My blog series continues with speculation on what a Best Picture lineup of five would have looked like in the years since the format changed to up to 10 nominees. That began in 2009 and if you missed my previous posts covering 2009-2012, you can peruse them here:
In our year of 2013, the magic number was 9 contenders. We know that Steve McQueen’s 12 Years a Slave would have been included since a win in Best Picture was among its nine nominations. It also took Director, Supporting Actress (Lupita Nyong’o), and Adapted Screenplay. So what else would’ve made the cut? Let’s speculate, shall we?
American Hustle
David O. Russell’s disco era crime pic tied for the most nods with 10, including Director and four acting mentions for Christian Bale, Amy Adams, Bradley Cooper, and Jennifer Lawrence. Despite the double digit nomination haul, it ended the night with zero victories.
Does It Make the Final Five?
Yes. Even with the goose egg, the sheer number of nods indicates making the quintet.
Captain Phillips
With Tom Hanks as the title character in the true life Somali pirate drama, Paul Greengrass’s tense thriller scored 6 overall nods. In addition to Pic, Supporting Actor (Barkhad Abdi), Adapted Screenplay, both Sound races, and Film Editing were in the mix. Like Hustle, there were no wins.
Does It Make the Final Five?
No. With no nods for directing or Hanks’s performance (which was a huge snub), I think this would’ve been on the outside looking in.
Dallas Buyers Club
While our first two selections went 0 for 16, this mid 80s set AIDS drama won half of its six nominations – Actor (Matthew McConaughey), Supporting Actor (Jared Leto), and Makeup and Hairstyling. The other two mentions were Original Screenplay and Film Editing.
Does It Make the Final Five?
Yes, but it’s a close call. The three gold statues put it over the edge in my opinion despite not landing a directing slot for the late Jean-Marc Vallee.
Gravity
Alfonso Cuaron’s space thriller tied Hustle with 10 nominations. Unlike Hustle, it won 70% of its possibilities: Director, Score, Sound Editing, Sound Mixing, Cinematography, Film Editing, and Visual Effects. Sandra Bullock was nominated for Best Actress and it got a Production Design nod.
Does It Make the Final Five?
Yes. Even without a screenplay nom, this would’ve been in contention and it was probably the runner-up to Slave considering the Cuaron win.
Her
Spike Jonze’s quirky romantic drama won Original Screenplay and was up for Score, Song, and Production Design.
Does It Make the Final Five?
No because it missed out on key precursors including Director, Actor (Joaquin Phoenix), and Film Editing.
Nebraska
Alexander Payne’s B&W road dramedy nabbed five other nods for direction, Actor (Bruce Dern), Supporting Actress (June Squibb), Original Screenplay, and Cinematography. It didn’t emerge victorious for any.
Does It Make the Final Five?
No, but I struggled with this one (it’s sixth). Film Editing is often the biggest indicator of a BP nom and that’s part of the reason I gave Dallas Buyers Club a slight edge.
Philomena
Judi Dench received a Best Actress nod for this adoption drama. Adapted Screenplay and Score were the other mentions as its four overall are the least of the BP hopefuls.
Does It Make the Final Five?
No. The Academy loves Dench. However, that wouldn’t have been enough for this to survive a cut to five.
The Wolf of Wall Street
Martin Scorsese’s raunchy tale of 80s excess landed Leonardo DiCaprio and Jonah Hill acting spots. The direction and Adapted Screenplay were up as well. It won none.
Does It Make the Final Five?
Yes though I will say I don’t think it’s automatic. Wolf‘s complete lack of nominations in the tech categories is a bit of a surprise, but ultimately I don’t think the voters would’ve ignored this.
So my quintet for 2013 would be:
12 Years a Slave
American Hustle
Dallas Buyers Club
Gravity
The Wolf of Wall Street
2014 is up next and will be on the blog soon!
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