary: 

Despite its quartet of performers getting nominations, Dog is likely to produce Oscars for none of them. Smit-McPhee received the Golden Globe but it’s been all Kotsur since. This is the race where I’m most confident of a CODA moment.

PREDICTED WINNER:

Troy Kotsur, CODA

Runner-Up:

Kodi Smit-McPhee, The Power of the Dog 

Best Original Screenplay

Nominees:

Belfast

Don’t Look Up

King Richard

Licorice Pizza

The Worst Person in the World

Commentary:

Good luck with this one! The Writer’s Guild threw everyone for a loop last weekend when Don’t Look Up won over Licorice Pizza (Belfast was not eligible). I just don’t envision the Academy honoring Up. With a Belfast or Pizza victory, they would bestowing first ever Oscars to Kenneth Branagh and Paul Thomas Anderson respectively. With the Globe and Critics Choice going to Belfast, it has my vote (though it’s close).

PREDICTED WINNER:

Belfast

Runner-Up:

Licorice Pizza

Best Adapted Screenplay

Nominees

CODA

Drive My Car

Dune

The Lost Daughter

The Power of the Dog 

Commentary:

CODA‘s BAFTA win kickstarted its momentum. Even if Dog is Best Picture, CODA could still take this. On the other hand, I think there’s a better chance Best Pic and Adapted Screenplay match so I’m rolling with the Dog with no degree of confidence whatsoever.

PREDICTED WINNER:

The Power of the Dog

Runner-Up:

CODA

Best Animated Feature

Nominees:

Encanto

Flee

Luca

The Mitchells vs. the Machines

Raya and the Last Dragon

Commentary:

I’m tempted to pick a Mitchells upset, but it’s dangerous to pick against Disney and Encanto is the frontrunner.

PREDICTED WINNER:

Encanto

Runner-Up:

The Mitchells vs. the Machines

Best International Feature Film

Nominees:

Drive My Car

Flee

The Hand of God

Lunana: A Yak in the Classroom

The Worst Person in the World

Commentary:

This is unquestionably one of the no brainer picks as Drive My Car has dominated the precursors and is the only nominee to also nab a Best Picture nod.

PREDICTED WINNER:

Drive My Car

Runner-Up:

The Worst Person in the World

Best Documentary Feature

Nominees:

Ascension

Attica

Flee

Summer of Soul

Writing with Fire

Commentary:

With nominations in Animated Feature, International Feature, and Doc – it sure seems like Flee should win one of them. It might stand the best chance in this competition, but Summer of Soul has been impressive in precursors and should continue the streak.

PREDICTED WINNER:

Summer of Soul

Runner-Up:

Flee

Best Cinematography

Nominees:

Dune

Nightmare Alley

The Power of the Dog

The Tragedy of Macbeth

West Side Story

Commentary: 

This might be the tech race where Dog is successful. I’m not predicting it though and (get used to hearing this) think Dune emerges.

PREDICTED WINNER:

Dune

Runner-Up:

The Power of the Dog

Best Costume Design

Nominees:

Cruella

Cyrano

Dune

Nightmare Alley

West Side Story

Commentary:

Cruella has killed it the preceding competitions. Dune, if it crushes all techs, could take it but I’m going with the former.

PREDICTED WINNER:

Cruella

Runner-Up:

Dune

Best Film Editing

Nominees:

Don’t Look Up

Dune

King Richard

The Power of the Dog

tick, tick… Boom!

Commentary:

Don’t sleep on King Richard which was bestowed the EDDIE award. I still think this is Dune‘s to lose.

PREDICTED WINNER:

Dune

Runner-Up:

King Richard

Best Makeup and Hairstyling

Nominees:

Coming 2 America

Cruella

Dune

The Eyes of Tammy Faye

House of Gucci

Commentary:

Gucci could fashion a 1 for 1 victory but Tammy Faye has taken some precursors.

PREDICTED WINNER:

The Eyes of Tammy Faye

Runner-Up:

House of Gucci

Best Original Score

Nominees:

Don’t Look Up

Dune

Encanto

Parallel Mothers

The Power of the Dog

Commentary:

Like Cinematography, this is between Dog and Dune. Like Cinematography, I’m choosing the latter.

PREDICTED WINNER:

Dune

Runner-Up:

The Power of the Dog

Best Original Song

Nominees:

“Be Alive” from King Richard

“Dos Oruguitas” from Encanto

“Down to Joy” from Belfast

“No Time to Die” from No Time to Die

“Somehow You Do” from Four Good Days

Commentary:

Diane Warren gets her 13th nomination with “Somehow” and somehow she’s never won. That will continue. The smart money is on the 007 theme song from Billie Eilish. Yet I’m going with a minor upset with the Disney tune.

PREDICTED WINNER:

“Dos Oruguitas” from Encanto

Runner-Up:

“No Time to Die” from No Time to Die

Best Production Design

Nominees:

Dune

Nightmare Alley

The Power of the Dog

The Tragedy of Macbeth

West Side Story

Commentary:

For the last three categories, I could just say Dune and be done with it. In fact, I think I will…

PREDICTED WINNER:

Dune

Runner-Up:

West Side Story

Best Sound

Nominees:

Belfast

Dune

No Time to Die

The Power of the Dog

West Side Story

Commentary:

See Production Design

PREDICTED WINNER:

Dune

Runner-Up:

West Side Story

Best Visual Effects

Nominees:

Dune

Free Guy

No Time to Die

Shang-Chi and the Legend of the Ten Rings

Spider-Man: No Way Home

Commentary:

See Production Design

PREDICTED WINNER:

Dune

Runner-Up:

There isn’t one… that’s how I’m confident I am that Dune takes it.

And so, ladies and gents, that means I’m predicting that these movies win these numbers of Oscars:

6 Wins

Dune

3 Wins

The Power of the Dog

2 Wins

Encanto, The Eyes of Tammy Faye

1 Win

Belfast, CODA, Cruella, Drive My Car, King Richard, Summer of Soul, West Side Story

Make sure to check out the blog post ceremony!

Oscars 2021: The Case of J.K. Simmons

The performance of J.K. Simmons in Being the Ricardos is my fourth Case Of post for the Supporting Actor nominees. If you didn’t catch the first three, they are linked here:

Oscars 2021: The Case of Ciaran Hinds

Oscars 2021: The Case of Troy Kotsur

Oscars 2021: The Case of Jesse Plemons

The Case for J.K. Simmons:

He’s a well-respected Hollywood veteran and the Academy’s voters dug the acting troupe from Ricardos as Nicole Kidman and Javier Bardem were also nominated.

The Case Against J.K. Simmons:

This nomination was a bit of a surprise. Simmons got in despite no love from SAG or the Globes (though Critics Choice did mention him). The film itself failed to nab Picture or screenplay nods. Of the three Ricardos hopefuls, only Kidman stands a decent chance at winning.

Previous Nominations: 1

Whiplash (Supporting Actor – 2014, WON)

The Verdict:

Seven years ago, Simmons was the overwhelming favorite to take this race in Whiplash and he did. For Ricardos, I would rank him fifth out of five for the contenders.

My Case Of posts will continue with Steven Spielberg’s direction of West Side Story

Oscars 2021: The Case of Nicole Kidman

Playing TV legend Lucille Ball, Nicole Kidman’s performance in Being the Ricardos is next up in my Case Of posts for the Best Actress nominees. If you didn’t catch the first three entries, they’re here:

Oscars 2021: The Case of Jessica Chastain

Oscars 2021: The Case of Olivia Colman

Oscars 2021: The Case of Penelope Cruz

The Case for Nicole Kidman:

It actually seems like Kidman should have more than five nominations and she hasn’t won in 19 years. Ricardos is a golden opportunity for the Academy to make her a two-time winner. The Golden Globes made a victory here more possible when she took the top Drama prize at that ceremony. Oscar voters were clearly impressed with the cast as Javier Bardem and J.K. Simmons also received nods.

The Case Against Nicole Kidman:

A SAG award might’ve made her the heavy frontrunner, but Jessica Chastain (The Eyes of Tammy Faye) won it. Ricardos itself received mixed critical reaction and missed major categories like Picture and Original Screenplay.

Previous Nominations: 4

Moulin Rouge! (2001 – Actress); The Hours (2002 – Actress, WON)Rabbit Hole (2010 – Actress); Lion (2016 – Supporting Actress)

The Verdict:

As has been discussed many times on the blog, Best Actress is wide open (just like last year). I’d say Kidman and Chastain (based on their early hardware) probably stand the best chance, but nobody is an overwhelming favorite by any means.

My Case OF posts will continue with Best Actor hopefuls and Will Smith in King Richard

2021 SAG Awards Winner Predictions

The SAG Awards air this Sunday night and I’m here to give you my take. For some context, I went 4/5 in my projections from 2017-2019 and 3/5 last year. The winners here will certainly help themselves if they’re nominated for Oscars (as you’ll see – not all are).

Let’s get to it!

Outstanding Performance by a Cast in a Motion Picture

Nominees:

Belfast

CODA

Don’t Look Up

House of Gucci

King Richard

Commentary:

I could offer an argument for anything but Gucci (partly because The Birdcage from 1996 is the only winner that wasn’t nominated for BP at the Oscars). The rest of the pics are BP players with the Academy. Belfast is the most likely to win (notice frontrunner The Power of the Dog isn’t here). Even though I’m not projecting its lone nominee (Balfe) to take the SAG and it was a surprise that Ciaran Hinds didn’t make it, I’ll say the cast is ultimately honored as a whole. CODA is right on its heels.

Predicted Winner: Belfast

Runner-Up: CODA

Outstanding Performance by a Female Actor in a Leading Role

Nominees:

Jessica Chastain, The Eyes of Tammy Faye

Olivia Colman, The Lost Daughter

Lady Gaga, House of Gucci

Jennifer Hudson, Respect

Nicole Kidman, Being the Ricardos

Commentary: 

Welcome to the confounding world of Best Actress in the 2021 awards season and this is easily the trickiest race to figure out. The Oscar/SAG match is 3/5. Gaga and Hudson didn’t make the Acadeny’s cut in favor of Penelope Cruz (Parallel Mothers) and Kristen Stewart (Spencer).

Let’s start with Gaga. The SAG winner in this race has never not been nominated for an Oscar so the superstar would certainly make history if she takes this. That stat discourages me from calling her name, but who knows? All hopefuls here would be first-time winners in this category (Hudson took Supporting Actress 15 years back in Dreamgirls). She seems least likely to win. So we’re down to Chastain, Colman, and Kidman. All could prevail. Kidman took the Golden Globe and a podium trip could solidify her status as the Oscar frontrunner. Chastain’s showy role could be honored and it’s a bit of a coin flip for me. I’ll give Kidman an ever so slight edge.

Predicted Winner: Nicole Kidman

Runner-Up: Jessica Chastain

Outstanding Performance by a Male Actor in a Leading Role

Nominees:

Javier Bardem, Being the Ricardos

Benedict Cumberbatch, The Power of the Dog

Andrew Garfield, Tick Tick… Boom!

Will Smith, King Richard

Denzel Washington, The Tragedy of Macbeth

Commentary:

Not complicated like Actress as there’s a 5 for 5 lineup with the Academy’s nominees. Unlike the Oscars, I do buy into the theory that Garfield might be more of a spoiler than Cumberbatch to Smith. The SAG folks could reward Garfield’s showy role. That said, I’m not betting against Smith.

Predicted Winner: Will Smith

Runner-Up: Andrew Garfield

Outstanding Performance by a Female Actor in a Supporting Role

Nominees:

Caitriona Balfe, Belfast

Cate Blanchett, Nightmare Alley

Ariana DeBose, West Side Story

Kirsten Dunst, The Power of the Dog

Ruth Negga, Passing

Commentary: 

There’s only a 2 for 5 symmetry with the big show and that’s DeBose and Dunst. Balfe, Blanchett, and Negga are in over Academy picks Jessie Buckley (The Lost Daughter), Judi Dench (Belfast), and Aunjanue Ellis (King Richard). I do think it’s between the Oscar contestants. Dunst is a threat though I’m going with DeBose sweeping until I see different.

Predicted Winner: Ariana DeBose

Runner-Up: Kirsten Dunst

Outstanding Performance by a Male Actor in a Supporting Role

Nominees:

Ben Affleck, The Tender Bar

Bradley Cooper, Licorice Pizza

Troy Kotsur, CODA

Jared Leto, House of Gucci

Kodi Smit-McPhee, The Power of the Dog

Commentary:

Like Supporting Actress, just a 2 for 5 (Kotsur, Smit-McPhee) match. Affleck, Cooper, and Leto got SAG love instead of Oscar selections Ciaran Hinds (Belfast), Jesse Plemons (The Power of the Dog), and J.K. Simmons (Being the Ricardos). And I’ll also say it’s between the two Academy players. This is difficult because I could easily see Smit-McPhee sweeping (he won the Globe). Yet I have a sneaking suspicion the thespians may go for Kotsur. With little confidence, I’ll pick that.

Predicted Winner: Troy Kotsur

Runner-Up: Kodi Smit-McPhee

I’ll have reaction up on the ceremony Sunday night!