Best Picture 2017: The Final Five

We have reached 2017 in my posts speculating on a specific piece of Oscar history. As awards followers are aware, 2009 saw the Academy expand the Best Picture category from five movies to ten. That lasted for two years and in 2011, it switched to anywhere from 5-10 with 8 or 9 as the magic numbers for several years. In 2021, the number reverted back to a set ten.

What if that hadn’t happened? What if the BP derby had stayed at a quintet? What pictures would have made the cut? If you missed my write-ups centered on 2009-16, they are linked at the bottom of the post.

There were nine nominees for 2017’s competition. If there were 5, we know Guillermo del Toro’s The Shape of Water would have made the quintet. It won BP along with Director, Original Score, and Production Design and received 13 nods total (easily the most of all).

Of the 8 remaining movies, here’s my thoughts on which half is in and which half and is out.

Call Me by Your Name

Luca Guadagnino’s coming-of-age romance was a critical darling that won Adapted Screenplay. It was also up for Actor (Timothee Chalamet) and Original Song. The Academy likely almost nominated Armie Hammer for Supporting Actor and are probably glad they snubbed him.

Does It Make the Final Five?

No, but I struggled with this call. An argument could be made with the Adapted Screenplay victory. However, none of the other four nominees in this category were BP nominees (extraordinarily rare). Call could’ve heard its name up, but I have it sixth or seventh.

Darkest Hour

Gary Oldman as Winston Churchill was a recipe for a Best Actor win and it was up for Production Design, Cinematography, Makeup and Hairstyling (another victory), and Costume Design.

Does It Make the Final Five?

No. Despite its admirable turn in the tech derbies, this was all about Oldman. The lack of directing, screenplay, and editing noms leave this out. This is the rare occurrence where I’m saying the Best Actor winner’s movie doesn’t get in the BP race.

Dunkirk

Christopher Nolan’s epic WWII tale earned 8 mentions (2nd behind Shape) and won 3 – both Sound races and Film Editing. Nolan also scored his first and only directing nod.

Does It Make the Final Five?

Yes. I don’t think it’s 100% considering other contenders, but this probably had enough support and was generally considered Nolan’s strongest awards pic in his filmography.

Get Out

Jordan Peele’s heralded horror flick was a box office smash. Its other three nominations were Director, Actor (Daniel Kaluuya), and Original Screenplay where it beat out Shape of Water.

Does It Make the Final Five?

Yes. Like Dunkirk, not a guarantee but that screenplay statue (over the BP recipient and two other contenders) make me think so.

Lady Bird

Greta Gerwig’s coming-of-age dramedy nabbed 5 inclusions with Director, Actress (Saoirse Ronan), Supporting Actress (Laurie Metcalf), and Original Screenplay.

Does It Make the Final Five?

Yes. Broken record… not a slam dunk considering it went 0 for 5. Yet it took the Golden Globe for Musical/Comedy (over Get Out) and was highly acclaimed.

Phantom Thread

Paul Thomas Anderson’s sartorial drama was an overachiever on nomination morning with six including Director, Actor (Daniel Day-Lewis), Supporting Actress (Lesley Manville), Score, and Costume Design (the sole win).

Does It Make the Final Five?

No, but I was tempted. It really did perform better than anticipated. I could also see it just missing considering the competition. It might have been sixth.

The Post

Steven Spielberg’s Watergate era drama received only one other nom for Meryl Streep in Actress.

Does It Make the Final Five?

No and this is by far the easiest projection. Spielberg’s magic probably got it in the mix, but I suspect it was ninth.

Three Billboards Outside Ebbing, Missouri

A player in 7 categories, Martin McDonagh’s pic took home Actress (Frances McDormand) and Supporting Actor (Sam Rockwell). Woody Harrelson was also up for Supporting Actor in addition to Original Screenplay, Score, and Film Editing.

Does It Make the Final Five?

Yes, even with McDonagh missing Director. If for no other reason, I can’t imagine the four acting winners having none of their movies up. That would be the case if you left this off considering Oldman’s Darkest Hour and I, Tonya (where Allison Janney took Supporting Actress) not being in the nine.

If you weren’t keeping score, here’s my projected 2017 five:

Dunkirk

Get Out

Lady Bird

The Shape of Water

Three Billboards Outside Ebbing, Missouri

I’ll have my thoughts on 2018 up soon!

Previous Posts:

See How They Run Review

You know a genre has made a real comeback when the passably forgettable entries pop up. That’s an apt description for Tom George’s See How They Run which features lovely production design, a few humorous bits, and a murder mystery that’s hard to get invested in. The 2017 remake of Murder on the Orient Express and 2019’s Knives Out made whodunits a valuable commodity again as Run catches up with the trend.

This one is a little meta (very much of the times) as the killing occurs in London’s West End circa 1953. The Mousetrap, a play written by Agatha Christie, is celebrating its 100th performance. Side note: for some fun research, look up how long the actual play ran. American film director Leo Köpernick (Adrien Brody), a drunken louse, is slated to make the film adaptation. His inappropriate behavior puts him at odds with the stage performance’s lead Dickie Attenborough (Harris Dickinson), producers John Woolf (Reece Shearsmith) and Petula Spencer (Ruth Wilson), and screenwriter Mervyn Cocker-Norris (David Oyelowo). Another side note as my 90s kid upbringing only left me slightly distracted that Dickie Attenborough would become a famed director who also happens to be John Hammond from Jurassic Park.

Moving on, Leo’s early narration correctly surmises that the most contemptible character in these stories usually gets offed. Therefore his time is short-lived and everyone onscreen seems to have a motive. Another drunken louse is in charge of the crime solving when Inspector Stoppard (Sam Rockwell) is assigned the case. Shadowing him is the eager but inexperienced Constable Stalker (Saoirse Ronan).

The chemistry between the two investigators is meant to carry the load for most of the snappy runtime (98 minutes). This is where the screenplay from Mark Chappell isn’t quite up to snuff. Rockwell speaks his lines in a woozy register that recalls Johnny Depp’s Jack Sparrow. Lady Bird‘s Ronan (like the rookie she’s portraying) gives it her all. Unfortunately the material is pretty thin. It might be considered a lesser tome from Christie, who factors into the plot in numerous ways. To put it simply, the case that Stoppard and his trusty Stalker are looking into isn’t that compelling.

See How They Run goes by quickly and there are a handful of inspired bits. When the action reaches a snowed in mansion in the third act, I wished the whole picture could’ve been set there. Most of it is as disposable as the victim.

**1/2 (out of four)

2022 Oscar Predictions: The State of the Best Actress Race

We have reached Best Actress in my deep dives of the major Oscar races. If you didn’t catch my takes on the supporting derbies and lead actor, you can access them here:

Before we get to this very competitive Actress competition, let’s see how I did at this point in the calendar from 2019-21. Three years ago, I managed to identify all 5 eventual nominees – winner Renee Zellweger (Judy), Cynthia Erivo (Harriet), Scarlett Johansson (Marriage Story), Saoirse Ronan (Little Women), and Charlize Theron (Bombshell). For the late October/early November frame in 2020 and 2021, I correctly called 3 of the 5. In 2020, that was Frances McDormand (Nomadland), who won her third Oscar along with Viola Davis (Ma Rainey’s Black Bottom) and Vanessa Kirby (Pieces of a Woman). Andra Day (The United States vs. Billie Holiday) and Carey Mulligan (Promising Young Woman) were mentioned in Other Possibilities. The victor was also named last year with Jessica Chastain for The Eyes of Tammy Faye as well as Olivia Colman (The Lost Daughter) and Kristen Stewart (Spencer). Penelope Cruz (Parallel Mothers) and Nicole Kidman (Being the Ricardos) were in Other Possibilities.

So if the last three years are any precursor, you should find the eventual quintet in my ten picks! Frances McDormand could have company with performers sporting a trio of gold statues. A Supporting Actress winner in 2004 for The Aviator and lead actress recipient for 2013’s Blue Jasmine, Cate Blanchett is drawing some career best kudos for Tár. She’s been in my #1 spot for weeks and if she wins, she’d join McDormand, Katherine Hepburn, and Ingrid Bergman as the only actresses to win more than two Oscars.

Her main competition could come from several performers. Michelle Yeoh is receiving a massive push for Everything Everywhere All at Once, which is a threat to win numerous big races including Best Picture. There’s another Michelle and it’s a surprise… Michelle Williams. As I discussed in my Supporting Actress write-up, her performance in The Fabelmans would likely be a guaranteed winner in that category. With the more competitive vibe of lead actress, it’s not even a guarantee that she makes it in.

While Till may struggle to get recognition elsewhere despite strong reviews and an A+ Cinemascore, Danielle Deadwyler looks pretty strong to make the cut. On the other hand, so-so critical reaction could prevent Olivia Colman (Empire of Light) from getting her fourth nod in five years.

There are two performances yet to be seen that could both make a splash: Margot Robbie for Babylon and Naomi Ackie as Whitney Houston in I Wanna Dance with Somebody. It’s easy to envision either rising up if the reactions are positive enough.

Despite solid box office, Viola Davis could face an uphill battle for The Woman King. That narrative could change if both Robbie and Ackie falter. Some intensely negative audience and critical buzz for Blonde may leave Ana de Armas out. And there’s always potential dark horses. Emma Thompson will probably get a Golden Globes nom for Good Luck to You, Leo Grande, but Academy inclusion could be a reach. Women Talking‘s Rooney Mara might be ignored in favor of her supporting costars like Claire Foy and Jessie Buckley. Causeway may not draw enough attention for Jennifer Lawrence to make it and the same holds true for The Wonder‘s Florence Pugh. Decision to Leave (despite having a chance to take International Feature Film) may not see its cast be a factor. That would leave out Tang Wei.

Here’s my state of this race!

Best Actress

Predicted Nominees:

1 . Cate Blanchett, Tár (Previous Ranking: 1) (Even)

2. Michelle Yeoh, Everything Everywhere All at Once (PR: 2) (E)

3. Danielle Deadwyler, Till (PR: 3) (E)

4. Michelle Williams, The Fabelmans (PR: 4) (E)

5. Margot Robbie, Babylon (PR: 5) (E)

Other Possibilities:

6. Olivia Colman, Empire of Light (PR: 6) (E)

7. Naomi Ackie, I Wanna Dance with Somebody (PR: 8) (+1)

8. Viola Davis, The Woman King (PR: 7) (-1)

9. Jennifer Lawrence, Causeway (PR: 9) (E)

10. Rooney Mara, Women Talking (PR: 10) (E)

Best Director is up next!

Best Picture 2015: The Final Five

We have reached 2015 in my posts speculating on a specific piece of Oscar history. As awards followers are aware, 2009 saw the Academy expand the Best Picture category from five movies to ten. That lasted for two years and in 2011, it switched to anywhere from 5-10 with 8 or 9 as the magic numbers for several years. In 2021, the number reverted back to a set ten.

What if that hadn’t happened? What if the BP derby had stayed at a quintet? What pictures would have made the cut? If you missed my write-ups centered on 2009-14, you can peruse them here:

Best Picture 2009: The Final Five

Best Picture 2010: The Final Five

Best Picture 2011: The Final Five

Best Picture 2012: The Final Five

Best Picture 2013: The Final Five

Best Picture 2014: The Final Five

There is one certainty when it comes to 2015 and that’s Spotlight earning a spot in the final five. After all, it won the big prize. It was also the rare BP recipient that emerged victorious in only one other category (Original Screenplay).

For 2015, eight movies were nominated. Time to put a spotlight on which ones get in and which ones are left on the cutting room floor:

The Big Short

Adam McKay’s satirical take on the 2008 financial crisis is the first of 3 Best Picture nominees in a row for the filmmaker. It earned a total of five nods with a win for its Adapted Screenplay.

Does It Make the Final Five?

Yes. With nods for the director, the win for the script, and an editing nom – a quintet inclusion is highly likely.

Bridge of Spies

Steven Spielberg’s Cold War set drama starred Tom Hanks and his costar Mark Rylance won a surprise Supporting Actor trophy over the favored Sylvester Stallone for Creed. There were six nominations total.

Does It Make the Final Five?

No. Despite the considerable pedigree, the misses in directing and editing are significant.

Brooklyn

John Crowley’s 50s set period drama was the first of three eventual Best Actress mentions for Saoirse Ronan. With an Adapted Screenplay nod, its own. three tries at gold are the least among the 8 BP hopefuls.

Does It Make the Final Five?

No – primarily for the last sentence above. Brooklyn probably just snuck in the top 8.

Mad Max: Fury Road

George Miller’s long in development fourth entry in his wild action franchise received 10 nominations and took home 6 (all technical in nature). That’s easily the most victories of the evening.

Does It Make the Final Five?

Yes. With Miller in Director and a Film Editing win, I don’t see how it would have missed.

The Martian

Ridley Scott’s outer space tale with Matt Damon garnered 7 mentions but came up empty-handed on the night.

Does It Make the Final Five?

No, but I’d rank it sixth. I couldn’t make the call, however, since Scott was omitted in Director and it failed to make the Editing group.

The Revenant

Alejandro Gonzalez Inarritu made it two directing wins in a row after Birdman for his survival pic. Leonardo DiCaprio, after several close but no cigar tries, was finally crowned Best Actor. Overall, this was the most nominated film at 12 with 3 wins.

Does It Make the Final Five?

Yes and I suspect it was the runner-up to Spotlight.

Room

Brie Larson was the Best Actress for the abduction drama where Lenny Abrahamson was also an unexpected directing contender. With an Adapted Screenplay nom, it managed 4 mentions.

Does It Make the Final Five?

Yes though I’d put in fifth and in a close race with The Martian. Abrahamson getting in made the difference.

And that means my five BP contenders match the Best Director contestants. That’s a rare thing before the race expanded in 2009. Yet it seems appropriate for this particular year.

The whittled down five would be:

The Big Short

Mad Max: Fury Road

The Revenant

Room

Spotlight

I’ll cover 2016 in short order!

September 23-25 Box Office Predictions

Olivia Wilde’s psychological thriller Don’t Worry Darling with Florence Pugh and Harry Styles will test the “all publicity is good publicity” theory when it opens this weekend. We also have the re-release of James Cameron’s 2009 phenomenon Avatar ahead of the December debut of sequel Avatar: The Way of Water. You can peruse my detailed prediction posts on both here:

Don’t Worry Darling Box Office Prediction

Avatar Box Office Prediction

Darling, with my projected high teens start, should manage a first place showing. Yet it may need to worry a little about the sophomore hold of The Woman King (more on its opening below). I still think the former should edge the latter fairly easily.

Avatar is a little tricky to project (the reported 1800 screen count is lower than I would’ve thought). $10 million could be a reach and my estimate is in higher single digits. Either way, it’s looking at 3rd place.

As for the rest of the top 5, it should be filled with horror holdovers Barbarian and Pearl. 

Here’s how I see it:

1. Don’t Worry Darling

Predicted Gross: $18.9 million

2. The Woman King

Predicted Gross: $12.4 million

3. Avatar

Predicted Gross: $8.5 million

4. Barbarian

Predicted Gross: $4.9 million

5. Pearl

Predicted Gross: $1.9 million

Box Office Results (September 16-18)

Viola Davis and company were crowned box office champions as The Woman King made $19 million. That’s better than my $14.7 million prediction as the historical action tale opened on the north end of its anticipated range. There’s better news still as it’s only the second 2022 release to nab an A+ Cinemascore grade (the other is Top Gun: Maverick). That should mean minimal drops in coming weekends and I only have it falling about 15% in weekend #2.

Barbarian held up well in its follow-up frame (especially for a horror pic) with $6.5 million (I was lower at $5 million). The critically heralded scary movie has made $21 million in ten days.

The fright fest competition may have hurt Pearl, which opened in third with $3.1 million (in line with my $3.4 million take). That’s more than a million under what its spring predecessor did out of the gate.

Audiences weren’t into solving the mystery of See How They Run as the Saoirse Ronan/Sam Rockwell caper posted a fourth place debut with $3 million (I was close with $3.2 million).

Finally, Bullet Train rounded out the top five with $2.5 million. This is on track with my $2.3 million estimate and the total is $96 million.

And that does it for now, folks! Until next time…

September 16-18 Box Office Predictions

**Blogger’s Update (09/14): Two changes to discuss as I’ve revised my See How They Run estimate down from $4.8M to $3.2M and my Pearl estimate up from $2.4M to $3.4M. That changes the dynamic of the top five from what I discussed below.

The Viola Davis led historical action epic The Woman King, Saoirse Ronan and Sam Rockwell in the comedic murder mystery See How They Run, and Ti West’s horror prequel Pearl are the new offerings coming our way this weekend. You can peruse my detailed prediction posts on them here:

The Woman King Box Office Prediction

See How They Run Box Office Prediction

Pearl Box Office Prediction

The Woman King should have no trouble debuting in first place as it’s the only pic that should top double digits. Reviews are solid and this could manage a gross close to $20 million, but I’m hedging and projecting a low teens start.

I’m not anticipating much of the other newcomers. Run has been flying under the radar. Assuming Barbarian has a typically hefty horror sophomore dip (more on its opening below), the crime caper should still manage a second place showing thought it could be awfully close.

As for Pearl, its predecessor made $4.3 million in its March premiere. I’m thinking the prequel won’t match that. However, even if it snatches $2-3 million, that should be enough to make top five.

Here’s how I see this rather ho-hum mid-September frame playing out:

1. The Woman King

Predicted Gross: $14.7 million

2. Barbarian

Predicted Gross: $5 million

3. Pearl

Predicted Gross: $3.4 million

4. See How They Run

Predicted Gross: $3.2 million

5. Bullet Train

Predicted Gross: $2.3 million

Box Office Results (September 9-11)

Critics enjoyed Barbarian more than audiences though the scary movie landed on the higher end of its range. It opened in first with $10.5 million and that’s ahead of my $7.1 million prediction. The C+ Cinemascore grade doesn’t approach that 92% RT score. Note that its opening weekend matches it reported budget. This’ll be a profitable little venture for 20th Century Studios.

The Indian adventure Brahmastra: Part One – Shiva had a second place opening with $4.5 million, managing to top my $3.2 million estimate. I would expect the debut to be front loaded and for it to drop out of the top five this weekend.

Bullet Train was third with $3.3 million (I said $3.4 million) as it inches closer to nine figures with $92 million.

Top Gun: Maverick (after rising back to first place over Labor Day) was fourth with $3.1 million, under my $4.2 million take. The gargantuan gross is $705 million.

The Invitation rounded out the top five and I incorrectly didn’t have it there. With $2.6 million, it’s up to $18 million after three weeks.

DC League of Super-Pets was sixth with $2.6 million (I went with $3 million) to bring its tally to $85 million.

And that does it for now, folks! Until next time…

See How They Run Box Office Prediction

**Blogger’s Note (09/14): I am revising down estimate down from $4.8 million to $3.2 million.

Shades of Agatha Christie are said to inspire See How They Run, a whodunit slated to hit approximately 2200 venues on September 16th. Marking the directorial debut of Tom George, the cast includes Saoirse Ronan, Sam Rockwell, Adrien Brody, Ruth Wilson, Harris Dickinson, and David Oyelowo.

The Searchlight production has generated mostly positive reactions thus far (it opens in UK cinemas a week prior to the North American start). The Rotten Tomatoes score is 75%. Run‘s existence is likely due to the success of recent genre fare like Murder on the Orient Express and especially Knives Out. 

Without significant star power and with buzz muted, I do believe this could struggle to find an audience. Murder mystery aficionados may wait to get their fix with the forthcoming Glass Onion: A Knives Out Mystery. An opening in double digits would be surprising. I think the range is more $4-6 million and my estimate  is at the middle of it.

See How They Run opening weekend prediction: $3.2 million

For my The Woman King prediction, click here:

The Woman King Box Office Prediction

For my Pearl prediction, click here:

Pearl Box Office Prediction

Oscar Predictions: See How They Run

With plenty of critics citing inspiration from Agatha Christie, the humorous murder mystery See How They Run arrives in UK theaters Friday and in the US on September 16th. Marking the directorial debut of Tom George, four-time Oscar nominee Saoirse Ronan and one-time winner Sam Rockwell lead a cast that includes Adrien Brody, Ruth Wilson, Harris Dickinson, and David Oyelowo.

Run forewent the fall festival circuit which surprised me a bit. Some reviews are appreciative of its charms while others aren’t nearly as impressed. The 76% Rotten Tomatoes indicates that most write-ups don’t have their knives out for it.

Speaking of, we’ll know whether Glass Onion: A Knives Out Mystery is an awards player when it premieres in Toronto this weekend. I don’t believe this genre predecessor will be. Perhaps something like Production Design or Costume Design but that’s likely the extent of it. My Oscar Prediction posts will continue…

2022 Oscar Predictions: July 4th Edition

It’s been a week and a half since I updated my estimates in the current eight Oscar races that I’m prognosticating. As July dawns, not much has changed. It’s still the same 10 Best Pic nominees though the ranking numbers have ebbed and flowed a bit.

The only actual shift is in Supporting Actress where I’m putting Zoe Kazan (She Said) back in over Audra McDonald (Rustin).

However, if you look below the predicted five in the acting derbies, you’ll see some names for the first time. They include Lesley Manville (Mrs. Harris Goes to Paris), Jennifer Lawrence (Red, White and Water), and Dolly De Leon and Woody Harrelson (both for Triangle of Sadness).

You can read all the movement below!

Best Picture

Predicted Nominees:

1. Babylon (Previous Ranking: 1) (E)

2. The Fabelmans (PR: 2) (E)

3. Killers of the Flower Moon (PR: 3) (E)

4. Everything Everywhere All at Once (PR: 4) (E)

5. Women Talking (PR: 5) (E)

6. Bardo (PR: 7) (+1)

7. The Son (PR: 6) (-1)

8. The Whale (PR: 9) (+1)

9. Empire of Light (PR: 8) (-1)

10. Rustin (PR: 10) (E)

Other Possibilities: 

11. She Said (PR: 11) (E)

12. White Noise (PR: 13) (+1)

13. Top Gun: Maverick (PR: 12) (-1)

14. Tar (PR: 17) (+3)

15. Avatar: The Way of Water (PR: 16) (+1)

16. Broker (PR: 14) (-2)

17. Elvis (PR: 18) (+1)

18. Next Goal Wins (PR: 20) (+2)

19. Thirteen Lives (PR: 21) (+2)

20. Amsterdam (PR: 15) (-5)

21. Triangle of Sadness (PR: 22) (+1)

22. The Banshees of Inisherin (PR: 23) (+1)

23. Decision to Leave (PR: 19) (-4)

24. Till (PR: 24) (E)

25. The Killer (PR: 25) (E)

Best Director

Predicted Nominees:

1. Damien Chazelle, Babylon (PR: 1) (E)

2. Steven Spielberg, The Fabelmans (PR: 2) (E)

3. Martin Scorsese, Killers of the Flower Moon (PR: 3) (E)

4. Daniels, Everything Everywhere All at Once (PR: 4) (E)

5. Alejandro Gonzalez Inarritu, Bardo (PR: 5) (E)

Other Possibilities:

6. Sarah Polley, Women Talking (PR: 6) (E)

7. Sam Mendes, Empire of Light (PR: 7) (E)

8. Darren Aronofsky, The Whale (PR: 9) (+1)

9. James Cameron, Avatar: The Way of Water (PR: 11) (+2)

10. Florian Zeller, The Son (PR: 8) (-2)

11. Noah Baumbach, White Noise (PR: 12) (+1)

12. Hirokazu Kore-ada, Broker (PR: 10) (-2)

13. Todd Field, Tar (PR: 15) (+2)

14. George C. Wolfe, Rustin (PR: Not Ranked)

15. Ruben Ostlund, Triangle of Sadness (PR: Not Ranked)

Dropped Out:

Park Chan-wook, Decision to Leave

Maria Schrader, She Said 

Best Actress

Predicted Nominees:

1. Margot Robbie, Babylon (PR: 1) (E)

2. Michelle Yeoh, Everything Everywhere All at Once (PR: 2) (E)

3. Regina King, Shirley (PR: 4) (+1)

4. Olivia Colman, Empire of Light (PR: 3) (-1)

5. Danielle Deadwyler, Till (PR: 5) (E)

Other Possibilities:

6. Cate Blanchett, Tar (PR: 6) (E)

7. Naomi Ackie, I Wanna Dance with Somebody (PR: 7) (E)

8. Carey Mulligan, She Said (PR: 8) (E)

9. Ana de Armas, Blonde (PR: 10) (+1)

10. Viola Davis, The Woman King (PR: 9) (-1)

11. Helen Mirren, Golda (PR: 11) (E)

12. Jessica Chastain, The Good Nurse (PR: 12) (E)

13. Lesley Manville, Mrs. Harris Goes to Paris (PR: Not Ranked)

14. Michelle Williams, Showing Up (PR: 14) (E)

15. Jennifer Lawrence, Red, White, and Water (PR: Not Ranked)

Dropped Out:

Florence Pugh, Don’t Worry Darling

Saoirse Ronan, See How They Run 

Best Actor

Predicted Nominees:

1. Hugh Jackman, The Son (PR: 1) (E)

2. Brendan Fraser, The Whale (PR: 2) (E)

3. Colman Domingo, Rustin (PR: 3) (E)

4. Austin Butler, Elvis (PR: 5) (+1)

5. Leonardo DiCaprio, Killers of the Flower Moon (PR: 4) (-1)

Other Possibilities:

6. Adam Driver, White Noise (PR: 6) (E)

7. Daniel Gimenez Cacho, Bardo (PR: 7) (E)

8. Diego Calva, Babylon (PR: 8) (E)

9. Michael Fassbender, Next Goal Wins (PR: 10) (+1)

10. Colin Farrell, The Banshees of Inisherin (PR: 12) (+2)

11. Viggo Mortensen, Thirteen Lives (PR: 15) (+4)

12. Christian Bale, Amsterdam (PR: 9) (-3)

13. Song Kang-ho, Broker (PR: 11) (-2)

14. Gabriel LaBelle, The Fabelmans (PR: 14) (E)

15. Tom Cruise, Top Gun: Maverick (PR: 13) (-2)

Best Supporting Actress

Predicted Nominees:

1. Michelle Williams, The Fabelmans (PR: 1) (E)

2. Lily Gladstone, Killers of the Flower Moon (PR: 2) (E)

3. Jessie Buckley, Women Talking (PR: 3) (E)

4. Hong Chau, The Whale (PR: 4) (E)

5. Zoe Kazan, She Said (PR: 7) (+2)

Other Possibilities:

6. Laura Dern, The Son (PR: 6) (E)

7. Audra McDonald, Rustin (PR: 5) (-2)

8. Jean Smart, Babylon (PR: 9) (+1)

9. Stephanie Hsu, Everything Everywhere All at Once (PR: 13) (+4)

10. Patricia Clarkson, She Said (PR: 10) (E)

11. Sadie Sink, The Whale (PR: 12) (+1)

12. Vanessa Kirby, The Son (PR: 8) (-4)

13. Nina Hoss, Tar (PR: 15) (+2)

14. Dakota Johnson, Cha Cha Real Smooth (PR: 11) (-3)

15. Dolly De Leon, Triangle of Sadness (PR: Not Ranked)

Dropped Out:

Margot Robbie, Amsterdam 

Best Supporting Actor

Predicted Nominees:

1. Robert De Niro, Killers of the Flower Moon (PR: 1) (E)

2. Paul Dano, The Fabelmans (PR: 2) (E)

3. Ke Huy Quan, Everything Everywhere All at Once (PR: 3) (E)

4. Brad Pitt, Babylon (PR: 4) (E)

5. Jesse Plemons, Killers of the Flower Moon (PR: 5) (E)

Other Possibilities:

6. Colin Firth, Empire of Light (PR: 7) (+1)

7. Glynn Turman, Rustin (PR: 6) (-1)

8. Ben Whishaw, Women Talking (PR: 8) (E)

9. Anthony Hopkins, Armageddon Time (PR: 9) (E)

10. Seth Rogen, The Fabelmans (PR: 10) (E)

11. Colin Farrell, Thirteen Lives (PR: Not Ranked)

12. Brendan Gleeson, The Banshees of Inisherin (PR: 11) (-1)

13. Woody Harrelson, Triangle of Sadness (PR: Not Ranked)

14. John David Washington, Amsterdam (PR: 13) (-1)

15. Russell Crowe, The Greatest Beer Run Ever (PR: 12) (-3)

Dropped Out:

Don Cheadle, White Noise

Tom Hanks, Elvis 

Best Original Screenplay

Predicted Nominees:

1. Everything Everywhere All at Once (PR: 1) (E)

2. The Fabelmans (PR: 2) (E)

3. Babylon (PR: 3) (E)

4. Empire of Light (PR: 4) (E)

5. Triangle of Sadness (PR: 5) (E)

Other Possibilities:

6. The Banshees of Inisherin (PR: 9) (+3)

7. Bardo (PR: 6) (-1)

8. Rustin (PR: 7) (-1)

9. Broker (PR: 8) (-1)

10. Tar (PR: 10) (E)

11. Amsterdam (PR: 11) (E)

12. Aftersun (PR: Not Ranked)

13. Decision to Leave (PR: 12) (-1)

14. Cha Cha Real Smooth (PR: 13) (-1)

15. Bros (PR: 15) (E)

Dropped Out:

Don’t Worry Darling

Best Adapted Screenplay

Predicted Nominees:

1. Killers of the Flower Moon (PR: 1) (E)

2. The Son (PR: 2) (E)

3. Women Talking (PR: 3) (E)

4. The Whale (PR: 4) (E)

5. White Noise (PR: 5) (E)

Other Possibilities:

6. She Said (PR: 6) (E)

7. Next Goal Wins (PR: 7) (E)

8. Thirteen Lives (PR: 14) (+6)

9. Till (PR: 8) (-1)

10. The Greatest Beer Run Ever (PR: 10) (E)

11. The Good Nurse (PR: 12) (+1)

12. The Killer (PR: 11) (-1)

13. Bones and All (PR: 9) (-4)

14. The Pale Blue Eye (PR: Not Ranked)

15. Top Gun: Maverick (PR: 13) (-2)

Dropped Out:

Avatar: The Way of Water

2022 Oscar Predictions: June 23rd Edition

My final Oscar predictions for the month of June comes with some news out today that Yorgos Lanthimos’s Poor Things is likely delayed until 2023. While I didn’t have it being nominated in any of the major races, it was listed in other possibilities in Picture, Director, Actress (Emma Stone), Supporting Actor (for Willem Dafoe and Mark Ruffalo), and Adapted Screenplay.

As for other shifts, I’m putting Empire of Light back in the 10 BP nominees and that’s to the detriment of She Said. In Supporting Actress, I’m dropping Zoe Kazan in She Said from the high five in favor of Rustin‘s Audra McDonald.

I’ll additionally note that Top Gun: Maverick continues to rise as it flies to the #12 slot. Its continued box office domination increases the chances for BP inclusion. Time will tell if it breaks the top 10 or eventually falls out of favor. However, I have no doubt now that Paramount will mount a robust campaign considering its phenomenon status.

In Best Actor, the #1 position is back to Hugh Jackman (The Son) over Brendan Fraser in The Whale. Speaking of the former pic, I’ve moved Laura Dern’s work to supporting instead of lead.

You can peruse all the movement below!

Best Picture 

Predicted Nominees:

1. Babylon (Previous Ranking: 1) (E)

2. The Fabelmans (PR: 2) (E)

3. Killers of the Flower Moon (PR: 3) (E)

4. Everything Everywhere All at Once (PR: 4) (E)

5. Women Talking (PR: 6) (+1)

6. The Son (PR: 5) (-1)

7. Bardo (PR: 7) (E)

8. Empire of Light (PR: 11) (+3)

9. The Whale (PR: 9) (E)

10. Rustin (PR: 10) (E)

Other Possibilities:

11. She Said (PR: 8) (-3)

12. Top Gun: Maverick (PR: 18) (+6)

13. White Noise (PR: 12) (-1)

14. Broker (PR: 13) (-1)

15. Amsterdam (PR: 14) (-1)

16. Avatar: The Way of Water (PR: 17) (+1)

17. Tar (PR: 19) (+2)

18. Elvis (PR: 20) (+2)

19. Decision to Leave (PR: 16) (-3)

20. Next Goal Wins (PR: 21) (+1)

21. Thirteen Lives (PR: 22) (+1)

22. Triangle of Sadness (PR: Not Ranked)

23. The Banshees of Inisherin (PR: 24) (+1)

24. Till (PR: 25) (+1)

25. The Killer (PR: Not Ranked)

Dropped Out:

Poor Things

Armageddon Time

Best Director

Predicted Nominees:

1. Damien Chazelle, Babylon (PR: 1) (E)

2. Steven Spielberg, The Fabelmans (PR: 2) (E)

3. Martin Scorsese, Killers of the Flower Moon (PR: 3) (E)

4. Daniels, Everything Everywhere All at Once (PR: 4) (E)

5. Alejandro Gonzalez Inarritu, Bardo (PR: 5) (E)

Other Possibilities:

6. Sarah Polley, Women Talking (PR: 6) (E)

7. Sam Mendes, Empire of Light (PR: 11) (+4)

8. Florian Zeller, The Son (PR: 7) (-1)

9. Darren Aronofsky, The Whale (PR: 8) (-1)

10. Hirokazu Kore-ada, Broker (PR: 10) (E)

11. James Cameron, Avatar: The Way of Water (PR: 14) (+3)

12. Noah Baumbach, White Noise (PR: 12) (E)

13. Park Chan-wook, Decision to Leave (PR: 9) (-4)

14. Maria Schrader, She Said (PR: 15) (+1)

15. Todd Field, Tar (PR: Not Ranked)

Dropped Out:

Yorgos Lanthimos, Poor Things 

Best Actress

Predicted Nominees:

1. Margot Robbie, Babylon (PR: 1) (E)

2. Michelle Yeoh, Everything Everywhere All at Once (PR: 2) (E)

3. Olivia Colman, Empire of Light (PR: 4) (+1)

4. Regina King, Shirley (PR: 3) (-1)

5. Danielle Deadwyler, Till (PR: 5) (E)

Other Possibilities: 

6. Cate Blanchett, Tar (PR: 6) (E)

7. Naomi Ackie, I Wanna Dance with Somebody (PR: 8) (+1)

8. Carey Mulligan, She Said (PR: 9) (+1)

9. Viola Davis, The Woman King (PR: 13) (+4)

10. Ana de Armas, Blonde (PR: 12) (+2)

11. Helen Mirren, Golda (PR: 11) (E)

12. Jessica Chastain, The Good Nurse (PR: Not Ranked)

13. Florence Pugh, Don’t Worry Darling (PR: Not Ranked)

14. Michelle Williams, Showing Up (PR: 14) (E)

15. Saoirse Ronan, See How They Run (PR: 15) (E)

Dropped Out:

Emma Stone, Poor Things 

Laura Dern, The Son (moved to Supporting Actress)

Best Actor

Predicted Nominees:

1. Hugh Jackman, The Son (PR: 2) (+1)

2. Brendan Fraser, The Whale (PR: 1) (-1)

3. Colman Domingo, Rustin (PR: 4) (+1)

4. Leonardo DiCaprio, Killers of the Flower Moon (PR: 3) (-1)

5. Austin Butler, Elvis (PR: 5) (E)

Other Possibilities: 

6. Adam Driver, White Noise (PR: 6) (E)

7. Daniel Gimenez Cacho, Bardo (PR: 10) (+3)

8. Diego Calva, Babylon (PR: 9) (+1)

9. Christian Bale, Amsterdam (PR: 7) (-2)

10. Michael Fassbender, Next Goal Wins (PR: 11) (+1)

11. Song Kang-ho, Broker (PR: 8) (-3)

12. Colin Farrell, The Banshees of Inisherin (PR: 13) (+1)

13. Tom Cruise, Top Gun: Maverick (PR: 14) (+1)

14. Gabriel LaBelle, The Fabelmans (PR: 12) (-2)

15. Viggo Mortensen, Thirteen Lives (PR: 15) (E)

Best Supporting Actress

Predicted Nominees:

1. Michelle Williams, The Fabelmans (PR: 1) (E)

2. Lily Gladstone, Killers of the Flower Moon (PR: 2) (E)

3. Jessie Buckley, Women Talking (PR: 3) (E)

4. Hong Chau, The Whale (PR: 5) (+1)

5. Audra McDonald, Rustin (PR: 8) (+3)

Other Possibilities:

6. Laura Dern, The Son (PR: Not Ranked – moved from Actress)

7. Zoe Kazan, She Said (PR: 4) (-3)

8. Vanessa Kirby, The Son (PR: 6) (-2)

9. Jean Smart, Babylon (PR: 7) (-2)

10. Patricia Clarkson, She Said (PR: 9) (-1)

11. Dakota Johnson, Cha Cha Real Smooth (PR: 10) (-1)

12. Sadie Sink, The Whale (PR: 13) (+1)

13. Stephanie Hsu, Everything Everywhere All at Once (PR: 11) (-2)

14. Margot Robbie, Amsterdam (PR: 14) (E)

15. Nina Hoss, Tar (PR: 15) (E)

Dropped Out:

Anne Hathaway, Armageddon Time 

Best Supporting Actor

Predicted Nominees:

1. Robert De Niro, Killers of the Flower Moon (PR: 1) (E)

2. Paul Dano, The Fabelmans (PR: 2) (E)

3. Ke Huy Quan, Everything Everywhere All at Once (PR: 4) (+1)

4. Brad Pitt, Babylon (PR: 3) (-1)

5. Jesse Plemons, Killers of the Flower Moon (PR: 5) (E)

Other Possibilities:

6. Glynn Turman, Rustin (PR: 7) (+1)

7. Colin Firth, Empire of Light (PR: 8) (+1)

8. Ben Whishaw, Women Talking (PR: 10) (+2)

9. Anthony Hopkins, Armageddon Time (PR: 9) (E)

10. Seth Rogen, The Fabelmans (PR: 11) (+1)

11. Brendan Gleeson, The Banshees of Inisherin (PR: 13) (+2)

12. Russell Crowe, The Greatest Beer Run Ever (PR: Not Ranked)

13. John David Washington, Amsterdam (PR: 12) (-1)

14. Don Cheadle, White Noise (PR: Not Ranked)

15. Tom Hanks, Elvis (PR: 15) (E)

Dropped Out:

Willem Dafoe, Poor Things

Mark Ruffalo, Poor Things

Best Original Screenplay

Predicted Nominees:

1. Everything Everywhere All at Once (PR: 1) (E)

2. The Fabelmans (PR: 3) (+1)

3. Babylon (PR: 2) (-1)

4. Empire of Light (PR: 9) (+5)

5. Triangle of Sadness (PR: 11) (+6)

Other Possibilities:

6. Bardo (PR: 4) (-2)

7. Rustin (PR: 6) (-1)

8. Broker (PR: 5) (-3)

9. The Banshees of Inisherin (PR: Not Ranked – moved from Adapted)

10. Tar (PR: 10) (E)

11. Amsterdam (PR: 7) (-4)

12. Decision to Leave (PR: 8) (-4)

13. Cha Cha Real Smooth (PR: Not Ranked)

14. Don’t Worry Darling (PR: Not Ranked)

15. Bros (PR: Not Ranked)

Dropped Out:

Aftersun

Armageddon Time

Glass Onion: A Knives Out Story 

Nope 

Best Adapted Screenplay

Predicted Nominees:

1. Killers of the Flower Moon (PR: 1) (E)

2. The Son (PR: 2) (E)

3. Women Talking (PR: 4) (+1)

4. The Whale (PR: 3) (-1)

5. White Noise (PR: 5) (E)

Other Possibilities:

6. She Said (PR: 6) (E)

7. Next Goal Wins (PR: 9) (+2)

8. Till (PR: 10) (+2)

9. Bones & All (PR: 12) (+3)

10. The Greatest Beer Run Ever (PR: 15) (+5)

11. The Killer (PR: Not Ranked)

12. The Good Nurse (PR: Not Ranked)

13. Top Gun: Maverick (PR: 13) (E)

14. Thirteen Lives (PR: 11) (-3)

15. Avatar: The Way of Water (PR: 14) (-1)

Dropped Out:

Poor Things 

The Banshees of Inisherin (moved to Original Screenplay)