Spider-Man: Into the Spider-Verse Movie Review

In the 21st century cinematic universe, the famed web slinger has been reinvented on a number of occasions – from Tobey Maguire to Andrew Garfield to Tom Holland. SpiderMan: Into the SpiderVerse is the first one that feels truly inventive. Anyone thinking this animated experience would be a sub par spin-off or money grab will find themselves sorely mistaken. This iteration of the iconic hero has a lot of heart, plenty of action, and a warped sense of humor that elicits genuine laughs. Directors Bob Perischetti, Peter Ramsey, and Rodney Rothman (who co-wrote the screenplay along with Phil Lord) have drawn up what is probably the most satisfying Spidey pic on its own terms.

The picture posits the theory that our title character does his Spidey thing in multiple dimensions and in different forms than just Peter Parker. These characters are familiar to fans of the Marvel Comics and even includes Spider-Ham, representing the hero in pig form. He’s here and he’s fabulous. Our primary Spidey here is Miles (voiced by Shameik Moore), a Brooklyn teen with a police officer father and a potentially shady uncle that he admires. Miles attends a prep school and feels lost in his adolescence just like Peter Parker did. He’s a fan of Spider-Man, who is currently fighting Big Apple crime in the manner we’re accustomed to. That’s until bad guy Kingpin (Liev Schrieber) knocks him off, but not before Miles get a radioactive bite that gives him the well-known powers.

What follows is a visually splendid adventure where it’s clear that the makers really adore the character. At the same time, they take him in unforeseen directions that perhaps only the animated format could allow. Miles’s Spidey teams with an aging and out of shape Peter Parker (Jake Johnson) from a different “verse”, along with Spider-Woman (Hailee Steinfeld) and the aforementioned Ham version. There’s others, but part of the fun is watching them appear without me spoiling it.

Plenty of superhero movies take themselves quite seriously and many have succeeded with that tone. Guardians of the Galaxy and Deadpool introduced a different dynamic that is evident here. Yet SpiderVerse is not derivative. It manages to take one of the most repeated story arcs in the genre and cleverly turn it on its head. I enjoyed it immensely. The possibilities are many for this particular universe to continue and I’m up for it.

***1/2 (out of four)

Oscars Spread The Love: A Recap

It was an evening in which the Academy was generous with their selections – so much so that all eight Best Picture nominees took at least one gold statue. It was also a night where many of the viewers (including me) may have pondered, “Maybe we don’t need a host after all…”

As far as the Oscars go, the ceremony moved rather briskly with a focus on the categories and minimal filler. The telecast saved the surprises for the end portion and they were fairly significant.

I went 14 for 21 in my picks. The big winner would have to be Green Book, which took Best Picture, Supporting Actor (Mahershala Ali), and Original Screenplay. Its win in the top race was a bit unexpected as Roma had front-runner status. Alfonso Cuaron did win for his direction and the Mexican drama emerged victorious as Foreign Language Film and for its Cinematography.

The acting races went as planned until the last one. Rami Malek (Bohemian Rhapsody), Regina King (If Beale Street Could Talk), and Ali won. Actress was another story as Glenn Close (The Wife), after taking multiple precursors, lost to Olivia Colman’s work in The Favourite. Her speech was probably the funniest and most genuine of the evening.

It was a good night all around for Rhapsody, which also took Editing and both Sound races. Same for Black Panther, which was honored for Production Design, Costume Design, and Score.

Other winners:

Adapted Screenplay – BlacKkKlansman, marking Spike Lee’s first competitive Oscar victory

Animated Feature – SpiderMan: Into the SpiderVerse

Documentary Feature – Free Solo

Makeup and Hairstyling – Vice

Visual Effects – First Man

Song – “Shallow” from A Star is Born

Some other observations:

  • As mentioned, I didn’t miss having a host one bit, but Melissa McCarthy would be fine by me if she accepted next year.
  • In an awards show where musical performances can often be forgettable, the duet between Bradley Cooper and Lady Gaga was fantastic. The Queen opening was a pleasure to witness as well.
  • 2018 definitely proved itself to be a year where voters had no clear favorite to sweep anything. The wealth was spread.

And that’s my take! Keep an eye on this here blog for many posts to come guesstimating on the next Oscars!

2018 FINAL Oscar Winner Predictions

We’ve had months of predictions and endless speculation on this blog about the 2018 Oscars and now it’s come to this. On Sunday, the 91st edition of the Academy Awards will air with your host…

As you’ve likely read, there actually is no emcee for this year’s ceremony. I’m not here to write about that. I’m here to make my final picks for the winners! Let’s break down each race one by one, shall we? And, of course, I’ll have a piece up Sunday night with my thoughts on how it all went down.

Best Picture

Nominees: Black Panther, BlacKkKlansman, Bohemian Rhapsody, The Favourite, Green Book, Roma, A Star Is Born, Vice

Analysis: First things first. It’s extremely rare that the winner here doesn’t have its director nominated. Therefore, two films that might have served as the biggest competition to Roma could now be seen as longer shots: A Star Is Born and Green Book. You could correctly point out that Argo achieved a victory just six years ago without Ben Affleck getting an individual nod. However, it had been 23 years prior to that (Driving Miss Daisy) when it had occurred previously. BlacKkKlansman and The Favourite are upset possibilities, but the smart money is on Alfonso Cuaron’s Netflix Mexican drama and it would mark the streaming service’s first win in the big race.

Predicted Winner: Roma

Best Director

Nominees: Alfonso Cuaron (Roma), Yorgos Lanthimos (The Favourite), Spike Lee (BlacKkKlansman), Adam McKay (Vice), Pawel Pawlikowski (Cold War)

Analysis: I feel even more confident that Cuaron will take the gold here, even if Roma somehow comes up short in Picture. He’s run the table on precursors, including the DGA prize. It would be his second win in five years, after winning for 2013’s Gravity.

Predicted Winner: Cuaron

Best Actor

Nominees: Christian Bale (Vice), Bradley Cooper (A Star Is Born), Willem Dafoe (At Eternity’s Gate), Rami Malek (Bohemian Rhapsody), Viggo Mortensen (Green Book)

Analysis: This is a tough one as Malek and Bale have split a number of precursors. With the SAG Awards, I deemed it a coin flip and picked Malek. I was right. At the Golden Globes, they both won due to category splits. I won’t be surprised to see either win, but my 50/50 feeling going with Malek worked before

Predicted Winner: Malek

Best Actress

Nominees: Yalitza Aparicio (Roma), Glenn Close (The Wife), Olivia Colman (The Favourite), Lady Gaga (A Star Is Born), Melissa McCarthy (Can You Ever Forgive Me?)

Analysis: Aparicio and McCarthy should be honored to be nominated. Colman and Gaga are threats, but Close has fared best in previous ceremonies and there’s the fact that she’s a highly respected performer who’s yet to win despite multiple nods.

Predicted Winner: Close

Best Supporting Actor

Nominees: Mahershala Ali (Green Book), Adam Driver (BlacKkKlansman), Sam Elliot (A Star Is Born), Richard E. Grant (Can You Ever Forgive Me?), Sam Rockwell (Vice)

Analysis: This category features the last two Oscar winners as Ali won in 2016 for Moonlight and Rockwell took it last year for Three Billboards Outside Ebbing, Missouri. They have far different chances to become two-time victors. Ali is the front-runner. Supporting Actor has seen upsets, but Ali looks strong.

Predicted Winner: Ali

Best Supporting Actress

Nominees: Amy Adams (Vice), Marina de Tavira (Roma), Regina King (If Beale Street Could Talk), Emma Stone (The Favourite), Rachel Weisz (The Favourite)

Analysis: Even though King didn’t get a SAG nod, they bestowed their award to Emily Blunt for A Quiet Place and she’s not even nominated. An Adams name call is feasible since she’s never won, but King will probably be crowned Sunday evening.

Predicted Winner: King

Best Adapted Screenplay

Nominees: The Ballad of Buster Scruggs, BlacKkKlansman, Can You Ever Forgive Me?, If Beale Street Could Talk, A Star Is Born

Analysis: Star could perhaps shine here, but this really feels like the race where voters will recognize BlacKkKlansman. 

Predicted Winner: BlacKkKlansman

Best Original Screenplay

Nominees: The Favourite, First Reformed, Green Book, Roma, Vice

Analysis: This one is legitimately difficult and I think you can make a case for all of them. Roma is a distinct possibility as the Picture favorite and Green Book could make a showing. Yet my slight favorite here is The Favourite.

Predicted Winner: The Favourite

Best Foreign Language Film

Nominees: Capernaum, Cold War, Never Look Away, Roma, Shoplifters

Analysis: This could be interesting. As revealed above, Roma is my Picture pick. So it’s automatic that it wins here right? Not so fast. Cold War could get the consolation prize and I feel that’s even more possible since it nabbed a surprise nod for director Pawel Pawlikowski. I’m tempted to pick it, but I’ll say Roma manages the double win. However, if you wish to get creative in your office pool, this could be the race to do it.

Predicted Winner: Roma

Best Animated Feature Film

Nominees: Incredibles 2, Isle of Dogs, Mirai, Ralph Breaks the Internet, SpiderMan: Into the SpiderVerse

Analysis: Pixar has dominated this field for years. In most years, it would be risky to bet against them – therefore Incredibles 2. This might be the year to do it as SpiderMan arrived late in the year, swung the momentum, and swept the precursors.

Predicted Winner: SpiderMan: Into the SpiderVerse

Best Documentary Feature

Nominees: Free Solo, Hale County This Morning, This Evening, Minding the Gap, Of Fathers and Sons, RBG

Analysis: One of the biggest shockers when nominations came out was the omission of Mr. Rogers doc Won’t You Be My Neighbor?. I likely would’ve picked it to win had it been nominated. Now I believe this is between Solo and RBG. Reverence for the latter could swing it that way, but I’ll give a small edge to Solo.

Predicted Winner: Free Solo

Best Film Editing

Nominees: BlacKkKlansman, Bohemian Rhapsody, The Favourite, Green Book, Vice

Analysis: Bohemian Rhapsody won the significant precursor for its branch and The Favourite or BlacKkKlansman could factor in as well. My gut says Vice may get this one, however.

Predicted Winner: Vice

Best Cinematography

Nominees: Cold War, The Favourite, Never Look Away, Roma, A Star Is Born

Analysis: Major love for the foreign pics here and Cold War has a shot. This is probably Roma’s race to lose though.

Predicted Winner: Roma

Best Production Design

Nominees: Black Panther, The Favourite, First Man, Mary Poppins Returns, Roma

Analysis: This one comes down to Panther and Favourite in my view and I’ll give the latter an ever so slight edge,

Predicted Winner: The Favourite

Best Costume Design

Nominees: The Ballad of Buster Scruggs, Black Panther, The Favourite, Mary Poppins Returns, Mary Queen of Scots

Analysis: Like Production Design, Panther and Favourite are the favorites. The best bet could be The Favourite, but Panther has to win something right?

Predicted Winner: Black Panther

Best Makeup and Hairstyling

Nominees: Border, Mary Queen of Scots, Vice

Analysis: A Border win isn’t out of the question, but Vice is the likely recipient here.

Predicted Winner: Vice

Best Sound Editing

Nominees: Black Panther, Bohemian Rhapsody, First Man, A Quiet Place, Roma

Analysis: First Man and Panther could get this, but that Wembley Stadium sequence could cause Rhapsody to achieve gold status.

Predicted Winner: Bohemian Rhapsody

Best Sound Mixing

Nominees: Black Panther, Bohemian Rhapsody, First Man, Roma, A Star Is Born

Analysis: Even though Star didn’t get in the other Sound race, Mixing seems like where it could be picked. I wouldn’t count out First Man, but I’ll guess Star wins here.

Predicted Winner: A Star Is Born

Best Visual Effects

Nominees: Avengers: Infinity War, Christopher Robin, First Man, Ready Player One, Solo: A Star Wars Story

Analysis: It was a bit surprising that Black Panther missed the cut here. Its MCU counterpart Infinity is possible, but I’ll say this is the sole victory for First Man.

Predicted Winner: First Man

Best Original Score

Nominees: Black Panther, BlacKkKlansman, If Beale Street Could Talk, Isle of Dogs, Mary Poppins Returns

Analysis: Another chance for Panther lies here, but I’m going with a coin flip between BlacKkKlansman and Beale Street.

Predicted Winner: If Beale Street Could Talk

Best Original Song

Nominees: “All the Stars” from Black Panther, “I’ll Fight” from RBG, “The Place Where Lost Things Go” from Mary Poppins Returns, “Shallow” from A Star Is Born, “When a Cowboy Trades His Spurs for Wings” from The Ballad of Buster Scruggs

Analysis: My last race is the easiest. “Shallow” is the massive favorite here.

Predicted Winner: “Shallowfrom A Star Is Born

And there you have it. Enjoy the show Sunday night!

The British Are Picking! A BAFTA Recap

Our British friends had their version of the Oscars today with the BAFTA Awards. The ceremony has a checkered history with its American counterpart in matching wins, particularly with Best Picture.

In this decade, the BAFTA and Oscar victor for the top prize matched from 2010-2013. However, the shows have honored different recipients for the last four years. The Picture winner tonight is Alfonso Cuarón’s Mexican drama Roma. Given the recent BAFTA history, perhaps that isn’t a great sign for its Academy prospects. Yet it’s performed extremely well with other precursors and likely remains the front-runner for that other awards program in two weeks. Cuarón also took Best Director and the BAFTA/Oscar for that race has lined up for the previous four years.

Rami Malek won Best Actor for Bohemian Rhapsody and that could have him sitting well for Oscar as the BAFTA winner has matched Oscar seven out of eight years this decade. I give him an edge over Christian Bale in Vice.

That seven for eight statistic also applies to Best Actress and things got a little interesting today as Olivia Colman (The Favourite) took the trophy instead of Glenn Close (The Wife) and Lady Gaga (A Star Is Born). I still think Close is the Academy’s favorite, but Colman is making a potential run.

The supporting races furthered a strong front-runner and gave another a first win. Mahershala Ali (Green Book) has made it a clean sweep in Supporting Actor in the precursors and he’s the heavy expected Oscar winner. For Supporting Actress, Regina King (If Beale Street Could Talk) wasn’t nominated here, but remains a slight favorite two Sunday’s from now. BAFTA’s favorite, however, was from The Favourite and it was Rachel Weisz picking up her first significant trophy.

Keep an eye on the blog for my final predictions for the Oscars!

Alita: Battle Angel Box Office Prediction

Based on a popular Japanese graphic novel, the sci-fi action spectacle Alita: Battle Angel is finally ready for release next Thursday. Robert Rodriguez serves as director with a screenplay from another well-known auteur by the name of James Cameron (as well as Laeta Kalogridis). Rosa Salazar provides the voice and motion capture work for the title character and other cast members include Christoph Waltz, Jennifer Connelly, Mahershala Ali, Ed Skrein, and Jackie Earle Haley.

Alita was originally slated for release last summer before being pushed back to December. The folks at 20th Century Fox moved it from that crowded marketplace to Valentine’s Day. However, other movies should still be a factor. The Lego Movie 2: The Second Part will likely top the charts in its second frame while horror sequel Happy Death Day 2U opens and provides some direct audience competition.

The reported budget here is rumored to be possibly $200 million. The visuals have been praised while the film itself has had a mixed critical reaction (57% currently on Rotten Tomatoes). Alita is tracking to be a disappointment stateside considering the price tag and I agree with that assessment. I’ll say it manages high teens to low 20s for the traditional Friday to Monday portion of the Presidents Day frame, which should mean mid 20s when factoring in the Thursday gross.

Alita: Battle Angel opening weekend prediction: $19.7 million (Friday to Monday); $24.8 million (Thursday to Monday)

For my Happy Death Day 2U prediction, click here:

https://toddmthatcher.com/2019/02/06/happy-death-day-2u-box-office-prediction/

For my Isn’t It Romantic prediction, click here:

https://toddmthatcher.com/2019/02/07/isnt-it-romantic-box-office-prediction/

Oscar Watch – Alita: Battle Angel

James Cameron is no stranger to Oscar attention with Titanic winning Best Picture 21 years ago and Avatar picking up a slew of nominations in 2009. In two weeks, he serves as co-writer for Alita: Battle Angel along with Laeta Kologridis. It’s directed by Robert Rodriguez. The pic is based on a well-known series of cyberpunk graphic novels from Japan. Rosa Salazar voices the title character and provides motion capture work for her movements in this mix of live and CG action.

Reviews are out and they’re skewing negative, along with some positive here and there. The Rotten Tomatoes score is currently 44%. A lot of the critics are particularly picking apart the screenplay and that’s not an uncommon knock on Cameron’s writing.

Alita comes with a reported budget upwards of $200 million and it’s being seen as a potential costly flop stateside (foreign grosses could be a different story). While this clearly won’t contend for major categories in awards season, the state of the art visuals have been praised. And it’s worth noting that Cameron’s directorial efforts Aliens, The Abyss, Terminator 2: Judgment Day, Titanic, and Avatar all won Best Visual Effects at the Oscars.

That said, there’s plenty of eye-popping blockbuster feasts on the schedule in 2019 (Avengers: Endgame and the next Star Wars included). With the possibility of negative buzz enveloping it, this may not even be a slam dunk in that category. In that sense, it could be similar to 2017’s Valerian and the City of a Thousand Planets, which also had poor word-of-mouth and missed out in its most obvious slot for recognition. If this manages a nod, the two Sound races are possible as well.

My Oscar Watch posts will continue…

2018 SAG Awards Reaction

The wealth was spread this evening at the 25th Annual Screen Actors Guild Awards as It provided more clues to how Oscar voters may choose their winners in February. I went 4 for 5 in my predictions and I’m pretty pleased with that because some of these races were quite unpredictable.

The miss was indeed a surprise as Emily Blunt took Supporting Actress for her work in A Quiet Place. She wasn’t even nominated for an Oscar and the exclusion of Regina King (If Beale Street Could Talk) here was significant. Ironically, the Blunt victory over the Academy nominated Amy Adams in Vice or Emma Stone and Rachel Weisz (The Favourite) may give King a boost come Oscar time.

As for the other acting categories, it was another trophy for Mahershala Ali in Green Book for Supporting Actor as he continues to solidify his status as the front-runner. Same goes for Glenn Close in The Wife in lead actress. In lead actor, that’s a bit murkier as Rami Malek took the Actor for Bohemian Rhapsody. I still consider the Oscar race close between him and Christian Bale in Vice. Bradley Cooper’s chances for A Star is Born have dimmed even more.

It was a bad night for that picture as it went 0 for 4. The top Ensemble race went to the sprawling cast of Black Panther. What does that do for its Oscar chances? Truth be told, I think not much as the victor here often doesn’t match the Academy’s Best Picture recipient.

There’s your recap, folks! Now it’s onto more speculation for Oscar…