Tag Archives: Queen

Bohemian Rhapsody Movie Review

Bryan Singer’s Bohemian Rhapsody hits many familiar notes and plot points as it explores the great showman that was Freddie Mercury and his iconic band Queen. There’s strain in his family – his actual one and the one that consists of his band mates. There’s the rise to fame and corruption of it. We have relationships strained to the point of apparent breakdown before reconciliation. Truth be told, many of these story arcs are so well-worn that you may feel you already know the words to them in the screenplay before they’re spoken.

However, it manages to succeed in a couple of meaningful ways. More than most music biopics, Rhapsody often captures the sheer magic that was Mercury. In the performance of Rami Malek, we have more than a fine impersonation (with the assistance of fake teeth). His work here captures the magnetism that Queen’s front man had. Additionally, the film builds its tale around their music that culminates in a Live Aid set that plays like a phoenix rising through the ashes.

We first meet the awkward looking Freddie handling luggage at Heathrow in London. He’s shy to a point, but also brimming with confidence in his vocal abilities as he rightly should. Freddie takes advantage of a lead singer opening in the band Smile and dubs it Queen. The rest, as they say, is history.

Regarding that history, Rhapsody has taken its licks for alternating some of the band’s timeline and events. It’s fair criticism, but the aim here is more of a celebration of the tracks that Mercury, Brian Ferry (Gwilym Lee, who nails the guitarist’s look and stance), Roger Taylor (Ben Hardy), and John Deacon (Joseph Mazzello) create. Segments are featured around the title track, “We Will Rock You”, and “Another One Bites the Dust”. Freddie’s relationship with Mary (Lucy Boynton) is chronicled through the creation of “Love of My Life”. She’s his one-time fiancee who realizes his homosexuality perhaps before he does. Yet their bond is stronger than the physical.

The screenplay from Anthony McCarten also delves into the group’s business dealings. There’s a cheeky scene about the release of “Rhapsody” that allows Mike Myers (as a very 1970s looking record exec) to reference his famous head banging scene in Wayne’s World. We see the hangers-on that nearly deep six the band. Contrary to early reports, we do glimpse Freddie’s promiscuity and substance abuse and eventual AIDS diagnosis.

It’s not the movie’s nature to go too far down that rabbit hole. If you are expecting that, you may walk away disappointed. I walked away impressed by its achievement in capturing what made Freddie and his musical family so special. I didn’t walk away sensing any of the well-publicized behind the scenes drama that resulted in director Singer being replaced well into the shooting schedule by Dexter Fletcher. And I certainly left marveling at Malek’s commitment in bringing Freddie to the screen, with the loud and gorgeous sounds of his live performance in front of a billion plus people ringing in my ears.

*** (out of four)

Oscar Watch: Bohemian Rhapsody

The review embargo is officially lapsed for next weekend’s Bohemian Rhapsody, the highly publicized Queen biopic headlined by Rami Malek as Freddie Mercury. Critical reaction appears to mostly match the social media buzz that emerged a couple of weeks back.

In short – Malek gives a bravura performance as the legendary frontman while the picture itself is more of a mixed and conventional bag. At the moment, its Rotten Tomatoes score stands at just 50%. Don’t expect this to come anywhere near a Best Picture nod. In my weekly prediction posts, I’ve had this hovering in the bottom rungs of 25 possibilities. I anticipate it falling out completely on Thursday.

Malek, on the other hand, is still viable. He could especially find himself making the final five if Rhapsody soars at the box office. Yet I believe it’s a legitimate question as to whether the reviews risk pushing him out of contention.

Bottom line: Bohemian getting Best Picture attention isn’t real life. That’s just fantasy, but Malek’s nomination could still happen.

The film opens November 2. My Oscar Watch posts will continue…

Bohemian Rhapsody Box Office Prediction

Blogger’s Note (10/30/18): My estimate has been bumped from $31.8M to $41.8M

In the United States, famed British band Queen had two #1 hits with “Another One Bites The Dust” and “Crazy Little Thing Called Love”. Next weekend, a biopic of its legendary lead singer Freddie Mercury is likely to top box office charts when Bohemian Rhapsody debuts. Named after one of their signature tunes (used memorably in 1992’s Wayne’s World), Rami Malek stars as Mercury. The supporting cast includes Lucy Boynton, Ben Hardy, Gwilym Lee, Joseph Mazzello, and Wayne Campbell himself – Mike Myers. The film shares credit for its directors, as original filmmaker Bryan Singer was replaced well into the shooting schedule with Dexter Fletcher. That move attracted plenty of publicity.

With its well-received and rocking trailers, Rhapsody appears poised to knock off Michael Myers from #1 when it opens. It certainly has breakout potential due to familiarity with the band, but it could also leg out well if it achieves positive audience word-of-mouth. Reviews will be out shortly, but early buzz suggests the picture is a bit of a mixed bag while Malek’s portrayal of Mercury could generate Oscar attention.

I’ll say this starts its cinematic journey in the high 30s to low 40s range.

Bohemian Rhapsody opening weekend prediction: $41.8M million

For my The Nutcracker and the Four Realms prediction, click here:

https://toddmthatcher.com/2018/10/24/the-nutcracker-and-the-four-realms-box-office-prediction/

For my Nobody’s Fool prediction, click here:

https://toddmthatcher.com/2018/10/24/nobodys-fool-box-office-prediction/

Music Biopics: The Name Game

A growing trend in movies for the past few years (and a bit beyond) is the musical biopic that incorporates one of the band or artist’s songs into the title. The latest example will come out this fall with Bohemian Rhapsody, the behind the scenes story of Queen.

2019 will bring us Rocketman with Taron Egerton as the legendary Elton John.

We’ve seen this trend in years past. For instance, the 1980s saw La Bamba about Richie Valens.

The 1990s gave us Angela Bassett in her Oscar nominated role playing Tina Turner in What’s Love Got to Do With It?

In 2005, we had Walk the Line with Joaquin Phoenix in his Academy nominated turn as Johnny Cash and Reese Witherspoon winning as June.

More recent ones have been in the hip hop world with Straight Outta Compton (N.W.A.) and All Eyez on Me (Tupac Shakur). There’s also Get On Up with Chadwick Boseman as the Godfather of Soul, James Brown.

So this got me thinking. What would be some other movie/song titles if certain iconic musicians got their biopic? For this blog post’s purposes, I tried to focus on artists where I feel a big screen treatment on them is at least feasible. In other words, while Rico Suave might be a spectacular title, I don’t envision two hours on Gerardo coming anytime soon.

There is already a Madonna flick reportedly in the works and it takes its name not from a tune, but from one of her tours – Blond Ambition. I suppose Material Girl or Like a Prayer could have worked, but Blond Ambition is just about perfect.

Some choices seem obvious. You gotta call the Bon Jovi story Livin on a Prayer, after all. And My Way seems like the natural fit for Frank Sinatra. And Born to Run for Bruce Springsteen. And there’s Piano Man for Billy Joel.

It doesn’t end there. Respect (Aretha Franklin) and Fire and Rain (James Taylor).

When it comes to some recently dearly departed legends, Prince presents a challenge because you can’t call it Purple Rain. And a number of his other massive hits don’t fit. When Doves Cry is probably the name the studio would go for considering it’s his biggest hit. Personally, I rather like the thought of My Name is Prince, taken from his Love Symbol album of 1992.

With Michael Jackson, Thriller would work but it’s hard to imagine Man in the Mirror not being the choice.

For David Bowie, Starman seems like the winner, but that’s also the name of a fairly well-known 1980s science fiction effort starring Jeff Bridges. That may not matter, but if so, Space Oddity or simply calling it Ziggy Stardust might fit.

Tom Petty? How about Free Fallin or Runnin Down a Dream. George Michael? Faith or Freedom. Whitney Houston? Tough one. Perhaps a studio would want I Will Always Love You. Maybe So Emotional works as well.

Some bands have more than one title that seem appropriate. Aerosmith has three great ones: Dream On, Sweet Emotion, or Walk This Way. With AC/DC – Back in Black or Thunderstruck.

Guns n Roses is an interesting one. Welcome to the Jungle is fantastic, but it was just the subtitle for the blockbuster Jumanji reboot. In this matter, you might have to go with their album name Appetite for Destruction, which is ideal.

Metallica could have For Whom the Bell Tolls or Enter Sandman. Nirvana might have Smells Like Teen Spirit as the studio choice, but I’m a little partial to Come As You Are.

I like Runnin with the Devil for Van Halen and I suppose Stairway to Heaven would be the choice for Led Zeppelin.

Let’s move off rock. How about Britney Spears? That may depend on what direction the studio goes. It could be Toxic or Stronger. Maybe Baby One More Time instead.

Stevie Wonder? Superstition or Sir Duke are possibilities, but I like Higher Ground.

With Bob Marley, maybe Get Up, Stand Up or One Love.

Circling back to hip hop, Fight the Power is the clear pick for Public Enemy and the same may hold true for Mama Said Knock You Out with LL Cool J.

And then there’s my favorite… the Rick James biopic Super Freak. Why hasn’t this been made already?

I could go on, but you get the idea. Let’s see if any of these suggested titles end up playing out in the future. Maybe there will be surprises… Barbie Girl: The Aqua Story, anyone?

Ladies and Gentlemen: The Best of George Michael

On Christmas Day – the world lost another musical icon in 2016 when George Michael passed at age 53. I’ve been a huge fan of the singer for whole life and I wanted to provide my personal Top 25 list of my favorite GM tunes. The listing also includes songs from his work in Wham! prior to him going solo in 1987. I did make the choice not to include covers. However, check out his covers of Elton John’s “Don’t Let the Sun Go Down on Me” and Queen’s “Somebody to Love” in particular.

For those not intimately familiar with this brilliant singer’s work, I urge you to explore your Apple Music or other streaming service to appreciate just how remarkable he was. And these 25 songs represent a solid start.

RIP George Michael.

25. “Monkey” from Faith (1987)

24. “Spinning the Wheel” from Older (1996)

23. “Outside” from Ladies & Gentlemen: The Best of George Michael (1998)

22. “Fantasy” – B-Side Single (1990)

21. “Move On” from Older (1996)

20. “Amazing” from Patience (2004)

19. “I’m Your Man” from Music from the Edge of Heaven (1986)

18. “I Want Your Sex” from Faith (1987)

17. “Too Funky” from Red Hot + Dance Compilation (1992)

16. “A Different Corner” from Music from the Edge of Heaven (1986)

15. “The Edge of Heaven” from Music from the Edge of Heaven (1986)

14. “Hard Day” from Faith (1987)

13. “One More Try” from Faith (1987)

12. “Freedom” from Make It Big (1984)

11. “Kissing a Fool” from Faith (1987)

10. “Father Figure” from Faith (1987)

9. “Last Christmas” from Music from the Edge of Heaven (1986)

8. “Praying for Time” from Listen Without Prejudice (1990)

7. “Wake Me Up Before You Go -Go” from Make It Big (1984)

6. “Careless Whisper” from Make It Big (1984)

5. “Faith” from Faith (1987)

4. “Fastlove” from Older (1996)

3. “Cowboys and Angels” from Listen Without Prejudice (1990)

2. “Everything She Wants” from Make It Big (1984)

1. “Freedom ’90” from Listen Without Prejudice (1990)