We are over a month removed from the 96th Academy Awards airing so that means it’s time to start speculating on the 97th. These are my initial glimpses at the four acting races, Director, and Picture and they will unfold on the blog over the next few days. I already posted my first takes on the acting derbies and Director and they can be perused here:
We now move to the big prize. When I did my first picks on the competition in 2023, it yielded half of the eventual nominees: the winner Oppenheimer in addition to Killers of the Flower Moon, Maestro, Past Lives, and Poor Things. Under the 10 other possibilities, I named Barbie and The Holdovers. I did not identify American Fiction, Anatomy of a Fall, or The Zone of Interest at that early juncture.
Let’s start with an obvious caveat… it’s early. Some movies listed are likely to be pushed back or simply not turn out as awards contenders.
It is a safe assumption that the year’s biggest grosser thus far – Dune: Part Two – has punched its ticket to contention. Everything else, frankly, is guesswork right now. With Cannes coming up, some questions will be answered soon. Followers of the blog, however, know this is a months long process in the BP puzzle. It starts today.
Here’s the first snapshot…
TODD’S FIRST OSCAR PREDICTION FOR BEST DIRECTOR AT THE 97TH ACADEMY AWARDS:
Bird
Blitz
Conclave
Dídi
Dune: Part Two
The End
The Fire Inside
Kinds of Kindness
Queer
Sing Sing
Other Possibilities:
The Apprentice
Civil War
A Different Man
Emilia Perez
Furiosa: A Mad Max Saga
Gladiator 2
Hard Truths
Horizon: Am America Saga – Chapter 2
Joker: Folie à Deux
Megalopolis
The Nickel Boys
Nightbitch
The Piano Lesson
A Real Pain
Wicked
I’ll have my first rankings in the six major categories up in short order!
We are about a month removed from the 96th Academy Awards airing so that means it’s time to start speculating on the 97th. These are my initial glimpses at the four acting races, Director, and Picture and they will unfold on the blog over the next few days. I already posted my first takes on the supporting derbies and Best Actor and they can be perused here:
We now move to Actress. When I did my first picks on the competition in 2023, it yielded the winner with Emma Stone for Poor Things. I will note that her main competitor – Lily Gladstone in Killers of the Flower Moon – was listed at that time as a Supporting Actress contender and not lead. Under the 10 other possibilities, I named Annette Bening in Nyad and Carey Mulligan for Maestro. I did not identify Sandra Hüller (Anatomy of a Fall) at that early juncture.
Let’s start with an obvious caveat… it’s early. Some movies listed are likely to be pushed back or simply not turn out as awards contenders. Actresses listed here could end up being campaigned for in supporting actress (the vice versa of Gladstone).
Speaking of Gladstone, she could make a return appearance with Fancy Dance. So could Ms. Stone though I do wonder if the anthology format of Kinds of Kindness slots her here or in lead. Other possibilities include the return of Angelina Jolie to the awards conversation as opera legend Maria Callas in Maria and Lady Gaga as Joker’s muse Harley Quinn in Joker: Folie à Deux.
Here’s the first snapshot:
TODD’S FIRST OSCAR PREDICTIONS FOR BEST ACTRESS AT THE 97TH ACADEMY AWARDS:
And here we go! We are about four weeks removed from the 96th Academy Awards airing so that means it’s time to start speculating on the 97th. These are my initial glimpses at the four acting races, Director, and Picture and they will unfold on the blog over the next few days. I already posted my first takes on the supporting derbies and they can be perused here:
We now move to Actor. When I did my first picks on the competition in 2023, it yielded two nominees: winner Cillian Murphy as Oppenheimer and Bradley Cooper in Maestro. Under the 10 other possibilities, I named Colman Domingo in Rustin and Paul Giamatti for The Holdovers I did not identify Jeffrey Wright (American Fiction) at the early juncture.
Let’s start with an obvious caveat… it’s early. Some movies listed are likely to be pushed back or simply not turn out as awards contenders. Actors listed here could end up being campaigned for in supporting actor.
My first projections give Colman Domingo a second shot in a row in this competition. Cillian Murphy could be back as well. They also open up the possibility of Joaquin Phoenix’s return as Joker giving him another statue in the role. In 2023, I listed Kingsley Ben-Adir in Bob Marley: One Love as one of my predicted quintet. Now he’s an Other Possibility (and a somewhat remote one at that).
Here’s the first snapshot:
TODD’S FIRST OSCAR PREDICTIONS FOR BEST ACTOR AT THE 97TH ACADEMY AWARDS
After a year plus of speculation, the 96th Academy Awards have finally happened. As anticipated, Oppenheimer had a solid night by winning over half of its nominations with 7 trophies out of 13 nods. It emerged triumphant in the top of the line races where it was expected to do so: Picture, Director (Christopher Nolan), Actor (Cillian Murphy), and Supporting Actor (Robert Downey Jr.). **Fun fact: RDJ is the first former SNL cast member to win an Oscar. Oppenheimer also took the prizes for Cinematography, Film Editing, and Original Score. I correctly called those victories for the epic biopic correctly.
The real question of the night was what other movie would emerge as having a good night with the Academy. That answer turned out to be Poor Things. I only had Yorgos Lanthimos’s multi-genre experiencing generating one Oscar. It received four. I rightly had it pegged for Production Design. Yet it also took Makeup & Hairstyling over my pick of Maestro and Costume Design over my favored Barbie.
And then… Emma Stone took to the podium for her second Academy Award in 7 years over Lily Gladstone (Killers of the Flower Moon), who had seemed to grab the momentum after her SAG statue. It turned out to be the BAFTAs (where Stone won) that had the closest correlations with tonight’s show. Poor Things had a rich bounty that was better than my projections and pretty much everyone else’s.
The Zone of Interest, as widely projected, is the International Feature Film. In another slight surprise, it also was named for Best Sound over Oppenheimer (got that wrong).
Oppenheimer, Poor Things, and Zone were the only films with multiple golden pickups. Other BP nominees that nabbed a win were The Holdovers where Da’Vine Randolph completed her sweep in Supporting Actress and Anatomy of a Fall in Original Screenplay and American Fiction in Adapted Screenplay (got those right). Same goes for Barbie‘s sole trophy in Original Song with “What Was I Made For?” by Billie Eilish over “I’m Just Ken” (though Ryan Gosling’s performance of the tune was perhaps the evening’s highlight).
I correctly called 20 Days in Mariupol for Documentary Feature while The Boy and the Heron is Animated Feature over Spider-Man: Across the Spider-Verse (I went with Spidey). Another wrong projection: The Creator didn’t take Visual Effects as that went to Godzilla Minus One.
All in all, I went 14 for 20. I will note that in the six races I missed, my runners-up ended up with each one. And in perhaps the biggest shocker of the night, the ceremony actually wrapped up early and that was with host Jimmy Kimmel (who’s good at this assignment) stretching in the home stretch.
It’s been a blast trying to figure out the 96th Academy Awards! Now onto the 97th…
FINAL WIN TALLY
7 Wins
Oppenheimer
4 Wins
Poor Things
2 Wins
The Zone of Interest
1 Win
American Fiction, Anatomy of a Fall, Barbie, The Boy and the Heron, Godzilla Minus One, The Holdovers, 20 Days in Mariupol
After scores of Oscar Prediction posts, 35 Case Of write-ups making the argument for and against winners in BP, Director, and the four acting derbies, and numerous articles covering the key precursors – we have arrived at my final winner predictions for the 96th Academy Awards. The ceremony airs Sunday night with Jimmy Kimmel back hosting (remember: it starts an hour earlier than normal at 7PM EST).
Truth be told, some of the major races come with little to zero suspense and you’ll read about that below. On the other hand, there are a handful of competitions that are quite unpredictable with the most visible being Best Actress.
As I do each year, I’ll give you the nominees, brief analysis, and a winner and runner-up pick for all the feature-length categories. Let’s get to it!
BEST PICTURE
Nominees: American Fiction, Anatomy of a Fall, Barbie, The Holdovers, Killers of the Flower Moon, Maestro, Oppenheimer, Past Lives, Poor Things, The Zone of Interest
Let’s keep this simple. Oppenheimer is the easiest BP selection to predict in quite some time and there’s been some obvious ones recently (including Everything Everywhere All at Once last year). It has taken all the precursors it needs to including the Globes, BAFTA, SAG and Critics Choice. Frankly, the more difficult call is runner-up (and it doesn’t really matter). I’ll go with Poor Things since it had the second most noms and showed up in all the major races where it was expected to contend.
Prediction: Oppenheimer
Runner-Up: Poor Things
BEST DIRECTOR
Nominees: Jonathan Glazer (The Zone of Interest), Yorgos Lanthimos (Poor Things), Christopher Nolan (Oppenheimer), Martin Scorsese (Killers of the Flower Moon), Justine Triet (Anatomy of a Fall)
You could literally copy and paste everything about Picture for Director with the man who made Oppenheimer and throw in the fact that he took DGA as well. Another no brainer.
Prediction: Christopher Nolan, Oppenheimer
Runner-Up: Jonathan Glazer, The Zone of Interest (I guess)
BEST ACTRESS
Nominees: Annette Bening (Nyad), Lily Gladstone (Killers of the Flower Moon), Sandra Hüller (Anatomy of a Fall), Carey Mulligan (Maestro), Emma Stone (Poor Things)
And now it gets complicated. Of the four acting races, this is by far the hardest one. Why? It appears to be a coin flip between Stone and Gladstone. They split the Golden Globes as anticipated. Stone received BAFTA and Critics Choice and appeared to be out front. And then Gladstone swooped in for SAG. That recency factor could serve as a boost. Additionally, Gladstone’s victory would be historic. For Stone, it would be her second statue in seven years after her La La Land prize. Stone could absolutely make the podium trip and it wouldn’t be unexpected at all. Yet for the reasons above…
Prediction: Lily Gladstone, Killers of the Flower Moon
Runner-Up: Emma Stone, Poor Things
BEST ACTOR
Nominees: Bradley Cooper (Maestro), Colman Domingo (Rustin), Paul Giamatti (The Holdovers), Cillian Murphy (Oppenheimer), Jeffrey Wright (American Fiction)
Best Actor also looked like a pick ’em for a bit between Murphy and Giamatti. They split the Globes and then Giamatti was your Critics Choice choice. Murphy, however, regained momentum with BAFTA and SAG. A Giamatti win could occur, but it seems unlikelier now.
Prediction: Cillian Murphy, Oppenheimer
Runner-Up: Paul Giamatti, The Holdovers
BEST SUPPORTING ACTRESS
Nominees: Emily Blunt (Oppenheimer), Danielle Brooks (The Color Purple), America Ferrera (Barbie), Jodie Foster (Nyad), Da’Vine Joy Randolph (The Holdovers)
There was some thought that this race could become interesting at some point with an Emily Blunt upset at SAG or maybe even Brooks scoring a shocking victory. It never happened and Randolph has emerged everywhere. This is one of the easiest categories to call.
Prediction: Da’Vine Joy Randolph, The Holdovers
Runner-Up: Emily Blunt, Oppenheimer
BEST SUPPORTING ACTOR
Nominees: Sterling K. Brown (American Fiction), Robert De Niro (Killers of the Flower Moon), Robert Downey Jr. (Oppenheimer), Ryan Gosling (Barbie), Mark Ruffalo (Poor Things)
This quintet of performers all come from BP nominees, but the winner will be from the BP recipient. Downey Jr. has swept this season thus far and that’ll continue.
Prediction: Robert Downey Jr., Oppenheimer
Runner-Up: Ryan Gosling, Barbie
BEST ORIGINAL SCREENPLAY
Nominees: Anatomy of a Fall, The Holdovers, Maestro, May December, Past Lives
You’ll notice a common theme with both Screenplay derbies. It looked like each would difficult to figure out, but precursors have had consistency. In Original, that’s been Anatomy of a Fall and this should mark its sole Oscar since France inexplicably didn’t make it their International Feature Film submission.
Prediction: Anatomy of a Fall
Runner-Up: The Holdovers
BEST ADAPTED SCREENPLAY
Nominees: American Fiction, Barbie, Oppenheimer, Poor Things, The Zone of Interest
There is a little more intrigue here with Barbie in the mix and a potential Oppenheimer juggernaut being rewarded even here. That said, Fiction kept racking up precursors and I can’t bet against it for its solo prize.
Prediction: American Fiction
Runner-Up: Oppenheimer
BEST INTERNATIONAL FEATURE FILM
Nominees: Io Capitano, Perfect Days, Society of the Snow, The Teachers’ Lounge, The Zone of Interest
As mentioned, with Anatomy left out, this becomes easy. Zone is the only BP nominee listed in this group.
Prediction: The Zone of Interest
Runner-Up: Society of the Snow
BEST ANIMATED FEATURE
Nominees: The Boy and the Heron, Elemental, Nimona, Robot Dreams, Spider-Man: Across the Spider-Verse
We’ve got real drama here as Heron took the Globe and BAFTA while Spidey is the Annie and Critics Choice selection. I’m leaning toward the latter, but Heron could fly away with the minor upset.
Prediction: Spider-Man: Across the Spider-Verse
Runner-Up: The Boy and the Heron
BEST DOCUMENTARY FEATURE
Nominees: Bobi Wine: The People’s President, The Eternal Memory, Four Daughters, To Kill a Tiger, 20 Days in Mariupol
Doc Feature can be a head scratcher from time to time and I’m tempted to go with Daughters or even something else to shake it up. Mariupol, though, has collected the bulk of notable precursors. It’s the safe pick.
Prediction: 20 Days in Mariupol
Runner-Up: Four Daughters
BEST CINEMATOGRAPHY
Nominees: El Conde, Killers of the Flower Moon, Maestro, Oppenheimer, Poor Things
Sometimes brevity is appreciated. There are some of these tech races where Oppenheimer is way out front. This would be one.
Prediction: Oppenheimer
Runner-Up: Poor Things
BEST COSTUME DESIGN
Nominees: Barbie, Killers of the Flower Moon, Napoleon, Oppenheimer, Poor Things
Here’s one where Oppenheimer isn’t really expected to win. Instead, like Production Design, this should be between Barbie and Poor Things and it’s 50/50 in my view. I have a strange feeling that Barbie will win more than 1 Oscar (there’s one coming below where it’s basically a slam dunk). This could mark that second trophy.
Prediction: Barbie
Runner-Up: Poor Things
BEST FILM EDITING
Nominees: Anatomy of a Fall, The Holdovers, Killers of the Flower Moon, Oppenheimer, Poor Things
A very easy call for Oppenheimer.
Prediction: Oppenheimer
Runner-Up: Anatomy of a Fall
BEST MAKEUP AND HAIRSTYLING
Nominees: Golda, Maestro, Oppenheimer, Poor Things, Society of the Snow
Poor Things is a genuine threat, but I’ll say this is Maestro‘s only victory.
Prediction: Maestro
Runner-Up: Poor Things
BEST ORIGINAL SCORE
Nominees: American Fiction, Indiana Jones and the Dial of Destiny, Killers of the Flower Moon, Oppenheimer, Poor Things
It is Oppenheimer‘s destiny to take this one.
Prediction: Oppenheimer
Runner-Up: Killers of the Flower Moon
BEST ORIGINAL SONG
Nominees: “The Fire Inside” from Flamin’ Hot; “I’m Just Ken” from Barbie; “It Never Went Away” from American Symphony; “Wahzhazhe (A Song for My People)” from Killers of the Flower Moon; “What Was I Made For?” from Barbie
Here’s where Barbie is the safe pick with either tune. “Ken” nabbed a Critics Choice prize, but Billie Eilish’s ballad scored at the Globes and Grammys.
Prediction: “What Was I Made For?” from Barbie
Runner-Up: “I’m Just Ken” from Barbie
BEST PRODUCTION DESIGN
Nominees: Barbie, Killers of the Flower Moon, Napoleon, Oppenheimer, Poor Things
Per Costume Design, a showdown between Barbie and Bella of Poor Things. Unlike Costume Design, my coin is flipped to Poor Things for what I’m projecting is its only Academy Award.
Prediction: Poor Things
Runner-Up: Barbie
BEST SOUND
Nominees: The Creator, Maestro, Mission: Impossible – Dead Reckoning, Oppenheimer, The Zone of Interest
This looked like a no thinking pick for Oppenheimer until Zone managed the BAFTA. I could see that repeating, but I’m not confident enough to bet against Oppenheimer.
Prediction: Oppenheimer
Runner-Up: The Zone of Interst
BEST VISUAL EFFECTS
Nominees: The Creator, Godzilla Minus One, Guardians of the Galaxy Vol. 3, Mission: Impossible – Dead Reckoning, Napoleon
Along with Actress, this is where I’ve struggled the most. VE is kinda wild this year with Oppenheimer not listed (it won Critics Choice), Dune: Part Two having been pushed to 2024, and Poor Things (which won BAFTA) not in the quintet. So… your guess is as good as mine. I’m really tempted to go with Godzilla. Guardians and Napoleon are possible (I really don’t see Mission as the pick). Yet I’ll say The Creator edges them out as it just took some Visual Effects Society awards. Confidence level? Nada.
Prediction: The Creator
Runner-Up: Godzilla Minus One
That means I’m speculating that every BP nominee except Past Lives will win an Oscar… and that Barbie is the only other picture with more than one trophy other than Oppenheimer.
Here’s the projected breakdown for victories:
8 Wins
Oppenheimer
2 Wins
Barbie
1 Win
American Fiction, Anatomy of a Fall, The Creator, The Holdovers, Killers of the Flower Moon,Maestro, Poor Things, Spider-Man: Across the Spider-Verse, 20 Days in Mariupol, The Zone of Interest
And there you have it! I’ll have a recap up Sunday evening with how I did and general takeaways…
Johan Renck’s Spaceman is not – I repeat, not – about the doctor that Chris Parnell hilariously played on 30 Rock. The sci-fi drama does star a fellow SNL alumni in Adam Sandler as a Czech astronaut on a solo mission. It premiered at the Berlin Film Festival earlier this week, hits theaters in limited fashion this weekend, and premieres on Netflix March 1st. Costars include Carey Mulligan (currently vying for Best Actress in Maestro), Paul Dano (doing voiceover work), Kunal Nayyar, Lena Olin, and Isabella Rossellini.
Sandler’s serious work has probably come close to making the Academy’s cut with 2019’s Uncut Gems or 2022’s Hustle which earned him a SAG nod. I don’t think you’ll see Spaceman launch him into consideration. The RT score is a mixed 64% with some reviews calling it a bore. Others are far more complimentary, but not to the degree that I think that generates any awards buzz. The lone exception could be Visual Effects. I’m not confident in that. My Oscar Prediction posts will continue…
As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It began with the ten BP contenders and now it alternates alphabetically between the hopefuls in the five other big races. Today we arrive at our fourth performer in Best Actress and that’s Carey Mulligan in Maestro. Let’s get to it!
Previous Oscar Acting Nominations:
An Education (2009, Actress); Promising Young Woman (2020, Actress)
The Case for Carey Mulligan:
After likely coming up just a little short to Frances McDormand (Nomadland) in 2020 for PromisingYoungWoman, Mulligan has made the cut at key precursors with the Golden Globes, Critics Choice, BAFTA, and SAG. As Leonard Bernstein’s spouse Felicia, she has a number of Oscar clips to choose from alongside costar Bradley Cooper.
The Case Against Carey Mulligan:
So do Emma Stone (Poor Things) and Lily Gladstone (Killers of the Flower Moon) and they’ve taken the hardware in ceremonies that have already occurred.
The Verdict:
The third time won’t be the charm for Mulligan.
My Case Of posts will continue with Cillian Murphy in Oppenheimer…
The 30th SAG Awards air this Saturday and they are rightly viewed as an often reliable barometer for the Oscars, especially in the acting derbies. The biggest prize honors the strongest ensemble and that’s a less reliable match with Best Picture. Over the past 10 ceremonies, the correlation has been 5 out of 10 and that includes the last two shows with CODA and Everything Everywhere All at Once.
On the other hand, it was four for four in Actress, Actor, and the supporting competitions last year. That also holds true for 2021.
Sunday’s program could solidify frontrunner statuses for Actress/Actor hopefuls and further potential sweeps for the supporting players. Let’s walk through all 6 categories with a winner and runner-up selection.
Outstanding Performance by a Cast in a Motion Picture
Nominees: American Fiction, Barbie, The Color Purple, Killers of the Flower Moon, Oppenheimer
You have to go back to the second SAG Awards and The Birdcage to find a nominee that wasn’t an Oscar BP nominee so you can cross The Color Purple out immediately. My hunch is this comes down to Barbenheimer. We know that Oppenheimer is the overwhelming favorite for the Academy’s BP. However, Barbie could legitimately pick this up. This is a close call and I wouldn’t totally rule out Fiction. Yet the fact is that Oppenheimer might be strong enough to nab this one in addition to all the other precursors.
Predicted Winner: Oppenheimer
Runner-Up: Barbie
Outstanding Performance by a Female Actor in a Leading Role
Nominees: Annette Bening (Nyad), Lily Gladstone (Killers of the Flower Moon), Carey Mulligan (Maestro), Margot Robbie (Barbie), Emma Stone (Poor Things)
This is where Gladstone could make the Oscar race a nail biter. Stone has taken Critics Choice and BAFTA. If she gets the victory at SAG, she’ll become the easy favorite. Arguably a coin flip, but I’m sensing Stone gets it.
Predicted Winner: Emma Stone, Poor Things
Runner-Up: Lily Gladstone, Killers of the Flower Moon
Outstanding Performance by a Male Actor in a Leading Role
Nominees: Bradley Cooper (Maestro), Colman Domingo (Rustin), Paul Giamatti (The Holdovers), Cillian Murphy (Oppenheimer), Jeffrey Wright (American Fiction)
Read what I said about Female Actor in a Leading Role. In this race, Cillian Murphy is Emma Stone. Paul Giamatti is Lily Gladstone (except Giamatti took Critics Choice). Murphy could achieve frontrunner status or Giamatti could make it a jump ball. I’m projecting the latter.
Predicted Winner: Paul Giamatti, The Holdovers
Runner-Up: Cillian Murphy, Oppenheimer
Outstanding Performance by a Female Actor in a Supporting Role
Nominees: Emily Blunt (Oppenheimer), Danielle Brooks (The Color Purple), Penélope Cruz (Ferrari), Jodie Foster (Nyad), Da’Vine Joy Randolph (The Holdovers)
Randolph has been the victor everywhere important and I don’t see SAG interrupting her sweep.
Predicted Winner: Da’Vine Joy Randolph, The Holdovers
Runner-Up: Emily Blunt, Oppenheimer
Outstanding Performance by a Male Actor in a Supporting Role
Nominees: Sterling K. Brown (American Fiction), Willem Dafoe (Poor Things), Robert De Niro (Killers of the Flower Moon), Robert Downey Jr. (Oppenheimer), Ryan Gosling (Barbie)
Read what I said about Female Actor in a Supporting Role. Robert Downey Jr. is Da’Vine Joy Randolph.
Predicted Winner: Robert Downey Jr., Oppenheimer
Runner-Up: Ryan Gosling, Barbie
Outstanding Performance by a Stunt Ensemble in a Motion Picture
Nominees: Barbie, Guardians of the Galaxy Vol. 3, Indiana Jones and the Dial of Destiny, John Wick: Chapter 4, Mission: Impossible – Dead Reckoning
The sequel heavy lineup marks the first nomination for a John Wick pic. Some prognosticators are going with it, but I’m forecasting the Mission series (in its third try) pulls through.
Predicted Winner: Mission: Impossible – Dead Reckoning
A weekend of precursors culminates on Sunday with the 35th PGA Awards. The 10 nominees in the top race at PGA happen to match the 10 that Oscar put up in Best Picture. There’s two other categories to consider with animated fare and docs. I will walk through all three with a winner prediction and a runner-up possibility.
Darryl F. Zanuck Award for Outstanding Producer of Theatrical Motion Pictures
Nominees: American Fiction, Anatomy of a Fall, Barbie, The Holdovers, Killers of the Flower Moon, Maestro, Oppenheimer, Past Lives, Poor Things, The Zone of Interest
Let’s not make this complicated, shall we? Oppenheimer should have no trouble taking this as it’s taken all key precursors. 7 of the last 10 PGA victors have ended up as the Academy’s BP (the last diversion was 2019 when 1917 took PGA and Parasite was BP).
Predicted Winner: Oppenheimer
Runner-Up: Barbie
Outstanding Producer of Animated Theatrical Motion Pictures
Nominees: The Boy and the Heron, Elemental, Spider-Man: Across the Spider-Verse, The Super Mario Bros. Movie, Teenage Mutant Ninja Turtles: Mutant Mayhem
The Boy and the Heron has made this category one to watch with Globe and BAFTA trophies. That being said, I think Spidey has the edge with PGA.
Predicted Winner: Spider-Man: Across the Spider-Verse
Runner-Up: The Boy and the Heron
Outstanding Producer of Documentary Theatrical Motion Pictures
Nominees: 20 Days in Mariupol, American Symphony, Beyond Utopia, The Disappearance of Shere Hite, The Mother of All Lies, Smoke Sauna Sisterhood, Squaring the Circle (The Story of Hipgnosis)
Mariupol has cleaned up on its way to a likely Oscar victory and it should emerge here.
Predicted Winner: 20 Days in Mariupol
Runner-Up: American Symphony
I’ll have a recap up on the blog after the show on Sunday!
The top races went as I anticipated at the 77th BAFTA Awards while other races were a bit more unpredictable. That’s pretty much par for the course with the British equivalent of the Oscars as I went 13/23 (oof) in my selections.
Let’s start with Oppenheimer. As expected, Christopher Nolan’s epic took Best Film and its maker is your Best Director. Some prognosticators had this pegged for a record setting 10 BAFTAs. I had it winning 8 and it took 7. In addition to Film and Director, I correctly called Cillian Murphy in Actor, Robert Downey Jr. in Supporting Actor, Cinematography, Editing, and Original Score. I still believe Paul Giamatti in The Holdovers poses a threat to Murphy with the Academy (especially if he manages to win SAG). Oppenheimer should take those other BAFTA trophies a little less than a month away at the Oscars.
I incorrectly had Oppenheimer taking Best Sound. It instead went to The Zone of Interest. The Holocaust drama had a solid day with a victory in Best Film Not in the English Language over my predicted Anatomy of a Fall and for Outstanding British Film over my pick of Poor Things.
Despite the Poor miss in that category, it was honored with a handful of prizes. Emma Stone is your Best Actress and it won Costume Design, Makeup & Hair (over my Maestro call), Production Design, and Special Visual Effects (over my Napoleon pick).
The Holdovers was a double recipient for Supporting Actress with Da’Vine Joy Randolph and Casting (I went with All of Us Strangers instead).
Those four (Oppenheimer, Poor Things, The Zone of Interest, The Holdovers) were the only features with two victories or more. Here’s what else I got right: Anatomy of a Fall in Original Screenplay (which certainly helps its Oscar chances) and 20 Days in Mariupol for Documentary (same story).
In Adapted Screenplay, it was American Fiction continuing to make the case for Academy gold with a surprise win over Poor Things and my runner-up Oppenheimer.
The Boy and the Heron, as it did at the Globes, is Best Animated Feature over Spider-Man: Across the Spider-Verse. I went with Spidey and there could be a real showdown on March 10th.
Earth Mama is the Outstanding British Debut by a Writer, Director or Producer over the favored How to Have Sex while the lead in Sex (Mia McKenna-Bruce) is the Rising Star over Jacob Elordi (who I picked).
Some overall takeaways that shouldn’t surprise: Oppenheimer is still the overwhelming choice for BP as it’s winning everywhere it needs to. Same goes for Nolan and Downey Jr.
Randolph is bascially a lock for Supporting Actress while Emma Stone helped herself today over stiff competition from Sandra Hüller in Anatomy of a Fall. Some noteworthy pics that didn’t take a single award: Barbie, Killers of the Flower Moon, and Maestro.
Keep an eye on the blog for all Oscar speculation as we approach the big show!
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